The wife of Dukes of Hazzard star Ben Jones has announced her husband’s sudden death.

“I lost the love of my life today. Ben passed from a massive heart attack. He was home resting in his favorite chair waiting for the Braves to come on and whoop the Yankees,” Alma Viator wrote via Facebook on Sunday, August 9. “Ben had the most amazing, rich, full life. He loved and was loved by so many. He will be missed. I loved him so, so much.”

Jones, best known for his portrayal of mechanic Cooter in the original 1980s action-comedy series, was 84 years old. He and Viator were married for nearly 34 years.

After his time on the show wrapped in 1985, Jones moved into a career in politics. He won the race for Georgia’s Fourth Congressional District in 1988 and was re-elected in 1990, per reporting by Deadline on Sunday.

Jones also served as president of SAG’s Georgia branch, per the outlet, and as chairman of the Georgia Film Commission. He was also a writer; IMDB attributes 1987’s CBS Summer Playhouse and 1998’s Primary Colors, starring John Travolta and Emma Thompson, to his body of work.

During a 2023 interview with Georgia Public Broadcasting, Jones reflected on his many achievements with a trademark sense of humor. “Sounds like a guy who can’t hold [down] a job to me,” he joked at the time.

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Jones also reflected on his time as Cooter, a fictional character widely adored for his crazed energy. “When we started filming that show, I was a child actor at the time. Actually, I was a childish actor. We were just making it up,” he recalled. “It was a wild, crazy show and I was cast for it because I was what they were looking for physically and … I just made it up. I had fun with it, it was hard not to have fun doing what we were doing. I am crazy Cooter.”

The actor starred opposite Catherine Bach, who played Daisy Duke, John Schneider, who played Bo Duke, and Tom Wopat, who played Luke Duke. Wopat, 74, took to Instagram on Sunday to share a tribute to his friend and former costar.

“Ben Jones was a fine friend and a fierce advocate of all the best things we can offer in the entertainment business. He will be sorely missed … Denver Pyle [who played Uncle Jesse Duke on the show] frequently said to Ben, ‘I’m not your Uncle Jesse!’ But I feel like we lost a Duke cousin today,” he wrote.

Hilaria Baldwin is not presenting her marriage to Alec Baldwin as a relationship untouched by difficulties. 

After more than 15 years together and raising seven children, she instead believes their ability to keep choosing one another has mattered more than having a perfect partnership. 

In a candid conversation, Hilaria opened up about the principle she considers essential when relationships hit rough patches, while also revealing how parenting seven children has changed the way she and Alec spend time together. 

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For Hilaria Baldwin, commitment is not something that should disappear when a relationship becomes difficult. 

In a chat with Fox News Digital, the 42-year-old said the advice she gave friends navigating new relationships or problems in existing ones was straightforward: both people have to want the relationship genuinely.

“Oh, it’s been more than 15 years. We met February 2011. You both have to want to be there,” Baldwin said per Page Six.

She expanded on the idea by explaining that a relationship cannot depend on one person continuing to fight for it while the other has already checked out.

“Whenever my friends are coming to me, and they’re like it’s a new relationship, or they’re having a bump in it, I say, if both people don’t really want to be there through your difficult moments, through your best moments, then it’s just not going to probably work out,” she explained.

Baldwin acknowledged that her own marriage has had its share of complications, describing the couple’s experience in terms of “ups,” “downs” and “sideways” moments. What she believed had made the difference was that neither she nor Alec stopped wanting to be together.

“Both Alec and I, through our ups and our downs and our sideways, we’ve wanted to be there. And I think that that’s what’s kept us strong,” she remarked.

Hilaria’s Date Nights Look Very Different With Seven Children

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The reality of raising seven children means romance in the Baldwin household does not necessarily resemble the traditional image of a couple enjoying an uninterrupted evening together.

Hilaria Baldwin offered a particularly relatable example when describing a recent dinner with Alec. Rather than arranging an elaborate night away from their children, the couple simply brought their youngest child along.

“Well, last night it involved taking our youngest with us to dinner because that’s what it was,” she said.

The podcaster explained that while she had a babysitter during the day, their nighttime arrangements were different. When she and Alec decided they wanted to go out, their baby became part of the plan.

“So, I brought my youngest. … And I have a babysitter throughout the day, and then at night, no, so we’re like, we want to go out to dinner. And so, the baby comes with us,” she explained.

Hilaria Baldwin Embraces Being A ‘Fun Mess’

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That willingness to adapt also appears to extend beyond Hilaria’s marriage and family life. She rejected the idea that women are always carefully calculating how they present themselves, arguing that people could be far less controlled than outsiders assume.

“I think that people think, especially women, are very calculated. I think that that’s something that’s universal around all of us,” she revealed.

Hilaria described herself instead as curious and eager to experience different things, even when she does not know exactly where they will lead.

“I want to try everything, I’m curious,” she said, adding that she would rather be viewed as “She’s kind of a mess, like a fun mess.”

That attitude came through during her experience filming “Nation’s Dumbest,” where she said she often did not know how she would approach a situation until she was already in it.

“That was always fun about the first part of ‘Nation’s Dumbest,’ … Some of the moments — I’m like, I don’t have a plan, but sometimes whatever I’m doing, it works out,” Baldwin said.

Hilaria Has A Funny Response To ‘Gold Digger’ Claims About Alec 

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Hilaria Baldwin has previously described her marriage to Alec as anything but perfectly polished, and she has also learned to laugh at some of the assumptions people make about their relationship. 

Among them is the long-running suggestion that she married the actor for his money. Speaking recently on SiriusXM’s Page Six Radio, Hilaria explained that the idea initially bothered her because she did not believe it reflected her intentions when they met. 

The yoga instructor recalled that Alec tried to buy her things early in their relationship, but she deliberately turned them down because she wanted to be certain she was with him because she genuinely liked him. 

“I was like, ‘I don’t want you to buy me something, because I want to know that I like you for you, because I don’t want to be a prisoner either,’” she said. 

Looking at their life now, Hilaria joked that having seven children hardly made the marriage look financially convenient. “Don’t have seven, cause they’re very expensive,” she added. 

Alec Floats The Idea Of Another Baby With Wife Hilaria Baldwin

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With seven children already keeping their household busy and Hilaria joking that raising such a big family is hardly cheap, Alec appears to have a playful solution to the situation: add another baby. 

In a joint Instagram video posted August 3, Alec jokingly suggested that Hilaria have another baby with him. 

Sitting poolside, Hilaria mouthed, “I would do anything for you,” prompting Alec to grin and reply, “Have another baby with me.” 

Her expression quickly changed to apparent disbelief before she pushed the camera away and walked off. 

The clip was set to a version of Olivia Newton-John’s “Hopelessly Devoted To You,” while Hilaria captioned it, “When ‘I’d do anything for you’ meets reality with its terms and conditions.”

Final Fantasy and Nintendo have a rich history together, even if their paths haven’t always intertwined. Hironobu Sakaguchi‘s long-running fantasy RPG series began on the original Nintendo Entertainment System in 1987, serving as a watershed moment that would influence future generations of turn-based RPGs to come and laying the groundwork for future installments to build on. In the years since, however, the franchise has branched off and grown in other places, releasing its most well-known installment, Final Fantasy VII, on the original PlayStation and remaining attached to the Sony console family in one way or another since. The last mainline entry to appear on a Nintendo console, not including the FFVII remake series, was Final Fantasy XII, thanks to The Zodiac Age.

That hasn’t been for a lack of trying, though. Naoki Yoshida, the director of the critically acclaimed MMORPG Final Fantasy XIV and the action RPG Final Fantasy XVI, expressed last year that Square Enix and his team, Creative Business Unit 3, have been determined to get both games on the Nintendo Switch 2 at some point. The latter hasn’t manifested yet, but this week finally saw the land of Eorzea brought to life on the handheld hybrid. Players can now jump in with a purchase of either the Starter Edition, which includes all content up to the third expansion, Shadowbringers; the Complete Edition, featuring all current expansions; or the Complete Collector’s Edition, also featuring all digital bonus items. Each comes with a free 30-day subscription, but for the first month, all fees are waived, and any game time will not be used as the developers look to ensure a stable experience for Switch 2 users. After that, users will have to purchase FFXIV Coins through the Nintendo eShop to pay for more game time.

However, with the Switch 2 release also comes the game’s famous free trial, which players can take part in without having to purchase the game. For newcomers to Eorzea, FFXIV allows progression up to level 80 and through the entirety of Shadowbringers with no restrictions on play time, albeit with some other caveats. Some of the most notable restrictions are that free trial players can’t use the in-game marketboard, form parties outside the Duty Finder, earn more than 300,000 of the in-game currency gil, hire retainers, use certain chat commands, or join Free Companies, the game’s version of guilds. Story progression, however, is completely unlimited, as are many of the side activities like raids, crafting and gathering, deep dungeons, the Gold Saucer, and more.

What Is ‘Final Fantasy XIV’ About?

Final Fantasy XIV is a bit of a love letter to the entire franchise, often taking elements from other Final Fantasy games and reimagining them within its original story and world. The story begins on the vibrant planet Hydaelyn, where, in the aftermath of the Seventh Umbral Calamity that devastated the continent of Eorzea, the Warrior of Light is beckoned by the source of all life itself, the Mothercrystal. Tasked with saving the planet from eternal darkness, they begin a journey across the land, uniting nations, making allies, and fighting back the encroaching Garlean Empire, which seeks to capitalize on the divided and recovering Eorzeans. Players join forces to battle literal deities summoned back to life, dark ancient forces, and more to rid the planet and beyond of the threat that looms over it. Switch players are also joining at the perfect time, with the latest expansion, Evercold, due to launch in January.

Final Fantasy XIV is now available on Nintendo Switch 2 in addition to Xbox Series X|S and PlayStation 5.

When it comes to fantasy television, Prime Video has had its fair share of successes, with titles like the ongoing The Lord of the Rings: The Rings of Power and The Legend of Vox Machina. The streamer has also produced several concluded or canceled fantasy series, including The Wheel of Time, Carnival Row, and the divisive Good Omens. While some of these canceled shows have gradually faded from fans’ memories, The Wheel of Time remains a significant title, with viewers continuing to campaign for its revival even more than a year after its cancellation.

Spanning three seasons and 24 episodes, The Wheel of Time ran from November 19, 2021, to April 17, 2025, with its third season widely regarded as the show’s strongest. Unfortunately, that wasn’t enough to save the series from cancellation, with Amazon announcing the decision just one month after the Season 3 finale. The streamer cited the show’s high production costs and viewership trends as contributing factors.

While the cancellation still stings for fans, the franchise, which began with Robert Jordan’s bestselling book series of the same name, has recently expanded in an exciting new direction with its first-ever official board game, marking The Wheel of Time‘s first major revival since the series was canceled.

As announced last month, War of the Dragon: The Wheel of Time from game studio Dire Wolf is the franchise’s next major release. The tabletop game has already generated significant interest, raising over a million dollars through its BackerKit crowdfunding campaign. The campaign has since continued to climb toward the $1.167 million mark, far surpassing its original $50,000 goal, according to CBR. With the game expected to launch before the end of 2027, fans now have even more reason to be excited, as pre-orders are officially live with Dire Wolf’s The One Power edition currently available for $135.

What Is ‘War of the Dragon: The Wheel of Time’ About?

The upcoming Wheel of Time tabletop game draws inspiration from the events beginning around The Shadow Rising, the fourth novel in Robert Jordan’s series. Players can relive or rewrite the conflict between the Dragon Reborn and the forces of the Dark One. Designed by Andy Clautice, Mike Mihealsick, and Ryan Schoon, War of the Dragon: The Wheel of Time offers two distinct modes to play: Hero Mode and Epic Mode. Hero Mode is made for new players or multiplayer setups of up to 4 players and focuses on smaller-scale character encounters. Epic Mode, in contrast, is designed for an intense 2-player grand-scale conflict involving massive armies.

Follow Collider for more updates about The Wheel of Time franchise and pre-order War of the Dragon here.

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Release Date

2021 – 2025-00-00

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Network

Prime Video

Showrunner

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Rafe Judkins

Directors

Sanaa Hamri, Ciaran Donnelly, Salli Richardson-Whitfield, Thomas Napper, Maja Vrvilo, Wayne Che Yip

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Writers

Amanda Kate Shuman, Dave Hill, Rohit Kumar, Justine Juel Gillmer, Celine Song, Rammy Park, The Clarksons Twins, Katherine B. McKenna

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Gisele Bündchen opened up her family photo album in celebration of Father’s Day in Brazil.

“Happy Father’s Day! We love you,” the supermodel, 46, wrote over a Sunday, August 9, Instagram Story photo of her husband, Joaquim Valente, and their one-year-old son wearing matching jiu-jitsu uniforms.

In the adorable snap, the couple’s son, whose name has not been publicly confirmed after arriving in the world in February 2025, was seen sprawled over his father’s stomach while Valente, 38, stretched out across a padded floor. Flashing a broad smile, the self-defense academy co-founder locked eyes with his child, who appeared to be grinning right back at him.

The post comes just one day after Bündchen, who married Valente in December 2025, shared an earlier glimpse of her youngest son via social media. (Bündchen also shares son Benjamin, 16, and daughter Vivian, 13 with her ex-husband, Tom Brady.)

Related: Gisele Bundchen Shares Rare Family Photos With Baby Son on Father’s Day

Gisele Bündchen has so much love for her husband, Joaquim Valente, on Father’s Day 2026. “Happy Father’s Day @joaquimvalente! Thank you for leading by example, and for the values you embody, love, humility, integrity, discipline, kindness and consistency,” Bündchen, 45, wrote via Instagram on Sunday, June 21, alongside rare family photos of the couple and […]

While keeping the toddler’s face covered behind a white heart emoji, Bündchen shared a photo of him joining her in a workout aboard a luxurious yacht. As mom raised a leg in the air while leaning atop two hand weights, the youngster was seen mimicking her pose.

“It’s so sweet to see how little they are when they start watching and emulating what we do. They’re learning from us even when we don’t realize it,” Bündchen captioned the sweet snap. “Moments like this remind me that my actions matter more than what I say, because so much of who they’re becoming is shaped by the example they see every day. What a gift and a beautiful responsibility it is to be a mom.”

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Last month, fans caught a rare look at Vivian via an Instagram post shared by Brady, 49, that showcased the family’s favorite moments from the FIFA World Cup. In one photo that featured within Brady’s July 20 carousel, Vivian appeared to be the spitting image of her famous mom, even sporting a similar signature hairstyle with her long locks parted down the center and falling over her shoulders.

In another carousel photo, Vivian was seen hugging her dad while dressed in a Brazil football jersey to represent her mom’s native country.

Prior to Bündchen publicly marking Father’s Day in Brazil, she paid tribute to Valente on Father’s Day in the U.S.. “Happy Father’s Day @joaquimvalente! Thank you for leading by example, and for the values you embody, love, humility, integrity, discipline, kindness and consistency,” she captioned her June 21 post alongside several family photos. “You are an incredible role model. We are all so grateful for you, and we love you so much.”

There’s an almost infinite number of exceptional fiction books that are very much worth reading in 2026, but there’s one literary genre that tends to be awfully underrated in casual reading culture, and that’s non-fiction. It’s a genre that has produced not just a few, but a myriad of the greatest books ever written, and many of those books should be considered essential reading in 2026.

Maybe they deal with awfully timely subject matter, like AI or politics, or there’s a movie from the past few years that was based on them, or simply because they’re so exceptional that they’re always worth reading. No matter the reason, the best time to read these non-fiction masterpieces is now. For non-fiction veterans and the uninitiated alike, they should prove to be a delight to read.

‘H is for Hawk’ (2014)

Image via Grove Press

Starring Claire Foy and Brendan Gleeson, Philippa Lowthorpe‘s H is for Hawk saw its wide release earlier this year. As solid as the movie is, though, it doesn’t even come close to the level of quality of the memoir that it was based on. The book tells the story of Helen Macdonald, and the year she spent training a Eurasian goshawk following her father’s death.

The book was a critical and commercial success immediately upon publication, and it isn’t hard to see why. It’s a beautifully honest and vulnerable meditation on grief and healing, Macdonald never shying away from the darkest parts of her story. But far from just being morose, H is for Hawk also throws in plenty of gorgeous nature writing and even a biography-within-a-memoir of English writer TH White.

‘Killers of the Flower Moon’ (2017)

Image via Vintage

It has been three years since Martin Scorsese demonstrated with Killers of the Flower Moon, one of the heaviest crime movies of all time, that he’s still perfectly capable of making cinematic masterpieces. But even though it has been that long, both the film and the David Grann book Killers of the Flower Moon: The Osage Murders and the Birth of the FBI, chronicling the history of the Osage murders, still feel terrifyingly relevant.

It’s an absolutely riveting yet undeniably soul-crushing work, a tale of murder and betrayal that’s just as much about its characters as it is about the American frontier itself. Thanks to Grann’s combination of meticulous research with the pacing and structure of a gripping detective thriller, Killers of the Flower Moon ends up being thought-provoking and a page-turner in equal measure.

‘The Last Kings of Hollywood: Coppola, Lucas, Spielberg—and the Battle for the Soul of American Cinema’ (2026)

Image via Faber & Faber

Every year, countless books about countless different topics related to the film industry are published. However, it’s not every year that we get one as insightful, enjoyable, or impeccably written as Paul Fischer‘s The Last Kings of Hollywood. Over just a little under 500 pages, the book follows the many ways in which Francis Ford Coppola, George Lucas, and Steven Spielberg revolutionized Hollywood and cinema as a whole.

The 1970s were perhaps the most transformative decade in the history of the Seventh Art, and these three filmmakers were such important players in that transformation that they’ve become quasi-deities to cinephiles around the world. With its intricately researched behind-the-scenes stories, The Last Kings of Hollywood manages to both deeply humanize these three auteurs and further enshrine their myths at the same time.

‘Kitchen Confidential: Adventures in the Culinary Underbelly’ (2000)

Image via Bloomsbury Paperbacks

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Rarely has the world been treated to human beings quite as fascinating as American chef, writer, and travel documentarian Anthony Bourdain. Before Matt Johnson‘s Tony inevitably becomes one of A24’s best coming-of-age movies, even those who have never even heard of Bourdain ought to check out Kitchen Confidential, part memoir and part unfiltered look at life in high-end restaurant kitchens.

Bolstered by Bourdain’s raw honesty, delightful wit, and highly conversational style, Kitchen Confidential is more than just a fascinating look behind the scenes at the chaos, mayhem, and lack of luxury of upscale kitchens. It’s a love letter to passion itself, a funny, astute, and fast-paced account that anyone who’s ever worked under high pressure should be able to relate to.

‘The Four Agreements’ (1997)

Image via Penguin Publishing Group

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The self-help genre is often looked down on even by those who love non-fiction, and it’s not difficult to understand why. After all, it’s a space full of superficiality and emotional exploitation. However, there are more than a handful of self-help book masterpieces out there that are always worth reading, and The Four Agreements is one of them. Written by Mexican author Miguel Ruiz, it’s a sort of code of conduct based on Toltec teachings to improve one’s life.

The reason why The Four Agreements is a must-read in 2026 is that it’s the sort of beautifully simple and immensely powerful self-help book that’s always relevant and beneficial. “Be impeccable with your word,” “don’t take anything personally,” “don’t make assumptions,” and “always do your best” are the four titular lessons that Ruiz teaches. They may seem simple, but that’s precisely what makes them so helpful.

‘On Tyranny’ (2017)

Image via Ten Speed Graphic

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Timothy Snyder is an American historian of 20th-century Europe, specializing in Central and Eastern Europe and the Holocaust. On Tyranny: Twenty Lessons from the Twentieth Century is the culmination of a life’s work of deep research. Focusing on the titular concept of tyranny in the context of modern-day United States, Snyder examines the country’s gradual turn toward authoritarianism.

The book was written almost a decade ago, and somehow, it has only gotten more and more terrifyingly timely and relevant as time has gone on, regardless of where the reader is from. Comparing American politics to how democracies transformed into dictatorships in 20th-century Europe, On Tyranny offers an incredibly short yet potently thought-provoking instruction manual on how to fight the rise of tyranny.

‘If Anyone Builds It, Everyone Dies’ (2025)

Image via Little, Brown And Company

Plenty of topics have become particularly relevant in 2026, and Artificial Intelligence may very well be at the very top of that list. Many fascinating books on the topic have been written throughout the 21st century, but those written over the last couple of years have become particularly relevant—and the best of the bunch is Eliezer Yudkowsky and Nate Soares‘ If Anyone Builds It, Everyone Dies: Why Superhuman AI Will Kill Us All.

In it, Yudkowsky and Soares detail an intricately researched account of the potential threats of the ever-growing artificial superintelligence. It’s definitely not a perfect book, but it’s one that feels awfully necessary to read in 2026. It’s as scary as it is intelligent and easy to read, and only time will tell whether its conclusions will age as prophetic or completely out of touch. For now, they are at least worth entertaining.

‘The Sixth Extinction: An Unnatural History’ (2014)

Image via Henry Holt and Co.

In The Sixth Extinction: An Unnatural History, American author and The New Yorker journalist Elizabeth Kolbert argues that Earth is currently undergoing a human-provoked sixth extinction, comparing it to mass extinction events from the past. As far as non-fiction goes, it’s arguably one of the best books of all time, an absolutely fascinating and perfectly researched masterpiece that earned Kolbert the Pulitzer Prize for General Nonfiction in 2015.

What’s best about The Sixth Extinction is that Kolbert is a master of distilling even the most complicated scientific concepts down to perfectly understandable prose, making it the sort of book that anyone old enough to understand should read at least once. Over a decade later, the book’s core scientific framework and historical analysis don’t feel dated in the slightest.

‘Angela’s Ashes’ (1996)

Image via Scribner

Irish-American author Frank McCourt‘s Angela’s Ashes is one of the best books of the ’90s, a masterfully written memoir that travels through his early childhood in Brooklyn, his life in Ireland, his family’s struggles with poverty, and his father’s alcoholism. Winner of the 1997 Pulitzer Prize for Biography or Autobiography, it truly is one of the best-written memoirs in history.

Angela’s Ashes turns 30 years old this year, and that should give anyone—whether they’re non-fiction fans or not—the perfect excuse to give it a read in case they never have. Told with prose that blends heartfelt tragedy with an unexpected sense of humor tremendously well, the book is an absolute masterclass in memoir-writing which has aged like fine wine.

‘In Cold Blood’ (1966)

Image via Vintage

The fact that Truman Capote‘s In Cold Blood turns 60 years old this year is but one of a myriad of reasons why it’s a masterpiece still worth reading not just in 2026, but any year. The book details the 1959 Clutter family murders, Capote having traveled to Kansas to write about the crime before the killers were even captured, accompanied by fellow author and friend Harper Lee.

In Cold Blood was an instant critical and commercial success and is still one of the best books of the 1960s. Widely regarded as the grandfather of the true crime genre and revolutionary for non-fiction as a whole, In Cold Blood is one of the most important literary works of the 20th century. Capote was reportedly disappointed that the book failed to earn him the Pulitzer Prize, but the court of public opinion is ultimately what matters most, and the verdict is that In Cold Blood is one of the best-written books of all time.

Science fiction was experiencing a renaissance in the ‘90s, even if not every film within the genre was successful. Independence Day and Jurassic Park shot to the top of the list of highest-grossing films ever made, and there were a number of “out there” sci-fi blockbusters that ended up being both critical and commercial successes, such as Total Recall and Twelve Monkeys. This was the decade that launched the Men in Black series, brought about Terminator 2: Judgment Day, and brought about a number of “guilty pleasure” sci-fi films starring the likes of Jean-Claude Van Damme, Sylvester Stallone, and Keanu Reeves. Of course, the genre changed in 1999 thanks to two of the most influential sci-fi films ever made; The Matrix opened up a new era of visual and philosophical possibilities for cyberbunk and tech noir, and Star Wars: Episode I- The Phantom Menace initiated a divide within the Star Wars fanbase that has only grown more complicated as the franchise has grown into different iterations.

There are still a number of studio executives and marketing gurus who didn’t “get” sci-fi, and that resulted in some astounding failures that entirely missed the mark. It’s often that the sci-fi films that didn’t resonate were those that were either based on nostalgic properties or attempting to evoke classical traditions that were no longer in touch; even if audiences showed that they were interested in hip, inventive new sci-fi films like Gattaca and Dark City, there were still attempts to dig up the past and offer the same thing as before. The fact that there were so many genuine masterpieces of sci-fi within this decade makes the misfires stand out even more.

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‘Alien: Resurrection’ (1997)

Image via 20th Century

Alien: Resurrection is about as disappointing of an ending as fans of the Alien franchise could ask for because it seemed to understand none of what made the previous films successful, and worst of all failed to do anything interesting with the character of Ellen Ripley (Sigourney Weaver). Even though there is a charm in the fact that every subsequent entry in the series has more or less ignored the events of its predecessor, Alien: Resurrection felt completely out of place with how it skipped past the noble sacrifice made by Ripley at the end of Alien 3. While both of these films were messes, David Fincher had at least presented a number of compelling ideas in Alien 3 and made a visually stunning spectacle; in Alien: Resurrection, the aesthetic sensibilities of director Jean-Pierre Jeunet and sardonic dialogue of Joss Whedon simply did not congeal.

Alien: Resurrection is simply not very scary, exciting, or intelligent in its plot, and it reduces the mythology of one of the greatest science fiction franchises of all-time into a cheap creature feature.

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‘Lost in Space’ (1998)

New Line Cinema

Lost in Space is one of the more disastrous attempts to reboot a classic television show because it did not make the right choices in what to adopt from the original series. Although it is easy to criticize the CGI of an older film that had less advanced effects, Lost in Space looked terrible at the time, especially in comparison to other films of the same decade, like Men in Black or Star Wars: Episode I- The Phantom Menace. The outer space battles contain no sense of scale and the interiors, planets, and cockpits are all remarkably flat and uninteresting.

The biggest issue with Lost in Space is the cast, as it never feels as if the Robinsons are an actual family that care about one another, and the film can’t seem to settle on a main character. Matt LeBlanc’s portrayal of a hotshot pilot is so ridiculous that it could basically stand-in for an in-universe Friends project that looked at what Joey Tribbiani’s acting career might look like. It’s hard to not feel bad for the late great William Hurt, one of the greatest actors of all-time, who seems to be thoroughly embarrassed by what he’s signed up for.

4

‘Inspector Gadget’ (1999)

Image via Disney

Inspector Gadget is another misfire of a television adaptation that simply didn’t understand the right tone to crack in order to be compelling in a different medium. One of the reasons that the original cartoon series was so popular was that it incorporated visual inventiveness and quirky humor that worked specifically within the realm of animation; when translated into live-action, it’s blunt and awkward, feeling closer to the dark satire of Paul Verhoeven’s Robocop than a family-friendly adventure film.

Matthew Broderick’s performance doesn’t work at all, as it was a bad idea to cast someone known for their gregarious, charismatic persona and give them the role of a robot. Broderick is a great actor who proved within the next decade that he was perfectly suited for independent dramas and stage work, but the double blow of Inspector Gadget and Roland Emmerich’s completely derided 1998 Godzilla film proved that he should stay far away from blockbusters altogether.

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‘Memoirs of an Invisible Man’ (1992)

Image via Warner Bros.

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Memoirs of an Invisible Man is the film that broke the hot streak of John Carpenter, who had been making nothing but genre masterpieces since his 1974 directorial debut Dark Star. Although the idea of seeing Carpenter take on a concept associated with H.G. Wells’ classic novel The Invisible Man seemed like an exciting prospect, Memoirs of an Invisible Man fell apart because of the casting of Chevy Chase, one of the most notoriously “difficult” actors in Hollywood. Chase caused such stress and frustration for Carpenter on set that the film is barely comprehensible, and doesn’t feel like the product of anyone’s vision; even though there are problems baked into the script from the beginning, it’s easy to imagine that Memoirs of an Invisible Man might have at least been somewhat watchable had someone else taken on the lead role.

Chase was a poor casting choice, as the character is designed to be free of charisma and completely haunted. The best work Chase has done is when he plays charming, snarky tricksters who are given the room to do physical gags, so restricting him to playing an invisible character was a terrible idea.

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‘Star Trek: Insurrection’ (1998)

Image via Paramount

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Star Trek: Insurrection isn’t quite the worst film in the Star Trek franchise, as it isn’t as utterly incompetent as Star Trek V: The Final Frontier or as tonally misjudged as Star Trek: Nemesis, but it is by far the most boring. The advantage that the crew of the original series had is that their show had never been completed, and they went on to take on older, more seasoned versions of their characters over a decade after they had been off the air. Star Trek: The Next Generation was a massively successful show that ran for seven seasons and cycled out through nearly every good idea with the characters, and the films didn’t start coming out long enough after for them to feel like events. While Star Trek: First Contact at least had fun because it was basically “Die Hard on the Enterprise,” Star Trek: Insurrection just felt like an overlong television episode.

Star Trek: Insurrection features another metaphor for the “Fountain of Youth” that felt derivative of the show, and included one of the worst villain performances in the franchise from F. Murray Abraham. There was also a strange decision to try and create a friendship between Captain Jean-Luc Picard (Patrick Stewart) and Data (Brett Spiner) that was equivalent to that of Captain James T. Kirk (William Shatner) and Spock (Leonard Nimoy) in the prior films, despite the fact that it didn’t bear anything in common with the dynamic that they had on Star Trek: The Next Generation.

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‘The Postman’ (1997)

Image via Warner Bros. 

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The Postman was a massive disaster for Kevin Costner, who was directing his second feature after Dances With Wolves, a gigantic hit that had won him the Academy Awards for Best Picture and Best Director (in what became known as a controversial victory over Goodfellas and Martin Scorsese). Costner clearly loves the Western genre, but The Postman was a strange roundabout way of making a classical gunslinger film because it is set within a post-apocalyptic America in which technology has regressed to that of the 19th century. Costner doesn’t even play the titular “postman” that the title refers to, as he is actually a Shakespearean actor who disguises himself as a mail carrier and becomes regarded as a messianic figure.

Costner put too much on his own shoulders by investing in a script that had to do a tremendous amount of worldbuilding, but still sparked more questions than it did answers. It wasn’t the only massively unsuccessful science fiction, post-apocalyptic action film that Costner made in the ‘90s, but Waterworld is a fairly enjoyable guilty pleasure with entertaining performances, and is not a slog like The Postman. Costner may have been able to get away with a three hour long running time for Dances With Wolves, but nothing in The Postman justified a length that was so excruciating.

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The Postman

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Release Date

December 25, 1997

Runtime

177 Mins

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Anne Hathaway’s latest red carpet appearance put her growing baby bump front and center, but it was one unexpected part of her maternity look that quickly became the focus of online debate. 

The actress arrived at “The End Of Oak Street” premiere in Los Angeles looking cheerful and polished, yet her outfit divided fans almost immediately. 

While some praised Hathaway’s radiant appearance, others questioned the styling choice that they felt overshadowed an otherwise striking maternity moment.

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Anne Hathaway’s premiere appearance was anything but a traditional maternity ensemble. 

The actress wore a sleeveless light blue top that was cropped across the front before extending behind her into a short train, creating a dramatic silhouette around her growing bump. 

A vivid red lining beneath the pale blue fabric added another unexpected element to the outfit. 

Instead of pairing the statement top with equally formal trousers or a skirt, Hathaway opted for low-waisted denim jeans. 

She completed the look with closed-toed red pumps, dangling earrings and a statement bracelet. 

Her brunette hair was packed into a sleek ponytail, keeping the attention on the outfit and her pregnancy silhouette.

Hathaway appeared cheerful as she posed for photographers at Warner Bros. Studios.

Hathaway’s Denim Choice Quickly Became The Fashion Talking Point

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The jeans ultimately became the part of Anne Hathaway’s outfit that generated the most debate. 

While the top was clearly intended to be the centerpiece, some viewers felt the casual denim worked against the dramatic design.

Per the Daily Mail, one critic called the overall look something that “looks ridiculous,” while another complained, “It’s awful. She’s too pretty for this to happen.”

Others were even more emphatic, with one person pleading, “Please let me UNSEE this,” while another simply concluded, “This one is so wrong sorry.”

The strongest criticism focused specifically on the difference between the elaborate top and the jeans. “Jeans? JEANS?! That dazzling top deserves a better companion,” one person wrote, while another bluntly stated, “The jeans make it worse.”

Anne Hathaway Still Drew Praise For Her Pregnancy Glow

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For every viewer who disliked the styling, there were others who separated Hathaway from the outfit and made it clear they still admired her appearance.

Some social media users criticized the work of her stylist rather than Hathaway herself. One Instagram commenter wrote, “I love her. I do not understand why her stylist did this to her.”

Another called the styling “very tacky,” while a different commenter described it as “Unflattering styling for a beautiful pregnant woman.” Someone else simply wrote, “Love her – outfit just No.”

However, the criticism did not represent the entire online response. Other fans appeared far more interested in Hathaway’s overall appearance than in whether every element of her outfit worked together.

On X, one admirer wrote, “She looks radiant…,” while another declared, “Anne Hathaway at a world premiere is always a win, she looks stunning.”

Hathaway Explains Why Baby No. 3 Is Her ‘Buzzer-Beater’

Anne Hathaway has been increasingly open about the pregnancy that has added an unexpected new chapter to her family life. 

While promoting “The Odyssey,” the 43-year-old revealed that she and husband Adam Shulman had hoped to expand their family but were still stunned when it actually happened. 

During an appearance on “Late Night with Seth Meyers” in July, Hathaway described the pregnancy as “amazing” before joking, “We were so shocked it went this way, so we’re calling this one our buzzer-beater.” 

Meyers, who is also a father of three, then offered Hathaway some perspective on going from two children to three, joking that once one reached that point, there was “not much you can do except watch.” 

Hathaway embraced the comparison, joking that she loved the “channel” her family was currently on and that the baby would feel like “a new cast member.” 

Anne Hathaway Confirmed Third Pregnancy With Playful Baby Bump Reveal

Anne Hathaway made her third pregnancy official in June, through an Instagram video in which she stepped into view in a long, flowing white skirt set with her arms folded over her midsection. 

The mom of two then lowered her arms, revealing her baby bump before smiling at the camera. 

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Hathaway paired the reveal with Barbara Lewis’ 1965 song “Baby I’m Yours” and captioned the post, “x Baby, I’m yours x.” 

The announcement quickly drew widespread attention, reportedly surpassing 800,000 likes in just over 30 minutes as friends and fans filled the comments with congratulations.

As The Blast stated, the announcement came after she had been photographed on vacation in Saint-Tropez with her bump visible in several looks, but the Instagram post marked her own confirmation of the news.

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Soaking up the sun on summer vacation is right where Rachel Bilson wants to be.

“I live here now,” the O.C. and Hart of Dixie alum, 44, wrote via Instagram on Sunday, August 9, alongside a photo of herself in a red bikini paired with denim cut-offs.

Capturing herself lazing against a railing aboard a sleek vessel, Bilson, who is mom to daughter Briar Rose, 11, with ex-fiancé Hayden Christensen, flashed a warm smile as idyllic weather blissfully bathed the frame.

Fans were quick to praise the star’s photo, taking to her post’s comments section. “Basically Summer Roberts on the summer breeze in summer,” wrote one fan, referencing Bilson’s former O.C. character, while another wrote, “An icon just doing iconic things!”

Last month, Bilson shared further insight into her summer activities through an Instagram carousel captioned, “Sum of summer for far.” Photos showed time spent at a beach, plucking strawberries and making strawberry muffins from them, sunsets overlooking still waters, multiple books, several selfies of her tousled beach hair and one shot of her daughter fishing off a boat.

Bilson has largely kept her child out of the spotlight, however recently opened up about her coparenting relationship with Christensen, 45. During the January 20 episode of Kristin Cavallari’s “Let’s Be Honest” podcast, Bilson revealed that she and her ex have found a harmonious way to navigate their family roles. “Ours is, like, a unique version of it,” she said of her and the Star Wars actor’s coparenting journey. “We do a lot of stuff together — a lot.”

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Bilson continued at the time, “We have been able to keep it very copacetic and nice for [Briar]. We weren’t ever married so we … figured out our own way. [My advice for other coparents] is communication and sometimes you have to compromise a lot.”

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The candid interview also touched on Bilson’s past romance with her former O.C. costar Adam Brody, 46. “[Brody and I] were a couple on the show and a couple in real life, [and fans are] like, ‘Oh, it’s Seth and Summer’ and they really relate it to that,” she explained. “They think that’s what you are [and] who you are.”

The episode also discussed her current dating life, of which remains mostly quiet. “I’ve never been on [a dating] app, but if I’m around someone who’s on it, I look with them ‘cause it’s fun,” she told Cavallari, 39. “I’ve never done the apps. I’m a hardcore, like, ‘bedtime before 9’ kind of person, so if I’m going to go out, it has to be something I really want to do.”