Charissa Thompson looked glamorous at Taylor Swift and Travis Kelce’s star-studded wedding, but her sparkling gown came with a painful hidden cost. The Fox Sports broadcaster revealed that the sharp prongs securing the jewels on her dress repeatedly cut into her skin while she danced at the couple’s July 3 celebration inside Madison Square Garden. By the end of the evening, Thompson’s forearms were bleeding, and her boyfriend Steve Cundari’s expensive tuxedo had also sustained damage.
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Thompson discussed the fashion disaster on Thursday’s episode of her “Calm Down” podcast with fellow sportscaster Erin Andrews, who also attended the wedding. The broadcaster wore a heavily embellished Valdrin Sahiti gown covered with individual gems. “The prongs were holding in all of the individual jewels,” Thompson recalled.
Although she loved the completed look, its weight and sharp hardware became increasingly uncomfortable as the night continued. “And the dress was super heavy and I loved the way it looked and everything. However, halfway through the night, I’m looking down and my forearms are bleeding. Bleeding,” she revealed.
The injuries apparently occurred while Thompson was dancing, as the repeated movement caused the sharp pieces of metal to rub against and cut her skin. She explained that the prongs were “slicing [her skin] open” throughout the celebration.
Gown Also Damaged Her Boyfriend’s Tuxedo
Thompson was not the only person affected by the elaborate dress. The jewels also repeatedly caught on Cundari’s tuxedo as the pair danced together. “Each prong would grab a little bit of his tuxedo,” Thompson explained. “You know when you get a run in [your] pantyhose? And that just pulls?”
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The broadcaster joked that her entrepreneur boyfriend had been “excited about his tux,” making its condition by the end of the wedding particularly unfortunate. She acknowledged that she now owes him a replacement. “By the end of the night, I’m seeing these strings all over. My arms are bleeding. But it’s worth it!” Thompson said.
She described the damage as one of the “occupational hazards of getting on the dance floor in a dress that was not meant to get down like that [in].” Despite the discomfort, Thompson continued enjoying the reception rather than allowing the wardrobe problem to end her evening.
Thompson said she and Andrews “were very, very mindful” while deciding what to wear to Swift and Kelce’s wedding. The women were also “very much concerned about how the dresses would hold up” throughout the ceremony and reception.
Andrews ultimately selected a backless black Gucci halter gown that avoided the sharp embellishments responsible for Thompson’s injuries. “Your back looked great,” Thompson told her co-host. “You don’t wear that dress if you haven’t down some back exercises, some pulldowns.”
Both women earned attention for their wedding fashion, although only Thompson ended the night with cuts on her arms and an unexpected bill for a damaged tuxedo.
The gown disaster did not diminish Thompson’s opinion of the wedding. She and Andrews agreed that Swift and Kelce’s ceremony was “magical,” with Thompson saying the celebration served as a powerful reminder about finding the right partner.
“Watching them get married, I’m like, when you find your person, everything else in the world is right,” Thompson said. “That night and that weekend really was a reminder that you can have everything in the world. And if you don’t have the person to share it with, then it’s not worth anything,”
Thompson then addressed the newlyweds directly. “So congratulations to both of you. Thank you for including us in your special weekend. We love you both so much,” she said.
Taylor Swift And Travis Kelce’s Romance Began In The NFL Spotlight
Swift and Kelce announced their engagement the previous summer after dating publicly for nearly two years. Their romance first became public when Swift attended a Kansas City Chiefs game at Arrowhead Stadium on September 24, 2023. She watched from a VIP suite before leaving the stadium with Kelce following the Chiefs’ victory.
Swift subsequently became a regular presence at Chiefs games when her Eras Tour schedule allowed. She even traveled from Japan to Las Vegas to watch Kelce win the Super Bowl. Kelce returned that support by attending numerous Eras Tour performances across multiple continents, including shows in South America, Australia, Asia, Europe and North America. He also made an onstage cameo during one of Swift’s London concerts.
The relationship eventually culminated in their Madison Square Garden wedding, which brought together approximately 1,000 relatives, friends and celebrities.
Thrillers often promise control but only few do it perfectly. There is a killer to catch, a conspiracy to expose, or one dangerous person who can supposedly be stopped before the damage spreads. It’s hard to pull off right. And when pulled off right, you have no choice but to call it a masterpiece.
The movies here understand how quickly and how often that confidence falls apart. Innocent people get pulled into systems they barely understand, professionals discover that experience cannot protect them, and violence changes everyone who gets close enough to see it clearly. And if all that isn’t filmed or timed well, the whole system breaks. The 10 movies on this list are amazing for nailing those particular angles and the R rating allows these films to follow their ideas without cleaning them up for comfort.
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10
‘Collateral’ (2004)
Jamie Foxx as Max Durocher driving the Taxi in CollateralImage via DreamWorks Pictures
Collateral takes one Los Angeles cab driver and traps him inside a professional killer’s schedule. Max Durocher (Jamie Foxx) has spent years talking about opening his own limousine company while driving the same night shift and postponing every real step toward it. Vincent (Tom Cruise) gets into his taxi, offers him hundreds of dollars for several stops, and soon reveals that each address belongs to someone he has been hired to kill. Max is suddenly driving a murderer across the city while police officers follow a trail they cannot yet connect to him.
The film understands how terrifying competence can be. Vincent kills without hesitation, adapts whenever a plan changes, and speaks about human life as if he’s casually discussing traffic. Max begins the night avoiding conflict and ends up making choices under pressure that he has delayed making in ordinary life. Both Max and Vincent create a tense imbalance where control keeps changing hands without ever feeling secure. Even Los Angeles looks unfamiliar after midnight, full of empty trains, fluorescent offices, crowded clubs, and strangers who never realise how close death passed beside them.
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9
‘A History of Violence’ (2005)
Image via New Line Cinema
A History of Violence begins with Tom Stall (Viggo Mortensen) living a quiet life in Indiana with his wife Edie Stall (Maria Bello) and their two children. When two armed criminals threaten his diner, Tom kills them with shocking speed and becomes a national hero. The attention brings Carl Fogarty (Ed Harris) to town, a scarred gangster who insists that Tom is really Joey Cusack, a violent man connected to the Philadelphia mob. Tom denies everything, but his family starts noticing how naturally violence comes to him.
David Cronenberg adapted John Wagner and Vince Locke’s graphic novel into a thriller that keeps asking whether a person can leave an old identity behind or merely hide it under better habits. Tom’s actions protect his family, yet every burst of violence exposes another piece of a life they never consented to share. The sex between Tom and Edie also changes once the truth starts emerging, moving from playful intimacy to anger, fear, and damaged attraction. The quiet dinner near the end says more than another confrontation could. Tom returns home, and nobody at that table knows whether the man sitting down belongs there anymore.
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8
‘The Girl with the Dragon Tattoo’ (2011)
Daniel Craig in The Girl with the Dragon Tattoo.Image via Sony Pictures Releasing
Few modern studio thrillers are as cold, detailed, and openly hostile as The Girl with the Dragon Tattoo. Disgraced journalist Mikael Blomkvist (Daniel Craig) is hired by wealthy industrialist Henrik Vanger (Christopher Plummer) to investigate the disappearance of his niece Harriet Vanger, who vanished from a family gathering forty years earlier. The case leads Mikael through photographs, biblical references, business records, and decades of violence hidden behind one of Sweden’s most powerful families. Lisbeth Salander (Rooney Mara) joins the investigation after initially being hired to examine Mikael himself.
Lisbeth is brilliant with computers and almost impossible to intimidate, but the film never treats her trauma as stylish character decoration. Her guardian abuses the legal power he has over her, and her response is planned with the same precision she later brings to the Vanger case. Rooney Mara’s physical transformation drew attention, though the anger, isolation, and guarded loyalty underneath the appearance stay far more compelling. Mikael and Lisbeth solve the central mystery through different skills and slowly develop trust without becoming a conventional detective couple. Her last attempt to reach toward him hurts precisely because it is so small. She buys the gift, sees him with Erika Berger (Robin Wright), and quietly turns away.
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7
‘Sicario’ (2015)
Emily Blunt as Kate pointing a gun in Sicario.Image via Lionsgate
Sicario follows FBI agent Kate Macer (Emily Blunt) after a raid in Arizona uncovers dozens of bodies hidden inside a house controlled by a Mexican cartel. Her record on kidnapping cases earns her a place on a federal task force led by Matt Graver (Josh Brolin), though nobody gives her a clear explanation of its real purpose. The operation takes her across the border into Juárez, through a terrifying traffic jam, and deeper into a campaign where legal authority has become almost impossible to separate from revenge.
Kate believes rules can keep violence from becoming corruption. Graver sees rules as obstacles, while Alejandro Gillick (Benicio del Toro) carries a personal mission that the government has decided to use. The border convoy establishes that imbalance immediately. Armed men surround the vehicles, civilians are trapped nearby, and Kate has seconds to understand a threat everyone else recognised earlier. Emily Blunt’s character remains capable throughout, but capability offers little protection in an operation designed to keep her uninformed. Kate signs the document at gunpoint, and Alejandro advises her to find a quieter town where the law still resembles what she believes it should be.
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6
‘Heat’ (1995)
Al Pacino wearing a badge and wielding a gun as Vincent in HeatImage via Warner Bros. Pictures
Heat is often reduced to the historic pairing of Al Pacino and Robert De Niro, even though the movie contains an entire city of people being damaged by the same obsession. Neil McCauley (Robert De Niro) leads a disciplined robbery crew and refuses to keep anything he cannot abandon within thirty seconds. Lieutenant Vincent Hanna (Al Pacino) lives with similar intensity on the other side of the law. Both understand their professions better than they understand ordinary relationships, and neither is willing to step away while there is still another move available.
The coffee-shop conversation earns its reputation through honesty rather than grandstanding. Neil and Hanna recognise each other immediately, share the private cost of their lives, and accept that one will still kill the other if the situation demands it. Around them, Chris Shiherlis (Val Kilmer) loses Charlene Shiherlis (Ashley Judd), Michael Cheritto (Tom Sizemore) risks everything for another score, and Donald Breedan (Dennis Haysbert) takes one desperate chance to escape a humiliating job. The director, Michael Mann, reportedly spent years researching police work and professional criminals, which shows in the surveillance, weapon handling, and downtown shootout. Yet the emotional core stays painfully simple. These men can read danger across a street and still fail to understand the people waiting at home.
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5
‘L.A. Confidential’ (1997)
Russell Crowe as Officer Wendell “Bud” White in a suit and tie looking serious in L.A. Confidential.Image via Warner Bros.
Los Angeles in 1953 sells sunshine, movie stars, and clean police work to the public while corruption spreads behind the photographs. Three officers approach that world from completely different directions. Bud White (Russell Crowe) protects abused women and solves problems with force. Ed Exley (Guy Pearce) believes procedure and ambition can take him to the top. Jack Vincennes (Kevin Spacey) enjoys celebrity, television consulting, and selling arrests to a gossip magazine. A massacre at the Nite Owl coffee shop pulls all three toward the same conspiracy.
The screenplay condenses James Ellroy’s enormous novel without losing the sense that every institution has learned how to manage appearances. Police officers stage evidence, politicians protect vice operations, and tabloid publisher Sid Hudgens (Danny DeVito) turns private misery into entertainment. Lynn Bracken (Kim Basinger) also understands the city’s obsession with imitation. She is paid to resemble Veronica Lake while longing to be treated as herself. The investigation forces Bud, Ed, and Jack to confront the compromises each has normalised. Jack’s whispered final clue, “Rollo Tomasi,” becomes a trap for the man who thought he had erased every loose end. Justice survives, though Los Angeles immediately begins preparing the next version of the story.
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4
‘The Departed’ (2006)
Undercover cop Billy Costigan (Leonardo DiCaprio) disguises himself with a cap as he peeks around the corner of a brick wall in ‘The Departed’ (2006).Image via Warner Bros. Pictures
Two informants spend The Departed trying to identify each other while serving opposite sides of Boston’s criminal world. Billy Costigan (Leonardo DiCaprio) enters Frank Costello (Jack Nicholson)’s organisation under police orders and slowly loses any stable life outside the assignment. Colin Sullivan (Matt Damon) joins the state police after being raised and protected by Costello, feeding him information while building the public image of a successful officer. Both men live through phones, coded messages, staged conversations, and the constant fear that one mistake will expose everything.
Martin Scorsese’s crime thriller draws from the Hong Kong film Infernal Affairs, then fills the story with Boston identity, Catholic guilt, family history, and institutional rot. Billy is officially working for justice, but his handlers leave him psychologically stranded. Colin has status, a home, and a relationship with Madolyn Madden (Vera Farmiga), yet his entire identity depends on service to a man he increasingly despises. The elevator deaths still hit with savage speed since the movie refuses to reward anyone for surviving longer than expected. Colin briefly believes he has escaped. Then Dignam (Mark Wahlberg) appears in his apartment, and the silence says exactly how much faith the film has left in official justice.
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Collider Exclusive · Oscar Best Picture Quiz Which Oscar Best Picture Is Your Perfect Movie? Parasite · Everything Everywhere · Oppenheimer · Birdman · No Country
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Five Oscar Best Picture winners. Five completely different visions of what cinema can be — and what it can do to you. One of them is the film that was made for the way your mind works. Ten questions will figure out which one.
🪜Parasite
🌀Everything Everywhere
☢️Oppenheimer
🐦Birdman
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🪙No Country for Old Men
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01
What kind of film experience do you actually want? The best movies don’t just entertain — they leave something behind.
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02
Which idea grabs you most in a film? Great films are driven by a central obsession. What’s yours?
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03
How do you like your story told? Form is content. The way a story is shaped changes what it means.
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04
What makes a truly great antagonist? The opposition defines the protagonist. What kind of opposition fascinates you?
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05
What do you want from a film’s ending? The final note is the one that lingers. What do you want it to sound like?
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06
Which setting pulls you in most? Where a film takes place shapes everything — mood, stakes, what’s even possible.
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07
What cinematic craft impresses you most? Every great film has a signature — a technical or artistic element that makes it unmistakable.
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08
What kind of main character do you root for? The protagonist is the lens. Who you choose to follow says something about you.
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09
How do you feel about a film that takes its time? Pace is a choice. Some films sprint; others let tension accumulate slowly, deliberately.
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10
What do you want to feel walking out of the cinema? The best films leave a mark. What kind of mark do you want?
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The Academy Has Decided Your Perfect Film Is…
Your answers have pointed to one Oscar Best Picture winner above all others. This is the film that was made for the way your mind works.
Advertisement
Parasite
You are drawn to films that operate on multiple levels simultaneously — that begin in one genre and quietly, brilliantly migrate into another. Bong Joon-ho’s Parasite is a film about class, desire, and the architecture of inequality that manages to be darkly funny, deeply suspenseful, and genuinely shocking across a single extraordinary running time. Your instinct is for cinema that hides its true intentions until the moment it’s ready to reveal them. Parasite is exactly that — a film that rewards close attention and punishes assumptions, right up to its devastating final image.
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Everything Everywhere All at Once
You want it all — and this film gives you all of it. The Daniels’ Everything Everywhere All at Once is one of the most maximalist films ever made: action comedy, multiverse sci-fi, family drama, existential crisis, and a genuinely earned emotional core that sneaks up on you amid the chaos. You are someone who responds to ambition, who doesn’t want cinema to choose between being entertaining and being meaningful. This film refuses that choice entirely. It is overwhelming by design, and its overwhelming nature is precisely the point — because the feeling of being crushed by infinite possibility is exactly what it’s about.
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Oppenheimer
You are drawn to cinema on a grand scale — films that understand history not as a backdrop but as a force, and that place their characters inside that force and watch what happens. Christopher Nolan’s Oppenheimer is a film about the terrifying gap between what we can do and what we should do, told with the full weight of one of the most consequential moments in human history behind it. You want your films to feel important without feeling self-important — to earn their ambition through sheer craft and the gravity of their subject. Oppenheimer does exactly that. It is enormous, complicated, and refuses easy comfort.
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Birdman
You are drawn to films that foreground their own construction — that make the how of the filmmaking part of the what it’s about. Alejandro González Iñárritu’s Birdman, shot to appear as a single continuous take, is cinema examining itself through the cracked mirror of a fading actor’s ego. You respond to formal daring, to the feeling that a film is doing something that probably shouldn’t be possible. Michael Keaton’s performance and Emmanuel Lubezki’s restless camera create something genuinely unlike anything else — a film that is simultaneously about creativity, relevance, self-destruction, and the impossibility of ever truly knowing if your work means anything at all.
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No Country for Old Men
You are drawn to cinema that trusts silence, that refuses to explain itself, and that treats dread as a form of meaning. The Coen Brothers’ No Country for Old Men is a film about the arrival of a new kind of evil — implacable, arbitrary, and utterly indifferent to the moral frameworks we use to make sense of the world. It is one of the most formally controlled films ever made, and its controlled restraint is what makes it so terrifying. You want your films to haunt you, not comfort you. You are not interested in resolution if resolution would be dishonest. No Country for Old Men is honest in a way that most cinema never dares to be.
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3
‘Zodiac’ (2007)
Robert Graysmith (Jake Gyllenhaal) hunchesover his desk while Paul Avery (Robert Downey Jr.) loiters casually behind him in ‘Zodiac’ (2007).Image via Paramount Pictures
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Zodiac is about the people who spend years trying to solve a case that refuses to give them the closure they need. The Zodiac killer sends letters, ciphers, threats, and pieces of evidence to newspapers after attacking victims across Northern California. Cartoonist Robert Graysmith (Jake Gyllenhaal) becomes consumed by the puzzle. Reporter Paul Avery (Robert Downey Jr.) sees the case damage his career and health. Inspectors Dave Toschi (Mark Ruffalo) and Bill Armstrong (Anthony Edwards) chase leads across jurisdictions while witnesses, handwriting samples, and suspect descriptions keep failing to form one complete answer.
The fear comes from uncertainty rather than constant murder. The movie recreates the attacks with such controlled detail, then spends far more time on interviews, paperwork, phone calls, and the emotional cost of obsession. Graysmith’s family watches him turn their home into an archive. Toschi’s professional reputation suffers after years of public pressure. Avery retreats into alcohol as the story he once controlled begins controlling him. Zodiac offers a compelling suspect but refuses the relief of legal certainty. Real life never supplied it.
2
‘Oldboy’ (2003)
Image via FilmDistrict
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Oldboy begins with Oh Dae-su (Choi Min-sik) being kidnapped and imprisoned in a private room for fifteen years without being told why. A television becomes his only connection to the outside world, where he learns that his wife has been murdered and that he has been framed for it. He trains, keeps track of time, and prepares for revenge. Then his captor suddenly releases him, hands him money and a phone, and gives him five days to discover the reason behind his punishment. This is interestingly developed from a Japanese manga.
Park Chan-wook adapted the Japanese manga into a revenge tragedy where finding the truth becomes far worse than remaining ignorant. The hallway fight, side-scrolling construction, all of it creates an excellent mystery. Dae-su treats vengeance as a path back to dignity, while Lee Woo-jin (Yoo Ji-tae) has spent years designing an answer to an old humiliation. Every clue pushes Dae-su toward the exact emotional position his enemy wants. The punishment reaches beyond imprisonment and destroys his understanding of love, memory, and choice. Oldboy is a difficult recommendation and an unforgettable one. Go in knowing as little as possible, then try sleeping normally afterward.
1
‘No Country for Old Men’ (2007)
Josh Brolin as Llewelyn Moss in No Country for Old Men.Image via Miramax Films
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No Country for Old Men follows Llewelyn Moss (Josh Brolin) after he discovers the remains of a drug deal in the Texas desert and takes a case containing two million dollars. He knows someone will come looking for it and prepares as carefully as he can. Anton Chigurh (Javier Bardem) follows with a tracking device, a captive-bolt pistol, and a belief that chance can excuse whatever decision he has already made. Sheriff Ed Tom Bell (Tommy Lee Jones) tries to understand the violence spreading across his county while sensing that his experience may no longer be enough.
This is created by the Coen brothers and they remain remarkably faithful to Cormac McCarthy’s novel here, including its refusal to shape the chase into a familiar showdown. Moss is resourceful, Chigurh is relentless, and Bell increasingly watches from the edge as events move past him. Carla Jean Moss (Kelly Macdonald) sees through that coin-toss performance and refuses to participate. Bell’s closing dream, killings, his father riding ahead carrying fire into the darkness, and Bell waking before he can follow, all of it give No Country for Old Men an unmatched substance.
Quentin Tarantino fans are getting excited as the first movie from the Oscar-winning director is set to arrive in IMAX in just a few months. Tarantino penned the script for the highly anticipated Once Upon a Time… in Hollywood sequel, The Adventures of Cliff Booth, starring Brad Pitt. Before the film is added to Netflix’s global streaming library around Christmas, it will have two weeks of IMAX exclusivity starting on November 25. Tarantino wrote the script for the film, but he opted not to direct, passing off directorial duties to David Fincher, who recently directed The Killer and Mank. Tarantino has been especially vocal not just in the last few years, but also his entire career, about the movies he likes and doesn’t like, and one of his most beloved trilogies has finally found a home on streaming.
One thing Quentin Tarantino has never been shy about sharing is his love of old Westerns, particularly those starring Clint Eastwood. Tarantino himself has also directed a few iconic Western classics, including Django Unchained and The Hateful Eight, but this pales in comparison to the dozens of Westerns Eastwood starred in over the years. Tarantino has repeatedly expressed his love for Eastwood’s Dollars trilogy, which kicked off in 1964 with A Fistful of Dollars. This was followed by For a Few Dollars More one year later, in 1965, and The Good, the Bad, and the Ugly the next year, in 1966. The first two movies in the trilogy are streaming for free on Pluto TV, but all three films are also available to watch on Prime Video. Tarantino has said repeatedly that he thinks the Dollars trilogy is “the only trilogy that truly works.”
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Collider Exclusive · Oscar Best Picture Quiz Which Oscar Best Picture Is Your Perfect Movie? Parasite · Everything Everywhere · Oppenheimer · Birdman · No Country
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Five Oscar Best Picture winners. Five completely different visions of what cinema can be — and what it can do to you. One of them is the film that was made for the way your mind works. Ten questions will figure out which one.
🪜Parasite
🌀Everything Everywhere
☢️Oppenheimer
🐦Birdman
Advertisement
🪙No Country for Old Men
Advertisement
01
What kind of film experience do you actually want? The best movies don’t just entertain — they leave something behind.
Advertisement
02
Which idea grabs you most in a film? Great films are driven by a central obsession. What’s yours?
Advertisement
03
How do you like your story told? Form is content. The way a story is shaped changes what it means.
Advertisement
04
What makes a truly great antagonist? The opposition defines the protagonist. What kind of opposition fascinates you?
Advertisement
05
What do you want from a film’s ending? The final note is the one that lingers. What do you want it to sound like?
Advertisement
06
Which setting pulls you in most? Where a film takes place shapes everything — mood, stakes, what’s even possible.
Advertisement
07
What cinematic craft impresses you most? Every great film has a signature — a technical or artistic element that makes it unmistakable.
Advertisement
08
What kind of main character do you root for? The protagonist is the lens. Who you choose to follow says something about you.
Advertisement
09
How do you feel about a film that takes its time? Pace is a choice. Some films sprint; others let tension accumulate slowly, deliberately.
Advertisement
10
What do you want to feel walking out of the cinema? The best films leave a mark. What kind of mark do you want?
Advertisement
The Academy Has Decided Your Perfect Film Is…
Your answers have pointed to one Oscar Best Picture winner above all others. This is the film that was made for the way your mind works.
Advertisement
Parasite
You are drawn to films that operate on multiple levels simultaneously — that begin in one genre and quietly, brilliantly migrate into another. Bong Joon-ho’s Parasite is a film about class, desire, and the architecture of inequality that manages to be darkly funny, deeply suspenseful, and genuinely shocking across a single extraordinary running time. Your instinct is for cinema that hides its true intentions until the moment it’s ready to reveal them. Parasite is exactly that — a film that rewards close attention and punishes assumptions, right up to its devastating final image.
Advertisement
Everything Everywhere All at Once
You want it all — and this film gives you all of it. The Daniels’ Everything Everywhere All at Once is one of the most maximalist films ever made: action comedy, multiverse sci-fi, family drama, existential crisis, and a genuinely earned emotional core that sneaks up on you amid the chaos. You are someone who responds to ambition, who doesn’t want cinema to choose between being entertaining and being meaningful. This film refuses that choice entirely. It is overwhelming by design, and its overwhelming nature is precisely the point — because the feeling of being crushed by infinite possibility is exactly what it’s about.
Advertisement
Oppenheimer
You are drawn to cinema on a grand scale — films that understand history not as a backdrop but as a force, and that place their characters inside that force and watch what happens. Christopher Nolan’s Oppenheimer is a film about the terrifying gap between what we can do and what we should do, told with the full weight of one of the most consequential moments in human history behind it. You want your films to feel important without feeling self-important — to earn their ambition through sheer craft and the gravity of their subject. Oppenheimer does exactly that. It is enormous, complicated, and refuses easy comfort.
Advertisement
Birdman
You are drawn to films that foreground their own construction — that make the how of the filmmaking part of the what it’s about. Alejandro González Iñárritu’s Birdman, shot to appear as a single continuous take, is cinema examining itself through the cracked mirror of a fading actor’s ego. You respond to formal daring, to the feeling that a film is doing something that probably shouldn’t be possible. Michael Keaton’s performance and Emmanuel Lubezki’s restless camera create something genuinely unlike anything else — a film that is simultaneously about creativity, relevance, self-destruction, and the impossibility of ever truly knowing if your work means anything at all.
Advertisement
No Country for Old Men
You are drawn to cinema that trusts silence, that refuses to explain itself, and that treats dread as a form of meaning. The Coen Brothers’ No Country for Old Men is a film about the arrival of a new kind of evil — implacable, arbitrary, and utterly indifferent to the moral frameworks we use to make sense of the world. It is one of the most formally controlled films ever made, and its controlled restraint is what makes it so terrifying. You want your films to haunt you, not comfort you. You are not interested in resolution if resolution would be dishonest. No Country for Old Men is honest in a way that most cinema never dares to be.
Advertisement
Who Else Stars in Quentin Tarantino’s Next Movie?
Starring alongside Brad Pitt in the Tarantino-written and Fincher-directed Cliff Booth movie is Timothy Olyphant, who will reprise his role as James Stacy in the film. Carla Gugino, Elizabeth Debicki, Yahya Abdul-Mateen II, and Holt McCallany have also been tapped for key roles in the film. Leonardo DiCaprio will not reprise his role as Rick Dalton in The Adventures of Cliff Booth. The second trailer for the film is expected to be released any day now, along with more details about the IMAX and Netflix streaming releases.
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Check out the Dollars trilogy on Prime Video and stay tuned to Collider for more updates and coverage of Quentin Tarantino’s next movie.
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Release Date
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January 18, 1964
Runtime
99minutes
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Writers
Ryûzô Kikushima, Akira Kurosawa, A. Bonzzoni, Víctor Andrés Catena, Sergio Leone, Jaime Comas Gil
Deadline reported a while ago that Da’Vinchi had been cast in the show, playing a firefighter recruit named Marcus Burke. The character is described as “roguish and funny with a wry sense of humor; he’s also a little defiant.” The actor comes off a four-season run on Starz’s crime drama BMF, where he played real-life Detroit kingpin Terry “Southwest T” Flannery. He will also be seen in two of Tyler Perry‘s upcoming Netflix projects: the movie Why Did I Get Married Again? and the series Where’s the Smoke.
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In celebration of joining the show, Da’Vinchi shared a behind-the-scenes look at his new character in an Instagram post. One of the images shared shows Burke wearing a black tee and the firehouse’s turnout gear, and in another, he is wearing a breathing mask while strolling on the set. The post attracted congratulatory messages from other actors, including Rome Flynn, who guest starred on the show for several episodes in Season 13. “It’s an incredible cast & crew bro 🤞🏾 be great !” Flynn commented on the post.
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Collider Exclusive · Taylor Sheridan Universe Quiz Which Taylor Sheridan Show Do You Belong In? Yellowstone · Landman · Tulsa King · Mayor of Kingstown
Four worlds. All of them brutal, complicated, and built on power, loyalty, and the price of survival. Taylor Sheridan doesn’t write heroes — he writes people who do what they have to do and live with the cost. Ten questions will reveal which one of his worlds you were made for.
🤠Yellowstone
🛢️Landman
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👑Tulsa King
⚖️Mayor of Kingstown
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01
Where does your power come from? In Sheridan’s world, everyone has leverage. The question is what kind.
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02
Who do you put first, no matter what? Loyalty in Sheridan’s universe is always absolute — and always costly.
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03
Someone crosses a line. How do you respond? Every Sheridan protagonist has a line. What matters is what happens after it’s crossed.
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04
Where do you feel most in your element? Sheridan’s worlds are as much about place as they are about people.
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05
How do you feel about operating in the grey? Nobody in a Sheridan show has clean hands. The question is how they carry the dirt.
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06
What are you actually fighting to hold onto? Every Sheridan character is fighting a war. The real question is what they’re defending.
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07
How do you lead? Authority in Sheridan’s world is never given — it’s established, maintained, and constantly tested.
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08
Someone new arrives and tries to change how things work. Your reaction? Every Sheridan show has an outsider disrupting an established order. Sometimes that outsider is you.
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09
What has your position cost you? Nobody gets to where these characters are without paying for it. The bill is always personal.
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10
When it’s over, what do you want people to say? Sheridan’s characters all know the ending is coming. The question is what they leave behind.
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Sheridan Has Spoken You Belong In…
The show that claimed the most of your answers is the world you were built for. If two tied, both are shown — you’re complicated enough to straddle two Sheridan universes.
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🤠 Yellowstone
🛢️ Landman
👑 Tulsa King
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⚖️ Mayor of Kingstown
You are a Dutton — or you might as well be. You understand that some things are worth protecting at any cost, and that the modern world’s indifference to history, to land, to legacy, is not something you’re willing to accept quietly. You lead from the front, you carry your family’s weight without complaint, and when someone threatens what’s yours, you don’t escalate — you finish it. You’re not cruel. But you are absolute. In Yellowstone’s world, that combination of ferocity and loyalty doesn’t make you a villain. It makes you the only thing standing between everything that matters and everyone who wants to take it.
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You thrive in the chaos of high-stakes negotiation, where the money is enormous, the margins are thin, and the wrong word in the wrong room can cost everyone everything. You’re a fixer — the person called when a situation is already on fire and needs someone with the nerve to walk into it. West Texas oil country rewards exactly what you are: sharp, adaptable, unsentimental, and absolutely clear-eyed about what people want and what they’ll do to get it. You’re not naive enough to think this world is fair. You’re smart enough to be the one deciding who it’s fair to.
You are a Dwight Manfredi — someone who has served their time, paid their dues, and arrived somewhere unexpected with nothing but their reputation and their wits. You adapt without losing yourself. You build loyalty through respect rather than fear, though you’re not above reminding people that the two aren’t mutually exclusive. Tulsa King is for people who are still standing when everyone assumed they’d be finished — who find, in an unfamiliar place, that they’re more capable than the world gave them credit for. You don’t need a throne. You build one, wherever you happen to land.
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You carry the weight of a system that is broken by design, and you do it anyway — because someone has to, and because you’re the only one positioned to do it without the whole thing collapsing. Mike McLusky’s world is for people who are comfortable operating where there are no good options, only less catastrophic ones. You speak every language: law enforcement, criminal, political, human. That fluency makes you invaluable and it makes you a target. You’ve made your peace with both. Mayor of Kingstown belongs to people who understand that keeping the peace is not the same as being at peace — and who do the job regardless.
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Changes Are on the Horizon in ‘Chicago Fire’ Season 15
Departures are a common occurrence at the end of a season. Sometimes viewers learn early who is leaving, while other times it’s part of the story and kept under wraps. Details about Chicago Fire Season 15 might be scarce, but the show will see two major departures from behind and in front of the camera. After 15 years, longtime cast member Joe Minoso is leaving. He has played Joe Cruz since the show started. Meanwhile, showrunner Andrea Newman is also leaving. She started off as a co-executive producer in Season 1 before becoming a producer and later sole showrunner, a job that she has held for the past three seasons. Deadline also reported that co-executive producer Victor Teran will be stepping in as the new showrunner beginning Season 15. A change in showrunner does not significantly affect the story but can influence the direction it takes, for better or worse.
Chicago Fire returns on NBC on Wednesday, October 7. Stay tuned to Collider for more updates.
Go behind the scenes of The Devil’s Mouth with cinematographer James Kniest, who breaks down the extraordinary challenge of filming Amazon Prime Video’s survival thriller in Thailand’s caves, rivers, and open ocean.
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Dakota Johnson just reminded Us why French-girl style never really goes out of fashion. While trend cycles continue to spin, there’s something about a pair of perfectly cut blue jeans that always feels polished, effortless and endlessly wearable. If you’ve been looking for the ideal denim to carry you from late summer into fall, her latest outfit might be all the inspiration you need.
Johnson was spotted in Los Angeles on July 18 wearing the kind of outfit that looked simple at first glance but was packed with timeless staples. She paired classic cropped blue jeans with a crisp white tank, black flats, oversized sunglasses and a Celine bag, creating an effortlessly chic look that felt straight out of Paris. As Who What Wear noted, cropped straight-leg jeans have become a true French-girl staple, and luckily, you don’t need a designer budget to recreate the look.
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Get the Levi’s Classic Straight Jeans for $35 (Was $37) at Amazon! Please note, prices are accurate as of the publishing date but are subject to change.
Enter the Levi’s Classic Straight Jeans, which are now on sale for just $35 on Amazon. Designed with the same cropped straight-leg silhouette Johnson wore, the jeans offer a flattering mid-rise waist, an easy fit through the hips and thighs and a clean leg that skims rather than clings. Better yet, they’re available on Amazon in Johnson’s classic blue wash, along with light wash, black and several other colors.
If anyone can convince Us to embrace the French girl style, it’s Gigi Hadid. The supermodel stepped out in an effortlessly chic outfit that makes you want to book a flight to Paris, and it was complete with one timeless shoe trend stylish French women never seem to retire. Even better? You can steal the […]
The cotton-blend fabric has just enough stretch to stay comfortable without losing its shape, making these the kind of jeans you’ll reach for again and again. They come in short, regular and long inseams, so you can achieve that perfectly cropped French-girl look no matter your height. Whether you style them with sandals now or swap in loafers, ballet flats or ankle boots later, they’re the kind of denim that works seamlessly from summer into fall.
Shoppers are just as impressed. The jeans have earned more than 5,500 five-star ratings on Amazon, with one reviewer saying they “fit like a dream” on a “pear shape gal with thick hips and thighs,” adding there was “very little gap in the waist.” Another buyer called the slight stretch an “added bonus,” saying the jeans are “comfortable all day and night.”
French-girl dressing has always been about investing in timeless basics rather than chasing every new trend, and Johnson’s latest look proves why that formula works so well. A great pair of straight-leg jeans can anchor countless outfits, whether you’re wearing them with a simple tank today or cozy knitwear a few months from now. If you’re ready to refresh your denim lineup before fall arrives, this Amazon find is an easy place to start.
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Get the Levi’s Classic Straight Jeans for $35 (Was $37) at Amazon! Please note, prices are accurate as of the publishing date but are subject to change.
Looking for something else? Explore more from Levi’s here and don’t forget to check out all of Amazon’s Daily Deals for more great finds!
Welcome to summer with our biggest sale of the year. This summer’s chicest dresses, tops and swimsuits are all over 30% + free shipping. Inventory is limited so hurry before they’re gone.
With Amazon’s Big Spring Sale ending soon, now’s the chance to snag what you’ve been eyeing before it returns to full price. One item that definitely made its way into our carts? Charlotte Tilbury’s revamped Magic Cream, which is surprisingly discounted by 20%, despite recently hitting the market. The original Magic Cream has been a […]
“Big Brother” Season 28 houseguest Kamu Kirk is facing calls for his removal after an old Instagram video resurfaced showing him joking about George Floyd while recording another person’s arrest. The 32-year-old MMA fighter filmed the December incident outside his residence as officers struggled to place an unidentified person into a police vehicle. When the individual repeatedly yelled that they could not breathe, Kirk invoked Floyd’s name while smiling and narrating the arrest. The clip has now fueled questions about how thoroughly CBS reviewed Kirk’s social media history before casting him on the reality competition.
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Kirk, whose full name is Gabriel Xavier Kamuela Kirk, recorded the video while walking away from the scene. The face of the person being arrested was not shown, but they could be heard screaming, “I can’t breathe!” as officers attempted to get them inside a vehicle.
Kirk chuckled and noted that other bystanders appeared to be cheering on the arrest. “He’s saying, ‘I can’t breathe, I can’t breathe, I can’t breathe,’” Kirk narrated, before then making the comment that ignited the current backlash. “Bro thinks he’s George Floyd,” Kirk joked. “People are crazy, man. I’m going back inside.”
Before ending the recording, Kirk smiled and added, “I am gonna take that spot, though,” apparently referring to the parking space previously occupied by the person being arrested.
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According to the Daily Mail, the video remained available through Kirk’s Instagram highlights as of Thursday night.
Floyd, a 46-year-old Black man, was murdered by Minneapolis police officer Derek Chauvin in May 2020. He repeatedly said that he could not breathe while Chauvin pressed his knee into Floyd’s neck for nearly 10 minutes during an arrest. Video of the killing sparked widespread protests against police brutality and racial injustice across the United States and around the world.
‘Big Brother’ Viewers Question CBS Casting Process
Fans quickly began demanding that producers remove Kirk from the competition. Some questioned whether CBS examined his public social media activity before selecting him for Season 28.
Others theorized that his controversial online presence may have made him more appealing to reality television producers seeking a cast member capable of generating conflict. “People shocked Kamu was cast for ‘Big Brother’ after his controversial IG posts. The casting team probably recruited him b/c of that!” one viewer speculated.
There is no evidence that producers selected Kirk because of the posts, and CBS has not explained what its background-checking process revealed before filming began.
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The outrage surrounding the George Floyd video prompted viewers to search through Kirk’s other posts and interactions. Screenshots circulated that appeared to show Kirk liking content from users who identified themselves as Christian nationalists and advocated for the United States to become a Christian-ruled country. Other images seemingly showed him liking right-wing posts containing criticism of Islam and Muslims.
Social media likes can signal approval, but they do not necessarily provide complete context for someone’s personal beliefs. Kirk has not addressed the screenshots or explained why he interacted with the content.
Fans also resurfaced a photograph of the U.S. Capitol from Kirk’s Instagram highlights. “Who’s storming with me?” Kirk captioned the image.
Several viewers interpreted the post as expressing support for the pro-Trump attack on the Capitol on January 6, 2021. However, the supplied material did not indicate when Kirk posted the photograph or provide additional context establishing what he intended by the caption.
Frankie Grande Demands Kirk’s Removal
Steven Bergman/AFF-USA.COM / MEGA
Frankie Grande, who previously competed on “Big Brother,” became one of the most prominent voices demanding action. The openly gay singer and actor initially condemned Kirk over a separate conversation inside the house that he believed was homophobic.
“Um. What the f-ck is this horses?! Get these homophobic bigots out of the fing house IMMEDIATELY. Both of them,” Grande wrote on X. “Ew this conversation makes me sick to my stomach. I’m disgusted. This better be the biggest thing ever when I wake up tomorrow or I’m flipping a table… f-ck. Ew. Gross.”
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Grande later reposted the resurfaced George Floyd clip and renewed his call for Kirk to be removed. “You guys. Enough. How is this monster still in the house. WHAT THE F-CK?!” he wrote.
As of now, CBS had not announced plans to discipline or remove Kirk from the “Big Brother” house.
Filming on season 3 of Taylor Sheridan‘s Landman is expected to start soon — but there has been a delay.
James Jordan recently spoke exclusively to Us at the Lioness premiere about reuniting with Sheridan on Landman, saying, “It’s going to be fantastic. Taylor is writing as we speak. It’s going to be 10 crazy, wonderful, funny and wild episodes — just like season 1 and season 2 have been. Billy Bob and everybody, we’re all ready to get back to work.”
“I believe we’re bringing back the same director, Stephen Kay, who I adore. So it’s going to be a great ride,” Jordan noted. “We start that sometime in September and we’ll shoot that through the first quarter of next year.”
Taylor Sheridan‘s hit series Landman was renewed for season 3 — but which stars are and aren’t returning after that shocking firing? Inspired by the “Boomtown” podcast series, Landman is focused on the West Texas oil industry with a specific focus on crisis executive Tommy Norris and his family. The Paramount+ show, which premiered in […]
He continued: “Then we should have it out … I don’t know when. It’s up to the powers that be, but we’re very excited to get started on that.”
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Based on the “Boomtown” podcast, Landman joins the ranks of Sheridan’s hits including Yellowstone, Mayor of Kingstown, Tulsa King, Lawmen: Bass Reeves and more. The Paramount+ series, which premiered in 2024, introduced Billy Bob Thornton as a corporate fixer working for an oil titan in a West Texas-set drama with life-and-death stakes.
Lauren Lo Smith/Paramount+.
Landman was expected to go back into production in August. According to Jordan, the entire cast is expected back.
“No, I would not be concerned [about my future on the show],” he added. “I don’t know everything, but I would not be concerned.”
Jordan teased how thrilled the cast was to start working on season 3 soon, adding, “Everybody’s very excited to get back to work. It’s going to be a great time. We’re pumped to get back to the Fort Worth area and shoot season 3.”
The Landman cast has often spoken about their experiences working with Yellowstone’s Taylor Sheridan on his new hit series. Sheridan’s work started in front of the camera before he transitioned to writing credits on Sicario, Hell or High Water and Wind River. From there, Sheridan created Yellowstone, which broke records at Paramount Network. The hit […]
“I’ve got the season 3 script. It was sent to me right in this phone,” he shared. “I will guard it with my life. But I snuck a quick peek. I really have to read it later, but it’s going to be amazing.”
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As one of Sheridan’s frequent collaborators, Jordan is also looking forward to season 3 of Lioness being released on Sunday, August 2.
“I can’t say no to the man. He’s my favorite writer in our business. I admire him. He’s a mentor. He’s a friend,” Jordan gushed to Us. “No one works harder than Taylor. He never compromises. And when someone comes to you and says, ‘Hey man, I want to use you again in a project.’ If someone works that hard and comes to you and says, ‘I trust you, I believe in you, I’m confident in your ability,’ then you show up. You want to work your butt [off] for him.”
“You want to get it right. You want to tell the story the way he wants to tell the story. I love going to work for him,” he added. “So he’s an extraordinary guy.”
Lioness returns to Paramount+ on Sunday, August 2.
Taylor Swift and Travis Kelce have yet to release official photographs from their July 3 wedding, but Joe Buck is painting a vivid picture of the emotional ceremony. The sportscaster attended the couple’s star-studded Madison Square Garden nuptials and has now revealed how Kelce reacted to seeing Swift walk down the aisle. According to Buck, the Kansas City Chiefs tight end was already overwhelmed while watching his nieces enter the venue, and completely lost his composure when his bride finally appeared.
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However, Taylor Swift and Travis Kelce’s unusually lengthy vows were among the moments that made the strongest impression on him. “They were funny,” Buck said.
He then elaborated on the emotional range of the couple’s words. “Their vows were long. They were really well written. They were funny. They were sweet. They were emotional,” he recalled.
Travis Kelce Became A ‘Puddle’ Before Taylor Swift Appeared
Kelce’s emotional reaction began before Swift made her entrance. “Travis was a puddle watching his nieces come down the little ramp that they built, and then, you know, when she walked out, he was a puddle,” Buck shared.
Another source echoed this sentiment, telling NBC News, “You would think the bride would be the one crying more, but it was actually Travis that was more emotional.” The NFL star reportedly appeared “nervous” during the ceremony but “kept it together” when it was time to make his promises to Swift.
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According to a separate report, Kelce teared up while watching the singer approach him. Swift later became emotional when he “promised to protect her forever.”
The intimate exchange took place before more than 1,000 guests gathered inside Madison Square Garden. Both Swift and Kelce wore Christian Dior Haute Couture designed by Jonathan Anderson for the ceremony.
George Stephanopoulos offered a similar assessment after witnessing Swift and Kelce exchange their vows. “Vows, everything you would hope for, real, vulnerable, serious and silly. Deeply loving,” the “Good Morning America” anchor said.
The consistency between the guests’ accounts offers one of the clearest pictures yet of the private ceremony, which attendees were reportedly prohibited from recording on their phones. That restriction has kept legitimate photographs and footage from reaching the public nearly one month after the wedding. Instead, Swifties have been forced to piece together the celebration through carefully shared anecdotes from those invited.
Maren Morris Felt Honored To Witness The Couple’s Love
Maren Morris was also among the 1,000 people who watched Taylor Swift and Travis Kelce say “I do.” The country singer described how the lengthy vows allowed attendees to see a more private side of their relationship.
“It just felt like you really got a closer look into their love for each other and their sense of humor,” Morris told PEOPLE. “Being one of 1,000 people that witnessed that, it was an honor. [The best part was] just celebrating their love for each other.”
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Brad Pitt Mixed With Travis Kelce’s High School Connections
For Jason Kelce, one of the most memorable elements was the unusual combination of famous guests and people connected to the couple’s earlier lives.
“My favorite moments were just the different people that are at this wedding, right? Like, in one moment, I’m going (from) seeing Brad Pitt pop out of a corner and talking to him, and then in the next moment, I’m seeing Mrs. Clark who ran the attendance at Cleveland Heights High School,” he shared.
Jason also spoke out about Adam Sandler officiating the wedding and explained why the comedian was a natural choice for the responsibility. “Obviously, he’s hilarious, and he knows how to make it entertaining and funny, but there’s a sweetness to Adam in everything he does, all of his movies, that really resonated throughout,” Jason explained.
After the ceremony, the couple reportedly moved away from a traditional reception structure and held an enormous party for their relatives and friends.
Nolan Wells’ name continues to remain at the center of online conversation as new developments surrounding the case keep surfacing. This time, the focus has shifted to a new fundraiser created to support several of his alleged friends. Organizers say the group has faced heavy online backlash and threats since his death.
Support Campaign Backs Nolan Wells’ Alleged Friends
A fundraiser created by Benjamin Hudson, with funds set to be received by Taylor and Cox Law Firm, P.A., was recently launched to support Warren Hudson, Jax Pitalo, Morgan Seymour, and others connected to Nolan Wells. According to the fundraiser, the group has endured harassment, death threats, doxxing, and defamation since Nolan’s death, with organizers claiming the young men have been “falsely and wrongly blamed” online and in the media despite cooperating with investigators. The page also alleges that some of Nolan’s friends were unable to attend his funeral. Organizers say safety concerns tied to the backlash prevented them from being there.
Wells’ Friends Fight Back Against Alleged False Claims
The fundraiser states that its goal is twofold: to help cover legal expenses related to any potential wrongful death lawsuits filed by attorney Benjamin Crump and his team, and to fund legal action against individuals and organizations the organizers accuse of spreading defamatory statements. However, the page argues that the campaign is not intended to silence differing opinions. Rather, organizers say the campaign aims to address what they describe as targeted harassment, false claims, and intimidation. They also say the effort seeks to push back against misinformation surrounding the case.
Support Campaign Passes $62K Milestone
As of now, the fundraiser has raised $62,362 toward its $100,000 goal. Organizers are asking supporters who believe in “truth, due process, and…the rule of law” to donate. Furthermore, they say the effort is meant to help those they believe have been unfairly targeted. They claim this comes amid the ongoing conversation surrounding Nolan Wells’ death.
Inflation and gas prices are a bit like the teachers you had in grade school – they’re stubborn AF.
Tubi is stubborn, too – it’s one of the few streamers out there that’s been completely free for years, even after competitors like Netflix and HBO Max raised their prices.
More importantly, the streamer’s library is filled with hits from the distant past and present.
That’s especially true in August, when Tubi is adding such blockbusters as the first three Mission: Impossible movies with Tom Cruise, the original Ghost Rider film with Nicolas Cage (take that, Ryan Gosling) and the classic ABC TGIF sitcom, Hangin’ with Mr. Cooper.
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Keep reading to discover all the free movies and TV shows Tubi is offering in August 2026.
August 1
“Eva”
“Hangin’ With Mr. Cooper”
“Knight Rider”
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“Killjoys”
“Madtv”
“Scream: The TV Series”
“Assassin’s Creed”
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“Blood And Bone”
“Colombiana”
“Dominique”
“Everly”
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“Geostorm”
“Ghost Rider” (2007)
“Ghost Rider Spirit Of Vengeance”
“Heist” (2015)
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“Jack Reacher: Never Go Back”
“Lethal Weapon”
“Lethal Weapon 2”
“Mission: Impossible”
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“Mission: Impossible II”
“Mission: Impossible III”
“Parker” (2013)
“Priest” (2011)
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“Sahara” (2005)
“The Green Hornet”
“The Last Action Hero”
“The Last Boy Scout”
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“The One” (2001)
“U.S. Marshals”
“XXX” (2002)
“A Different Man”
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“Earth Mama”
“Janet Planet”
“Lady Bird”
“Landscape With Invisible Hand”
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“Marcel The Shell With Shoes On”
“Problemista”
“Red Rocket”
“Baby Boy”
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“The Blackening”
“Diary of a Mad Black Woman”
“Death at a Funeral” (2010)
“Friday”
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“The Friday After Next”
“House Party”
“In Too Deep”
“Little Man”
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“Medusa Deluxe”
“Next Friday”
“American Fiction”
“Amos & Andrew”
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“The Art Of The Steal”
“Borat Subsequent Moviefilm”
“Dodgeball: A True Underdog Story”
“Dysfunctional Friends”
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“Fighting With My Family”
“A Happening Of Monumental Proportions”
“The Hustle” (2019)
“I Feel Pretty”
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“Joyful Noise”
“Mad Money”
“Puppy Love”
“Rush Hour”
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“Rush Hour 2”
“Rush Hour 3”
“Something’s Gotta Give” (2003)
“Superbad”
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“Look Into My Eyes”
“All Dirt Roads Taste Of Salt”
“Aristotle And Dante Discover The Secrets Of The Universe”
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