We live in a time when The Super Mario Bros. Movieand various colorful franchise installments have emerged as the dominant form of animation on the big screen. It seems like eons have passed since one of the most challenging animated movies ever made broke through the clutter and won the Academy Award for Best Animated Feature. The movie in question is currently streaming in the United States on Paramount+, but not for much longer. It marked a hotly anticipated reunion between star Johnny Depp and director Gore Verbinski, who were coming off three blockbuster Pirates of the Caribbean movies. In many ways, the animated feature was a blank-check project, and true to form, they used the freedom to push the boundaries of the format.
The movie was inspired not by a children’s novel, but by Western classics such as The Good, the Bad and the Ugly, For a Few Dollars More, Once Upon a Time in the West, and Depp’s prior work such as Fear and Loathing in Las Vegas. One of the most prominent influences on the film’s story was the classic noir film Chinatown, starring Jack Nicholson. Unlike Shark Tale, the DreamWorks movie that borrowed heavily from The Godfather, Depp and Verbinski’s film didn’t exactly target children as its primary audience. The risk paid off, with the movie not only winning the Oscar for Best Animated Feature, but also doubling its budget at the box office.
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Collider Exclusive · Taylor Sheridan Universe Quiz Which Taylor Sheridan Show Do You Belong In? Yellowstone · Landman · Tulsa King · Mayor of Kingstown
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Four worlds. All of them brutal, complicated, and built on power, loyalty, and the price of survival. Taylor Sheridan doesn’t write heroes — he writes people who do what they have to do and live with the cost. Ten questions will reveal which one of his worlds you were made for.
🤠Yellowstone
🛢️Landman
👑Tulsa King
⚖️Mayor of Kingstown
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01
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Where does your power come from? In Sheridan’s world, everyone has leverage. The question is what kind.
02
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Who do you put first, no matter what? Loyalty in Sheridan’s universe is always absolute — and always costly.
03
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Someone crosses a line. How do you respond? Every Sheridan protagonist has a line. What matters is what happens after it’s crossed.
04
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Where do you feel most in your element? Sheridan’s worlds are as much about place as they are about people.
05
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How do you feel about operating in the grey? Nobody in a Sheridan show has clean hands. The question is how they carry the dirt.
06
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What are you actually fighting to hold onto? Every Sheridan character is fighting a war. The real question is what they’re defending.
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How do you lead? Authority in Sheridan’s world is never given — it’s established, maintained, and constantly tested.
08
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Someone new arrives and tries to change how things work. Your reaction? Every Sheridan show has an outsider disrupting an established order. Sometimes that outsider is you.
09
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What has your position cost you? Nobody gets to where these characters are without paying for it. The bill is always personal.
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When it’s over, what do you want people to say? Sheridan’s characters all know the ending is coming. The question is what they leave behind.
Sheridan Has Spoken You Belong In…
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The show that claimed the most of your answers is the world you were built for. If two tied, both are shown — you’re complicated enough to straddle two Sheridan universes.
🤠 Yellowstone
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🛢️ Landman
👑 Tulsa King
⚖️ Mayor of Kingstown
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You are a Dutton — or you might as well be. You understand that some things are worth protecting at any cost, and that the modern world’s indifference to history, to land, to legacy, is not something you’re willing to accept quietly. You lead from the front, you carry your family’s weight without complaint, and when someone threatens what’s yours, you don’t escalate — you finish it. You’re not cruel. But you are absolute. In Yellowstone’s world, that combination of ferocity and loyalty doesn’t make you a villain. It makes you the only thing standing between everything that matters and everyone who wants to take it.
You thrive in the chaos of high-stakes negotiation, where the money is enormous, the margins are thin, and the wrong word in the wrong room can cost everyone everything. You’re a fixer — the person called when a situation is already on fire and needs someone with the nerve to walk into it. West Texas oil country rewards exactly what you are: sharp, adaptable, unsentimental, and absolutely clear-eyed about what people want and what they’ll do to get it. You’re not naive enough to think this world is fair. You’re smart enough to be the one deciding who it’s fair to.
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You are a Dwight Manfredi — someone who has served their time, paid their dues, and arrived somewhere unexpected with nothing but their reputation and their wits. You adapt without losing yourself. You build loyalty through respect rather than fear, though you’re not above reminding people that the two aren’t mutually exclusive. Tulsa King is for people who are still standing when everyone assumed they’d be finished — who find, in an unfamiliar place, that they’re more capable than the world gave them credit for. You don’t need a throne. You build one, wherever you happen to land.
You carry the weight of a system that is broken by design, and you do it anyway — because someone has to, and because you’re the only one positioned to do it without the whole thing collapsing. Mike McLusky’s world is for people who are comfortable operating where there are no good options, only less catastrophic ones. You speak every language: law enforcement, criminal, political, human. That fluency makes you invaluable and it makes you a target. You’ve made your peace with both. Mayor of Kingstown belongs to people who understand that keeping the peace is not the same as being at peace — and who do the job regardless.
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Here’s How Long You Have Left to Watch the Animated Hit on Paramount+
We’re talking, of course, about Rango. The movie features Depp as a chameleon who becomes the sheriff of a town named Dirt and finds himself in a conspiracy. Other voice actors in the film’s cast include Abigail Breslin, Isla Fisher, Alfred Molina, Bill Nighy, Ray Winstone, Harry Dean Stanton, and Timothy Olyphant. Produced on a reported budget of $135 million — virtually the same as the other Paramount and Nickelodeon animated offering of 2011, The Adventures of Tintin — the movie grossed nearly $250 million at the worldwide box office. It now holds a “Certified Fresh” 88% score on the aggregator website Rotten Tomatoes, where the consensus reads, “Rango is a smart, giddily creative burst of beautifully animated entertainment, and Johnny Depp gives a colorful vocal performance as a household pet in an unfamiliar world.” You can watch the film on Paramount+ until September 1, and stay tuned to Collider for more updates.
Back in March, the release of the first trailer for the new Harry Potter series earned 277 million organic views in just 48 hours, breaking a record for HBO in the process. That hype has only built since, in spite of constant controversy surrounding franchise creatorJ.K. Rowling, with the recent “The Best Is Yet to Come” promotional reel particularly well received. So, with less than four months to go until Harry Potter and the Philosopher’s Stone Episode 1, you might be looking for the perfect way to fill the time.
That is about to arrive in the form of Swiss Army Man, one of former Boy Who Lived Daniel Radcliffe‘s best post-Potter projects. The feature directorial debut for Daniel Scheinert and Daniel Kwan, who would go on to win seven Academy Awards with Everything Everywhere All At Once, this A24 gem features Radcliffe as a dead body befriended by Paul Dano‘s (The Batman) hopeless Hank, who becomes stranded on a deserted island. Starting September 1, you’ll be able to stream Swiss Army Man for free on Plex, joining an eye-catching catalog of other great modern and classic movies.
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Collider Exclusive · The Sorting Hat Awaits Which Hogwarts House Are You? Gryffindor · Slytherin · Hufflepuff · Ravenclaw
Four houses. One destiny. The Sorting Hat has considered thousands of students — now it’s your turn. Answer honestly and discover where you truly belong at Hogwarts School of Witchcraft and Wizardry.
🦁Gryffindor
🐍Slytherin
🦡Hufflepuff
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🦅Ravenclaw
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01
What quality do you value most in yourself? Answer as honestly as you can — the Hat always knows.
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02
A friend is being treated unfairly. What do you do? How you protect others says everything about who you are.
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03
What does success look like to you? What you’re working toward defines who you’re becoming.
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04
What is your greatest fear? Fear is the most honest thing about a person.
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The rules say no. Your gut says go. What do you do? Every institution has rules. What you do with them is a choice.
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What kind of friend are you? Who you are to the people you love is who you really are.
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You look into the Mirror of Erised. What do you see? The mirror shows the deepest desire of your heart.
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The Sorting Hat pauses. It whispers: “You could do well in any house. But what matters most to you — truly?” This is your tiebreaker. The Hat always listens.
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The Sorting Hat Speaks Your House Has Been Chosen
After careful deliberation, the Sorting Hat has made its decision. This is the house your values, your instincts, and your particular way of being in the world were made for.
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Gryffindor Tower · Scarlet & Gold
🦁 Gryffindor
You have nerve. Not the reckless kind, but the deep, quiet courage that shows up even when you’re terrified — especially then.
Gryffindors don’t act because they’re fearless — they act because they understand that some things are worth being afraid for.
You stand up for people when it would be easier to look away.
You charge toward what’s right even when the odds are terrible.
Harry, Hermione, Ron — the heroes of Hogwarts’s greatest chapter — all called the tower with the scarlet and gold home. And now, so do you.
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Slytherin Dungeon · Emerald & Silver
🐍 Slytherin
You are driven, sharp, and utterly clear-eyed about what you want and how to get there.
Slytherin has long been misunderstood — painted as the house of villains when it is, at its best, the house of those who refuse to accept limits placed on them by others.
You are resourceful, strategic, and you play the long game.
You know your worth. You protect your own fiercely.
The dungeon common room with its view of the Black Lake is yours — and the ambitions that will take you further than anyone expects are yours too.
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Hufflepuff Basement · Yellow & Black
🦡 Hufflepuff
You are the kind of person that makes the world genuinely better just by being in it.
Hufflepuff is not the “safe” house or the “leftover” house — it is the house of those with the greatest heart and the most unwavering integrity.
You show up. You work hard. You don’t need glory or recognition — you do what’s right because it’s right.
Your loyalty never wavers, even when tested.
Nymphadora Tonks, Cedric Diggory, Newt Scamander — some of the wizarding world’s finest. And now you join them.
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Ravenclaw Tower · Blue & Bronze
🦅 Ravenclaw
Your mind is your greatest gift, and you’ve always known it.
Ravenclaws are the thinkers, the questioners, the ones who find a puzzle irresistible and a good book better company than most people.
Ravenclaw is not merely about intelligence — it’s about the love of learning, the pursuit of truth, and the rare courage to admit you don’t know something yet.
You see the world with unusual clarity and depth.
Luna Lovegood, Filius Flitwick, Rowena Ravenclaw herself — all extraordinary, all original. And so are you.
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‘Swiss Army Man’ Is a Cult Hit
Against a reported budget of $3 million, Swiss Army Man earned just under $6 million globally, flying under the radar in 2016. However, itwas a big hit with critics and those who did see the movie, ranked as Radcliffe’s second-highest-rated film since 2011’s Harry Potter and the Deathly Hallows – Part 2. Called “one of the wildest films you’ll ever see” by a critic at the time, Swiss Army Man earned a strong 73% on review aggregator Rotten Tomatoes.
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Starting September 1, you’ll be able to stream Swiss Army Man for free on Plex. Make sure to stay tuned to Collider for the latest streaming stories.
Billy Bob Thornton in ‘Armageddon’Image via Touchstone Pictures
It has been four years since Michael Bay’s most recent film, the action thriller Ambulance, which starred Jake Gyllenhaal, Yahya Abdul-Mateen II, and Eiza González. The last big-budget tentpole of his career was the Netflix movie 6 Underground, which was released in 2019. And his last theatrical tentpole was Transformers: The Last Knight, which debuted in 2017. All of this is to say that Bay has never taken this long between projects, especially the kind that he is synonymous with. Although he has directed a documentary feature for the first time in his career, he remains best known for the epic action movies he directed in the 1990s and 2000s, the most well-known of which is currently streaming in the United States on Peacock.
The movie in question will soon be removed from the platform, leaving fans craving some old-school Bayhem very little time to check it out. The movie was released to mixed reviews in 1998, but it was a massive hit at the box office. It grossed more than $550 million worldwide against a reported budget of $140 million; Bay followed it up with another huge hit, Pearl Harbor, which made nearly $450 million globally and cemented him as a hit-maker of the topmost order.
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Collider Exclusive · Sci-Fi Survival Quiz Which Sci-Fi World Would You Survive? The Matrix · Mad Max · Blade Runner · Dune · Star Wars
Five universes. Five completely different ways the future went wrong — or sideways, or up in flames. Only one of them is the world your instincts were built for. Eight questions will figure out which dystopia, galaxy, or desert wasteland you’d actually make it out of alive.
💊The Matrix
🔥Mad Max
🌧️Blade Runner
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🏜️Dune
🚀Star Wars
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01
You sense something is deeply wrong with the world around you. What do you do? The first instinct is often the truest one.
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In a world of scarcity, what resource do you guard most fiercely? What we protect reveals what we believe survival actually requires.
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What kind of threat keeps you up at night? Fear is useful data — if you’re honest about what you’re actually afraid of.
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04
How do you deal with authority you don’t trust? Every dystopia has a power structure. Your approach to it determines everything.
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Which environment could you actually endure long-term? Survival isn’t just tactical — it’s physical, psychological, and very much about where you are.
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Who do you want in your corner when things fall apart? The company you keep is the clearest signal of who you actually are.
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Where do you draw the line — if you draw one at all? Every survivor eventually faces a moment that tests what they’re actually made of.
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What would actually make survival worth it? Staying alive is one thing. Having a reason to is another.
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Your Fate Has Been Calculated You’d Survive In…
Your answers point to the world your instincts were built for. This is the universe your temperament, your survival instincts, and your particular brand of stubbornness were made for.
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The Resistance, Zion
The Matrix
You took the red pill a long time ago — probably before anyone offered it to you. You’re a systems thinker who can’t help but notice the seams in things.
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You’re drawn to understanding how the system works before figuring out how to break it.
You’d find the Resistance, or it would find you — your instinct for spotting constructed realities is the machines’ worst nightmare.
You function best when you have access to information and the freedom to act on it.
The Matrix built an airtight prison. You’d be the one probing the walls for the door.
The Wasteland
Mad Max
The wasteland doesn’t reward the clever or the well-connected — it rewards those who are hard to kill and harder to break. That’s you.
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You don’t need comfort, community, or a cause larger than the next horizon.
You need a vehicle, a clear threat, and enough fuel to outrun it — and you’re good at all three.
You are unsentimental enough to survive that world, and decent enough — just barely — to be something more than another raider.
In the wasteland, that distinction is everything.
Los Angeles, 2049
Blade Runner
You’d survive here because you know how to exist in moral grey areas without losing yourself completely.
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You read people accurately, keep your circle small, and ask the questions others prefer not to answer.
In a city where humanity is a legal designation rather than a feeling, you hold onto something that keeps you functional.
You’re not a hero. But you’re not lost, either.
In Blade Runner’s world, that distinction is everything.
Arrakis
Dune
Arrakis is the most hostile environment in the known universe — and you are precisely the kind of person it rewards.
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Patience, discipline, and political awareness are your core strengths — and on Arrakis, they’re survival tools.
You understand that the long game matters more than any single victory.
Others come to Dune and are consumed by it. You’d learn its logic and earn its respect.
In time, you wouldn’t just survive Arrakis — you’d begin to reshape it.
A Galaxy Far, Far Away
Star Wars
The galaxy far, far away is vast, loud, and in a constant state of violent political upheaval — and you wouldn’t have it any other way.
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You find meaning in being part of something larger than yourself — a cause, a crew, a rebellion.
You’d gravitate toward the Rebellion, or the fringes, or whatever pocket of the galaxy still believes the Empire’s grip can be broken.
You fight — not because you have to, but because standing aside isn’t something you’re capable of.
In Star Wars, that willingness is what makes all the difference.
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Here’s How Long You Have Left to Watch Michael Bay’s Sci-Fi Blockbuster on Peacock
We’re talking, of course, about Bay’s landmark hit Armageddon. The sci-fi epic starred Ben Affleck, Bruce Willis, and Liv Tyler, alongside a stacked supporting cast that included Steve Buscemi, Billy Bob Thornton, and Owen Wilson. Armageddon now holds a 42% score on the aggregator website Rotten Tomatoes, where the consensus reads, “Lovely to look at but about as intelligent as the asteroid that serves as the movie’s antagonist, Armageddon slickly sums up the cinematic legacies of producer Jerry Bruckheimer and director Michael Bay.” The late critic Roger Ebert was particularly negative about the film, describing it as “an ordeal” in his one-star review. Armageddon will be available on Peacock until September 1. Stay tuned to Collider for more updates.
“For guys like me, Las Vegas washes away your sins. It’s like a morality car wash.”
If you immediately recognized that quote, you’re likely well versed in the hit movie, “Casino,” that turned Las Vegas into one of Hollywood’s most iconic characters.
Did you know that “Casino” was filmed all around the city of Las Vegas? There were multiple real Vegas properties used to create the fictional Vegas empire depicted in the movie.
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From famous Strip landmarks to locations around the valley that helped bring the film’s vision of Sin City to life, The Blast has compiled a few well-known locations seen in the movie that you can still visit today.
This story is part of our weekly series, The Vegas Files. Be sure to head over to The Blast’s social media pages to see a reel that highlights some of the locations in this story. 5The Blast | Evan Guerra
Anyone who’s ever watched “Casino” can easily recognize the spot the opening car explosion scene was filmed. “Casino” turned Main Street Station into the backdrop for an explosive mob hit and one of the most memorable moments in the movie. The California Hotel & Casino can be spotted in the background.
In the scene, a car is rigged to explode, sending a shocking blast through Downtown Las Vegas. It perfectly captures the movie’s depiction of organized crime in Sin City.
This filming location is still very much recognizable today. While there are slight changes to the doors of the casino, the outside still looks very much the same, so this is a great spot to re-enact the scene (without blowing anything up, of course) for an Instagram-worthy shot.
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Neon Lights, Late Nights, ‘Casino’ Vibes: The Peppermill
Another well-known location that you can still visit is the Peppermill.
This is where Ace and Ginger have one of their iconic restaurant scenes. It’s one of the best locations for a modern “Casino” visit because the Peppermill is still open for business and remains looking as it did in the film.
Located on the north end of the world-famous Las Vegas Strip, Peppermill is open 24 hours Thursday to Sunday, and from 7 a.m. to 2 a.m. Monday through Wednesday.
According to their website, “Our Fireside Lounge isn’t just where you sip a 64-ounce Scorpion cocktail (although that’s a rite of passage). It’s also where ‘Casino’ filmed it’s famous flame-lit scenes with De Niro and Sharon Stone.”
They have also had cameos in “Showgirls,” “CSI Las Vegas,” “The Cotton Club,” and many others.
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Jean Dry Lake Is Another Recognizable Location In ‘Casino’
“At night, you couldn’t see the desert that surrounds Las Vegas. But it’s in the desert where lots of the town’s problems are solved.”
Just outside of Vegas, about 30 minutes from the Strip, lies Jean Dry Lake. This desert location away from the hustle and bustle of Sin City has been seen in many films over time.
Jean Dry Lake gives “Casino” one of its most cinematic Vegas backdrops. The desert landscape was used for scenes that needed to feel isolated and far removed from the neon lights of the Strip.
Other movies Jean Dry Lake makes a cameo include “The Hangover,” “Vegas Vacation,” “Fear and Loathing in Las Vegas,” and many others.
Atomic Liquors, located in Downtown Las Vegas, is still standing and a place any “Casino” fan can still visit.
This location was used for scenes involving Nicky, played by Joe Pesci. In one infamous scene, Nicky uses a pen to stab a man in the neck and then beats him up inside Atomic Liquors. A nearby garage was also used in the film.
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According to the bar’s website, Atomic Liquors is the city’s “first freestanding bar.” It opened in the 1950s and remains a Fremont Street institution. It’s also been featured in other films, such as “The Hangover.”
The Neon Museum Is Another Must Visit Spot On A ‘Casino’ Tour
Another must visit Vegas location on any “Casino” tour is The Neon Museum, also located downtown. Long before it became one of the city’s most photo-worthy hotspots, the collection at The Neon Museum was part of the city’s incredible visual history.
The movie features iconic signs and neon relics of ‘70s and ‘80s Las Vegas. Today, you can see these glowing pieces of Sin City’s history up close and personal, making The Neon Museum a must stop on a “Casino” locations tour.
Also worth noting, a scene in the movie was filmed at the La Concha Motel, whose distinctive lobby was later preserved and relocated to become The Neon Museum’s Visitor Center. The lobby was used in the film for Ace and Ginger’s romantic scene.
College football player MicahJo Barnettdied at age 20 after suffering a medical emergency during his school’s season opener.
William Jewell College announced on Saturday, August 29, that the running back suffered a medical episode on the sidelines during the first quarter of the team’s Division II game against Fort Lewis College at Greene Stadium in Liberty, Missouri.
The incident occurred at around 12.20 pm local time, mere moments after Barnett scored a touchdown with 5:15 left in the first quarter to give his team a 7-0 lead over Fort Lewis College.
Liberty Police Captain Nathan Mulch told The Athletic medical personnel were on standby just as they are for every William Jewell College football game. While the medical team tended to Barnett for several minutes on the sidelines, he was eventually transferred to a local hospital where he was pronounced dead.
University of Kentucky football player Nic Smith’s cause of death has been revealed after his body was found on campus earlier this month. According to a report by the Fayette County Coroner’s Office exclusively obtained by Us Weekly on Monday, June 15, Smith died by suicide. He was 20. His body was found inside a […]
No cause has been announced at this time.
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The football game was initially suspended and later cancelled outright following Barnett’s death. Students at William Jewell College held a vigil in Barnett’s honor on Saturday night.
“Our hearts are heavy, and we appreciate all of the support that we have received from the greater community … We join with the greater Liberty community … [to mourn] the passing of MicahJo Barnett,” university president Dr. Dave Van Horn said during a press conference on Saturday. “I want to say that we appreciate the response that we’ve received from the sheriff’s office, the police department, the EMS department, our school, the physician for the team … Everybody responded so quickly, so well.”
A separate statement from William Jewell College confirmed the athlete was a junior majoring in business administration.
“Our thoughts and prayers are with MicahJo’s family, our students, the Cardinal Football family, and the rest of our community during this time of loss,” the school’s statement read. “Students and staff are encouraged to connect with Counseling Services and/or the office of the Chaplain who are ready to provide support to those who need it.”
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William Jewell confirmed that school officials will update students when funeral plans for Barnett are decided.
Shawn Jakubowski, the athletic director for William Jewell College’s opposing team Fort Lewis College, also offered his school’s “deepest condolences.”
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“Our hearts are with [MicahJo’s] family, friends, teammates, coaches and everyone at William Jewell during this incredibly difficult time,” Jakubowski wrote via X. “Fort Lewis counseling staff is reaching out to our football team to ensure our players have the support they need.”
Barnett grew up with six siblings in Shawnee Mission, Kansas. He led Liberty North High School — located in the same community as William Jewell College — to a state title during his senior year.
The late running back was also recently announced as a 2025-26 Academic All-Great Lakes Valley Conference honoree. He led the Cardinals in rushing last season despite only playing in five games due to injury, per The Athletic.
For a comic strip built around a remarkably small cast, Peanuts went through a surprising number of characters before Charles M. Schulz settled on the ensemble everyone knows today. Charlotte Braun was one of those early experiments — a loud, aggressively confident counterpart to Charlie Brown who arrived in November 1954 and disappeared just 10 appearances later. Her short tenure is barely a footnote in Peanuts history, but the way Schulz handled her exit is almost impossible to forget.
Charlotte’s disappearance was a result of a reader who wrote to the cartoonist complaining about the character, and Schulz decided to take the suggestion. Then he did something considerably more memorable than simply stopping the character’s appearances: he jokingly told the reader she would have to live with Charlotte’s “death” on her conscience and drew the character with an ax stuck in her head. The original letter, now preserved by the Library of Congress, remains one of the strangest pieces of Peanuts memorabilia around.
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Charlotte Braun Was Supposed To Be Charlie Brown’s Opposite
Charlotte Braun’s first Peanuts appearanceImage via Peanuts
Charlotte’s introduction on November 30, 1954, made her purpose fairly obvious. Her name was a play on Charlie Brown’s, and she even introduced herself as “Good ol’ Charlotte Braun.” Where Charlie Brown was timid, anxious, and perpetually resigned to whatever indignity the universe had planned for him, however, Charlotte was loud.
The contrast gave Schulz an easy setup. Charlotte could walk into a conversation, overwhelm everyone with her volume, and leave Charlie Brown to deal with the aftermath. Several of her strips revolve around essentially the same joke: Charlotte speaks at an absurd volume, someone points it out, and Charlotte responds by insisting that she’s entitled to be heard. Sometimes the joke works, but often, it feels like Schulz is still trying to figure out what else she can do. Ultimately, Charlotte had a trait, but she didn’t have much of a character beyond it.
It is important to note that in Peanuts, even the most exaggerated personalities tend to have multiple angles. Lucy can be bossy, cruel, vulnerable, insecure, confident, and surprisingly perceptive depending on the situation; Linus has his blanket, but he’s also philosophical and anxious, imaginative and thoughtful. Even Charlie Brown’s defining misery is practically an entire personality engine. Charlotte, meanwhile, kept turning up the volume.
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Charlotte Braun’s Biggest Problem Was That Lucy Already Worked Better
As Charlie Brown and the rest of the Peanuts gang looks on, Lucy recounts the history of America.Image via CBS
There was also an unfortunate timing issue. Charlotte was introduced during the period when Schulz was still experimenting with the Peanuts cast, trying different personalities and seeing which ones generated enough material to justify keeping them around. The eventual ensemble wasn’t handed down fully formed.
Charlotte’s loud, bossy personality also pointed toward territory that another character would soon make much better use of. Lucy, who initially had a considerably different personality, developed into one of Peanuts’ defining characters as the strip evolved. Charlotte’s basic function — the loud girl who wasn’t particularly concerned with whether anyone liked her — looked much less necessary, which helps explain why Charlotte feels so thin in retrospect. She was occupying a role that Peanuts would eventually have a more versatile character fill.
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Her final appearance came on February 1, 1955. After only 10 appearances, Charlotte was gone. Schulz didn’t give her a dramatic farewell or establish some elaborate reason she had moved away; she just stopped appearing. Schulz’s correspondence with one reader turned that otherwise forgettable disappearance into an unforgettable experience.
Charles Schulz Gave Charlotte Braun the Axe… Literally
The letter that Charles Schultz wrote to a fan who complained about Charlotte BraunImage via Peanuts Wiki
On January 5, 1955, Schulz responded to Elizabeth Swaim, the reader who had written to complain about Charlotte. He told Swaim that he would eventually discard the character, adding that any further appearances would only come from strips already completed or from someone writing in to say they liked her.
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Schulz told Swaim that she and her friends would have “the death of an innocent child” on their conscience and asked whether they were prepared to accept that responsibility. At the bottom of the letter, he drew Charlotte with an ax embedded in her head. The Library of Congress catalogs the drawing, dated January 5, 1955, as “The ax,” and identifies Charlotte as an ill-fated Peanuts character.
It’s a wonderfully dark joke from a cartoonist whose work is often remembered primarily for its warmth. And it was very much a joke: Charlotte wasn’t literally murdered in a Peanuts storyline. Schulz was playing along with the idea that Swaim had demanded her removal and giving the reader an appropriately theatrical way to imagine what “discarding” a character meant. The letter resurfaced publicly decades later, when Swaim arranged to donate it to the Library of Congress in 2000, shortly after Schulz’s death. Swaim died three weeks later. According to her sister, the framed response had hung in Swaim’s bathroom — a pretty fitting place for one of the most bizarre pieces in Peanuts history.
Swaim apparently wasn’t the only reader who disliked Charlotte. Harry L. Katz, then curator of popular and applied graphic art at the Library of Congress, said other readers had also wanted her gone, criticizing the character for lacking the warmth and humor of the rest of the cast. So, while Schulz gave Swaim the credit — or the blame — for Charlotte’s demise, it’s unlikely that one letter alone determined the character’s fate. Schulz was already experimenting with his cast, and Charlotte hadn’t exactly established herself as essential.
Before Spider-Man: Brand New Daystole all box office headlines and broke countless records, the talk of Tinseltown was Christopher Nolan‘s ambitious adaptation of Homer‘s ancient Greek epic The Odyssey. Called an “unrivaled cinematic spectacle” in Joe Schmidt‘s review for Collider, The Odyssey has become a favorite for prizes at the 2027 Academy Awards, and has already earned almost $1.5 billion in global box office revenue after six weekends in theaters.
Key to the success of The Odyssey is its star-studded cast, led by Matt Damonas the King of Ithaca, and including Lupita Nyong’o, Charlize Theron, Anne Hathaway, Tom Holland, Jon Bernthal, Zendaya, and Robert Pattinson, with this one of the most impressive years in the latter’s career. Before The Odyssey, Pattinson starred alongside Zendaya in The Drama, one of the year’s most underrated movies. Before he leads his next big-screen project of the year, the intriguing A24 feature Primetime, the performance that changed his career forever is about to be available for free.
Nine years ago, Pattinson raced through the gritty streets of New York following a botched bank robbery in Josh Safdie and Benny Safdie‘s Good Time, described as a “heist movie on acid” by Josh Safdie. Pattinson stars as Connie Nikas, who bails his brother out of jail after the aforementioned robbery-gone-wrong, with the film also featuring Benny Safdie, Jennifer Jason Leigh (The Hateful Eight) as Corey, Buddy Duress (Heaven Knows What) as Ray, Taliah Webster as Crystal, Barkhad Abdi (Blade Runner 2049) as Dash, and Necro (The Super) as Caliph. Starting September 1, 2026, you can stream Good Time for free on Plex.
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Collider Exclusive · Oscar Best Picture Quiz Which Oscar Best Picture Is Your Perfect Movie? Parasite · Everything Everywhere · Oppenheimer · Birdman · No Country
Five Oscar Best Picture winners. Five completely different visions of what cinema can be — and what it can do to you. One of them is the film that was made for the way your mind works. Ten questions will figure out which one.
🪜Parasite
🌀Everything Everywhere
☢️Oppenheimer
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🐦Birdman
🪙No Country for Old Men
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01
What kind of film experience do you actually want? The best movies don’t just entertain — they leave something behind.
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02
Which idea grabs you most in a film? Great films are driven by a central obsession. What’s yours?
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03
How do you like your story told? Form is content. The way a story is shaped changes what it means.
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04
What makes a truly great antagonist? The opposition defines the protagonist. What kind of opposition fascinates you?
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05
What do you want from a film’s ending? The final note is the one that lingers. What do you want it to sound like?
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06
Which setting pulls you in most? Where a film takes place shapes everything — mood, stakes, what’s even possible.
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07
What cinematic craft impresses you most? Every great film has a signature — a technical or artistic element that makes it unmistakable.
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08
What kind of main character do you root for? The protagonist is the lens. Who you choose to follow says something about you.
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09
How do you feel about a film that takes its time? Pace is a choice. Some films sprint; others let tension accumulate slowly, deliberately.
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What do you want to feel walking out of the cinema? The best films leave a mark. What kind of mark do you want?
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The Academy Has Decided Your Perfect Film Is…
Your answers have pointed to one Oscar Best Picture winner above all others. This is the film that was made for the way your mind works.
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Parasite
You are drawn to films that operate on multiple levels simultaneously — that begin in one genre and quietly, brilliantly migrate into another. Bong Joon-ho’s Parasite is a film about class, desire, and the architecture of inequality that manages to be darkly funny, deeply suspenseful, and genuinely shocking across a single extraordinary running time. Your instinct is for cinema that hides its true intentions until the moment it’s ready to reveal them. Parasite is exactly that — a film that rewards close attention and punishes assumptions, right up to its devastating final image.
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Everything Everywhere All at Once
You want it all — and this film gives you all of it. The Daniels’ Everything Everywhere All at Once is one of the most maximalist films ever made: action comedy, multiverse sci-fi, family drama, existential crisis, and a genuinely earned emotional core that sneaks up on you amid the chaos. You are someone who responds to ambition, who doesn’t want cinema to choose between being entertaining and being meaningful. This film refuses that choice entirely. It is overwhelming by design, and its overwhelming nature is precisely the point — because the feeling of being crushed by infinite possibility is exactly what it’s about.
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Oppenheimer
You are drawn to cinema on a grand scale — films that understand history not as a backdrop but as a force, and that place their characters inside that force and watch what happens. Christopher Nolan’s Oppenheimer is a film about the terrifying gap between what we can do and what we should do, told with the full weight of one of the most consequential moments in human history behind it. You want your films to feel important without feeling self-important — to earn their ambition through sheer craft and the gravity of their subject. Oppenheimer does exactly that. It is enormous, complicated, and refuses easy comfort.
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Birdman
You are drawn to films that foreground their own construction — that make the how of the filmmaking part of the what it’s about. Alejandro González Iñárritu’s Birdman, shot to appear as a single continuous take, is cinema examining itself through the cracked mirror of a fading actor’s ego. You respond to formal daring, to the feeling that a film is doing something that probably shouldn’t be possible. Michael Keaton’s performance and Emmanuel Lubezki’s restless camera create something genuinely unlike anything else — a film that is simultaneously about creativity, relevance, self-destruction, and the impossibility of ever truly knowing if your work means anything at all.
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No Country for Old Men
You are drawn to cinema that trusts silence, that refuses to explain itself, and that treats dread as a form of meaning. The Coen Brothers’ No Country for Old Men is a film about the arrival of a new kind of evil — implacable, arbitrary, and utterly indifferent to the moral frameworks we use to make sense of the world. It is one of the most formally controlled films ever made, and its controlled restraint is what makes it so terrifying. You want your films to haunt you, not comfort you. You are not interested in resolution if resolution would be dishonest. No Country for Old Men is honest in a way that most cinema never dares to be.
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Robert Pattinson Will Return in One of the Year’s Biggest Movies
Zendaya and Pattinson’s third movie of the year, Dune: Part Three, is the final installment in Denis Villeneuve‘s acclaimed adaptation of Frank Herbert‘s Dune novels and is set to be one of the year’s biggest hits. Scheduled to be released on December 18, the same date as Avengers: Doomsday, the film will see Timothée Chalamet‘s Paul Atreides face the consequences of his power, two decades after seizing control of the Imperium.
Starting September 1, 2026, you can stream Good Time for free on Plex. Stay tuned to Collider for more updates.
Ah, the ’80s. The decade when the neon was popping, the hair was close to heaven, and we all wanted to “Walk Like an Egyptian” while wearing our parachute pants. It’s no question that the ’80s changed the pop culture landscape, and that included TV as well. From the rich people’s problems of Dallasto saccharine family sitcoms that always strive to teach us a lesson every week, TV in the 1980s was a sight to behold and offered everything to everyone in every genre.
What made TV in the ’80s standout from its decade peers were the iconic casts that brought their own flair to the small screen. Think about it? When was the last time you saw police detectives on TV wearing pastel-colored suit jackets? Only in the ’80s did you see this, and to celebrate the most iconic casts from this decade, let’s rank the best TV casts while rocking out to “Beat It.”
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8
‘Married…. with Children’ (1987–1997)
Al (Ed O’Neill) and Peggy (Katey Sagal) laughing together in Married With Children.Image via FOX
In 1987, the fledgling Fox network took a lot of daring risks with its programming, with one in particular turning the sweet family sitcom trope of the decade upside down. That sitcom was called Married… with Children, which followed the Bundy family in a surreal satire that was an instant hit for the network.
The big reason for Married… with Children’shuge success lies with the hilarious cast. Ed O’Neill as the misanthropic, cynical patriarch Al Bundy may not fly in today’s pop culture landscape, but he changed the way we viewed TV dads with his sarcastic, sometimes cruel wit. Then we have Peggy (Katey Sagal), Al’s self-indulgent wife who was basically the female version of her husband. Rounding things out are their two kids, the promiscuous Kelley (Christina Applegate) and the antagonistic, socially inept Bud (David Faustino). Their next-door neighbor, Marcy Rhoades (Amanda Bearse), represented the typical sweet, wholesome conservative that was widely represented on ’80s television. When you think about it, the cast of Married…with Children was very much antagonistic to everything the ’80s stood for, and we loved it.
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7
‘Miami Vice’ (1984–1989)
Crockett and Tubbs stand next to one another in Miami Vice.Image via NBC
The Miami of the ’80s was well-known for its drug violence, which, for creator Anthony Yerkovic and producer Michael Mann, made for a perfect setting for a great TV show featuring well-dressed cops looking to take down the players funneling drugs onto the streets of Dade County. That show was Miami Vice, which premiered on NBC in 1984, and went on to become a pop culture phenomenon thanks to its two leads, James “Sonny” Crockett (Don Johnson) and Ricardo “Rico” Tubbs (Philip Michael Thomas).
Crockett and Tubb had dynamic chemistry, playing off each other’s strengths as they worked to rid Miami of the drugs pouring into the city, and they completely changed how TV cops looked on the screen. There weren’t your Dragnet “just the facts, ma’am” cops. Crockett and Tubbs were made for the MTV generation, complete with name-brand suits, and ’80s coolness dripping from them on a weekly basis.
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6
‘Who’s the Boss?’ (1984–1992)
Tony pouring coffee for Angela and Mona on Who’s The Boss?Image via ABC
Only in the ’80s would the central figure of a hilarious sitcom be a retired baseball player-turned-housekeeper. That was the premise for Who’s the Boss?, one of the best sitcoms of the decade thanks to its talented cast led by Tony Danza, who played Tony Micelli, a father who looks for a better life for him and his daughter, Samantha (Alyssa Milano). That better life leads them to an upscale suburb in Connecticut, where he works as a housekeeper for a divorced advertising executive, Angela Bower (Judith Light), who has a son, Jonathan (Danny Pinaturo), and a mother who seemingly has a date every week, Mona (Katherine Helmond).
The cast had great chemistry, especially between Danza and Light, who lit up the screen with their on-screen romance and personalities that play off each other well. Also, Mona was a real treat, with her sarcasm and personality that steals the screen every single time, and Samantha’s growth from a witty, tomboyish girl into a teenager dealing with the usual societal norms facing kids in the ’80s, made her one of the decade’s most relatable teen characters. Who’s the Boss?‘s cast is iconic, and the hilarious, heartfelt comedic moments are why it was one of the decade’s most popular shows.
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5
‘The A-Team’ (1983–1987)
The cast of ‘The A-Team’ holding weapons.Image via NBC
In the ’80s, everyone wanted to be like one of The A-Team, as they looked so cool on TV. The NBC action-adventure featured an ensemble cast of U.S. Army Special Force commandos who become soldiers for hire after escaping from a military prison. The characters of The A-Team were legendary, especially Bosco “B.A.” Baracus, played by Mr. T in a career-making role, creating some of the decade’s most iconic catchphrases.
We won’t forget about the rest of the cast, from John “Hannibal” Smith (George Peppard), who always had an unorthodox plan, but always worked, Temptleton Peck (Dirk Benedict), who gathered the team’s weaponry, and “H.M.” Murdock (Dwight Schultz), who always went along with the team’s plans. The cast made the cartoonish nature of The A-Team work like a charm, and we sincerely hope there are no plans to reboot it. A classic needs to stay a classic, if you know what I mean.
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Collider Exclusive · Action Hero Quiz Which Action Hero Would Be Your Perfect Partner? Rambo · James Bond · Indiana Jones · John McClane · Ethan Hunt
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Five legends. Five completely different ways of getting out alive — with style, with muscle, with charm, with luck, or with a plan so intricate it probably shouldn’t work. Ten questions will reveal which action hero was built to have your back.
🎖️Rambo
🍸James Bond
🏺Indiana Jones
🔧John McClane
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🎭Ethan Hunt
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01
You’re dropped into a dangerous situation with no warning. What do you need most from a partner? The first few seconds tell you everything about who belongs beside you.
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02
You have to get somewhere dangerous, fast. How do you travel? How you get there is half the mission.
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03
You’re pinned down and outnumbered. What does your ideal partner do? This is when you find out what someone is really made of.
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04
The mission is paused. You have one evening to decompress. What does your partner suggest? Who someone is when the pressure drops is who they actually are.
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05
How do you prefer your partner to communicate mid-mission? Good communication is the difference between partners and a liability.
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06
Your enemy is powerful, well-resourced, and has the upper hand. How should your partner approach them? The approach to the enemy defines the partnership.
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07
Things go badly wrong and you’re captured. What do you trust your partner to do? Who someone is when you need them most is the only thing that matters.
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08
What does your ideal partner bring to the table that you couldn’t replace? A great partner fills the gap you didn’t know you had.
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09
Every partnership has a cost. Which of these can you live with? No one comes without baggage. The question is whether you can carry it together.
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10
It’s the final moment. Everything is on the line. What do you need from your partner right now? The last question is the most honest one.
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Your Partner Has Been Assigned Your Perfect Partner Is…
Your answers have pointed to one action hero above all others. This is the person built to have your back — for better or considerably, spectacularly worse.
Rambo
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Your partner doesn’t talk much, doesn’t need to, and will have assessed every threat in your immediate environment before you’ve finished your first sentence. John Rambo is not a man of plans or politics — he is a force of nature shaped by survival, loyalty, and a capacity for endurance that goes beyond anything training can produce. He will not leave you behind. He has never left anyone behind who deserved to come home. What you get with Rambo is the most capable, most quietly ferocious partner imaginable — one who has been through things that would have broken anyone else, and who chose to keep going anyway. You’ll never need to ask if he has your back. You’ll just know.
James Bond
Your partner will arrive perfectly dressed, perfectly briefed, and with a cover story so convincing it’ll take you a moment to remember what’s actually true. James Bond is the most professionally dangerous person in any room he enters — and the most disarmingly charming, which is the point. He operates in a world of layers, where nothing is what it appears and every advantage is used without apology. You’ll never be bored. You’ll occasionally be furious. But when it matters — when the mission is genuinely on the line and the margin for error has collapsed to nothing — Bond is exactly the partner you want. He has survived things that have no business being survivable. He does it with style. That is not nothing.
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Indiana Jones
Your partner will know the history, the language, the cultural context, and exactly why the thing everyone else is ignoring is actually the most important thing in the room. Indiana Jones is brilliant, reckless, and occasionally impossible — but he is also one of the most resourceful, most genuinely knowledgeable partners you could find yourself beside. He approaches every situation with a scholar’s eye and a brawler’s instinct, which is an unusual combination and a remarkably effective one. He hates snakes and gets personally attached to objects of historical significance, both of which will slow you down at least once. It doesn’t matter. What Indy brings is irreplaceable — and the adventures you’ll have together will be the kind people write books about. Assuming you survive them.
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John McClane
Your partner was not supposed to be here. He does not have the right equipment, the right information, or anything approaching the right odds. He has a sarcastic remark and an absolute refusal to accept that the situation is as bad as it looks. John McClane is the greatest accidental hero in the history of action cinema — a man whose superpower is stubbornness, whose contingency plan is improvisation, and whose capacity to absorb punishment and keep moving would be alarming if it weren’t so useful. He will complain the entire time. He will make it significantly more chaotic than it needed to be. And he will absolutely, unconditionally, without question come through when it counts. Yippee-ki-yay.
Ethan Hunt
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Your partner has already run seventeen scenarios by the time you’ve finished reading the briefing, and the plan he’s settled on involves at least two things that should be physically impossible. Ethan Hunt operates at the absolute edge of human capability — technically, physically, and intellectually — and he brings the same relentless precision to protecting his partners that he brings to dismantling organisations that shouldn’t exist. He is not easy to know and he will never fully tell you everything. But he will carry the weight of the mission so completely, so absolutely, that your job is simply to trust him — and the remarkable thing is that trusting him always turns out to be the right call. The mission will be impossible. He will complete it anyway.
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4
‘Smurfs’ (1981–1989)
The Smurfs together in the 1981 TV showImage via NBC
I know some will find it hard to believe that theSmurfs are considered one of the best TV casts of the ’80s, but the Smurfs were one of the most popular animated sitcoms of the decade, and for good reason. The Smurfs are very well-known and quite diverse. You have Papa Smurf (Don Messick), the elder leader of the clan. Smurfette (Lucille Bliss), the only girl among the Smurf clan and is also one of the main protagonists, and many of the other Smurfs who brought this fanciful world to life.
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Some may criticize why the Smurfs clan is on this list, and, trust me, I get it. However, you can’t argue that Smurfs have made an indelible mark on pop culture, with their iconic look and eclectic personalities that made each episode a treat to watch.
3
‘Family Ties’ (1982–1989)
A promotional image of the ‘Family Ties’ castImage via NBC
The ’80s sitcom landscape was dominated by wholesome family comedies that always managed to solve problems in under a half-an-hour. The family sitcom wouldn’t have boomed in the Regan era without the Keating family ofFamily Ties, a sitcom that was sort of a mirror to what life was like in the ’80s.
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Created by Gary David Goldberg, Family Ties tells the story of the Keatings, led by Steven (Michael Gross) and Elyse (Meredith Baxter), who were hippies in the ’60s and held liberal views, trying to raise children who held more conservative views, chief among them Alex P. Keating (Michael J. Fox), a staunch young Republican, and Mallory (Justine Bateman), a typical ’80s teenage girl who held more traditional and conservative views of womanhood than her mother. Jennifer (Tina Yothers), the youngest of the Keaton clan, was more liberal than her siblings, and watching the family navigate these differences while facing the traditional societal issues facing all families at the time made for must-watch TV.
2
‘Cheers’ (1982–1993)
Cast of Cheers including Ted Danson and Woody HarrelsonImage via NBC
You want to go where everybody knows your name, and Cheers was definitely that place. When you watch Cheers, you feel like you’re part of the bar’s regular clientele, and it was this feeling of relatability that made the sitcom and its characters one of the decade’s most iconic shows.
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Who wouldn’t want to grab a beer with Norm (George Wendt) and Cliff (John Ratzenberger) while watching the budding romance between Sam Malone (Ted Danson) and Diane Chambers (Shelley Long) behind the bar? All with Carla Tortelli (Rhea Perlman) serving up drinks and offering her cynical, wisecracking takes on life? Cheers was one of the best character-driven shows on network TV, and the characters remain iconic to this very day.
1
‘The Golden Girls’ (1985–1992)
All the casts listed in this piece have carved out their spot in ’80s television lore, but there is one cast that triumphs over them all, The Golden Girls. First, you can’t talk about The Golden Girls without mentioning the iconic theme song (“Thank You For Being a Friend”), which is bopping in my head right now as I’m writing this.
Second, the cast is similarly iconic, revolving around four older single women who share a house in Miami and navigate their “golden years” together, led by the homeowner, the promiscuous southern belle Blanche (Rue McClanahan), and the wisecracking Dorthy (Beatrice Arthur), the humorous and wholesome Rose (Betty White), and the always sassy Sophia (Estelle Getty). These four women came together and made sitcom magic that is hard to replicate today.
The verbal volleys that they have launched against each other in the last few months didn’t come out of nowhere; star Russell Crowe and director Ridley Scott clearly don’t see eye to eye. The problems seemed to escalate when Scott began putting together Gladiator II without Crowe’s involvement. The star, who won a Best Actor honor at the Oscars for his performance in the original Gladiator film, had been trying to mount a sequel for a number of years as well. Scott reasoned that since Crowe’s character died at the end of the first film, he had no reason to be brought back for the sequel. Crowe, on the other hand, expressed annoyance at being excluded from the project when it was being made, and has since criticized it more than once. It has been over 15 years since the two former collaborators worked together, and their parting film is now streaming on Peacock in the United States.
However, the movie in question is about to be removed from the service, leaving audiences with very little time to revisit it. The movie was released in 2010 and was positioned as a return toGladiator-style swords-and-sandals drama for Scott and Crowe. But reviews were mediocre and the box office was underwhelming. It was only a few years later, in 2014, that Crowe starred in what would become his final big-budget studio tentpole as a leading man, Noah. Interestingly, Scott released his own biblical epic, Exodus: Gods and Kings, that same year.
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Collider Exclusive · Middle-earth Quiz Which Lord of the Rings Character Are You? One Quiz · Ten Questions · Your Fate Revealed
The road goes ever on. From the green hills of the Shire to the fires of Mount Doom, every soul in Middle-earth carries a destiny. Ten questions stand between you and the truth of who you are. Answer honestly — the One Ring has a way of revealing what we most want to hide.
💍Frodo
🌿Samwise
👑Aragorn
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🔥Gandalf
🏹Legolas
⚒️Gimli
👁️Sauron
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🪨Gollum
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01
You are handed a responsibility that could destroy you. What do you do? The weight of the world falls on unlikely shoulders.
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02
Your closest companion is heading into terrible danger. You: True loyalty is revealed not in comfort, but in crisis.
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03
Enormous power is within your reach. Your instinct is: Power corrupts — but only those who reach for it.
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04
What does “home” mean to you? Where we long to return reveals who we truly are.
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05
When a battle is upon you, your approach is: War reveals what we are made of — whether we like it or not.
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06
Someone comes to you for advice in their darkest hour. You: Wisdom is not knowing all the answers — it’s knowing which questions to ask.
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07
How do you see yourself, honestly? Self-knowledge is the most dangerous kind.
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08
Which of these best describes your relationship with the natural world? Middle-earth speaks to those who know how to listen.
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09
You encounter a wretched, pitiable creature who has done terrible things. You: How we treat the fallen reveals the height of our character.
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10
When the quest is over and the songs are sung, what do you hope they say about you? In the end, we are all just stories.
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The Fellowship Has Spoken Your Place in Middle-earth
The scores below reveal your true character. Your highest number is your match. Even a tie tells a story — the Fellowship was never made of simple people.
💍 Frodo
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🌿 Samwise
👑 Aragorn
🔥 Gandalf
🏹 Legolas
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⚒️ Gimli
👁️ Sauron
🪨 Gollum
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You carry something heavy — and you carry it alone, even when you don’t have to. You were not born for greatness, and that is precisely why greatness chose you. Your courage is not the roaring, sword-swinging kind; it is quiet, stubborn, and terrifying in its refusal to quit. The Ring weighs on you more than anyone can see, and still you walk toward the fire. That is not weakness. That is the rarest kind of strength there is.
You are, without question, the best of them. Not the most powerful, not the most celebrated — but the most essential. Your loyalty is not a trait; it is a force of nature. You would carry the person you love up the slopes of Mount Doom if it came to that, and we both know you’d do it without being asked. The world needs more people like you, and the world is lucky it has even one.
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You were born to lead, and you have spent years running from it. The crown is yours by right, but you know better than anyone that right means nothing without the will and the worthiness to back it up. You are tempered by loss, shaped by long roads, and defined by a code of honour you hold to even when no one is watching. When you finally step forward, the world shifts. Because it was always waiting for you.
You have seen more than you let on, and you say less than you know — which is exactly as it should be. You are a catalyst: you do not fight the battles yourself, you ignite the people who can. Your wisdom comes not from books but from an age of watching what happens when it is ignored. You arrive precisely when you mean to, and your presence alone changes what is possible. A wizard is never late.
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Graceful, perceptive, and almost preternaturally calm under pressure — you see things others miss and act before others react. You do not need to make a scene to be remarkable; your presence speaks for itself. You are loyal to those you choose to stand beside, and that choice is not made lightly. You have lived long enough to know that the most beautiful things in this world are also the most fragile, and that is why you fight to protect them.
You are loud, proud, and absolutely formidable — and beneath all of that is one of the most fiercely loyal hearts in Middle-earth. You don’t do anything by half measures. Your friendships are forged like iron, your grudges run as deep as mines, and your courage in battle is the kind that makes legends. You came into this fellowship suspicious of everyone and ended it willing to die for an elf. That is not a small thing. That is everything.
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You think in centuries and act in absolutes. Order, dominion, control — not because you are cruel by nature, but because you have decided that the world left to itself always falls apart, and you are the only one with the vision and the will to hold it together. You were not always this. Something was lost, or taken, or betrayed, and the version of you that stands now is the answer to that wound. The tragedy is that you’re not entirely wrong — just entirely too far gone to course-correct.
You are a study in contradiction — pitiable and dangerous, cunning and broken, capable of both cruelty and something that once resembled love. You are defined by loss: of innocence, of self, of the one thing that gave your existence meaning. Two voices war inside you constantly, and the tragedy is that the better one sometimes wins, just not often enough, and never at the right moment. You are a warning, yes — but also a mirror. We are all a little Gollum, given the right ring and enough time.
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Russell Crowe and Ridley Scott’s Last Movie Together Is Leaving Peacock
Scott and Crowe worked together on a string of movies across different genres in the 2000s, following up Gladiator with A Good Year, American Gangster, Body of Lies, and the 2010 epic Robin Hood. The movie was put together in the aftermath of Christopher Nolan’s The Dark Knight, which encouraged Hollywood to be more experimental with grounded takes on classic material. Robin Hood was produced on a reported budget of $200 million, but it only managed to gross around $320 million worldwide. It now holds a 43% score on the aggregator website Rotten Tomatoes, where the consensus reads, “Ridley Scott’s revisionist take on this oft-told tale offers some fine acting and a few gripping action sequences, but it’s missing the thrill of adventure that madeRobin Hood a legend in the first place.” The movie will be removed from Peacock on September 1. The property seems to be cursed, with an action-packed 2018 reboot starringTaron Egertonand a recent character study headlined by Hugh Jackmanboth underperforming. However, an MGM+ series with a more classical tone has emerged as a hit. Stay tuned to Collider for more updates.
SYFY’s Kryptonis set on the titular planet 200 years before Kal-El — aka Clark Kent, aka Superman — is born. The House of El has recently suffered a fall from grace, with Seg-El (Cameron Cuffe) eking out a living in Krypton’s lower-class slums after his grandfather Val-El (Ian McElhinney) was sentenced to imprisonment in the Phantom Zone. Seg is visited by a mysterious man named Adam Strange (Shaun Sipos), who tells him that his grandson Kal-El will grow into the greatest hero on Earth and that forces are working to erase Superman’s existence.
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While fighting to keep his grandson alive, Seg learns that Val was sentenced because he learned that there was alien life headed for Krypton, and the corrupt ruling council worked to silence his findings. That alien life is none other than Brainiac (Blake Ritson), the malevolent artificial intelligence who collects information from planets and destroys them in the process; he, too, will become one of Superman’s greatest enemies. On top of that, Seg learns that he is meant to be betrothed to Nyssa-Vex (Wallis Day), the daughter of a high-ranking official on Krypton; however, he is still in love with Lyta (Georgina Campbell), a soldier in Krypton’s military guild.
Aaron Pierre Plays a Character With Major Ties to Superman Lore in ‘Krypton’
So, how exactly does Aaron Pierre fit into Krypton‘s narrative? He plays the soldier Dev-Em, who works with Lyta to fight the terrorist organization known as Black Zero. Complicating matters is the fact that Dev and Lyta used to be betrothed to each other, and while he still has feelings for her, she is wrestling with her own feelings for Seg-El. Matters take a turn for the worse when a mysterious stranger, played by Colin Salmon, appears; the stranger is none other than Dru-Zod, aka General Zod — one of Superman’s worst enemies. Zod reveals that he is the son of Seg and Lyta, further complicating matters between the two and Dev. When Zod becomes the new ruler of Krypton in Season 2, Dev joins a group of resistance fighters led by Lyta’s mother, Jayna (Ann Ogbomo).
Dev-Em has a unique backstory in DC Comics lore; he was one of the few Kryptonians who believed Jor-El’s warning that the planet was doomed for destruction and placed himself in suspended animation. When Krypton exploded, he was sent hurtling to Earth, where he met a young Clark Kent… and threw him into the Phantom Zone! Dev-Em would later become an ally of the Legion of Superheroes and helped them during the “Great Darkness Saga,” where they battled the New God Darkseid. Other versions usually paint Dev-Em as a criminal who was sentenced to the Phantom Zone, with Man of Steelreimagining him as one of General Zod’s fathers. Pierre’s take on the character, however, is rather nuanced and leads to some of Krypton‘s best moments.
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Aaron Pierre Got To Show Off His Dramatic Chops During ‘Krypton’s Run
Official poster for ‘Krypton’, featuring Aaron Pierre’s Dev EmImage via SyFy
Krypton Season 2 is where Pierre’s Dev-Em truly gets his chance to shine. Working with the rebel cells, he finds himself pitted against Lyta, who seems to be willing to carry out any atrocity Zod asks of her (though in true comic book TV fashion, there’s a rather convoluted explanation for this.) Brainiac is also gaining a foothold in his attempts to leech Krypton of its knowledge, possessing various victims while also keeping Seg-El trapped in the Phantom Zone. This leads Dev-Em to make the decision to utilize Doomsday — the monster who will one day kill Superman — as a way to protect Krypton.
Season 2 is a great showcase for Pierre’s dramatic talents, as he paints Dev-Em as a man who will do anything it takes to protect Krypton.He lets Brainiac possess him to spare Lyta from death, and the machine winds up forcing him to try to kill Jayna, which results in Dev losing an arm. Despite Doomsday causing untold damage, Dev sees him as a trump card to keep order on Krypton, showcasing that, like Zod, he is capable of committing horrible acts to keep his planet alive. Pierre infuses Dev with the same kind of calculating fury he brings to Terry Richmond in Netflix’s Rebel Ridge, making what could have been a minor role so much more. Krypton was sadly canceled in 2019, meaning that the plot thread of Dev-Em weaponizing Doomsday never came to pass. Still, it’s worth a watch, both for its fresh take on the Superman mythos and how it proved Pierre could play a major role in the DC Universe.
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