Tyla is finally addressing Yung Miami’s claims that she stole her song ‘Chanel.’ Back in October 2025, Yung Miami took to X and alleged that someone had “ran off” with her song. While the rapper didn’t initially name anyone, she later made it clear that she was referring to Tyla after comparing her unreleased track ‘Take Me to Chanel’ to Tyla’s then-upcoming single ‘Chanel.’ Miami also claimed she had personally played the song for Tyla before the singer previewed her own track. Now, months after the allegations sparked an online debate, Tyla is sharing her side of the story.

Related: Yung Miami Accuses Tyla Of Stealing ‘Take Me To Chanel’ Track After Tyla Teases New Song ‘Chanel’ (LISTEN)

Tyla Denies Stealing ‘Chanel’ From Yung Miami

During a recent appearance on Quen Blackwell’s ‘Feeding Starving Celebrities,’ the singer denied stealing the song and explained how ‘Chanel’ came together. Tyla recalled seeing Yung Miami’s posts online and immediately wondering whether they were about her. According to Tyla, she and Yung Miami had previously attended a party where Miami played around 20 songs. However, Tyla said her own ‘Chanel’ track came into the picture months later, when songwriter Bibi Bourelly sent her the song, with its concept and vibe already in place.

Tyla also said she understood why Yung Miami may have questioned the situation, explaining that she has experienced moments when other songs reminded her of her own music. She made it clear that she would never intentionally take another artist’s idea, adding, “You think I’m trying to ruin my career.” Despite the online controversy, Tyla made it clear she doesn’t have an issue with Yung Miami and showed the rapper love by singing part of her hit song ‘Spend Dat.’

Social Media Reacts

Plenty of TeaMates flooded The Shade Room Teens comment section after Tyla shared her side.

Instagram user @indigo.rich.official wrote, “Please, there are plenty songs with the same message. 😂 especially when people have ghost writers it’s very easy to have similar lyrics to another artist. The artist job is to perform.

Another Instagram user @alwayzthebride wrote, “Tyla didn’t even write the song. Let’s give the writing queen Bibib Bourelly the cred where credit is due

While Instagram usre @itsjstblu wrote, “Man let’s leave this in October, they both got good songs 😭🤣”

Instagram user @trinitymiraclle wrote, “The songs don’t even sound the least bit similar please”

Another Instagram user @irlgoofyasf wrote, “you sure sista? bc she said she played it FOR YOU 🤔🤔”

While Instagram user @amarerai wrote, “I love quen, she gon ask what everyone wants to know 😭”

Instagram user @kassidybanks wrote, “So the writer stole it? Either way somebody stole it & it’s ya song”

Another Instagram user @soniashubinternational wrote, “But she stole Ayra Star personaility”

While Instagram user itisjun_ wrote, “To say bibi stole anything yall need to do yall research!1 Especially when it come to Bibi and what bibi wrote… bibi wrote for yalls favoritesss !!! No shade one of the best writers in the game so plsss… she do not have to steal a f thing oms!!!

Songwriter Bibi Bourelly Steps In To Clear The Air

Tyla wasn’t the only person ready to address the speculation. After The Shade Room Teens shared the clip, the songwriter of Tyla’s ‘Chanel’ Bibi Bourelly stepped into the comment section herself to shut down the idea that ‘Chanel’ or its concept came from another artist’s work. “Respectfully, one thing’s for sure, two things are for certain: neither the song nor the concept were inspired by anyone else’s work,” Bourelly wrote, adding that she wanted to put the rumor to rest.

Related: Oop! Tyla Appears Unbothered Amid Reactions To Her Viral Video About Meeting Rihanna & Seeing Her At The Met Gala (WATCH)

Bachelor Nation’s Dylan Barbour is giving Us an exclusive update on Joe Amabile’s health and mindset ahead of the former The Bachelorette contestant’s scheduled brain surgery.

“Just saw Joe in the Hamptons,” Dylan, 32, exclusively told Us while attending the USA Basketball Foundation x RX3 Charity’s 3×3 tournament on Saturday, August 1. “He’s doing well. It’s good to see him. Good to spend time with him. I talk to him weekly.”

Dylan continued, “Surgery is coming up, but we’re praying for him. Obviously, my whole family is thinking about him. Joe’s the best. We spent summers together at our lake house. We went to the Hamptons. Him and Serena [Pitt] couldn’t be better people. I’m hoping for the best.”

Early last month, Bachelor in Paradise’s Joe, 40, revealed he would be undergoing brain surgery after doctors discovered a lesion.

Related: Serena Pitt Thanks Fans for Support Ahead of Joe Amabile’s Brain Surgery

Bachelor Nation alum Serena Pitt is thanking fans for their “love and support” after news of husband Joe Amabile’s brain tumor. “Finding out that Joe has a brain tumor has come with so many emotions. It has felt very scary, overwhelming and heavy at times,” Serena, 28, captioned an Instagram post on Tuesday, July 14. […]

“So a little medical update. I didn’t share my Prenuvo results because they ended up finding a lesion on my brain so then I had to go get a brain MRI and there was a blueberry size lesion in my brain that looks to be a glioma, which is a tumor,” Joe revealed on July 13 via a video shared on Instagram. “And then we’re going to go from there. So it’s been a wild couple weeks. I definitely wasn’t expecting this. I think it’s one of those things where you’re like, ‘Oh, something like this will never happen to me.’ And here I am.”

Despite his upcoming surgery, Dylan told Us that “life is good for Joe right now,” adding that his friend remains upbeat and positive.

“He’s healthy, working out, eating well,” he added. “I give him a hard time. You obviously don’t want to play too much into it. You can get pretty sad about those things. Everybody’s still holding out hope it’s just going to be all good. I think it will be, and we’re thinking of it. But Joe couldn’t be a better guy.”

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Recently, on July 28, revealed his hope to run the New York City marathon in the wake of his surgery, sharing a screenshot of his acceptance into the race and writing, “We’ll see.” The former reality TV star also added a crossing finger emoji.

While spending time with Joe, Dylan has also become good friends with his wife, Serena, too. (For the uninitiated, Joe met Serena, a publicist, on season 7 of Bachelor in Paradise. The pair left the show engaged, going on to say “I do” in a New York City courthouse in October 2022. They had a second wedding in September 2023 in Charleston, South Carolina.)

“Joe and Serena are the most fun couple to hang out with. Joe and I get to be idiots,” Dylan dished to Us on Saturday. “Serena and [my wife] Hannah [Godwin] can be, like, playmates. They get to hang out, take pics, do their thing. So it’s a great time. I can’t wait. I’m sure we’ll see them soon in New York.”

The internet has been waiting for Jaidyn Alexis to enter the chat after Kai Bandz popped out with Yaya Mayweather. While Jaidyn hasn’t stepped in yet, Karlissa Saffold came through with her thoughts on Kai and Yaya’s cozy link-up. Karlissa also dropped some advice for Jaidyn amid the viral moment.

RELATED: New Bae Alert? Social Media Mentions Jaidyn Alexis After Yaya Mayweather Gets Cozy With Kai Bandz (VIDEOS)

Karlissa Saffold Weighs In On Kai Bandz & Yaya Mayweather’s Viral Pop-Out

Recently, Karlissa Saffold dropped a video on Instagram to weigh in on Yaya Mayweather and Kai Bandz’s viral link-up. In the clip, she kept it 100 with her followers and said she always felt like Kai Bandz was using Jaidyn for clout. “That little boy was using her for clout.” Karlissa continued, “Now look at her […] look at him up over there all tongued up with NBA YoungBoy ex-girlfriend, moving on to the next clout butt.” She also shared that she tried to give Jaidyn some advice, but she didn’t listen to her. “I told you not to let that little yellow boy use you. But y’all don’t listen to me though.”

Yaya Mayweather & Kai Bandz Had The Internet Asking “What’s Tea?” After Popping Out Together

Yaya Mayweather put social media in full detective mode after she dropped a video of herself looking real cozy with Kai Bandz on her Instagram Story. The clip showed the them hanging out in what looked like a lounge while Kai enjoyed some hookah. At one point, Yaya gave him several kisses on the cheek, but even with that she captioned her video, “my friend.” Kai hasn’t spoken on their status, but fans quickly brought up Jaidyn Alexis since she also looked cozy with Kai back in July.

Fans Revisit Jaidyn Alexis’ Cozy Moments With Kai Bandz

Social media users have been throwing Jaidyn’s name in the mix because she previously popped out on a Twitch livestream with Kai in July. During the stream, Jaidyn and Kai kicked it in the kitchen while she cooked, and at one point, he playfully smacked her on the butt. Jaidyn later fueled dating speculating when she shared Instagram photos of the them together that gave major dinner-date vibes.

Jaidyn Alexis started getting wild with her new man Kai Bandz on stream last night after officially moving on from Blueface 👀 pic.twitter.com/PGgJ3qUTaI

— keeno (@ayekeeno) July 18, 2026

RELATED: Whew! Jaidyn Alexis Seemingly Hard Launches New Boo As Blueface Gets Dragged Into The Conversation (VIDEOS + PHOTOS) 

Modest Mouse guitarist Simon O’Connor will not join the band’s upcoming North American tour after an anonymous person accused him of sending inappropriate Instagram messages shortly before her 17th birthday. Screenshots posted on Reddit, and now circulating on X, reportedly show O’Connor sending the fan an explicit image before suggesting they were both responsible for how the exchange unfolded. The 42-year-old musician has since apologized for contacting the person but claimed he mistakenly believed the account belonged to someone who had repeatedly created profiles to “mess” with him.

The allegations emerged in a Reddit post from an anonymous person who said O’Connor contacted her after she “liked” several of his Instagram posts. According to the shared screenshots, the interaction happened days before the fan turned 17.

O’Connor allegedly initiated the conversation by sending an image of people playing Simon Says accompanied by the words, “SIMON calls your bluff BUZZ.”

After the fan reacted to the message with an alien head emoji, the guitarist allegedly sent her a photo of a naked Black man sitting with his legs open. O’Connor quickly apologized, prompting the fan to tell him it was “all good” because she believed his account had been “hacked.”

However, O’Connor allegedly denied that anyone had taken control of his account. “Wish I was hacked just had a party night and looking at everything with one eye ya know,” he allegedly wrote.

Musician Allegedly Said They Were ‘Both To Blame’

The unnamed person advised O’Connor to “get a good night of sleep,” and he reportedly responded with a saluting face emoji.

The conversation allegedly continued when O’Connor attempted to explain why he had contacted her in the first place. “But you did blindside me with a gaggle of likes and then very little intro besides bikini pics so we are both to blame,” he allegedly wrote. The guitarist reportedly unsent that message before adding, “I did it again.”

The screenshots quickly circulated online, placing O’Connor under scrutiny over both the explicit image and his alleged attempt to assign some responsibility to the underage recipient.

The identity of the person behind the Reddit post has not been publicly disclosed.

Simon O’Connor Responds To Underage Fan Allegations

As the allegations spread, O’Connor addressed the controversy in a Reddit statement reported by Billboard. “Firstly, I would like to just state that I unequivocally oppose any sexual behavior towards minors, as a human and a parent, it disgusts me,” he wrote.

O’Connor claimed that an unidentified person had repeatedly contacted or followed him through multiple social media accounts over the years. “Throughout my adult life, there has been a person who has popped up from time to time with the intention of, for lack of a better term, messing with me,” he continued. “This person creates multiple social media accounts and deletes them … but always posts similar photos that I often recognize from previous accounts.”

According to the musician, he noticed a profile interacting with his posts one night and incorrectly assumed it belonged to that same person. “With poor judgement, I decided to reach out with a tasteless meme, a sticker that read ‘Simon calls your bluff,’ and an attempt to indicate that I recognized the “barrage of likes” and similar photo content from the previous profiles,” he wrote.

Guitarist Says The Message Was Intended As A ‘Gotcha’

O’Connor characterized his initial message as an ill-advised attempt to confront the person he thought was behind the account. “Almost a ‘gotcha.’ After a few minutes, I realized that I had made a mistake and this was not the person who I had dealt with before. I unsent the messages and immediately ceased communication.”

Although his statement offered an explanation for why he initiated contact, O’Connor acknowledged that the recipient should never have been placed in that situation. He said he was “genuinely sorry to the person who received those messages,” adding, “They didn’t deserve to be put in that position, and I’m sorry for the stress and attention this has brought them.”

O’Connor also recognized that his account of the incident might not satisfy everyone who saw the alleged messages. “I know some people will choose not to believe me, and I understand that. I can’t change what’s happened. All I can do is tell the truth, take responsibility for my mistake, and apologize,” O’Connor concluded.

Modest Mouse Announces O’Connor Will Miss Upcoming Tour

Modest Mouse subsequently announced that O’Connor would not participate in its forthcoming North American tour, which is scheduled to begin Tuesday in Ojai, California. “Simon O’Connor will not be joining us on the upcoming tour,” the band said in an Instagram statement Friday.

The group did not explain whether O’Connor’s absence is temporary or whether he has permanently left Modest Mouse. Its statement also did not directly reference the allegations or his response. Instead, the musicians confirmed that Les Savy Fav guitarist Seth Jabour would take his place for the scheduled performances. “The good news is that Seth Jabour of Les Savy Fav will be jumping in to play guitar. We look forward to being out there with you all.”

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O’Connor’s longer-term status with Modest Mouse remains unclear, but he will not be onstage when the band launches its next run of shows.

Vin Diesel is gearing up for what appears to be an emotional climax to the upcoming final installment of the Fast & Furious franchise.

Titled “Fast Forever,” the fan favorite revealed in a recent social media post that the script is the best he has read in decades and teased that it ties back to the original “The Fast and the Furious,” which also starred the late Paul Walker.

Diesel has continued to honor Walker over the years as a theatrical re-release of the 2001 film prepares to hit theaters later this month.

Vin Diesel cannot contain his excitement for what lies ahead in “Fast Forever,” which is set to hit theaters on March 17, 2028.

The actor and producer took to social media to share his reaction after reading the screenplay for the franchise’s final installment, teasing that it exceeds expectations and will especially resonate with fans who watched the original film.

“You have no idea,” Diesel wrote in the caption alongside a trailer for the upcoming theatrical re-release of “The Fast and the Furious.” “When March 17th 2028 comes… you will thank God you got to see the First one in theaters this summer.”

“I just read the ‘Fast Forever’ script by [Michael Lesslie]. It is the best script I have read in decades,” he added. “I am still crying…”

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‘Fast Forever’ Brings Franchise Veterans Together

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The original “The Fast and the Furious” returns to theaters on August 21, marking the film’s 25th anniversary.

Released in 2001, the movie starred Diesel alongside Paul Walker, Michelle Rodriguez, Jordana Brewster, Rick Yune, and Chad Lindberg. It launched what would become a global franchise and earned more than $207 million at the worldwide box office.

Plot details for “Fast Forever” remain under wraps. However, “Fast X” ended on a major cliffhanger as Dante Reyes (Jason Momoa) pursued revenge for his father’s death, leaving Dominic Toretto’s father figure, family, and closest allies in grave danger.

According to Variety, the film will be directed by Louis Leterrier, known for “The Transporter” and “The Incredible Hulk,” with Michael Lesslie, whose credits include “The Hunger Games: The Ballad of Songbirds and Snakes” and “Assassin’s Creed,” penning the screenplay.

How ‘Fast & Furious’ Became A Global Phenomenon

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What began as a street-racing crime thriller in 2001 has grown into a multi-billion-dollar global action franchise built around one central theme: family, led by Diesel’s Dominic Toretto.

As the series expanded, several Hollywood stars joined the cast, including Dwayne Johnson as Luke Hobbs in “Fast Five,” Jason Statham as Deckard Shaw in “Fast & Furious 6” before returning in “Furious 7,” and Charlize Theron as Cipher in “The Fate of the Furious.”

Other fan favorites include Tyrese Gibson as Roman Pearce, Ludacris as Tej Parker, Gal Gadot as Gisele Yashar, and John Cena as Jakob Toretto, each helping transform the franchise into one of Hollywood’s biggest ensemble action series.

Diesel Previously Teased A Return For Paul Walker’s Character

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Diesel’s emotional reaction to the “Fast Forever” script has fueled speculation that the franchise finale could honor both its long-running characters and the legacy of Paul Walker.

Walker died at age 40 before the release of “Furious 7.” His brothers helped complete his remaining scenes, culminating in the memorable ending where Brian O’Conner and Dominic Toretto part ways before Brian drives into the distance.

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Speaking to fans at FuelFest last year, Diesel revealed that one of the conditions he gave Universal Pictures for making the final film was reuniting Dom and Brian O’Conner.

He also previously told Total Film that he “couldn’t imagine this saga ending without truly saying goodbye to Brian O’Conner.”

Vin Diesel Keeps Paul Walker’s Memory Alive

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The “Chronicles of Riddick” star regularly shares heartfelt tributes to Walker on the anniversary of the actor’s November 2013 death.

Last year, marking the 12th anniversary, Diesel reflected on his daughter Pauline, who was named in Walker’s honor. Although she never met him, he wrote, “When I call her name, I know you’re near.”

Sharing a behind-the-scenes photo of the pair, Diesel said he still clings to the smallest memories of Walker, including “that grin” that “would irritate me.”

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“I’d give anything to be irritated by you one more time,” he wrote, per USA Today. He also recalled seeing Walker’s mother over the summer.

“When your mom saw me this summer, she looked right through me… Like she was searching for you,” Diesel wrote. “Like somehow, through my eyes, she could still find her son. She was right, you know. You were always my other half. I couldn’t have made it without your family’s love.”

Although HBO has developed many strong working relationships with accomplished showrunners, few artists have as unique a voice as David Simon. Between his groundbreaking work on The Wire, Generation Kill, The Plot Against America, and We Own This City, Simon often explores hot-button issues through his detailed depiction of infrastructure, analysis of societal roles, and allusions to current events.

While Simon’s projects often examined the inadvertent effects of political action upon disenfranchised community members, his brilliant 2015 miniseries Show Me A Hero explored the experiences of Yonkers mayor Nick Wasicsko (Oscar Isaac) within the late 1980s. Show Me A Hero examines the weight of responsibility that comes with holding political office as it details Wasicsko’s life until its tragic end.

‘Show Me a Hero’ Explores the Public Housing Crisis

Based on the 1999 nonfiction book of the same name by Lisa Belkin, Show Me A Hero explores the debate within New York City’s political offices regarding the desegregation of public housing. After the federal judge Leonard B. Sand (Bob Balaban) made an official desegregation order, the city is faced with concerns that it will no longer be able to accommodate housing projects that help support low-income families. The mandate would require new housing projects to be built in the middle class, east side of Yonkers, and ignited a fiery debate amongst the town’s constituents. Although there have been many great movies about controversial elections, Show Me A Hero is able to go in more depth by examining the importance of the desegregation order within local proceedings. Simon shows how the ruling turns Yonkers’ elections into “single issue campaigns,” and examines how its ramifications relate to pre-existing tensions within class and race.

Simon creates a well-rounded depiction of the debate by exploring the perspective of the town’s civil rights advocates, citizens, law enforcement officials, and governmental leaders; it becomes a more lived-in experience as a result of this specificity. The Wire proved that Simon could balance a great ensemble cast, as he explores the systematic issues that brought this debate to the forefront of the public’s attention. While representatives of the Yonkers City Council like its leader, Vinni Restiano (Winona Ryder), advocated passionately for integration, members like Edward Fagan (Allan Steele) offered sharp critiques. It’s this level of realism that Show Me A Hero commands that makes its depiction of racially-motivated conflicts more terrifying. It becomes evident that many of the constituents that claim to be acting on behalf of their “property value” are actually motivated by their own personal prejudices.

Simon has enough respect for the audience that he does not attempt to draw conclusions for them. While not every character interacts with each other, their respective character arcs offer a more well-rounded perspective of the city’s makeup. Characters like the struggling teenage girl Billie Rowan (Dominique Fishback) and her mother Janet (Melanie Nicholls-King) aren’t directly involved in the political decisions made by the Yonkers government, but they are impacted by the decisions made about housing. Simon’s willingness to subvert traditional narrative structure makes Show Me A Hero one of the strongest miniseries ever produced by HBO.

Oscar Isaac Makes Wasicsko an Empathetic Character

Image via HBO

While the terrific ensemble benefits Show Me A Hero’s three-dimensional depiction of the crisis, the series finds its focus thanks to the incredible performance by Isaac. Isaac’s breakout role was playing the titular struggling musician in Inside Llewyn Davis, and he shows a similar heartbreaking perseverance with his performance as Wasicsko. Wasicsko is defined, for better or worse, by his ability to weather through intense personal suffering in order to perform his duty. While this initially earns him a “heroic” public persona, Simon shows how malleable politicians reputations’ are once Wasicsko’s decisions become the centerpiece of the housing controversy. Isaac is able to show how the young mayor’s compassion is at times a disadvantage; he becomes so obsessed with serving the people he represents that he takes dissatisfaction with him as a personal slight.

It’s also highlighted that Wasicsko is a unique protagonist because of his youth. While his youthful energy allows Wasicsko the opportunity to connect with voters on a personal level, it also means that he is running against an establishment that is much more experienced than he is. Simon incorporates a romantic storyline between Wasicsko and the City Hall staffer Nay Noe (Carla Quevedo). Beyond being a great showcase for Isaac’s charisma, this storyline emphasizes that Wasicsko is still a young man, and that his service has made it impossible for him to have a normal life. It’s one of Isaac’s best performances because he shows how Wasickso is competing against the high expectations that he set for himself. Simon acknoweldges that “heroism” is a subjective term, and is willing to engage with Wasickso’s faults.

‘Show Me a Hero’ Is Relevant to Current Political Debates

Image via HBO

HBO

HBO

One of the key plotlines in Show Me A Hero is the vast political, cultural, and generational differences that define the election campaign between Wasicsko and Mayor Angelo R. Martinelli (Jim Belushi), a veteran of the office who is serving his sixth consecutive term. As Martinelli relies upon his familiarity with voters to generate enthusiasm for his campaign, it becomes evident why the system needs to be changed. Simon’s best shows involve a call to action, and Show Me A Hero empowers its audience to be more engaged in the political process.

While Show Me A Hero only focuses on a specific window of time in the history of New York, it encapsulates the ever-present issues of social inequality and racial conflict that continue to dominate political discourse. Yonkers nearly shuts down as a result of these long-running disputes, and both Wasickso and the citizens he represents struggle as a result. Although Show Me A Hero is an informative window into the past, Simon shows that the conflict at its heart is not one that has been settled. Show Me A Hero serves as a powerful reminder that the past must not be forgotten if improvements are to be made in the future.

Show Me A Hero is streaming on Max.

By the time The Wheel of Time became the show it was supposed to be, Prime Video had already decided it was over. Amazon canceled the fantasy series in May 2025, just two months after its best-reviewed season premiered. That was a real loss, not just for the fanbase but for fantasy television in general, because nothing else on the air was working with source material this deep. Robert Jordan’s series spans 14 novels, hundreds of characters, and thousands of years of fictional history. It occupies a strange middle ground in the genre, with the mythic, chosen-one architecture of Tolkien’s work and the political scheming, moral grayness, and sprawling cast of George R.R. Martin’s. For years, it was the fantasy epic that everyone said was unadaptable. Then Prime Video tried anyway.

When the series debuted in November 2021, it arrived in a streaming landscape that was already crowded with high-fantasy competition and skeptical book readers. Amazon had bet billions on The Rings of Power, and The Wheel of Time was supposed to be its scrappier, narrative-driven counterpart. Where Rings of Power chased spectacle, Wheel of Time chased story, building out a world where magic is gendered and feared, where prophecy is a political weapon, and where the line between savior and destroyer depends on who’s telling the tale.

The Game of Thrones comparisons were inevitable, so the show leaned into them. Rosamund Pike’s Moiraine operated with the same calculated ruthlessness as any Westerosi power player, and the ensemble of young leads mirrored the way Thrones scattered its Starks across a continent and let the audience track each thread.

Sure, Seasons 1 and 2 were uneven. COVID shutdowns gutted the first season’s finale when Barney Harris, who played Mat Cauthon, departed during production. The second season rebuilt on steadier ground, but the pacing still felt like a show trying to compress thousands of pages into eight-episode orders, racing past the character moments that made Jordan’s books so memorable. Critics were mixed, while audiences were patient but vocal about what was missing. Then Season 3 arrived in March 2025, and everything clicked.

‘The Wheel of Time’ Finally Became the Show Fans Were Waiting For in Season 3

The show’s third season earned a 97% critics’ score on Rotten Tomatoes, a record for the series and one of the highest marks any fantasy show on any platform has posted. It debuted as the No. 1 show on Amazon in dozens of countries and pulled 534 million minutes of viewing in its premiere week, slightly up from Season 2’s launch. Collider’s own review said it raised the bar in every way. For the first time, the adaptation felt like it was living up to the scope of Jordan’s world instead of just alluding to it.

Of course, the elevator pitch hadn’t really changed. Pike’s Moiraine pulls five young villagers into a world-ending conflict because one of them is the reincarnation of a figure prophesied to save the world… or break it. The show splits them across continents from there, and what makes it work is that it takes every one of those five arcs seriously. There are characters learning to wield dangerous magic they can barely control, ones discovering abilities that terrify them, outcasts being exploited precisely because they underestimate themselves. By Season 3, every thread is paying off at the same time. That season adapts The Shadow Rising, widely considered the strongest book in Jordan’s series, and it shows.

The Aiel Waste storyline drops the show into a visual and cultural landscape that feels nothing like the European-coded fantasy audiences are used to, and Episode 4, “The Road to the Spear,” is the standout: a hallucinatory trip through thousands of years of history with Josha Stradowski playing seven versions of his character in a single episode. It’s the kind of swing that fantasy television rarely takes these days, one that leverages the otherworldly promise the genre brings.

Why ‘The Wheel of Time’ Is Still Worth a Watch

Image via Amazon/MGM Studios/ Courtesy Everett Collection

But two months after the Season 3 drop, Amazon canceled it. The decision blindsided fans and the creative team alike. Showrunner Rafe Judkins broke his silence in early June, calling it “a devastating blow,” saying the fans “deserve to see the story finished.” He pointed to a broader industry trend of shorter seasons and fewer renewals, framing the cancellation as symptomatic of a business model that has grown hostile to the kind of long-form storytelling a 14-book series demands.

But the cost-per-viewer calculation obscures what was actually happening on screen. By Season 3, the show had found its identity, the specific thing it could do that no other fantasy series on television was doing: balancing intimate character work with a mythology that operates on a genuinely cosmic scale, where time itself is cyclical, and the past doesn’t just inform the present but literally repeats through it. That’s the cruelest part of the cancellation. The show didn’t get worse and get axed. It got substantially better and got tossed in the streaming dumpster anyway.

But the franchise isn’t dead. Iwot Studios announced in March 2026 that animated projects are in development, with Arcane producer Thomas Vu attached. There’s talk of animated movies and a video game. Judkins himself expressed hope that the live-action version might find a new home, invoking The Expanse’s jump from Syfy to Amazon as precedent. But the live-action series as it existed, with its cast and the momentum of its best season, is gone. The show, though, is still right where Amazon left it. Three seasons, all streaming on Prime Video, each one better than the last. It’s worth a watch, despite knowing how it ended.

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The Wheel of Time

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Release Date

2021 – 2025-00-00

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Network

Prime Video

Showrunner

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Rafe Judkins

Directors

Sanaa Hamri, Ciaran Donnelly, Salli Richardson-Whitfield, Thomas Napper, Maja Vrvilo, Wayne Che Yip

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Thrillers often promise control but only few do it perfectly. There is a killer to catch, a conspiracy to expose, or one dangerous person who can supposedly be stopped before the damage spreads. It’s hard to pull off right. And when pulled off right, you have no choice but to call it a masterpiece.

The movies here understand how quickly and how often that confidence falls apart. Innocent people get pulled into systems they barely understand, professionals discover that experience cannot protect them, and violence changes everyone who gets close enough to see it clearly. And if all that isn’t filmed or timed well, the whole system breaks. The 10 movies on this list are amazing for nailing those particular angles and the R rating allows these films to follow their ideas without cleaning them up for comfort.

10

‘Collateral’ (2004)

Image via DreamWorks Pictures

Collateral takes one Los Angeles cab driver and traps him inside a professional killer’s schedule. Max Durocher (Jamie Foxx) has spent years talking about opening his own limousine company while driving the same night shift and postponing every real step toward it. Vincent (Tom Cruise) gets into his taxi, offers him hundreds of dollars for several stops, and soon reveals that each address belongs to someone he has been hired to kill. Max is suddenly driving a murderer across the city while police officers follow a trail they cannot yet connect to him.

The film understands how terrifying competence can be. Vincent kills without hesitation, adapts whenever a plan changes, and speaks about human life as if he’s casually discussing traffic. Max begins the night avoiding conflict and ends up making choices under pressure that he has delayed making in ordinary life. Both Max and Vincent create a tense imbalance where control keeps changing hands without ever feeling secure. Even Los Angeles looks unfamiliar after midnight, full of empty trains, fluorescent offices, crowded clubs, and strangers who never realise how close death passed beside them.

9

‘A History of Violence’ (2005)

Image via New Line Cinema

A History of Violence begins with Tom Stall (Viggo Mortensen) living a quiet life in Indiana with his wife Edie Stall (Maria Bello) and their two children. When two armed criminals threaten his diner, Tom kills them with shocking speed and becomes a national hero. The attention brings Carl Fogarty (Ed Harris) to town, a scarred gangster who insists that Tom is really Joey Cusack, a violent man connected to the Philadelphia mob. Tom denies everything, but his family starts noticing how naturally violence comes to him.

David Cronenberg adapted John Wagner and Vince Locke’s graphic novel into a thriller that keeps asking whether a person can leave an old identity behind or merely hide it under better habits. Tom’s actions protect his family, yet every burst of violence exposes another piece of a life they never consented to share. The sex between Tom and Edie also changes once the truth starts emerging, moving from playful intimacy to anger, fear, and damaged attraction. The quiet dinner near the end says more than another confrontation could. Tom returns home, and nobody at that table knows whether the man sitting down belongs there anymore.

8

‘The Girl with the Dragon Tattoo’ (2011)

Image via Sony Pictures Releasing

Few modern studio thrillers are as cold, detailed, and openly hostile as The Girl with the Dragon Tattoo. Disgraced journalist Mikael Blomkvist (Daniel Craig) is hired by wealthy industrialist Henrik Vanger (Christopher Plummer) to investigate the disappearance of his niece Harriet Vanger, who vanished from a family gathering forty years earlier. The case leads Mikael through photographs, biblical references, business records, and decades of violence hidden behind one of Sweden’s most powerful families. Lisbeth Salander (Rooney Mara) joins the investigation after initially being hired to examine Mikael himself.

Lisbeth is brilliant with computers and almost impossible to intimidate, but the film never treats her trauma as stylish character decoration. Her guardian abuses the legal power he has over her, and her response is planned with the same precision she later brings to the Vanger case. Rooney Mara’s physical transformation drew attention, though the anger, isolation, and guarded loyalty underneath the appearance stay far more compelling. Mikael and Lisbeth solve the central mystery through different skills and slowly develop trust without becoming a conventional detective couple. Her last attempt to reach toward him hurts precisely because it is so small. She buys the gift, sees him with Erika Berger (Robin Wright), and quietly turns away.

7

‘Sicario’ (2015)

Image via Lionsgate

Sicario follows FBI agent Kate Macer (Emily Blunt) after a raid in Arizona uncovers dozens of bodies hidden inside a house controlled by a Mexican cartel. Her record on kidnapping cases earns her a place on a federal task force led by Matt Graver (Josh Brolin), though nobody gives her a clear explanation of its real purpose. The operation takes her across the border into Juárez, through a terrifying traffic jam, and deeper into a campaign where legal authority has become almost impossible to separate from revenge.

Kate believes rules can keep violence from becoming corruption. Graver sees rules as obstacles, while Alejandro Gillick (Benicio del Toro) carries a personal mission that the government has decided to use. The border convoy establishes that imbalance immediately. Armed men surround the vehicles, civilians are trapped nearby, and Kate has seconds to understand a threat everyone else recognised earlier. Emily Blunt’s character remains capable throughout, but capability offers little protection in an operation designed to keep her uninformed. Kate signs the document at gunpoint, and Alejandro advises her to find a quieter town where the law still resembles what she believes it should be.

6

‘Heat’ (1995)

Image via Warner Bros. Pictures

Heat is often reduced to the historic pairing of Al Pacino and Robert De Niro, even though the movie contains an entire city of people being damaged by the same obsession. Neil McCauley (Robert De Niro) leads a disciplined robbery crew and refuses to keep anything he cannot abandon within thirty seconds. Lieutenant Vincent Hanna (Al Pacino) lives with similar intensity on the other side of the law. Both understand their professions better than they understand ordinary relationships, and neither is willing to step away while there is still another move available.

The coffee-shop conversation earns its reputation through honesty rather than grandstanding. Neil and Hanna recognise each other immediately, share the private cost of their lives, and accept that one will still kill the other if the situation demands it. Around them, Chris Shiherlis (Val Kilmer) loses Charlene Shiherlis (Ashley Judd), Michael Cheritto (Tom Sizemore) risks everything for another score, and Donald Breedan (Dennis Haysbert) takes one desperate chance to escape a humiliating job. The director, Michael Mann, reportedly spent years researching police work and professional criminals, which shows in the surveillance, weapon handling, and downtown shootout. Yet the emotional core stays painfully simple. These men can read danger across a street and still fail to understand the people waiting at home.

5

‘L.A. Confidential’ (1997)

Image via Warner Bros.

Los Angeles in 1953 sells sunshine, movie stars, and clean police work to the public while corruption spreads behind the photographs. Three officers approach that world from completely different directions. Bud White (Russell Crowe) protects abused women and solves problems with force. Ed Exley (Guy Pearce) believes procedure and ambition can take him to the top. Jack Vincennes (Kevin Spacey) enjoys celebrity, television consulting, and selling arrests to a gossip magazine. A massacre at the Nite Owl coffee shop pulls all three toward the same conspiracy.

The screenplay condenses James Ellroy’s enormous novel without losing the sense that every institution has learned how to manage appearances. Police officers stage evidence, politicians protect vice operations, and tabloid publisher Sid Hudgens (Danny DeVito) turns private misery into entertainment. Lynn Bracken (Kim Basinger) also understands the city’s obsession with imitation. She is paid to resemble Veronica Lake while longing to be treated as herself. The investigation forces Bud, Ed, and Jack to confront the compromises each has normalised. Jack’s whispered final clue, “Rollo Tomasi,” becomes a trap for the man who thought he had erased every loose end. Justice survives, though Los Angeles immediately begins preparing the next version of the story.

4

‘The Departed’ (2006)

Image via Warner Bros. Pictures

Two informants spend The Departed trying to identify each other while serving opposite sides of Boston’s criminal world. Billy Costigan (Leonardo DiCaprio) enters Frank Costello (Jack Nicholson)’s organisation under police orders and slowly loses any stable life outside the assignment. Colin Sullivan (Matt Damon) joins the state police after being raised and protected by Costello, feeding him information while building the public image of a successful officer. Both men live through phones, coded messages, staged conversations, and the constant fear that one mistake will expose everything.

Martin Scorsese’s crime thriller draws from the Hong Kong film Infernal Affairs, then fills the story with Boston identity, Catholic guilt, family history, and institutional rot. Billy is officially working for justice, but his handlers leave him psychologically stranded. Colin has status, a home, and a relationship with Madolyn Madden (Vera Farmiga), yet his entire identity depends on service to a man he increasingly despises. The elevator deaths still hit with savage speed since the movie refuses to reward anyone for surviving longer than expected. Colin briefly believes he has escaped. Then Dignam (Mark Wahlberg) appears in his apartment, and the silence says exactly how much faith the film has left in official justice.

3

‘Zodiac’ (2007)

Image via Paramount Pictures

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Zodiac is about the people who spend years trying to solve a case that refuses to give them the closure they need. The Zodiac killer sends letters, ciphers, threats, and pieces of evidence to newspapers after attacking victims across Northern California. Cartoonist Robert Graysmith (Jake Gyllenhaal) becomes consumed by the puzzle. Reporter Paul Avery (Robert Downey Jr.) sees the case damage his career and health. Inspectors Dave Toschi (Mark Ruffalo) and Bill Armstrong (Anthony Edwards) chase leads across jurisdictions while witnesses, handwriting samples, and suspect descriptions keep failing to form one complete answer.

The fear comes from uncertainty rather than constant murder. The movie recreates the attacks with such controlled detail, then spends far more time on interviews, paperwork, phone calls, and the emotional cost of obsession. Graysmith’s family watches him turn their home into an archive. Toschi’s professional reputation suffers after years of public pressure. Avery retreats into alcohol as the story he once controlled begins controlling him. Zodiac offers a compelling suspect but refuses the relief of legal certainty. Real life never supplied it.

2

‘Oldboy’ (2003)

Image via FilmDistrict

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Oldboy begins with Oh Dae-su (Choi Min-sik) being kidnapped and imprisoned in a private room for fifteen years without being told why. A television becomes his only connection to the outside world, where he learns that his wife has been murdered and that he has been framed for it. He trains, keeps track of time, and prepares for revenge. Then his captor suddenly releases him, hands him money and a phone, and gives him five days to discover the reason behind his punishment. This is interestingly developed from a Japanese manga.

Park Chan-wook adapted the Japanese manga into a revenge tragedy where finding the truth becomes far worse than remaining ignorant. The hallway fight, side-scrolling construction, all of it creates an excellent mystery. Dae-su treats vengeance as a path back to dignity, while Lee Woo-jin (Yoo Ji-tae) has spent years designing an answer to an old humiliation. Every clue pushes Dae-su toward the exact emotional position his enemy wants. The punishment reaches beyond imprisonment and destroys his understanding of love, memory, and choice. Oldboy is a difficult recommendation and an unforgettable one. Go in knowing as little as possible, then try sleeping normally afterward.

1

‘No Country for Old Men’ (2007)

Image via Miramax Films

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No Country for Old Men follows Llewelyn Moss (Josh Brolin) after he discovers the remains of a drug deal in the Texas desert and takes a case containing two million dollars. He knows someone will come looking for it and prepares as carefully as he can. Anton Chigurh (Javier Bardem) follows with a tracking device, a captive-bolt pistol, and a belief that chance can excuse whatever decision he has already made. Sheriff Ed Tom Bell (Tommy Lee Jones) tries to understand the violence spreading across his county while sensing that his experience may no longer be enough.

This is created by the Coen brothers and they remain remarkably faithful to Cormac McCarthy’s novel here, including its refusal to shape the chase into a familiar showdown. Moss is resourceful, Chigurh is relentless, and Bell increasingly watches from the edge as events move past him. Carla Jean Moss (Kelly Macdonald) sees through that coin-toss performance and refuses to participate. Bell’s closing dream, killings, his father riding ahead carrying fire into the darkness, and Bell waking before he can follow, all of it give No Country for Old Men an unmatched substance.

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No Country for Old Men

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Release Date

November 21, 2007

Runtime

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122 minutes

Director

Joel Coen, Ethan Coen

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Writers

Ethan Coen, Joel Coen

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Quentin Tarantino fans are getting excited as the first movie from the Oscar-winning director is set to arrive in IMAX in just a few months. Tarantino penned the script for the highly anticipated Once Upon a Time… in Hollywood sequel, The Adventures of Cliff Booth, starring Brad Pitt. Before the film is added to Netflix’s global streaming library around Christmas, it will have two weeks of IMAX exclusivity starting on November 25. Tarantino wrote the script for the film, but he opted not to direct, passing off directorial duties to David Fincher, who recently directed The Killer and Mank. Tarantino has been especially vocal not just in the last few years, but also his entire career, about the movies he likes and doesn’t like, and one of his most beloved trilogies has finally found a home on streaming.

One thing Quentin Tarantino has never been shy about sharing is his love of old Westerns, particularly those starring Clint Eastwood. Tarantino himself has also directed a few iconic Western classics, including Django Unchained and The Hateful Eight, but this pales in comparison to the dozens of Westerns Eastwood starred in over the years. Tarantino has repeatedly expressed his love for Eastwood’s Dollars trilogy, which kicked off in 1964 with A Fistful of Dollars. This was followed by For a Few Dollars More one year later, in 1965, and The Good, the Bad, and the Ugly the next year, in 1966. The first two movies in the trilogy are streaming for free on Pluto TV, but all three films are also available to watch on Prime Video. Tarantino has said repeatedly that he thinks the Dollars trilogy is “the only trilogy that truly works.”

Who Else Stars in Quentin Tarantino’s Next Movie?

Starring alongside Brad Pitt in the Tarantino-written and Fincher-directed Cliff Booth movie is Timothy Olyphant, who will reprise his role as James Stacy in the film. Carla Gugino, Elizabeth Debicki, Yahya Abdul-Mateen II, and Holt McCallany have also been tapped for key roles in the film. Leonardo DiCaprio will not reprise his role as Rick Dalton in The Adventures of Cliff Booth. The second trailer for the film is expected to be released any day now, along with more details about the IMAX and Netflix streaming releases.

Check out the Dollars trilogy on Prime Video and stay tuned to Collider for more updates and coverage of Quentin Tarantino’s next movie.

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Release Date

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January 18, 1964

Runtime

99minutes

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Writers

Ryûzô Kikushima, Akira Kurosawa, A. Bonzzoni, Víctor Andrés Catena, Sergio Leone, Jaime Comas Gil

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