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For Twilight fans, Peter Facinelli will forever be known as Carlisle Cullen, the benevolent doctor and head of the Cullen family. From 2008 to The Twilight Saga: Breaking Dawn Part 2 in 2012, he was one of the most unique vampires to ever take the screen, completely conquering his thirst for human blood and proving himself as driven primarily by his compassion for his family and his patients alike. However, while the actor was making the five-film saga, he was also busy in a very different medical role on the small screen. Showtime counted him among the staff of All Saints’ Hospital in the Emmy-winning dark comedy-drama, Nurse Jackie.

In the Edie Falco-starring hit, Facinelli was the “Golden Boy” Dr. Fitch Cooper, a petulant, deeply competitive, and nervous emergency room doctor who still managed to be a likable presence despite his flaws. Compared to Carlisle, however, he showed a completely different side to what a physician could be on-screen. Before a post-con screening of the original Twilight at Big Lick Comic-Con over the weekend in Roanoke, Virginia, Collider’s Maggie Lovitt held a Q&A session with Facinelli and Kellan Lutz in the Historic Grandin Theater, where the subject of the unhinged Nurse Jackie and, specifically, how the former juggled his roles as the two doctors and whether a return as Fitch could be in order, came up. Despite being locked into both roles at the same time and constantly swapping between them, he emphasized there were never any moments of Fitch slipping into Carlisle or vice versa, thanks to the very different, yet uniquely enjoyable experiences both brought.

“So fun… I did a show called Nurse Jackie, and that character’s also a doctor. If you haven’t seen it, he’s like, socially awkward, and he has weird Tourette’s, physical Tourette’s that I won’t get into. And he’s kind of like a 13-year-old boy in a grown man’s body, so he’s very funny to watch. So, I just happened to always be filming both at the same time every year, because that’s when the schedules went, so I would go and shoot like two weeks in Vancouver doing Twilight, and then they’d let me out to go do Nurse Jackie for a week or two. And I’d be flying back and forth, and people would be like ‘Don’t you get the characters mixed up or the lines?’ and I’d say no, because they’re so different. So for me, as an actor, it’s the best time of my life, because I have these two great jobs where I’m playing these two opposite doctors, and one is in a critically acclaimed show and one is like in a franchise that’s doing really well. So, every time I was on an airplane — I felt like I lived on American Airlines because I was just always on an airplane.”

Peter Facinelli Says ‘Nurse Jackie’ and ‘Twilight’ Show Doctors Are More Than Their Jobs

Stepping into the shoes of two doctors who were worlds apart in so many ways at the same time satisfied Facinelli as an actor. Funnily enough, Carlisle, despite being an immortal creature of the night, proved to be the more picturesque image of a good medical professional fighting to save lives and treating his job with the utmost care when compared to Fitch, who wasn’t always the most thorough. Yet, both satisfied vastly different needs in their respective stories and became fan favorites in their own ways. Each also got plenty of runway to evolve, with Fitch sticking around at All Saints’ for parts of all seven seasons of Nurse Jackie through 2015.

Facinelli believes that, in taking on both Twilight and Nurse Jackie together, he demonstrated that on-screen doctors can’t be stereotyped. While he knows many fans have an assumption of what characters in these professions should be in their heads, he says actors and writers need to focus on the person first, and not their line of work. Doctors can be renegades, like House, compassionate goofballs, like Hawkeye Pierce in M*A*S*H, or complete messes like The Simpsons‘ cheery Dr. Nick Riviera, and so much more that their job doesn’t necessarily define.

“But, like, as an actor, to have two fantastic jobs and have together doctors who could be completely different and so fun to shoot. And it shows you that people often think that doctors are a certain way, and so they’re like ‘Oh, you play a lot of doctor roles, you must be this type of person,’ but it’s not the occupation you play. It’s the person in the occupation you play. So, like, a fireman can be a lot of different people, a police officer could be completely… so a lot of times, early on, if you’re a young actor, you’re like ‘Oh, doctors act like this, lawyers act like this, plumbers act like this!’ It’s not, it’s just their job to do, so you find the person and the character within the occupation.”

Facinelli Would Gladly Return for a ‘Nurse Jackie’ Reboot

Image via Lightning Bird Photography/Big Lick Comic Con

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Finally, Lovitt asked in a follow-up about what Facinelli knew about the Nurse Jackie reboot. News broke back in 2023 that the medical dramedy and fellow Showtime darling Weeds were being eyed for reboots that would bring back both Falco as Jackie Payton and Mary-Louise Parker as Nancy Botwin. Despite changing hands to Prime Video and seemingly gaining momentum, however, Falco revealed last year that nothing concrete was in place and, so far, Nurse Jackie was just talk. A story idea following Jackie’s attempts to stay on the straight and narrow after losing her nursing license, with Liz Flahive and Abe Sylvia writing, was said to be in place, though, and Falco hasn’t been willing to give up on the possibility that something could eventually happen.

“I heard something about it!” Facinelli confirmed before assuring that he’d be all-in if he was ever asked to come back. “No one ever reached out to me, so maybe they’re doing it without me. [Laughs] No, I don’t think they ever did it, but I would love to again revisit the part, too.” He sees any chance to get to reprise a long-time role as sacred, because, once it’s over, he knows all too well the sting of saying goodbye to a character for good. That may be the one thing both Fitch and Carlisle have in common — both were huge parts of his life that left him with a sense of loss when they were over.

“The sad part is, you play these roles, then, when the job is over, that character kind of dies. I honestly go through a period, I don’t know if you do, but there’s like a three-to-four-day, sometimes longer period where you kind of feel sad because this person that you’re playing no longer exists. And you can see them and watch them on a screen, but they’re no longer part of you, and they don’t belong to you; they belong to an audience. So it’s just, when you’re finished with a character, you definitely feel a sense of loss. Yeah, so being able to revisit that is always incredible. I mean, I did Nurse Jackie for seven years, and I was able to revisit that character over and over, and it would grow with me, and same with Twilight. It was a five-six-year period where we got to all come together all the time.”

Nurse Jackie is currently streaming on Netflix. Stay tuned here at Collider for more from Big Lick Comic-Con.

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Release Date

2009 – 2015-00-00

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Network

Showtime

Showrunner

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Liz Brixius

Directors

Paul Feig, Steve Buscemi, Craig Zisk, Miguel Arteta, Scott Ellis, Adam Bernstein, Alan Taylor, Allen Coulter, Michael Lehmann

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Writers

Liz Brixius, Rick Cleveland

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• 
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  Eve Best

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  Dr. Eleanor O’Hara

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A post-apocalyptic sci-fi series, when done right, should hook you in, leave you with lingering questions, mounting curiosity, and a sense of unease that keeps you glued to its fictional dystopia. If there’s any show that has nailed that hard, it is Apple TV‘s Silo. With its success, the appetite for similarly high-concept, thought-provoking sci-fi has only grown. Fortunately, stories built around rigid hierarchies and claustrophobic futures are nothing new to film. One Chris Evans–led sci-fi blockbuster that hits many of the same thematic notes has recently resurfaced on streaming and is rapidly climbing the charts as a free-to-watch hit.

Silo follows Juliette Nichols (Rebecca Ferguson), an engineer living among the remnants of humanity inside a vast underground bunker after an apocalyptic catastrophe. The silo hides secrets beneath its rigid rules, and Juliette’s search for answers uncovers a mystery that threatens to unravel a carefully constructed lie about the world beyond its walls. Season 2 ends on a massive cliffhanger, with an uprising brewing inside the silo as newly uncovered truths ignite growing unrest. Silo mirrors Chris Evans’ post-apocalyptic film Snowpiercer (2013) in its strict class divide and ambitious high-concept world-building.

Instead of an underground bunker, the scheming in Snowpiercer unfolds aboard a massive train that endlessly circles the globe, powered by a sacred perpetual-motion engine. The film imagines the aftermath of a catastrophic attempt to reverse global warming that instead plunges Earth into a devastating ice age, wiping out most life on the planet. The last surviving humans are confined to the Snowpiercer, where a brutal class system takes hold. The poorest passengers are crammed into the filthy rear cars while the elite live in comfort and excess at the front. As resentment festers, a rebellion led by Evans’ Curtis Everett breaks out. Directed by Bong Joon Ho, the film also stars Tilda Swinton, Jamie Bell, Octavia Spencer, and Ed Harris.

‘Snowpiercer’ Was a Commercial and Critical Hit

Snowpiercer was a South Korean co-production and, with a reported $40 million budget, ranks among the most expensive films ever produced in the country. The gamble paid off handsomely. The film became an international hit, shattering multiple box office records in South Korea, including the highest opening figure for a Korean film and the fastest to reach four million admissions. It ultimately grossed more than $86 million worldwide, though its U.S. box office stalled at just $4 million, due to a post-production dispute between director Joon Ho and distributor Harvey Weinstein.

Snowpiercer was also a critical success, earning a 94% rating and a consensus that praised it as “an audaciously ambitious action spectacular for filmgoers numb to effects-driven blockbusters.” More than a decade after its release, the film continues to draw audiences, ranking among the most popular titles on streaming. It’s currently available to watch for free on Pluto TV, where, at the time of writing, it sits as the fifth most popular title among U.S. viewers. The film also spawned a four-season television adaptation of the same name, which has likewise been enjoying a recent surge on the streaming charts.

You can watch Snowpiercer for free on Pluto TV, while the Snowpiercer TV series is available to stream in the US on Starz, AMC+, and on Netflix internationally.

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Release Date

July 11, 2014

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Runtime

126 Minutes

Director

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Bong Joon-ho

Writers

Bong Joon Ho, Jacques Lob, Benjamin Legrand, Jean-Marc Rochette

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MGM+ is fast becoming to horror fans what Apple TV+ is to sci-fi fans in the age of streaming. While it hasn’t yet broken into the mainstream like some of its bigger streaming rivals, the Amazon-backed platform is definitely on to something, and they are doing it right. While Apple TV+ boasts sci-fi shows like Severance and Pluribus, MGM+ is positioning itself as home to some bone-chilling titles, including The Institute and Chapelwaite, both of which are based on Stephen King novels.

MGM+’s biggest export, however, is the popular mystery horror series FROM, which continues to draw comparisons with the 2004 sci-fi horror series Lost, which set the bar for a mysterious tale that only bore a hole deeper into its lore. FROM premiered its first Season in 2022 and has since consistently maintained its spot on MGM’s Top 10 charts. While rankings typically shuffle to reflect changing audience appetite, From has never slipped outside the Top 10. Even The Institute, based on King’s novel and written for television by Benjamin Cavell, has been unable to wrestle FROM‘s crown despite receiving critical acclaim.

FROM is one of the most terrifying shows on television, and it stars Lost alum Harold Perrineau in the lead role. According to data obtained from FlixPatrol, FROM has expanded its sphere of influence, dominating several streaming platforms across multiple countries. The MGM+ series was created by John Griffin, who also serves as a writer and executive producer, and the sci-fi horror has sprung to life on platforms like MGM+, Catchplay, Starz, and Paramount+, among others. The show’s global reach is also growing as the series finds itself within the Top 10 of several countries using the aforementioned platforms, including France, Italy, Morocco, and Australia.

‘FROM’ Season 4 Is Poised To Be Groundbreaking

Griffin’s FROM centers on a cursed town that traps anyone who enters. The story begins with the Matthews family, whose road trip takes a terrifying detour when they stumble into the town, only to realize there’s no way out. Alongside other trapped residents, they race to unravel the town’s dark secrets before they’re all consumed by the malevolent forces that lurk after dark. The King of Horror himself, Stephen King, approves of the show, and he is not alone, as reflected by the show’s strong score of 96% from critics on Rotten Tomatoes. The show has thrived for three seasons, and MGM+ quickly greenlit a fourth season after the third finished airing. Season 4 finished filming in November 2025, with a trailer dropping in early February 2026.

MGM+ has also released a full synopsis for the fourth season of FROM, which can be found below:

“In Season Four, the closer the residents of town get to the answers they seek, the more terrifying their search becomes. Who is the Man in Yellow, and what does he want? Will Jade and Tabitha’s revelation be the key to finally going home? How much longer can Boyd hold the town together, even as his body and mind are falling apart? And what role will the town’s most recent arrival play in the events to come? Season Four will open doors that some in town will end up wishing had remained closed.”

Stay tuned to Collider for more updates on FROM Season 4, and catch up on the first three seasons on MGM+.

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Release Date

February 20, 2022

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Network

Epix, MGM+

Directors

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Jack Bender, Brad Turner, Alexandra La Roche, Bruce McDonald, Jeff Renfroe

Writers

Vivian Lee, Kristen Layden, Brigitte Hales, Jeff Pinkner, John Griffin

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