Entertainment
The 6 Best Crime Films of the 2020s So Far, Ranked
Crime movies are supposed to make bad decisions irresistible for a couple of hours. Give us the room where everybody is lying. Give us the bag of money that obviously should be left alone. Give us the guy who thinks he has planned for everything, the detective who notices one detail too many, or the entire town pretending not to see who keeps dying. The pleasure is in knowing trouble is coming and still wanting somebody to open the door.
The six here scratch completely different parts of that itch. Some are nasty little machines. Others use crime to expose whole systems that have learned how to protect themselves. The point is, if crime movies are your thing, these should already be in the queue.
6
‘The Outfit’ (2022)
Leonard Burling (Mark Rylance) cuts suits in a Chicago shop frequented by local gangsters, and he has perfected the useful habit of appearing uninterested in whatever criminals discuss around him. Then one night a wounded mobster comes through the door, a mysterious tape becomes everybody’s problem, and The Outfit traps almost its entire story inside Leonard’s workroom.
That limited space is the fun. Every person entering the shop changes who seems to have control. A drawer, a coat, a pair of scissors, even the back room can become important because the movie has taught you to look at everything Leonard touches. He spends so much time appearing harmless that you start doing exactly what the gangsters do and underestimate how carefully he is reading the room. The film has the lovely confidence of an old-fashioned crime story where information is more dangerous than firepower. Put this on with someone who enjoys catching lies before characters do. There is a very good chance both of you will start competing.
5
‘No Sudden Move’ (2021)
Three criminals are hired for a supposedly simple job in 1950s Detroit. Hold a family hostage, escort the husband to his office, retrieve a document, get paid. Naturally, almost none of that survives contact with reality.
No Sudden Move is delicious once everybody realizes the job was only one piece of something much larger. Curt Goynes (Don Cheadle) wants his money and a clean exit. Ronald Russo (Benicio del Toro) keeps making choices that suggest self-preservation has to fight for space with greed. The missing document pulls gangsters, businessmen, and the auto industry into the same mess, and suddenly street-level crime looks tiny beside what powerful institutions can bury legally. The wide-angle photography gives rooms an oddly warped feeling that suits a story where everyone sees only part of the picture. It is one of those crime movies where you spend half the runtime asking who is using whom, then discover the answer may simply be everyone.
4
‘The Bikeriders’ (2023)
Kathy (Jodie Comer) meets Benny (Austin Butler) at a bar, sees the leather, the bike, and the whole dangerous package, and falls for him. With the kind of certainty that makes everyone else’s warnings basically useless. Through her, The Bikeriders watches the Vandals motorcycle club grow from a place where outsiders find companionship into something much harder to control.
That change gives the movie its bite. Johnny (Tom Hardy) starts the club around motorcycles and belonging, while Benny represents the freedom everybody thinks they are protecting. Then new members arrive who care less about the old codes, violence gets uglier, and the romantic image of biker life begins fighting with what the club is actually becoming. The film draws from Danny Lyon’s famous photographs and interviews, which helps explain why so many scenes feel observed rather than manufactured. And Benny is exactly the sort of character friends will argue about afterward. Cool enough to understand the attraction. Reckless enough to make Kathy’s exhaustion completely understandable. Watch this for the bikes and attitude, then stay for the slow realization that subcultures can lose control of their own mythology.
3
‘The Killer’ (2023)
An assassin (Michael Fassbender) waits in an empty Paris office for his target and fills the silence with rules. Stay disciplined. Stick to the plan. Anticipate, do not improvise. Then he misses.That failure turns The Killer into one of the funniest possible movies about professional competence because the man narrating his flawless methodology keeps having to deal with evidence that he is, in fact, human.
He flies commercially, buys supplies from ordinary stores, uses fake identities borrowed from sitcom characters, and listens to The Smiths while preparing to kill people. The glamour has been stripped out of the profession until murder starts looking disturbingly close to gig work. Then the Florida fight arrives and reminds you how quickly all that controlled routine can become brutally physical. The deadpan humor is easy to miss if you expect a conventional revenge thriller. Get onto the movie’s wavelength and it becomes incredibly rewatchable.
2
‘The Batman’ (2022)
This is The Batman closest to what cartoons made us feel as a kid. It’s just so much better than cartoons. It lives in a league of its own. No comparison to Ben Affleck’s take or Christian Bale’s take at the character. Gotham is already exhausted when a masked killer starts murdering powerful people and leaving riddles behind for Batman (Robert Pattinson) who is almost bored with no clear path and outcome. That shift is crucial. The Batman spends far less time wondering whether Bruce Wayne can punch criminals than asking whether he can actually understand the city he has spent two years terrifying from the shadows.
The investigation gives the movie its personality. Crime-scene photographs, coded messages, hidden corruption, the Iceberg Lounge, Falcone (John Turturro)’s grip on Gotham, and the Riddler (Paul Dano)’s obsession with the Wayne family keep pulling Bruce deeper into a history he thought he understood. Then the Penguin (Colin Farrell) chase gives you a Batmobile entrance so ridiculously aggressive that the engine itself feels like a threat. Gotham looks wet, filthy, overcrowded, and permanently twenty minutes from another bad night. Best of all, Batman has to confront the fact that calling himself vengeance has consequences when other angry men start using the same language. This is a detective movie wearing a cape, and more superhero films should be this comfortable getting mud on the costume.
1
‘Killers of the Flower Moon’ (2023)
The Osage people become extraordinarily wealthy after oil is discovered beneath their Oklahoma land. Then they start dying. That blunt reality sits underneath every minute of Killers of the Flower Moon. Ernest Burkhart (Leonardo DiCaprio) marries Mollie (Lily Gladstone) while his uncle William Hale (Robert De Niro) presents himself as a friend to the Osage community, and the horror comes from watching affection, money, racism, and murder exist inside the same homes.
There is no criminal mastermind hiding in a smoky room waiting for a final reveal. People discuss killings like business arrangements. Doctors participate. Authorities fail. Neighbors know more than they say. Mollie becomes sicker while the men closest to her keep performing concern. That is why the film’s length never feels like indulgence once you surrender to it. You are being made to live inside the repetition of the crime and the confidence that nobody powerful will stop it. The ending then refuses to let Hollywood turn all that suffering into a comfortable piece of entertainment. It is devastating, furious, and absolutely essential.
Entertainment
AMC Enlists a Classic Horror Host for the 30th Anniversary of FearFest [Exclusive]
Spooky season is nigh, and that means cable channel AMC will soon be dominated by horror movies, as part of the network’s annual FearFest celebration. This year is the 30th anniversary of the month-long horror-thon, and AMC has unearthed a very special skele-brity to preside over the fester-tivities. Collider is proud to hex-clusively announce that the cadaverous Cryptkeeper, the monstrous master of scare-emonies of the classic horror anthology Tales From the Crypt, will rise from the grave to host this year’s AMC FearFest.
And don’t worry, this won’t be some pale imitation of the Cryptkeeper 1990s horror hounds know and love: the animatronic constructed for the original TV series by Kevin Yagher has been redesigned and refurbished by The Walking Dead‘s zombie master, Greg Nicotero. Plus, the Cryptkeeper’s signature shrieks, cackles, and horror puns will be provided by his original voice actor, John Kassir. It’s only super-natural that the Cryptkeeper should return this year; AMC and its horror-streaming satellite, Shudder, have recently untangled the rights to the original Tales From the Crypt TV series and brought it to streaming for the first time. The Cryptkeeper will host segments on AMC throughout the month, directed by Nicotero.
And what will he be presenting? There will of course be a litany of horror films, from a collection of Stephen King adaptations to the fan-favorite Friday the 13th, Nightmare on Elm Street, and Final Destination franchises. AMC is also debuting two all-new horror series. Premiering this month is The Terror: Nightmare in Silver, the third season of the acclaimed horror anthology. This season sees Dan Stevens confined to a psychiatric hospital that may drive him mad, rather than cure him. Debuting next month is the Canadian series Yaga, starring The Matrix‘s Carrie-Anne Moss and Heated Rivalry‘s Hudson Williams; it’s a modern take on the myth of the folkloric witch Baba Yaga.
Who Is the Cryptkeeper?
A loose adaptation of the more moribund host of EC Comics’ 1950s Tales From the Crypt comic books, the Cryptkeeper is a chatty cadaver who hosted the seminal HBO horror anthology TV series of the same name. He also hosted the franchise’s two movies, Demon Knight and Bordello of Blood, and headlined two kid-aimed spin-offs: Tales From the Cryptkeeper, an animated series, and Tales From the Cryptkeeper’s Haunted House, a Double Dare-style game show. His origin story was actually told in the 1990 Tales from the Crypt episode “Lower Berth”: he’s the unlikely spawn of a two-faced freak show exhibit and a 4000-year-old mummy.
FearFest rages on all month on AMC and AMC+. Slay tuned to Collider for future updates, kiddies.
- Release Date
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1989 – 1996-00-00
- Network
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HBO
- Showrunner
-
Gilbert Adler
- Directors
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Russell Mulcahy, Elliot Silverstein, Tom Holland, Gilbert Adler, Stephen Hopkins, Robert Zemeckis, Walter Hill, William Malone, Gary Fleder, Kevin Yagher, Howard Deutch, Rodman Flender, John Harrison, Randa Haines, Richard Greenberg, Robert Longo, Peter S. Seaman, Peter Medak, Roland Mesa, Rowdy Herrington, Roy Ward Baker, Andrew Morahan, Tobe Hooper, Steve Perry
- Writers
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Scott Nimerfro, Terry Black, Colman deKay, Mae Woods, Randall Jahnson, Scott Rosenberg, Rob Cohen, Robert Reneau, Ross Thomas, Scott Alexander, Teller, Stanley Ralph Ross, Richard Christian Matheson, Yale Udoff, Kim Steven Ketelsen, Shel Willens, Joe Minion, Richard Tuggle, A. Whitney Brown, Andrew Kevin Walker, Harry Anderson, Connie Johnson, Dick Beebe, Don Mancini
-
John Kassir
Crypt Keeper (voice)
-
Michelle Johnson
Liz Kelly-Dixon
Entertainment
Nathan Fillion Opens Up About Guy Gardner’s Return in Lanterns
Zack Snyder has revealed that a former Warner Bros. executive eventually admitted the studio had been wrong to fight the filmmaker over his vision for the DC Universe.
Speaking in a new interview with Variety, Snyder reflected on the turbulent end of his time overseeing Warner Bros.’ interconnected DC films and the extensive changes made to Justice League after his departure.
According to Snyder, he later had a conversation with an unnamed former Warner Bros. executive who offered a surprising admission.
“I met with this executive at Warner Bros. who’s long gone since — I won’t say who it was — and he said to me, ‘You know, Zack, I’ve got to tell you one thing: You were right about everything.’”
Snyder said the executive went even further.
“We were fighting you, and in the end you were right.”
When asked what Warner Bros. had been fighting him over, Snyder said it extended far beyond a single movie.
“The whole vision for the DC universe and the way I made movies and everything.”
Wayne T. Carr, as Green Lantern [Zack Snyder]
Snyder acknowledged that the studio was attempting to protect an enormously valuable collection of characters and franchises, but said the Warner Bros. leadership at the time repeatedly attempted to control the direction of his DC universe.
The conflict eventually became most visible with Justice League.
Snyder stepped away from the movie during post-production in 2017 following the death of his daughter Autumn. Joss Whedon subsequently oversaw extensive rewrites and reshoots before the theatrical version of Justice League was released.
Snyder says he still has never watched that version of the film. His wife and producing partner Deborah Snyder saw it and advised him not to watch it.
Years later, the massive #ReleaseTheSnyderCut fan campaign ultimately resulted in Warner Bros. allowing Snyder to complete his original version of the movie. Zack Snyder’s Justice League was released in 2021, restoring numerous characters, storylines and sequences that had been removed or significantly altered for the theatrical cut.
Zack Snyders Justice League [Warner Bros.]
Snyder described finally completing his version of the film as “catharsis.”
The filmmaker’s larger DC plans, however, were never completed. His intended storyline would have continued beyond Justice League through additional films, while Warner Bros. ultimately moved away from the interconnected universe Snyder had begun with Man of Steel.
DC has since entered an entirely new era under DC Studios co-heads James Gunn and Peter Safran.
Despite the history surrounding his departure, Snyder said he likes Gunn and appreciates his vision for DC. He also revealed that he has not yet watched the new Superman or Supergirl, explaining that his relationship with the characters remains “a little bit too personal.”
For fans who have spent years debating what might have happened had Snyder been allowed to complete his original DC plans, however, the filmmaker’s account of the former Warner Bros. executive’s admission adds a remarkable new chapter to the SnyderVerse story.
Entertainment
Bonnie Rabbit Faces Backlash After Saying N-Word On Livestream
Social media users are split after streamer Bonnie Rabbit appeared to say the N-word during a livestream, sparking backlash online.
Related: Gypsy Rose Releases An Apology After Old Prison Calls Surface Of Her Using The N-Word & Making Racist Comments
Viral Clip Shows Streamer Saying N-Word On Livestream
A viral clip circulating online appears to show streamer Bonnie Rabbit saying the N-word during a livestream on Saturday, Sept. 19. In the clip, Bonnie appears to read a comment from her chat that includes the racial slur. She then seemingly repeats the word, then says “oh,” and covers her mouth. Bonnie laughs before saying she was going to end the stream. Her camera briefly goes black, but she soon returns and continues streaming.
“That was a mistake. I’m sorry. I feel bad,” Bonnie says.
She later addressed the moment, saying she does not use the slur casually or off-stream.
“I don’t say it casually, I don’t say it off stream … I’m not sitting here ripping it,” she said.
As the clip continued circulating, another video resurfaced that appeared to show Bonnie using the slur while riding in a car with fellow streamer Cinna. In the clip, the two appear to be singing along to Drake’s ‘Marvin’s Room’ when Bonnie seemingly says the N-word. Cinna then pauses the music, and Bonnie appears to respond that she said “new guy,” claiming that was the lyric in the censored version.
The resurfaced clip has added to the conversation, with social media users debating Bonnie’s explanation and the context surrounding both moments.
Social Media Reacts
The clips quickly sparked mixed reactions online, with some users criticizing Bonnie’s explanation while others argued that the context behind the comment matters.
Instagram user @z.aayy_ wrote, “The way she brushed over it so easy and fast.. she definitely be spamming it off stream 😭”
Another Instagram user @0h_thatslala wrote, “if it wasn’t something that you said casually then it shouldn’t be something that just a slip”
While Instagram user @j.zmennn wrote, “I must be different, cuz as long as you not using it in an offensive way or hard -R then cool. It’s a word.
Instagram user @mandaa.maeee wrote, “whole time she saying it on purpose for more engagement 😂😂😂 god bless”
Another Instagram user @1.davvv__ wrote, “It’s 2026 just let evb say it”
While Instagram user @gonergirr wrote, “the comments show exactly why they continue to say it, yall cool with too much disrespect.”
Instagram user @prettyylicioussxo wrote, “it’s cause yall let her slide the first ‘accident’ now she just feel comfortable saying it.”
Another Instagram user @12tnfn wrote, “She’s not using it in a disrespectful way so why does it matter 🤷🏽♂️”
While Instagram user @gagtacobella wrote, “it’s yall saying it’s not that serious but won’t say no one else slur 😂😂😂 like it’s one word and it’s not hard to not say”
Wardrobe Winter Addresses Bonnie’s Controversial Moment
As the clips continue circulating online, the conversation has extended beyond social media commenters, with some of Bonnie Rabbit’s peers and fellow content creators also weighing in. One creator who spoke out was Wardrobe Winter, who took to his Instagram Story with a message in response to the viral clip.
The 17-year-old creator shared his thoughts on the situation, writing:
“Anyone associated with @bonnierabbit please let me know now. As a Black creator, I don’t find this funny at all. Those words should never roll off your tongue, especially when you already know you’re not supposed to say them. But at least we know your character now. It’s okay — the truth always reveals itself,” Wardrobe wrote.
Related: ‘Love Island USA’ Bombshell Alannah Keyser’s Dad Comes To Her Defense Amid Resurfaced Posts Allegedly Showing Her Using The N-Word
What Do You Think Roomies?
Entertainment
‘Sterling Point’ Showrunner Megan Park Officially Addresses Season 2 After That Shocking Season 1 Ending
Editor’s note: The following contains major spoilers for Sterling Point.
Sterling Point is one of the best new shows this year, and it quickly became a top series on Prime Video after its debut. After a season full of unexpected twists and turns, and a handful of unanswered questions, the good news is that it will be returning for Season 2, with more family drama, more romantic entanglements, and more friendships that you hope will last a lifetime. If you have yet to check it out (I mean, get on it! What are you waiting for?), the first season of the drama follows 17-year-old Annie Jacobson (Ella Rubin) as she leaves her life in New York City behind to understand why she inherited an island in Canada from a grandfather she never knew. While there, she uncovers family secrets she never could have imagined, turning her twin brother (Keen Ruffalo) and their adoptive father’s (Jay Duplass) lives upside down in the process.
But that’s not all. While on the island, Annie finds new friends, budding romance with two different guys, and a sister she didn’t know existed. Sure, the love triangle is enticing, as Annie tries to figure out whether her heart lies with Rory (Daniel Quinn-Toye), who she knows from her life in New York, or Ellis (Jacob Whiteduck-Lavoie), an island local who calms her in a way that’s unfamiliar and new. But the real love story is between Annie and her newly discovered sister Ramona (Amélie Hoeferle), who was also blindsided by the revelation, as the two get to know each other and fill in the gaps of their own family mysteries.
In this exclusive Collider Signature in-depth conversation, Megan Park, the showrunner of the coming-of-age series about messy first loves, digs into creating the world of Sterling Point and how her own experience as an actress shaped how she wanted to collaborate with her cast. During the interview, she discusses what it was like to bring her younger cast together, the character she was most worried about casting, the atmosphere she wanted to create on set, navigating Annie’s relationships with both Rory and Ellis, and wanting to create a first kiss moment that was as epic as The Notebook. Park also teases her approach to Season 2, whether there will be as many twists, what could be next for the characters, and the movie that she’s focusing on making now.
Megan Park Started ‘Sterling Point’ Without Knowing Where the Story Would Lead Her
“I just start at page one and I’m like, ‘I don’t know where this is going. Let’s see what happens.’”
COLLIDER: First of all, I have to tell you that I found everything about this TV series just perfect. I want to live in this town and be friends with all of these people.
MEGAN PARK: Yeah, that was the goal. That’s awesome.
From the setting and the scenery to the characters and the cast playing them, to the way the story unfolds, this feels like it was made by somebody who is confident in the story that they were telling and the story in the show that they’re making. So, were you? Did you just know exactly what you wanted this to be?
PARK: Not at all. I wrote the pilot on my own. I grew up going to Muskoka, so the characters and the world were clear to me. It’s funny, I don’t do an outline and then write it in a format, and all these fancy things. I just start at page one and I’m like, “I don’t know where this is going. Let’s see what happens.” I’ve always been like that. I write my features that way. It drives people nuts, but I don’t know how to work any other way. So truthfully, I knew who these characters were, but I definitely did not know fully where the show was going. I, of course, had some ideas, but that’s where the writers’ room and all these much smarter people in the writers’ room who were far more experienced in making TV came in.
Thank God for them because they taught me so much about story and how to unravel it over eight episodes versus a movie and how to thread all these characters’ storylines together and have the propulsion you need to make a show for people to want to click next. So no, I didn’t know. I didn’t know at all. I just knew who these people were and the broad strokes of the themes. But what they did know was the tone of the show. The voice of the show felt very clear to me, and that was my North star. What I felt like I could provide was always knowing what I wanted that to be. But it really, truly takes a lot of people to make a show.
Shows like this tend to fall into two categories. There are the shows that feel like TV shows. And then, there are the shows that feel like these are real people and we could show up in this place and these people would all exist there. This show really felt like the latter, from the very beginning, which is not an easy thing to pull off.
PARK: Thank you. I love authenticity. That’s always the North star for me with everything.
From when you first conceived of this to the season that we’ve gotten to see now, were there any major changes that evolved that you never would have thought of in the earliest days, but now just can’t imagine the show without?
PARK: Oh, for sure. Oona, for instance, was written very differently on the page. She wasn’t British. But Bo [Bragason] was somebody that came in and was so special. It was like, “Oh, wow! I have to make a character that’s a little bit different to suit Bo.” Obviously, Bo isn’t exactly Oona, but there’s such a special quality to her that I wanted to infuse into the character. So, that was a really fun change. Also, nobody expected Annie to hook up with Rory in Episode 105. That was a last-minute decision where we were like, “Obviously, her first is going to be Ellis. But, what if? Annie is the type of girl who doesn’t do unexpected things. What if she went a little crazy on her 18th birthday because she hates birthdays and she hates the thought of it. But she had a good time and had fun and did something that was just super messy, as Ramona says, and youthful and doesn’t regret it?” That was something that, in the room, was fun to explore, just her letting loose a little bit.
What was it like to cast these characters? When you thought of an actor for a role, or when you saw someone as a particular character, did you just know in every instance? I just can’t imagine anyone else playing these roles.
PARK: I know. It’s funny, when you’re working with younger actors or writing a script, sometimes when I’m writing, like for My Old Ass, I’m picturing the Older Ass. You can think of actors that you could see playing the part and imagine that. But when it’s all younger actors, none of them are really well-known and I never really had a picture of any of them in my mind. It was all a surprise. But once I saw each one of their tapes and met with them, it was so instantaneously clear. It wasn’t like, “Oh, we saw 500 tapes for the role of Annie, and we couldn’t decide between the last final five.” We saw 500 tapes for Annie, and as soon as we saw Ella [Rubin], it was only Ella. And we saw 500 tapes for Ramona, and it was only ever Amélie [Hoeferle].
That’s always been the same for me. It was the same for My Old Ass. I saw so many tapes for Elliot, and then I saw Maisy [Stella] and that was it. So yes, these people were the people as soon as we saw them. Amélie’s tape was the first tape I saw of any character and I was like, “Wait, there’s Ramona.” And then, I was like, “Maybe I’m just excited. It’s the first tape in.” And then, I watched every other tape and I was like, “No. Damn. First tape, and there she is.” And we cast her. That was an easy one. They’re just so talented, this group of young actors. It’s insane.
Were there any characters that you were worried about casting?
PARK: Ellis was really hard to find. Ellis was the last character we cast. Jacob [Whiteduck-Lavoie] hadn’t taped in the original couple of rounds, so I hadn’t seen him. And Ellis is hard because you like him, but he’s got this specific quiet Canadian boy essence. It was really hard. And then, I saw Jacob’s tape two days before the last day of chemistry reads and I was like, “Wait, there’s something about this kid. I think he’s the one.” And so, we flew him to Toronto to read with Ella. He came in, and the second he walked in the door and said the first line, I remember leaning over and writing on the casting director’s paper, “This is him.” But I was getting nervous because I’ve actually never been in a situation where I had to hire somebody I wasn’t 100% sure of. I’ve always just been like, “There’s Ella. There’s Amélie. There’s Bo. These are our actors. And then, with Ellis, I was like, “What if I actually have to hire somebody that I’m unsure of in my gut?” And then, we found Jacob, and the rest is history. I was like, “There he is.”
Because it’s a character that not only has to be what you want him to embody, but he also has to balance with Rory.
PARK: When we cast Daniel Quinn Toye, who is this amazing Scottish actor, first, we were like, “How are we going to find somebody? Everyone’s going to be Team Rory. We need to find somebody who can rival him because he’s such a charismatic, amazing young man.” And then, we found Ellis and we were like, “Okay, cool.”
Was Connor always meant to be such a funny character? Did that develop out of how Keen Ruffalo embodied the character, or was that just always how you saw him?
PARK: Every actor definitely brings the character alive and adds something special to it. That’s always what’s so fun about it. But I will say that yes, Connor was always meant to be very funny. I don’t want to speak for the other writers of the show, but I feel like everybody really enjoyed writing the Connor character a lot. It was fun to push that to its limit. We all really enjoyed that in the room. That’s what’s so great about Keen. That character could have gone the other way and ended up being really unlikable, but Keen is so inherently likable and talented. And his improv was great. He’s amazing.
Park Wanted To Give Her Young Cast Everything She Didn’t Have on Set as an Actress
“I feel very protective of all actors, but especially young actors … and I wanted to create an atmosphere on set where they felt a lot of autonomy … but also had creative input in things.”
I first became aware of you as an actor in The Secret Life of the American Teenager, which is an ensemble that had a bunch of younger actors. Because you do have a younger ensemble in this show, how did you approach working with this cast, as a director and as a showrunner, in a way that you wish you would have had when you were working? What did you want to give them that you wish you had then?
PARK: I wanted to give them everything I didn’t have. I definitely didn’t have any experiences like this when I was younger, or at the time, it did not feel that way. First, I really obviously relate to actors because I was one for so many years. It is really vulnerable and hard, especially being a younger actor. I was acting professionally at 16, 17, 18, even younger than these actors. I remember it well, so I have a lot of empathy for them. I feel very protective of all actors, but especially young actors being in that situation, and I wanted to create an atmosphere on set where they felt a lot of autonomy to have an opinion and be heard and be able to say not only how they felt as people but also had creative input in things.
I’m a big believer that hierarchy is bullshit on a set. Everybody should be treated equally, and that’s definitely not always the case on sets. I really try to run an ego-less vibe on a set and just make it really safe and free and fun, creatively. They were such a wonderful, kind group of young people that treated each other with so much respect. That’s also what made the performances so amazing. They were so kind and created such great chemistry with each other on such a professional level. I think about that scene with Bo and Amélie in Episode 108, which I directed – the breakup scene – and it was just like watching the most amazing tennis match, them acting in that scene. We had two cameras so they could just flow. They built such a rapport and a trust in each other that they could really just try things and be in the moment. It was really beautiful to watch. I try to just create an atmosphere like that and then support them as much as I possibly can.
I love the romance in this series and how it plays out over the season. I also love that Ellis and Rory are both good guys who care about Annie. Was that something that was really important to you, that you make that not just a difficult choice for her, but for the audience?
PARK: That was so intentional in the room. We didn’t want one of them to be the obvious bad guy. It represented two different versions of Annie, and she’s not really sure where she’s at. She’s right in the middle. It’s two lifestyle choices that her mom was grappling between. She had this life that she built in New York with a husband and a community, and Steven is not a bad guy. I hope that audiences understood the position Steven was in. It’s hard because his ex-wife passed away and I think he doesn’t want to speak ill of her to his children. There’s so much there under the surface. Jay Duplass is such a genius with what he brought to that role.
But for Annie, she’s also subconsciously thinking, “Wait, my mom made this choice, and it worked for a second. But then, she came back to this Ellis choice.” So, I think part of her decision might have been a little bit influenced by trying to live out the experiment her mom maybe never got the chance to. But also, Ellis is really refreshing to her in a way that he quiets her mind. He’s a very Canadian boy. He’s not Rory. He’s not necessarily talking about his emotions in that way, but he certainly quiets her in a way that’s really beautiful.
Do you think Annie and Rory ever would have happened if Ellis had just stepped up sooner, at any point?
PARK: What I think is really beautiful, especially about them hooking up in Episode105 is that she does feel really safe with Rory. I think she knows that she has really, really deep feelings for Ellis, but Rory is very kind and safe and empathetic. They relate on a lot of levels, in terms of their lives and where they come from and their anxieties and the pressure they put on themselves. I think she actually felt comfortable enough to explore a side of herself with Rory because of how great he is. But I think it had to happen in the way that it happened. I think she had to like to go there with Rory in order to feel ready to go there with Ellis, if that makes sense. She does start out as a girl with a gay boyfriend, and she’s aware that he’s gay. She’s trying to do the right thing. She doesn’t want to break up with him until he’s ready to come out.
I haven’t actually heard anybody talk about this, but I think it’s in Episode 104, she has a conversation with Ramona where she’s like, “I actually low-key thought I was asexual until I got here.” She just has not been in that headspace, and I think that really is true. So, all of a sudden, she’s like, “Wait, there’s two guys that I’m into. This is so crazy and so overwhelming.” So, I think it had to happen the way that it happened. Sometimes I watch these shows and people are so young and in these super serious relationships. Annie is 18, and she’s just feeling this for the first time. I think that’s happening at an older and older age. I feel like my parents’ generation, they were all in serious relationships when they were 16 and that was just normal. As a millennial, it’s not even cool to date in high school. You wait until you’re in college.
Park Knew How Magical Annie and Ellis’ First Kiss Was From the Moment They Shot That Scene in ‘Sterling Point’
“If this doesn’t win MTV’s Kiss of the Year, we’re quitting.”
Ella Rubin has talked about how that moment when Ellis pulls Annie across the floor in the closet came up on the day you shot that. What was it like to see that all come together in the moment, for the first time? Did you know that it would be such a big thing and that fans would respond the way that they have?
PARK: Truthfully, yes. We didn’t know how the blocking was going to work. It was another director’s episode, Andrew Ahn, who’s amazing, and they were blocking it out. And then, our DP, K2, who was shooting, was like, “I think the pull should go like this.” We were trying it, and she was like, “Megan, sit down.” And so, her and I ended up sitting down in this closet, and Ella and Jacob were watching, and then she just grabbed me and pulled me. As soon as she did it, everyone was like, “Ooh, okay. That was hot. That works.” They hadn’t had a kissing scene. That was the first kissing scene they did because we did things out of order.
I remember that they did it, and you just never know how that chemistry is going to be. And I’ve got to say, that chin tilt is getting a lot of attention, but that was all Jacob. Nobody told him to do that. He did it and we were at the monitors, and we were like, “Woah, they have chemistry.” And I looked over at Chrystal [Lotz] and Skye [Tostowaryk], our hair and makeup department heads, who were at their monitors totally gasping. And I was like, “Okay, I think this is working.” And then, we joked, “If this doesn’t win MTV’s Kiss of the Year, we’re quitting.” I don’t even know if that’s still a thing.
I don’t know if it is either, but if it’s not, they should bring it back, just to give the show that award.
PARK: We were trying to make it as epic as The Notebook and hopefully it succeeds. They killed it.
Everything just had to come together perfectly in that moment for it to work the way it did.
PARK: He did the chin tilt on the first take, and then in the second take, he didn’t. I don’t even know if he realized it. We were like, “Do the chin tilt.” And he was like, “Okay. I didn’t know.” But the hug was also so sweet. They’re both just such talented actors. They had that real safety and trust with each other, which I think allows for those beautiful moments to happen. That’s collaboration. The magic happens when everyone is like, “Let’s come together and use our brains.”
Because you keep having these different reveals and twists throughout the season, were there any that you were worried or nervous about audience reaction to? Did it feel like the reactions you got from your own cast were good predictors for how audience might react?
PARK: The cast didn’t know where it was going either because they signed on when we only had some of the episodes written. I was always really nervous to hear their reactions because I also cared a lot about their opinions and they were obviously very invested in their characters, so it was always a good litmus test. I was terrified for the whole thing to come out. You’re on an island, so to speak, while you’re making a show like this, and you have no idea if it’s going to translate. You just have to try not to think about audiences. You want to think about what people are going to think, but you can’t think too much about it, otherwise you get too nervous and too freaked out and you can’t do it. You get stage fright.
I didn’t know if any of it was going to hit with people. That’s why it’s been so astounding to see. I love Gen-Z so much for the fact that they’re calling out these specific moments that were so special to me and so important to me – these quiet, naturalistic moments that made it into the cuts and that we really tried so hard to ground in reality. I’m not even on social media, but people have been sending me the best of the best, and to see that called out is so satisfying. It’s so great to hear the response, but from the actual people that we made it for, for these young fans, to be like, “Oh, wow, I really appreciate that. It makes me feel so seen,” is the best feeling.
There is such beauty and magic to this show, because of the location and how it all came together. Do you worry about facing the blank page and doing it all again for another season, or do you have a clear sense of Season 2 and even ideas for what happens beyond that?
PARK: You have to think about Season 2 as you’re creating Season 1 because you want to plant the seeds and set up the ending to hopefully have that. We did talk a lot about blue sky things of where we’d want to go and what new characters we’d want to introduce. It doesn’t seem daunting to go back there. If anything, it’s exciting to set the bar even higher. Knowing how much people appreciated what we were trying to do, I think we could push it even further. I hope that we’ve earned enough of people’s trust and respect. To try to top it, to me, is always a fun challenge. I’m in the process of prep on my movie that I’m shooting this fall, and it’s nice to have something to distract me right now.
Park Was Nervous About Landing the Plane With the ‘Sterling Point’ Season Finale
“There’s so much to tie up and there’s so much to leave hanging.”
We get answers over the season, but you definitely leave some big unanswered questions at the end. Did you spend a lot of time thinking about what you wanted to answer and how much you wanted to set up, especially without knowing whether you would get to continue telling the story?
PARK: Yeah. I feel like Episode 8 was the big one where we were like, “Can we land the plane?” There’s so much to tie up and there’s so much to leave hanging. Episodes 1 and 2 really feel like a two-part pilot to me. When I wrote those two, I realized how much setup and how much world building I had to do in those two episodes. And then, you got to ease into the fun from Episodes 3 to 7. And then, with Episode 8, you’re like, “Oh, fuck.” I also co-wrote that one, so I was like, “Now, I’ve got to land the plane.” And that was another one that I directed. It felt like there was a lot of pressure and a lot of eyeballs on Episode 8. A lot of stuff got cut and moved around in that episode. It was really like putting the puzzle back together at the end and choosing which pieces to leave missing.
So much of the show, truthfully, is made in the edit. You look at what you have and what’s working and where you want to leave things, and you experiment with different endings and different moods of endings. We had a lot to play with. We shot a lot of levels. But it was scary. We sent the cut in, and then it was great to get the call, and I think the literal words they used were, “You landed the plane.” It was that fine line of, you don’t want to leave it, if there isn’t a Season 2, in a place where people are going to be like, “Fuck, man, you left way too many unanswered questions.” But you want there to be enough excitement that people hopefully want to see more.
Why do you think Connor makes the decision to search for his and Annie’s biological parents, but not tell her about it? Where had he gotten by the end of the season that led him to make both of those decisions?
PARK: Connor is a character where I just feel like there’s so much nuance there and he’ll be fun to spend more time with, in Season 2. His reveal in Episode 105, where he talks about how he got into an amazing summer program, but he couldn’t tell Annie about it because she’s the only smart one in the family. That’s her role, which I think is so true of roles that we take on, in systems and families. It’s really hard to break out of that sometimes. And so, for Connor, his arc is so much about coming out from under the thumb of Annie a little bit.
Just like Annie is trying to figure out what answers she needs to feel some sense of closure and understand who she is and where she comes from, Connor has a different perspective on that and has a different path of what he feels that he wants. He just doesn’t want to put up with the confrontation with Annie. In a way, he’s a little bit of a shit disturber, but also a little bit of a peacemaker. He picks and chooses. But I think this is the first time he’s like, “You know what? You’re doing what you need to do. I told you that I didn’t care about uncovering this stuff. These are not the things I need to know. But I want to know this other part of it. Now, we’re adults, so I have the right to do the same thing that you’re doing.” I think that is a really valid and bold choice. I think he had to do it without telling Annie because Annie would have literally taken his phone and thrown it into the lake.
The thing that I love the most about this season was the love story between Annie and Ramona. It’s just so great to watch them come together, especially from where they start. So, with Annie staying in Sterling Point and Ramona going to New York City, would you just find a way to get them back in the same place as soon as possible because it feels like you can’t keep them apart for too long?
PARK: I think you’d really want to see where they’re at in their separate worlds for a second, for sure. It will be so fun to see Ramona in New York and how that’s affected her, and if she likes or doesn’t like it. But then, of course, you’d want to bring them back together. When Ramona turns 18, she has a lot more autonomy over what happens with the island and her decision, so has her POV changed after being in New York for the year? But I think that you’d want to have the gang all back together for the summer, for sure. I think you also want to get a little bit of a feeling of what their lives have been like the last year.
That relationship was just so special to watch.
PARK: That’s the love story of the show. It was so Parent Trap-y, where you know the journey you’re going to go on, but they just played it so beautifully. They just became like actual sisters in real life. It was so cute to watch. They’re so close. They were always touching each other’s hair and braiding each other’s hair, and they had all these cute little handshakes and things that they would do. It was just really sweet to watch that relationship form. And talk about building that trust, so that they could really go there in scenes. They were great. It was so beautiful to watch.
While ‘Sterling Point’ Season 2 Might Not Have As Many Twists, It Will Dig Deeper Into the Character Relationships and Romances
“Now that you know the characters and the world and you’re invested, you can spend less time setting stuff up and just dive right into the juicy shit right away.”
Does it feel like Season 2 also has to be less twisty and more about seeing what’s next for these characters? What are the biggest questions about what comes next that you’re most excited to explore?
PARK: You can dig deeper into the romances. Ramona and Oona had this massive breakup. Everyone loves Ramoona and would want to know if they’re going to find their way back to each other. I think the same thing with Ellis and Annie. I’ve always wanted to explore, “Wait, did Ellis ever have an ex?” We don’t really know that. He’s so quiet and stoic but is there somebody from his past that comes forward that we don’t know about? I think the parents have a lot of explaining to do. Where is Oona’s mom? I think we want to meet her and understand her a little bit more.
Annie has now gotten further into the experiment than her mom ever did, so what is she going to do? Is she going to stay there forever and live on an island? How sustainable is that? Is everything she’s ever wanted going to shift? Probably not. So, there’s some conflict there, in terms of figuring out how her and Ellis can stand in line. There’s also a lot with this new layer of grief and womanhood. You can just age everything up a little bit in a more interesting and higher-stakes way. There’s a lot there, especially if a year has passed. We’ve also talked about, did Oona have a love interest from the past, from that time Ramona was gone? Now that you know the characters and the world and you’re invested, you can spend less time setting stuff up and just dive right into the juicy shit right away.
You talked about prepping your next movie and focusing on that right now. How different is that? What are you getting to explore with that, that you are excited about?
PARK: It’s totally different, which is what’s great about it. There are no young people in it. It’s about people close to my age. They’re all in their 30s and 40s, and it’s very much about motherhood and female friendship and marriage and divorce, and all those kinds of things. It’s a lot more to where I’m at in my life, with aging parents and where I feel like my peers are at. It’s really exciting to me to tackle that. I think what’s similar about it is the tone, in the sense that even though it’s not YA, there’s an authenticity to it. It’s Big Daddy meets Stepmom, but with a really contemporary feel. Hopefully, people feel like it still has the drama and the comedy and the heartfelt nature that the show has, which is what I’m always striving to mix together. But it’s definitely different.
And what is that project called?
PARK: Zoë Kravitz is starring in it. I’m doing it with Apple and LuckyChap. It’s called Die Alive. We’re shooting it in New York this fall.
Sterling Point is available to stream on Prime Video.
- Release Date
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August 5, 2026
- Network
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Prime Video
- Directors
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Aurora Guerrero, Megan Park, Andrew Ahn
Cast
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Jacob Whiteduck-Lavoie
Ellis
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Nikko Angelo Hinayo
Sully
Entertainment
Lauren Boebert Slams the Press While Addressing Sex Scandal
Rep. Lauren Boebert issued a fierce message to members of the press who reported on allegations that she had sex with three current and former staffers.
“You all ran a smear [campaign] and called it news. Some sloppy, desperate, obsessive hack stamps ‘Under Oath’ on a fake filing so you’ll write ‘Penalty of Perjury’ in the headline. That’s the whole freaking trick, it’s a scam and you fell for it,” the Colorado representative, 39, said in an X video on Sunday, September 20. “No member of congress certified in writing that his solicitous BS attack was made in good faith and warrants review as required by Ethics, and it’s evident that you didn’t even bother to look up House Ethics Committee rules that clearly state that the Committee can’t even accept a complaint filed inside 60 days of an election.”
The video was shared after a spokesperson for Boebert told Us one day prior that allegations lodged against her are “utterly false” amid an alleged House Ethics Committee complaint. “There is no truth to them [the allegations] whatsoever,” the spokesperson told Us on Saturday, September 16. “This is nothing more than a politically motivated stunt designed to manipulate the ethics process, create headlines, smear her, and generate clickbait.”
Boebert’s X video continued, “Ethics isn’t even allowed to accept this garbage. Yet, all of you, were more than willing to. Nobody in your newsroom checked the rulebook before they put my team’s names in your stories. Their photos are everywhere now and they are under attack because of your laziness.”
The Colorado Times Recorder reported last week that American Muckrakers’ David Wheeler submitted a sworn statement about Boebert’s alleged misconduct with three of Boebert’s staffers — two female and one male — to the House Committee on Ethics. The reporting alleged that Boebert previously arranged a $200,000 hush money payment to prevent one staffer from filing their own ethics complaint.
Boebert’s X video addressed Wheeler specifically. “You are all aware that this is coming from the same desperate hack CNN caught in 2022 publishing a photo of another woman as me and also failing to prove a host of other lies that he’s created about me,” she said. “You ran the story anyway. This is more filthy garbage that reaches beyond me. This reaches into the homes of people who have dedicated years of service to Coloradans alongside me. I know that you’re more than willing to attack me and shame my household but this is different and you crossed a line.”
Wheeler and Boebert have been engaged in a four-year feud, with multiple threats of legal action lodged over the period.
Boebert continued, “I hope you think about the impact that this could have on them and their families, the next time you rush to print, without doing a little bit of research. So, while you sit back and think of how you can do your jobs better, I’m going to continue serving Colorado’s 4th district. I hate to spoil the fan fiction but ya’ll need to do better.”
She concluded her video with a message to the folks who have supported her throughout the scandal. “To the people who have had my back, thank you and I hope you see how desperate these fools are to get me out of office,” she said. “And I’ve got to say just one more thing, before I sign off here, to the rest of ya’ll: No, I’m not hiring.”
An Ethics complaint would put Boebert at risk of serious consequences due to the House Code of Official Conduct strictly prohibiting representatives from having intimate or sexual relationships with staff members who work directly under them. Boebert has represented Colorado’s 4th district since January 2025, having previously served the state’s 3rd congressional district.
Entertainment
Presley Gerber Opened Up About Addiction Treatment Before Death
Presley Gerber got candid about overcoming addiction six months before his tragic death at age 27.
Presley — the son of supermodel Cindy Crawford and husband Rande Gerber — died in a rehab facility on Sunday, September 20, Us confirmed. A spokesperson for the Gerber family said in a statement, “The family is asking for privacy during this very difficult and painful time,” it read.
Just six months before his death, Presley opened up about a psychedelic treatment for his addiction, undergoing what he described as an “ibogaine flood dose.”
According to the Iboga Wellness Institute, ibogaine is a naturally occurring compound “derived from the root bark of the African plant Tabernanthe iboga.” Therapeutic flood doses can be used to “treat opioid and other substance use disorders,” the organization’s website states. Ibogaine is not currently legal in the U.S.
In a March 26 Instagram post, Presley shared a video clip of him preparing to undergo ibogaine treatment and wrote, “Quiet moment before everything changed. I was absolutely terrified, and I knew I would be again if I ever had to face something like this (helps to not go into the situations you do that get ya there but that’s life sometimes.)”
He continued, “My mantras were love yourself and [it’s] gotta be the last time for this reason. Letting go of control didn’t come easy, but I trusted there was something bigger than me guiding it. I knew why I was there. I faced what I had been running from, and somewhere in all of it, I started finding my way back to myself 🤍…. We shall see.”
“Praying it’s the last time I have to come back. Next time I’d like to choose 😜 🙏🏻 And absolutely can’t forget the incredible caring kind and on their s**t team. Helps a lot haha. And I made some dope ass friends there 🫂,” Presley added.
Crawford, 60, Rande, 64, and Presley’s sister, Kaia Gerber, were among the people to comment on his post at the time.
“You are a warrior! Walked thru the fire to find yourself! So proud! 🙏,” Cindy wrote.
Kaia, 25, wrote, “That’s my brother I am so damn proud.”
Rande added, “Rooting for you Presley! Always admire your drive to never stop fighting for your life. Good things are coming! 🦋🫶”
During a 2023 appearance on the “Studio 22” podcast, Presley shared his mental health challenges and how he hoped to help others struggling with their mental health.
“Having struggled with mental health, depression and some other things that come along with that, I think that whether I help one person or a hundred people get out of that place I was in at one point in my life, that’s all I need to do,” he said.
“It’s a huge part of my life. It’s a 24/7 job and there’s so much to it,” he continued. “That’s what I really want to do — help people get out of whether you’re depressed [or] struggling with something that’s having a negative effect on your body. … What I hope I can do is have made the mistakes for some other people, so they don’t have to make the same mistakes that I made.”
If you or someone you know is struggling with substance abuse, contact the Substance Abuse and Mental Health Services Administration (SAMHSA) National Helpline at 1-800-662-HELP (4357).
Entertainment
Snooki Speaks After Hysterectomy & Cervical Cancer Diagnosis
Nicole “Snooki” Polizzi shared a health update with her fans following her stage 1 cervical cancer diagnosis and subsequent hysterectomy. The 38-year-old reality TV star was diagnosed in February 2026.
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Nicole “Snooki” Polizzi Says She’s Cancer-Free After Hysterectomy
Nicole Polizzi shared some good news with her fans regarding her health journey. Snooki announced she was diagnosed with Stage I cervical cancer in February. In addition, she announced that she would undergo a hysterectomy, which she had on Friday, July 31, according to PEOPLE.
The former ‘Jersey Shore’ star told the outlet that she was now “cancer-free” after the ordeal.
The Centers for Disease Control and Prevention recommends that women have regular pap smears to screen for cervical cancer, and Snooki added that she’d been avoiding having hers.
“As of right now, I am cancer-free,” she said. “They got everything out. So I’m definitely happy that I did it. I avoided getting my pap smear for a long time, and once I finally went to the doctors, I feel like it’s just been week after week of doing a procedure, then another procedure, and then a hysterectomy. So it’s been a journey and a long road, but I’m happy that I’m on the other side of it and everything is going good.”
Snooki added that she was slowly getting back to herself after a months-long health journey and that she must be careful. Her doctors told Snooki that she needs regular pap smears every three months to catch the cancer if it returns.
“I’m trying to listen to my body and give my body grace and not go crazy. There’s days where I do too much and then I just feel exhausted and I start getting pains,” she said. “But other than that, I’m finally starting to feel better. I feel like I’m almost getting back to myself… Getting a cancer diagnosis is very terrifying and scary. So, I just want my body to be as healthy as it can be. I feel like I’m eating better, working out, obviously staying on top of my appointments. I’m just not avoiding anything and just trying to be the best version of myself.”
Fans Share Reactions After Snooki’s Health Update
Fans shared well-wishes after the news was shared on TSR’s Instagram page. Several folks thanked the Lord, while others shared their relief that Snooki is okay.
User @be_joey_just_be wrote, “To GOD be the Glory🙌🏾.”
@ashleybrittney added, “❤️ praying for her journey!!!”
User @1missbanks replied, “I was waiting on this! Amen! 🙏🏾.”
@tahiria_ added, “YES LAWD🙏🏾❤️.”
@beautifulbeast56 replied, “Aweeeee my meatball I love you 😍 great news.”
User @march_ninety_three_ joked, “You guys scared me a little 😩 be careful with the praying hands emoji.”
@tiffanimonique__ added, “Lord all I saw was her face 😩 but yaaayyy!!!”
User @ove.lydomonique wrote, “Heart went to my a*s wheww God is good.”
@therealsayk noted, “I need to read nice and slow because I almost fell tf out.”
@trublue20 replied with some advice for others. “🙏🏻 as a healthcare professional with personal cervical cancer scares please stay up to date your with preventative health screenings. Early detection can be life saving!!!❤️.”
Snooki Announced Cervical Cancer Diagnosis On TikTok
The Shade Room reported that Snooki revealed her cervical diagnosis in February 2026 with a video on TikTok.
“My results came back from my colposcopy,” she said. “And it came back stage 1 cervical cancer called, um, adenocarcinoma…. Obviously not the news I’ve been hoping for, but also not the worst news, um, just because they caught it so early.”
Snooki also said that surgeons removed “a chunk of her cervix” during her first colposcopy. After that, she had a cone biopsy — a procedure where a cone-shaped portion of abnormal tissue is taken from the cervix, per the National Cancer Institute.
@snooki A little update for my ladies 🙏🏽 #cervicalcancer
To note, Snooki has partnered with the non-profit F*ck Cancer, an organization dedicated to advancing early cancer detection and prevention. She will host the organization’s 100th event milestone on Wednesday, September 23, in Los Angeles.
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What Do You Think Roomies?
Entertainment
Florida Mass Shooting Reportedly Leaves 8 Shot
A Saturday night gathering in Sanford, Florida, took a serious turn after gunfire erupted in the area, sending police rushing to the scene. Authorities are now working to piece together what happened as several people were injured, including two victims who remain in critical condition.
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Police Respond After Gunfire Erupts In Crowd
According to Sanford police, officers responded to the area of West 10th Street and Poplar Avenue shortly after receiving a call about 9:54 p.m. Officials said shots were fired toward a crowd gathered in the street during a social gathering, leaving at least eight people injured.
Two Victims Reportedly In Critical Condition
Sanford Police Public Information Officer Nicole Brown initially reported a minimum of six victims, including two people in critical condition, before the department later updated the total to eight victims. Authorities had not immediately released the ages of those injured.
“It seems like an isolated incident, but at this time it’s unconfirmed. But, again, if you see something, say something. As we always say, call us if you see something suspicious, somebody riding around that you don’t know or they seem suspicious, call us and we’ll definitely come out and check them out,” Brown said.
Police Are Still Working To Determine What Led To The Shooting
Police had not announced any arrests at the time of the report. The circumstances that led to the shooting also remained unclear. Brown said authorities did not know whether there was more than one shooter. Officers indicated that the scene was secure and there was no immediate threat to the public.
Authorities are asking anyone who may have information about the shooting to contact law enforcement. Brown also encouraged residents to report anything they consider suspicious. Investigators were treating the incident as potentially isolated, though that had not yet been confirmed.
RELATED: Prayers Up! Mass Shootings In Chicago & Trenton, New Jersey Reportedly Leave 3 Dead And 18 Injured (VIDEOS)
What Do You Think Roomies?
Entertainment
Cindy Crawford Spoke About Son Months Before His Death
Cindy Crawford and her family are mourning the loss of her son, Presley Gerber. The model and fashion public figure died suddenly at 27 after a lengthy battle with addiction. In an interview months before his death, Crawford praised her children and boasted about how “proud” she was of them.
Presley Gerber had spoken openly about his challenges in the past. During a 2023 interview, the model and brother of Kaia Gerber advocated for mental health resources and noted how important it is for people to share their truth. According to him, speaking honestly about personal trials and tribulations can help others more than people realize.
In a May interview with PEOPLE, Crawford opened up about what it was like working with her two kids and her husband for their collective partnership with the performance apparel brand Vuori. In addition to spending the “amazing” day on set shooting family pictures, Crawford said working together made her realize how “proud” she was of her two children.
“It was like watching their interaction with each other. Nothing makes, I think, a parent prouder than when your kids like each other and love each other,” she said about the moment, adding that it was “so nice” to share that moment together as a family.
Crawford went on to talk about how her life had changed since her children became full-fledged adults, left the house for good, and started new chapters in their lives. “I mean, of course, we’ll always be parents, our kids are always a priority. They just don’t need us as much as they did, so we can enjoy each other more,” she said.
Cindy Crawford’s Son, Presley, Died At 27

Crawford’s previous interview has resurfaced following the news of her son’s tragic death. According to TMZ, Presley died Sunday, September 20, at a rehab facility in Los Angeles. A family rep shared a statement saying the three of them are “asking for privacy” during this challenging time.
Presley spent his entire life in the spotlight, but he stepped into his own lane at 15 when he signed with IMG Models, per The Blast. Presley modeled for major brands, including Calvin Klein, Celine, Moschino, and Dolce & Gabbana.
Presley Gerber Was Open About His Struggles With Mental Health And Addiction
Presley had used his notoriety in the past to speak about his struggles with mental health and advocate for those who have struggled similarly to him. While appearing on the “Studio 22” podcast in 2023, Presley said one of the things he cared most about was helping other people.
“Having struggled with mental health, depression and some other things that come along with that, I think that whether I help one person or a hundred people get out of that place that I was in at one point in my life, that’s all I need to do,” he said.
“[Mental health] is an issue. It is such a big part of my life. It’s a 24/7 job, and there’s so much to it,” Presley continued. “That’s really what I want to do: help people, whether you’re depressed, you’re struggling with something that is having a negative effect on your body. I mean it could be anything, and there’s no judgment.”
Cindy Crawford’s Daughter Reflected On Her Brother’s Struggle With Addiction

Presley’s sister, Kaia, also reflected on his struggle with addiction in a past interview with Vogue and admitted to being more reserved growing up because she didn’t want to take the focus away from her brother’s needs.
“I think that’s also why I started to self-identify as the easy one and never wanted to ask for help. Because it felt like too much to have two children who were needing,” she said.
Kaia went on to say that for a while, her family was used to keeping things private; however, her brother’s willingness to tell his story challenged them to be honest in a completely new way.
“My parents for most of our lives were very, very private and didn’t share anything — and now we have this absolute teacher, my brother, who says, ‘I’m gonna be very human for everyone.’ There’s only so much you can hide from the world,” she said. “And trying to put a lid on something just makes the person feel like you’re ashamed of them.”
Presley Posted For Men’s Mental Health Awareness Month
In November 2025, Presley returned to Instagram after a two-week hiatus, saying he stepped away from the platform to focus on his health and well-being.
“But I’m coming back … stronger, clearer, more intentional than ever,” he wrote before reflecting on his regular series, “Mental Health Mondays,” which was designed to encourage others to speak openly about their troubles.
He also highlighted Men’s Mental Health Awareness Month and noted the importance of keeping the topic at the forefront of public conversations.
If you or someone you know is struggling with substance abuse, please contact the SAMHSA helpline at 1-800-662-HELP.
Entertainment
Taylor Swift’s ‘My Husband’ Moment Divides NFL Viewers
A week after impressing Tom Cruise with her football knowledge from a VIP suite at Arrowhead Stadium, Taylor Swift found herself at the center of another memorable game-day moment.
This time, the spotlight wasn’t on who she was talking to, but on how she reacted when Travis Kelce finally found the end zone.
As the Kansas City Chiefs star celebrated his first touchdown of the season, Swift’s response from the stands quickly became one of the night’s most talked-about moments.
Travis’s touchdown may have energized Arrowhead Stadium, but many eyes immediately shifted toward Taylor Swift’s suite.
The Grammy winner attended the Chiefs’ matchup against the Indianapolis Colts with her parents, Scott and Andrea, and her mother-in-law, Donna Kelce.
Dressed in a Chiefs tank, Swift was seen celebrating after Travis crossed the goal line for his first touchdown of the season.
In footage that quickly circulated online, the singer appeared to playfully flash her ring as she reacted to the score.
Observers also believed she shouted, “That’s my husband!” as her husband’s big moment unfolded on the field.
Swift’s Touchdown Celebration Draws Criticism From Some Viewers

Not everyone watching Taylor Swift celebrate Travis’s first touchdown of the season was impressed. Several critics argued that the moment felt excessive.
One angry commenter wrote on X, “She points to her ring and says ‘that’s my husband’? This is just strange..Does Travis go to her concerts and point to his ring after every song?”
Another user viewed the celebration as overly performative, describing it as “such pick me behaviour,” though they admitted they might react similarly if they were in the same position.
A third person also commented, “Nobody gives a sh-t about you or your boring husband. You’re not even a real nfl fan.”
Taylor Swift Fans Rush To Defend Her Viral Moment

While some social media users criticized Taylor Swift’s reaction, many others saw the moment as nothing more than a wife celebrating her husband’s success.
Supporters flooded X with positive messages after the clip began circulating, arguing that Swift’s excitement was genuine and relatable. One fan wrote, “I’ve never seen her so happy before. She’s really living her best days.”
Others focused on the pride they believed was evident in her reaction after Travis Kelce reached the end zone.
“The way Taylor celebrated that touchdown like it was a personal achievement. You can literally see how proud she is of him. ‘That’s my husband!’ energy is undefeated,” another user commented.
Several fans also took issue with the criticism directed at Swift, arguing that she was being unfairly scrutinized for expressing happiness.
One particularly passionate defender wrote, “yall are so insufferable, anything Taylor does yall have a f-cking problem. Leave this lady alone,” before adding, “yall literally choose to waste time hating on a woman who’s simply happy because shes married.”
More From The Blast
Taylor Swift’s latest football moment arrived just days after she apparently spent part of another Chiefs game explaining the sport to Cruise.
As The Blast reported, the “Cruel Summer” singer sat near the Hollywood star during Kansas City’s season opener against the Denver Broncos, prompting Jimmy Fallon to later ask Cruise what happens “when the biggest movie star in the world is sitting next to the biggest artist in the world.”
According to Cruise, football became the topic of conversation. “She was bringing the football. First of all, she’s a genius,” he said.
Cruise also admitted that he hadn’t attended a football game in years. “I hadn’t been to a football game since pre-COVID,” he explained. “So to get to hang out there and have that moment, it was a lot of fun … she knows her stuff.”
Taylor Swift Was ‘All In’ During Chiefs Opener, Says Pat McAfee

The debate over Taylor Swift’s touchdown celebration may have divided social media, but those who spent time with her at Arrowhead Stadium painted a very different picture.
According to Pat McAfee, Swift wasn’t just showing up to support Travis; she was fully invested in every moment of the action.
Speaking on “The Pat McAfee Show” after attending the Chiefs’ season opener against the Denver Broncos from Travis Kelce’s family suite, McAfee described the atmosphere as one of the most passionate football environments he had experienced. And Swift, he said, was right at the center of it.
“She is all in. She is — every snap, [it] was the most into-it suite we’ve ever been in,” McAfee said, adding, “Everybody in there was all in.”
One moment stood out in particular. As Travis broke loose for a massive 59-yard reception, the suite erupted.
“Then he had that 59-yard catch, oh my God, that is what being a football fan is like,” McAfee recalled. “Watching them experience the game was fantastic.”
McAfee also shared details about his first meaningful interaction with Swift. Although he attended her wedding to Travis earlier in the summer, he said the Chiefs game gave him a chance to properly meet her. According to McAfee, Swift immediately made him feel welcome.
“I got a chance to chitchat with Ms. Taylor Swift last night. Huge day,” he said. He later revealed that when he asked for a photo, Swift happily agreed.
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