War movies show the harsh realities of conflict. Many people find them hard to watch because a lot of them show the dark side of it although I’d argue not all of them are able to really zero-in on harsh realities of war that well. It’s just that the people are too oblivious and soft. Anyway, in the past, war films often depicted soldiers as heroes who would do anything for their country.
Today’s war movies, on the other hand, take a more honest approach and show the true terror of war and the brutal conditions soldiers face. They also highlight the deep psychological scars that can stay with soldiers for life. Those are the war movies that are true masterpieces, honestly, and that’s what this list is about. It’s about war films that offer both entertainment and moral insight. Here is a curated list of ten such masterpieces that are pure cinema.
The Thin Red Line begins with Private Witt (Jim Caviezel), who serves in an American unit while preparing for the Guadalcanal campaign during World War II. Unlike many of the soldiers around him, Witt often reflects on life beyond the battlefield while struggling to reconcile the violence of war with his own sense of human nature. As the unit advances toward heavily defended Japanese positions, the men endure exhausting conditions that test both their strength and their emotions.
With the ongoing operation, the story shifts among different members of the company, showing how each responds to the conflict in their own way. Lieutenant Colonel Tall (Nick Nolte) pushes for aggressive action, determined to achieve victory at any cost. At the same time, Captain Staros (Elias Koteas) grows increasingly concerned about protecting the lives of his men.
In The Deer Hunter, the story starts with Michael (Robert De Niro), Nick (Christopher Walken), and Steven (John Savage), who are close friends living in a working-class town in Pennsylvania. Before leaving for military service in Vietnam, they spend time with family and friends while sharing routines and traditions that define their lives at home. These early moments establish the bonds between them and also create the emotional foundation of the story. Although they prepare to leave together, none of them truly understands how deeply the war will change their futures.
Once the story shifts to Vietnam, each friend goes through situations that are completely different from the lives they used to have. The brutality of conflict begins to affect each of them differently, which also shapes the paths they follow after the war. At last, when they eventually return home, the weight of those experiences continues to influence their relationships, choices, and sense of identity.
Paths of Glory centres on Colonel Dax (Kirk Douglas), who commands French soldiers during World War I and is ordered to lead an attack against a heavily fortified German position. From the start, the mission looks nearly impossible, yet some senior officers insist that it must go forward despite the risks. As preparations unfold, Dax focuses on supporting his men, while knowing they are being asked to face overwhelming odds.
After the operation fails, military leadership searches for individuals to blame rather than examining the decisions that led to the outcome. Several soldiers are selected to stand trial as examples to the rest of the army. Dax becomes determined to defend them, insisting that the real conditions of the attack were purposely overlooked. The story develops through this struggle between authority and accountability. The attention shifts from the battlefield itself to the consequences of choices made far from the front lines.
Come and See takes place in Nazi-occupied Belarus during World War II and is seen through the eyes of a young boy named Flyora (Aleksei Kravchenko). He joins a group of resistance fighters with excitement and little understanding of what war actually brings. Very quickly, that excitement disappears.
Flyora moves through burned villages, mass executions, and endless displacement. People vanish without explanation. Entire communities are erased within minutes. The violence is not presented as heroic or dramatic. It appears sudden and overwhelming. Adults around Flyora lose control while he is forced to grow numb just to survive. By the end, the film shows a child who has aged far beyond his years. War is not portrayed as a battle here. It is shown as something that destroys memory, identity, and innocence at once
Dunkirk is about a large group of British soldiers who are trapped on a beach in France during World War II and are waiting for a way out. The film follows a few different groups, including young soldiers like Tommy (Fionn Whitehead), civilians who cross the Channel in small boats, and fighter pilots trying to protect the evacuation from the air. None of these people has much information. They only know that staying where they are will likely get them killed.
As the hours pass, the film stays focused on how limited their options are. Soldiers hide behind barriers and move when the crowd moves because there is nowhere else to go. Civilian boat owners continue forward even when they realize how dangerous the trip is. Pilots stay in the air longer than they should because turning back too early would leave the beach exposed. The story moves through these choices, showing how survival slowly replaces any larger sense of purpose.
The film Apocalypse Now is set during the Vietnam War and centers on Captain Willard (Martin Sheen), a U.S. Army officer who was sent on a classified mission up a river in Cambodia. His task is to locate Colonel Kurtz (Marlon Brando), an officer who has gone rogue and now commands his own group of followers. Willard is given little guidance beyond the order to bring the mission to an end.
The journey upriver becomes stranger and more unstable with every stop. Soldiers fight battles that seem disconnected from any clear goal. Commanders speak with confidence even when their decisions make no sense. As Willard moves closer to Kurtz, the idea of duty starts to blur. The film shows how authority breaks down when war removes clear limits. By the time Willard reaches his destination, the mission no longer feels separate from the madness surrounding it.
The story of Lawrence of Arabia is based on T. E. Lawrence (Peter O’Toole), a British officer sent to the Arabian desert during World War I to gather intelligence. He becomes involved with Arab forces who are fighting against the Ottoman Empire. Lawrence begins as an observer but slowly takes on a leadership role that reshapes his identity.
The desert becomes both a setting and a test. Long journeys across open land demand patience and control. Victories bring attention and influence, but also distance Lawrence from his original purpose. As his reputation grows, so does his belief in his own importance. The violence shown in the film starts to feel easier for him than it should. The movie spends that time carefully on this shift and lets it unfold very realistically. By the end, Lawrence is no longer sure where duty ends and ego begins.
In the story of The Battle of Algiers, Ali La Pointe (Brahim Haggiag) begins as a petty criminal in French-controlled Algeria but soon becomes involved with the National Liberation Front during the Algerian War. His choice draws him into a movement fighting for independence through organized resistance against colonial authority. As Ali grows more committed, he takes on greater responsibilities within the group, adapting to the demands of underground operations and the constant threat of discovery.
At the same time, French military forces intensify their efforts to dismantle the resistance. Surveillance, intelligence gathering, and coordinated security measures are used to weaken the movement. Both sides adjust their strategies in response to shifting conditions, creating a conflict that spreads across the city and affects daily life. This ongoing struggle shows how each action taken by one side sparks a response from the other.
Ran follows Hidetora Ichimonji (Tatsuya Nakadai), an aging warlord, who decides to divide his kingdom among his three sons, believing this will secure peace after his retirement. He expects unity and stability, but ambition, loyalty, and judgment soon clash, which strains the relationships between the brothers. What begins as a practical plan gradually turns into rising tensions that spread across the land.
As conflicts grow, Hidetora is forced to face the consequences of his choices, both in the present and from his years as a ruler. Alliances shift, rivalries deepen, and violence spreads through regions once under his control. Each son responds differently to the changing political landscape, shaping the course of events in unpredictable ways. The story unfolds through these escalating struggles, showing how an attempt to preserve order instead unleashes chaos.
In the film Ivan’s Childhood, Ivan (Nikolai Burlyaev) is a young boy whose life has been shattered by World War II. After losing his family, he begins to work with Soviet forces, while carrying out dangerous reconnaissance missions behind enemy lines. Those around him recognize his intelligence and determination, but they also know the risks of the role he has taken on. Ivan approaches these missions with seriousness, believing that helping the war effort gives meaning to his loss.
With time, military officers struggle to balance their need for Ivan’s skills with concern for his future. They see that he is still a child, yet the war makes it nearly impossible to separate him from the responsibilities he has assumed. Through missions, memories, and conversations, different sides of Ivan’s life gradually come into focus. The story develops through this contrast between childhood and conflict, following a boy forced to grow up in a world shaped entirely by war.
May 9, 1962
95 minutes
Andrei Tarkovsky
Andrei Konchalovsky, Vladimir Bogomolov, Mikhail Papava
If there’s one thing ‘Love Island USA’ fans are going to do, it’s clock in daily and sound off online. Just one week into the season, viewers are already picking favorites, rooting for couples, and campaigning for who they think needs to pack their bags and leave the villa. Most recently, Lizzo had social media talking after sharing exactly how she thinks the next elimination should go down.
‘Love Island USA’ has completely taken over timelines, group chats, and TikTok For You Pages. Fans have been debating everything from their favorite Islanders and couples to who should pack their bags and leave the villa next. Now, even celebrities are joining the conversation.
Lizzo recently took to TikTok to weigh in on the latest villa drama and share her strategy for the upcoming vote. In a post, she wrote, “If we vote for Sol & Sincere, then Melanie will choose Corbin, and then we can send Mel & Corbin both home next vote.”
The post quickly made its rounds online, with viewers debating whether Lizzo was cooking up the perfect elimination strategy or completely off base with her prediction.
Social media users wasted no time sharing their thoughts on Lizzo’s comments.
Instagram user @adoreee_mani_ wrote, “See I was with you at first but Mel not goin now where”
Another Instagram user @therealkalia wrote, “leave mel alone!!!!!!”
While Instagram user @nae.arielle wrote, “Celebrities need to keep it to a minimum…”
Instagram user @dom.evansss wrote, “Why would we send Mel home and she’s the drama ?? Y’all gotta make it make sense”
Another Instagram user @skytoopretty wrote, “Speak for yourself who tf is we?”
While Instagram user @nyahnashae wrote, “how about we send you home next vote”
Instagram user @angiespamz2.0 wrote, “I like how Lizzo thinks”
Another Instagram user @tasiaaaaa.a wrote, “she do only one actually ‘exploring’ which is what you pose to do on there show….its about finding love not being popular”
While Instagram user @benikabongo wrote, “Lizzo need to gone on and worry bout that album that flopped”
While fans continue debating who should be sent home next, the villa has already seen its first elimination.
Sean Reifel became the first Islander dumped from the villa after finding himself single following a recoupling. Sean had begun building a connection with Kenzie, but newcomer Corbin ultimately chose her first, leaving Sean without a partner and vulnerable to elimination.
Before entering the villa, Sean had already made headlines after leaving his job as a police officer to join the reality dating show. His departure sparked criticism from local officials, with Easton Mayor J. William Reynolds expressing frustration over the time and taxpayer money invested in training Sean before he resigned.
Now, Sean’s ‘Love Island USA’ journey has officially come to an end, making him the first Islander sent packing this season.
What Do You Think Roomies?
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Navarro said she doesn’t want the interview to “turn into some free-for-all for the sake of creating a moment for him so that he can go out and sell books.”
The Queens of Stop! That! Train! have so much set tea that you don’t want to miss. Marcia Marcia Marcia, Symone, Ginger Minj and Brooke Lynn Hytes tell us who the Ms. Congeniality of the movie is, their Queen of Queens, Mirror Hog and the improv champion.
When the girls get together, you know you’re in for something iconic.
Editor’s Note: The following contains spoilers for Episode 5 of Maximum Pleasure Guaranteed
Summary
Apple TV has yet another hit on its hands with David Rosen‘s Maximum Pleasure Guaranteed. The darkly comic thriller follows Tatiana Maslany‘s charming and wonderfully messy Paula, a recently divorced soccer mom who, on top of a child custody battle and irritating young coworkers, is swept up in a chaotic blackmail scheme involving online sex worker Trevor (Brandon Flynn).
After five non-stop episodes, it’s become crystal clear that Maximum Pleasure Guaranteed is anything but predictable. One of the most interesting parts of the series, though, has (largely) nothing to do with Paula’s deadly circumstances. Paula’s ex-husband Karl (Jake Johnson) and his new partner, Mallory (Jessy Hodges), are pushing to bring Paula and Karl’s daughter Hazel (Nola Wallace) to Boise permanently, much to Paula’s growing frustration. In their defense, Paula hasn’t been the most trustworthy guardian.
Episode 5 of Maximum Pleasure Guaranteed has been quite telling, with Mallory’s bribery twist ahead of the custody trial putting her in a darker light, and Karl lying about the cops adding another layer of deceit to their marriage. During this interview with Collider, Jake Johnson and Jessy Hodges talk about the importance of perspective in a series like this, why Johnson never saw Karl as an antagonist, and whether or not they were surprised about where their characters would go.
COLLIDER: I’m really excited to talk to you both. Jake, I just want to start by saying Ride the Eagle is one of my absolute favorite movies and I really admire you as a screenwriter. As someone trying to make it as a screenwriter, that movie means a lot.
JAKE JOHNSON: Thanks so much! That was our little pandemic baby we made for $250,000. That was a little backyard project.
And Jessy, I love Barry. I feel like the common denominator here is D’Arcy Carden, I’m realizing.
JESSY HODGES: It is! [Laughs] It is.
JOHNSON: You love D’Arcy Carden. [Laughs]
HODGES: As do I! She’s like my best friend.
That’s so cool. Yeah, she’s great. Okay, let’s talk about this show. As we can see pretty quickly in the series, Paula has an outlet for her pleasure. Is there a TV show or a movie or maybe something you do that can turn your mood around instantly if you’re in a funk?
JOHNSON: Well, this is going to be hard because she’s masturbating.
HODGES: Oh boy. Here we go.
JOHNSON: [Laughs] I have an outlet for my pleasure, but I want to make sure I answer correctly.
HODGES: Careful….
[Laughs] I was thinking something more PG.
JOHNSON: I can always watch the show Cheers, which I love, but it’s different than what Paula does. [Laughs]
HODGES: It’s a different kind of a pleasure.
It is.
JOHNSON: [Laughs] I could watch that show endlessly, and I’ve been able to since I was a boy. I just adore it.
HODGES: That’s a great answer. It’s a classy answer. Mine’s not. Mine is The Real Housewives. It doesn’t even matter the franchise. Almost anything on Bravo is a pleasure to me. Right now, I’m really loving Summer House, but Real Housewives of Atlanta is really coming on up and Beverly Hills is always important to me, too.
Maximum Pleasure Guaranteed is so unpredictable, all the way up to the finale’s final scene, which rattled me. What was your impression when you first got the story and learned where your characters were going?
HODGES: We read so many scripts and when I got this script, it just leapt off the page. It’s just so well written and so dynamic. There’s so much going on. Seeing that David Gordon Green was attached to direct it and that the cast that was coming together, I was just like, “I will give my left leg to be a part of this.”
What were your first impressions, Jake, when you were reading Karl? Because I feel like you play a lot of very charming characters that are really easy to like and you have really great chemistry with everyone you interact with. Karl is not really doing anything wrong — he wants the best for his daughter — but you kind of are positioned to not really like him that much. How did you approach that?
JOHNSON: I try to approach them all the same way. I viewed this from Karl’s point of view. I think if the script was a little bit different and we were seeing it from Karl’s point of view, the audience would like him a lot more and like Paula a lot less, but it’s her show. But I don’t view it any differently. I think everybody always thinks they’re the protagonist of their story, so from his point of view, he’s a really great father who has made a hard decision and that is to leave the mother of his daughter for a woman that he thinks is a better fit for not only him, but for his daughter. And he thinks the Idaho move is really great for everybody, Paula included. So when terms like manipulative get thrown at him, I think it was a shock to Karl. And as the guy playing him, it was a shock to me too. I was team Karl.
There were so many scenes where you could tell just without him even saying anything, that he didn’t want to do what he was doing.
JOHNSON: Yes.
He doesn’t want to rip Hazel from Paula.
JOHNSON: It was a very enjoyably frustrating job to have because I felt like they’re not letting Karl win and they’re not letting the things that he wants to happen, happen. And I’m not just talking about towards the end, but each sequence, like when he goes to the soccer game and he’s trying to be nice to her, Paula keeps doing things where you’re like, “There’s such an easy way we can get along and make this work.” And she never allows his plan to finish, which was incredibly frustrating. Again, I think if Karl was the lead of it, the audience would say, “Wow, how does he deal with such a frustrating partner?” [Laughs] But that’s me being a salesman again. My next job is going to be a real estate agent. I’d love to get you a beautiful property.
HODGES: [Laughs] Yeah, he has a whole plan.
JOHNSON: [Laughs] But that’s not about this.
‘Maximum Pleasure Guaranteed’s Tatiana Maslany Reveals the “Horror” Episode 4 Unleashes on Paula
The darkly comedic Apple TV thriller completely changes everything in its latest episode.
Jessy, your character starts out fairly benign, and then she really takes things into her own hands. I think Karl gets really upset with the private investigator and her swapping the file. Were you surprised at the direction Mallory was going in?
HODGES: No, I was not surprised. I think it’s important to remember that she’s a lawyer, and I think she’s a very black and white thinker. Once it became clear that they were involving lawyers and courts in this custody situation, it became a thing to win or lose. And she’s not a person who looks forward to losing, which means she’s trying to win. Is it what I would have done myself? Not necessarily. But I think it was very consistent with the character.
JOHNSON: I have to jump in here. I’m sorry. I love Jessy very much.
HODGES: Uh oh, here we go.
JOHNSON: But she was confused about the character, deep into the series. When I said something about how Mallory’s kind of the bad
guy of the show. She went, “What?”
HODGES: [Laughs]
JOHNSON: I said, “I think you will see this.” We were at a restaurant and she’s like, “No. Mallory? No.” And I was like, “Yeah, I think she’s more than just Karl’s new wife. I think she’s somewhat of a villain. And Jessy very clearly was like, “Jake, you are crazy.”
HODGES: “Honey, you’ve got it wrong.”
JOHNSON: “And quite a big imagination.” [Laughs]
HODGES: Well, I mean, this actually speaks to the quality of the writing, but like Jake was saying, we are all the leads of our own storyline. So to me, everything that she was doing was pretty natural, and in keeping with what they’re trying to achieve for their family and what she’s personally trying to achieve.
Tatiana is such a great anchor to this series and Paula is such a powder keg. What was it like sharing scenes with Tatiana?
JOHNSON: She’s an amazing actress. Really great to work with. Great to be around.
But what was interesting, at least for us, is we didn’t experience any of her other storylines. So now when you watch it, you get to see what she was going through, but especially in production, you’re not thinking about what else they shot. So at least for the three of us, we were in a little indie about a custody drama.
HODGES: Yeah. We were so siloed. We only saw each other, but just to add to what he’s saying, she is so talented and what she’s doing in this show is so exciting and dynamic and unpredictable and working with her was such a joy. I think especially as our duo too, because in the same way that Karl and Mallory are like, “Well, what’s Paula going to come at us with this time?” is thrilling for actors. That’s what it was like. It was like, “What is Tat going to bring this time?”
JOHNSON: Totally.
HODGES: My job was just responding to her. It was so easy to act with her as it was this guy. When actors are this talented, it’s just easy.
Thank you so much. I have to wrap, but it was a pleasure talking to you and watching the show. Thank you for your time.
JOHNSON: Good luck with the screenplays.
HODGES: Yeah!
Thank you so much! I appreciate it.
New episodes of Maximum Pleasure Guaranteed air Wednesday on Apple TV.
The FIFA World Cup officially kicked off this week, hosted by the U.S., Mexico, and Canada, but that doesn’t mean there isn’t still plenty of non-soccer content worth your time on streaming, in between the countless matches. From Stranger Things creators the Duffer Brothers‘ new series The Boroughs, to the second season of The Four Seasons, and the true crime series Michael Jackson: The Verdict, you can’t go wrong with Netflix to help keep you entertained. But what exactly should you watch? To help you decide, here’s a list of three shows you should binge-watch on Netflix this weekend.
For more recommendations, check out our list of the best shows and movies on Netflix.
Disclaimer: These titles are available on US Netflix.
Whether you’re a fan of Gilmore Girls or Virgin River, you simply can’t beat some small-town drama to help keep you hooked on a weekend. This past Thursday, one of the best Gilmore Girls replacements officially returned with its hotly anticipated fifth season, and there has been no better time to catch up than now.
Sweet Magnolias, created by Sheryl J. Anderson, follows three women, best friends since high school, as they look to balance careers, romance, and friendship in the small Southern town of Serenity. For indulgent drama and plenty of margaritas, you simply can’t go wrong with this effortlessly cozy hit series, and, with 50 episodes now available, there’s more than enough to keep you busy.
Another series returning in 2026, although we have yet to receive an exact release date, is The Diplomat, which starred as one of the best shows on Netflix last year with its third season. The series follows the Emmy-nominated Keri Russell as Kate Wyler, the newly appointed U.S. ambassador to the United Kingdom, as she tries to balance international relations and public scrutiny in the midst of a high-profile crisis.
Created by Debora Cahn, The Diplomat is one of the smartest shows available on Netflix, bursting with clever dialogue and a gripping central plot. Add that to stand-out performances from the ever-brilliant Russell, Rufus Sewell, David Gyasi, Rory Kinnear, and more, and you have a recipe for unmissable, acclaimed television. 22 episodes of The Diplomat are currently available, with the hope that the show will return this October.
Rounding out a trio of Netflix shows set to return in 2026 is 3 Body Problem, Alexander Woo, David Benioff, and D. B. Weiss‘ adaptation of the Chinese novel series Remembrance of Earth’s Past. The series follows a Chinese astrophysicist who, after witnessing tragedy, is sent to a secret military base. Whilst there, and facing her demons, she makes a decision that will reverberate from the 1960s through to the present day.
Featuring pitch-perfect performances from the likes of Eiza González and Benedict Wong, this gem of a sci-fi series is expected to return for its second season later this year, making now an ideal time to catch up. Both entertaining and educational, 3 Body Problem was a big hit with critics in 2024, even earning six Primetime Emmy Award nominations, including in the Outstanding Drama Series category.
March 21, 2024
Minkie Spiro, Derek Tsang
Taylor Swift’s appearance at Wednesday night’s NBA Finals game delivered plenty of headline-making moments, but one unexpected interaction stole attention away from the action on the court.
The pop superstar was enjoying the game from a coveted courtside seat at Madison Square Garden when an eager fan attempted to get close enough for a selfie.
Before the encounter could escalate, Swift’s longtime bodyguard quickly stepped in, creating a viral moment that quickly became one of the most talked-about stories of the evening, overshadowing several other celebrity-filled headlines.
Taylor Swift was among the celebrities attending Game 4 of the NBA Finals as the New York Knicks staged a dramatic comeback victory over the San Antonio Spurs.
The singer sat courtside alongside sisters Este and Alana Haim while her longtime security guard remained positioned directly behind her.
Known among Swift’s fanbase as “Drew,” the bodyguard has spent roughly a decade protecting the pop star while successfully keeping his real identity private.
During a break in the action, Swift and her friends were standing near their seats chatting when a fan attempted to approach.
According to footage obtained by the Daily Mail, the man moved toward the “Cruel Summer” singer while holding his phone, apparently trying to take a selfie.
Before he could get too close, Drew quickly intervened and physically redirected the fan away from Swift. The moment unfolded within seconds but immediately drew attention due to the bodyguard’s swift response.
An eyewitness who witnessed the incident provided additional details about what happened.
“The guy refused to stop at a security checkpoint. He pushed his way up to her and her security team quickly jumped in to protect her,” the source told the outlet.
Even after being escorted away, the fan reportedly continued to hold his phone in selfie mode. Rather than appearing upset, Taylor Swift reacted calmly when she noticed him.
The Grammy award winner smiled and waved toward the camera as security handled the situation.
The fan ultimately managed to snap a photo showing himself smiling while Swift and her friends appeared in the background.
He later shared the image on social media and seemed thrilled by the interaction despite being stopped. “@taylorswift13 thank you for saying yes to a picture before they shoved me away!” he reportedly wrote.
The evening also featured several celebrity interactions that generated buzz across social media. Among those in attendance were Timothée Chalamet and Kylie Jenner, who were spotted enjoying the game together.
Fans reacted strongly after Jenner shared a warm embrace with Taylor Swift, given the singer’s long-running public feud with Jenner’s half-sister, Kim Kardashian.
“You won’t understand how big this is unless you’re into pop culture,” one fan wrote online. Another joked: “Knicks bringing world peace.”
The game also placed Swift in the same arena as music executive Scooter Braun, whose acquisition of her master recordings famously sparked years of conflict and ultimately led to her “Taylor’s Version” re-recording project.
Braun attended alongside actress Sydney Sweeney and was reportedly seated several rows behind Swift.
Other celebrities filling the arena included Jerry Seinfeld, Hailey Bieber, Adam Sandler, Spike Lee, Larry David, Tate McRae, Jimmy Fallon, and Ben Stiller.
The courtside incident comes as speculation surrounding Swift’s personal life continues to intensify.
Recent rumors have suggested that Taylor Swift and fiancé Travis Kelce could be planning a wedding celebration connected to Madison Square Garden.
However, the rumored wedding venue found itself in the spotlight for an unsettling reason after a violent knife attack erupted just steps away from Madison Square Garden.
As reported by The Blast, five people were slashed Sunday night inside New York City’s Penn Station, which sits adjacent to the iconic arena that has been repeatedly linked to the couple’s highly anticipated wedding plans.
Police said the attack unfolded inside the Amtrak terminal when a suspect allegedly began slashing victims with a knife for reasons that remain unclear.
All five victims were rushed to local hospitals for treatment, while authorities quickly took a person of interest into custody.
While speculation centered on the iconic New York venue hosting more than 1,000 guests, new insider claims suggest the Madison Square Garden buzz could be a deliberate distraction designed to protect the couple’s privacy.
As The Blast reported, sources revealed that the 36-year-old is instead planning a much smaller and more intimate ceremony for her closest family and friends, with her Rhode Island estate, known as High Watch, emerging as a possible secret venue.
According to insiders, only a select group knows the true location, while some guests have reportedly been told to arrive at Madison Square Garden before receiving further instructions.
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Michael Gledhill, the suspect in the 81-year-old’s killing, remains in custody on $2 million bond.
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Adams says that the surprising new addition to the cast was “lovely and committed and fun.”
Love Island USA‘s Kenzie Annis and Corbin Mims appeared to find a way to secretly hook up on screen — with the night cameras catching a glimpse of their encounter.
During the Thursday, June 11, episode of the hit Peacock series, the cameras in the villa showed each couple in bed after lights out. It was the view of Kenzie and Corbin, however, that made audience members question if they were secretly having sex.
The couple didn’t directly address the seemingly steamy moment — but Kenzie did hint at their chemistry, adding, “We have a really good physical connection in the bed.”
Love Island USA viewers had a front row seat to the sexcapades that took place this year in Fiji. While past seasons featured some couples finding ways to share an intimate moment or two, it felt like season 7 set some kind of record with the amount of sexual “journeys” taking place in the communal bedroom.
“We did have a code word [for sex which was] ‘journey’ and it kind of traumatizes me now. When somebody outside is like, ‘Oh, a journey?’ I’m like, ‘How dare you!’ I am clutching my pearls,” Amaya “Papaya” Espinal joked on the “Call Her Daddy” podcast in July 2025. “People were having journeys.”
Since there wasn’t room for much privacy, Amaya confirmed that it did get awkward at night, adding, ”I’m like, ‘Can I sleep?’ We already don’t get enough sleep around here and then you hear [sexual noises]. The earplugs [we got] were not plugging? Those were low quality earplugs because we were still able to hear things. Especially if there’s a couple right next to you.”
Amaya was also asked about her time in The Hideaway with fellow winner Bryan Arenales. (The pair have since split.)
“It was steamy, all right. We were hot and we were sweating. It really was a great feeling to just have that private and intimate moment,” she gushed. “We actually do want to talk to each other and we love being next to each other. The next morning, we were just sitting and we were just quiet. It was beautiful and silent. I really did feel like I found my best friend where I could yap away or have a quieter moment.”
When asked whether Bryan really did “eat that kitty in The Hideaway,” Amaya coyly replied, “Well he definitely took that advice. We had a great night.”
They got a text — and found love in the Love Island USA villa. The beloved British dating show made its way across the pond in 2019, following a crop of American bombshells searching for The One in a luxury tropical villa. In season 1, eventual winners Elizabeth Weber and Zac Mirabelli had a connection […]
While Love Island USA viewers know that “journey” is a code word the Islanders use for sex, the term “folded” is another one that has been brought up multiple times last season. Chris Seeley quietly revealed to Bryan that he “folded” the night prior with Huda Mustafa, adding, “I wasn’t going to tell anybody. [But] I couldn’t do it any more. I really tried [to hold out]. I just didn’t want to tell the other boys.”
In a confessional, Chris elaborated on how having sex has helped his connection with Huda evolve.
“I feel like that was just a great step into our physical connection that we probably don’t show in front of everyone else,” he noted. “It definitely made us feel stronger in our physical connection. That is really all I can say about that.”
New episodes of Love Island USA are released six days a week — except for Wednesdays — on Peacock.
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Alan Ritchson has warmed the hearts of audiences as the burly and principled Jack Reacher, but his 2024 World War II action-comedy is much more flashy. Guy Ritchie’s The Ministry of Ungentlemanly Warfare is currently streaming on Peacock and is a spiritual successor to Quentin Tarantino’s Inglourious Basterds. Richtson stars as one of the members of Winston Churchill’s initiative to fight Nazis through underhanded means.
Aptly called The Ministry of Ungentlemanly Welfare, this band of brothers did not follow the rules of engagement as were established at the time. Instead, they used subterfuge, spies, and murder to combat one of the most evil authoritarians in world history. Their methods were so outrageous that if they were disavowed by the British government and if they were discovered, they would be imprisoned. The stakes were high, resulting in a high-octane action narrative fueled with blood and explosions.
Serious and heartfelt World War II stories like Band of Brothers and Saving Private Ryan handle this period with reverence. This was supposed to be the last great war and the last conflict that had a righteous cause. Part of the joy of The Ministry of Ungentlemanly Warfare is that it strips all these expectations away. This was a real unit, and all the characters portrayed actually existed. Unlike Inglourious Basterds, which is revisionist history, Guy Ritchie’s movie uses truth to tell an engaging and hilarious story, taking out all the pomp and circumstance of a time that feels so long ago.
The Ministry is led by Gus March-Philips, played with particular glee by Henry Cavill. Opposed to any self-serious roles he has played in the past, this is a refreshing change. March-Philips is characterized by his misanthropic approach to combat and his general disregard for the rules. He is perfect to pull off a mission to diminish the Nazis, though he insists on bringing his own team, who are just as wild as he is.
Cavill’s antics in the film are as hilarious as they are brutal, as are the rest of his squad. Alan Ritchson exercises his comedic chops as the Danish archer, Anders Lassen, who wants as many Nazi hearts as he can get. The violence, paired with the winks at the audience, subverts other war narratives of its kind. It is Ritchie in his purest form and an acceptable continuation of his other pieces of action fare. Its greatest asset, however, is the vigor it brings to killing Nazis onscreen. Nazi-killing has been a fad recently, with bonkers ventures such as Sisu, and it continues to resonate no matter how many times it happens.
The villains of The Ministry of Ungentlemanly Warfare are something that everyone can agree on, which makes this adventure particularly enjoyable to watch. Now streaming on Peacock, the war comedy isn’t typical of the genre, but in the end, that is what makes it a streaming success. The stacked cast of rebels eviscerating Nazis is exactly what viewers are signing up for when taking on this film.
April 19, 2024
120 minutes
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