The beauty of a miniseries is that it tells a complete story within the span of its episodes. There are no cheap frills or filler; every episode is integral to the overall narrative. One of the fastest-rising miniseries genres is the thriller. From crime dramas to horror stories, quick, precise storytelling remains in sharp focus.

There have been some sensational thrillers over the years, but there are only a few that are simply perfect. These ten represent that moniker. The series in this list features everything from extraordinary horrors that will spook you silly to sci-fi stories that will blow your mind. No matter the genre, they share the DNA of providing constant thrills from start to finish.

9

‘The Outsider’ (2020)

Image via HBO

The brilliance of a special miniseries is its ability to seamlessly shift from one genre to another without an ounce of hesitation. That’s exactly how The Outsider operated. Adapting the Stephen King novel for television by Richard Price, The Outsider follows the murder investigation of an 11-year-old boy in a small Georgia town. While local teacher and Little League coach Terry Maitland (Jason Bateman) is arrested, police detective Ralph Anderson (Ben Mendelsohn) and private investigator Holly Gibney (Cynthia Erivo) slowly realize an evil, shape-shifting entity might be behind the crime.

A cleverly disguised supernatural thriller, The Outsider’s gradual shift from impossible alibis and eerie anomalies into pure supernatural dread is sensational. The narrative uses real-world grief, community suspicion, and personal loss to build a grounded reality that makes the otherworldly threat even more unsettling. The primary trio has strong chemistry. Mendelsohn’s grieving, cynical detective and Erivo’s eccentric PI are the perfect opposites-attract duo that grounds the story. An underrated gem, The Outsider is worth the 10-episode journey.

8

‘All Her Fault’ (2025)

Image via Peacock

A good thriller can tap into true human fear to deliver a sizzling story that may feel too close to home. That’s where All Her Fault is rooted. Based on the novel of the same name by Andrea Mara, All Her Fault is every parent’s nightmare comes to fruition. The eight-episode series follows the terrifying aftermath of Marissa Irvine’s (Sarah Snook) son, Milo (Duke McCloud), vanishing after a scheduled play date. As a frantic search begins, Detective Jim Alcaras (Michael Peña) works to uncover what happened, leading to an investigation that unearths a complex web of deep family secrets, public media scrutiny, and buried lies tied to those closest to Marissa.

With stellar ensemble performances, All Her Fault anchors a literal nightmare with biting commentary and a smartly twisted narrative. After a heart-racing twist hooks you, the story slowly transforms into a terrifying tale of self-deception, paranoia, and how easily we trust for convenience. While the story is about the terrors of potentially losing a child through no fault of your own, All Her Fault digs into the imbalance of domestic labor and modern parenting pressures through the lens of a dysfunctional partnership. All Her Fault thrives on stellar performances, especially from Snook, Peña, Dakota Fanning, Abby Elliott, and Jake Lacy, who confirms why he continually gets typecast as a bad guy.

7

‘Bodies’ (2023)

Image via Netflix

Sometimes, high-concept sci-fi thrillers are the most bingeable. Such is the case for the British miniseries Bodies. Based on the DC Vertigo graphic novel by Si Spencer, Bodies centers around four detectives in four different time periods — DS Sharhara Hasan (Amaka Okafor), DS Karl Weissman (Jacob Fortune-Lloyd), DI Alfred Hillinghead (Kyle Soller), and DC Iris Maplewood (Shira Haas) — who find the exact same dead body in the same London alleyway. Spanning more than 150 years, the detectives realize their cases are tied to a massive, multi-generational conspiracy centered around an enigmatic political leader named Elias Mannix (Stephen Graham).

Bodies delivered shocks from start to finish. Bodies has an immediate hook that keeps you glued to the screen as the mind-blowing twists and turns come at full speed. By following four individuals tackling the same problem in different eras, it exposes personal struggles that reflect the social pressures of their times. Rather than drag out the mystery over multiple seasons, Bodies delivers its brilliance in eight tight episodes, concluding in a satisfying way. The series sets itself apart by blending a police procedural with historical period drama and futuristic sci-fi without ever departing from its unique narrative.

6

‘A Murder at the End of the World’ (2023)

Image via FX

Perhaps one of the most underrated thrillers in recent memory is A Murder at the End of the World. Created by Brit Marling and Zal Batmanglij, the psychological mystery thriller centers around Darby Hart (Emma Corrin), a Gen Z amateur hacker and sleuth. Darby and eight other guests are invited to an exclusive, remote glacial retreat in Iceland by reclusive tech billionaire Andy Ronson (Clive Owen). When one of the guests turns up dead, Darby must use her tech skills and investigative instincts to prove it was murder. Shifting from past and present, A Murder at the End of the World presents the mystery at hand while exploring Darby’s past investigation alongside her former partner and fellow sleuth, Bill (Harris Dickinson).

A standout series, A Murder at the End of the World reinvents the whodunnit tradition with a modern, high-tech twist. Corrin anchors the series with a stellar performance. With a punk aesthetic, Darby subverts the classic detective, bringing an innate edge. By cutting off the characters from the rest of the world, the story earns an Agatha Christie aesthetic where the snowbound architectural backdrop traps the action. Weaving in a sharp commentary on artificial intelligence, billionaire hubris, and the ethics of the true-crime genre, A Murder at the End of the World refutes a bloated story for a high-octane series.

5

‘The Beast in Me’ (2025)

Image via Netflix

One of Netflix’s surging greats, The Beast in Me, is proof that extraordinary acting can carry a series across the finish line. Created by Gabe Rotter, Aggie Wiggs (Claire Danes), a Pulitzer Prize-winning author who stopped writing after the tragic death of her young son, is drawn into a dangerous game of cat-and-mouse with her new neighbor, Nile Jarvis (Matthew Rhys), a man suspected of murdering his wife. The two enter a toxic and tense relationship where Aggie searches for the truth while writing a book about his life, all while confronting her own inner demons. A masterpiece cat-and-mouse chase, The Beast in Me is an enthralling exposition on deep themes of trauma, guilt, and human darkness.

The Beast in Me is an intense thriller that explores the dangerous boundary between a writer and their subject. Whether Nile is guilty or not, Aggie’s obsession with uncovering the truth drives her to the dark places she’s fighting against. Danes and Rhys have breathtaking chemistry, pushing one another to the brink. Their rich psychological mind games drive the action. The unsung hero of the ensemble is Brittany Snow as Nina Jarvis, Nile’s second wife. She brings a robust strength that becomes the story’s moral center. A truly haunting cinematic thriller, The Beast in Me is proof that a tight, single-series story is the perfect recipe in today’s streaming landscape.

4

‘Baby Reindeer’ (2024)

Image via Netflix

Some of the most harrowing stories tend to be the ones based on real-life events. Created and starring Richard Gadd, the hit thriller Baby Reindeer is inspired by his own experience. Baby Reindeer follows Donny Dunn (Gadd), a struggling comedian who is relentlessly stalked after showing a moment of kindness to a vulnerable woman, Martha (Jessica Gunning). The simple act of a cup of tea devolves into a suffocating obsession that ends up unearthing unresolved, buried trauma from his past. Inspired by his solo play, Baby Reindeer explores the messy and confusing psychology of abuse, shame, and why victims sometimes delay seeking help.

A raw, traumatic story, Baby Reindeer does not hold back. In this brutally honest series, Gadd uses Donny to explore his own flaws, mistakes, and confusing choices while showing the difficulties of the situation at hand. Baby Reindeer centers on how two damaged people become trapped in a destructive cycle. Further, the series openly tackles the lesser-discussed male sexual assault. Its unpredictable pacing, with varying episode lengths, mirrors Donny’s unstable mental state. Anchored by two fantastic, career-making performances, Baby Reindeer is not an easy watch, but it’s necessary viewing.

3

‘Behind Her Eyes’ (2021)

Image via Netflix

If there’s a thriller whose conclusion you won’t see coming, look no further than Behind Her Eyes. A mind-bending sci-fi story, the Steve Lightfoot-created series is based on Sarah Pinborough’s novel. Louise Barnsley (Simona Brown) is a single mother who falls into a dangerous web of secrets, infidelity, and supernatural body-swapping after having an affair with her married boss, David Ferguson (Tom Bateman). Despite knowing better, Louise begins an affair with David and develops a close friendship with his perfect wife, Adele (Eve Hewson). The deeper Louise gets into the affair, the more she learns about David’s abusive behavior and Adele’s dark past involving her childhood friend Rob Hoyle (Robert Aramayo).

Behind Her Eyes is a standout thriller that leaves you utterly gobsmacked. What begins as a simple love triangle evolves into a gripping psychological thriller before shape-shifting into a supernatural masterpiece. Astral projection serves as the framing device for the body-swapping mechanic. By the time the twist is revealed, it recontextualizes everything, making Behind Her Eyes a brilliant second-watch option. Constructed in six solid episodes, Behind Her Eyes wastes no time in hooking you and keeping you intrigued until the bitter end.

2

‘Midnight Mass’ (2021)

Image via Netflix

The collaboration between Netflix and Mike Flanagan was quite prosperous, as nearly every single series was a success. Case in point: Midnight Mass. The supernatural horror thriller set on Crockett Island, a small, isolated, and impoverished fishing village, follows the return of Riley Flynn (Zach Gilford) following four years in prison for a fatal drunk-driving accident. Coinciding with his return is the arrival of a charismatic and mysterious young priest, Father Paul Hill (Hamish Linklater), who begins performing inexplicable miracles, curing local ailments and reversing aging among the residents, which causes a massive religious revival. Soon, it is revealed that these miracles are tied to a terrifying, blood-feeding creature.

Midnight Mass explores how religious devotion can twist into dangerous zealotry, using scripture to justify horrific actions. Unlike the haunted house stories that preceded it, Midnight Mass blends deeply personal human drama with a slow-burning supernatural mystery. Despite the tight-knit community, the island setting is claustrophobic and inescapable. The series reinterprets classic vampire mythology to explore themes of faith and sobriety. With an explosive finale, Midnight Mass is grounded in extraordinary performances, especially from Samantha Sloyan as Bev Keane. A great series to rewatch every spooky season, Midnight Mass is proof that Flanagan is a master of original ideas. ​​​​​​​

1

‘The Fall of the House of Usher’ (2023)

Image via Netflix

Picking the best Mike Flanagan series is literally a Sophie’s choice. There’s something so juicy about The Fall of the House of Usher that it earns this spot. Combining an all-star conglomerate of Flanagan players with delicious source material, the Edgar Allan Poe-inspired series is the most daring of Flanagan’s Netflix entries. The Fall of the House of Usher follows the shocking mysteries surrounding the deaths of corrupt pharmaceutical billionaire Roderick Usher’s (Bruce Greenwood) six children over the course of two weeks. Through the past and the present, Roderick and his twin sister, Madeline (Mary McDonnell) reveal how their pharmaceutical was ruthlessly built through immense corruption and crime. Across eight episodes, Flanagan weaves characters, titles, and themes from many of Poe’s classics to create a sublime Gothic thriller.

The Fall of the House of Usher brilliantly pairs a 19th-century horror sensibility with 21st-century themes and corporate satire. The 8-episode show tells you exactly what’s going to happen; the thrill is seeing just how the deaths come, all while paying homage to Poe’s greatest hits. Every single episode functions as an anthology-style character study focusing on the downfall of a different arrogant heir. Ratcheting than relying on cheap jump scares, the series leans on foreboding, poetic, atmospheric dread. The series features stellar Flanagan faithful and new faces, namely Carla Gugino as the diabolical, shape-shifting entity Verna and the legendary Mark Hamill as family fixer Arthur Pym. If there’s any series to watch when there’s a chill in the air, it’s this one. ​​​​​​​

The Marvel Cinematic Universe may be on the up and up thanks to the reinstatement of Bob Iger as Disney CEO and the critically successful release of Thunderbolts*, The Fantastic Four: First Steps, and—most recently—Spider-Man: Brand New Day, but that hasn’t stopped people from being worried about what’s to come and the failure or success of Avengers: Doomsday. This is especially true regarding the casting of Robert Downey Jr. as the villain of the film, Doctor Doom. The fan response to this news was and still is unlike any kind of reaction Marvel has gotten for their MCU projects ever.

As stated, though, the MCU and Marvel Studios are on the uphill climb to where they were before Phases Four and Five, so all hope is not lost for Avengers: Doomsday and the following film, Avengers: Secret Wars. Directors Joe and Anthony Russo need to really blow people away with the fifth Avengers movie to fully win fans back to the MCU, as it’s the project with the most hesitation behind it from audiences. However, the Russo Brothers made the extremely excellent Avengers: Infinity War and Avengers: Endgame, so there’s a good chance they can pull this off. There are things they need to make sure they do, though, if they’re going to win the MCU fans back completely. This really is a make-or-break movie for Marvel, and there’s no doubt that they already know it.

10

Balance the ensemble

Image via Marvel Studios

If one thing is true about the cast of Avengers: Doomsday, and the MCU as a whole, it’s that there’s a gigantic cast that always seems to be growing. If the fifth Avengers installment is going to manage a cast that large, the directors are going to need to employ the same strategies they did with the last few entries if they’re going to keep things feeling streamlined and not too jumbled.

What made the likes of Avengers: Infinity War work so well was the fact that they managed to balance their large ensemble cast—keeping every character important, without them overstaying their welcome. Was Avengers: Infinity War lightning in a bottle (since Avengers: Endgame had a much smaller main cast)? Only time will tell.

9

Thrilling action

Image via Walt Disney Studios Motion Pictures

Does anyone really have any doubts about whether Avengers: Doomsday is going to have great action? Marvel Studios films have always been pretty good about providing fast-paced and high-flying action, especially in all of the Russo Brothers’ Marvel projects. That doesn’t mean there isn’t room to fumble, though, and they need to keep up their pace with fight sequences if they’re going to keep people invested in Avengers: Doomsday. With all the new MCU characters that are being introduced, as well, they have all the chance in the world to provide new and exciting action scenes.

Characters like Shang-Chi (Simu Liu) and his Ten Rings, The Fantastic Four, Namor (Tenoch Huerta), and many more have unique abilities that could add so much to choreography and visual spectacle. Team-ups between characters like these could allow the Russo Brothers to introduce fights like audiences have never seen before in the MCU, which would make these sequences super memorable, and that will allow Avengers: Doomsday to feel special. The war scenes they managed to pull off in Avengers: Infinity War and Avengers: Endgame were so well-executed that it’s hard to believe they won’t bring good action to Avengers: Doomsday, though.

8

Bring a great cliffhanger ending

Image via Marvel Studios

If Avengers: Doomsday is the first part of a two-part story ending with Avengers: Secret Wars, then that would mean it’ll most likely have a similar format to Avengers: Infinity War—the first part to the ending of the Infinity Saga. What made the ending of that MCU movie so great was that it didn’t just end with a full-circle moment—thanks to Thanos (Josh Brolin) being the protagonist of that film—but simultaneously a cliffhanger, as well.

If they’re going to secure more butts in the seats of theaters showing Avengers: Secret Wars, they’ll want a similar cliffhanger at the end of this one. This obviously means that, more likely than not, Doctor Doom is going to take the win, and the remaining Avengers are going to have to pick up the pieces in the sixth movie.

7

Know their priorities

Image via Marvel Studios

If Marvel Studios and the Russo Brothers need to do one thing, it’s to keep their priorities in check. They need to know what the fans want and are looking for from Avengers: Doomsday, while still making decisions that are right for the story. There really shouldn’t be too much setup for stories outside of what’s to come right after in Avengers: Secret Wars, as it could really clutter the story. No one wants to take time to set up the next Shang-Chi and the Legend of the Ten Rings film (even though they really should get on that) while Doctor Doom is threatening the universe—most likely the multiverse—for 99% of the runtime. A sequel to Shang-Chi’s film is just an example, but the reality is there.

With the soft reboot coming for the MCU after these next two Avengers films, there’s a chance that there won’t be anything to set up and distract from the core plot of Avengers: Doomsday, but they also run into another potential problem. They need to ensure they don’t focus too much on characters that don’t matter as much to the plot as others do. What made Avengers: Infinity War and Avengers: Endgame great is that they gave smaller and less important characters moments to shine without taking away from the more important ones. After the snap, they only kept around characters that were absolutely necessary to tell the story in Avengers: Endgame, which served them incredibly well.

6

Stay away from nostalgia bait

Image via Marvel Studios

With so many characters coming back from previous franchises—like the X-Men—it can most definitely be really tempting to want to use nostalgia bait to get audiences excited, rather than good plot beats. The Russo Brothers haven’t had issues with this in the past two Avengers movies, but with the number of previous Marvel franchise characters coming back, the risk is definitely still there.

The inclusion of the 20th Century Fox universe characters—and other franchises, too, if one is to assume—is no fluke, and done for a reason. They want people to see their favorite old characters in the new The Avengers flick; they just have to ensure that they keep themselves from not giving them a good reason to be there. A movie that was amazing at this was Spider-Man: No Way Home, in the way that the old Spider-Man franchise characters all served the story in some way, shape, or form.

5

Give the VFX artists time to cook

Image via Marvel Studios

One of the biggest problems with Marvel for quite some time has been the fact that they have generally treated their VFX artists pretty poorly. This has led to shoddy visual effects at times, especially in the post-Avengers: Endgame era. Most notably, movies like Ant-Man and the Wasp: Quantumania and Thor: Love and Thunder, which are already movies that struggled to find quality in the first place. This isn’t the visual effects artists’ fault, though, as it’s commonly known that they are put under ridiculous time constraints, less-than-ideal working conditions, and are wrongfully blamed for the quality of effects. When a film studio lets its VFX artists have the time to pull off what they need to do successfully, they are always rewarded with some visually gorgeous scenes that are unforgettable.

Not only do they need to improve on this because it will only make their content better, but because it’s genuinely just the right thing to do, for the sake of their artists who are making their projects possible in the first place. So they won’t just get a better quality film out of it, but a lot more good faith from audiences everywhere who are upset with both the quality and the treatment of their hard-working artists. With the recent strikes, people are now more aware than ever of the kind of working conditions that artists can be treated to in the industry. Of all the issues Marvel Studios has had these last five years, this one is one of the biggest, most impactful, and most brand-damaging. This isn’t just crucial for winning fans back in Avengers: Doomsday, but for the entire future of the MCU. If this trend continues, it could spell really bad things for their public reputation, which, if ruined, could sink the ship for good—genuinely.

4

Make the past matter

Image via Marvel Studios

The biggest, most proclaimed worry among fans about Avengers: Doomsday is that, when it came to ending the Infinity Saga, there was a lot of buildup. Thanos may not have appeared much before his grand entrance in Avengers: Infinity War, but the likes of the Infinity Stones were being built up from what felt like day one—also known as when the Tesseract (the Space Stone) appeared in Captain America: The First Avenger.

The worry comes with the fact that, as far as fans know, there really hasn’t been any buildup to Avengers: Doomsday. There’s a chance that Doom’s been pulling the strings from behind the past two Phases, sure, but only time will tell—maybe he could be out for the many artifacts discovered in Phases Four and Five, like the Ten Rings. Fans and general audiences alike want to feel rewarded for watching the last grouping of films, and maybe they would have if they kept Kang the Conqueror (Jonathan Majors) around—who was being built up through both the Loki and Ant-Man franchises—but that’s no longer the case. So, the Russos have some real legwork to do if they’re going to make Doom feel earned.

3

Keep it focused

Image via Marvel Studios

With the number of characters being juggled in every The Avengers film, directors will always run the risk of their story becoming unfocused and scatterbrained. With how disjointed the MCU has felt since Avengers: Endgame, the chances of losing sight of things and getting distracted are higher than they have ever been before. With all the new characters coming into the fray who have major plots of their own, it could be far too easy to get sidetracked in a character’s introduction and exposition, or even a side plot that doesn’t have much to do with the main plot.

A great example of a time this has happened is the notorious Avengers: Age of Ultron, where the story is truly all over the board. It’s setting up the Infinity Stones, dealing with Ultron (James Spader), Vision’s (Paul Bettany) introduction, and developing a meaningless relationship between Natasha Romanoff (Scarlett Johansson) and Bruce Banner (Mark Ruffalo)—far too many things coming together as one very convoluted plot. Even Avengers: Age of Ultron‘s biggest defenders can agree that this movie was done dirty with how many things it was trying to do, whether to the fault of Joss Whedon or Marvel Studios executives. Why did they insist on these meaningless extra plot lines? No one really knows. If a movie with fewer characters, like Avengers: Age of Ultron, could get as unfocused as it did, there’s a lot of fear when looking at a movie with a cast the size of Avengers: Doomsday.

2

Have genuine emotional weight

Image via Marvel Studios

It cannot be denied that The Avengers franchise—while filled with blockbuster spectacle—has always had a plethora of emotional weight behind its stories. A lot of this comes from the bond between the original team of Avengers, but with so many new characters being involved—who have never really interacted before—they’re going to have a hard time delivering the same kind of connectedness, which means they’ll need to find emotional weight in other corners of the plot.

There’s a large chance that Doctor Doom is going to have a horrifically tragic backstory, which would bring in a lot of emotional significance. Regardless of how it’s brought in, it needs to be present, regardless. Avengers: Doomsday and Avengers: Secret Wars alike need to have a lot of emotional weight in their plot, and one can only hope the Russos really lock in on this.

1

Make Robert Downey Jr.’s Doom Work

Image via Marvel Comics

If there’s one thing that people are extremely vocal about when it comes to the next two The Avengers movies—Avengers: Doomsday, especially—it’s whether or not they’re going to be able to make the casting of Robert Downey Jr. as Doctor Doom actually work. Ever since the casting announcement, it’s been an incredibly hot topic. How on Earth is Downey Jr. going to play Doctor Doom so soon after the end of his reign as Iron Man in Avengers: Endgame? Why would they make the decision to cast him when there is a plethora of other actors who would absolutely own the role? These are two of hundreds of questions being asked by fans, general audiences, and critics alike.

It’s so out there that one can truly only make a judgment call after seeing the film (as trailers probably won’t depict exactly what they’re doing either). While there’s a gigantic chance they could fumble the bag, there’s just as big a chance that they rock the house and provide an intensely great villain. The Russo Brothers brought the world Captain America: The Winter Soldier, Captain America: Civil War, Avengers: Infinity War, and Avengers: Endgame, so it’s hard to believe that they’ll suddenly drop the ball out of nowhere, and on a film with such grand importance. The chance is there, though, and the aspect of the film that has the biggest chance of making that happen is Doctor Doom. One can only hope that they have a very specific vision for Doom, and it’s simply something nobody could expect and that will work well because it’ll be so specific to this universe and never really done before.

Advertisement

Avengers: Doomsday

Advertisement

Release Date

December 18, 2026

Advertisement

Runtime

165 Minutes

Writers

Advertisement

Stephen McFeely, Michael Waldron, Chris McKenna, Erik Sommers

Advertisement

Advertisement

Advertisement

A science fantasy movie can have all the spaceships and cloned bodies in the universe, but the stuff that actually stays with you is always much smaller. It is the human stuff. A parent trying to protect their family, or an old hero trying to live with their own failures.

The best modern films in this genre treat their massive scale like a pressure cooker for the characters. You expect massive explosions, but the most important moments always come down to awkward conversations and personal choices that cannot be undone. These six movies absolutely nail that balance, so let’s break down exactly how they pull it off.

6

‘Avatar: The Way of Water’ (2022)

Image via 20th Century Studios

Avatar: The Way of Water gets its emotional charge from making Jake Sully (Sam Worthington) feel helpless in a world he once seemed to understand. He has built a life in the forest, raised children, led a clan, and settled into the daily rhythm of family. Everything shatters the second the Sky People return with recombinant avatars carrying the memories of dead soldiers. As a result, the safest thing Jake can do is leave everything familiar behind.

That is where the movie becomes more affecting than people give it credit for. The Sully family’s move from the forest canopy to the open ocean feels huge because the children are visibly out of place. They gasp, kick awkwardly, fail to hold their breath, and look painfully small beside the reef clan’s effortless grace. At first glance, the ocean scenes just look gorgeous. But honestly, what really hooks you is how physical it all feels. You can practically feel the water on their skin, the panic of holding their breath, and the vibe of learning to move with the sea creatures. The whole movie eventually ditches the massive ‘save the planet’ mission. It just becomes about saving one family.

5

‘Guardians of the Galaxy’ (2014)

Image via Marvel Studios

Guardians of the Galaxy enters like the exact opposite of noble space fantasy. The story starts with Peter Quill (Chris Pratt), who is a scavenger dancing through a ruined alien temple with a Walkman, stealing an orb like this is just another petty job. That ridiculous contrast is still the movie’s secret weapon. On the surface, he acts like a charming rogue, but everything about him is built around avoidance, such as the music, the jokes, the flirting, and the refusal to sit still with grief.

Once the bounty hits, the movie starts throwing broken people into each other at full speed. Gamora (Zoe Saldana), Rocket (Bradley Cooper), Groot (Vin Diesel), Drax (Dave Bautista), and Quill spend half the time shoving, insulting, side-eyeing, and threatening each other. They are a total disaster. It takes a while before they become anything close to a team. The space-prison breakout is the perfect expression of that chaos. There is no clean heroism here. Just improvised violence, bad planning, and weird trust forming under pressure. Don’t get me wrong, the cosmic plot is massive, but underneath it all, these losers are lonely in very specific ways. And weirdly enough, that is exactly why they somehow become a family, completely against their own instincts.

4

‘Star Wars: Episode VIII – The Last Jedi’ (2017)

Image via Lucasfilm

Star Wars: Episode VIII – The Last Jedi is the rare franchise film brave enough to stare directly at its own legend. It follows Luke Skywalker (Mark Hamill), who has become the story everyone else tells about him, and the man himself can barely stand the weight of it. On Ahch-To, he is tired, bitter, soaked by island rain, and committed to disappearing. Then Rey (Daisy Ridley) arrives with the lightsaber, the symbol, and the demand. She expects the impossible. She wants him to become “Luke Skywalker” again.

The toss over the shoulder is still a brilliant shock because it announces the film’s real subject immediately. This story cares less about worshiping heroism than examining what happens when a hero survives long enough to hate the myth built around him. You can literally see it in the performance. Hamill’s slumped posture, his avoidance, his irritation with Rey, and his shame over Ben Solo (Adam Driver) make Luke feel painfully human. But despite all that baggage, he eventually finds a way forward that doesn’t erase his mistakes. That is exactly why taking that stand on the salt flats is a quiet, defiant mic drop. It is just an exhausted legend choosing hope entirely on his own terms.

3

‘Poor Things’ (2023)

Image via Searchlight Pictures

Poor Things turns a coming-of-age story into something strange, funny, grotesque, and completely liberating. Bella Baxter (Emma Stone) begins inside Godwin Baxter (Willem Dafoe)’s controlled home, awkwardly navigating the rooms while she tries to figure out how her own limbs work. Since she is basically starting from zero, her stiff walk, blunt speech, appetite, curiosity, and total lack of social embarrassment make every early scene feel alive with discovery. She is watched, studied, guided, and contained. But she is never truly owned. The men around her just assume she is.

The film snaps open once Bella leaves that monochrome world. Color floods in almost rudely, and suddenly she wants food, sex, language, travel, danger, cruelty, politics, mistakes, pleasure, and knowledge. Her body changes with her mind. That clunky Frankenstein walk smooths out into total control. She goes from being a sheltered science project to a real person. And, she is absolutely done apologizing. Seriously, that constant leveling-up is exactly why the movie hits so hard. It just keeps outgrowing its own setup. After chewing through enough of the world, she finally dictates what kind of person she is going to be.

2

‘Everything Everywhere All at Once’ (2022)

Image via A24

Everything Everywhere All at Once starts with the least glamorous crisis imaginable. Evelyn Wang (Michelle Yeoh) just wants to survive an IRS audit. She is exhausted, irritated, behind on paperwork, worried about her father, distant from her husband, and unable to talk to her daughter without turning love into criticism. Then Waymond (Ke Huy Quan)’s body suddenly becomes someone else’s, an earpiece appears, and the dull office building starts cracking open into a multiverse.

The movie’s chaos is funny, but the reason it actually wrecks you is Evelyn’s face. She is a woman whose brain is already overloaded before reality starts splintering. Every absurd action, every fight, every alternate life, every ridiculous jump only matters because Evelyn keeps seeing versions of herself that made different choices. The IRS desk clutter becoming a martial-arts battlefield is great, but Joy (Stephanie Hsu)’s pain is the anchor. No matter how weird things get with the bagel, the rocks, the laundromat, the taxes, and the reconciliation. All of it just comes down to a mother finally choosing empathy. She lets go.

1

‘Dune: Part Two’ (2024)

Image via Warner Bros. Pictures

Dune: Part Two is the modern science fantasy epic that every other movie in the genre now has to survive being compared to. The plot kicks off with Paul Atreides (Timothée Chalamet) in the deep desert as a displaced royal heir trying to learn Fremen ways without fully surrendering to the role waiting for him. Despite his best efforts to just blend in, he watches, listens, trains, fails, adapts, and tries to stay human while everyone around him keeps turning his survival into proof of prophecy.

That gradual shift is what makes the film terrifying. Paul’s transformation is a slow burn. Instead of a sudden change, the sand, silence, rituals, and religious expectation are allowed to tighten around him scene by scene. That tension peaks during his first sandworm ride, which is completely overwhelming just because of how physical it feels before it ever becomes symbolic. It grounds you in the thumper pounding, the worm rising, and Paul fighting to stay attached under the desert sun. Then his body language changes. The hesitant student becomes a commander, and the young man terrified of a holy war suddenly starts using belief as a weapon. He becomes the myth. Once he actually starts shouting orders and seizing power, the awe has completely curdled into dread. The film is inevitably magnificent because its beauty is inseparable from the horror of watching Paul become exactly what he feared.

Advertisement

Dune: Part Two

Advertisement

Release Date

Advertisement

February 27, 2024

Runtime

167 minutes

Advertisement

Director

Denis Villeneuve

Writers

Advertisement

Denis Villeneuve, Jon Spaihts, Frank Herbert

Advertisement

Advertisement

Advertisement

Before Netflix’s groundbreaking sci-fi epic Stranger Things turned him into a household name, David Harbour spent years turning up in bit roles in major blockbusters. He appeared in the tear-jerking Western Brokeback Mountain; Daniel Craig’s second outing as James Bond, Quantum of Solace; and reunited with Jake Gyllenhaal for the gritty crime thriller End of Watch. He even appeared in Tom Cruise’s War of the Worlds, but his scenes were cut from the finished product. Then, 2016 came around, and the Duffer Brothers turned Harbour into a star.

Harbour has retired from his career-defining role as Hopper, but has turned in several leading performances since leaving the Upside Down. After an ill-advised turn as Hellboy in a largely forgotten 2019 remake, Harbour’s roles in Black Widow and Thunderbolts* helped him find his footing again. His MCU run is only getting bigger, as he will appear as Red Guardian in Avengers: Doomsday in December.

In 2022, David Harbour turned in an iconic performance that has landed an upcoming sequel alongside Kristen Bell. The original film, Violent Night, is now charting on HBO Max along with another of Harbour’s leading roles. Harbour plays a dragged out, alcoholic version of Santa that must take on a gang of mercenaries (led by John Leguizamo) after they take a wealthy family hostage. On a budget of roughly $20 million, Violent Night went on to earn $76 million worldwide, and is now part of the alternative-Christmas viewing must-watch list, at an 88% audience score on Rotten Tomatoes. The film also stars Beverly D’Angelo (National Lampoon’s Vacation), Cam Gigandet (The Hunting Wives), Alex Hassell (Rivals), and Alexis Louder (The Terminal List).

David Harbour Is Also Taking Over the TV Charts

Harbour is not only taking over the HBO Max movie charts with Violent Night, but his 2026 miniseries DTF St. Louis, co-starring Jason Bateman and Linda Cardellini, is also making waves in the TV category. The seven-episode miniseries follows two friends whose marriages have stalled, prompting them to download an app for discreet affairs. It begins as an exploration of middle age and relationships, but the tragicomedy turns much darker and unfolds into a murder mystery. It boasts an 89% critics’ score on Rotten Tomatoes, and also just won an Emmy for Outstanding Limited Series, which is likely to give the show a nice bump in the streaming charts.

Violent Night and DTF St. Louis are both streaming on HBO Max. Stay tuned to Collider for more updates.

Advertisement

Release Date

December 2, 2022

Advertisement

Runtime

101 minutes

Director

Advertisement

Tommy Wirkola

Writers

Pat Casey, Josh Miller

Advertisement

Advertisement

Advertisement

Advertisement

The newly announced partner to Tom Cruise in Day of Thunder 2, Anne Hathaway, is currently having the busiest year of her career. Soon, she will debut her final big-screen installment of a huge 2026, as she reunites with director Michael Showalter — who previously directed her in Prime Video’s The Idea of You — in Verity, the latest in a flurry of Colleen Hoover adaptations on the big screen. Verity will also star the likes of Dakota Johnson and Josh Hartnett​​​​, and promises to be the darkest Hoover adaptation yet.

Verity is Hathaway’s fifth and final film of a year in which she is also expecting her third child. This all began with her most underrated performance of 2026 in the criminally underseen Mother Mary. She then rejoined Meryl Streep, Stanley Tucci, and Emily Blunt for The Devil Wears Prada 2, which was called “a near-perfect blend of nostalgia and newness” by Collider’s own Taylor Gates, before setting her sights on the film that might just come to define 2026: Christopher Nolan‘s historical epic The Odyssey.

As Penelope, Hathaway stole several scenes in The Odyssey, as she waited for Matt Damon‘s King of Ithaca to return whilst silently overseeing his kingdom. The film has outperformed even the highest expectations many had for it, being considered a lock for most of the major Academy Awards categories for next year and also grossing more than $1.7 billion worldwide, which marks a record for most involved. Following The Odyssey, and before tackling Verity, Hathaway dropped her most bonkers film of the year, one that has now become an instant hit on streaming.

‘The End of Oak Street’ is an Instant Streaming Hit

In the Spielberg-esque sci-fi thriller The End of Oak Street, Hathaway joins Star Wars legend Ewan McGregor to fight a prehistoric threat as her quiet suburban life is inexplicably transported through time. The End of Oak Street ultimately disappointed during its theatrical run, earning just $120 million against a reported budget of $85 million. Thankfully, its recent move to streaming has already paid off, as The End of Oak Street currently ranks as the most-watched movie on the Apple TV store in the U.S.

Anne Hathaway’s next feature, Verity, debuts on October 2. For all the latest movie news, stay tuned to Collider.

Advertisement

Advertisement

Release Date

August 14, 2026

Runtime

100 minutes

Advertisement

Director

David Robert Mitchell

Advertisement

Writers

David Robert Mitchell

Producers

Advertisement

David Robert Mitchell, Hannah Minghella, J.J. Abrams, Jon Cohen, Matt Jackson, Tommy Harper

Advertisement

Advertisement

Advertisement

If sneakers have been dominating your fall wardrobe, Jessica Alba might convince you to give them a day off. The actress just stepped out in chunky black loafers that made even the simplest basics look expensive. With their platform sole and classic shape, they have the rich-lady energy we want from fall shoes.

On September 13, Alba stepped out wearing $395 Margaux platform loafers with cropped black pants, a crisp white button-up and oversized sunglasses. The shoes gave her simple outfit a luxe finishing touch while adding some height without a heel. Luckily, we found a similar style on Amazon for $36.

Get the Fitory Slip-On Platform Penny Loafers for $36 (Was $43) at Amazon! Please note, prices are accurate as of the publishing date but are subject to change.

The Fitory Slip-On Platform Penny Loafers capture the same elevated look for a fraction of the price. They have a chunky lug sole, block heel, round toe and faux suede patent vegan leather finish. They also come in black, cream, brown suede and more shades, in sizes 6 to 11.

Related: Nicole Kidman Cosigned Jennifer Aniston’s Go-to Adidas Sneakers

Advertisement

There are certain sneaker styles that celebrities just can’t seem to quit — and this pair may have more staying power than most. Nicole Kidman is the latest A-lister to reach for the retro style, following in the footsteps of Jennifer Aniston, who has made them part of her off-duty rotation. When two of Hollywood’s […]

Shoppers say they’re easy to style, too. One reviewer called them “really versatile,” noting that they work with “everything from jeans to trousers or dresses.” Throw them on with denim for errands, trousers for work or a dress for an easy fall outfit.

The platform sole also gives you extra height without committing to uncomfortable heels. Another buyer called them “an absolute wardrobe staple,” saying the platform heel “easily elongates the legs while remaining practical for all-day wear.” That combination makes them especially appealing for busy fall days.

Pair them with cropped trousers and a button-up to channel Alba’s rich-lady aesthetic, or use them to instantly elevate jeans and a tee. At just $36, they deliver the luxe loafer look without spending nearly $400 on Alba’s pair. Your sneakers might finally have some competition.

Get the Fitory Slip-On Platform Penny Loafers for $36 (Was $43) at Amazon! Please note, prices are accurate as of the publishing date but are subject to change.

Looking for something else? Explore more from Fitory here and don’t forget to check out all of Amazon’s Daily Deals for more great finds!

UsNow Fall Sale Alert: These chic fashion finds are up to 60% off – plus free shipping

Welcome to fall with our biggest sale of the season. Our favorite dresses, tops, handbags, and shoes are all on sale + free shipping. Inventory is limited so hurry before they’re gone.

Shop the UsNow Fall Sale —>

Related: Move Over, Jeans! Jennifer Garner Made Striped Overalls a Fall Must

Jennifer Garner made a strong case for giving our jeans a few weekends off this fall. Overalls might not be the first thing we reach for once sweater weather hits, but the actress reminded Us just how effortlessly cool they can look for farmers’ market runs, apple picking days and everything in between. Naturally, we went […]

Advertisement

Russell Crowe is setting himself up for a very successful 2026. After bringing his WWII passion project Nuremberg to theaters, and earning plenty of acclaim in the process, Crowe is set to once again bring the entertainment with The Weight, a gritty Western alongside Ethan Hawke; the upcoming Netflix true-crime original, Unabomber; the fantasy epic with Game of Thrones‘ Rose Leslie, The Last Druid; and, perhaps most anticipated of all, the Highlander reboot alongside Henry Cavill. Crowe has already posted on social media about training to get into Gladiator shape for the latter.

The 2000s arguably marked the absolute peak of Russell Crowe’s career — with hits such as Gladiator, A Beautiful Mind, Master and Commander, and 3:10 to Yuma, among others. But Crowe has recently found a tough time regaining traction at the box office, even with an occasional fan-favorite like The Nice Guys dotting his resume. A pair of ill-timed horror movies — The Exorcism and The Pope’s Exorcist — underwhelmed at the box office, and two big-budget attempts — Kraven the Hunter and 2017’s The Mummy — essentially killed their respective franchises. Outside his work as Jor-El in Zack Snyder‘s Man of Steel, however, Crowe’s last real box office hit came in 2012 in a sweeping epic that landed on HBO Max this month.

HBO Max Brings the French Revolution

Les Misérables, the musical drama directed by Tom Hooper is now available to stream on HBO Max. In 2012, Russell Crowe and Hugh Jackman led an absolutely stacked cast in Hooper’s adaptation of the Broadway musical, singing its way to a $442 million box office haul. The film created the trend of big musicals being released in theaters for Christmas — Into the Woods, La La Land, The Greatest Showman, and Mary Poppins Returns all followed suit. While Crowe was largely lambasted for his singing in the film, the rest of the cast — A-listers Jackman, Amanda Seyfried, and Eddie Redmayne, and Broadway vets Samantha Barks and Aaron Tveit — were all praised; the film earned a 70% critics’ score on Rotten Tomatoes. Anne Hathaway, who is now ruling the box office with The Odyssey, even won an Oscar for her supporting role as the tragic Fantine.

Les Misérables is now available on HBO Max. Stay tuned to Collider for more updates.

Advertisement

Release Date

Advertisement

December 18, 2012

Runtime

158 minutes

Advertisement

Writers

William Nicholson

Producers

Advertisement

Debra Hayward, Eric Fellner, Tim Bevan, Cameron Mackintosh, Bernard Bellew

Advertisement

Advertisement

Advertisement

In the months before Presley Gerber’s death, a social media post captured a side of his journey that those closest to him had watched unfold for years. 

The model, who died at a rehabilitation facility on September 20 at age 27, used the post to document a pivotal step in his recovery journey. 

His family’s response was immediate and deeply personal, with Cindy Crawford, Kaia Gerber, and Rande Gerber publicly rallying around him as he faced one of the most difficult chapters of his life.

Long before news of his death emerged, Presley Gerber had chosen to document moments that many people facing addiction keep private. 

One of his most revealing updates arrived in March, when he took to Instagram with a video recorded shortly before undergoing an “ibogaine flood dose,” a psychedelic treatment used in certain countries to help address addiction.

Advertisement

Rather than present the experience as a breakthrough, Presley described approaching it with fear and uncertainty.

“Quiet moment before everything changed,” he wrote alongside the video, adding, “I was absolutely terrified, and I knew I would be again if I ever had to face something like this.”

The treatment required him to surrender a level of control that he admitted did not come naturally. “Letting go of control didn’t come easy, but I trusted there was something bigger than me guiding it,” Presley explained.

His reflections suggested that the experience was about more than treatment alone. It was also about confronting issues he had spent years avoiding.

Advertisement

“I knew why I was there. I faced what I had been running from, and somewhere in all of it, I started finding my way back to myself,” he wrote.

Presley ended that portion of his message with a short but telling phrase, noting, “We shall see.”

Presley Hoped The Treatment Would Mark A New Beginning

Beyond describing the experience itself, Presley Gerber also shared what he hoped the treatment would mean for his future.

In the same post, he revealed that he was looking ahead to a time when returning for treatment would no longer be necessary. “I’m praying it’s the last time I have to come back,” he wrote.

The model also took time to recognize the people who had helped him through the process, thanking “the incredible caring kind and on their sh-t team” involved in the treatment program.

Advertisement

Despite the seriousness of the experience, he ended the message on a lighter note, revealing that the journey had also introduced him to new friendships. “And I made some dope ass friends there,” Presley wrote.

Presley Gerber’s Family Publicly Celebrated His Progress

Kaia: “That’s my brother I’m so damn proud”
Cindy: “Your a warrior..”
Randy: “ I’m so proud of you and ur courage”

Presley got so much support and love from his family on his IG post as he shared his treatment journey. 💔🥹 pic.twitter.com/y61hoAkFbD

— Hanz (@fashionistaera) September 21, 2026

The post quickly became a family affair as some of the people closest to Presley filled the comments section with messages of encouragement.

Advertisement

Among them was his mom, Crawford, whose response would take on added significance months later. “You are a warrior! Walked thru the fire to find yourself! So proud!” the supermodel wrote.

Presley’s sister, Kaia, also left a message celebrating her older brother’s determination. She commented, “That’s my brother I am so damn proud.”

His dad, Rande Gerber, also echoed those sentiments, praising the work Presley had put into his recovery journey. 

He wrote, “I’m so proud of you and your courage. Facing what’s hard takes real strength and watching you find your way back to yourself is everything. I love you so much.”

Advertisement

More From The Blast

Presley Revealed Near-Fatal Fentanyl Overdose Left Him In A Coma

The optimism that filled Presley Gerber’s ibogaine-treatment post did not emerge overnight. Long before he described “finding my way back to myself,” he had survived one of the most frightening moments of his life: a fentanyl overdose that nearly killed him.

In 2024, Presley publicly disclosed that he had been battling a severe opioid addiction and revealed that the crisis escalated into a near-fatal overdose. 

According to his account, the incident left him in a coma for several days and became a turning point in how he viewed both addiction and recovery. 

Advertisement

Rather than hiding that experience, Presley chose to discuss it openly as part of his efforts to help others facing similar struggles. 

As he became more candid about his life, Presley explained that addiction was only one part of a broader battle involving mental health, depression, and finding stability after years of struggling.

During a 2023 appearance on the “Studio 22” podcast, he said, “[Mental health] is an issue. It is such a big part of my life. It’s a 24/7 job, and there’s so much to it.” 

Presley also spoke about his desire to use his experiences to help other people who felt trapped by similar circumstances.

Advertisement

In his words, “Having struggled with mental health, depression and some other things that come along with that, I think that whether I help one person or a hundred people get out of that place that I was in at one point in my life, that’s all I need to do.” 

Presley Gerber Said Psychiatrists Left Him Heavily Medicated

As Presley continued searching for answers after the overdose, another struggle emerged. This time, it involved the medications he had been prescribed while trying to manage anxiety, depression, panic attacks, and addiction recovery.

In a candid Instagram video shared in December 2025, the 27-year-old revealed that he had consulted more than 15 psychiatrists and felt overwhelmed by the conflicting advice he received. 

According to Presley, the experience left him dependent on several medications while still searching for clear direction. 

Describing his frustration, he said, “I’d like doctors to be like, ‘Take this three times a day’ … but every psychiatrist I’ve had — I’ve had 15 — are like, ‘Here’s 20 medications and take this if you feel like this … and I’m like, ‘No, don’t get me that much leeway.’ I need some direction.” 

Advertisement

Presley revealed that he was taking medications including Buprenorphine, Xanax, and Valium while trying to navigate severe panic attacks and depressive symptoms. At the same time, he admitted that the uncertainty surrounding those medications was frightening. 

In the same update, he explained that he had started making major lifestyle changes in an effort to improve his mental health. Exercise became a key part of that process, and he also made the decision to stop drinking alcohol. 

He concluded by explaining why he was willing to be so vulnerable in public. “So you feel like you’re not alone, because that is how I feel most of the time and I have a feeling that if I say all of this, a lot of people will at least know that there’s someone else going through it,” he shared.

Advertisement

Fine lines, dullness, loss of firmness — these are all signs that skin is changing with age, and all concerns that seemingly require a different product to address. It’s easy to get lost in the sea of creams, serums and treatments available, but what if your anti-aging skincare routine could be simplified to just three core products that actually deliver on their promise? Cue KaramMD’s Trifecta, a three-step skincare system designed to take the guesswork out of caring for aging skin.

Created by double-board-certified facial plastic surgeon Dr. Amir Karam, Trifecta combines a daily cleanser, triple-form Vitamin C serum and all-in-one anti-aging cream to target multiple signs of aging at once. Rinse is a non-foaming gel cleanser that removes dirt, oil and buildup without leaving skin feeling stripped (a common issue with most cleansers). It’s a gentle formula that creates a smooth, fresh canvas for the products that follow, and an especially thoughtful first step for mature or dry skin, since cleansing can sometimes leave already moisture-depleted skin feeling even tighter.

Get the KaramMD’s Trifecta at KaramMD!

Then there’s Quench, a brightening serum powered by three stable forms of vitamin C to help tackle dullness and discoloration (two issues aging skin can experience). It also contains hyaluronic acid for hydration, so instead of layering separate brightening, hydrating and antioxidant serums, Quench combines those benefits into a single formula.

Lastly, Illuminate does much of the heavy lifting. Think of it as a moisturizer that does it all: it pairs slow-release retinol with peptides to help soften the appearance of fine lines and wrinkles, support collagen and improve the look of firmness and uneven pigmentation. Dr. Karam considers retinol one of the most important skincare ingredients outside of SPF, and Illuminate makes it easier to incorporate the powerhouse active into your routine without adding yet another standalone treatment.

With consistent use, skin can gradually look smoother, brighter and more hydrated, while concerns like fine lines and loss of firmness may become less noticeable. If your current skincare routine feels more complicated than effective, Trifecta makes a strong case for simplifying things. Shop the KaramMD Trifecta and put all three steps to work!

Get the KaramMD’s Trifecta at KaramMD!

We’re just a couple of months away from the biggest date in the 2026 sci-fi calendar. On December 18, on the same date as Avengers: Doomsday, Dune: Part Three will cap off Denis Villeneuve‘s acclaimed trilogy adapting Frank Herbert‘s Dune novels. Four-time Oscar nominee Timothée Chalamet returns as Paul Atreides in the Brian K. Vaughan-penned movie, joined by a stacked cast including Zendaya as Chani, Javier Bardem as Stilgar, Rebecca Ferguson as Lady Jessica, Anya Taylor-Joy as Alia Atreides, Florence Pugh as Princess Irulan, Jason Momoa as Hayt, and many more.

But for Dune: Part Three to perform as some predicted and become the year’s best sci-fi film, it faces tough competition from a novel adaptation that took the world by storm earlier this year. Of course, we’re talking about arguably the defining film of 2026 so far, Project Hail Mary. The Phil Lord and Christopher Miller-directed masterpiece earned near-perfect responses from critics, including a 9/10 review from Collider’s Ross Bonaime, who called it “the first great film of 2026.”

But Project Hail Mary wasn’t just an almighty success in the eyes of critics. In total, the adaptation of the 2021 novel by Andy Weir has earned $682 million worldwide, split between a domestic haul of $344 million and a further $338 million from overseas markets. This helped it become one of the year’s earliest blockbuster triumphs, although the likes of Christopher Nolan‘s historical epic, The Odyssey, and Spider-Man: Brand New Day have since stolen that spotlight. But Project Hail Mary has moved seamlessly to streaming, becoming an unsurprising hit in homes around the world. At the time of writing, it has rejoined the Prime Video top ten in the U.S., ranking in ninth place.

Ryan Gosling Has Joined Two More Iconic Franchises

After delivering an arguably career-defining performance in Project Hail Mary, Gosling has his sights set on a galaxy far, far away. He will join director Shawn Levy on the upcoming Star Wars: Starfighter, before finally taking the MCU plunge with the same man, who will direct him in a new Ghost Rider film that was announced during Marvel Studios’ Hall H presentation at San Diego Comic-Con 2026.

Project Hail Mary is available to stream on Prime Video. Stay tuned to Collider for more streaming updates.

Advertisement

Release Date

March 15, 2026

Advertisement

Runtime

157 minutes

Director

Advertisement

Christopher Miller, Phil Lord

Writers

Drew Goddard, Andy Weir

Advertisement

Producers

Aditya Sood, Amy Pascal, Andy Weir, Christopher Miller, Phil Lord, Rachel O’Connor, Ryan Gosling

Advertisement

Advertisement

Advertisement

Advertisement