Angel Reese is leaving Chicago behind and stepping into that new, new vibe as she heads to Atlanta. And she’s not only switching teams, but also her look. She debuted her new pixie cut while in New York City for the historic launch of her Victoria’s Secret campaign. Between the new hair and her campaign photos, the fans are loving how Reese is stepping into her next chapter. She said on Tuesday that she’s excited for “A-Town” after her trade to the Atlanta Dream from the Chicago Sky.

RELATED: Queen Treatment Only! Angel Reese Gives Peek Into Romantic Date Night & Fans Are Here For The Energy (VIDEO)

Arrogant Tae Gives Angel A Pixie Look

The dolls in the industry? Beauties in a bussdown? Baddies of the internet? They know Arrogant Tae. “We in Atlanta I buy her a wig, she telling me Tae is the best.” That Tae. Angel Reese’s fans are now giving the stylist 10s again after she debuted her new look. She captioned her IG post on April 7, “Betty Boo,” and posted several photos of her pixie curls. Tae also shared that he styled her hair that same morning. “Something new. I was scared bt it came out cute,” Tae wrote in a video of Angel Reese posing in her new style.

Angel Reese Talks About Atlanta Dream Trade & Life Outside Of Basketball

It’s offseason for Reese, whose headed to Atlanta Dream in May after being traded in her third WNBA season. Despite the change, Reese told PEOPLE on Tuesday that she was “so excited” when she found out. “The team has welcomed me so much, the atmosphere, the culture…I’m so excited to be in A-town.” 

The news of her trade broke on Monday, one day before her Victoria’s Secret campaign launch. She’s the first WNBA player to star in one, ever. After the news, she reportedly told The Atlantic, that she’s grateful to join Atlanta Dream and focused on growing her game, being a top competition, connecting the fans and giving the team everything she’s got!

Meanwhile, the General Manager of Chicago Sky, Jeff Pagliocca, said, per PEOPLE, that trading Reese for two first-round picks was “a great opportunity for all parties” and “designed to achieve roster balance.” She

Right now, she’s the face of Victoria’s Secret new swim and beauty line. She modeled for the launch in Barbados. While down there, she spoke to Elle Magazine about why she’s building her own brand outside of just playing basketball:

“My mom and my grandma always told me basketball is gonna stop one day, so continuing to build my platform was always important. Since I was younger, I’ve always been into fashion. Feel good, look good, play good. That’s always been the mindset for me. Building my own brand, being myself, being super versatile on and off the court, within my clothes or even within my style of play, was really important.”

On Tuesday, in NYC, rocking her black and white suit, and pixie cut,  she told PEOPLE her photos for VS came out “phenomenal.” Adding that the shoot was “so much fun,” even with sandy “in ever place it shouldn’t have been in.

Angel Makes Poses With Her Victoria’s Secret Campaign (PHOTOS)

RELATED: Come Thru, Then! La La Anthony Turns Heads With BOLD New Hair Color (PHOTOS + VIDEO)

This article covers a developing story. Continue to check back with us as we will be adding more information as it becomes available.

This article covers a developing story. Continue to check back with us as we will be adding more information as it becomes available.

The fallout from a shocking moment at the BAFTA Film Awards continues to ripple through the entertainment industry.

After weeks of backlash, the BBC has acknowledged a serious breach of its editorial standards, while insisting the incident was not deliberate.

Now, new details are shedding light on how the mistake happened and why it sparked such widespread outrage.

BAFTA Broadcast Error Sparks Backlash

The controversy began during February’s BAFTA ceremony, when a racial slur was broadcast during a live segment.

The moment occurred as actor Michael B. Jordan and Delroy Lindo presented an award, and filmmaker John Davidson, whose life inspired “I Swear,” involuntarily uttered the word due to Tourette’s syndrome.

Despite the show being aired with a two-hour delay, the slur made it into the final broadcast.

The incident quickly dominated headlines and triggered an avalanche of criticism aimed at both the BBC and BAFTA organizers.

The BBC’s Executive Complaints Unit later confirmed it had received “a large number of complaints” regarding the coverage and upheld those “relating to editorial standards on harm and offense.”

BBC Finds BAFTA Coverage Breached Standards

Following its investigation, the Executive Complaints Unit issued a firm conclusion.

In its report, the body stated, per The Hollywood Reporter, “The ECU found that the inclusion of the n-word in the broadcast (which was also streamed live on iPlayer) was highly offensive, had no editorial justification and represented a breach of the BBC’s editorial standards, but that the breach was unintentional.”

This finding placed the BBC in a difficult position, acknowledging the severity of the mistake while emphasizing that it was not done on purpose.

Former director-general Tim Davie had earlier described the incident as “a genuine error,” pointing to confusion within the editing process as the reason the slur was not removed before broadcast.

BAFTA Editing Mix Up Explained By BBC

BBC chief content officer Kate Phillips offered further insight into what went wrong behind the scenes.

According to her, the production team simply did not catch the moment in real time.

She explained that the team “did not hear the n-word at the time it was said and therefore no decision was taken to leave the word within the broadcast. The ECU accepted this was a genuine mistake,” noting that the crew did remove another instance of the same word during editing.

Phillips added that this was done “especially as the team did correctly identify and edit out a subsequent use of the same word, in line with the protocols that were agreed in advance of the event regarding offensive and unacceptable language.”

The explanation suggests that the issue was not a lack of safeguards, but rather a failure in execution at a critical moment.

BAFTA Streaming Delay Adds To Controversy

While the initial broadcast raised concerns, the decision to keep the unedited version available online intensified the backlash. The ECU did not hold back in its criticism of that choice.

It described the delay in removing the footage as a “serious mistake” and concluded that “The fact that the unedited recording remained available for so long aggravated the offense caused by the inadvertent inclusion of the n-word in the broadcast.”

Kate Phillips also addressed the delay, stating, “There was a lack of clarity among the team present at the event as to whether the word was audible on the recording. This resulted in there being a delay before the decision was taken to remove the recording from iPlayer.”

The extended availability of the footage became a key factor in prolonging public outrage, raising questions about internal communication and crisis response.

Industry Reaction And Calls For Change

The controversy did not end with the investigation. It sparked a broader conversation about responsibility, representation, and awareness, particularly regarding Tourette’s syndrome and how such situations should be handled.

Kate Phillips acknowledged the need for improvement, stating that the corporation “must learn from our mistakes and ensure our processes are as robust as they can be.”

She added that steps are already being taken to strengthen live production workflows, event planning, and content removal systems.

In the aftermath, Phillips also personally reached out to those affected, including Lindo, Jordan, actress Wunmi Mosaku, and John Davidson himself.

For his part, Davidson expressed remorse, saying he was “deeply mortified” if anyone believed his tics were “intentional.”

If you’re disappointed in the comedy offerings coming out of Hollywood these days, you’re not alone.

The Naked Gun (2025) was the first genuinely great comedy movie in ages. There are so few genuinely funny comedy movies made in recent years that you might have already forgotten about the ones that are actually good.

But there are some shining stars amidst a sea of garbage, and Watch With Us is here to guide you to them,

We’ve put together a list of four great recent comedy movies that you’d do well to remember — and revisit.

‘Hubie Halloween’ (2020)

Good-natured but dimwitted Hubie Dubois (Adam Sandler) is Salem, Massachusetts’ resident community volunteer, but frequently finds himself the butt of bullying and practical jokes due to his annoying behavior and personality. Despite this, Hubie maintains his positivity and devotion to his hometown, especially as his favorite holiday, Halloween, rounds the bend in the historic city. But when a criminal starts kidnapping the citizens of Salem on Halloween Night, it’s up to Hubie to use his intimate town knowledge and multi-faceted “Swiss Army Thermos” to catch the culprit — much to the chagrin of local police sergeant Steve Downey (Kevin James).

After Sandler blew the world away with his performance as Howard Ratner in Uncut Gems, he got right back down to business, portraying an eccentric goofball with a stupid voice in Hubie Halloween. While the film might not convert any Sandler naysayers, it’s an incredibly charming, entertaining and silly movie that fully embraces “Halloween Vibes” (thus being a must-watch for the holiday). The film also has some surprisingly decadent production design, going all-out on the spooky decor and garish lighting to bring some color to a Netflix original for once.

‘Bad Trip’ (2021)

This prank movie starring Eric André, Lil Rel Howery and Tiffany Haddish follows André’s character Chris, a small-town Florida car-washer who encounters his high school crush, Maria (Michaela Conlin), by chance. After an embarrassing incident in which his car vacuum sucks all his clothes off, Maria leaves without him getting her number. One year later, Chris runs into Maria, who tells him she works in New York City and gives him her phone number. Accompanied by his friend Bud (Howery), Chris decides to road trip to New York to get the girl of his dreams — while also being pursued by Bud’s mentally unstable sister, Trina (Haddish).

Bad Trip takes the hidden camera prank comedy of something like Jackass and manages to give it an entire, feature-length narrative, and it actually works. André — who broke out with his late-night variety show The Eric André Show, which frequently employed hidden camera pranks and stunts — is at the top of his game in this fantastic comedy, showcasing plenty of pranks that oscillate between the funniest thing you’ve ever seen and the grossest thing you’ve ever seen. But André manages to elevate the movie even further by giving it a surprising sense of heart.

‘Never Goin’ Back’ (2018)

Best friends and high school dropouts Angela (Maia Mitchell) and Jessie (Camila Morrone) spend their humdrum days in South Texas working as waitresses and wishing for something better. Angela decides to surprise Jessie with a trip to Galveston for Jessie’s birthday, though the girls have to put their rent money towards the trip and work extra hours to make up for it. But when Jessie’s older brother and both girls’ roommate, Dustin (Joel Allen), loses their money in a failed drug sale, they find themselves wrapped up in an increasingly chaotic and absurd series of events in order to get their money back.

Never Goin’ Back is the female-fronted stoner comedy you never knew you needed. While the plot isn’t the densest thing you’ll ever see, the film has a particularly buoyant and free-wheeling tone that makes the ridiculous journey you take with these characters still feel satisfying. The authentic chemistry between Mitchell and Morrone also helps to elevate the material, and the two young actresses sport a totally effortless command of comedic dialogue. Overall, Never Goin’ Back is both a solidly funny film and a warm-hearted coming-of-age movie.

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‘The Beach Bum’ (2019)

Moondog (Matthew McConaughey) is a substance-abusing poet from the Florida Keys whose only mission in life is to have a good time — even though he’s also a father and husband. While his daughter, Heather (Stefania LaVie Owen), just wishes her dad would grow up, his wife, Minnie (Isla Fisher), manages to love Moondog for exactly who he is. But when a close personal tragedy strikes, Moondog’s relaxed lifestyle is suddenly upended. In addition to finishing writing the novel he’s been struggling to get through, he also battles sobriety and winning his daughter’s respect.

Related: 6 Must-Watch Comedy Movies on Hulu Right Now (March 2026)

A pair of classic comedy movies has come home to Hulu, and they’re both better than many of the modern comedies in theaters. There’s Something About Mary may be pushing 30, but this is one gross-out rom-com that never seems to get old. Thank You! You have successfully subscribed. Subscribe to newsletters Enter your email […]

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This synopsis actually makes The Beach Bum sound like it has more of a plot than it really does. In reality, the film is a hedonistic, shaggy-dog mosaic of cacophonous and indulgent pleasures with the occasional sharp relief of reality — the good times have to come to an end eventually, after all. McConaughey is given the role he was born to play in Moondog, and his performance is altogether deeply hilarious, totally natural and charmingly chaotic. The film is ultimately an utterly unique experience, couched by some brilliant visuals and a sweet-natured message.

By Britta DeVore
| Published 1 minute ago

We’re so incredibly used to having every piece of media at our fingertips, with streamers like Netflix offering copious amounts of TV shows and movies for the price of a subscription. Still, some titles haven’t made it to streaming platforms. In an era where fewer than fifty percent of households have access to a DVD or Blu-Ray player, that means they can’t be watched. And if a movie can’t be watched, it will be forgotten.

That’s exactly what’s happening to City of Ember, the 2008 steampunk fantasy movie. Despite a star-studded cast led by Bill Murray, the movie isn’t available to stream anywhere except as an extremely pricey rental on Apple TV. It’s worth paying that price to see.

The film, which is based on Jeanne DuPrau’s 2003 novel, The City of Ember, is a fantasy lover’s dream as it takes audiences underground to the titular city. Running on a generator that has served its purpose for more than a century, time is running out, and with it, the lights within the deep cave start to dim and flicker.

Taking matters into their own hands and seeing themselves as the city’s only hope at restoring light to even its darkest corners, two teenagers, Lina Mayfleet (Saoirse Ronan) and Doon Harrow (Harry Treadaway) go on a dangerous yet exciting journey to turn the lights back on for good.

After having earned an Oscar nod for her work in Atonement, City of Ember was another pivotal stepping stone in Saoirse Ronan’s career, which would ultimately lead her to earn three more Academy Award nominations and heaps of accolades for her work in such projects as Brooklyn, Lady Bird, and Little Women. The casting team behind the fantastical tale’s on-screen adaptation was on their A-game for this one, as they also nabbed names including Bill Murray (Lost in Translation) and Tim Robbins (The Shawshank Redemption).

Just as it was a pivotal career moment for its star Saoirse Ronan, City of Ember was a similarly huge moment for director Gil Kenan. Two years earlier, Kenan had paired up with Columbia Pictures for the animated horror flick, Monster House, giving him the preparation and connections needed to jump into live-action filmmaking with City of Ember.

From there, Kenan’s hold on Hollywood continued to expand with the helmer attaching himself to the 2015 remake of the horror classic Poltergeist, the holiday fantasy flick, A Boy Called Christmas, and, most recently, Ghostbusters: Frozen Empire.

City Of Ember’s Box Office Disaster

Unfortunately for Kenan’s first live-action film, all the big names around (which included Tom Hanks and Gary Goetzman as producers) couldn’t save the production from being a financial disaster. Despite making a concerted effort to time the movie’s release shortly after the final book of DuPrau’s series hit shelves, City of Ember couldn’t keep the lights on at the box office. After spending $55 million on the feature’s production, the movie would only rake in $17.0 million, marking it as a gargantuan box office bust.

City of Ember didn’t bomb because it was terrible; it bombed because no one knew what it was supposed to be. Released in 2008 with a modest budget and almost no marketing push, the film suffered from a complete identity crisis. It looked like a kids’ movie, played like a dystopian thriller, and was based on a book that didn’t have the built-in audience studios were hoping for.

Saoirse Ronan wasn’t a box office draw, and the rest of the cast, while solid, didn’t give audiences a reason to show up opening weekend. Add in a dark, grim visual tone that undercut its family appeal and a release window crowded with bigger, louder competition, and City of Ember simply got buried,one of those cases where a decent movie disappears because the studio never figured out how to sell it.

Why The Critics Got It Wrong

Critically, City of Ember landed in that frustrating middle ground; reviewers generally agreed it was well-made, but not compelling enough to matter. But those critics judged it for what it wasn’t instead of recognizing what it actually was.

Reviews knocked it for being “low-stakes” and too simple, but that restraint is the point; the film isn’t trying to be a bombastic dystopian spectacle, it’s a slow-burn mystery about decay, curiosity, and survival. What critics labeled as thin plotting is really deliberate minimalism, allowing the world itself to carry the tension.

The production design wasn’t just impressive; it was the movie, creating a lived-in, dying civilization that most bigger-budget films fail to achieve. And Saoirse Ronan anchors it with a grounded, human performance that fits the story’s scale perfectly. City of Ember was sincere, patient, and visually rich, qualities critics mistook for weakness when they were actually the film’s biggest strengths.

Why You Can’t Watch City Of Ember

Unfortunately, with weak box office and middling reviews, making City of Ember available on streaming hasn’t been a priority for anyone. It’s not available on any major streaming service.

Currently, the only way to stream City of Ember is via Apple TV, where you have to pay an exorbitant on-demand fee. If you haven’t seen it yet, pay up and watch before it’s gone.

Ari Fletcher has shown off a massive new ring, and some internet users can’t stop mentioning G Herbo and Taina Williams.

RELATED: Disgusting! Emmy Wright Has The Internet IN TEARS Over Her Reaction To Taina Williams & Asia Carter’s Toilet Prank (WATCH)

Ari Fletcher Shows Off Massive New Ring

During the early hours of Wednesday, April 8, Ari Fletcher took to her Instagram Story to share a clip of her showing off her hand candy. Furthermore, on the apparent ring finger of her left hand, Fletcher donned a massive two-stone diamond ring. Additionally, on her wrist appeared to be a chunky diamond bracelet, and an Audemars Piguet wristwatch.

Lastly, Fletcher added Toni Braxton’s ‘I Love Me Some Him’ as background audio for the clip, seemingly signaling that her massive ice was a gift from Moneybagg Yo.

Some Internet Users Are Mentioning G Herbo & Taina Williams

Internet users entered TSR’s comment section, reacting to the clip of Ari Fletcher’s massive new ring. Furthermore, some couldn’t stop mentioning G Herbo and Taina Williams.

Here’s Why Some Internet Users Are Mentioning G Herbo & Taina Williams Following Ari Fletcher’s Ring Post

Some internet users are mentioning G Herbo and Taina Williams following Ari Fletcher’s post about her ring, because the engaged couple is currently vacationing in the Dominican Republic. As The Shade Room previously reported, last week, Williams celebrated her 28th birthday, and G Herbo apparently went all out planning the international trip.

Since then, the couple has turned heads and melted hearts, sharing intimate and humorous moments from their trip.

RELATED: Twenty ATE! Taina Williams Gags Fans With NEW Look Amid G Herbo’s Sweet Birthday Shoutout (PHOTOS)

Model and televison personality Kamie Crawford joined MTV’s “Catfish” in 2018 as a guest cohost alongside Nev Schulman. After that, she became a permanent fixture on the show following Max Joseph‘s exit. Years later, in 2025, it was confirmed that MTV had canceled the series, and Crawford’s name was omitted from the lengthy announcement made by the two original hosts.

Now, she’s opening up and sharing her thoughts on the omission in a new interview after previously hinting at tension in their relationship.

Kamie Crawford Wasn’t Surprised By Nev Schulman’s ‘Catfish’ Shade

Crawford appeared on the “What It’s Really Like” podcast with Molly Burke in April 2026. During the conversation, the former “Catfish” cohost was asked why she thinks Schulman failed to mention her in the announcement about the show’s cancellation.

Before answering, the 33-year-old noted that the host had found the question that she “wouldn’t want to answer.” After thinking for a bit, she said, “That is the question. I just think that [he] probably didn’t want to do it. Like I think he just didn’t want to, which kind of is what it is.”

The Former ‘Catfish’ Host Says She Didn’t Expect To Be Mentioned

Crawford continued reflecting on being essentially left out of the final goodbye for “Castfish” by Schulman. According to her, “What’s interesting, though, is that everyone expected for him to acknowledge me because I had been on the show for so long.”

Crawford went on, “But I didn’t expect to be acknowledged at all. If I would have heard my name, I think that would have come as more of a shock based off of experiences that I had.”

From there, the podcast’s host then suggested that the relationship that they had off camera didn’t match what the fans saw, noting that Crawford “did her job well on camera.” She responded, “I did my job very, very well.” The two then noted that Schulman thanked everyone else involved in the show.

Fans Agree Nev Schulman Should Have Mentioned Crawford

“Catfish” ran on MTV for 9 seasons, with over 100 episodes featuring Crawford as the cohost. Given her lengthy tenure on the show, fans agree it would have been fitting for Schulman to mention her. One fan on TikTok said, “Nev was wack for excluding Kamie! No matter what drama they had, he showed his heart.”

Someone else wrote, “Now this is tea, would have never guessed that they had beef.” Another TikTok user said, “Oh, honey, Kamie is an ACTRESS, we really thought they were friends.”

Lastly, another “Catfish” fan stated, “I honestly loved Kamie on ‘Catfish’ so much, she did not play. And it was nice for her to be there as a woman for other women, if that makes sense.”

Nev Issued His Statement In September 2025

Variety reported in September 2025 that MTV had decided to cancel “Catfish.” Following the report, Schulman and Joseph took to social media to confirm and to issue their remarks as the original hosts of the show.

Schulman began, “After 12 years, almost 300 episodes, and just a lot of traveling, a lot of phone calls, a lot of FaceTimes, ‘Catfish’ has officially been canceled.” From there, Josephs joked that maybe the show is “just on pause” as he had been attempting to return before the announcement. Notably, Crawford had departed the series in 2024.

Throughout the video, both men reflected on the “incredible” journey of “Catfish” and thanked the crew. However, there was no mention of Crawford, who had become a fan-favorite during her tenure on the show.

However, it is important to note that he left a comment on the TikTok video, saying, “And a HUGE THANKS to Kamie of course!!!”

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Kamie Discussed Her Relationship With Nev In 2025

Crawford attended the Webbie Awards in early May 2025. While there, she spoke to E! News and was asked if she had maintained contact with Schulman since leaving “Catfish.” Notably, the interview took place after news of the show having been canceled.

She said, “We are not. But I’m still in contact with a lot of the people from the show. The Catfishes included, so I am very, very happy.”

Crawford then gave an update on her life, saying, “I feel amazing, honestly. I feel like there’s so much more ahead for me. And being on ‘Catfish’ for six years was an incredible experience. I wouldn’t trade it for anything in the world. I’m so proud of everything that we did on the show. But I’m really excited to start producing my own projects and put my name behind my projects as more than just a host.”

By Robert Scucci
| Published 22 seconds ago

I’m a huge Stephen King fan, but I’m not necessarily a superfan of anything or anyone. As a result, my personal headcanon is scattered at best, and until we invent a machine that lets me enjoy more hours per day, I plan to operate on this level for the foreseeable future. That is all to say that while I thoroughly enjoyed the 2017 Netflix Original adaptation of his novella 1922, I can’t tell you how faithful the movie is to its source material.

What I can tell you, however, is that writer-director Zak Hilditch is a master at generating suspense for a story that has no mystery. 1922 isn’t about a murder its protagonist is about to commit. It’s about the murder he already carried out, and the guilt that consumes him from the inside out as he slowly loses his sanity while recounting the events that transpired.

Wilfred, Henry … And Arlette For A Few Minutes

1922 boasts a barebones plot because it’s more concerned with the guilt and shame that eat away at a man’s sanity after committing an unspeakable act. The act in question is the murder of Arlette Winters James (Molly Parker), committed by Wilfred “Wilf” James (Thomas Jane), with the help of his 14-year-old son, Henry (Dylan Schmid).

The short version is that Wilf owns 80 acres of Nebraska farmland that he wants to hold onto for his family for generations. Arlette owns an additional adjoining 100 acres that she inherited from her father, and she wants to sell the property so she can move to Omaha and live out her dream of becoming a dressmaker. The problem is that if she sells to the livestock company that’s interested, Wilf won’t be able to make a living or maintain the legacy he wants to pass down to Henry.

Refusing to entertain any sale, Wilf rejects the idea outright, prompting Arlette to begin divorce proceedings. She plans to bleed him dry with legal fees and move to the city with Henry anyway, so Wilf doesn’t feel like he has a lot of options. What he does have is influence over his son, who’s reluctant to leave because he’s in love with the neighbor girl, Shannon Cotterie (Kaitlyn Bernard).

Wilf convinces Henry that the only way to stop the land from being sold and the family from being torn apart is to kill Arlette. And they do. Henry reluctantly covers his mother’s face while she sleeps, and Wilf slits her throat. They spend the next day cleaning up the crime scene and dump her body in a dry well near the house. What Wilf doesn’t anticipate is how this act will come back to haunt him and destroy everything he thought he was protecting. Not a supernatural curse, but one born entirely from guilt.

You Can Take This One Literally

There’s no need for deep symbolism in 1922 because the premise is already doing the work. The movie opens with Wilf writing a confession letter to an unknown recipient. There’s no suspense leading up to the murder because it’s inevitable. He tells you what he did, and then the film shows you how it happened.

There are no traditional ghouls or specters, but Wilf is clearly haunted. He sees apparitions of his wife’s corpse, especially when he hits the bottle too hard. The well where he dumped her body has a direct path to the house, and the rats that feed on her remains eventually invade his home, serving as a constant, physical reminder of what he’s done.

Henry doesn’t fare any better. Though he was manipulated into helping murder his mother, he’s immediately shaken by his actions. He leaves the farm with Shannon to start a new life, but that life quickly spirals into reckless decisions and petty crime. Wilf killed his wife to keep the family together (in his warped logic), and still manages to lose everything.

That’s what 1922 is really about. Wilf technically gets away with murder, but he can’t live with it. He destroys everything he claims to stand for, and the guilt eats away at him piece by piece. The rats aren’t just a gross detail, they’re a constant reminder that there’s no escaping what he’s done.It’s a slow-burn descent into madness that’s meant to make you extremely uncomfortable, and Zak Hilditch delivers on that promise.

One of the better Stephen King adaptations in recent memory, 1922 gets under your skin and stays there. If this is your idea of unwinding after a long day, it’s waiting for you on Netflix whenever you’ve got the stomach for it.

Just hours after being barred from entering the UK and seeing a major festival collapse around him, Kanye West appeared unfazed.

The controversial star stepped out in Los Angeles with a smile, turning a night of backlash into an unexpected performance moment that has left fans, critics, and industry insiders questioning what comes next.

Kanye West Appears Unbothered Amid Fallout

Despite the storm surrounding him, Kanye West showed little sign of distress as he made a surprise appearance at The Lab at Hollywood Improv in Los Angeles.

The 48-year-old rapper took to the stage alongside actor Deon Cole and comedian Ocean Glapion, participating in an improvised set that quickly drew attention online.

Observers noted that West appeared relaxed and even cheerful, a stark contrast to the intense backlash unfolding overseas.

According to the Daily Mail, he was praised as the “modern day Michael Jackson,” during the performance, highlighting how his artistic influence continues to spark admiration even amid controversy.

Glapion later reflected on the night via Instagram, writing, “Last night was one of the most amazing and memorable nights! Got to be on stage with 2 legends!!!”

Fans’ reactions to the post was divided. While some fans continue to support the rapper, others have voiced strong opposition.

One commenter wrote, “We shouldn’t normalize someone who sold swastika T-shirts and called himself a Nazi…”

Another added, “I hope he finds his mental health, peace, and love… but he apologized right before dropping an album and trying to book concerts.”

West Ban Sparks Festival Collapse

The timing of West’s appearance raised eyebrows, coming just hours after UK authorities denied him entry into the country.

The Home Office revoked his electronic travel authorization, stating that his presence would “not be conducive to the public good.”

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That decision triggered immediate consequences. Wireless Festival, which had announced West as its headline act, was abruptly canceled.

Organizers confirmed the news in a statement, saying, “The Home Office has withdrawn Ye’s ETA (electronic travel authorization), denying him entry into the United Kingdom.”

They continued, “As a result, Wireless Festival is canceled, and refunds will be issued to all ticket-holders.”

The fallout was swift and widespread, with all promotional content for the event disappearing almost instantly.

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What had been expected to be one of the summer’s biggest music events quickly turned into a cautionary tale.

Kanye West Controversy Draws Strong Reactions

The controversy surrounding Kanye West has been building for months, with critics pointing to past remarks and actions that have drawn widespread condemnation. British Prime Minister Sir Keir Starmer publicly addressed the situation, making his position clear.

He said, “Kanye West should never have been invited to headline Wireless. This Government stands firmly with the Jewish community and we will not stop in our fight to confront and defeat the poison of antisemitism. We will always take the action necessary to protect the public and uphold our values.”

Jewish advocacy groups also weighed in. The Community Security Trust described the government’s move as “a sensible outcome,” emphasizing that “Anti-Jewish hatred should have no place in society.”

Meanwhile, the Campaign Against Antisemitism said officials made “the right decision,” noting that West “would not be conducive to the public good.”

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Phil Rosenberg, president of the Board of Deputies of British Jews, echoed the call for accountability, stating, “The Jewish community will want to see a genuine remorse and change.”

Organizers Defend Booking Decision

As a result of the Home Office banning YE from entering the United Kingdom, Wireless Festival has been forced to cancel.

All ticket holders will recieve an automatic full refund. pic.twitter.com/nNCqUXNU6t

— Wireless Festival (@WirelessFest) April 7, 2026

As criticism intensified, Wireless organizers attempted to explain how the booking came together.

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In their statement, they emphasized that planning had followed standard procedures.

“As with every Wireless Festival, multiple stakeholders were consulted in advance of booking Ye and no concerns were highlighted at the time,” they said.

They also acknowledged the broader impact of the situation, adding, “Anti-semitism in all its forms is abhorrent, and we recognize the real and personal impact these issues have had.”

Despite the cancellation, organizers hinted at a possible path forward for dialogue, noting that West “still hopes to be given the opportunity to begin a conversation with the Jewish community in the UK.”

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Kanye West Called For Dialogue Before Ban

Before the government intervened, Kanye West had already attempted to address the growing controversy.

In a statement, he expressed a desire to engage directly with those affected by his past remarks.

“I’ve been following the conversation around Wireless and want to address it directly,” he said.

West added per The Blast, “My only goal is to come to London and present a show of change, bringing unity, peace, and love through my music.”

He continued by emphasizing his willingness to listen, noting, “I would be grateful for the opportunity to meet with members of the Jewish community in the UK in person, to listen.”

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Acknowledging that words alone might not be enough, he added, “I know words aren’t enough – I’ll have to show change through my actions. If you’re open, I’m here.”

Despite these efforts, the decision to block his entry ultimately stood, leaving his proposed return to the UK unrealized.