Entertainment
Copy Emily Ratajkowski’s Model Off-Duty Jeans for Summer-to-Fall
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Emily Ratajkowski demonstrated the easiest way to tackle that awkward in-between weather with a great pair of relaxed black jeans. They look elevated enough for events, feel comfortable all day and pair effortlessly with everything from lightweight camis to cozy knits. If you’re searching for one piece to carry you from late summer into fall, this is it.
The model was spotted in New York City on August 4, wearing black wide-leg Abercrombie & Fitch jeans with a brown cami, cropped brown leather jacket, slim black shoulder bag and gold pointed-toe heels. The look is the definition of model off-duty style — it’s relaxed, polished and incredibly easy to recreate. Her exact jeans retail for $90, but we found a remarkably similar pair for $30 on Amazon.
Get the Dokotoo High-Waisted Wide-Leg Jeans for $30 (was $37) at Amazon! Please note, prices are accurate at the date of publication, August 10, 2026, but are subject to change.
The Dokotoo High-Waisted Wide-Leg Jeans deliver the same effortless, elongated silhouette for a fraction of the price. With a high-rise waist and relaxed, wide-leg fit, they’re the kind of pants you’ll reach for on repeat throughout the season. Yes, even while pairing them with sandals now or boots later.
Let’s be honest: most of Us love looking at Birkins far more than we love looking at their price tags. That’s exactly why Kyle Richards’ latest handbag caught our attention — not because we planned to spend $18,500, but because we immediately wondered if there was a way to recreate the look for less. Turns […]
The stretchy cotton-blend fabric offers tons of comfort along with a high-quality appearance, per shoppers. Many appreciate the durable material and swear that the pants feel super soft. And because they have a stretchy waist, some even feel like the jeans provide some tummy control!
The jeans have over 1,100 five-star ratings on Amazon, and shoppers say they give them the best of both worlds. One reviewer confirmed, “The fit is flattering and comfortable, especially through the waist and hips.” Another shopper who calls them their “new go-to jeans” wrote that the “material is medium weight, so it can be worn in fall, winter, spring and even on summer days.”
You can get the pants in Ratajkowski’s versatile black wash along with light wash, dark wash, white and several other colors. Plus, the jeans come in sizes 2 to 18, so you can take your pick.
Whether you recreate Ratajkowski’s outfit with a cami and cropped leather jacket, or style the jeans with a chunky sweater and loafers once temperatures cool down, they’re an easy wardrobe staple you’ll wear well beyond September. At only $30, they’re an affordable way to capture her effortless summer-to-fall style.
Can’t get enough of Ratajkowski’s model off-duty denim? Browse more black wide-leg jeans on Amazon below!
Shop more black, wide-leg jeans that we love:
Not your style? Explore more wide-leg jeans here, and don’t forget to check out all of Amazon’s Daily Deals for more great finds!
UsNow Summer Sale Alert: These Chic Fashion Finds are over 30% off – Plus Free Shipping
Welcome to summer with our biggest sale of the year. This summer’s chicest dresses, tops and swimsuits are all over 30% + free shipping. Inventory is limited so hurry before they’re gone.
There’s something about a ’90s supermodel outfit that still feels impossible to beat. No loud prints, no over-the-top accessories — just a handful of timeless pieces styled so effortlessly, they somehow look even cooler 30 years later. Kaia Gerber is reminding Us that one dress style in particular deserves a permanent spot in every closet. […]
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Anne Hathaway is addressing online speculation her pregnant belly is fake after the actress walked a recent red carpet in a stomach-baring crop top.
“Fake hair, real bump 😘 ✌️🦖🔥☀️🦕😅,” the pregnant actress, 43, wrote via Instagram alongside a video of herself getting ready for and attending the premiere of her new movie The End of Oak Street in California on Sunday, August 9. “Enjoy The @endofoakstreet Block Party chaos with me as my outfit literally melts in the heat!!”
Hathaway showed off her baby bump in a powder-blue high-neck crop top with a long train. She paired the elegant shirt with baggy jeans and red heels to match the top’s interior.
As photos of Hathaway’s look circulated via social media, some users claimed her belly looked like a prosthetic.
Anne Hathaway is showing off her pregnancy street style. Hathaway, 43, was all smiles as she arrived for The Odyssey press junket in New York City on Tuesday, June 30, with her growing stomach on full display. The actress stunned in a red look, completing her outfit with red heels and a pair of sunglasses, […]
“Nothing screams real pregnancy like a bump so perfectly round and photo ready it looks straight off the Amazon ‘silicone baby bump 6 8 months’ listing. Hollywood’s props department really outdid themselves this time,” one person wrote via X.
Others jumped to Hathaway’s defense.
“Pregnancy bumps aren’t supposed to look identical, she looks amazing, so I really don’t understand why everyone is making such a big deal out of it,” another user wrote.
Hathaway announced in June that she’s expecting her third baby with husband Adam Shulman. (Hathaway and Shulman, 45, are already parents to sons Jonathan, 10, and Jack, 6.)
“x Baby I’m yours,” the Devil Wears Prada star wrote via Instagram alongside a video of herself walking into the frame and cradling her baby bump.
“We knew what we were doing, but … we were so shocked it went this way,” she said on Late Night With Seth Meyers in July, adding that she and Shulman were “calling this one our buzzer-beater,” referring to a basketball shot that succeeds right before the final buzzer.
Pregnant Anne Hathaway’s chic red carpet style has been front and center as she prepares to welcome her and husband Adam Shulman’s third baby. The Oscar winner announced her pregnancy at 43 in June, after previously giving birth to sons Jonathan and Jack in 2016 and 2019, respectively. Thank You! You have successfully subscribed. Subscribe to […]
Hathaway’s maternity style previously made headlines last month when she wore a red jumpsuit backwards. The Oscar winner reacted to the mistake via social media.
“I did?” she asked after sharing reports from multiple outlets about the wardrobe malfunction. Hathaway then shrugged and tucked her hair behind her ear. “I did,” she whispered while cringing.
Hathaway has been candid about her motherhood journey over the years. Back in 2024, she opened up about suffering a miscarriage 10 years prior.
“The first time it didn’t work out for me,” she told Vanity Fair. “So when it did go well for me, having been on the other side of it — where you have to have the grace to be happy for someone — I wanted to let my sisters know, ‘You don’t have to always be graceful. I see you and I’ve been you.’”
Before the slop-ification of animated cinema and its need to cater to dwindling attention spans (I’m looking at you, The Super Mario Galaxy Movie), the children’s film was more or less a gateway for kids to fall in love with the movies. For all its flaws, Minions & Monsters moderately succeeded at conveying that, though it was still a Minions sequel at the end of the day. Don’t our kids deserve more? Contrary to my bemoaning of the contemporary animated landscape, it’s in an incredible spot right now. A renaissance spurred by Spider-Man: Into the Spider-Verse, animated cinema is (though not without its hiccups) thriving, with Pierre Perifel’s The Bad Guys being one of the best films of this new movement.
A loose adaptation of Aaron Blabey’s multipart graphic novel series of the same name, The Bad Guys, released in April 2022, reads (no pun intended) like plucking a book from the shelf. The eponymous “Bad Guys” are already an established presence of hijinks in a paradoxically grounded and stylized Los Angeles. Starring Sam Rockwell, Marc Maron, Awkwafina, Craig Robinson, and Anthony Ramos as Mr. Wolf, Mr. Snake, Ms. Tarantula, Mr. Shark, and Mr. Piranha, The Bad Guys smashed box office expectations, charming audiences and critics alike with its bouncy verve. Such triumph was enough to warrant a sequel, released in August 2025 (alongside two shorts and a Netflix series), making The Bad Guys one of the 2020s’ essential animated franchises.
Written in a similar vein to that of a one-shot story (though far more elaborate), The Bad Guys’ en medias res approach to Blabey’s material chucks the viewer headfirst into a heightened, Bojack Horseman-esque (though far less depressing) Los Angeles where humans and animals co-exist in harmony. Disrupting that harmony, though, are the titular “Bad Guys.” Each animal—sharks, snakes, or spiders—has a notoriously bad reputation; thus, the Bad Guys exist within the box they’ve been assigned. Confined to their stereotypes, they ensue whatever (PG-appropriate) chaos they see fit: bank robberies, jewel heists, and overall miscreantic tomfoolery. The rub, however, lies with Mr. Wolf, who, enticed by the sweet smell of good behavior, leads the crew to a potential redemption arc.
When a personal heist goes horribly awry and threatens the Bad Guys with serious jail time, Mr. Wolf hatches a plan to feign integrity. To his clique, they’re in on the scheme, following their leader in hopes of escape. Mr. Wolf, though, might have ulterior motives. Encouraged by a guinea pig named Professor Marmalade and Governor Diane Foxington (you’ll never believe what kind of animal she is), Mr. Wolf actually wants to go good, much to the dismay of his friends—particularly Mr. Snake. It’s the definition of a moral conundrum, posing questions of whether the Bad Guys could ever rehabilitate into becoming “The Good Guys.” As expected, the journey to making good isn’t the most clear-cut.
The Inspirations Behind ‘The Bad Guys’
Shifting from the books’ undisclosed metropolitan area to the sun-kissed haze of modern Los Angeles, French animator and first-time feature director Pierre Perifel drew from some of California’s finest crime flicks for a film that’s both fresh and inspired. Opening on a two-minute-and-25-second oner—a diner scene à la Pulp Fiction—before a high-octane car chase through several recognizable L.A. locales, The Bad Guys hearkens to the heist films of the late ‘90s and early 2000s. The whole “Mr. [Animal]” bit is an obvious nod to Reservoir Dogs, with the budding romance between Governor Foxington and Mr. Wolf echoing Jennifer Lopez’s and George Clooney’s relationship in Out of Sight. In short: it’s the rare kids’ film that hits all age demographics.
On top of its Tarantino and Soderbergh-esque skeleton, The Bad Guys also mirrors Michael Mann’s Heat and William Friedkin’s To Live and Die in L.A., particularly when the Bad Guys engage in their signature tomfoolery. In an interview with Animation Magazine, Pierre Perifel stated that he intended to pay homage to such films, plus television shows like Starsky and Hutch. There’s a quantifiable amount of cinematic literacy embedded within The Bad Guys’ structure, making it a great way to introduce kids to the crime film genre. It may be too early to show your seven-year-old Pulp Fiction, but it’s not too early to show them The Bad Guys. It’s a great “Film 101” movie, standing as a modern classic.
‘The Bad Guys’ is a New Classic
A strong component of the post-Spider-Verse wave of animated cinema, The Bad Guys is one of the best animated films of the 2020s thus far. Furthermore, the film breathed new life into the creative juices at DreamWorks Animation, following up The Bad Guys with great films like Puss in Boots: The Last Wish, The Wild Robot, and Dog Man, with the upcoming Forgotten Island looking to be another gem in their increasing arsenal. I’ll happily take nine more of these opposed to another Trolls, to be honest. The possibility of a third Bad Guys film remains up in the air, though I can only assume that we’ll receive a third entry sooner than later (sooner than Spider-Verse 3, at least).
- Release Date
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April 22, 2022
- Runtime
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100 minutes
- Director
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Pierre Perifel
Netflix is one of, if not the biggest, streaming services out there, providing some of the greatest and most entertaining TV shows, such as Stranger Things and Narcos. With such an impressive catalog, it can easily fill a year with TV watching, or for fans wanting something a little shorter, it can take up an entire weekend. As opposed to a long-running series, some viewers want something short and sweet, and Netflix has a variety of excellent miniseries available on their platform.
Miniseries are a standalone season of television with a self-contained story, offering a digestible story that is just as good as any other show. That is why this list will feature eight miniseries on Netflix that don’t have any flaws based on aspects such as quality, consistency, lack of mistakes, acting, directing, originality, writing, and overall quality. If viewers have a weekend to spare and aren’t sure what to do, look no further than these excellent miniseries.
‘Ripley’ (2024)
The age of black-and-white television is long behind viewers, but some shows still use it for effect, and one modern show that does this excellently is the miniseries Ripley. Based on the classic novels, this thriller takes place in the 1960s and follows the titular character looking to get away from his normal life of scamming. That takes him to Italy in order to bring back the son of a wealthy man, but when Ripley (Andrew Scott) gets hooked on the high life, he plans to steal the son’s identity.
Ripley is a slow burn, and while it may start slower than most, it escalates into one of the most suspenseful miniseries fans will ever see. The exponential sense of dread reaches an unbearable point leading up to the climax. The unhurried pace also highlights the methodical process of Ripley in real time as he solves his problems through new crimes. The striking black and white cinematography paired with the sharp dialog further enhances the thrilling experience.
‘Godless’ (2017)
It is common for Western shows to run for hundreds of episodes since they can have episodic formats and fans still enjoy them, but some opt to be miniseries, such as Godless. Taking place in a New Mexico mining town, after a tragic accident kills almost all the men, the population is almost entirely made up of women. However, when a daunting outlaw comes to the town to find his protégé who is hiding there, it is up to the women to protect the village themselves.
Even though Godless is a miniseries, it is shorter than most, only boasting seven episodes, but that is because of an incredibly tight pace that doesn’t let any flaws slip in. Godless is a fresh new take on an old genre, but it still maintains the classic grit and tension fans love, with the ending culminating in one of the best shootouts in the Western genre. It subverts tired tropes while remaining authentic to the genre, culminating in one of the best Western TV shows of all time.
‘Pluto’ (2023)
Anime isn’t the first thing fans think about when imagining a miniseries, but it is a broad genre that has some of the most fascinating shows. Naoki Urasawa is a legendary manga author, and his most recent series to get an anime is Pluto. After a string of murders that have claimed the lives of the most advanced robots, Detective Gesicht (Shinshū Fuji) is on the case, but when it gets personal, he realizes the mystery goes deeper than he could have ever imagined.
If viewers haven’t watched any anime before, Pluto could be a good one to start with, since it avoids many of the awkward tropes and is a genuinely well-written piece of fiction. It contemplates serious themes such as love, hate, and who has the right to those, using them to put together an emotional story about war, politics, and evolution. What’s more, Pluto balances its profound storytelling with one of the most captivating mysteries in the medium, proving why it is considered one of the best anime series of all time.
‘The Haunting of Hill House’ (2018)
Mike Flanagan is one of the greatest minds of modern horror, and while he has a lot of anticipated new works, like Clayface and Carrie, his best project might be one of his first, The Haunting of Hill House. A family is forced to move from their childhood house after unexplained events, but after years of demons haunting their minds, they reunite years later to confront their past fears and discover what is haunting the house.
Some of the best horror stories are movies, but The Haunting of Hill House is right up with the best of them, combining genuinely terrifying moments with a profound tale about family trauma, grief, and mental illness. It is better than stooping to cheap jump scares, instead focusing on subtle dread that instills an extensive sense of dread. The ghosts aren’t just scary, but representations of the emotional wounds of the characters, not to mention The Haunting of Hill House perfectly edits the past and present together.
‘Adolescence’ (2025)
Netflix never stops delivering magnificent miniseries, and the most recent flawless masterpiece is Adolescence, which became one of the most viewed projects on the platform in 2025. When a 13-year-old boy is accused of murdering his girl classmate, an extensive investigation opens up fresh wounds for the child and his family, tearing apart the world they thought they knew and replacing it with pure, unfiltered despair.
Adolescence is a groundbreaking miniseries that took over the world in 2025 with its shocking story that is complex, raw, and authentic. From a technical standpoint, it delivers the story in real time, making it feel more immersive with an unbroken pace that gives an intimate view of the events and characters. Adolescence is worth the hype, and that is a tall task considering it is one of the most hyped-up miniseries of all time, but that is just how impressive the show is.
‘When They See Us’ (2019)
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It seems a lot of the best miniseries on Netflix are based on historical events, because one of the greatest is When They See Us. In 1989 in New York City, a group of five boys, known as the Central Park Five, were accused of assaulting a woman. Spanning over multiple decades, it chronicles their life and the trial, detailing how it affected the lives of these innocent boys and the ensuing struggle of teenagers of color in Harlem.
From being falsely accused of assault with no evidence to being forced to confess to the crime and being unjustly sentenced, When They See Us is a tragic true story about how the justice system failed five innocent young men. While the miniseries delivers an expertly written and topical examination of racism and the overarching effect on the justice system, this series is also a character study of the convicted. The blend of grand themes and personal storytelling highlights the flawlessness of When They See Us.
‘The Queen’s Gambit’ (2020)
Netflix has a slew of phenomenal miniseries, and this list proves that, with one of the most popular being The Queen’s Gambit, starring Anya Taylor-Joy. Beth Harmon is an orphan who grew up as a chess prodigy, and now that she is finally of age, she can compete against the best of the best. However, she must face the struggles of competing in a male-dominated sport while also dealing with past trauma and substance abuse.
Chess is an incredibly cerebral and intelligent game, and while The Queen’s Gambit highlights this, it also brings up the personal side of the character and high-stakes action. The methodical cinematography and visual storytelling are a gorgeous sight, which sets an immaculate background for Taylor-Joy to shine with her dialog-light performance that brings everything out of the character. Every match reflects a psychological struggle, showcasing the incredible writing in The Queen’s Gambit and revealing why it is one of the best miniseries of all time.
The Queen’s Gambit
- Release Date
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2020 – 2020-00-00
- Showrunner
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Scott Frank
- Directors
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Scott Frank
- Writers
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Scott Frank
Entertainment
Kevin Costner’s Best ‘Yellowstone’ Quote Still Defines Taylor Sheridan’s Western 7 Years Later
Taylor Sheridan has become one of the biggest creative voices on television, and he owes his success to Yellowstone. When Yellowstone first premiered in 2018, it was met with mixed reviews, as most critics called it too melodramatic for its own good. It wasn’t until Season 2 that those reviews started to pick up, and ratings followed, making Yellowstone a pop culture juggernaut and leading to a career resurgence for Kevin Costner, whose performance as John Dutton anchors much of the series. In fact, Season 2 has a quote by Dutton that perfectly sums up the entire series.
‘Yellowstone’s Most Underrated Villain Reveals Taylor Sheridan’s Original Plan for His Unforgettable Fate [Exclusive]
The Season 2 episode “Only Devils Left” finds Dutton at a crossroads. Someone dropped a load of chemicals on his ranch, poisoning his cattle and endangering his land. He’s then approached by Malcolm Beck (Neal McDonough) and his brother Teal (Terry Serpico), who want to work with him to stop a casino from being built on the land that they think they own. When his son Jamie (Wes Bentley) points out that this is akin to making a deal with the devil, Dutton solemnly replies, “All the angels are gone, son. There’s only devils left.” In a single sentence, he nails why Yellowstone became a series worth watching.
The “Only Devils Left” Quote in ‘Yellowstone’ Captures the Series’ Moral Complexity
John Dutton saying “There’s only devils left” is a summation of the moral complexities that Yellowstone tackles throughout its run. Throughout the series, the Duttons are forced to bend or outright break laws to keep their ranch safe. Jamie is forced to use his skills as a lawyer on behalf of the family to get them out of legal trouble. Rip (Cole Hauser) has literally buried the bodies of the Duttons’ enemies. Even Dutton’s youngest son, Kayce (Luke Grimes), is forced to take some morally grey actions during the series. Taylor Sheridan discussed this during an interview with The Atlantic, saying that he wanted to explore the lengths the Duttons would go to protect their land.
“This was one of the fundamental things I wanted to look at: When you have a kingdom, and you are the king, is there such a thing as morality? Because anyone trying to take your kingdom and remove you as king is going to replace your morality for theirs. So does morality factor into the defense of the kingdom? And what does that make the king? And at the end of the day, that’s really what the show is about.”
The alliance between the Duttons and the Becks is a clear example of this. Despite the Becks offering an alliance, Dutton isn’t willing to take it, leading them to kidnap Kayce’s son Tate. In retaliation, the Duttons storm the Becks’ compound, rescue Tate, and gun down the brothers in cold blood. During “Only Devils Left,” Dutton warns Malcolm, “I consider every option, Malcolm. And I choose the one that’s best for my family.” Unfortunately for the Becks, his best option when dealing with them was to kill them, backing up Sheridan’s words about a king being willing to protect his kingdom at any cost.
Taylor Sheridan Would Apply the ‘Yellowstone’ Mentality to His Other Shows
The success of Yellowstone allowed Taylor Sheridan to create a veritable television empire, including spinoff series like Y: Marshals and Dutton Ranch, in addition to Tulsa King and Mayor of Kingstown. Whether connected to Yellowstone or not, these series share a common thread: morally grey protagonists. Tulsa King‘s protagonist, Dwight Manfredi (Sylvester Stallone), is a bona fide gangster, while Mayor of Kingstown focuses on Mike McLusky (Jeremy Renner) navigating a web of corruption in his hometown. Dutton Ranch is the best example, as Beth Dutton (Kelly Reilly) finds herself making the same morally gray choices that her father did to protect her new home.
Yellowstone evolved into a compelling series once it showed that its characters were willing to go to any lengths necessary to protect what’s theirs. John Dutton might think there are only devils left in the world, but angels definitely have to be smiling on Taylor Sheridan due to his success.
Yellowstone stars Kevin Costner and centers on his character John Dutton. Dutton and his family live on a cattle ranch just a few hours away from Yellowstone National Park. The series chronicles the family’s struggle to defend their home from an Indian reservation and land developers. As if their life wasn’t complicated enough, the Duttons also have medical issues, political aspirations, and family secrets stacked against them.
Specifications
- Release Date
- 2018-06-20
- Finale Year
- 2024
- Rating
- TV-MA
- Genres
- Western (Genre), Drama (Genre)
- Network
- Paramount Network (Network)
- Showrunner
- Taylor Sheridan (Person)
- Cast
- Kevin Costner (Person), Luke Grimes (Person), Kelly Reilly (Person), Wes Bentley (Person), Cole Hauser (Person), Kelsey Asbille (Person), Brecken Merrill (Person), Jefferson White (Person), Danny Huston (Person), Ryan Bingham (Person), Finn Little (Person), Ian Bohen (Person), Forrie J. Smith (Person), Denim Richards (Person), Dave Annable (Person), Jennifer Landon (Person), Kathryn Kelly (Person), Gil Birmingham (Person), Mo Brings Plenty (Person), Jill Hennessy (Person), Jeremiah Bitsui (Person), J.R. Cacia (Person), Morgan Lund (Person), Jeremy Hoop (Person), David H. Stevens (Person)
- Directors
- Stephen Kay (Person), Taylor Sheridan (Person), Christina Alexandra Voros (Person), Guy Ferland (Person), John Dahl (Person)
- Creator(s)
- Taylor Sheridan (Person), John Linson (Person)
- Writers
- John Coveny (Person), Ian McCulloch (Person)
- Franchise(s)
- Yellowstone (Franchise)
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Those who love the heavy, history-based mythology of The X-Files and the dark fantasy elements of Grimm (but have already binged through both) should not sleep on this oddball Fox procedural that is better than it probably should be. The show? Sleepy Hollow, though it’s possible you forgot all about it. No, we’re not talking about the Sleepy Hollow movie with Johnny Depp (though they share some similarities), but rather a modern take on the famed American classic completely re-imagined with some horror-tinged twists.
‘Sleepy Hollow’ Took an Outlandish Concept and Made It Palatable For Network Audiences
Based partially on both The Legend of Sleepy Hollow and Rip Van Winkle by American author Washington Irving, Sleepy Hollow took the concept several steps further by mixing elements from both short stories with American history and biblical prophecy. When American Revolutionary soldier Ichabod Crane (Tom Mison) engages his former friend-turned-rival Abraham van Brunt (Neil Jackson) on the battlefield, their lives and destinies are intertwined as they kill one another. Sparked by her grief, Ichabod’s wife, Katrina (Katia Winter), conspires to save her husband, who wakes up centuries later in the 2010s — and he’s not alone. His nemesis awakes with him, headless due to his battle wounds. With the help of Lieutenant Abbie Mills (Nicole Beharie, who sadly exited the series ahead of its final season), Ichabod confronts not only the Headless Horseman, but the other demonic creatures who have been drawn to Sleepy Hollow — and the adventures quickly begin.
Ichabod and Abbie are an inventive pair as they seek to stop the biblical apocalypse from coming to fruition. As it turns out, they are the famed two Witnesses described in the Book of Revelation, meant to battle the seven tribulations that will bring about the end of the world. With a rotating cast of supporting characters that includes Abbie’s sister Jenny (Lyndie Greenwood) and the magnetic Henry Parrish (John Noble), Sleepy Hollow resets the deck each season in the quest to battle monsters, demons, ghosts, and other paranormal creatures who would otherwise bring about the destruction of our world. On every level, this “spooky cop” show shouldn’t work. The whole thing seems outlandish and a bit too good to be true at first, but over the course of the series, the Fox drama begins to run out of steam — even so, there’s no reason not to stick with it through the end.
Though Its Quality Varied In Later Seasons, ‘Sleepy Hollow’ Is a Wild American-Sized Adventure
For those who haven’t yet given Sleepy Hollow a shot, know this: the first two seasons often feel like a different show than the next two. With streamlined plots, actively memorable antagonists, and a solid cast that holds it all together, the Witnesses’ battle against the demonic “big bad” Moloch is arguably the show at its very best and most focused. The third season takes a bit of a departure from this, taking Ichabod and Abbie in a new creative direction and further expanding the world. But it’s the fourth and final season that really changes the game, introducing a new cast of characters, including Homeland Security Agent Diana Thomas (Janina Gavankar), and relocating Ichabod and company from Sleepy Hollow to Washington, D.C., of all places.
While the overall quality of Sleepy Hollow may vary, the show is a unique example of the sort of risks that network television no longer takes. Genre procedurals are quite rare these days, and Sleepy Hollow reinvented a particular (and largely known) IP in a way that could only come from the creative team of Alex Kurtzman, Roberto Orci, Phillip Iscove, and Len Wiseman. Aside from reboots and revivals of old properties, shows like The X-Files and Grimm that balance network procedural formats with overarching mythologies are difficult to find these days. If you’re looking for something a bit out of the box that isn’t afraid to get weird (including a Bones crossover), Sleepy Hollow is the four-season binge for you. Be warned, the show does end on something of a cliffhanger, but that doesn’t mean it isn’t worth the headless ride.
Sleepy Hollow is available for streaming on Hulu in the U.S.
Martha Stewart is all about a fresh look.
Stewart, 85, showed off a new ‘do, courtesy of celebrity hairstylist Chris Appleton, via Instagram on Sunday, August 10.
Her mane featured bold streaks of pastel pink. Appleton, 43, styled her hair, which was cut into a bob with blended curtain bangs, in voluminous, loose curls.
Stewart gave the camera a pout while rocking pink glam. Her makeup featured dewy skin and sparkly rose eyeshadow blended to her crease, bright pink blush and pink, glossy lips.
The businesswoman tied her ensemble together by wearing a stark white bathrobe. Appleton played with her tresses in one pic, and in another, the duo blew kisses at the camera.
“Rose gold …. It’s a good thing 🌹✨,” the hairstylist captioned the post. Her fans went wild over her fun shade in the comments section.
“Martha’s a BADDDDDIEEEEEE!!!!!!!🔥,” one praised, while another added, “That’s going to be a hard yes.” A third gushed, “I simply love this hair. The color and the cut. Job well done.”
Stewart isn’t the only star who was willing to try out a pink mane as of late. In August 2025, Sami Sheen, who is the daughter of Denise Richards and Charlie Sheen, ditched her platinum tresses for a bubblegum makeover.
At the time, she documented herself dyeing her hair at home via TikTok. “Everyone’s been telling me that I need to change my hair color, and I’m finally listening,” she said, noting that she didn’t tell “a single person” about her plan ahead of time.
“I’m so scared, I just rinsed it out,” she added in the next clip. Sami then added more dye to the back of her head for an even application.
Despite her efforts, Sami was still not happy with the look. “I actually don’t wanna go out tonight anymore; my hair looks so bad. I don’t understand what happened,” she said.
Sami then dyed her clip-in extensions the same shade, which made her feel better about the end result. “I don’t really hate my hair anymore,” she said. “I still wanna get it fixed and do a bubblegum pink.”
Sami later went to a salon and got her hair dyed a brighter shade of pink, which she rocked until November 2025, when she went back to brunette.
Kendra Wilkinson is pushing back against unkind comments about changes happening to her body.
The former model, who is embracing a new chapter as a real estate agent, has been involved in multiple conversations around her body and her weight loss journey in the past.
Amid fighting back comments from trolls, Wilkinson is also struggling with her career as she tries to make a name for herself in the industry.
Over the weekend, Wilkinson took to Instagram to address scrutiny regarding her weight.
In the post, the former “The Girls Next Door” star shared a selfie of herself in a white polo shirt as she sat in front of an open laptop. Her hair was pulled back with a smile on her face.
“Sexy is the last thing I want to be nowadays,” the caption read. “I aim for peace, happiness, success, and God’s light.”
The real estate agent shared that although she felt the “negativity” of the world sometimes, she would always remember who she was and get right back to it.
“I see people poking at me for my body and my aging, and it’s okay, the caption went on. “I’m at peace, and none of that stuff bothers me.”
Wilkinson concluded, “I’m okay not being Playboy skinny anymore,” further stating that she forgives herself for everything.
Kendra Wilkinson Has Embraced ‘Aging Poorly’ Allegations
This isn’t the first time Wilkinson has come after critics who had claimed she was aging poorly. As reported by The Blast, earlier this year, Wilkinson had shared an unfiltered photo of herself in a red shirt.
“I used to use a light filter on myself, but now I’m just embracing myself as it is,” she explained in the accompanying caption.
The real estate agent acknowledged that she had seen comments from people stating she had aged poorly, adding that she was okay with it.
The former model went on to reveal this was the happiest she had ever been, and she would no longer tie her happiness to negativity.
These remarks continue to echo Wilkinson’s openness about her body following her decision to incorporate GLP-1 medication.
Kendra Wilkinson Celebrated GLP-1 Journey Despite Career Blow
Wilkinson has continued to be transparent in her GLP-1 Journey despite facing a major career setback.
The former model’s real estate series, “Kendra Sells Hollywood,” was not renewed for a second season. Rather than dwell on the disappointment, she took to her Instagram to share the exciting update of her three-month medication journey.
The Blast reported that Wilkinson proudly showed her progress in a picture where she rocked a maroon bikini. The 40-year-old talked about how she finally felt fully confident and truly ready for the summer.
Wilkinson also encouraged those who were curious about the drug to give it a try. Her followers were quick to support her, filling her comment section with positive comments on her looks and encouragement.
Kendra Wilkinson Opened Up About Her Struggles After Being Fired By A Client
Although Wilkinson has celebrated personal wins, she has also shared details about the hurdles she has faced in her real estate career.
As reported by The Blast, the 40-year-old entrepreneur took to her Stories to share a time a client had fired her despite putting work in.
The story showed a selfie of Wilkinson with tears running down her face and the caption “When a client fires you… after all the work you put in. Ya, I’m struggling today, guys.”
The selfie was followed by an emotional video in which she explained the weight of the situation and how hard it was while she fought back tears.
Kendra Wilkinson Disclosed Real Estate Challenges
Wilkinson’s real estate career hasn’t exactly been a smooth sailing affair, as she has encountered her fair share of bumps along the way.
Back in June, the 40-year-old shared the hiccups she faces as a woman in the field, per The Blast.
“Being a woman sometimes surrounded by men is scary; it feels like there’s no room for me a lot of the time, even when I do my part of the job.”
The mother of two went on to share that she had chosen her line of work, not for fame but out of necessity to build her life for herself and her two sons after her divorce from Hank Baskett.
The future of video games is in a very weird spot, with PlayStation shifting out of the physical market and Nintendo raising its prices above what many fans expected. However, Xbox is in the weirdest spot, with many unsure what the new console will look like, and with fewer exclusives and more playoffs, the future is looking bleak. On the other hand, fans can at least appreciate the past glory of Xbox.
Even though not all the consoles were successes, they all had something special, but Microsoft’s best video game console is easily the Xbox 360. That is why this list will rank the ten greatest Xbox 360 video games of all time based on how iconic they are, how much they define the console, gameplay, narrative, visuals, originality, influence, popularity, fan opinion, critical acclaim, and overall quality. This list will feature games that are best defined by the Xbox 360, not necessarily exclusives.
The Elder Scrolls is one of the biggest fantasy franchises, but they used to be timed exclusives for Xbox, including The Elder Scrolls IV: Oblivion on the Xbox 360. When a number of demonic gates open up in the world of Cyrodiil, the player must set out on an adventure to close these gates before monsters take over the world and man.
The series is moving back to Xbox, and maybe The Elder Scrolls VI will be a defining game for the next Xbox the same way The Elder Scrolls IV: Oblivion is on the Xbox 360. It may have some technical and design issues, but this game redefined what could be done with open-world fantasy adventures, proving to be a staple on this console.
9
‘Viva Piñata’ (2006)
Xbox is usually known for its first-person shooters or sci-fi adventures, but the Xbox 360 was a console for everyone, like Viva Piñata. This life simulator has players taking care of a neglected farm in order to attract piñata animals, which they can then breed and create new creatures while also fending off farm invaders.
Viva Piñata doesn’t feel too much like an Xbox game, but it was a key part of a lot of childhoods. However, this isn’t just a kid’s game; Viva Piñata is a fun experience for adults as well, with surprising maturity and fun. This video game proved the Xbox 360 wasn’t just a dull and grey console, but it could be full of color and life-simulator elements that are simply a joy to play.
8
‘Gears of War’ (2006)
Right after the fun and colorful game of Viva Piñata, fans might get whiplash with Gears of War, which just proves how versatile the Xbox 360 was. A subterranean race known as the Locust Horde is devastating the planet, and the only hope for humanity is Delta Squad, which fights a desperate last stand to save the world.
The Xbox 360 has some of the greatest first-person shooters of all time, but it also boasted some third-person shooters that were critically acclaimed, like Gears of War. The second game is just as good, but the first game reflects the console better and is the most iconic of the franchise. This game proved the Xbox 360 was a next-gen console, with magnificent graphics and revamped controls to make it a culturally significant Xbox game.
7
‘Fable II’ (2008)
Each of the big three video game companies has its own fantasy franchise, and while it is the least popular of the bunch, Fable is still an excellent series. A new game is coming out in 2027, which could revitalize the franchise, but for now, Fable II is the best. Players start as an ordinary street punk, but will rise to fame by becoming the hero who will save the world from the evil tyrant trying to alter the future of the kingdom.
The new game won’t be an Xbox exclusive, unfortunately, but fans at least have Fable II, which is one of the best fantasy adventure video games ever. The ending is underwhelming, but the rest of the game is an absolute delight, featuring one of the most unique fantasy settings with a whimsical world and in-depth life simulator aspects. Fable II is a staple of the Xbox 360 and its best fantasy game.
6
‘Grand Theft Auto IV’ (2008)
Grand Theft Auto is one of the biggest franchises ever, and one classic entry on the Xbox 360 is Grand Theft Auto IV, which follows an Eastern European immigrant who moves to Liberty City to realize his American Dream. However, he is quickly thrust into the dark underworld of organized crime, now needing to pay off a debt through less than noble means.
The next GTA game is going to break records, and while it will likely be better on PS5, GTA IV is definitively an Xbox 360 video game. The game has a fascinating and complex physics system that makes everything feel more real and engaging, proving why it is among the best of the franchise. GTA IV also had DLC expansions that were exclusive to the Xbox 360, proving why they are perfect together.
5
‘Halo: Reach’ (2010)
Xbox has a handful of iconic video game franchises, but its best is Halo, which is always a definitive experience on every console. The Xbox 360 has a handful of Halo games, such as Halo: Reach. Taking place before the events of the older games, it features the last stand of Noble Team, which fights against the Covenant alone.
Halo: Reach has one of the bleakest video game endings in history, but that is also what made it so iconic, furthering its legacy on the Xbox 360. The multiplayer content was some of the best in the franchise, and players had more customization options than ever before, and that isn’t to mention the campaign, which might have the best story in the franchise.
4
‘Call of Duty 4: Modern Warfare’ (2007)
The Xbox 360 is a shooting console, and that means Call of Duty games did extremely well on it, including Call of Duty 4: Modern Warfare. Controlling either a British SAS squad or the US Marines, players are sent out to accomplish a dangerous mission where they must stop a Middle Eastern dictator from starting a global nuclear war.
Either this one or Modern Warfare 2 would be acceptable on this list as they are both defining Xbox 360 video games, but the first one is infinitely more iconic and represents the console better. Call of Duty 4: Modern Warfare was a multiplatform game, but it is an essential Xbox 360 game. There was no place to play it other than this console, which had a major player base. The snappy gunplay is extremely addictive, and the immaculately paced campaign is well-designed, proving Call of Duty 4: Modern Warfare is a staple FPS of the generation.
3
‘BioShock’ (2007)
BioShock is one of the most acclaimed games of all time, meaning it has expanded to pretty much every other console. However, it was a timed Xbox 360 exclusive, making it perfect for this list. After surviving a plane crash, Jack finds refuge in a lighthouse, but when descending into it, he discovers a failed utopia known as the Rapture, where political mayhem and genetic experimentation have taken over.
BioShock is a political critique of Randian objectivism, which favors self-interest, and the game displays this through the failed world and greed of its inhabitants. This thematic masterpiece boasts one of the best narratives in video game history, wrapping it up with a historic plot twist. BioShock is a sci-fi masterclass that captivates the viewers through its engrossing aesthetic and vibe that all began on the Xbox 360.
2
‘Mass Effect 2’ (2010)
One of the greatest sci-fi franchises is Mass Effect, and while every title in the trilogy is a masterpiece, the best on the Xbox 360 is arguably Mass Effect 2. This game also follows Commander Shepard, who seemingly dies, only to be brought back to life by the organization Cerberus. With the disappearance of several human colonies, players are tasked with defeating the alien race causing this mayhem.
Xbox is home to some of the best sci-fi video games of all time, and Mass Effect 2 proves that, boasting a sprawling narrative that involves grand political intrigue with emotional weight and personal character writing. The branching narrative is in-depth and complex, shaping the world through the choices the player makes, proving its worldbuilding prestige that defined the acclaim of this game.
1
‘Halo 3’ (2007)
2007 might have been the best year for Xbox, because the Xbox 360 delivered Modern Warfare, BioShock, Mass Effect, and Halo 3 all in the same year. This list already had one Halo game, but the best on this console is hands down the third, as it continues the fight against the Covenant, which never seems to end, but Master Chief hopes this time will finally be the end of this war.
The 2000s were a defining era of video games, and that is largely thanks to the Xbox 360, which shaped the decade with renowned titles such as Halo 3. This game was more than a fun time; it was a multiplayer sensation that created bonds across the globe. Halo 3 perfected the mechanics and gameplay established in the others, making it a polished experience with incredible gunplay and an engaging campaign. Halo 3 isn’t just the best Xbox 360 game, it is one of the best Xbox games of all time, becoming a landmark of the medium and forever iconic.
Halo
- Release Date
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2022 – 2024-00-00
- Network
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Paramount+
- Showrunner
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Kyle Killen
- Directors
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Jonathan Liebesman, Craig Zisk, Dennie Gordon, Roel Reiné, Debs Paterson
Winning any Academy Award is an extraordinary achievement. Winning both Best Picture and Best Director in the same year is far rarer—an accomplishment reserved for films that excel not only in storytelling but also in the artistry behind the camera. These are movies that combine exceptional performances, unforgettable screenplays, and visionary ideas to create works that have stood the test of time.
Sure, there are plenty of Oscar-winning films that have faded from popular memory, but that doesn’t mean we shouldn’t continue celebrating them decades later. As such, from romantic comedies, historical epics, to intense crime dramas, these are the movies that prove near perfection happens when inspired direction creates an outstanding film.
10
‘The Apartment’ (1960)
C.C. Baxter (Jack Lemmon) is a lonely insurance clerk who lends his apartment to company executives for their extramarital affairs in hopes of climbing the corporate ladder. But his carefully ordered life begins to unravel when he falls for elevator operator Fran Kubelik (Shirley MacLaine), only to discover that she herself is involved with his married boss.
Like all great leading couples, Lemmon and MacLaine are perfectly matched. Of course, much of this is made possible by Billy Wilder‘s brilliant direction and sharp screenplay, which remain as insightful about loneliness, workplace politics, and human decency today as it was in 1960. It’s little wonder why The Apartment scored the big awards at the Oscars as it cemented its place as one of Hollywood’s greatest romances.
9
‘It Happened One Night’ (1934)
Spoiled heiress Ellie Andrews (Claudette Colbert) flees her disapproving wealthy father as he attempts to control her personal life, only to cross paths with cynical newspaper reporter Peter Warne (Clark Gable). And while the two constantly bicker as they find themselves traveling across America together, an unlikely romance begins to brew.
As one of cinema’s earliest and most influential screwball comedies, there’s no doubt that Frank Capra‘s direction gave the film an infectious energy that still feels effortlessly modern. Gable and Colbert share sparkling chemistry, elevating every witty exchange into comic gold. And as one of the only three films to ever win the “Big Five” Academy Awards, it’s clear that It Happened One Night set the standard for the genre that countless filmmakers have tried—and rarely managed—to replicate.
8
‘Schindler’s List’ (1993)
Set during World War II, German industrialist Oskar Schindler (Liam Neeson) gradually transforms from a war profiteer into an unlikely humanitarian. Using his factories as a refuge, Schindler risks everything to save more than a thousand Jewish men, women, and children from the horrors of the Holocaust.
Like many of his legendary films, Steven Spielberg directs Schindler’s List with extraordinary restraint, allowing the devastating reality of the Holocaust to speak for itself rather than relying on manufactured melodrama. Neeson delivers a career-defining performance, with Ralph Fiennes‘ terrifying portrayal of Amon Göth remaining one of cinema’s most chilling villains. Simultaneously heartbreaking and surprisingly hopeful, the tale remains one of the most important films ever made.
7
‘All About Eve’ (1950)
Ambitious young actress Eve Harrington (Anne Baxter) charms her way into the inner circle of Broadway legend Margo Channing (Bette Davis), presenting herself as nothing more than an adoring fan. But as Eve slowly manipulates everyone around her to advance her own career, admiration gives way to deception, betrayal, and ruthless ambition behind the glamorous curtain of the theater world.
Joseph L. Mankiewicz crafts one of Hollywood’s sharpest screenplays, filled with razor-edged dialogue that remains endlessly cutting. Davis is a true force of nature, giving one of the defining performances of her career, while Baxter’s calculating Eve grows equally compelling. Even decades later, All About Eve‘s observations about fame, aging, and professional insecurity remain startlingly relevant. Luckily, this is one classic film that has managed to escape the clutches of a modern remake (so far).
6
‘Lawrence of Arabia’ (1962)
David Lean‘s sweeping epic chronicles the remarkable true story of British officer T.E. Lawrence (Peter O’Toole), whose leadership during the Arab Revolt transformed him into an international legend during World War I. But as Lawrence becomes increasingly consumed by both war and his own mythology, the line between heroism and obsession begins to blur.
Few films demonstrate the power of cinematic scale quite like Lawrence of Arabia. For one, Lean’s breathtaking direction transforms vast desert landscapes into unforgettable visual spectacles, without ever losing sight of the deeply conflicted man at the story’s center. O’Toole’s magnetic performance thus naturally anchors the entire epic, resulting in a film that remains one of the greatest achievements in large-scale filmmaking.
5
‘Casablanca’ (1942)
In World War II in the Vichy-controlled Moroccan city of Casablanca, cynical nightclub owner Rick Blaine’s (Humphrey Bogart) carefully guarded self is quickly shattered when his former lover, Ilsa Lund (Ingrid Bergman), unexpectedly walks back into his life—alongside her new husband, a prominent resistant leader. Faced with an impossible choice between love and duty, Rick is forced to decide what kind of man he wants to be.
Michael Curtiz blends romance, political intrigue, and heartfelt drama with astonishing confidence, crafting a film that never really puts a foot wrong. Bogart and Bergman generate unforgettable chemistry, largely thanks to a screenplay that delivers one iconic line after another. Of course, more than 80 years later, Casablanca remains the benchmark against which virtually every great Hollywood romance is measured.
4
‘Amadeus’ (1984)
Told through the recollections of court composer Antonio Salieri (F. Murray Abraham), Amadeus reimagines the life of Wolfgang Amadeus Mozart (Tom Hulce) as a battle between divine genius and ordinary talent. But as Salieri watches Mozart effortlessly create masterpieces despite his childish behavior, his admiration slowly transforms into all-consuming envy.
From the get-go, Miloš Forman‘s direction perfectly balanced lavish historical spectacle with intimate psychological drama. Abraham gives a performance for the ages, portraying Salieri as both villain and tragic victim, while Hulce’s exuberant Mozart brilliantly subverts expectations. And as all great biopics go, any historical inaccuracies become almost irrelevant as the emotional truth of the story remain bold and compelling.
3
‘The Godfather Part II’ (1974)
Francis Ford Coppola‘s extraordinary sequel interweaves two timelines: Michael Corleone’s (Al Pacino) increasingly isolated reign as head of the Corleone crime family, as well as the rise of his father, Vito (Robert De Niro), who grows from impoverished Sicilian immigrant to powerful Mafia boss. Together, the parallel narratives reveal just how power can both build a legacy and ultimately destroy it.
Rather than repeating the success of its predecessor, The Godfather Part II expands its theme with even greater ambition. For one, Coppola’s masterful direction gives equal weight to Michael’s tragic moral decline and young Vito’s unlikely ascent. Meanwhile, Pacino and De Niro deliver two of the greatest performances in gangster cinema. It’s one of the exceedingly rare sequels widely considered every bit as brilliant (and even more so) as the original.
2
‘The Lord of the Rings: The Return of the King’ (2003)
The final chapter of Peter Jackson‘s monumental trilogy brings the War of the Ring to its breathtaking conclusion. Aragorn (Viggo Mortensen) embraces his destiny and Gondor makes its final stand in the war against Sauron. Meanwhile, Frodo (Elijah Wood) and Sam (Sean Astin) undertake their last perilous steps towards Mount Doom to destroy the One Ring once and for all.
Sweeping all 11 Academy Awards for which it was nominated, The Lord of the Rings: The Return of the King represented recognition not only for one remarkable film but for an extraordinary overarching cinematic achievement. Even despite its unprecedented spectacle, Jackson somehow balances it all with intimate character moments of vulnerability. The result? A trilogy’s ending that feels both emotionally satisfying and sensorially awe-inspiring. A true accomplishment of cinema’s fantasy genre.
1
‘Parasite’ (2019)
Life takes a drastic turn for the impoverished Kim family as they cleverly infiltrate the wealthy Park household by posing as unrelated and highly qualified employees. Unfortunately for them, finding enjoyment in their newfound prosperity is cut short when their elaborate scheme begins to unravel, thanks to unexpected secrets arising from the luxurious home.
Bong Joon Ho‘s direction is nothing short of astonishing as he effortlessly shifts between genres without ever losing control of the narrative. Every visual detail, every line of dialogue, and every plot twist serves a larger purpose, rewarding repeat viewing with new discoveries. Better still, by becoming the first non-English-language film to win Best Picture alongside Best Director, Parasite didn’t just make Oscar history—it earned its place among the greatest films ever made.
It could be argued that we are currently in the midst of a new Golden Age, that of the TV reboot. Scrubs was brought back for a tenth season, with an eleventh on the way. Netflix recently rebooted Little House on the Prairie, which Collider declares is a “must-watch Western masterpiece,” and guilty pleasure Baywatch is back on the beach in January 2027. If you’re still not convinced, consider this: on August 7th, 2026, not one, not two, but three reboots were officially confirmed: Monarch of the Glen, Sherlock Holmes, and Animorphs. But there’s one series that stands out for its absence; one of the most iconic family sitcoms of all time, a 10/10 classic that actually deserves a reboot, certainly as much as, if not more, than Baywatch: The Brady Bunch.
‘The Brady Bunch’ Looms Large in Pop-Culture
That’s right, The Brady Bunch. You know, a lovely lady, Carol (Florence Henderson), who has three very lovely girls — Marcia (Maureen McCormick), Jan (Eve Plumb), and Cindy (Susan Olsen) — meets a man named Mike Brady (Robert Reed), who has three boys of his own — Greg (Barry Williams), Peter (Christopher Knight), and Bobby (Mike Lookinland), and they somehow form a family. With Alice (Ann B. Davis), of course. The concept was groundbreaking at the time, with the Bradys’ becoming the first depiction of two separate families coming together through marriage on television. And for five seasons, the Brady clan was welcomed into family homes nationwide.
Five seasons and fade into obscurity? Not by a long shot. The lunchboxes, comic books, trading cards and albums were just the beginning of the Bradys’ long, lengthy run in pop culture. They closed out the 70s with notorious spin-off The Brady Bunch Variety Hour, had two made-for-TV movies — The Brady Girls Get Married (which segued into The Brady Brides series) and A Very Brady Christmas — in the 1980s, and entered the 1990s with The Bradys, an ill-advised series meant to bring dramatic gravitas to the family’s TV exploits. A movie trilogy, one that sees the still very 1970s Bradys in the 1990s, kicked off with The Brady Bunch Movie in 1995. There was a 35th anniversary special in 2004, various specials surrounding the 50th anniversary in 2019, and A Very Brady Renovation in 2019. Oh, and the theme song that has persevered to become an icon unto itself.
Long story short, The Brady Bunch has existed in one form or another every decade since its debut. That’s a level of longevity that any series would envy, and certainly one that should, at the very least, enter the discussion for a reboot. But the Bradys have fallen off the radar following A Very Brady Renovation, and it’s a borderline sin that the 2020s have thus far remained Brady-less. The name recognition alone is enough to draw in viewers, and, if it’s done right, keep them.
What a Reboot of ‘The Brady Bunch’ Could Be
So, if we’ve established that The Brady Bunch is deserving of a reboot, what would that look like? A straight reboot featuring the 1970s-era Brady Bunch could be one direction, and series like The Goldbergs are proof that family sitcoms set in a distinctive era can work. But that puts the reboot in direct comparison to the beloved original, which isn’t necessarily a good sign for its success. Likewise, the premise of the film, with the Bradys, locked in their 1970s era, existing in the 1990s, has been done, and done well.
But one could adapt the concept of the movie to create something for a generation that hasn’t been privy to the magic of the Brady Bunch: create a fresh, circa-1990 Brady family and place them in the present day. It opens a world of possibilities: the Bradys navigating Amazon with dial-up internet; Mike inviting the guys over to watch the Super Bowl on the big screen, a 35″ backbreaking CRT box model; big cell phones, and so on. Maybe Mike invested early in Netflix, when it was just a DVD-by-mail movie rental service, or even Apple, giving a rational explanation for being able to afford six kids and a live-in maid.
Where it could separate itself, however, is by being smarter than its predecessors. The movies used the premise for comic purposes, but never explored the bigger idea of how the Bradys’ kept their wholesome values in a disparate world. Now, the world is even more disparate than the film’s 70s vs. 90s premise. A series would give the opportunity to explore that idea, using it as a means of addressing smart social commentary. And a 1990s Brady family could have a bit of an edge to them, but not too much: they have a long, long history to honor after all.
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