London-based Mozart AI has raised $6 million in an oversubscribed seed funding round led by Balderton Capital, as the startup looks to reshape how music is created in the age of artificial intelligence.

The fundraise follows a $1.1 million pre-seed round completed last summer, taking Mozart AI’s total funding to more than $7 million. The latest investment coincides with the launch of the company’s long-awaited mobile app and comes amid rapid early traction for its AI-powered “Generative Audio Workstation”.

Mozart AI is positioning itself as a creator-first alternative to legacy digital audio workstations, many of which have dominated music production since the 1990s. Its platform is designed to support everyone from professional producers refining chart-ready releases to bedroom musicians creating and sharing their first tracks online.

The company says more than 100,000 users signed up within two months of its beta launch in September, with over one million songs already created. Artists using the platform include producers and collaborators linked to A$AP Rocky, Avicii and Kodak Black, while some tracks created using the software have already surpassed 10 million streams on Spotify.

Alongside Balderton, the seed round attracted participation from Mercuri, EWOR and a group of high-profile angel investors including Eventbrite co-founder Kevin Hartz, Oscar-winning director Charles Ferguson and Frame.io founder Emery Wells.

The funding will be used to expand Mozart AI’s team, further develop its core technology and build on the viral momentum generated by its beta launch, ahead of a full public release.

Built by musicians, the platform combines traditional digital audio workstation functionality with AI-driven tools that assist rather than replace the creative process. Users can create music from scratch with AI support or generate tracks using prompt-driven “agentic” workflows.

Features include context-aware stem generation, real-time suggestions for MIDI progressions and drums, synth and effects creation, and the ability to remix sounds into new styles. Time-consuming production tasks such as quantisation and time stretching are handled automatically, while built-in video tools allow users to create and share music videos directly to social platforms.

Crucially, Mozart AI says artists retain full copyright over their work. The platform is built on commercially cleared third-party generative models, including those from ElevenLabs, which are trained exclusively on licensed material, enabling users to release and monetise their music without legal uncertainty.

Sundar Arvind, chief executive and co-founder of Mozart AI, said the company’s aim was to remove technical barriers without diluting artistic control. “Far from replacing creativity, AI is levelling up the adrenaline-filled process through which musicians compose and discover the right sounds,” he said. “We’re building toward a world where a spark of creativity can be turned into a release-ready, monetisable song in minutes.”

Industry figures echoed that sentiment. Ash Pournori, songwriter and former manager of Avicii, said the most successful AI music platforms would be those that empower rather than threaten artists. Meanwhile Umair Ali, producer for Kodak Black and Lil Baby, described Mozart AI as “an always-on sketchpad” that accelerates ideation without flattening the creative process.

Daniel Waterhouse, general partner at Balderton Capital, said the investment reflected a belief that AI tools must work with musicians, not against them. “Mozart AI enables artists to spend more time experimenting and iterating on ideas, rather than wrestling with clunky legacy software,” he said.

Founded by a team that blends musical and technical expertise, Mozart AI has moved from concept to premium product in less than a year. With fresh funding secured and a growing user base, the company is now betting that its artist-led vision can help define the next generation of music technology.

Amy Ingham

Amy is a newly qualified journalist specialising in business journalism at Business Matters with responsibility for news content for what is now the UK’s largest print and online source of current business news.