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There has never been a film critic quite like Roger Ebert from the Chicago Sun-Times. Perhaps the most famous man who’s ever exercised the profession, Ebert was someone whose opinions were founded on the sharpest, most profound knowledge of cinema history. As such, when talking about the films that Ebert considered the greatest of all time, all cinephiles should give themselves the time to check them out at least once in their lives.
Extrapolating the films that Ebert considered the greatest of all time isn’t an endeavor entirely stripped from subjectivity, since there were multiple movies that the director talked about in his Great Movies list and his many submissions to the decennial Sight and Sound Poll of the Greatest Films of All Time. But when looking at the tremendous praise he had for masterpieces both modern (like The Tree of Life) and much older (like The General), one can conclude on a list of ten films that Ebert would very likely have no complaints about calling the best ever made.
Due to his artsy, slow-burning cinema, Terrence Malick can sometimes be a bit of an acquired taste, and boy was that taste acquired by Roger Ebert. The director typically loved Malick’s work, but no film more than what most would agree is the director’s magnum opus: The Tree of Life. It’s certainly a challenging film, but one so beautiful and philosophically profound that it’s no wonder Ebert loved it as much as he did.
In his write-up talking about his submission for the 2012 Sight and Sound poll (the last one he ever participated in, one year before his passing), the critic said that he had to include one 21st-century film. Though he was split between this and Charlie Kaufman‘s Synecdoche, New York, he opted for Malick’s masterpiece due to its being “more affirmative and hopeful.” In his review, he called it “a film of vast ambition and deep humility,” comparing its “boldness of vision” to Stanley Kubrick‘s 2001: A Space Odyssey. Ebert loved the film for its scale, its intimacy, and the fact that it’s one of the most visually stunning movies of the last 25 years.
Ebert frequently cited Martin Scorsese as his favorite filmmaker of all time, and as such, no conversation about which movies the critic considered the best ever made could possibly be complete without at least a mention of Scorsese. As it happened, it was Raging Bull, Scorsese’s visceral biopic about American boxer Jake LaMotta, that Ebert favored over all other Scorsese gems.
It’s no wonder, since Raging Bull is one of the definitive masterpieces of the 1980s. Ebert once called it Scorsese’s Othello, “the greatest cinematic expression of the torture of jealousy.” In his review of the film, the critic praised Robert De Niro‘s career-defining performance, Paul Schrader‘s stunning script, and Scorsese’s deeply personal direction. Scorsese has gone into detail several times about how the film saved his life, and that undoubtedly contributed to Ebert’s profound admiration for it.
In his 2012 write-up for the Sight and Sound poll, Ebert mentioned that he felt like he needed to include a silent film, and there’s very little doubt one can notice in his tone when he points to Buster Keaton‘s The General. Indeed, it is generally regarded as one of the best silent movies of all time, the masterful work of one of the greatest minds that has ever graced cinematic comedy.
In his review of the movie, Ebert first addressed the elephant in the room and said that Keaton’s “best movies have aged better than those of his rival, Charlie Chaplin.” Following that bold statement, he praised the movie’s “graceful perfection,” exploring what makes Keaton so timeless and The General so iconic. It’s a hilarious film with its star at his very best, and a must-see for all those who love movies that make them laugh.
His oeuvre has its fair share of stumbles, but it would be silly to deny that Francis Ford Coppola is one of the greatest, most important, and most groundbreaking directors in Hollywood history. He made not just one, but arguably several of the most ambitious movies of the 20th century. Still, very few films in general—let alone Coppola films—have ever been more ambitious than the Vietnam War epic Apocalypse Now.
It’s a hellishly gut-wrenching film, and Ebert held it in absurdly high esteem. In his review, he called it “one of the key films of the century,” expressing admiration for the abundance of unforgettable sequences, the killer soundtrack, the stunning visuals, and the award-worthy performances. Some war films are criticized for glamorizing or romanticizing war, but Apocalypse Now is one of those masterworks that take the “war is Hell” themes to unprecedented heights.
Alfred Hitchcock, the Master of Suspense, was another director for whom Ebert always held a deep admiration. No conversation with the critic about the best films of all time would have ever been complete without talking about Hitchcock. As such, it’s no wonder that Ebert’s known Sight and Sound submissions always included a Hitchcock outing.
For a while, it was Notorious that was on Ebert’s list, but for his 2002 submission, the critic switched to Vertigo, saying it was “the better of two nearly perfect films.” It is, indeed, one of the most perfect classics with complex storytelling and a true gem of cinema. In his review, Ebert called Vertigo Hitchcock’s “most confessional” movie, “dealing directly with the themes that controlled his art.” He expressed admiration over the film’s performances and visuals, but also the way it—either consciously or subconsciously—functions as a deep-dive into Hitchcock’s view and control of women.
Many would call Stanley Kubrick the greatest filmmaker who ever lived. Ebert might not have gone for that particular superlative, but in the obituary he wrote for Kubrick, he did call him “one of the greatest of film directors, and perhaps the most independent and self-contained,” so it’s really not that far off. Of Kubrick’s many vastly acclaimed masterpieces, most critics—Ebert included—would point to 2001: A Space Odyssey as the director’s magnum opus.
A millennia-spanning epic that deals with human nature in a way that no other sci-fi film has before or has since.
It’s far and away one of the most ambitious sci-fi masterpieces of all time, a millennia-spanning epic that deals with human nature in a way that no other sci-fi film has before or has since. Ebert said it was “a great visionary leap, unsurpassed in its vision of man and the universe,” and in his review, he called it “the work of an artist so sublimely confident that he doesn’t include a single shot simply to keep our attention.” Ebert was a big fan of the music, the infinitely analyzable ending, and Kubrick’s unrestrained vision.
Like any great film critic, Ebert was well-versed in overseas cinema almost just as much as he was in American cinema, and there were few international film industries that he was fonder of than Japan’s. The great master Yasujirō Ozu was an auteur that Ebert particularly admired, and Floating Weeds was the critic’s favorite Ozu gem.
A remake of Ozu’s own 1934 black-and-white silent film A Story of Floating Weeds, Floating Weeds is a true masterpiece, with Ebert considering it a film of “hypnotic visual beauty” in his list of the greatest motion pictures ever made. In his review, the critic praised Ozu as “the quietest and gentlest of directors,” and he said that Floating Weeds was beautifully familiar, atmospheric, and naturalistic.
There have been many excellent Italian filmmakers throughout history, but none have ever quite lived up to how legendary Federico Fellini was, and how exceptional the legacy he left behind has remained over the years. La Dolce Vita is generally regarded as his best movie, one of the most perfectly-written epics ever made, and Ebert certainly wouldn’t have disagreed.
In his 2012 Sight and Sound write-up, the critic said that La Dolce Vita had become a touchstone in his life, which makes it unsurprising that he thought it was one of the greatest motion pictures in history. In his review, Ebert expressed admiration for the way the movie “leaps from one visual extravaganza to another,” as well as for the excellent performances and Fellini’s energetic direction.
Perhaps the most romantic Hollywood picture ever made, Casablanca was a smash hit upon release whose success surprised even those involved in its production. Today, it’s such a mainstream classic that its perfection hardly surprises anyone. Ebert certainly considered it one of the most perfect World War II movies ever, and for good reason.
When he wrote about the ten greatest films ever made, Ebert said that even though the romance, the humor, and the intrigue at the heart of Casablanca were masterful, it was its enthralling characters that really made it so special and timeless. In his review, the critic said that even “seeing the film over and over again, year after year, [he found] it never grows over-familiar,” and that’s probably why this has never ceased to be the huge classic it’s always been.
When he wrote about the ten greatest films ever, and he inevitably got to the topic of Orson Welles‘ Citizen Kane, Ebert reminisced about a recent university screening he had attended, where the film was analyzed shot-by-shot. He said, “We took 10 hours and really looked at this film, which is routinely named the best film of all time, almost by default, in list after list. Maybe it is. It’s some movie.” That maybe it is, from a critic of Ebert’s caliber, may just be the biggest snippet of praise any film could ever aspire to.
It’s well-deserved praise, too. Citizen Kane is undoubtedly, at the very least, one of the best movies of the 20th century. It’s almost unbelievable that it was Welles’ cinematic debut both as a director and as an actor (not counting two previous credits as a narrator), and Ebert made sure to take note of that in his review of the movie. He praised the film’s structure, writing, and “bravura visual moments,” making it clear why he probably thought this was the greatest film ever made.
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The “19 Kids and Counting” star was arrested in March 2026 on child molestation charges.
Actress Nicola Peltz is offering a glimpse into her husband Brooklyn Beckham‘s bond with her family. The latter has an ongoing rift with his parents, David and Victoria Beckham, and has seemingly found comfort and support in his wife’s parents and siblings.

In an interview with ELLE Spain published on March 20, Peltz shared how her husband, Beckham, fits into the Peltz’s lives. The actress said her parents, billionaire businessman Nelson Peltz and former model Claudia Heffner Peltz, treat Beckham like “another son.”
Peltz, who has six brothers, added that Bekcham also had a good relationship with his brothers. “He gets along really well with my brothers. They play soccer together a lot,” she shared.
In February, as reported by The Blast, Peltz’s father, Nelson, was asked about the ongoing tensions between Beckham and his parents. He said he advised the couple to “stay the hell out of the press” but didn’t elaborate further, saying instead, “I’ll tell you my daughter’s great, my son-in-law Brooklyn, is great, and I look forward to them having a long, happy marriage together.”

Peltz said that she and Beckham crossed paths before, but never got to talking until years later at a Halloween party. According to the actress, Beckham was “staring” at her when she arrived, and they got to know each other.
Beckham was in Los Angeles at that time for 10 days, and as Peltz shared, she didn’t typically stay out late at night, preferring to sleep early. At that time, however, she ignored her habit and instead spent time with Beckham. “We were together until 10 in the morning, driving around the city, exploring… We made excuses not to be apart.”
Peltz told her mother about staying out late, and she told her, “If you’ve stayed up this late, he’s the one.”
Peltz and Beckham began dating in 2019. Eight months into their relationship, Beckham proposed, announcing their engagement on Instagram, writing, “I am the luckiest man in the world. I promise to be the best husband and the best daddy one day.”
The couple got married in a star-studded ceremony in 2022. The wedding was at the Peltz’s family estate in Palm Beach, Florida, and they celebrated with almost 600 guests, as reported by PEOPLE. Some of the stars who attended include Marc Anthony, Eva Longoria, Serena and Venus Williams, and Gordon Ramsay.
At that time, there were already rumors circulating about Peltz and her mother-in-law not getting along, but the actress said it may have stemmed from her wearing a Valentino gown instead of one created by Victoria. She clarified the situation, saying that she wanted to wear a Victoria Beckham creation, but the atelier didn’t have the time to make one, so she picked the Valentino.

In January, Beckham released a statement on Instagram Stories. He accused his family of “consistently disrespecting” Peltz, writing that the night before their wedding, the Beckhams told him that Peltz “was ‘not blood’ and ‘not family’.”
Moreover, Beckham claimed Victoria “hijacked” his first dance with Peltz. “In front of our 500 wedding guests, Marc Anthony called me to the stage, where in the schedule was planned to be my romantic dance with my wife but instead my mum was waiting to dance with me instead.” He added that Victoria danced “very inappropriately.”
In regard to the wedding dress, Brooklyn said that her mother had cancelled making Peltz’s dress “in the eleventh hour,” which forced her to find a new one to wear. “I do not want to reconcile with my family,” he noted.

Beckham has avoided his family since his scathing statement, choosing to ignore them when they extended an olive branch. On his birthday in early March, both Victoria and David greeted him on social media, posting photos of themselves together with their son during happier times and telling him they love him.
Peltz also posted on Instagram for Beckham’s birthday, sharing how he surprised her husband with donuts and balloons. While Beckham responded to his wife’s post, he chose to ignore his parents’ birthday greetings.
On March 15, UK’s Mother’s Day, Beckham posted a photo on Instagram Stories, greeting his mother-in-law, who celebrated her birthday on March 12. “Happy birthday to the best mother in law x,” he wrote. Meanwhile, he didn’t give a shout-out to Victoria.
After winning the Best Actor Academy Award for his performance in Christopher Nolan‘s Oppenheimer a couple of years ago, Cillian Murphy has had a rather interesting string of releases. Only one out of his three post-Oscar films, Small Things Like These, was able to secure a theatrical release. But it came and went without making much impact. Two others were released directly on Netflix. While the first, Steve, didn’t exactly set the charts on fire, Murphy’s second Netflix movie in a row seems to be having no problem with attracting audiences. It was a sure thing after all, even if it didn’t immediately scream post-Oscar passion project. The movie earned positive reviews, and was given a limited theatrical run in the United Kingdom a few weeks before its Netflix debut on March 20.
A report suggested that Netflix could have made as much as $50 million in the U.K. alone by giving the film a proper theatrical run, as opposed to the token release that it ultimately received. In its first weekend in British theaters, the movie outgrossed Scream 7 and The Bride!, which were playing in a significantly higher number of venues. The crime drama serves as a follow-up to one of Netflix’s most popular shows, Peaky Blinders, which aired six seasons from 2013 to 2022 and has since established itself as a fan-favorite. The show charted the trials and tribulations of an outlaw family in early 20th-century England. A follow-up series is currently in the works as well.
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The movie in question, of course, is Peaky Blinders: The Immortal Man. It also features Rebecca Ferguson, Tim Roth, and Barry Keoghan, alongside returning players from the series. It’s directed by Tom Harper, who previously worked with Netflix on the would-be franchise-starter Heart of Stone, starring Gal Gadot. The Immortal Man holds a “Certified Fresh” 92% score on the aggregator website Rotten Tomatoes, where the critics’ consensus reads, “Capping off Tommy Shelby’s story with grit and swagger, The Immortal Man is a satisfying conclusion to Peaky Blinders that also stands tall on its own self-contained terms.” Unsurprisingly, it was the number one movie across Netflix on its opening day, both domestically and worldwide. According to FlixPatrol, The Immortal Man unseated holdover champion War Machine, starring Alan Ritchson, from the streamer’s number one spot. Stay tuned to Collider for more updates.
March 6, 2026
112 Minutes
Tom Harper
Steven Knight
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“I saw you Nicky.”
Buffy the Vampire Slayer star Nicholas Brendon is dead at age 54.
“We are heartbroken to share the passing of our brother and son, Nicholas Brendon,” the actor’s family told Us Weekly in a Friday, March 20, statement, noting that Brendon died in his sleep of “natural causes.” (The Hollywood Reporter was the first to report the news.)
“Most people know Nicky for his work as an actor and for the characters he brought to life over the years. In recent years, Nicky has found his passion in painting and art,” the statement continued. “Nicky loved to share his enthusiastic talent with his family, friends and fans. He was passionate, sensitive, and endlessly driven to create. Those who truly knew him understood that his art was one of the purest reflections of who he was.”
Brendon’s family shared that while it is “no secret” he “had struggles in the past,” he was “on medications and treatment to manage his diagnosis and he was optimistic about the future at the time of his passing.”
“Our family asks for privacy during this time as we grieve his loss and celebrate the life of a man who lived with intensity, imagination, and heart,” the statement concluded. “Thank you to everyone who has shown love and support.”
Brendon was best known for his role as Xander Harris on Buffy, which he starred on for seven seasons alongside Sarah Michelle Gellar, Alyson Hannigan, David Boreanaz, Anthony Head and more. He also appeared in other various TV and film projects up until 2021.
In 2023, Brendon revealed he had suffered a heart attack and had been diagnosed with a congenital heart defect, as well as cauda equina syndrome. He had undergone several spinal surgeries prior to his death.
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Spring hits and suddenly everything in your closet feels too heavy, too structured . . . or just not cute anymore. If you want to look put-together without squeezing into anything stiff or clingy, we get it! The good news? Cute, comfy sundresses that actually flatter are everywhere on Amazon right now.
Below, we found 17 loose, slimming spring sundresses that skim in all the right places — and never feel restrictive. Think smocked bodices that define your waist without digging in, breezy T-shirt maxis that feel like loungewear and flowy wrap styles that move with you — not against you. Whether you’re headed to brunch, a beach walk or just running errands, these are the everyday dresses you’ll reach for on repeat — and styles start at just $10!
1. Our Favorite: Throw on this floral mini dress in sage green and you’re out the door in seconds. The sleeveless cut keeps you cool, and the pockets are genuinely useful.
2. Has Pockets: Tired of sundresses that cling in the wrong places? This loose V-neck midi dress has a pleated design that skims your body, plus it has pockets.
3. Vacation-Ready: Looking for spring sundresses with vacation energy? This boho V-neck mini dress has a breezy Italian-style print that packs well and photographs even better.
4. Quite The Charmer: If you want a dress that defines your waist without a belt, the smocked bodice on this ruffle hem mini dress does the work for you. It’s also comfy enough for all-day wear.
5. Deal Alert: Want a breezy warm-weather dress without spending much? This bohemian floral dress is now 33% off (and just $10), and has a loose silhouette that works as a cover-up too.
6. Pop of Color: If your closet is full of neutrals, this bright floral sundress in yellow shakes things up. The square neckline and flowy skirt keep it flattering without feeling tight anywhere.
7. Must-Have Maxi: This lilac T-shirt maxi dress has a loose fit, a side split and pockets. The comfy fabric feels like your favorite tee but gives you full-length coverage.
8. Figure-Flattering: The wrap silhouette on this floral A-line sundress creates a defined waist with a V-neck that elongates your frame. The light green floral print feels fresh for spring outfits.
9. Resort-Ready: Packing for a cruise or beach trip? This flowy boho maxi with its tropical print and skinny straps takes up almost no suitcase space and looks effortlessly pulled together.
10. Fabulously Flowy: If you love maxi dresses but hate looking shapeless, the smocked bodice on this floral navy sundress cinches at the top while the skirt flows freely.
11. Striped Stunner: Grab coffee or browse a bookstore in this casual striped dress with cute ruffle sleeves. The loose cut and soft fabric make it one of those easy, throw-on-and-go picks.
12. Picnic Perfection: Pack a basket, grab a blanket and wear this flowy gingham maxi with its smocked bodice and ruffle details. It practically screams sunny Saturday afternoon in the park.
13. Very Versatile: Finding a dress that works for both work and weekends is tough. This sage green T-shirt maxi with pockets and a crew neck pulls it off with — and with a relaxed, polished silhouette.
14. Prettiest Prints: If you’ve been searching for slimming spring sundresses with prints that actually look curated, this floral spaghetti strap maxi delivers. Plus, the V-neck adds a flattering vertical line.
15. Everyday Ease: School pickup, quick lunch or a doctor’s appointment: this floral pink midi dress with its wrap shape and pockets handles your whole Tuesday.
16. Comfort MVP: Some days you just want to be comfortable. This cap sleeve maxi dress with pockets and a floral print lets you feel like you’re in loungewear while looking completely presentable.
17. Boho Beauty: Want a dress that’s loose through the body but still has some shape? This printed V-neck mini with its tiered babydoll silhouette and button-up front gives you both for spring.
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Christina Applegate is opening up about her thoughts on death and how it has shaped her outlook in life. The actress, who was diagnosed with MS in 2021, has already made arrangements when the time comes, and shared that she has already secured three burial plots as she continues to navigate personal challenges and reflects on what matters most.

On March 19, the 54-year-old actress was on NPR’s “Wild Card with Rachel Martin” podcast, wherein she talked about living with multiple sclerosis. When asked how often she thinks about death, Applegate answered, “Every day.”
“‘Cause it’s looming. I mean, it looms for all of us,” she continued. Applegate says that even though death will come for all of us, it might be different for someone like her, who is living with a condition that currently has no cure. “For people who have a disease like this, you never know, you know?” she said.
According to the Mayo Clinic, MS is an autoimmune disease wherein the protective covering of the nerves is attacked. It may cause weakness, numbness, lack of coordination, and even cognitive issues.

With the possibility of death always on her mind, Applegate said that she has already bought three burial plots for her family. She didn’t specify where the location is, but said it was a “pretty” place, and she jumped at the chance to purchase the plots when she found out they were available.
Applegate candidly talked about the place, saying that she needed to choose a type of tree that would be planted there. “They’re going to plant a tree there ’cause it’s really sunny. And I want my visitors to not, you know, be sweating,” she told the host.
As for why she decided to purchase the plots, she said that it’s one less thing her family has to deal with in the future.

Despite death being on her mind daily, Applegate said that she’s not “comfortable” thinking about it. The thought of leaving her child behind is devastating, and that makes her “scared” of death.
“I’m really afraid of it because of her,” referring to her 15-year-old daughter Sadie, whom she shares with husband Martyn LeNoble. The actress became emotional as she said, “I can’t even talk about, like, I don’t know what her life’s going to be like, and you don’t know when it’s going to be – could be, like, anytime.”
In February, as The Blast previously reported, the actress shared an update about her health and said she mostly spent her days in bed. However, she still makes the effort to bring her daughter to school because that’s the only time they can be alone by themselves. Applegate described it as her “favorite thing to do.”
Applegate shared her multiple sclerosis diagnosis with the public in August 2021, writing on X that she had been diagnosed with MS a few months prior. “It’s been a tough road. But as we all know, the road keeps going. Unless some a-shole blocks it,” she wrote.
Following her revelation, Applegate attended events walking with the help of a cane. She was one of the presenters at the 2024 Emmy Awards, wherein she poked fun at herself by telling the audience who gave her a standing ovation, “Oh my God, you’re totally shaming me with disability by standing up.”
Applegate started a podcast called “MeSsy” with fellow actress Jamie-Lynn Sigler, who is also living with MS. In one of the episodes, the actress detailed her struggles with the disease, sharing that at one point, she was screaming in bed because of pain.

Applegate was in the middle of filming the third season of the Netflix series “Dead to Me” when she was diagnosed with MS. Production was paused so she could seek treatment, and she eventually returned to finish shooting. However, season 3, which premiered in 2022, was the show’s last.
Afterward, Applegate took a step back from her acting career due to MS. In a Vanity Fair interview in 2023, she acknowledged that “Dead to Me” may have been her final acting work because of the nature of her disease. “This is a progressive disease. I don’t know if I’m going to get worse,” she stated.
Despite stepping away from on-screen roles, Applegate has worked on other projects, including voice-over work, podcasting, and writing. Her No. 1 New York Times bestselling memoir, “You With the Sad Eyes,” was released on March 3.
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