Chelsea Anderson has built a massive following on Instagram by turning everyday parenting challenges into clever solutions. Known as a professional life hacker and the “Michael Jordan of babysitting,” the social media influencer shares tips, tricks, and time-saving hacks that help families simplify life while keeping the fun intact.

Through her recent partnership with Pirate’s Booty, Anderson is helping to spark imaginative play this summer with Captain Bob’s Summer Quest. 

Chelsea Anderson sat down with The Blast to speak exclusively about the partnership, share some babysitting stories, and where the nickname “Michael Jordan of babysitters” came from. 

When asked how she knew that sharing life hacks online was what she was meant to do, Anderson told The Blast that she feels it was “fate.” 

“My very first video that I posted was just about a hack to help get your kids to bed, which was a pj fashion show,” she said. “Where instead of telling them it’s time for bed, go put your pjs on, you say, ‘We’re going to have a fashion show, and we have to get our teeth so sparkly for the fashion show.”

This approach, Anderson said, brings play into focus and makes bedtime so much more fun. She added that “it just shows you how adding a little bit of play to those moments could become core memories and it doesn’t require some elaborate setup.” 

Chelsea Anderson Is The ‘Michael Jordan Of Babysitting’

Anderson’s self-appointed title, the “Michael Jordan of babysitting,” came from all the positive feedback she has received from her “tiny clients” from the past two decades.

“I think I’ve always deeply related to kids and loved kids,” she told The Blast. “We have similar hobbies and similar dislikes, like going to bed and sometimes eating vegetables, so I deeply empathize with them.” 

She also shared that she’s “always surprised and inspired by them.” 

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Partnering With Pirate’s Booty

For Anderson, partnering with Pirate’s Booty to help spark imaginative play this summer with Captain Bob’s Summer Quest, was a perfect fit. 

“My channel is all about helping parents realize that play is probably easier to access than they might think by giving them specific jumping off points, specific ideas, not just saying ‘make it fun’ but showing them how,” she told The Blast. “When I talk to parents about this campaign, it just feels like such an extension of what I love to do – show parents or caregivers in general simple activities that don’t require a ton of prep, that don’t require a ton of supplies, and that you can do this afternoon.” 

Chelsea Anderson Said Not Having Kids Gives Her A Different Perspective

Anderson also shared why not having her own kids helps her to give her a unique perspective on how she sees parenting.

“I think of parenting as this, like two jobs – front of house, kid facing, and back of house, not kid facing,” she shared. “I don’t have any of the stresses of the back of the house, so I’ve had this brain space to think about activities. I have years of experience of doing it across hundreds of kids, so I kind of know the pattern of what tends to work and it’s honestly such a joy to be able to deliver that to parents who I know are very busy.” 

She also wanted to reiterate that the Pirate’s Booty guide is free and has ideas that can be implemented immediately with any age child. 

“Parents are under a lot of pressure, and you don’t want to set up three activities if you have three kids that are different ages,” she added. “So I would say check this out even if you have slightly older kids.”

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Kids Are ‘Such Experts’

While discussing fun babysitting moments, Anderson recalled one that sticks out for her.

“I was babysitting this little boy and he was really excited to tell me about something he’d learned about dinosaurs. But first he asked me, ‘do you know about dinosaurs?’ And I’m like, ‘yeah, I know about dinosaurs.’ He’s about to go on and goes, ‘how much do you know about dinosaurs?’ He’s trying to decide where he should start with me,” she shared with a laugh. “And the reason that I love it so much is because kids, even though they’re young, they’re such experts in the things that they’re passionate about.”

She added that parents can download the Pirate’s Booty Captain Bob’s Summer Quest guide and do some of the fun activities with their kids.

“You might be shocked that it’s the kids running the show and not you,” she said. “I always encourage parents to hand over that control whenever you can because your kid has some expertise and probably some stuff you could learn from them.”

For more information about Pirate’s Booty Captain Bob’s Summer Quest, visit the website.

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FKA Twigs is refusing to let Shia LaBeouf rewrite the narrative.

A fresh court argument has sparked renewed debate over accountability, public perception, and who should bear responsibility for the fallout from the years-long case. The filing suggests neither side is ready to let the matter rest.

As the legal fight takes another unexpected turn, FKA Twigs is making it clear she does not agree with LaBeouf’s latest attempt to frame the lasting impact of the case.

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FKA Twigs is pushing back against LaBeouf’s claim that public statements made after their legal settlement harmed his reputation. In a new court filing, the singer argued that any damage to the actor’s public image stemmed from his own actions rather than anything she said after the case concluded.

The filing comes after LaBeouf accused Twigs of violating the terms of their 2025 settlement by discussing him during an interview in which she said she no longer felt “safe” as a woman in the entertainment industry and spoke about supporting other survivors. Twigs maintains those comments did not breach the agreement.

Twigs also argued that LaBeouf cannot blame her for setbacks in his career, pointing instead to his own history of arrests, alleged violent behavior, erratic conduct, and past homophobic remarks. According to the filing, those actions, not her public comments, are what affected his reputation and career prospects, per TMZ.

The Singer Says Settlement Did Not End The Emotional Impact

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The latest court battle arrives months after Twigs publicized her settlement with LaBeouf and said the agreement failed to make up for the emotional turmoil of the years-long litigation. The case never made it to trial, though the singer admitted it’s been a slow process so far to move on.

In an interview after the settlement, Twigs said she still didn’t feel safe even though she had settled the lawsuit. The musician didn’t dwell on what had happened in the past, but instead said she had moved on to assisting groups to support survivors and to rebuilding her life with music and art.

The Blast reported that she described looking ahead as more important than revisiting the painful chapter. The comments offered a rare glimpse into how the settlement affected Twigs personally, even as she tried to close one of the most difficult periods of her life.

FKA Twigs Reflected On Why Speaking Out Mattered

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Twigs filed a lawsuit against LaBeouf in 2020, alleging sexual battery, assault and emotional distress in the wake of their breakup. In the complaint, she alleged that he had been psychologically manipulating her and that she had been subjected to other forms of abuse. Still, the case was settled privately years later.

The legal battle did not go to court, though, and the settlement had polarizing online reactions. Some felt that the dismissal was in favor of LaBeouf; others hoped the agreement would give Twigs a chance to heal and recover.

Despite the case being behind her, the singer has made it clear that it is important to be able to speak openly about her experience. The message has shaped public discussion on the lawsuit and the arguments now being presented by the former couple in court.

The Former Couple’s Settlement Sparked Mixed Reactions From the Public

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The settlement of the lawsuit before trial sparked mixed feelings amongst the public and among fans about its impact on both Twigs and LaBeouf. The case was dismissed with prejudice, meaning the singer can’t reopen the case against the actor.

Following the settlement, attorneys for both sides released a joint statement confirming they had reached a private agreement while wishing each other “personal happiness, professional success, and peace in the future.”

The Blast reported that the outcome quickly fueled debate online, with some users supporting the dismissal. In contrast, others expressed hope that Twigs could finally find healing after years of litigation.

The settlement also closed one of Hollywood’s most closely watched legal disputes, but it did little to end public discussion surrounding the allegations and their lasting impact on both parties.

FKA Twigs Said Speaking Out Was Bigger Than The Lawsuit

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Long before the latest court filings and settlement dispute, FKA Twigs said the decision to accuse LaBeouf of abuse publicly was driven by a desire to protect others. After filing her 2020 lawsuit, the singer explained that remaining silent was never an option if it meant someone else could experience similar harm.

During an interview with GQ, Twigs said she chose to speak out because she did not want anyone else to get hurt, even if doing so invited criticism or further emotional pain.

She also revealed that thoughts of her future children gave her the courage to tell her story, saying she wanted them to know she stood up for herself despite how difficult the process became. It was reported that the singer viewed speaking out as one of the achievements she was most proud of.

LaBeouf has consistently denied the allegations through his legal team, although he previously acknowledged having a history of hurting people close to him while expressing remorse for his past behavior.

As the former couple’s legal dispute continues to resurface in new ways, will FKA Twigs finally be able to put this painful chapter behind her?

Tom Holland has offered a mysterious new tease about Spider-Man: Brand New Day, revealing that the true meaning behind the film’s title may not become clear until its final shot.

Speaking in the new Disney+ documentary Generations: The Evolution of Spider-Man, Holland suggested that the “brand new day” referenced in the title is not where Peter Parker’s latest story begins.

“The ‘Brand New Day’ of this movie, it isn’t the beginning,” Holland said. “It’s the last frame of this movie.”

The cryptic comment has immediately sparked theories about how the upcoming Marvel Studios and Sony Pictures film could end. While the title initially appeared to reference Peter beginning a new life following the events of Spider-Man: No Way Home, Holland’s statement suggests the movie may instead conclude with a major transformation or new beginning for the character.

At the end of No Way Home, Doctor Strange’s spell caused the entire world to forget Peter Parker. Peter was left completely alone, separated from MJ and Ned while continuing to protect New York City as Spider-Man.

Some fans believe the final frame could show Peter finally accepting his new life and moving forward from everything he lost. Others think the ending may reveal that the physical changes and evolving powers teased in the film are permanent, creating a dramatically different version of Spider-Man moving forward.

A more extreme theory connects Holland’s comments to unconfirmed rumors involving the symbiote and Peter potentially being brought back from the dead. Other fans have suggested the “brand new day” could introduce another Spider-Man, including the long-awaited arrival of Miles Morales in the Marvel Cinematic Universe.

None of those theories have been confirmed, and Holland’s carefully worded tease could ultimately point toward a more emotional conclusion rather than a massive franchise changing twist.

The comment does make one thing clear. Whatever happens during the final moments of Spider-Man: Brand New Dayappears likely to establish the next chapter of Peter Parker’s journey in the MCU.

Directed by Destin Daniel Cretton, Spider-Man: Brand New Day stars Tom Holland, Zendaya, Jacob Batalon, Mark Ruffalo, Jon Bernthal and Sadie Sink.

Spider-Man: Brand New Day arrives in theaters on July 31, 2026.

The cast of “The Secret Lives of Mormon Wives” isn’t playing nice any longer! According to a new report, a handful of them have unfollowed the show’s leading lady, Taylor Frankie Paul, after months of drama and internal conflict. The mass unfollowing also comes days after Paul clashed with Whitney Leavitt, who unfollowed her former MomTok colleague earlier in the week.

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“SLOMW” loyalists noticed that several of the cast members have parted ways with Paul on social media, including Miranda Hope and Layla Taylor. According to TMZ, Paul actually unfollowed them first, and they followed suit. The only woman that Paul is seemingly still connected with is Jessi Draper, who voiced support for her earlier in the year amid Paul’s legal battles.

Taylor and Hope explained their reason for unfollowing Paul, with Taylor saying she decided to remove her from her Instagram after realizing Paul was no longer following her. Hope, on the other hand, said she didn’t understand why Paul unfollowed her to begin with, but said she’d no longer continue “investing in something one sided.”

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Hope and Taylor’s actions come immediately after Leavitt unfollowed Paul on Instagram, according to The Blast.

Again, eagle-eyed fans noticed the transaction and were quick to call it out, with Paul responding, “Good.”

Paul, 32, went on to say that she was bothered by Leavitt’s actions, given that she was the only “SLOMW” who vouched for her return after she left the series more than once.

“I bet she doesn’t even recall that. The show I gave her grace against a whole cast MULTIPLE times,” Paul wrote.

While Paul said that she was proud of Leavitt and all of her success, which includes a run on “Dancing with the Stars” and “Chicago” on Broadway, the TV personality admitted she was deeply hurt that Leavitt seemingly turned her back on her while she was at her “lowest.”

“Let’s be honest, she’s been waiting for my downfall since day one, and she still ain’t gonna get it because she could have everything and still chose not to reach a hand,” Paul added.

Taylor Frankie Paul Rubbed Mikayla Matthews The Wrong Way

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Before all of this, Paul went at it with another co-star, Mikayla Matthews, after she shared a TikTok video implying she was the reason her co-stars were experiencing success off the show.

In the video, set to the sound of Chris Brown’s “Look At Me Now,” Paul showed screenshots of messages from someone who appears to be her agent offering her lucrative opportunities, such as new TV shows and even writing a book.

Matthews, though, wasn’t pleased with the clip and replied, informing Paul that her behavior made her look small.

“It’s honestly crazy that we’re even arguing about who created what or who’s more relevant. This show was pitched to us, by the way (me, Mayci, Whitney, and Taylor, about stay-at-home moms providing for their families and, of course, ‘MomTok,’ which we all know was started by Miranda, Camille, AND Taylor,” the mother of four commented.

Matthews added, “Constantly reposting things and repeatedly pushing the narrative of, ‘I’m the reason you have this, you only got it cause I turned it down, I’m a star and you’re not as interesting. Don’t forget it,’ seems like weaponizing and manipulating your following to keep yourself in that power position to intimidate the people around you over and over.”

Paul’s Legal Woes Continue To Mount!

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Amid the drama with her cast, Paul is also dealing with deeply personal legal battles. Earlier this year, a Utah court official ordered Paul and her ex, Dakota Mortensen, to stay away from each other for three years after they were involved in alleged domestic disputes.

Most recently, Paul was granted a temporary restraining order for “civil stalking” against Mortensen’s friend, Cru Eaton, after the latter allegedly posted a private video of Paul online.

Prior to that, Utah police officers confirmed in March 2026 that there were open domestic violence cases against Paul and Mortensen that were being investigated.

Amid the investigation, a shocking video from years ago showing Paul striking Mortensen and throwing metal chairs at him was shared online, prompting ABC to cancel her season of “The Bachelorette” and Hulu to pause production on season 5 of “SLOMW.”

Mortensen Wants To Focus On His Son With Paul

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Mortensen released a statement after the video made its rounds, saying he was saddened by the state of his relationship with Paul and that his primary goal moving forward was to be the best father to the son he shares with her, Ever.

“I’m not perfect, and I take accountability for my part. I’m sincerely sorry to those I’ve hurt,” he wrote. “I’m closing an unhealthy chapter and moving forward with hope for better days ahead.”

When you think of Denzel Washington, recent acclaimed films like Fences, Flight, and The Equalizer series might come to mind, or his Oscar-winning performances in Glory and Training Day. No doubt, Washington has an incredible filmography that ranges across multiple genres, and he has even become an accomplished director in his own right. But while some of Washington’s other films might typically receive the highest praise, for many, the actor was always at his best when working alongside director Tony Scott.

Denzel Washington and Tony Scott Frequently Pushed Each Other to Greatness

Image via Buena Vista Pictures

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While perhaps not as well-known as his older brother, Ridley Scott, it was Tony Scott who was responsible for crowd-pleasing action flicks like the original Top Gun, Beverly Hills Cop II, and Days of Thunder. But while his visionary side was responsible for critical darlings like True Romance and Enemy of the State, his collaborations with Denzel Washington have come to define the type of action they were each capable of.

Of course, Washington, like Scott, had already had an impressive career long before they met, thriving no matter the genre he tackled. Indeed, their first partnership, 1995’s Crimson Tide, was simply another slam-dunk in Washington’s string of hit ’90s thrillers, while it stands as one of Scott’s mellower dramas. There, Washington was pitted opposite Gene Hackman in a nail-biting narrative that echoed Cold War fears, though it didn’t lean so heavily into Scott’s trademark “rock ‘n’ roll” filmmaking. It would be another decade before the two collaborated in earnest — and by then, they had perfected their signature styles.

When the two reunited nine years later for Man on Fire — which may just take the cake for their best work together — Scott had reinvented himself for the 21st century, becoming increasingly more chaotic in his quick-cutting and philosophical in his character work. Tony Scott’s unique penchant for displaying hyper-kinetic energy on-screen threw his stars into fast-paced, highly erratic, action-driven pictures that keep you laser-focused until those credits rolled. Washington, meanwhile, played against his usual type at the time, embracing the lone, “one-man-army” sort of action hero he would come to exemplify later on with The Equalizer.

Scott and Washington would end up making five films together, tackling maritime thrillers, gritty revenge dramas, high-concept sci-fi, and blue-collar disaster pictures, but no matter what film they were making, they always made each other better. “What I get off on is that we challenge each other,” Scott explained to The New York Times while promoting Unstoppable. “Out of the five movies Denzel gives me a different aspect of his personality, always something different inside of him.” Even their weakest collab, The Taking of Pelham 123, is a darn-good heist flick that manages to engross the viewer for an hour and a half as Washington faces down the threat posed by John Travolta. It may ride off the heels of their far-superior film Déjà Vu — a picture that’s equal parts action-suspense and philosophical romance — but it still manages to capture the essence of what made the Washington-Scott duo superior to other action-centric actor/director partnerships in the early 2000s.

Denzel Washington Starred in Tony Scott’s Very Last Film

It was fitting, that Washington was the leading man in Scott’s final film, Unstoppable. The vastly underrated runaway train flick positioned Washington opposite Chris Pine as Scott constructed a high-stakes disaster thriller that never slammed on the breaks. It’s a brilliant film that speaks strongly to Scott’s commercial expertise, as well as Washington’s uncanny ability to make just about any role interesting. Scott died two years after the release of Unstoppable. “Tony Scott was a great director, a genuine friend, and it is unfathomable to think that he is now gone,” Washington told E! News afterward.

While Scott is perhaps best known for directing Top Gun, his work with Washington is on another level. The filmmaker pushed the star to embrace vastly different characters each time they worked together, and it’s that stretching of his acting ability that shines brightest in their shared works. Man on Fire‘s ex-CIA operative John Creasy couldn’t be further from Déjà Vu‘s ATF agent Doug Carlin, even if both have the express goal of preserving human life. No matter if Washington was playing subway dispatcher Walter Garber, Naval Lt. Ron Hunter, or railroad engineer Frank Barnes, Scott always found a way to separate the star’s most recent role from his last.

Unstoppable is available for on Tubi, The Taking of Pelham 123 and Déjà Vu are available on YouTubeTV, Man on Fire is available on Peacock, and Crimson Tide is available for streaming on Prime Video.

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Unstoppable

Release Date

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November 4, 2010

Runtime

98 minutes

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Director

Tony Scott

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By Robert Scucci
| Published 24 seconds ago

The synopsis for 1988’s Demonwarp on Tubi reads: “After a Bigfoot-type creature attacks them in the woods, a father and daughter suspect they’ve stumbled onto a nest of aliens in a hidden spacecraft.” The synopsis for the same title on Rotten Tomatoes tells a slightly different story: “A man whose daughter was kidnapped by Bigfoot rescues topless teens from alien sacrifice in the woods.” While both of these brief rundowns are technically accurate, they’re totally underselling just how absolutely insane Demonwarp is.

Demonwarp does not have a Wikipedia page.

“So, is it about Bigfoot or aliens?” is probably the question you’re asking yourself right now, and the answer is “yes.” There’s Bigfoot, aliens, demons, human sacrifices, horny teenagers looking for one of their uncles who mysteriously vanished, and a man whose daughter was kidnapped by a cryptid at the beginning of the film who’s trying to warn everyone so they can get the hell out of dodge before it’s too late.

Every so often, a movie is so out of pocket that you can’t help but admire the audacity, and you just have to let it happen to you. Demonwarp is one of those movies, and if you only watch a couple of these every year as part of your semi-annual sanity check, make sure this one finds its way onto the list.

Demonwarp Is Total Insanity

Demonwarp is totally bonkers, so let’s unpack what actually happens. One weekend while renting a cabin in Demonwoods (really), Bill (George Kennedy) is playing a rousing game of Trivial Pursuit with his daughter Julie (Jill Marin). Suddenly, Bigfoot comes out of nowhere, trashes the place, subdues Bill, and runs off with Julie. The film then smash-cuts to a bunch of sexy teens a couple of weeks later, heading to the same cabin.

The reason they’re staying at this specific cabin is because the group’s leader, Jack (David Michael O’Neill), is looking for his uncle Clem, who went missing some time ago, presumably for Sasquatch-related reasons. Jack doesn’t tell his friends, Fred (Hank Stratton), Carrie (Pamela Gilbert), Cindy (Colleen McDermott), or Tom (Billy Jacoby), the true nature of the trip, instead pretending they’re just hanging around Demonwoods to party, but he does attempt to scare them with stories about Bigfoot whenever the opportunity presents itself.

No later than the first shower scene, everything goes to hell in a handbasket. The gang has a run-in with Bill, who’s been on edge ever since his daughter went missing and isn’t afraid to get violent. All he cares about is finding Julie, and everything else in his way might as well be collateral damage. Meanwhile, two women, Tara (Shannon Kennedy) and Betsy (Michelle Bauer), are romping around looking for a supposed hidden cache of marijuana plants they’d like to harvest so they can do some partying of their own, but they end up having their own violent encounters with whatever, or whoever, is running amok in the woods.

From here on out, it’s chasing, screaming, Bigfoot, zombies, more Bigfoot, demons, aliens (because why not?), and the realization that none of this makes any sense. The only reason there’s a weird sequence involving a preacher and his horse before Demonwarp kicks off is to establish just how insane this movie is going to get, like maybe suggesting a prophecy of sorts is being fulfilled, allowing the viewer to throw all logic out the window. 

This Is What We Play For

Relentlessly paced and clocking in at only 91 minutes, Demonwarp is about as unhinged as it gets when it comes to low-budget sci-fi horror. It’s Friday the 13th with Bigfoot. It’s a horde of zombies that might also be aliens. It’s a bunch of sexy teenagers with pump-action shotguns who suddenly become expert marksmen despite the fact that they’ve probably never even gone camping once in their lives. None of this is supposed to make any sense, but everything moves so quickly that you just say “screw it,” suspend all disbelief, and enjoy picking up exactly what Demonwarp is throwing down.

The knee-jerk reaction most people have to films like Demonwarp is that they’re “so bad they’re good.” I hate that phrase because I don’t think this movie was ever intended to be good. There are budgetary limitations, sure, but this doesn’t play out like somebody trying their best and failing so spectacularly that it becomes comical. Instead, it feels like the kind of passion project that came out exactly as intended, and half the fun is watching and wondering how much further Emmett Alston could escalate things before there’s nowhere left to go.

Demonwarp is built differently, and it’s streaming free on Tubi as of this writing. If it’s been a while since you’ve gotten a little weird, you owe it to yourself to check this one out.

Kim Kardashian is mourning the loss of the woman she says helped shape both her family and her career.

After Kris Jenner announced that her mother, Mary Jo “MJ” Shannon, had died at age 91, Kim shared an emotional tribute remembering her grandmother as her “best friend,” biggest supporter, and one of the earliest influences on her work ethic.

The SKIMS founder reflected on the lessons MJ taught her while working at her San Diego store, crediting the family matriarch with helping mold the businesswoman she would eventually become.

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In her tribute, Kim recalled working for MJ at her San Diego boutique, describing the experience as one of the most important foundations of her career.

“You were the woman who showed me what it meant to be a hardworking businesswoman,” Kim wrote. “You gave me my very first job at your store in San Diego and taught me lessons about work ethic, strength, and confidence that I’ve carried with me ever since.”

The reality star added that MJ always believed in her and served as both a mentor and safe place throughout her life. “You truly were the matriarch of our family, and your love is woven into all of us,” Kim wrote.

MJ’s Influence Reached Far Beyond Reality Television

Long before the Kardashian family became a global brand, MJ was running her own business and instilling those values in her daughter and grandchildren.

Over the years, members of the famous family have repeatedly credited MJ for inspiring their entrepreneurial spirit. Kris Jenner previously worked alongside her mother in retail, an experience that helped shape her own business instincts before eventually managing her children’s careers and helping build one of the most recognizable family brands in entertainment.

Kim’s tribute highlighted that legacy, emphasizing that MJ’s impact extended far beyond family gatherings and television appearances.

Kim Kardashian Asks MJ To Reunite With Family Members In Heaven

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Along with celebrating MJ’s life, Kim reflected on the loved ones who passed before her. The reality star asked her grandmother to “give Papa Harry, Aunt Karen and my dad a hug” on her behalf, referencing her late father, Robert Kardashian Sr., Kris Jenner’s sister Karen Houghton, who died in 2024, and MJ’s late husband Harry Shannon.

Kim ended her message by joking about MJ’s rumored secret social media habit. “I know you are up in heaven, looking at all of our Instagram posts of you from your sneaky finsta account you would always use lol,” she wrote.

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Kim’s emotional tribute quickly drew thousands of responses, including messages from family members, close friends, and celebrities who knew MJ over the years.

Sister Khloé Kardashian kept her response simple, commenting with a string of red heart emojis, while longtime family friend Allison Statter wrote, “ONE OF ONE. Going to miss her SO much. RIP MJ. Love you so much.”

Reality star Lala Kent added, “Love you so much, forever MJ,” while model Olivia Pierson shared a series of hearts and dove emojis in remembrance.

Others reflected on MJ’s lasting impact, including celebrity life coach Coach Alando, who described her as “A sweet soul,” and influencer Isabel Alysa, who wrote, “Loved MJ so much. Sending you so much love and light. She is now resting with the kings of all kings. Love you guys so much.”

Kris Jenner Says Goodbye To The ‘Heart Of Our Family’

Earlier in the day, Kris announced her mother’s death in a lengthy tribute of her own. “My mom was the heart of our family,” Jenner wrote, praising MJ for teaching her the importance of resilience, faith, and unconditional love.

“There is not a part of me that isn’t shaped by you,” Jenner continued. “And if I have done anything right in this world, it’s because I spent my life trying to live in a way that would make you proud.”

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While MJ Shannon’s death marks the end of an era, the values she passed down continue to shape one of pop culture’s most famous families.

By Robert Scucci
| Published 4 seconds ago

After watching 2002’s Hard Cash, the almighty algorithm guided me to other ill-fated heist movies from the early aughts, prompting me to spend 88 minutes of my life watching 2001’s Wish You Were Dead. Similar to Hard Cash, Wish You Were Dead makes you wonder what could have been, because all the moving parts are there for a great film. The heist is fun, and there’s a clear logical progression that any crime comedy thriller fan can get behind. There’s scheming and plotting, and each character has enough personality quirks to keep you interested in the premise.

The problem with Wish You Were Dead, which, unlike Hard Cash, is actually trying to be a comedy, is that the characters’ actions don’t always line up with their surroundings. The jokes and physical comedy are there, but the humor leans too lowbrow when, in my opinion, things should have been more deadpan. Wish You Were Dead is trying to capture a Very Bad Things kind of vibe, but it should have taken a page from the Naked Gun playbook.

Is It Even True Love If There’s No Insurance Fraud?

At face value, Wish You Were Dead has a hilarious setup and some great on-screen chemistry that makes you wish it stuck the landing. We’re first introduced to Melody (Elaine Hendrix), a man-murdering hit woman who loves eating copious amounts of chocolate. Her penchant for sweets reminds me of Rutger Hauer’s Harley Stone from 1992’s Split Second, but the similarities stop there. Melody’s specialty is taking on clients with unfaithful husbands, whacking them, and then moving on to the next job.

Her next job, however, is where things become complicated.

Melody is hired by Sally (Mary Steenburgen) and Tanya Rider (Tanya Allen), a mother-and-daughter team hatching a scheme to commit fraud against a lowly insurance adjuster named Mac (Cary Elwes), who has a million-dollar life insurance policy in his name. Sally and Tanya’s plan is simple: convince Mac that Sally is pregnant with his child so he’ll make her the beneficiary of his post-mortem payout, then hire Melody to finish him off.

Matters get even more complicated when Melody decides she’s actually in love with Mac and can’t, in good conscience, kill him. Instead, they team up with Mac’s older co-worker, Bruce (Christopher Lloyd), and hatch their own plan to evade Sally and Tanya, save Mac’s life, and run off with the money. Along the way, there are run-ins with Gene Simmons from KISS, who plays an eccentric hairdresser named Vinny, along with appearances from Billy Ray Cyrus and Robert Englund portraying a sassy preacher with Tourette syndrome.

Should Work But Doesn’t

Wish You Were Dead is absolutely dripping with potential, but it never feels fully realized because it’s so disjointed. I’m having trouble explaining why it’s disjointed, because the story beats are solid, and the escalating stakes ramp up naturally. Everybody you see on screen has acting chops and knows the assignment, but something about the assignment itself doesn’t work.

I may change my mind if I ever rewatch the film, because maybe I was just in a bad mood or something when I watched it, but it simply did not make me laugh. This movie has It’s Always Sunny in Philadelphia levels of scheming. Elaine Hendrix’s crazy eyes when she’s mad, shooting daggers at Christopher Lloyd, should, in theory, be funny. But for some reason, it doesn’t gel. Mac is the perfect hapless victim of circumstance, caught between a murder plot and a budding romance with the person who was hired to kill him. This is all funny stuff, but it’s too quirky to be taken seriously, even as a comedy, and too overtly campy when it should have been just a little more deadpan.

Truth be told, Wish You Were Dead confuses me enough that I want to eventually watch it again and reassess my stance. All the ingredients for a superb crime comedy are there, but as a whole, the movie feels far less than the sum of its parts.

As of this writing, you can stream Wish You Were Dead for free on Tubi.

Justin Hartley only needed to know one thing about wife Sofia Pernas to realize he wanted to marry her.

During the Thursday, July 16, episode of the “I Am an Actor” podcast, Hartley, 49, played a game where he matched specific superlatives with former costars. He was asked which of his select coworkers were the “cleanest” — and Hartley chose Pernas, 36.

“She is very clean,” he said before cohosts Jon Brockett and Jamie Chung noted that he was aware of how organized Pernas was “intimately.”

Hartley recalled immediately knowing Pernas was The One for him.

“I was like, ‘Marry me,’” he added. “‘You are clean too? Marry me and we will work it out from there. It’ll be fine. Everything else will be fine.’”

Hartley and Pernas first worked together in 2015 on The Young and The Restless. Years later, they reconnected away from the cameras and exchanged vows in 2021.

“People write songs about [this kind of love]. People talk about it and I think you want to believe that everyone has that in their life,” Hartley shared on a May episode of Tommy DiDario‘s “I’ve Never Said This Before” podcast. “You want to believe that everyone gets to a point where they meet their soulmate or whatever you want to call it. It’s unfortunate that I think a lot of people don’t. That’s sad.”

Hartley pointed out how he has made it a priority to appreciate Pernas, saying, “When you do have it, you got to just hold on to it. It’s so special and fragile and in some ways rare, unfortunately. She’s everything and she’s fantastic.”

The Tracker star also shared the lessons he learned that he took into his marriage.

“I heard this from my stepdad where he said to me a long time ago, ‘You got to take care of your relationship and be very protective of who you surround yourself with and what relationships you surround yourself with,’” he explained.

Related: Justin Hartley and Sofia Pernas’ Sweetest Moments on the Red Carpet

As if Tracker‘s Justin Hartley and Sofia Pernas weren’t couple goals already, their sweet red carpet appearances prove it even more. Thank You! You have successfully subscribed. Subscribe to newsletters Enter your email Please enter a valid email. Subscribe By signing up, I agree to the Terms and Privacy Policy and to receive emails from […]

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“Because there will be people that are in your life right now that you think are your friends and they simply cannot handle your relationship. They can’t handle it,” Hartley continued. “It’s not necessarily sad but it is just true that when you have a relationship that you really care about [and] it could be a friendship, it could be with your mom or your dad or it could be with your dog.”

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He added: “Any relationship that you have with yourself, there are going to be people that you have to be careful with.”

Hartley clarified that the problem wasn’t always that about a loved one “trying to sabotage” a situation or relationship.

“They’re not bad people,” he said. “They just can’t handle it. And you don’t need to be hearing things like that. I’m not saying that you should be surrounded by sycophants and that’s healthy. But there’s certainly a difference between someone rooting for your love and rooting for your relationship vs. something who is jealous of what you have.”

Roomies! A huge cockroach landed on a reporter during a live broadcast on Tuesday, July 14, and her reaction is going viral. The KTLA reporter was broadcasting from Sherman Oaks, California, when the incident occurred.

RELATED: Clock It! K. Michelle Corrects Reporter’s Comments About Her Country Music Roots (VIDEO)

Huge Cockroach Lands On Reporter During Live Broadcast

KTLA reporter Rachel Menitoff was reporting on the current heatwave in California when a cockroach landed on her stomach.

According to The Los Angeles Times, parts of the state had heat reaching as high as 100 degrees. As Menitoff noted that the temperature was still in the 80s Tuesday night, the cockroach began crawling up her body.

The roach then scurried across her shoulder, neck, and chest before it flew away.

Menitoff did not flinch as the humongous cockroach crawled across her neck and chest.

Reactions To The Footage Are Unhinged