Meta has finally brought its Meta AI assistant to the Mac with a dedicated desktop app, giving users another AI chatbot to keep open alongside all those other tabs. The app can analyze a shared window, answer questions about what’s on screen, generate content, and accept voice dictation across macOS.

Meta AI can actually see what’s on screen

The most interesting part of the Mac app is its ability to look at a shared window and use what it sees as context. Users can ask Meta AI about something on screen, get suggestions, or have it help create content based on what’s visible. It also supports dictation across applications, making it a little more useful as a desktop assistant than simply opening Meta AI in a browser tab.

Meta is also pitching the app at creators and small businesses. Its AI can connect with Instagram and Facebook accounts, Meta advertising campaigns, and Google Workspace, allowing it to analyze things such as post reach, likes, shares and saves, suggest content ideas, and create presentations, documents and spreadsheets. It can also handle recurring tasks such as weekly performance summaries.

But Meta has some catching up to do

Mac users already have plenty of AI assistants to choose from, and Meta’s first desktop effort feels more like catching up than getting ahead. Gemini can already work with shared screen content, while ChatGPT and Claude offer deeper computer-control features that can actually interact with the Mac. Meta could still carve out a useful niche by tying its assistant directly into Instagram, Facebook, and its advertising tools, particularly for creators and businesses.

For now, though, Meta AI’s Mac app feels more like a promising first step than a must-have assistant. Meta says more capabilities are on the way, which could make it considerably more useful over time. The real challenge is convincing Mac users that they need yet another AI assistant sitting on their desktop.

Chalid Raqami has gotten Android 13 running on the reMarkable Paper Pro. The YouTuber known for detailed E Ink device work installed a full Android system that sits alongside the tablet’s factory Linux-based software instead of replacing it.

On the 11.8-inch color E Ink notebook, you can transition between the original focused note-taking interface and Android in roughly 20 seconds, with a simple double tap on the power button. Raqami began the project on Android 12 because the Paper Pro only had 2GB of RAM and a 1.8ghz cortex-a53 quad core processor, but once that version was stable, he changed to Android 13 as it proved out to be a better fit for modern app compatibility without using too much of the hardware.

You can now access all of the usual features that standard software does not include. For example, you can use Kindle to read books or comics, internet browsers for quick searches, Microsoft OneNote and other productivity tools that accept pen input, or audiobooks. Bluetooth keyboards can even connect to the tablet without the need for ReMarkable’s expensive keyboard folio. The Wi-Fi, USB, front light controls, audio, and sleep cover all function normally.

What about the stylus response? Raqami paid special attention to this, since he created a low latency pen mode that activates from the nav bar, and writing in supported Android apps feels almost as seamless as using the original program. Battery life has also improved, as deep sleep has decreased standby drain to roughly 0.3 percent per hour, allowing for many hundred hours of standby time on a single charge. He also made some modifications to the gpu acceleration, E Ink refresh rates, and memory management to keep the interface useable on the color gallery 3 display, even though the panel is fantastic image quality but not so great at speed.

Heavy apps continue to struggle, as obsidian and other memory-intensive tools do not function efficiently, and video playback and rapid scrolling remain clumsy on the E Ink panel. The main goal of the Android version is to plug the gaps in the original software and provide you practical tools, rather than trying to transform it into some kind of traditional tablet.

Unfortunately, the port is still a ways away from being ready for public release. For the time being, it only requires dev mode, and any updates to the reMarkable software will erase the Android installation, forcing you to start over from scratch. Raqami is still working on improving the installation and recovery process so that it can be shared more widely; once that is done, he intends to conduct some limited testing with a small group; for the time being, it is more of a personal project to demonstrate how the Paper Pro can maintain its clean writing focus even with some additional tools to make it more practical.
[Source]

Swedish furniture maker IKEA and Microsoft’s Xbox division posted a short Instagram video this week that shows pieces shaped like the buttons and sticks on an Xbox controller. Designers from both companies worked together on the line. A full look at the collection is expected during Gamescom in Cologne, Germany, on August 26.

Close-ups in the video begin with a real-life analog stick, a ridged circular surface, until flashing light flares traverse it, revealing a brilliant green D-pad shaped like a square with rounded corners chopped out. Next, we see a larger, stick-shaped object that resembles a stool or coffee table. As the clip progresses, wider shots of a room decked out in Xbox colors appear near the finish, but none of the particular things are identifiable. They’re staying silent about specifics like product names, materials, price points, and the exact number of pieces.

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IKEA has experimented in the gaming furniture market before. They’ve done ranges with ASUS Republic of Gamers, their own Brännboll line, and a variety of other items such as desks, chairs, storage, and crazy colorful chairs that are designed to blend in with your everyday environment. This time is unusual, as it is the first time they have collaborated directly with a console company. Xbox, on the other hand, has been experimenting with non-traditional gaming hardware, as evidenced by the Series X mini fridges and the toaster that burns their branding directly onto your toast.

All of this comes at a nice moment, as Xbox celebrates its 25th birthday. If you’re attending Gamescom, you can find them in Hall 7, where they’ll be demoing new titles on playable stations. These furniture pieces are designed to be part of their show presence, so you might be able to sit on them or get a closer look in person. For the time being, it is unknown when they will be available for purchase, which regions they will be offered in, and whether they will be limited editions.

People online have been laughing about the assembly instructions and meatballs, but there are lots of others who are truly curious about whether more shapes like a controller will appear. Xbox responded with a brief Swedish “Hej” in one of their own posts, and the video itself has received tens of millions of views on their own channels. Until August 26, all we can confirm is the green D-pad cushion and the big oversized stick shape we noticed. Everything else? For the time being, the specifics are being kept under wraps.

Between August 11 and 12 NASA’s Lunar Reconnaissance Orbiter locked onto a quiet patch of lunar ground and returned the clearest views yet of a brand-new scar. The crater formed six days earlier when a spent Falcon 9 upper stage struck the surface at roughly 5,400 miles per hour.

On January 15, 2025, a Falcon 9 upper stage launched Firefly Aerospace’s Blue Ghost 1 lander toward the Moon. After that happened, that section had almost no fuel remaining. Going through the motions, attempting to manage re-entry into Earth’s atmosphere, was no longer possible. So, starting in January 2025, for well over a year, this empty rocket stage just kinda hung there, floating in a roughly elliptical orbit under the gravitational influences of the Earth, the Moon, and the Sun, and then suddenly on August 5, its path came to an end on the lunar surface, at 6:35 in the morning (according to the clocks on UTC).

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Independent observers first noticed that the stage was heading for a collision with the Moon’s surface in April, prompting NASA’s Center for Near Earth Object Studies to take a closer look at the trajectory, essentially refining the math to improve their models; once completed, the predicted zones were passed on to South Korea’s Danuri orbiter. Danuri then took some images of the new crater site, barely hours after the impact, which turned out to provide them a very accurate position, not too far from the expected collision zone, allowing the LRO team to plan their own passes.

Every two hours, the LRO orbiter passes by the Moon from pole to pole at a speed of about a mile per second and an altitude of about 60 miles, which is the type of speed that requires some effort to tilt. The Narrow-Angle Camera on board has fairly decent resolution at that speed, and can pick up details as small as three feet across – but in order to keep the new crater centered, the spaceship had to make some very severe rotations on repeated orbits, tilting by more than 20 degrees at times. It also had to be precise in terms of time, because even a ten-second delay would have relocated the target nearly ten miles out of the frame. Only by imaging the stage in various lighting settings were they able to obtain the series of views presented this week.

The measurements they took of the rim put the crater at 60 feet across, and based on the shadows on the floor, they estimate the depth is less than 10 feet. The impact occurred at an angle of about 31 degrees to the horizontal, resulting in the V-shaped spray of ejecta on the southern side, and the darker material fanning out was all from the top foot and a half of the regolith, a layer that had been exposed to solar wind, cosmic rays, and micrometeorites for a long time, so it is naturally rougher in texture and more muted in color. The brighter pieces near the rim, on the other hand, are most likely younger rock and dust that was pulled up from deeper underground and has not yet had time to change color.

The crater’s updated coordinates are 19.4759 degrees north, 266.7138 degrees east, and 511 meters elevation, and comparing the new images to earlier images of the same area, there’s no doubt that this change is relatively recent, and engineers will find it an interesting opportunity to test their tools for predicting collisions with objects of known size, mass, and speed. Furthermore, it demonstrates how a seemingly minor collision can mess up strata on the Moon that have been in place for millions of years.

Last week, I ventured a whopping 15 minutes from my house to see robots do some mind-boggling, jaw-dropping stuff.

I visited the Cambridge, Massachusetts, offices of a startup called Generalist AI, where I watched robot arms perform simple chores like stacking cups, putting blocks into bowls, and the like. I was astonished by how quickly they figured things out—it was reminiscent of a flesh-and-blood person.

The arms mastered a range of tasks after ingesting a short, instructional video and, most impressively, no specific training for a given task. One of the most striking examples involved a robot that was instructed to sweep a block into a bowl using a dustpan and brush. When the brush was removed from the scene, the robot improvised by using the dustpan like a brush and flicking the block into the bowl.

Courtesy of Generalist AI

In another case, a two-armed robot watched a videoclip of someone unzipping a purse before removing some banknotes. I watched—somewhat slack-jawed—as the robot unzipped a different kind of purse and carefully removed the notes. Most amazingly, when it couldn’t grab the money, it switched from using its right gripper to its left to get a better angle of attack. “Ha,” said one engineer standing nearby. “It never did that before.”

“This is exactly the kind of thing people were really excited about with GPT-3,” Generalist cofounder and CEO Pete Florence told me, in reference to OpenAI’s breakthrough large language model, released in 2020. “You could take that model and just prompt it to do a new task and it would have a real shot at doing it.”

Generalist appears to be focused on teaching its robots about the physics of the world, which seems inspired by the intuitive sense of physics humans exhibit from an early age. That may well contribute to the model’s ability to transfer what it has learned in one scenario to another. In fact, some of the company’s demos made me think of how children improvise and experiment when shown a task. The researchers have often been surprised by what the robot decides to do—one chose to sweep up items with a banana when it was placed in front of it, for example. This might seem trivial, but physical intelligence is something still largely lacking in machines, and the way babies learn so efficiently about their world may offer important insights for AI researchers.

from the millions-gone-just-because-no-adults-were-in-the-room dept

Sure, the town’s insurance will pay most of this, but it’s probably fair to say most of this small county’s population (11,823 at last count) wasn’t supportive of local law enforcement’s decision to violate as much of the First Amendment and Fourth Amendment as possible in the apparent hopes of making one local business owner happy.

The backstory is long and convoluted. It involves a local business owner who wanted a liquor license (but had been cited/arrested from drunk driving), her estranged spouse (who shared some documents with Marion County Record reporters), a local attorney who just wasn’t up to the job, a police chief who was far too friendly with the business owner, and a bunch of other law enforcement agencies that pitched in with the constitutional violations just because. And all of that is on top of then-police chief Cody’s animus towards the paper, due to its reporting on his past misconduct.

Here’s a summation of the events leading up to the raid.

There’s Kari Newell, a local business person who was seeking a liquor license for a new business when her previous drunk-driving record became public. There’s County Attorney Joel Ensey, who claimed to have no knowledge of the raid until public records showed he actually knew plenty about it beforehand. There’s the Kansas Bureau of Investigation, which also disavowed all knowledge, until it became clear it had knowledge as well, at which point it began publicly condemning Chief Cody and his department. There’s the mayor who didn’t like his deputy mayor and seemed to be all too willing to indulge the police chief. There’s the judge who signed off on the search warrants without reading them and then tried to distance herself from actions — a judge who apparently had some drunk driving problems of her own. There are the communications Chief Cody made to Kari Newell, informing her he was going to raid the newspaper to shut down its coverage of her and, presumably, any further investigation into his law enforcement past. In the middle of all of this, there’s some bullshit computer crime charges, which were invoked despite the newspaper accessing driver record data legally through a third party.

Following the raids — that’s right, raids — multiple lawsuits were filed. Not only did the Marion County PD (under the leadership of Gideon Cody, whose past misconduct was being examined by the local paper) talk a local court into blessing its raid of the newspaper’s office, it also raided the home of the paper’s owner, 98-year-old Joan Meyer, who died less than 48 hours after the raid.

Pretty much every lawsuit filed by the victims of these raids has paid out. Last November, the county agreed to pay $3 million to three of the affected journalists and one of the town’s city council members, who was also subjected to an illegal raid by local officers.

That large settlement followed a $235,000 settlement the town agreed to pay to Marion County reporter Deb Gruver, whose computer was seized along with her personal cell phone by local law enforcement officers.

That brings the total to $3,235,000 (at minimum!). The latest settlement — one that will be paid to another of the paper’s reporters — now means county residents will be asked to contribute to a tab that has now surpassed the $4 million mark:

Phyllis Zorn, the reporter whose acts of journalism served as an excuse for the August 2023 police raid of the Marion County Record, will get $850,000 from the city of Marion to settle her federal lawsuit over the raid.

This is the sort of thing that should make all good Americans yank on their imaginary suspenders and get their rural lawyer shtick on. We should — as a unified drawl — make it clear that we, as the collective “small town lawyer,” think this is some disturbing bullshit. And we should fervently argue in favor of large settlements, even if we know this just means our fellow Americans will be asked to give a little more the next time the budget’s on the agenda.

While I do think its sucks that the public has to pay the price for government malfeasance, things like this encourage more people to vote with their wallets. That doesn’t mean funneling money into some PAC. That means protecting your earnings by expelling the people who were on board with these blatant violations of constitutional rights. And Marion County residents aren’t done paying for the perverse acts of prosecutors, law enforcement, and the mayor who had the cops’ back all the way through this debacle:

Zorn previously received $600,000 from the county, which settled various lawsuits over the raid for a collective $3 million last fall. The city has not yet settled lawsuits filed by newspaper publisher Eric Meyer and former city Councilwoman Ruth Herbel. Former reporter Deb Gruver settled with the city in 2024 for $235,000.

The county government is making things right. That it’s doing this with other people’s money doesn’t mean the settlements are meaningless. We, the people, should simply rejoice in our magnanimous nature. Even though we’re getting fucked, we can at least take heart in the fact that we were invited to the climax.

Filed Under: 1st amendment, 4th amendment, journalism, kansas, marion county pd, phyllis zorn

Companies: marion county record

Peacock is raising prices across all three of its subscription plans.

New customers will pay more immediately, while existing subscribers will see the higher rates on bills from September 17.

The ad-supported Peacock Premium plan is increasing from $11 to $13 per month. Premium Plus is going from $17 to $20. The Select plan, which offers a more limited selection of programming, is also going up from $8 to $9 per month.

Annual subscriptions are getting more expensive too. Peacock Premium will now cost $130 a year, up from $110, while Premium Plus rises from $170 to $200. Select is increasing from $80 to $90 annually.

Sonos has finally added Live Activities support to its iPhone app.

The new feature, rolling out to iPhone users now, gives users quicker access to playback controls without having to reopen the app. The feature appears on the Lock Screen after you start playing audio on a Sonos device and leave the app.

Once active, the Live Activity shows the room or group that was last playing audio, along with controls for playing, pausing and skipping tracks. This means you can make basic playback changes directly from the Lock Screen.

The feature also works when playback is started outside the Sonos app. Sonos says the controls will still appear when audio is initiated through Direct Control from supported services. They also work with Bluetooth or AirPlay. This gives the Live Activity a little more flexibility than simply acting as an extension of the app.

Your desk or bench is a work area, so why not make it look the part? That’s the idea behind the miniature blinking traffic barrels that [Glen Akins] recently put together. Of course, just a single blinking light doesn’t really sell the idea of a busy construction zone, so he spent a somewhat surprising amount of time and effort optimizing the design for small-scale production.

The end result is a fascinating write-up that dives into the design decisions [Glen] made. Every aspect of this project, from the overhang of the “handle” on the 3D printed barrel to the number of passive components on the PCB was carefully considered. Critics may say [Glen] put too much thought into something that didn’t need to be so complex, but projects like these are an excellent way to keep your skills sharp — there’s no such thing as practicing too much.

Starting with the design of the barrel itself, we appreciate that [Glen] kept the capabilities of his desktop 3D printer in mind. By breaking the design up into multiple pieces and avoiding overly steep angles, he produced a design that prints cleanly without the need for support material. His step-by-step documentation and screenshots also serve as a great introduction to designing parts in Fusion if that’s something you’re interested in.

From there, things switch over to the electronics. Some in the audience will bemoan that he’s using a PIC12F1612 microcontroller to blink a single LED instead of a 555, but [Glen] brought the receipts on this one. Not only does the PIC offer more flexibility in terms of getting the blinking to look the way he wants, but it requires fewer passive components on the board and is considerably more energy efficient than the iconic timer IC. Even if you ignore all the other advantages, he calculates that going with a 555 would have cut the battery life of the finished product by approximately 15%.

This is one of those projects that’s difficult to summarize in such a terse format, as every time you think the write-up must be about over it takes a new turn on you. We were mildly bemused when the second iteration of the PCB popped up, but by the time he introduced the custom programming adapter board, we knew [Glen] wasn’t messing around.

Unsurprisingly, this isn’t the first time we’ve seen [Glen]’s handiwork. You may recall seeing his RP2040-powered sound board earlier this year, but his name has been popping up on these pages for more than a decade now.