There’s a specific way you sit differently when a show is actually working on you, leaning forward, phone facedown, not even reaching for a snack during a tense scene because you don’t want to miss a single second. These five all do that to me at some point, sometimes for a whole episode straight.

None of them rely purely on jump scares or gore to get that reaction either. Most of the tension here comes from not knowing who to trust, or knowing exactly what’s coming and still not being able to look away from it. These are by far the most chilling and thrilling suspenseful shows released so far.

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‘The Night Agent’ (2023–2025)

Image via Netflix

A phone in the White House basement hasn’t rung in years, and Peter Sutherland (Gabriel Basso), the agent assigned to babysit it, has basically accepted his job as a dead-end nobody who no one takes seriously. Then one night it actually rings, which pulls him into a conspiracy involving a mole buried somewhere inside the White House. Rose Larkin (Luciane Buchanan) ends up on the run alongside him almost immediately, and the show barely slows down from there.

It’s based on a novel by Matthew Quirk, trimmed down to keep the momentum constant from episode to episode. Netflix reported it as one of the most-watched shows in the platform’s history within its first few weeks. There’s nothing groundbreaking about the plot mechanics, betrayals, twists, a countdown clock, but the paranoid momentum works because the pacing never really lets up.

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‘The Fall of the House of Usher’ (2023)

Image via Netflix

Roderick Usher (Bruce Greenwood), head of a massively wealthy pharmaceutical company, watches his children die one by one, each death staged as its own twisted homage to a different Edgar Allan Poe story. Mike Flanagan built the whole show as a retelling that stitches together nearly Poe’s entire body of work into one family tragedy. Verna (Carla Gugino) shows up throughout as a strange, shape-shifting figure tied to a deal Roderick made decades earlier.

This was Flanagan’s last project for Netflix before he moved his team to Amazon, and it plays like a director cashing in every favor he’d been saving up for years. The pharmaceutical angle gives the gothic horror a sharp, contemporary edge, tying old ghost story tropes directly to real corporate greed. Each death sequence works almost like its own short film, distinct in tone from the one before it.

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‘Severance’ (2022– )

Image via Apple TV

Employees at Lumon Industries can undergo a procedure that splits their memory in half, one version exists only at work, the other lives a normal life with zero memory of the job. Mark Scout (Adam Scott) works there to escape grief he doesn’t want to carry all day. Ben Stiller directs several episodes, and the office gets shot with a sterile precision.

The mystery of what Lumon actually does moves so carefully that fan theories have filled in gaps the show hasn’t addressed yet. Every small detail in the office design matters eventually, nothing here is just background decoration. The show also finds a dark comedy buried inside the dread, corporate jargon and meaningless perks used as tools of control rather than kindness.

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‘The Last of Us’ (2023– )

Image via HBO

A fungal infection turns most of the population into something closer to a hive-minded monster than a traditional zombie, and Joel (Pedro Pascal) gets hired to escort a teenage girl named Ellie (Bella Ramsey) across a devastated America. Ellie turns out to be immune, which might make her the key to an actual cure. The show keeps most of the game’s emotional beats while expanding certain side characters well beyond their original scope.

Episode three, a mostly standalone story about two survivors named Bill (Nick Offerman) and Frank (Murray Bartlett), became one of the most talked-about hours of television that year, and it barely features either lead. The infected stay frightening throughout, but the frightening parts usually comes from other survivors willing to do horrible things just to protect what little they have left.

1

‘Squid Game’ (2021–2025)

Image via Netflix

Hundreds of deeply indebted people get recruited to play deadly children’s games for a massive cash prize, and Seong Gi-hun (Lee Jung-jae) signs up out of pure desperation. The show is a direct allegory for capitalism and class inequality, and that message stays sharp without overwhelming the tension of watching people die playing tug-of-war. The bright, pastel production design makes every death feel more jarring by contrast.

It became Netflix’s most-watched show ever within weeks, turning a niche Korean production into a global phenomenon almost overnight. Each character represents a different kind of desperation, debt, addiction, loyalty, survival instinct, without feeling like a simple morality lesson. Later seasons expanded the story further, but this first outing remains the tightest, most purely tense version of the concept.

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Squid Game

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Release Date

2021 – 2025

Network

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Netflix

Showrunner

Hwang Dong-hyuk

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Directors

Hwang Dong-hyuk

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• 
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  Wi Ha-jun

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  Detective Hwang Jun-ho

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Fantasy movies have a unique ability to make audiences forget about the real world for a couple of hours. They can take us to magical lands filled with fantastical beings or transport those fascinating creatures to our world. These movies are often a gamble because they’re so hard to get right, but franchises like Harry Potter and The Lord of the Rings have become household names and have legions of devoted fans.

In this list, you will find only enjoyable fantasy movies, ranging from beloved animated adventures to epic trilogies and wildly entertaining blockbusters. Some of them are inspired by original stories, and some are exemplary adaptations from their source materials. These movies have the power to connect with the audience and make them wish they lived and breathed the same air as the characters in their world.

‘Dungeons & Dragons: Honor Among Thieves’ (2023)

Image via Paramount Pictures

Dungeons & Dragons: Honor Among Thieves follows Edgin (Chris Pine), who escapes from prison alongside his barbarian friend Holga (Michelle Rodriguez) and sets out to reunite with his daughter. But the wizard Sofina (Daisy Head) has taken over Neverwinter, so Edgin assembles a ragtag crew consisting of Holga, the inexperienced sorcerer Simon (Justice Smith), and the druid Doric (Sophia Lillis) to defeat the wizard and find his way back to his daughter.

Unlike the maligned 2000 movie adaptation that depicts the D&D universe as a generic fantasy world, this Dungeons & Dragons film is able to emulate the experience of playing the popular role-playing game. It has the unique elements and embraces the unpredictability of an actual tabletop adventure: plans go wrong, spells do not work as they’re intended, and characters frequently fail, or even one character is hilariously overpowered. The result is a breezy, fun and funny adventure film that is both rich and entertaining. It’s just a shame that the film did not meet the numbers it needed to reach at the box office, effectively closing the chances for a sequel.

‘Labyrinth’ (1986)

Image via Tri-Star Pictures

Labyrinth follows Sarah (Jennifer Connelly), a teenager who becomes frustrated with having to babysit her infant half-brother and impulsively wishes for him to be taken away. Her wish is granted by the Goblin King Jareth (David Bowie), who carries Toby into his kingdom and gives Sarah only thirteen hours to find him.

The sheer imagination of Labyrinth is what makes it so satisfying. Jim Henson, creator of The Muppets and The Dark Crystal, fills nearly every corner of the film with something strange to look at. The practical creatures are a marvel in themselves to watch, yet the movie is more than a collection of memorable visuals. Jennifer Connelly delivers a breakthrough performance, while David Bowie gives an unpredictable and weird sense of fun to Jareth. The film was not a success at the box office, but it has since been reappraised and emerged as a cult classic.

‘Kiki’s Delivery Service’ (1989)

Image via Studio Ghibli

Kiki’s Delivery Service follows the titular Kiki, a thirteen-year-old witch who leaves home with her black cat Jiji as part of the traditional year-long journey for young witches to become independent. She settles in the seaside city of Koriko, where she begins a delivery service using her ability to fly. While she’s excited about living on her own, she also struggles to prove that she can succeed on her own.

Unlike the other fantasy movies on this list, Kiki’s Delivery Service is smaller in scale, a slice-of-life story in a fantastical world. It turns something as simple as delivering a package into a delightful adventure. This coming-of-age film captures the excitement of being young and independent while also acknowledging that freedom can be intimidating and lonely. Kiki becomes a very relatable protagonist because her challenges are so relevant and close to us. Hayao Miyazaki‘s warm touch to everyday details makes the film engaging and heartwarming to watch.

‘The Mummy’ (1999)

Image via Universal Studios

The Mummy follows Rick O’Connell (Brendan Fraser), who joins librarian and aspiring Egyptologist Evelyn Carnahan (Rachel Weisz) on an expedition to the ancient Egyptian city of Hamunaptra. Their search for treasure leads them to the tomb of Imhotep (Arnold Vosloo), an ancient priest who was condemned to eternal punishment after attempting to resurrect his forbidden lover. When Imhotep is accidentally awakened, Rick, Evelyn and their group must find a way to stop the resurrected mummy from unleashing his wrath.

Put this in the category of “they don’t make movies like this anymore.” Stephen Sommers The Mummy is an unashamedly fun adventure film with a feel and atmosphere rarely found today, combining elements of the monster movie, romantic comedy, and supernatural horror. Fraser’s Rick O’Connell is an immediately likable action hero, Evelyn brings intelligence and enthusiasm to the adventure, and their chemistry gives the movie a surprisingly warm center. With memorable moments, like the Mummy face sandstorm and those creepy beetles, the film is an enduring fan favorite. Fans will be entertained by another adventure in the highly anticipated The Mummy 4.

‘The Princess Bride’ (1987)

Image via 20th Century Studios

The Princess Bride follows Buttercup (Robin Wright), who believes her true love Westley (Cary Elwes) has been killed, only to discover that he has returned years later as the mysterious Man in Black. After Buttercup is kidnapped by a trio consisting of the scheming Vizzini (Wallace Shawn), the enormous Fezzik (Andre the Giant), and the master swordsman Inigo Montoya (Mandy Patinkin), Westley sets out to rescue her.

Directed by Rob Reiner, The Princess Bride is an inconceivably perfect fantasy film. It has sword fights, castles, pirates, romance, revenge, and impossible rescues, but it approaches all of them with a playful sense of humor that makes it feel breezy and light. At the same time, its comedy never completely destroys the fantasy because the characters genuinely care about what happens to one another. Audiences can never forget the eccentric trio, especially Inigo Montoya. The film is endlessly quotable and just very cozy to be revisited anytime.

‘The Chronicles of Narnia: The Lion, the Witch and the Wardrobe’ (2005)

Image via Walt Disney Studios Motion Pictures

The Chronicles of Narnia: The Lion, the Witch and the Wardrobe follows siblings Peter (William Moseley), Susan (Anne Popplewell), Edmund (Skandar Keynes), and Lucy Pevensie (Georgie Henley), who stumble into a magical world hidden inside an old wardrobe. Lucy is the first to enter Narnia, where she encounters the faun Mr. Tumnus (James McAvoy), but her siblings initially doubt her story. When all four eventually enter the wardrobe, they discover a kingdom trapped in an endless winter by the White Witch (Tilda Swinton).

The first Narnia film is a Christmas classic that can also be enjoyed all year round. Its premise that there’s a magical world just behind a wardrobe is every child’s dream. The four Pevensie siblings are also great protagonists. There is something genuinely exciting about watching the world expand from Lucy’s first meeting with Mr. Tumnus into a big high-stakes conflict. Drawing from the rich C.S. Lewis novel, the film is not afraid to be serious, most notably in the final battle, which has an outstanding blend of on-location shooting, practical effects and CGI. A new generation of audiences will be treated to a new Narnia film, directed by Greta Gerwig next year.

‘How to Train Your Dragon’ (2010)

Image via Paramount Pictures

How to Train Your Dragon centers on Hiccup (Jay Baruchel), a young Viking living on the island of Berk, where fighting dragons is considered a necessary part of life. After encountering an injured Night Fury that he names Toothless, Hiccup secretly begins developing a friendship with the creature and discovers that the dragons are not the monsters his community believes them to be.

Based on a popular book series, the movie is a coming-of-age story wrapped in the pure exhilaration of a fantasy adventure. The relationship between Hiccup and Toothless gives the film its emotional center, while the flying sequences are genuinely thrilling, particularly because Toothless feels like a living creature rather than simply a fantasy being. The film also has an excellent sense of humor, a colorful world, memorable supporting characters, and just enough danger to give its emotional moments weight. How to Train Your Dragon became an acclaimed trilogy, and even has a live-action version.

‘The Lord of the Rings’ Trilogy (2001–2003)

Image via New Line Cinema

The Lord of the Rings trilogy follows a group of different people uniting to destroy the One Ring, which was created by the dark lord Sauron to conquer Middle-earth. At the center of it all is Frodo Baggins (Elijah Wood), a young hobbit who undertakes the burden of carrying the Ring all the way to Mordor.

Peter Jackson‘s Lord of the Rings trilogy was a game changer in Hollywood, shot back-to-back without any guarantee of success. The cast mostly were not household names, and the films were Jackson’s first foray into big-budget filmmaking. However, the gamble paid off. The trilogy has spectacular CGI, engrossing characters, and large-scale production that is almost unseen in current times. Each film feels like another stage of the same enormous adventure, with events and character arcs building toward genuinely satisfying payoffs. Many attempts have been made to capture the same magic, but the OG The Lord of the Rings trilogy remains untouched.

‘Shrek 2’ (2004)

Image via DreamWorks Animation

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Shrek 2 picks up after Shrek (Mike Myers) and Fiona’s (Cameron Diaz) marriage, with the newlyweds returning from their honeymoon only to be invited to meet Fiona’s parents in the kingdom of Far Far Away. The visit quickly becomes awkward when Fiona’s parents discover that their daughter has married an ogre, while Shrek feels that he does not belong in Fiona’s world. Meanwhile, the sneaky Fairy Godmother (Jennifer Saunders) wants Fiona to marry her son, Prince Charming (Rupert Everett).

Shrek 2 might be the best animated sequel ever made. It doubles down on its premise that makes fun of the traditional fairy tale stories while also delivering a truly heartfelt story. New characters like Antonio Banderas‘ Puss in Boots, Prince Charming, and the Fairy Godmother are worthy additions to the story. Packed with smart jokes, pop culture references, and a great soundtrack (“Holding Out for a Hero” is now synonymous with this film), Shrek 2 is a truly satisfying and entertaining film for all ages and every generation.

‘Pirates of the Caribbean: The Curse of the Black Pearl’ (2003)

Image via Walt Disney Studios Motion Pictures

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Pirates of the Caribbean: The Curse of the Black Pearl follows Captain Jack Sparrow (Johnny Depp), who seeks to reclaim his stolen ship from Barbossa (Geoffrey Rush). Jack’s path crosses with Elizabeth Swann (Keira Knightley), the daughter of a British governor, who is kidnapped by Barbossa to lift the curse that befell his crew. Blacksmith Will Turner (Orlando Bloom), who is in love with Elizabeth, joins the adventure to save her.

It must be noted that everyone thought adapting a theme park ride was a bad idea, especially a pirate-themed one. Gore Verbinski proved the world wrong with this swashbuckling fantasy adventure. Led by an eccentric yet never annoying performance by Johnny Depp, the first Pirates film is an exemplary feat of filmmaking. It boasts an iconic soundtrack, challenging CGI effects, and an all-round fun atmosphere. Most of the scenes were shot on location, with an actual Black Pearl set built. The franchise went bigger with the next two films, which many argue could be one of the best blockbuster trilogies of all time.

For most of his career, Ed Sheeran managed something many global superstars never do, staying largely outside the political crossfire that consumes public figures. 

His music appealed to broad audiences, his concerts stayed focused on songs rather than statements, and controversy rarely lingered. That changed dramatically this month. 

Now, as a dispute tied to his tour continues to dominate headlines, Sheeran is discovering what happens when an artist who tried to avoid taking sides suddenly becomes the story.

Ed Sheeran’s Attempt To Please Everyone Leaves Nobody Happy

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One of the stranger realities of the past week is that Ed Sheeran is facing criticism from multiple directions at the same time.

As The Blast shared, the controversy began after Macklemore made pro-Palestinian remarks during Sheeran’s New Jersey concerts. What followed was a chain reaction few could have predicted. 

Macklemore exited the tour after what he described as a week of “difficult conversations” with Sheeran. 

Soon afterward, Finneas, Lukas Graham, Aaron Rowe, and members of Beoga also announced departures in solidarity with Macklemore and Palestine.

As pressure mounted, the “Shape of You” singer addressed the issue publicly. During a Philadelphia show, he described Gaza as “catastrophic and unjustifiable” while also calling Hamas’ October 7 attacks “horrific.”

Yet the statement did little to ease tensions. Instead, it intensified debate around a performer who had previously insisted he did not want politics to become part of his concerts. 

Sheeran Says He Questioned Whether He Wanted To Be An Artist At All

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Lost beneath the political arguments was something more personal: the effect the backlash was having on Sheeran himself.

Standing before 50,000 fans in Philadelphia, the singer said the turmoil had pushed him into genuine uncertainty.

“The last week of my life has been one of the worst weeks of my life,” he admitted.

The comment wasn’t simply about tour logistics or negative headlines. The 35-year-old went further, explaining just how dramatically the situation had shaken his confidence.

“I really didn’t know whether this tour would be carrying on. I really didn’t know whether I’d even be getting on stage again, whether I even wanted to be an artist at all. In these situations, you really find out who your friends are, and it’s been a weird week,” Sheeran said.

Ed Sheeran’s Instagram Numbers Tell The Story Of A Fan Base In Flux

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While the emotional fallout played out onstage, another measure of the controversy was unfolding online.

Before Macklemore announced his departure, Sheeran’s Instagram account stood at roughly 47.6 million followers. Within days, the figure began falling sharply.

According to a Daily Mail report, nearly 150,000 followers disappeared on September 15 alone after the Grammy winner publicly addressed the controversy. 

More losses followed the next day, and the decline continued throughout the week. By September 23, his audience had dropped to approximately 47.2 million followers.

At the same time, the artists connected to the dispute were experiencing the opposite trend. Reports revealed that Macklemore, Finneas, Graham, Rowe, and Beoga collectively gained about 1.6 million followers after the tour fallout became public.

More From The Blast

Charlotte Church Says Sheeran Chose ‘Capitalism’ Over Principle

Amid the fallout from the Loop Tour controversy, some of the sharpest criticism has come from fellow musicians.

Among the latest voices to weigh in is Welsh singer Charlotte Church, who used a recent concert in Cardiff to publicly call out Ed Sheeran over the handling of the Macklemore situation. 

Rather than focusing on the tour logistics, Church framed the issue as a question of responsibility and influence. 

Addressing the crowd, she argued that Sheeran had a rare opportunity to use his platform differently.

“Whilst he has made millions and has an enormous following, he has an enormous platform to do real good in the world,” she said, per The Guardian.

Church then delivered the line that quickly made headlines across multiple outlets. She stated, “He chose consumerism and capitalism over doing the right thing. Ed Sheeran, we’re watching you. Free Palestine.” 

Ed Sheeran’s Cousin Turns The Tour Crisis Into A Family Feud

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If criticism from fellow artists intensified the pressure surrounding Sheeran, some of the most surprising backlash came from much closer to home.

As reported by The Blast, Sheeran’s cousin, Jethro, better known by his stage name Alonestar and a longtime collaborator of the singer, launched an extraordinary public attack on his cousin.

In a series of posts and interviews, Jethro accused Sheeran of being far more involved in the decision than he has publicly acknowledged.

“He’s dropped Macklemore himself—I believe 100%,” Jethro said before delivering the comment that became the centerpiece of news coverage. “He’s a coward,” he said. 

But the criticism didn’t stop there. Jethro also accused his cousin of being a “selfish individual with malicious, cunning ways” and claimed the public was finally seeing a different side of the Grammy winner. 

In one particularly pointed message, he wrote, “Finally it’s all coming out! I’m ashamed of my Cousin Ed.”

When it’s too chilly for tanks yet too hot for coats, the right cardigan sweater changes the game. But cardigans can lean frumpy, which is why we’re swooning over Chrissy Teigen‘s classy, elevated version. We found her rich mom look on sale for only $33!

In an Instagram post, Teigen showed off her brand’s pancake mix wearing the easiest everyday uniform. She rocked relaxed jeans, a simple tank and a light-brown cashmere-blend cardigan on top. The catch? That buttery caramel layer costs $550, but this Amazon twin is practically identical. Rich moms (and Us) are stocking up!

Get the Lillusory Lightweight Cardigan for $30 (was $40) at Amazon! Please note, prices are accurate at the date of publication but are subject to change.

Like Teigen’s, this Lillusory Lightweight Cardigan features a similar caramel hue, dainty buttons and refined shape. Better yet, it has a modest crop and tailored fit, which is exactly why it looks so good with high-waisted denim, a Teigen favorite.

Ribbed hems, stretchy fabric and a round neckline round out this classy fall piece (pun intended), so it’s no wonder shoppers are obsessed. One five-star reviewer wrote, “It’s got cashmere-like softness to the material. Feels like you’re wrapped up in a blanket, but it’s not too thick.”

Another happy fan shared, “It hits right at the waist, which makes it perfect for pairing with high-waisted jeans or skirts.”

This easy layering style works for school pickups, brunches and quick coffee runs when you want to appear pulled together in two seconds flat. We understand why the look is Teigen-approved!

Get the Lillusory Lightweight Cardigan for $30 (was $40) at Amazon! Please note, prices are accurate at the date of publication but are subject to change.

Looking for something else? Explore more chic knits, and don’t forget to check out all of Amazon’s Daily Deals for more great finds!

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While the streaming era as a whole has provided a great deal of engaging and iconic original content across a wide variety of different streaming services, Netflix has continued to be at the forefront when it comes to its original content. The platform has proven time and time again why it is the king of the streaming era, with its multitude of original films being just one way that it has held dominance over other streaming services. While Netflix has provided many iconic titles in a wide variety of genres, some of their strongest offerings are easily in the realm of comedy.

Ranging from exclusive installments in massive comedy film series, or new stories brought to life by the modern day’s biggest and brightest comedic filmmakers, there is no shortage of brilliant original comedies on the platform. When it comes to the absolute best comedies that the platform has released, the films have been highly regarded and considered some of the most successful and beloved comedy films of recent memory.

Image via Netflix

Easily one of the most underrated Netflix original films out there, Metal Lords is a coming-of-age teen comedy that follows a duo of misfits with big dreams of performing a heavy metal song at their school’s battle of the bands, becoming school legends just like their heroes. The overwhelming strength of the film is its signature sense of charm and earnestness, finding an effective balance between comedic elements and some genuine emotional heart.

Especially as so many other teen movies of the modern age feel limited by characters that act more as caricatures and basic personality traits, Metal Lords gets a lot of mileage out of treating its characters like real people, with a layered understanding of the stresses and difficulties of modern teenage life. While it might not be one of the first films that come to mind when considering the must-watch Netflix comedies, Metal Lords is absolutely worth checking out for fans of the teen coming-of-age genre.

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‘Always Be My Maybe’ (2019)

Image via Netflix

One of the better romantic comedies on the platform, Always Be My Maybe follows the story of Sasha (Ali Wong) and Marcus (Randall Park), two childhood friends who drifted apart after an awkward fling. However, fifteen years later, fate has seemingly brought the two together again, yet the stark differences between Sasha’s life as a world-famous chef and Marcus’s average, local lifestyle prove to come with their own difficulties. However, it’s undeniable that the two still have sparks, so they do their best to make this second chance at a relationship work.

As with all great romantic comedies, the crux and biggest strength of Always Be My Maybe comes from the genuine connection and on-screen chemistry between Wong and Park. Both in terms of the genuine romance that the characters build throughout the film, and acting as great comedic foils that constantly bounce off of one another, the duo are on-screen dynamite. As far as Netflix’s original romantic comedy movies, Always Be My Maybe is easily one of their best.

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‘They Cloned Tyrone’ (2023)

Image via Netflix

An exceptionally hilarious sci-fi satire defined by an overwhelming sense of style and personality in its filmmaking, They Cloned Tyrone proves to be much more insightful and intelligent with its comedy than the average Netflix original movie. It follows the unlikely trio of a drug dealer (John Boyega), one of his customers (Jamie Foxx), and a sex worker (Teyonah Parris) uncovering a mass cloning conspiracy happening right underneath their town, as it seems that every aspect of their lives has been set up by a nefarious shadow government.

From the extravagant costumes to the over-the-top set designs and background elements, They Cloned Tyrone places a lot of emphasis on the smallest of details to create a satirical edge to its world, making its shift to conspiratorial sci-fi all the more effective. It also helps that Boyega, Foxx, and Parris each provide exceptional comedic performances, bouncing off of one another and adding layers to this story of clones and conspiracy.

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‘Don’t Look Up’ (2021)

Image via Netflix

Acting as an in-your-face satire of climate change, Don’t Look Up follows two low-level astronomers who come upon the terrifying discovery that a meteor is set to crash into Earth in six months. In an attempt to warn everyone about the impending doom of the planet, they attempt to go on a press tour to spread the word and hopefully get a solution rolling. However, much to their dismay, most of the world either doesn’t believe their claims, or even worse, doesn’t care.

Adam McKay‘s recent comedy films have always been able to successfully toe the line between biting and cutthroat satire with a signature, broadly appealing style of humor that greatly defined his earlier works. Don’t Look Up acts as the true pinnacle and combination of the two eras of his career, able to feature both relevant social commentary with absurdist characters and caricatures to create a distinct viewing experience. While not everybody’s cup of tea, it’s hard to deny the reach and impact that the film has had, being one of Netflix’s most successful films of all time, comedy or otherwise.

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‘The Meyerowitz Stories (New and Selected)’ (2017)

Image via Netflix

One of many distinct collaborations between Netflix and acclaimed director Noah Baumbach, The Meyerowitz Stories (New and Selected) follows the estranged Meyerowitz family during a long-awaited reunion. With the father of the family, Harold Meyerowitz, having an event in New York meant to celebrate his artistic work, the rest of the family, including the likes of Adam Sandler, Ben Stiller, and Emma Thompson, come together for a celebration. It doesn’t take long, however, before the family falls back on the infighting and division that had kept them away to begin with.

While not as award-winning or recognized as Baumbach’s other iconic film for Netflix, Marriage Story, The Meyerowitz Stories significantly leans more into Baumbach’s talents as a comedic writer. His signature writing style combined with the all-star cast of comedic legends comes to create one of the most distinct and consistently hilarious comedies that Netflix has ever released. It’s a film that also features as much thematic resonance and powerful themes of familial ties and division as it does hilarious comedic moments that continue to stay funny on every rewatch.

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‘The Half of It’ (2020)

Image via Netflix

The Half of It is a coming-of-age romantic comedy that follows Ellie, a reclusive straight-A student who has spent her high school years isolated from the rest of the student body. She soon finds herself being hired by straight-D student Paul, who needs help in charming the most popular girl in school and wants to use Ellie’s writing abilities to make the perfect love letters. All seems good at first before Ellie soon realizes that she is also beginning to form feelings for the same girl that Paul is into.

While many modern coming-of-age movies have floundered because of how inauthentic and unrelatable their characters were to modern teens, The Half of It succeeds where its contemporaries largely fail. The film takes a much more grounded and realistic approach to the classic teen romance story, showing that it’s OK when not everything goes according to plan, as the rocky teenage years are unpredictable and are never perfect for anyone. It has a level of respect for its audience that is rare in teen movies, making it a highly commendable take on the genre.

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‘The Mitchells vs. the Machines’ (2021)

Image via Netflix

Easily the definitive animated comedy movie to be released by Netflix, The Mitchells vs. the Machines is a wild, unrestrained love letter to the very notions of filmmaking and creating insane, deeply personal art. Blending together a story of artistic vision, a classic family road trip, and a sci-fi story of saving the world from a robot apocalypse, the film embraces its lack of normalcy and the absolute weirdness of art and trying to be a family.

The major highlight of the film is the absolutely stunning animation, rife with personality and comedic flourishes throughout the entire thing that serve to elevate the entire experience. It’s a film tailor-made for the social outcasts and animation nerds of the world, with enough engaging central theming around family dynamics to make it a feel-good experience for the entire family. It’s easy to see the film as one of the very best animated films Netflix has released, and it works in its favor that it also happens to be hilarious from start to finish.

8

‘Bad Trip’ (2021)

Image via Netflix

A wild hidden camera comedy in the same vein as Borat and Jackass, Bad Trip follows best friends Chris (Eric Andre) and Bud (Lil Rel Howery) as they embark on a wild road trip across the country. While on their journey, they play a part in a multitude of crazy pranks and shenanigans that pull real-life people into the mayhem of the story, as they adjust the story based on their interactions. At the same time, the duo is being chased down by Bud’s sister Trina (Tiffany Haddish), who is getting up to her own inklings of chaos while hunting the duo down.

While there have been a multitude of failed attempts over the years to recapture the same manic, pranking hidden camera energy of Borat, the only comedian who was truly going to be able to come close to this manic energy was Eric Andre. Andre’s experience and similar absurdist prank-based humor seen in his show, The Eric Andre Show, is simply brought to the next level in Bad Trip, with a cinematic budget giving them limitless possibilities for the chaos that unfolds. Especially for fans of Andre’s other works, Bad Trip is a must-watch comedy experience.

7

‘Do Revenge’ (2022)

Image via Netflix

Acting as a modern-day love letter to the classic clique-based teen movies of the late 90s and early 2000s, Do Revenge perfectly recaptures the manic and cutthroat comedic energy of films like Mean Girls and Clueless. The film follows the story of Drea, a former queen bee at her private high school who has her entire social life crashing down around her, losing her status and all of her friends in the process. However, after meeting with new student Eleanor, the two hatch a scheme to get revenge on each other’s worst enemies, earning their way back to the top in the process.

Do Revenge is easily one of the best, most underrated teen movies in recent memory, acting as a perfect modernization of the classic revenge-based teen movie. Even more than simply rehashing and revitalizing a once popular trend, Do Revenge builds upon and twists the conventions of its premise to create a wildly engaging and highly unpredictable story. Still, comedy has always been the strongest aspect of these films, and Do Revenge, much like the films that inspired it, is chock full of quotable lines and hilariously memorable moments that make it a Netflix movie designed for endless rewatches.

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‘Paddleton’ (2019)

Image via Netflix

Paddleton accomplishes the difficult task of finding the humor and pleasant moments in one of the darkest and dreariest things a human can go through. The film follows the story of Michael and Andy, two misfit neighbors who have become the closest of friends, playing games of Paddleton together and watching their favorite kung fu movie. Their friendship, however, is now taking an emotional turn, as Michael is diagnosed with terminal cancer and requests Andy’s help in making his last days on Earth worthwhile.

It’s easy to mess up a film like Paddleton, as the stark contrast between awkward, uncomfortable comedy and a genuinely uncomfortable experience can easily be misconstrued by an audience. However, what makes the film work so exceptionally well are the performances and genuine chemistry between Mark Duplass and Ray Romano, who sell their years-long friendship with constant riffing and genuine back-and-forth. Even when it gets to its most emotional and heartbreaking moments, the film still understands the importance of humor, even in the darkest of times.

Former Home Improvement star Jonathan Taylor Thomas allegedly kicked a police officer in the stomach prior to his arrest in Los Angeles earlier this week.

A spokesperson for the Los Angeles Sheriff’s Department confirmed to Us on Wednesday, September 23, that Thomas, 45, was taken into custody on Monday, September 21, following a traffic stop at Westlake Boulevard and Townsgate Road in Westlake Village.

Thomas was allegedly in the passenger seat of a car stopped by officers for “blocking traffic” when it was stopped at an intersection during a green light.

“Deputies pulled alongside the vehicle to see if the driver needed assistance,” a police spokesperson confirmed to Us. “Deputies noticed the driver was acting odd and appeared to be intoxicated. Deputies conducted a traffic stop on the vehicle for the violation and conducted a driving under the influence investigation.”

Related: Why Did Jonathan Taylor Thomas Stop Acting? Hollywood Exit Explained

Jonathan Taylor Thomas became a household name after appearing on Home Improvement, but the child star eventually turned away from the spotlight. Thomas, now 44, got his start at 9 years old when he appeared on The Bradys before voicing young Simba in The Lion King and starring in other films such as Man of […]

According to the LASD, Thomas (real name Jonathan Taylor Weiss) “appeared intoxicated” when he was instructed to remain inside the passenger seat of the vehicle.

“[Thomas] continually exited the vehicle and approached the deputies, distracting them from their investigation,” a police statement read. “Deputies attempted to detain [Thomas] for obstruction and public intoxication, at which point, Weiss kicked a deputy in the stomach.”

The Lion King voice actor was “arrested, transported, and booked” at the Malibu/Lost Hills Sheriff’s Station on charges of obstructing or resisting an officer, police said.

“The case will be submitted to the Ventura County District Attorney’s Office for filing consideration,” police said.

Us has reached out to Thomas for comment.

After starting his acting career at 9 years old, Thomas had his breakthrough playing Randy Taylor on Home Improvement, in which he starred opposite Tim Allen, Patricia Richardson, Taran Noah Smith, Zachery Ty Bryan, Richard Karn and Debbe Dunning. The classic sitcom aired on ABC from 1991 to 1999.

Thomas became a teen heartthrob, landing leading roles in teen adventure movie Wild America and the festive rom-com I’ll Be Home for Christmas in the late 1990s. However, he stepped away from acting following a string of guest appearances on Smallville, Veronica Mars and a four-episode reunion with Allen, 73, on Last Man Standing.

Allen recently spoke exclusively to Us about potential roadblocks to getting a long-awaited Home Improvement revival off the ground.

“They keep talking about how it could move forward, but they get stuck [because] there are some personality problems right now with the boys,” Allen revealed to Us in June. “They’ve got their own issues. I always thought it would be cool if it was a story about them. That’s a little challenging right now, to put it mildly.”

(Bryan, 44, has had a string of legal issues over the years, including DUIs arrests and alleged incidents of domestic assault.)

Related: Why Did Jonathan Taylor Thomas Stop Acting? Hollywood Exit Explained

Jonathan Taylor Thomas became a household name after appearing on Home Improvement, but the child star eventually turned away from the spotlight. Thomas, now 44, got his start at 9 years old when he appeared on The Bradys before voicing young Simba in The Lion King and starring in other films such as Man of […]

Earlier this year, Allen admitted to Us that he struggled to offer fatherly advice to Bryan, Thomas and Smith, 42, while they were filming Home Improvement.

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“It was new to me and it took a while for me to be that [father figure]. I felt like more of a funny, mischievous older brother for quite a while — especially to the boys on Home Improvement,” he acknowledged. “It’s difficult because I said when it was easy to be a TV parent, it’s easy. When it’s difficult to be a TV parent, you really are of no value.”

Allen noted that some of his younger costars went through “personal, horrible trauma” in their adolescence.

“[For example with the] Home Improvement kids, it was so long ago and I was brand new at that and it was very difficult for me to be anywhere near a mentor or guide,” he told Us.

Since books have been a thing for so long, and many books themselves are also so long, it can be hard to fully “catch up” with the art form overall the way you might almost be able to do with movies or video games. Okay, emphasis on the “almost” there, because there remain overwhelming numbers of those things, too, and they’re still getting pumped out constantly, so falling behind further and further is inevitable.

Returning to books, though, you’ve got absolute must-read classics that were published centuries ago, and people do still read, and so great books are still being published. What follows is a rundown of some arguably perfect books, selected here because they’re incredibly consistent and really don’t have any downtime, even for just a chapter or so. They’re not automatically the very best books ever written, since trying to decide on that is overwhelming, but they’re a great selection, and all definitely hold up as worthy of one’s time and attention.

8

‘The Shining’ (1977)

Image via Doubleday

The thing about The Shining is that it might not be the absolute greatest Stephen King novel, since there is something to be said about how remarkable his epics are, but the length of books like IT, The Stand, and Under the Dome does lead to some (usually minor) flaws alongside all the good stuff. So, here’s The Shining, and it’s here because it’s consistently great to, like, a greater extent than some of his impressively lengthy works.

There aren’t many characters in this one, and the setting is also decently confined, because The Shining famously involves a family of three staying at a hotel during the off-season, and it is quite the odd and/or haunted hotel. The father already had personal demons that become harder to control as more time is spent in the hotel, and there’s equally unsettling psychological horror, as a result, alongside all the supernatural occurrences. It’s pretty much perfect horror, and one of the hardest-to-fault (or even nitpick) Stephen King books.

7

‘The Curious Incident of the Dog in the Night-Time’ (2003)

Image via Doubleday

Thanks to it not being too long (unlike some of the books that’ll be mentioned in a bit), and also being incredibly engaging, it’s pretty easy to blast through The Curious Incident of the Dog in the Night-Time in just a couple of sittings. Narratively, it’s about a teenage boy who has a distinctive outlook on the world, and he sets his sights on trying to find out the truth behind the death of a neighborhood dog.

There’s some other stuff alongside that, and then the side of The Curious Incident of the Dog in the Night-Time that’s a bit harder to explain and praise is what it does stylistically. It’s a creatively presented and narrated story, and then the story on its own is still fairly interesting. But the execution really makes it stand out as one of the best mystery novels of the century so far.

6

‘Say Nothing: A True Story of Murder and Memory in Northern Ireland’ (2018)

Image via HarperCollins Publishers LLC

Like The Curious Incident of the Dog in the Night-Time, Say Nothing: A True Story of Murder and Memory in Northern Ireland has a long title that does a pretty good job of letting you know what you’re in for. The “True Story” part also lays out how this is a work of non-fiction, but it’s paced and written in a way that makes it honestly feel more gripping than a good many actual thrillers out there.

The central thing that the whole book’s built around is the disappearance of a woman named Jean McConville in 1972, with the fallout and lead-up to that event explored, and then it’s all a way to explore more things regarding the Troubles. Say Nothing explains the whole wider conflict of the Troubles extremely well, and with great clarity, all the while keeping things interesting on a more personal level, with the central figures explored/depicted. It does a lot rather effortlessly, in other words, and doesn’t lose its way at any point, not even for a page.

5

‘Dune’ (1965)

Image via Ace Books

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Some might take issue with Dune being here, owing to some of the epic novel’s earlier chapters being slow, compared to how the book eventually feels, yet that world-building early on is excellent, and just as engrossing if you’re okay with reading something that’s not 100% plot 100% of the time. In any event, all the things that the novel spends time on early on do prove important, if not by the end of Dune (1965), then at some point in one of the several sequel books it got (those written by Frank Herbert, which are largely worth exploring, too).

There are a fair few factions/groups of characters here, but broadly, Dune involves conflict being fought over a dangerous but valuable planet in the far future. That’s really simplifying things a bit too much, with Dune being so monumental a classic, and deservedly so, for all the reasons that so many people have already said at this point, 60+ years on from the book’s publication.

4

‘Libra’ (1988)

Image via Viking Press

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It doesn’t sound like much of a compliment to call a book confounding and stressful, and those being the main emotions that Libra inspires could understandably influence someone to stay pretty darn far away from it. The way it’s stressful and perplexing, though, makes it something special, and it feels like a lot more than just a book about a conspiracy because of how it explores the nature of conspiracies and beliefs in them.

And then it also tackles uncertainty within history, and the overwhelming sensation of trying to stay alive – and keep up with things – in the second half of the 20th century, and reading Libra now, in the 21st century, so many of those fears are more intense. It was written nearly 40 years ago, and was mostly focused on a historical event that happened a quarter of a century before its publication, yet Libra feels undeniably timeless.

3

‘War and Peace’ (1869)

Image via Wisehouse Classics

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War and Peace is famously long, to the point where that’s all that’s known about it sometimes. And there, the length has just been mentioned. So maybe that supports the idea or perpetuates it, which was a careless thing to do on this writer’s part. Then again, it’s hard to convince someone to read something that’s like 1500 pages long in about 150 words, and then if you also have to summarize what the novel’s about… eh, forget it.

All that can be said is that War and Peace is so much more than “just” a famously (or notoriously?) long book. It is genuinely absorbing for all those many, many pages, and while it’s hard to commit to something like this initially, dedicating oneself to the whole epic starts to feel rewarding much earlier than one might expect. This book really does have a bit of everything, and it’s hard to accurately convey/describe just how perfectly written it is throughout.

2

‘The Lord of the Rings’ (1954–1955)

Well, you know. The Lord of the Rings. It’s one huge novel, not quite as long as War and Peace, admittedly, but also not far off. And The Lord of the Rings is more than just the core novel, since it’s connected to The Hobbit, The Silmarillion, and other stories within J.R.R. Tolkien’s legendarium, so quite a bit of time is needed, on your part, if you want to fully explore and understand Middle-earth.

But with this one huge novel, you still get so much. The Lord of the Rings is incredibly rewarding, starting out amazing and then getting better and better (or at least more emotionally engrossing) as it goes along. Like Dune, it has its slower chapters early on, but thankfully, the world-building here is also about as good as world-building gets. Further, if you’re worried about sitting down to read about 1000 pages of text, there is at least one fantastic audiobook recording of the entirety of The Lord of the Rings, which is another great way to experience the entire epic.

1

‘Different Seasons’ (1982)

Image via Viking Press

To go back to the Stephen King well, Different Seasons stands out from The Shining and some of the other honorably mentioned King books because it’s actually a collection of novellas. There are four here, and they’re all fantastic, so the book is enormously consistent. Sure, “The Breathing Method” doesn’t have quite the same impact as the first three, but it is nonetheless a great novella to close the whole collection on, and then the fact it’s the shortest might also make it stand out.

As for the others, “Apt Pupil” is surprisingly great, and then with the other two, the greatness is less surprising, since “Rita Hayworth and Shawshank Redemption” is best-known for being the source material for The Shawshank Redemption, and “The Body” served the same purpose for Stand by Me. Great movies, obviously, and great original stories, too. This whole collection showcases King at his best, and then it stands out further for being (compared to his other early novels, novellas, and short stories) less horror-heavy, albeit some stories here still have some creepy moments.

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The Shawshank Redemption

Release Date

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September 23, 1994

Runtime

142 minutes

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Director

Frank Darabont

Writers

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Frank Darabont

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Even in her final days, Dolly Parton remained fiercely protective of the image she spent decades building. 

The country music legend, who captivated generations with her larger-than-life personality and unmistakable style, reportedly had one clear request as her health declined: she did not want loved ones remembering her in a weakened state. 

Yet amid that deeply personal boundary, Parton made a single exception, one that reflected just how seriously she took every detail of her legacy.

Dolly Parton Trusted One Person With Her Final Public Appearance

For someone who carefully controlled how she was seen throughout her career, Dolly Parton’s reported deathbed wish was strikingly simple. 

According to TMZ, the country legend did not want people visiting her during her final moments because she didn’t want anyone remembering her that way.

However, she allowed one person into that private space: her longtime wig and makeup artist, Cheryl Riddle.

The decision wasn’t random. Parton reportedly wanted Riddle present so she could prepare her after death, ensuring she would look exactly as she wished before her open-casket service. 

It was a final act of trust between the music icon and one of the people who had helped shape her public image for years.

Another person who was reportedly granted access was her nephew, Bryan Seaver, the former head of her security team. 

Seaver is said to have visited his aunt the day before she died. During that meeting, Parton reportedly entrusted him with another important responsibility: announcing her passing. 

Seaver later wrote and recorded a message at her studio, which was shared on Parton’s social media accounts on August 25, the day of her death.

Parton’s Sister Explains Why Even Family Didn’t Know About The Cancer

As questions about Dolly Parton’s final months continue to surface, her sister Stella has offered one of the most revealing answers.

Speaking about the singer’s private cancer battle, Stella explained that secrecy was not about distrust but about protecting the people the Grammy winner cared about.

“Dolly did not want anybody to tell that because Dolly could not bear negative things,” Stella revealed on “CBS Mornings”

Stella went on to explain why so many fans, and even relatives, were caught off guard by the news of Parton’s death. According to her, “She would not have wanted her fans worried about it.” 

The “Jolene” singer’s sister revealed that “a lot” of family members were unaware of the diagnosis. 

Stella also defended the family’s decision not to reveal specific details about the illness, stating, “It’s not my business to tell her business.” 

Dolly Parton’s Final Recording Opens A New Chapter In Her Legacy

While family members continue reflecting on Parton’s final months, her voice is still finding new audiences.

Earlier this month, Entertainment Weekly reported that one of the most anticipated posthumous releases arrived with news that the icon’s recording of “Bound to Ride” would appear on “Where the Soul Never Dies: Celebrating 80 Years of The Stanley Brothers,” an all-star tribute project honoring the bluegrass pioneers. 

The recording carried special significance because it represented the first major musical release since her passing. According to the report, the track was originally recorded in 2022 and features Parton alongside the First Ladies of Bluegrass. 

The tribute album also includes contributions from artists such as Willie Nelson, Sierra Ferrell, Steve Martin, and Ed Helms. 

The release also reinforced something Parton spoke about for years: her desire to continue sharing music long after she was gone. 

Her longtime manager previously revealed that the country icon carefully organized unreleased material and future projects before her death. 

More From The Blast

Brandi Carlile Leads Emotional Parton Tribute At Americana Honors

That enduring influence was on full display at the Americana Music Honors & Awards, where some of the genre’s biggest names gathered to celebrate Dolly Parton’s legacy.

During the ceremony, Brandi Carlile joined forces with folk trio I’m With Her for a moving rendition of Parton’s beloved classic “Coat of Many Colors.” The performance quickly became one of the night’s most talked-about moments. 

The tribute arrived during an emotional evening already dedicated to honoring the late singer who received a Lifetime Achievement Award. 

Audience members responded with a standing ovation as Carlile and the group delivered the song long associated with Parton’s life story and humble beginnings. 

The performance carried extra weight because it followed a surprise appearance from Parton herself. 

As The Blast revealed, earlier in the ceremony, attendees watched a pre-recorded acceptance speech she had filmed before her death, allowing her to thank supporters in her own words one final time. 

Dolly Parton’s Nephew Vows To Fight Back After Shock Dismissal

There can be only one, except there’s not, there’s loads. There are sequels, television shows, animation, comics and a reboot that features Superman, Maximus, two Guardians of the Galaxy and Batman’s butler. Forty years after Connor MacLeod first started removing the heads of fellow immortals to a Queen soundtrack, we’re finally going back to where the whole thing actually began.

Ahead of Henry Cavill’s (Man of Steel) upcoming Highlander reboot, Titan Comics has officially announced Highlander: The Original Screenplay, a four-issue comic adaptation of Gregory Widen’s original script for the 1986 cult classic. The first 32-page issue will be released on December 2, 2026, giving fans a chance to experience Widen’s initial version of the story before Cavill picks up the sword for Amazon MGM.

Widen famously wrote the original Highlander screenplay while studying film at UCLA before it was subsequently revised by Peter Bellwood and Larry Ferguson ahead of becoming a big screen success. Widen himself is returning to adapt that screenplay for the comic, with Szymon Kudrański providing the artwork. Titan describes the series as presenting the “original vision for the timeless classic,” following immortal Connor MacLeod through centuries of conflict as he battles his fellow immortals for the mysterious Prize.

What’s Happening With Henry Cavill’s ‘Highlander’?

Chad Stahelski (John Wick) is directing the new Highlander, with Cavill taking over as Connor MacLeod. Production began in Scotland in January following a delay caused by Cavill suffering an injury during pre-production. Russell Crowe (Gladiator) will appear alongside Dave Bautista (Dune) as the Kurgan, Karen Gillan (Guardians of the Galaxy), Djimon Hounsou (Blood Diamond), and Jeremy Irons (Watchmen). Crowe recently spoke of his excitement at taking part in the movie, praising Stahelski and stating that he was sure audiences would be thrilled and enthralled by it. “I just finished the shoot of Highlander” he said. “It’s an Amazon production, and it’s going to be fantastic. It’s by Chad Stahelski, who directed all the John Wick movies, so you know [he] is incapable of directing a film that is not exciting.”

Highlander: The Original Screenplay #1 will be released by Titan Comics on December 2, 2026.

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Release Date

March 7, 1986

Runtime

116 minutes

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Director

Russell Mulcahy

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Writers

Gregory Widen, Peter Bellwood, Larry Ferguson

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There is a reason Dolly Parton can walk into a scene dressed like Dolly Parton and somehow make everybody else look overdressed. The hair is enormous, the rhinestones are doing their own publicity campaign, and then she starts talking and the whole image becomes secondary to how quick she is. That has always been the fun of watching her. People inside the movie notice the glamour first. Five minutes later, the smartest person in the room is usually the woman they underestimated.

And that is where her screen career gets surprisingly personal. Dolly has never needed movies to prove she is talented. The music already handled that. The good roles understand something more interesting about her, especially the humor, the stubbornness, the warmth, and that very specific ability to tell somebody off while sounding almost hospitable. When a film catches that properly, you stop seeing “country superstar acting” and start wishing she had made twice as many movies.

5

‘Dolly Parton’s Heartstrings’ (2019)

Image via Tina Rowden / ©Netflix / Courtesy Everett Collection

Each episode of Dolly Parton’s Heartstrings takes one of Parton’s songs and builds a standalone story around it, with Dolly introducing the material and occasionally stepping directly into the drama. That could have become eight glossy music videos stretched to television length. Instead, the anthology uses songs including “Jolene,” “Two Doors Down,” and “These Old Bones” as starting points for stories about relationships, family, prejudice, regret, and the kind of small-town secrets country songs have always been very good at holding.

The results naturally vary, but there is genuine pleasure in hearing a familiar lyric and then watching the show take it somewhere you did not expect. “Jolene” is especially smart about refusing the easiest interpretation of its title character. Instead of simply turning the famous other woman into a villain, the episode gives her an actual life beyond somebody else’s marriage. Dolly’s presence keeps the whole project from feeling like a museum devoted to her catalogue. She seems genuinely delighted that songs written decades earlier can keep growing new stories. For fans, that warmth does a lot of the work.

4

‘Straight Talk’ (1992)

Image via Buena Vista Pictures Distribution

Shirlee Kenyon (Dolly Parton) leaves her dead-end life in Arkansas, moves to Chicago, and accidentally gets mistaken for a radio psychologist after walking into the wrong studio. Rather than immediately correcting everyone, Shirlee sits behind the microphone and starts giving callers the kind of plainspoken advice that actually helps. Straight Talk knows exactly why that premise suits Dolly. Of course strangers would call this woman with their problems. Of course she would ignore professional jargon and tell them what they already know but are scared to admit.

The movie gets especially enjoyable once reporter Jack Russell (James Woods) starts investigating the mysterious new radio sensation and discovers that Dr. Shirlee is neither a doctor nor particularly interested in pretending to be sophisticated. Their romance is light, but the radio scenes are the real reason to watch. Shirlee listens to people without treating them like fools, then cuts through their nonsense with a kindness that keeps the advice from sounding cruel. It is basically the screen version of the feeling people have always had about Dolly herself. You suspect she could fix half your problems over coffee, and you would probably thank her after she roasted you.

3

‘The Best Little Whorehouse in Texas’ (1982)

Image via Universal Pictures

Mona Stangley (Dolly Parton) runs the Chicken Ranch, a long-established Texas brothel that has quietly existed with the cooperation of local authorities until crusading television personality Melvin P. Thorpe decides exposing it will be excellent for ratings. The Best Little Whorehouse in Texas turns that fight into a huge, cheerfully bawdy musical where politics, hypocrisy, romance, and show-business spectacle keep bumping into one another.

Mona is exactly the sort of character Parton understands from the inside. She is glamorous without being naïve, sentimental without losing practical sense, and completely aware that the respectable people condemning her establishment are often benefiting from the same arrangement. Her relationship with Sheriff Ed Earl Dodd (Burt Reynolds) gives the movie more feeling than the title promises, especially when their affection runs into the public scandal surrounding the Ranch. Then there is “Hard Candy Christmas,” which lands much harder than anyone expects after all the jokes and dancing. The movie may be broad, but Dolly never lets Mona become one.

2

‘Steel Magnolias’ (1989)

Image via TriStar Pictures

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Truvy Jones (Dolly Parton) runs a Louisiana beauty salon where hair appointments routinely turn into therapy sessions, gossip exchanges, emergency meetings, and unofficial town councils. Steel Magnolias gathers a group of women around Shelby Eatenton (Julia Roberts)’s wedding and follows their friendships through much heavier years than that celebration initially suggests. Truvy may own the salon, but everybody who walks through the door seems to own a piece of the conversation.

Dolly fits into that ensemble so naturally that it is easy to forget how much star power is sitting behind the styling chair. Truvy’s famous line about there being “no such thing as natural beauty” is funny because the entire salon understands the joke, while her sharper observations usually arrive without announcing themselves. The movie belongs to the whole group, especially as Shelby’s health changes the emotional center, and that is part of what makes Dolly so good in it. She never fights for the spotlight. Truvy is simply there with the hairspray, the gossip, and exactly the right thing to say until suddenly you cannot imagine the room without her.

1

‘9 to 5’ (1980)

Image via 20th Century Studios

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Judy Bernly (Jane Fonda) is newly divorced and completely overwhelmed by office life in 9 to 5. Violet Newstead (Lily Tomlin) knows the company better than the men promoted over her. Doralee Rhodes (Dolly Parton) is dealing with coworkers who assume she is sleeping with their sexist boss, Franklin Hart Jr. (Dabney Coleman), because Hart himself has encouraged the rumor. 9 to 5 puts those three frustrations in the same office, gets the women stoned together, lets them fantasize about murdering Hart, and then somehow turns a workplace comedy into a kidnapping plot.

Doralee announcing that she will turn Hart “from a rooster to a hen with one shot” is still glorious because the threat arrives after she has spent far too long tolerating his behavior. From there, the movie lets all three women enjoy taking control of the workplace and discovering that many of the supposedly impossible improvements Hart resisted are completely manageable once he is tied up elsewhere. Flexible hours, childcare, equal treatment, actual respect. The joke keeps exposing how ridiculous the original office was. And then there is the title song, written by Dolly using her acrylic nails to imitate the sound of a typewriter. 9 to 5 is angry, warm, hilarious, ridiculously rewatchable, and still painfully recognizable. If somebody wants to understand why Dolly Parton belonged in movies, start here.

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9 to 5

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Release Date

December 19, 1980

Runtime

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109 Minutes

Director

Colin Higgins

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Writers

Patricia Resnick, Colin Higgins

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