Entertainment
10 High Fantasy Books That Are Perfectly Written
Writing a book is no easy task; writing a good book even less so. After all, writing is an art, and it can be a difficult thing to master. Heck, some people spend years and years studying it before they ever publish anything, and even then, there’s no guarantee that it will be good. With self-publishing being easier than ever thanks to Amazon, it certainly won’t take long to find a slew of awful books out there.
This is especially the case in the high fantasy genre, a subgenre featuring stories that take place in worlds completely separate from our own. High fantasy is experiencing a significant boom right now, which has been going on since at least the 1980s. A lot of authors have tried their hand at the genre, only to fail miserably. Every so often, though, a writer comes along that totally nails it. Their books might have perfect pacing, perfect characters, perfect prose, perfect emotion; perfect everything. These are the most perfectly written books in high fantasy.
‘The Lies of Locke Lamora’ (2006)
The Lies of Locke Lamora takes place in an unnamed fictional world, specifically in the city of Camorr, which resembles Renaissance Venice. In this weaving labyrinth of streets and canals, there exists a group of con artists calling themselves the Gentleman Bastards. These thieves have only one purpose: to rob the rich blind before they even realize they’ve been had. It’s kind of like Robin Hood, only without all the giving to the poor.
Chapters alternate between the present storyline’s acts of thievery and the history of the city and of the organization itself, which is actually a great way of worldbuilding and establishing lore without overwhelming the reader with info dumps. It keeps the story rolling forward, but also provides some much-needed context at key points. With a crew reminiscent of Ocean’s Eleven and some fantastical heists, this book has garnered a lot of love amongst fantasy readers for its excellent writing.
‘The NeverEnding Story’ (1979)
The NeverEnding Story was written by German author Michael Ende and was adapted for the big screen just five years later. It’s sort of a frame story, acting as a bit of book-ception. The premise is that a lonely boy in the real world finds an old book, and begins reading it, which happens to be pretty much The NeverEnding Story itself. The book is set in the realm of Fantastica, which is under threat from a dangerous, amalgamous force called “the Nothing.” Fearing destruction, a princess sends a boy warrior named Atreyu to stop it.
It’s a classic feel-good story, though it is not without its more depressing parts. The movie became a staple of ’80s fantasy cinema, even spawning a few sequels. As with pretty much any book-to-film adaptation, though, the original text is going to reign supreme. It feels like a nostalgic childhood fairytale, including dragons, adventure, and magic, which is pretty much everything one could want from a high fantasy story. The writing approach turned out to be the correct choice, because it certainly helped the book stand out amongst others.
‘The Blade Itself’ (2006)
The Blade Itself is the first book in The First Law trilogy by Joe Abercrombie. It’s a grimdark fantasy series, so don’t expect it to be all sunshine and daisies. This book is unapologetically bleak, with very few, if any, morally sound characters. The protagonists in question are pretty awful people, with one being a murderous barbarian, one being a fraudulent wizard, another being a hedonistic soldier, and the last being a literal torturer. Their fates become intertwined when conspiracies are unravelled, and villains show up to exact revenge.
This book is basically what would happen if a tabletop RPG party was made up of the worst people you ever knew. Which… if you play games like that with your friends, maybe it’s the case anyway. Joking aside, the writing in this book is brilliant, largely because it feels so realistic. The characters feel like they could be genuine people, because, let’s face it, there are a lot of corrupt and evil people out there. The way the characters are fleshed out is exceptional, and makes for an amazing reading experience.
‘A Wizard of Earthsea’ (1968)
A Wizard of Earthsea is the first in the popular Earthsea saga, which became known for a lot of things, namely its impeccable worldbuilding. The story is set on an ocean planet, with the only land being an archipelago of islands. This planet, called Earthsea, is inhabited by both humans and dragons. Most humans have some sort of magical abilities and have developed cultures and realms. It’s not so simple and one-dimensional as having one culture per island either — many of these cultures have expanded and colonized multiple islands, making the world actually feel like a real, complete place.
Ursula K. Le Guin won numerous awards for this book, and for its sequels. Not only does it have a fascinating world that is incredibly easy to get lost in, but it’s also a fantastic, well-thought-out story. Of course, the thing that makes it all better is the writing itself. The prose immaculately flows and really reminds the reader that writing is an art form. There’s just nothing else like these books out there, and they’re still popular today.
‘Assassin’s Apprentice’ (1995)
Assassin’s Apprentice is the first book in Robin Hobb‘s Farseer Trilogy, which eventually expanded into a rather large shared universe consisting of multiple trilogies and one quadrilogy. Believe it or not, the book is about an assassin’s apprentice. More specifically, it is about the king’s illegitimate son being taken at the age of six to train with the assassins in order to protect the throne from his power-hungry uncle.
This book came as a bit of a surprise to fantasy fans, because nobody had ever read anything quite like it before. Like any work, it’s clear where its inspirations come from, but it also did a lot to reinvent classic fantasy tropes so that it felt original. Assassin’s Apprentice is proof that Hobb is a master of the pen and is able to craft stories that capture the imagination and emotions, creating an unparalleled fantasy experience.
‘Gardens of the Moon’ (1999)
Gardens of the Moon is the first book in Steven Erikson‘s Malazan universe, as well as the first in the main sequence known as Malazan: Book of the Fallen. The gist of the story is that there is a terrifying and oppressive regime, called the Malazan Empire, which has conquered much of the known world. At the onset of the series, they intend to expand even further by conquering the continent of Genebackis.
That’s the very short version of things, anyway. The novels get much more complex and nuanced — they’re epic fantasy, after all. Malazan has become something of a favourite in the fantasy fandom, and it’s still seeing releases to this day, so it never goes out of style. While all of the books are pretty awesome and well-written in their own right, the way this one is written is just a little bit more special.
‘A Storm of Swords’ (2000)
A Storm of Swords is the third book in George R. R. Martin‘s A Song of Ice and Fire series, which famously got adapted into the hit HBO original series, Game of Thrones. This book was so large that it actually needed two seasons of the show to adapt the whole thing. Like the rest of the series, the story is about nine royal families feuding over a throne, completely unaware that a primordial evil is silently gathering strength far to the North, preparing to bring an end to humanity.
So many important and legendary events happen in this book, including the Battle of Castle Black and the notorious Red Wedding. Even though it’s a super long book, it really doesn’t feel that long because it’s consistently exciting all the way through. It’s bleak, epic, and really emotional, inspiring anger, anxiety, sadness, triumph, and pretty much every other emotion that a reader should feel from a good story, all thanks to Martin’s impeccable writing style.
‘The Shadow Rising’ (1992)
The Shadow Rising is the fourth book in the enormous The Wheel of Time saga, which spans 15 novels. The Wheel of Time generally has a reputation for being too “fluffy.” Author Robert Jordan often includes lots of padding, especially around books seven through ten, and it can be challenging for a lot of people. This fourth entry, however, is perfectly paced: each chapter actually feels like it progresses the story rather than serving as an overly long bit of filler.
The overarching narrative is set on Earth, thousands of years in the future, and is about a chosen one known as the Dragon Reborn, who is destined to either destroy the world or save it. This book follows the characters as they traverse the mysterious desert known as the Aiel Waste. It also happens to be the basis for the third and final season of the cancelled TV show. Among fans, it’s widely considered one of the best books because it’s got lots of adventure, excellent worldbuilding, great character moments, and a ton of interesting sequences. Above all, the writing in this one is absolutely top-tier.
‘Oathbringer’ (2017)
Oathbringer is the third book in Brandon Sanderson‘s The Stormlight Archive saga. The series is part of his shared literary universe known as the Cosmere. Each book or series in the Cosmere takes place on its own planet within the same galaxy, with each planet having a distinct system of magic. Stormlight takes place on the barren world of Roshar, a land constantly bombarded by hurricane-like events known as highstorms. There is little to no plant life, and most indigenous life forms are crustaceous.
The premise of the series is about a war between humans and the native Listeners, a race of crustaceous humanoids, and the resurrection of an old form of magic that hasn’t been seen in over 1,000 years. This monster of a book is 1,200 pages long, yet it doesn’t waste a single word. It’s perfectly paced, contains some amazing and meaningful quotes, lots of large-scale battles, and one of the most thrilling climaxes in the entire genre. Sanderson is a master at his craft, but this book might just be his absolute finest.
‘The Hobbit, or There and Back Again’ (1937)
The Hobbit is a book that probably doesn’t need an introduction. Just in case you somehow haven’t heard of it, the story was J. R. R. Tolkien‘s debut novel, and the first set in his enormous legendarium known commonly as Middle-earth. This story is meant for both kids and adults, and serves as only a small part of the truly enormous history that Tolkien wrote about Middle-earth. In it, a hobbit named Bilbo Baggins is swept away from his cozy home in the Shire to embark on a journey across the land to reclaim the dwarven kingdom of Erebor from a slumbering dragon.
The length is perfect, neither too short nor too long. It’s an absolute fantasy classic that serves as a prequel to The Lord of the Rings trilogy that Tolkien primarily became known for, which, like The Hobbit, would later receive movie adaptations directed by Peter Jackson. The best part about it is Tolkien’s signature flair, which recounts the story almost as if he were a father telling it to his children. It’s full of classic fantasy tropes, grand adventure, and a warm, cozy atmosphere. It’s also a legendary piece of history and one of the earliest high fantasy novels ever made.
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Taylor Frankie Paul’s exes Dakota Mortensen and Tate Paul are breaking their silence after the Division of Child and Family Services raised concerns about her parenting.
“Tate Paul and Dakota Mortensen have remained publicly silent throughout these proceedings to avoid having serious private family matters turned into more of a public spectacle than they already have due to the insatiable appetite of others to share private family information online to promote views and publicity,” Dakota, 33, and Tate said in a joint statement through counsel to Us Weekly on Friday, July 17. “However, they are deeply concerned that Taylor’s statement minimizes the gravity of the action filed by DCFS and her many underlying actions that prompted such.”
“The petition filed by DCFS this week is not a routine transition to juvenile court or an opportunity for personal growth,” the duo added in their statement. “DCFS has asked the Court to find that the children are abused and has requested an expedited hearing concerning their immediate protection.”
Us Weekly has reached out to Taylor’s attorneys for comment.
Dakota shares son Ever, 2, with Taylor, 32, whom he dated on and off for several years before they split earlier this year. (Their tumultuous relationship made headlines in March when they were involved in an alleged domestic violence dispute. The district attorney later decided not to charge Taylor in the alleged incident.)
Tate, meanwhile, was married to The Secret Lives of Mormon Wives star from 2016 to 2022. The exes split after Taylor crossed a line during their soft-swinging agreement, which she later confessed to via a TikTok video. The former spouses share two children, Indy, 8, and Ocean, 6.
Over the past few months, Taylor has found herself battling over custody with both Dakota and Tate.
Amid the legal disputes, Utah’s division of the DCFS filed a petition asking a juvenile court to find that her three children are “abused, neglected or dependent.”
TMZ reported on Wednesday, July 15, that DCFS also asked the judge to order protective supervision services, appoint a guardian ad litem to represent the children and issue any additional orders deemed to be in their best interests.
“Tate and Dakota are grateful that DCFS has taken these concerns seriously and is stepping in to protect the children,” Taylor’s former partners said in their statement. “They share the serious concern that the family court system, law enforcement, prosecutors, and child-welfare agencies need meaningful coordination necessary to understand the situation and act in a manner most likely to protect the children. Serious warning signs went largely unaddressed for far too long, even after the passage of Om’s Law.”
Taylor Frankie Paul and her three kids. Courtesy of Taylor Frankie Paul/Instagram
Tate and Dakota’s statement noted that both fathers “remain focused on protecting the children, giving them the time and space they need to heal, supporting meaningful accountability, and using what their families have experienced to help improve coordination between these systems in the future.”
“Despite the myriad false accusations published online and on social media about them by Taylor and others, Tate and Dakota have chosen to not participate in the often misconstrued social media and other online activity surrounding their cases,” the statement continued. “They have remained silent to protect their children, not because they have nothing to say. When the time is right, they will tell their story in their own words in the appropriate forum.”
A judge has issued a big ruling regarding Taylor Frankie Paul and ex Dakota Mortensen’s ongoing legal battle. “This has been a very toxic relationship. It’s beyond the pale in a lot of ways, the toxicity,” a judge said during a protective order hearing on Thursday, April 30, regarding the pair’s custody arrangement. “What I’ve seen […]
Taylor, for her part, reacted to DCFS stepping in on Thursday, July 16, telling Us in a statement, “It was recently decided that the ongoing custody actions would be best suited for juvenile court, a common step for families engaged in highly contentious, complex custody matters.”
The reality star’s attorney added, “Taylor is not deterred by this transition; she welcomes the added structure and oversight it provides and looks forward to continuing her progress toward normalizing custody and becoming the healthiest version of herself.”
The statement concluded: “Taylor remains fully committed to doing whatever is necessary to reach that goal and will not be swayed from it. Taylor appreciates the professionalism of DCFS and its representatives.”
If you or someone you know is experiencing child abuse, call or text Child Help Hotline at 1-800-422-4453. If you or someone you know is experiencing domestic violence, please call the National Domestic Violence Hotline at 1-800-799-7233 for confidential support.
By Chris Snellgrove
| Published
So far, it seems that James Gunn has a very complicated relationship with the failed DCEU. On paper, it’s his job to create his own cinematic universe (the DCU) that avoids all the major mistakes of its predecessor. Because of this, it’s in the director’s best interest to distance his DCU from the DCEU however and whenever he can. Nonetheless, Gunn can’t stop creating connections between these universes, from connecting Peacemaker to The Suicide Squad to casting Aquaman actor Jason Momoa as Lobo. Now, he’s one-upping himself in the loudest possible way by putting a very obscure star of a failed DCEU film into his next blockbuster film.
Xolo Maridueña starred as the titular hero of Blue Beetle, a 2023 DCEU film. When the movie came out, it was generally well-liked: it had a 78 percent on Rotten Tomatoes from the critics and a whopping 90 percent from the fans. However, not that many fans actually saw the movie, and it became one of multiple DCEU projects to actually lose Warner Bros. money. Because of that, it seemed like we’d never see this hero (or at least, this version) on the big screen again. Nonetheless, Gunn is bringing back Maridueña’s Blue Beetle for his upcoming sequel Superman: The Man of Tomorrow.
Meet The Beetle
This news comes to us courtesy of Deadline, which heard about it from insiders who are close to Gunn’s Superman sequel. This is obviously big news for Xolo Maridueña, who seemed like he’d never reprise this role again. Neither Gunn nor Warner Bros. has commented on the matter. However, Deadline’s report indicates that one or both of these entities are fond enough of the actor to bring him over to the DCU. How will he fit into this new cinematic universe, though? Chances are that, like Peacemaker before him, Blue Beetle will simply be a DCU version of his familiar self, complete with a very similar backstory.
While fans of Blue Beetle will be happy to see the hero onscreen again, it’s not clear how much of a role he will have. Right now, Superman: The Man of Tomorrow is very crowded with both heroes (including Superman, Guy Gardner, Hawkgirl, and Mr. Terrific) and villains (including Lex Luthor, Brainiac, and newcomer Maxima). Because of this, some have claimed the sequel feels more like a Justice League movie than a Superman sequel. That’s good news for anyone who enjoyed watching the Man of Steel and his Superfriends kick butt in the previous movie. However, the sheer number of characters appearing in this film may cut into Blue Beetle’s overall screentime.
Avoiding The Sequel Blues
However, having a large roster of heroes is only appropriate for Superman: The Man of Tomorrow because the Big Bad is Brainiac, and he represents a threat to the entire planet. It would only make sense that Superman has to rally as many allies as possible in the fight against an existential threat to all of humanity. It’s also possible that Gunn will be using this Superman sequel to lay the in-universe groundwork for an eventual Justice League team. After all, an individual hero may be enough to save the city most of the time. But when it comes to saving the entire world, even Superman can’t be everywhere at once.
Speaking of possibilities, James Gunn might eventually give Blue Beetle his own spinoff movie or series. This would help the DCU win over younger audiences, and it would fit Gunn’s recent MO of shining a spotlight on the more obscure characters within this colorful universe. We won’t know exactly what will happen to this former DCEU character until we see him on the big screen again. So, mark your calendars, fanboys: Superman: The Man of Tomorrow flies into theaters on July 9, 2027. Its titular hero may be more powerful than a speeding locomotive, but only time will tell if he’s more powerful than something much stronger than a train: superhero fatigue.
Entertainment
3 Years Later, Paramount’s 10/10 Fantasy Movie Is a Free Streaming Hit3 Years Later, Paramount’s 10/10 Fantasy Movie Is a Free Streaming Hit
Plenty of movies stumble at the box office only to find a real audience once they land on streaming. That is just the state of cinema right now. Annihilation failed at the box office before turning into a genuine cult favorite on streaming. The Suicide Squad had a similarly rough theatrical run before streaming gave it new life. Now, three years after struggling in cinemas, one of Paramount’s most criminally underseen fantasy adventures has officially found redemption on streaming.
The film follows Chris Pine as a charming thief and a band of unlikely adventurers as they undertake a heist to retrieve a lost relic, only for things to go dangerously wrong when they run afoul of the wrong people. It was meant to launch a massive multi-platform universe complete with spin-offs, but those plans quickly fell apart after its disappointing theatrical run. The film made just $208.2 million worldwide against a $150 million production budget. Since the general rule of thumb is that a movie needs to earn about twice its budget to be considered a real success, that box office haul left it well short.
The film is Dungeons and Dragons: Honor Among Thieves. Jonathan Goldstein and John Francis Daley directed it from a screenplay they co-wrote with Michael Gilio, based on the titular tabletop game. The movie dropped on the free streamer Pluto TV on June 1, and even a month later, it is still holding the spotlight. According to FlixPatrol, it is currently the #9 most popular movie on Pluto TV in the United States.
Why Did ‘Dungeons and Dragons: Honor Among Thieves’ Fail at the Box Office?
The movie’s box office stumble is even more baffling considering how good it actually is. It is incredibly funny, backed by great CGI and phenomenal action sequences. It very much feels like a Guardians of the Galaxy movie set inside the D&D universe. The film opened to raving reviews and still holds a 91% critic rating along with an even stronger 92% audience score on Rotten Tomatoes. Fans have spent plenty of time speculating about why it flopped, and most of the blame lands on weak marketing. Many people still do not know this movie exists, and even fewer did when it actually released in theaters.
The trailers also made it look like a run-of-the-mill MCU copycat when it actually turned out to be leagues better. And it also didn’t help that it came out alongside The Super Mario Bros. Movie, which ended up becoming 2023’s second-highest-grossing movie. Whoever is really to blame, Paramount clearly does not think it was the directors’ fault. Since the movie’s release, Goldstein and Daley have gone on to find great opportunities in Hollywood. The duo is currently developing Paramount’s next Star Trek movie. And Apple TV just unveiled the first trailer for their upcoming Cold War action-comedy Mayday, starring Ryan Reynolds and Kenneth Branagh.
Dungeons and Dragons: Honor Among Thieves is available to stream on Pluto TV. Stay tuned to Collider for more updates.
Ash Williams has survived Deadites, medieval armies, and enough supernatural disasters to make most horror protagonists call it quits. Across the Evil Dead franchise, Bruce Campbell‘s chainsaw-handed hero has evolved from an unlucky cabin visitor into one of horror’s most recognizable icons, with Army of Darkness cementing his status as an action hero as much as a scream king.
That larger-than-life personality has made Ash a favorite for collectors for decades, whether through action figures, statues, or replica props. Now, fans will be able to bring the S-Mart employee-turned-medieval warrior into their Halloween displays in a much bigger way.
Dozens of Horror Icons Join the Animatronic Lineup
HalloweenCostumes.com has officially unveiled a new six-foot Ash Williams animatronic inspired by Sam Raimi‘s 1992 cult classic Army of Darkness. Standing at life-size, the decoration recreates Ash’s unforgettable medieval look complete with his signature chainsaw hand. Fans who prefer another of his iconic weapons can also swap the chainsaw for his metal gauntlet using an interchangeable arm. The animatronic also features motion activation, allowing Ash to spring to life with movement and dialogue inspired by the movie. Designed for Halloween displays, it combines animated movements with light and sound effects to recreate the swagger that made Campbell’s performance such a fan favorite. The decoration is available to preorder now for $349.99 ahead of the Halloween season.
Ash isn’t the only movie icon joining HalloweenCostumes.com’s lineup this year. The retailer has launched more than 75 new animatronics for Halloween 2026, including new decorations based on The Texas Chain Saw Massacre, Coraline, The Lord of the Rings, Ghostbusters, Alien, Batman: The Animated Series, The Dark Knight, Poppy’s Playtime, and Edward Scissorhands. Among the largest additions is a towering 14.5-foot Balrog, billed by the retailer as the biggest licensed retail animatronic it has produced.
For horror fans, though, Ash may be the standout. While The Evil Dead series has never slowed down when it comes to collectibles, a full-size animatronic feels like a fitting tribute to one of the genre’s most quotable heroes. Whether it’s greeting trick-or-treaters from the porch or standing watch over a haunted display, the legendary Deadite slayer looks ready for another battle. The Evil Dead franchise also has another chapter on the horizon. Following this year’s Evil Dead Burn, the series will continue in 2028 with Evil Dead Wrath, a prequel set in 1972 that explores events leading up to the original movie. Until then, horror fans can settle for letting Ash guard the house this Halloween.
- Release Date
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October 31, 1992
- Runtime
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81 minutes
- Director
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Sam Raimi
- Producers
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Robert Tapert
The middle installment of a movie trilogy is by far the hardest to get right. In the case of sequel follow-ups that aim to capitalize on smash-hit originals, they face the daunting task of being compared to what was likely a universally adored box office hit. When it comes to the mid-section of set, pre-determined trilogies that unfold with one narrative vision, the second film is forced to play a bridging role without the luxury of introducing viewers to the world nor delivering the grand conclusion of the story at large.
However, there have been a number of mid-trilogy movies that have thrived in their station. Many of them excel by doubling down on the defining qualities of their predecessors, but others recontextualize central themes, make bold tonal changes, or even shift genres entirely to rise to a new level. From classics of superhero cinema to invigorating horror gems, and even to one of the greatest movies ever made, these middle chapters mark triumphant high points of the trilogies they belong to.
8
‘The Godfather’ Trilogy (1972-1990)
Heralded by many as being the greatest movie sequel of all time and entrenched in the conversation of the finest picture ever made, The Godfather Part II is a dazzling crime epic defined by its ageless thematic resonance, astonishing cinematic craft, and its ability to build on its astonishing predecessor. Running as both a sequel and a prequel, the 1974 masterpiece switches between new Corleone crime family boss Michael (Al Pacino) as he seeks to expand his empire, and the rise to power of a young Vito Corleone (Robert De Niro) in the criminal underbelly of early 20th century New York.
Its dual narrative imbues it with an ambition and drive that not even its masterful 170-minute predecessor can match, but it also eclipses The Godfather with the depth of its thematic convictions. In many ways, The Godfather Part II is a two-pronged character study of gangland morality, the isolating corruption of power, and the sacrifice of aspiration. Granted, anyone who claims The Godfather is the greater film can certainly mount a compelling case, but The Godfather Part II weaves one of the most arresting visual experiences in cinematic history as well as a dark descent into the intricacies of the human condition that explores power, faith, and enterprise against the backdrop of the brutality of the American dream.
7
The ‘Blade’ Trilogy (1998-2004)
Released in 1998, Blade helped pioneer the wave of superhero cinema that audiences have enjoyed in the 21st century. Anchored by Wesley Snipes’s captivating performance, it successfully brought one of the most interesting and beloved comic book characters to life on the big screen with a ferocious marriage of action intensity and Gothic horror that embraced the grit of its R-rating. Endowed with Guillermo Del Toro’s impressionable visual style and penchant for Gothic allure, Blade II took those defining qualities and enhanced them.
When a mutation gives rise to a new form of savage and primitive vampires known as the “Reapers,” the titular vampire hunting superhero enters an uneasy alliance team of vampire warriors to eradicate their mutual enemy. The visceral action choreography blends beautifully with Del Toro’s trademark aesthetic to create an absorbing and deliciously dark action-horror propelled by its savvy integration of practical effects and CGI. With 2004’s Blade: Trinity dwindling as a calamitous misfire, Blade II has overcome its initially mixed critical reception to stand as the defining highlight of the trilogy, one that many today still regard as being one of the most visually striking and tonally captivating superhero movies ever made.
6
‘The Hobbit’ Trilogy (2012-2014)
The Lord of the Rings is the greatest film trilogy cinema has ever seen, an engrossing fantasy epic of ceaseless perfection that achieves the rare feat of having all three of its movies being classic masterpieces in their own right. Ten years later, audiences were taken back to the realm of Middle Earth with Peter Jackson returning to adapt J. R. R. Tolkien’s The Hobbit, though the decision to make it another monumental trilogy raised some eyebrows given its source material’s much smaller story. This issue became apparent in The Hobbit: The Battle of the Five Armies, with the finale’s strenuous efforts to fulfill its 144-minute runtime producing an underwhelming conclusion that saw many dismiss the trilogy as a whole.
However, while they’re not comparable to the brilliance of The Lord of the Rings, the first two installments in the trilogy do deliver a lively brand of wondrous adventure as they follow Bilbo Baggins (Martin Freeman) and the dwarves as the trek through Middle Earth to reclaim the kingdom of Erebor. The Hobbit: The Desolation of Smaug is particularly vibrant with its energetic pacing, effervescent set pieces, and its brilliant realization of the dragon, Smaug (Benedict Cumberbatch). While still flawed, it is the movie in the trilogy that best captures the story’s adventurous spirit and fantasy world-building while striking an invigorating marriage between inviting fantasy fun and mythic suspense.
5
Sam Raimi’s ‘Spider-Man’ Trilogy (2002-2007)
Another early triumph of the modern craze of superhero action, Sam Raimi’s Spider-Man trilogy excels at juggling the innate spectacle of the genre against the human drama of Peter Parker’s (Tobey Maguire) journey as Spider-Man. While 2002’s Spider-Man is a brilliant introduction to the character in this regard, it is Spider-Man 2 where these thematic ideas are truly fleshed out and dissected, with his battle against Doc Ock (Alfred Molina) combining beautifully with Peter Parker’s own internal struggles stemming from real-life hardships.
Perhaps better than any other film in the genre, let alone the Raimi trilogy, Spider-Man 2 illustrates the hope of superhero drama, particularly in how Spider-Man’s good-nature and unyielding endeavor to help people inspires heroism and resolve in others. It is a point beautifully emphasized by the film’s climactic train fight scene and even Doc Ock’s own villain arc of obsession, unwitting corruption, and tragedy rather than outright evil. Emotionally charged, perfectly paced, and flaunting timeless thematic points of responsibility, sacrifice, and the symbolism of a hero, Spider-Man 2 remains one of the greatest superhero movies of all time and the definitive highlight of Raimi’s groundbreaking trilogy.
4
The ‘Evil Dead’ Trilogy (1981-1992)
Marking another iconic trilogy directed by Sam Raimi, the Evil Dead trilogy is a fascinating procession of creativity, filmmaking resources, and tonal experimentation. Between the succinct demonic horror of the low-budget classic The Evil Dead and the gleefully absurdist entertainment of Army of Darkness, 1987’s Evil Dead 2 stands as something of a perfect middle ground within the trilogy’s bold evolution, an entrancing marriage of terrifying undead tension and comedic indulgence that makes for one of the most enjoyable horror movies ever made.
It sees Raimi’s hyperkinetic directing style and Bruce Campbell’s scene-chewing presence utilized not only as attention-grabbing qualities, but as perfect accessories to the story. Running as both a sequel and a partial remake of The Evil Dead, Evil Dead II follows Ash Williams (Campbell) as he and his girlfriend travel to a remote cabin for a holiday only to accidentally unleash a horde of undead, demonic entities when they discover an audio tape of recitations from a book of ancient texts. Thrilling, exciting, and delightfully chaotic in all its monster horror and slapstick brilliance, Evil Dead II is the best picture in the ongoing Evil Dead franchise at large and the clear high point of the original trilogy.
3
The ‘Mad Max’ Trilogy (1979-1985)
Not at all dissimilar to the Evil Dead trilogy, the original Mad Max movies began as a low-budget genre hit that rose in spectacle, ambition, and eccentricity over the course of the next two movies. 1981’s Mad Max 2: The Road Warrior finds the perfect marriage between the gritty wasteland intensity of its predecessor and the sheer stylistic bombast of Mad Max Beyond Thunderdome. The result is a frenzied hit of action carnage that follows Max Rokitansky (Mel Gibson) as he helps defend a peaceful, oil-rich settlement from a band of ruthless marauders led by the despicable Humungus (Kjell Nilsson).
With its far more substantial budget compared to Mad Max, the sequel sensation delivers an unrestrained descent into the desolate lawlessness of post-apocalyptic Australia armed with an insatiable appetite for eye-popping action given tremendous weight by its visceral practical effects and George Miller’s astute direction. In terms of tone, spectacle, and ferocity, it is the movie most akin to 2015’s blockbuster classic Mad Max: Fury Road, and while it’s debatable if The Road Warrior is the greatest movie in its wider franchise, it is irrefutably the best and most bombastic of the initial trilogy.
2
‘The Dark Knight’ Trilogy (2005-2012)
It turns out superhero trilogies have a happy knack for reaching their peak with their middle chapter, perhaps as a greater license is granted to pursue stylish flourishes and thematic depth after the world-building and character establishment of the first film. That is certainly the case with Sir Christopher Nolan’s iconic The Dark Knight trilogy. Wedged between two outstanding action-propelled blockbusters, the 2008 classic marks a defining triumph for 21st century cinema as it follows Batman’s (Christian Bale) efforts to protect Gotham City from the reign of anarchy and terror being imposed by the Joker (Heath Ledger).
While its thrilling and propulsive sense of narrative momentum and Ledger’s awe-inspiring performance are among the most impressionable qualities of the film, The Dark Knight also soars above Nolan’s other two Batman movies with its complex exploration of symbolism, sacrifice, morality, and the escalation of chaos in a terrified society. Only bolstered by the depth and tragedy of Harvey Dent’s (Aaron Eckhart) rise-and-fall subplot, The Dark Knight thrives as a gripping crime thriller, a superhero stunner that captivates with its dark maturity, and one of the greatest mid-trilogy movies of all time.
1
The Original ‘Star Wars’ Trilogy (1977-1983)
It is quite extraordinary how, despite mid-trilogy movies often marking a lull in an overarching story, several of the standout ones stand not only as great feats of filmmaking, but as some of the greatest, most culture-defining pictures of all time. Few would deny that is the case with Star Wars: Episode V – The Empire Strikes Back, with the sequel to the groundbreaking success of the first Star Wars movie elevating the spectacle and expanding the story world while taking a dark and subversive turn from the triumph of its predecessor.
From the opening battle sequence on Hoth, The Empire Strikes Back captures an air of operatic grandeur, one it maintains as it follows Luke Skywalker’s (Mark Hamill) Jedi training on Dagobah while seeing his friends fall into a trap orchestrated by Darth Vader (James Earl Jones). Flaunting one of the all-time great movie duels, cinema’s most iconic plot twist, and a brilliant ending that is as dark as it is compelling, The Empire Strikes Back builds on its predecessor while boldly shifting its tone to deliver what is an outstanding movie in its own right, but the crowning glory in the Star Wars franchise and the original trilogy as well.
Get a rundown of Us Weekly‘s top stories making headlines in celebrity news, sports and entertainment on July 17, 2026. Here are the key takeaways:
• Ariana Grande and former dancer Ricky Alvarez have rekindled their romance and are “the real deal“, a source tells Us. The insider stressed that Alvarez is “far from a rebound,” noting Grande and ex Ethan Slater split long before the public knew.
• Taylor Swift and Travis Kelce were caught on video dancing to “Swag Surfin’” at JuJu Smith-Schuster and Laura Kruk‘s July 10 wedding. The newlywed footage surfaced just one week after Swift and Kelce tied the knot at Madison Square Garden on July 3.
• Kim Kardashian shared the final text messages her family exchanged with late grandmother Mary Jo “MJ” Shannon, who died at 91. The screenshots show Kris Jenner sending Bible passages in the days before Shannon’s death, with her grandmother replying “Amen.”
Edited by Samantha Benitz. Story produced with AI assistance
The next Avatar film, the franchise’s fourth installment, isn’t expected to arrive until December 2029, four years after Avatar: Fire and Ash premiered in 2025. A fifth and final film is also planned for a December 2031 release. While details about the upcoming sequels remain scarce, filmmaker James Cameron has previously revealed that he’s still writing portions of the later films, adding that advances in filmmaking technology will make production more efficient.
Fortunately, fans won’t have to wait until 2029 to return to Pandora. PlayStation has announced that the franchise’s biggest video game is joining PlayStation Plus this month alongside several other notable titles, including a few you may have forgotten about. Developed by Massive Entertainment and published by Ubisoft, the game originally launched in 2023 for PlayStation 5, Windows, and Xbox Series X/S to mixed reviews, with critics overall widely praising its breathtaking visuals and immersive recreation of Pandora.
According to PlayStation, Avatar: Frontiers of Pandora joins the PlayStation Plus Game Catalog on July 21. The game will be available globally on PS5 and via PlayStation Portal. For those anticipating this fantastic release, it is set in the previously unseen Western Frontier of Pandora. The first-person action-adventure game puts players in the role of a Na’vi who was abducted by the Resources Development Administration (RDA) and raised to serve its interests. After 15 years in captivity, you finally escape, only to find yourself a stranger in your own homeland. As you reconnect with your heritage, you’ll unite with other Na’vi clans to defend Pandora from the RDA while uncovering what it truly means to be Na’vi.
Are ‘Avatar 4’ and ‘Avatar 5’ Already Filmed?
Back in April, Avatar star Trinity Jo-Li Bliss, who plays Tuk, shared a production update on Avatar 4 during the Saturn Awards. The actress revealed that only a portion of the fourth film had been filmed before teasing an “epic time jump” that would dramatically expand the story. According to Bliss, the time jump will allow audiences to explore Pandora’s characters, cultures, and ecosystems on a much larger scale. “We barely touched the tip of the iceberg for what we know about this world, and these characters, and how deep they can go,” she said. Bliss also explained that Avatar: The Way of Water and Avatar: Fire and Ash were designed with the fourth and fifth films in mind, describing the final two installments as the beginning of an entirely new chapter for the franchise.
Avatar: Frontiers of Pandora joins the PlayStation Plus Game Catalog next week. Stay tuned to Collider for more updates on the Avatar franchise.
- Release Date
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December 19, 2029
- Director
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James Cameron
- Writers
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James Cameron, Josh Friedman
- Producers
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Jon Landau
- Franchise(s)
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Avatar
No one mastered the whodunit with quite as much cerebral agility as Agatha Christie. That’s the furthest thing from a controversial statement, but widespread celebration doesn’t make the mind of the world’s most popular fiction author less singular. Given the wealth of spine-tingling mysteries in her catalog, there’s an excellent chance that more adaptations of the Queen of Crime’s bibliography exist than entries in her formidable catalog (66 novels, dozens of short stories). It’s fitting, then, that no novel has been more riffed upon than 1939’s And Then There Were None — the best-selling book of all time and the epochal classic regarded as Christie’s crowning jewel.
When it comes to elegant production or fidelity to the material, few onscreen interpretations surpass the BBC’s 2015 miniseries of the same name. And Then There Were None distinguishes itself within Christie’s work; it’s bleak and unforgiving, populated with irredeemable individuals, and devoid of a heroic detective’s intervention. Writer Sarah Phelps, director Craig Viveiros, and an all-star cast hold fast to Christie’s sinister, deliberately cruel cultural critique — the relevance of which hasn’t aged a day.
Apropos of seemingly nothing, 10 people accept an invitation to stay on a small, secluded island. Their host’s name, U.N. Owen, rings no bells, and they’re all strangers to one other. As they seat themselves around the dinner table, a gramophone recording brazenly declares their respective lethal crimes. Cue the ensemble dropping like flies. Part of And Then There Were None‘s brilliance is its time-honored format. For all intents and purposes, Christie invented the slasher horror-thriller: the mechanics of targets trapped inside an isolated location, a vindictive assailant hiding amongst his victims as he fells them one by one.
Any adaptation of Christie’s most acclaimed and ingenious creation must respect her narrative intricacy. She crafted an impenetrable yet plausible plot that stands the test of time. Simplifying the exceptional architecture undermines her achievement. The same faithfulness should apply to the novel’s foreboding tone, frank nihilism, and psychological emphasis. Many movie adaptations lessen the overarching despair or change the melancholy ending; Christie herself made the latter palatable for war-weary audiences of the 1943 stage play, which was completely understandable. Later films following suit, however, sanitize her scathing intentions.
Phelps doesn’t dull that serrated edge. She captures the book’s ruthlessness through horror motifs — crashing ocean waves, jolts of roaring thunder, potential danger lurking around every candlelit corner — and by accurately preserving how Christie interrogates England’s social hierarchies through a brutal character study. Set one month before the United Kingdom declared war on Germany’s Third Reich, the majority of Christie’s characters present themselves with self-righteous integrity. Behind their common courtesies, they either waver on the edge of collapse or are rotten to the core.
Human selfishness takes different forms throughout And Then There Were None: sadism, bigotry, negligence, greed, lust, and proselytizing. A respected judge (Charles Dance) hands down close-minded sentences, a doctor (Toby Stephens) imbibes alcohol before an operation, a jealous schoolteacher (Maeve Dermody) lets her charge drown, a police officer (Burn Gorman) commits a hate crime, a decorated World War I general (Sam Neill) betrays a fellow soldier and romantic rival, a mercenary (Aidan Turner) murders for profit, a spoiled socialite (Douglas Booth) simply doesn’t care, and a religious devotee (Miranda Richardson) cloaks her prejudice in piety.
‘And Then There Were None’ Amplifies the Book’s Ruthlessness
Even though these reprehensible individuals have escaped due process, does And Then There Were None‘s vigilante mastermind accomplish any lasting worth by operating outside the broken judicial system? Are they merely quenching their own violent thirst? That’s a (potentially unanswerable) question for audiences to ponder. Christie’s world and its citizens reek of hopelessness. Nevertheless, her characters can’t outrun justice, no matter how much they scramble. They descend into conflict and paranoia, cling to the honorable reputation they’ve manufactured, and argue their truth as fact. Even those afflicted with remorse can’t face themselves in the mirror long enough to admit their wrongs — until consequences strike, that is, and the well of justifications runs dry.
Even when Phelps strays from the source material, her deviations both amplify Christie’s subtext surrounding class and gender and adjust it to reflect current issues. The distressing immediacy of the cast’s past violent crimes removes the ambiguity without simplifying all that drives their respective psychologies. Two characters acting upon their sexual tension change nothing fundamental; it’s a rare intimate moment and another example of decadent indulgence.
We’re not invited to like these people or see our daily thoughts reflected back to us. Christie and Phelps splay the characters’ souls out on a surgical table so viewers can dissect their broken humanity, recognize their darkest impulses, and sit with the ramifications of their unchecked narcissism. Christie did cozy mysteries. Christie did brain-twisters. She did uncompromising fictional cruelty for a purpose. Phelps’ superb interpretation — and more harrowing resolution — denies her audience even a sliver of hope. The deeds are done, but human narcissism lives on.
And Then There Were None
- Release Date
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2015 – 2015-00-00
- Network
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BBC One
- Directors
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Craig Viveiros
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Justice Lawrence Wargrave
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Maeve Dermody
Vera Claythorne
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Paul Chahidi
Isaac Morris
-
Celia Henebury
Leslie MacArthur (voice)
A 63-year-old man was arrested for smashing his car into Beyoncé and Jay-Z’s East Hamptons residence earlier this week.
Us Weekly obtained a police report regarding an incident where Bronx resident Keith Webster was accused of driving his Subaru into a security gate on Beyoncé and Jay-Z’s Georgica Pond property on Wednesday, July 15. Webster was later charged with second degree criminal mischief and third degree criminal trespass.
Detective Sgt. Jennifer Dunn, of the East Hampton police, told The East Hampton Star by phone on Friday, July 17, that the matter is currently under investigation.
“This could be a health issue but we have to treat it as a crime until proven otherwise,” the detective clarified.
Jay-Z reunited with his wife, Beyoncé, for their first live performance together in six years on Sunday, June 22. Jay-Z — real name Shawn Carter — joined his superstar spouse on stage for her third and final Cowboy Carter Tour performance at Paris’ Stade de France. The couple reeled off a string of their biggest […]
Per a police report, a security guard observed Webster’s Subaru “driving at a high rate of speed up the driveway” towards a security gate. The subsequent collision reportedly caused “significant damage” to Beyoncé and Jay-Z’s checkpoint because Webster did not “stop at the closed mechanical driveway gates.” (It is not clear whether the couple were home during the incident.)
Webster initially remained in his vehicle following the crash but eventually complied with requests to exit. By the time police arrived, Webster was reportedly restrained and sitting in front of his vehicle.
“He wasn’t making threats. He seemed confused,” Detective Sgt. Dunn clarified.
Webster complained of pain and was thus transferred to the nearby Stony Brook East Hampton Emergency Department. He was later released in order to be arraigned, with police choosing to impound his vehicle for now.
Police were able to trace Webster’s previous travels using a license plate reader camera network. According to police, Webster initially stopped at another home in the East Hamptons area though he left without issue when he was turned away.
Detective Sgt. Jones told Page Six that Webster had “no criminal history” and there were “no weapons found, no notes found, no direct threats made and no direct mention of residents of the house.”
“He seemed confused at the scene and after the arrest,” the detective explained. “He did not make any threats or mention names of the residents. It could just be chance he picked that house if he was having a medical issue”.
Us Weekly has reached out to Jay-Z and Beyoncé’s representatives for comment.
The incident occurred just three days after Jay-Z wrapped up his three-day concert residency at Yankee Stadium in the Bronx on Sunday, July 12. The shows celebrated the 30th anniversary of his Reasonable Doubt album and the 25th anniversary of the Blueprint album. The concerts featured a surprise duet with Beyoncé on “Can’t Knock the Hustle” as well as their 14-year-old daughter Blue Ivy Carter playing piano on “Feelin’ It” alongside Mecca and Alicia Keys.
Jay-Z has made his first public appearance after being accused of raping a 13-year-old girl with Sean ‘Diddy’ Combs in the early 2000s. The rapper, 55, stepped out alongside his wife, Beyoncé, the couple’s daughter Blue Ivy Carter and his mother-in-law, Tina Knowles, at the premiere of Disney’s Mufasa in Hollywood, California, on Monday, December […]
Other guests featured during the three Yankee Stadium concerts included Eminem, Rihanna, Pharrell Williams and Usher. Beyoncé also played a medley of her hits during Sunday’s final show.
Jay-Z is set to bring the anniversary concert to Tottenham Hotspur Stadium in London on September 4, before headlining at the Stade de France in Paris on September 10 and then coming back to the U.S. on October 23 at SoFi Stadium in Inglewood, California.
The sports romance genre has taken television audiences by storm lately. Much of the success of these shows stems from the books they’re based on. First, we had the buzz surrounding HBO Max’s Heated Rivalry, based on the Game Changers series by Rachel Reid. Then, Off Campus put a different spin on the adrenaline-filled world of hockey, adapted from the book series of the same name by Elle Kennedy. While fans wait for both shows to return with their second seasons, there’s one new sports fantasy romance that combines Off Campus‘ fake-dating trope and the competitive dynamic at the heart of Heated Rivalry with the fantastical world of Fourth Wing — and it’s totally perfect for a television adaptation.
What Is ‘The Winged Game’ About?
The Winged Game, by Sophie Kim, revolves around the sport of carriwitchet (think Quidditch, but with dragons, wyverns, and stymphalian birds), and its two most famous players, Taissa Cho and Kion Locke. They used to be each other’s biggest rivals in the sport, but when Kion accuses Taissa of cheating, she’s subsequently kicked out of the league. When the book starts, Taissa has lost everything, but her life gets flipped upside down when Kion comes back into the picture. His team has experienced two years of embarrassing losses, and he needs to recruit the once-brilliant Taissa to help. The team’s publicist insists that the best PR would be to pretend they’re dating, but the only problem is that the two hate each other with an intense, fiery passion. Once Taissa and Kion reluctantly agree to the plan, of course, sparks start to fly as they become closer.
This plot would be exciting enough for a romance novel, but the fantasy aspect comes into play when the winged animals in the league develop a mysterious and dangerous illness. Taissa and Kion join forces to figure out what might be afflicting the animals, who can communicate with their owners, just like in Fourth Wing. The duo ends up embarking on a perilous journey filled with all types of fantastical figures, including fairies, vampires, werewolves, and demons. Can they figure out how to save both their winged friends and the entire sport of carriwitchet as their fake relationship starts to become all too real?
‘The Winged Game’ TV Adaptation Would Be a Fast-Paced, Fantastical Ride
The Winged Game is packed with television-worthy elements, from twists and turns in the storytelling, powerful relationships between the characters, and a fantastical sport that can be brought to life with state-of-the-art CGI and special effects. Of course, the story is built around the enemies-to-lovers and fake-romance tropes, just like in Off Campus. There’s plenty of spicy action, just like in Heated Rivalry, to satisfy viewers who like romance with some heat. And there are fantasy elements, like in Fourth Wing, that would make the series all the more entertaining to watch. It’s easy to see the adaptation being cast with fresh faces, too. Someone like Arden Cho, Lana Condor, or Leah Lewis could play Taissa, while Joshua Bassett, Josh Heuston, or Gavin Leatherwood could take on the raven-haired Kion.
There’s indeed a Fourth Wing adaptation on the way, which could serve as some competition, but that fantasy doesn’t have a relatable, contemporary setting or the sports romance element that The Winged Game does. Fourth Wing has also had a slow start to production, so The Winged Game could easily swoop in and find a devoted audience right away. If nothing else, you should check out the book for yourself so that you can dive right into its thrilling, addictive world while waiting for the adaptation rights to get snatched up.
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