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Jennifer Lopez just reminded Us why high-waisted black pants deserve a permanent spot in our fall rotation. The flowy silhouette has all the makings of a wardrobe workhorse, but its real superpower is the way it visually elongates the legs. Consider this your sign to give jeans a day off.
Lopez stepped out during Milan Fashion Week wearing flowy, high-waisted black trousers with a crisp white button-up, black platform heels and a sleek leather handbag. The wide-leg silhouette practically made her legs look miles long, while the classic black-and-white styling kept the outfit sophisticated and easy to recreate. While we couldn’t confirm her exact pair, we found a $37 lookalike on Amazon.
Get the Btfbm Wide Leg Pleated Dress Pants for $37 at Amazon! Please note, prices are accurate as of the publishing date but are subject to change.
The Btfbm Wide Leg Pleated Dress Pants capture the same leg-lengthening effect with a high-rise waist, flowy wide legs and front pleats that give them a dressier finish. They also have a double-button closure and functional pockets, and come in sizes S to XXL. Along with Lopez-approved black, there are plenty of fall-ready neutrals to choose from, including beige and army green.
More than 1,100 Amazon shoppers have given the pants a five-star rating, with reviewers especially loving their flattering fit. One shopper said they help “camouflage” areas they’re less confident about while creating “a longer leg line” — exactly the effect that caught our attention on Lopez.
Another reviewer dubbed the pants “an absolute game changer,” calling them “so flattering” while noting that they still “look so professional.” Between the roomy wide legs and polished pleating, they’re easy enough for everyday wear but elevated enough to swap in for your usual office trousers.
Lopez may have worn hers during Milan Fashion Week, but this flattering pants trend works far beyond the front row. Pair the $37 Amazon lookalike with a fitted sweater, button-up or blazer this fall to recreate her leg-lengthening silhouette for less.
Get the Btfbm Wide Leg Pleated Dress Pants for $37 at Amazon! Please note, prices are accurate as of the publishing date but are subject to change.
Looking for something else? Explore more from Btfbm here and don’t forget to check out all of Amazon’s Daily Deals for more great finds!
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Jersey Shore alum Vinny Guadagnino has hilariously addressed his BFF DJ Pauly D getting engaged.
“I’m not OK,” Guadagnino, 38, wrote via Instagram just hours after his former reality TV costar Paul “DJ Pauly D” DelVecchio Jr. announced his engagement to influencer Nikki Hall on Sunday, September 27.
Accompanying his tongue-in-cheek words was an AI-generated video that depicted Guadagnino standing in the rain as he held a hand in the air in the hope of DelVecchio Jr. noticing him. Next to him, sheltered within a lavish living area, DelVecchio Jr., 46, was depicted standing beside his wife-to-be, 34, as the couple delighted in their happy news.
Guadagnino, who starred alongside DelVecchio Jr. on the MTV reality series when it aired from December 2009 to December 2012, made sure fans knew that he wasn’t altogether heartbroken by his pal’s news, ending his caption with, “Congratulations @djpaulyd and @nikkisaintclaire.”
Fans took to the post’s comments section to flood it with crying-laughter face emojis. One follower noted, “It used to be MVP … then it was VP … now it’s just V 😂😭😭😭,” while another wrote, “He lost his best friend, his [sic] getting married 😢😢.” The post attracted more than 100,000 likes in just two hours.
DelVecchio Jr. had in fact met Hall, a Las Vegas-based lifestyle influencer, when his best friend had also met her. Appearing in the 2019 MTV reality dating series Double Shot at Love, the best friends were faced with choosing a match from 20 single women, including Hall. Despite DelVecchio Jr. deciding to leave the show single, he later struck up a romance with her away from the cameras.
Six years of subsequent dating culminated in a marriage proposal inside Las Vegas’ Omnia Dayclub on Sunday. Footage of the moment, originally shared by the venue and later shared with DelVecchio Jr via Instagram., captured him walking his lady to the center of a crowd as an open-mouthed Hall looked around her in disbelief.
Grinning, DelVecchio Jr., dressed in a black button-down shirt and black sunglasses, pulled out a black box with a ring in it that he presented to Hall.
A spokesperson for the happy couple told Us in the late hours of Sunday night that Bruno Mars’ “Marry You” played over the venue’s speakers after Hall said yes. Additionally, signs that read “Congratulations on the engagement, yeah buddy!” were also brought into the crowd. (“Yeah buddy!” was one of DelVecchio Jr.’s catchphrases on Jersey Shore.)
As for Guadagnino’s love life, the Masked Singer alum remains single after being linked to several women over the years. Most recently, Reddit users speculated that he had found a connection with a New York-based influencer named Nicole.
Cassie Ventura spent years trying to survive a world that once promised her success. Now, according to sources close to the singer, the life she has built after testifying against Diddy looks very different from the one fans remember.
While her recent red-carpet appearance alongside her husband, Alex Fine, suggested confidence and stability, that new beginning has reportedly come with a painful tradeoff: leaving behind the career that first made her famous and creating distance between herself and the industry she once called home.

Long before her courtroom testimony became one of the most talked-about moments of 2025, Cassie Ventura was known as the voice behind “Me & U,” the breakout hit that turned her into one of the music industry’s most promising young stars.
Yet those close to her say she has no plans to return to that world. Speaking to the Daily Mail, a source said Ventura has no desire to revive her recording career, despite continued interest from fans.
The insider claimed, “She has no interest in returning to the music industry because she feels it was complicit in her abuse. She isn’t focused on music at all.”
That decision makes her departure especially significant, given how closely her rise was tied to Bad Boy Records after she met Diddy as a teenager.
During testimony, Ventura described how control over her life allegedly intensified after signing with the label at 19.
Rather than recording new material, sources say some previously unreleased music she recorded is now being explored for other artists.

Cassie Ventura’s decision to retreat from public life extends far beyond music. Friends say the 40-year-old has dramatically narrowed her circle since the criminal proceedings involving Diddy concluded.
“She’s living a quiet life with her family and is much happier,” one insider told the outlet, adding, “She has a tight inner circle and only keeps those who she trusts around her. She let go of a few people once she moved. She has a small team now.”
That shift became increasingly noticeable after her emotional four-day testimony, during which Ventura detailed allegations of violence, coercion, and manipulation throughout her relationship with the disgraced rapper.
While the testimony generated widespread support from survivors, sources say the experience also exposed her to online ridicule and criticism.
Even so, those close to Ventura insist she does not regret speaking publicly. The source said she receives “thousands of messages from sexual assault survivors thanking her for giving them the courage to expose abusers.”
Today, her focus is far removed from the spotlight as Ventura reportedly spends most of her time raising her three children with Fine, writing for personal enjoyment, and prioritizing her well-being.
Friends describe her husband as a constant source of support whose presence has helped anchor this new chapter.

Perhaps the clearest sign of how dramatically Ventura’s life has changed is where she has chosen to live.
In a legal declaration filed earlier this year, the actress stated, “I reside outside of the United States. I do not intend to move back to the United States.”
Sources say that decision was influenced by multiple factors, including concerns for her safety following the Diddy trial. One insider claimed Ventura received death threats and has no immediate plans to return permanently.
“She’s hoping to put the past behind her. This is a new life for her – something she did not choose, never thought would happen but it’s what needed to be done because of her sharing her truth about Diddy,” the source said.
According to another insider, Ventura also spends significant time in Asia, where she maintains family ties through her Filipino heritage.
Yet even with an ocean separating her from her former life, one concern remains difficult to escape. Diddy is currently projected to be released from prison on February 5, 2028, and sources say the possibility of that day still weighs heavily on her mind.
“Cassie is doing really well since Diddy entered prison,” an insider said, further sharing, “But of course she is terrified of what could happen when Diddy is released from prison. It’s something she tries not to think about because it causes anxiety.”
The quiet life Cassie Ventura has built away from the spotlight briefly gave way to flashing cameras and a packed red carpet on September 10, when she stepped out for one of her most high-profile appearances in more than a year.
As Page Six reported, the dancer joined her husband at the “MobLand” Season 2 premiere at Odeon Luxe Leicester Square in London, marking a rare public outing after largely disappearing from public view following her testimony in Diddy’s criminal trial.
Ventura arrived arm-in-arm with Fine, who stars as Donnie in the Paramount+ crime drama. She wore a fitted gray bustier-style dress paired with pointed brown pumps, while Fine opted for a black knit sweater, matching trousers, and black shoes.
The event drew several of the show’s biggest stars, including Tom Hardy, Pierce Brosnan, and Helen Mirren, but Ventura’s appearance quickly became one of the night’s most talked-about moments.

That appearance alongside Fine also reminded many fans of the unwavering support he has shown Ventura throughout some of the most difficult moments of her life.
Fine drew widespread attention after publicly praising his wife following her testimony, making it clear that he viewed her strength as something extraordinary.
In a statement released after Ventura took the stand, Fine wrote, per The Sun, “You did not break her spirit nor her smile that lights up every room.”
He continued, “You did not break the soul of a mother who gives the best hugs and plays the silliest games with our little girls.”
The actor and fitness trainer reserved some of his strongest words for Ventura herself, writing, “Cassie saved Cassie. She alone broke free from abuse, coercion, violence and threats.” Fine also addressed other survivors directly, saying, “To all the survivors, your stories are real, and people believe you.”
The art of adapting a book is genuinely difficult. Follow it too closely, and you risk doing nothing differently, failing to properly translate the literary language into the cinematic form. Conversely, if you change too much, you risk altering the very fabric of the story, not only alienating the fans of the source material but perhaps even offending them. It’s no surprise that so many movie adaptations fail these days: they either fail to respect the source material enough or they don’t do enough to stand out, merely settling for being “meh” rather than “wow.”
We’re here to discuss the ones that actually pull it off, the rare movies that take the source material and not only respect it but, more importantly, understand and elevate it. They take everything that worked on the page and successfully translate it into the cinematic language we all know and love. A few make significant changes to the text, but they still maintain the story’s essence, delivering something that might seem different but is the same at its core. These movies are true masterclasses in how to adapt a book for the big screen, the standard that many screenwriters and directors should follow.
Adapting a book for the big screen doesn’t always mean doing a one-on-one version—in fact, it rarely means that. The best movie adaptations can make significant alterations to the source material yet still keep the vibe of the story, the core themes, the nature of the characters, and the basic tone. A truly masterful movie, however, finds a way to enhance everything that worked on the page in an inherently cinematic language. In the case of The Wizard of Oz, it was through the use of color and song.
Now, there are a ton of differences between The Wizard of Oz and its source material, Frank L. Baum‘s book series. Yet, the movie is so whimsical, so heartfelt and purely enjoyable that you not only forgive them but actually get fully on board with them. By the time Dorothy leaves the sepia of Kansas to enter the Technicolor world of Oz, you are fully immersed in the movie, and there’s no going back. The use of Technicolor was key in turning The Wizard of Oz into the pinnacle of fantasy, and important changes, like having Judy Garland wear a red wig in pigtails and changing the slippers from silver to ruby, gave the movie an identity. Indeed, the iconography has become part of cinema’s very fabric. The songs, written by Harold Arden and E.Y. “Yip” Harburg, added further charm and expanded on the emotional themes of the story, especially the sorrowful theme “Over the Rainbow.”
The movie adaptations that greatly surpass their source material, to the point where they become the standard of their respective franchise, can be counted with one hand. In a way, they begin and end with The Godfather, Francis Ford Coppola‘s big-screen adaptation of the gangster novel by Mario Puzo. Both the movie and the book tell the story of the Corleone Family, headed by Don Vito Corleone, whose son, Michael, begins to take over as a series of conflicts threaten the clan’s dominance.
The difference between the book and the movie is quite significant here. The former is highly regarded indeed, but its adaptation is arguably the best American movie of all time. It’s to both Coppola and Puzo’s credit, as the screenwriters, that they took the book’s sprawling and at times messy narrative and turned it into a streamlined family tragedy. Subplots were outright removed, and storylines were sharpened. The themes of ambition, generational baggage, crime, and the allure and corruptive force of power are intact, but by focusing on a tight-knit group of characters and how their influence poisons those around them, the movie is much more powerful. The Godfather is widely attributed with shaping our modern perception of the mafia; the book introduced this new idea of the mob, and the movie perfected it.
The Princess Bride: S. Morgenstern’s Classic Tale of True Love and High Adventure, The “Good Parts” Version is the seminal fantasy romance written by William Goldman in 1973. Highly humorous, ironic, and self-referential, the book is a masterpiece of metafiction where the author presents an abridged version of another tale, providing constant commentary on the side. It is widely celebrated as a wholly original and delightful work, a singular fantasy that worked perfectly in its original form. How to adapt such a tale?
As it turns out, only Goldman could do it. The film adaptation of The Princess Bride is just as charming and imaginative, and possibly funnier. Goldman’s genius begins with how he replicates the metaphictional quality of his book: rather than using the same trope, the movie frames the story of farmhand Westley (Cary Elwes) and his love, Buttercup (Robin Wright), as a fairy tale being told by a grandfather (Peter Falk) to his sick grandson (Fred Savage). From there, the movie stays just as fresh, fast-paced, quick-witted, and outright irresistible as the book. The legacy of both works has only gotten better with time—the movie is perhaps better known, though. However, Goldman’s adaptation remains the gold standard for how to take a truly singular work and replicate it in a new form while still respecting everything that makes it unique.
Few writers are as prominent or highly regarded as the mighty Kazuo Ishiguro. The Nobel Prize winner is behind multiple modern classics, but his magnum opus is undeniably The Remains of the Day, a tale of the conflict that arises between duty and the pursuit of personal fulfillment. The plot chronicles the life of devoted butler Stevens, whose blind loyalty to his master, Lord Darlington, slowly shapes his life, even as changes around the world and his own bond with the housekeeper, Miss Kenton, introduce conflict to his otherwise rigorous existence.
Ruth Prawer Jhabvala and an uncredited Harold Pinter translated Ishiguro’s sorrowful, poignant tale into the big screen, and the result was nothing short of masterful. The 1993 movie version of The Remains of the Day is a perfect adaptation, capturing the book’s profound, somber, and deeply introspective tone and complementing it with lush visuals, elegant camera movements, and two outstanding and quietly powerful performances by Sir Anthony Hopkins and Dame Emma Thompson. Both works are melancholy, though Ishiguro’s book is perhaps more hopeful in its conclusion. The true genius of the movie is how it takes a book that relies entirely on a character’s private and fiercely guarded thoughts and translates it into a movie that is pulled back yet no less cinematic.
Adapting a book is challenging enough, but when the book in question has legions of devoted fans, a comprehensive world that ranks among the most detailed and complex ever created, and a larger-than-life story on a truly sweeping scale, then the task becomes borderline impossible. Such was the challenge that Peter Jackson faced while adapting J. R. R. Tolkien‘s seminal work, The Lord of the Rings. As is well known, the plot centers on the young Hobbit Frodo Baggins (Elijah Wood), who must carry the One Ring to the fires of Mount Doom. Aided by the Fellowship of the Ring, Frodo faces the Ring’s corruption as the Dark Lord Sauron amasses an army to take over Middle-earth.
It wouldn’t be an overstatement to call the Lord of the Rings movies the very apex of the fantasy genre. The work that Jackson and fellow screenwriters Philippa Boyens, Fran Walsh, and Stephen Sinclair did is truly impressive in how economically it translates the main events of the books into the big screen. From the get-go, they establish Middle-earth as a place of whimsy and danger, populated by fascinating creatures and haunted by ancient evils while still making it feel tactile and lived-in. Much of the worldbuilding comes organically through dialogue, but exposition is still used effectively. The movies arguably surpass the books when it comes to the massive, jaw-dropping battle sequences; indeed, the action in the trilogy is unlike anything we’ve seen before or since. Tolkien’s lore is deep and mesmerizing, with the author allowing himself the freedom to expand upon it at length. The screenwriters streamline the story while still delving into Middle-earth’s story, making for a saga that is the epitome of what epic fantasy should be.
Julie Bowen is opening up about a new romance while keeping one major detail under wraps. The “Modern Family” alum shared what she values most in her partner but declined to reveal his identity.
Bowen was previously married to businessman Scott Phillips for 13 years. The former couple shares three sons.
Julie Bowen has a new man in her life, but fans will have to wait a little longer to learn who he is.
The “Modern Family” star revealed the romance while attending Step Up’s 2026 Annual Inspiration Awards in Los Angeles on Friday, September 25.
“I have a lovely friend,” Bowen told PEOPLE, choosing not to name her boyfriend just yet.
The 56-year-old actress was more forthcoming about what attracted her to her mystery man. Bowen described him as “smart and funny,” two qualities she considers essential in a partner.
“I need smart and funny. Those are the two [characteristics I look for in a partner],” she explained.

Looks, Bowen insisted, rank much lower on her priority list. Still, she acknowledged that her new boyfriend isn’t exactly lacking in that department.
“I don’t care what people look like — though he happens to be good-looking,” Bowen said. “But I don’t care what people look like. I like the brains.”
The relationship marks a new romantic chapter for the actress following her marriage to real estate investor Scott Phillips. The former couple wed in 2004 and separated after 13 years of marriage. They finalized their divorce in September 2018.
Bowen and Phillips share three sons: Oliver, 19, and 17-year-old twins Gustave and John.

Bowen’s latest relationship marks a notable turnaround from her stance on dating several years ago.
During a January 2022 appearance on “The Ellen DeGeneres Show,” the actress declared that she was “very single” and suggested she was ready to leave dating behind altogether.
Bowen joked that getting her dog was effectively a retirement gift to herself after deciding she was “done” with looking for love.
“I did go on some dates,” she told guest host Adam Devine. She then explained that one man she saw always wanted her to visit his house because he owned a dog.
The experience apparently gave Bowen an idea. She decided that having a dog of her own would let her entertain dates on her terms and send them home when she wanted.
“The dog is my gatekeeper,” she joked.

However, Bowen said one celebrity could make her reconsider her self-imposed dating retirement.
During the same January 2022 appearance on “Ellen,” guest host Adam Devine brought up Bowen’s crush on Harry Styles. She had seen the former One Direction star in concert the previous November, and her reaction left little doubt about her interest.
Asked whether she would come out of dating retirement for the singer, Bowen immediately replied, “Oh, hell yeah.”

Bowen became even more animated as photos of Styles appeared on screen, repeatedly exclaiming, “Look at him!”
The actress then explained that his appeal went beyond his looks. She compared Styles’ energy to that of the show’s DJ, Stephen “tWitch” Boss. She described both men as “gorgeous and sexy,” with an infectious sense of joy.
Bowen joked that the combination made attraction to them feel almost wholesome, then referenced Styles’ hit “Watermelon Sugar.”
“They’re just bringing the joy, and the light, and the ‘Watermelon Sugar,’” she said.
Sister Wives alum Janelle Brown continues to live her best life following her split from Kody Brown.
Gushing about her boyfriend, Pete, via Instagram on Sunday, September 27, the TLC reality star shared a new string of loved-up selfies. “We have had some fun adventures coast to coast … then we had to be in Phoenix but got a chance to enjoy the sunshine and a fun night out. Pete said, ‘Let’s go to a white table cloth dinner,’” Janelle, 57, captioned the post.
She continued, “It’s so fun having someone to do life with @meetrealpete. Tomorrow I go back to NC and Pete will stay in Vegas. We are slowly figuring out the long distance thing as we work to change it.”
Pete appeared to approve of his girlfriend’s romantic tribute, sharing it via his own Instagram account and selecting one of its images to share via his Instagram Stories.
The pair seem to be going from strength to strength after unveiling their romance in August. The relationship surfaced about four years after Janelle split from ex-husband Kody, also 57, with whom she shared six children. (One of the former couple’s sons, Garrison, died in March 2024.)
For his part, polygamist Kody, the star of Sister Wives which premiered in September 2010, remains married to just one of his former wives, Robyn Brown.
Janelle surprised fans by introducing Pete via Instagram on August 18. “Some chapters are meant to unfold quietly before they’re shared,” she captioned a photo of her and Pete at the time. “I wasn’t looking. I certainly wasn’t expecting you. And somehow, you turned out to be exactly what I didn’t know I needed. And it has been pretty wonderful.”
She concluded, “Everyone please meet Pete.”
Pete was also ready to introduce Janelle to his fanbase, sharing an Instagram photo of his own on September 1 with the caption, “Everyone please meet Janelle.”
Janelle has since kept her followers up to date with the progress of the pair’s romance, sharing couples’ photos from waterfront dinners, winery visits and other outdoor expeditions. On September 6, she declared that she and Pete had turned Sunday into a day dedicated to their blossoming relationship.
“We decided then, that whenever we had a Sunday free, we would find a way to spend it together,” Janelle wrote at the time.
Less than two weeks ago, Janelle opened up about how Pete is making her feel. “Pete drives, he opens my car door, and he makes sure I’m taken care of. He spoils me in lots of old fashioned ways. I could get used to this,” she captioned a September 16 post. “A nod to my ‘passenger princess’ era. I’m not sure I’ve ever been one before but I could get used to this.”
Just months after his ex-wife Christine Baumgartner walked down the aisle with his former friend Josh Connor, Kevin Costner finds himself at the center of a very different story.
The actor has become one of Hollywood’s most eligible bachelors, regularly sparking romance rumors whenever he’s seen with a new companion.
Yet behind the headlines, friends say Costner isn’t chasing attention or trying to prove anything. Instead, the Oscar winner remains something far less expected: a romantic who still believes love is worth the risk.

For someone supposedly taking things slow, Kevin Costner has certainly kept rumor mills busy. Earlier this month, the 71-year-old was spotted in Santa Barbara with lifestyle coach Jennifer Milburn.
Witnesses described the pair as “extremely affectionate” as they loaded groceries into a cart packed with everything from steaks and vegetables to cereal and grapefruit juice.
The sighting arrived only weeks after Costner was linked to lifestyle influencer McKenna Wesley, who was first seen with him at a screening of “Field of Dreams” in Arizona.
Those names are only the latest additions to a growing list that has also included Sharon Stone, Jewel, Jennifer Lopez, Kelly Noonan Gores, January Jones, and Brooks Nader.
Despite the speculation, a source close to the “Yellowstone” star insists the narrative surrounding his love life has become exaggerated.
“He has dated a lot of women since his divorce,” the source told the Daily Mail, adding that Costner is “not into trophy girlfriends in their 20s like a lot of Hollywood men his age are.”
Instead, friends describe him as an old-fashioned gentleman who enjoys meeting people but isn’t rushing to label anything.

The attention surrounding Kevin Costner’s dating life stems largely from how public and emotional his divorce became.
For years, he and Christine Baumgartner appeared to have built the kind of Hollywood marriage that could survive anything. They shared three children, a sprawling California home, and more than two decades together.
Then came the divorce filing in 2023. What followed was a lengthy and very public battle over finances, child support, and property.
Court filings exposed private disagreements, and both sides faced intense media scrutiny.
Friends say the breakup hit Costner especially hard because he never saw it coming.
The end of the marriage also coincided with major changes in his career. After helping turn “Yellowstone” into one of television’s biggest hits, Costner left the series in 2024 amid reports of scheduling conflicts and creative disagreements.
By the time the divorce was finalized, his personal and professional lives had both entered entirely new chapters.

Perhaps the most surprising part of Costner’s story isn’t the women he’s been linked to. It’s the fact that he hasn’t given up.
According to those closest to him, the Hollywood star sees things differently. “He’s always out looking for love,” one source explained.
The insider added that Costner remains convinced that the next relationship could be different from the ones that came before. According to them, “He still believes in romance.”
That belief is why friends aren’t shocked to see him continue dating, even after everything he’s been through.
“So, dating around and seeing if he can find someone that he can have a spark with is always appealing,” the source revealed, further noting, “He’s having fun dating, but he would get married again.”

While friends say Kevin Costner still believes the right woman could eventually lead him back down the aisle, his former wife has already entered a very different chapter.
Less than two years after finalizing her highly publicized divorce from the actor, Christine Baumgartner officially remarried financier Josh Connor in an intimate ceremony at Santa Ynez Ranch in Santa Barbara.
As The Blast reported, the wedding took place on October 18, 2025, at a private vineyard near where Baumgartner grew up.
More than 100 family members and friends attended the sunset ceremony, including the children from both sides of the newly blended family.
Guests described the event as deeply personal rather than extravagant. One attendee told PEOPLE, “It was magical-truly. The setting was gorgeous, but what made it special was the intimacy of it all. This wasn’t a big production. It was authentic, heartfelt, and so very them.”

As Baumgartner settled into married life with Connor, she and Costner recently found themselves back in the same place for a far more familiar reason: supporting one of their children.
The Blast reported that the former couple attended their son Hayes’ beach volleyball tournament in Santa Barbara, California, where photographers captured them watching from the sidelines.
Despite standing within sight of one another throughout the event, Costner and Baumgartner appeared to maintain a noticeable distance and were not seen interacting. According to the report, both remained focused on the competition rather than engaging with each other.
Costner embraced his usual California-casual style for the outing, wearing a white T-shirt and matching pants, flip flops, and sunglasses.
Baumgartner opted for a relaxed look of her own, pairing a green T-shirt with loose white jeans and a green baseball cap.
The appearance marked one of the few times the former spouses were photographed at the same event since finalizing their divorce in February 2024.
Madonna certainly had a celebration to remember at the 2026 MTV Video Music Awards.
Madonna, 68, was up for 13 trophies during the Sunday, September 27, awards ceremony, ultimately taking home seven Moon Person statuettes for Best Collaboration (“Bring Your Love” with Sabrina Carpenter), Artist of the Year, Best Dance (“Confessions II – The Film”), Best Album (Confessions II), Best Long Form Video (“Confessions II – The Film”), Best Choreography (“Confessions II – The Film”) and Best Cinematography (“Confessions II – The Film”).
“First of all, I would like thank my fingers because I can always count on them,” she began her Artist of the Year acceptance speech. “Some of you were probably not born — most of you were probably not born — but I performed at the first VMAs 43 years ago.”
She continued, “I spent the last year and half finding myself, believing in myself and making the music I want to make, and to me, that really is the definitely of being an artist.”
The pop star — who opened Sunday’s show for the first time in two decades — earned the most nominations this year in the categories of Video of the Year, Artist of the Year, Song of the Year, Best Album, Best Collaboration, Best Dance, Best Direction, Best Art Direction, Best Cinematography, Best Editing, Best Choreography, Best Visual Effects and Best Long Form Video.
Madonna, already a 20-time VMA winner, was recognized for her 15th studio album, Confessions II, a sequel to 2005’s Confessions on a Dance Floor. Upon its July release, Confessions II debuted at No. 1 on the Billboard 200 chart.
“I was supposed to make a movie about my life. I worked on my script for two years and spent two years at Universal Studios with the line producers doing budgeting and casting,” Madonna told Interview magazine in June of returning to the recording studio. “We had a falling out, me and Universal, regarding budget. I’ve had an extraordinary life. I’ve had a huge life, so I needed a big budget.”
Instead, the Queen of Pop sought another way to unleash her inner creativity.
“I thought the world is in a very dark place and people need to dance. I hadn’t worked with Stuart [Price] for a long time,” she recalled of the producer. “We’d just done the Celebration Tour together, but besides that, I didn’t really see or speak to him for probably 15 years.”
She continued at the time, “I was living in New York and I reached out to him, thinking, ‘What if we tried to make Confessions on a Dance Floor: Part II, and reenter the world of inspirational dance music?’ So I came to London and went to his studio, and we were just playing around to see if there was magic between us.”
Turns out, Madonna and Price admittedly still had a “good” spark in the studio together.
“I went through all this darkness in the beginning, writing these songs with Stuart, and then we went full circle, and I’m like, ‘OK, now what happens? How do we get out of this?’” she added to the magazine. “What happens when you walk into a nightclub or walk onto the dance floor or go to a rave? [Life] can be [heavy], but I always push through and I’m a survivor.”
Madonna has been a staple at the VMAs since the first show in 1984, where she sang “Like a Virgin” in a wedding dress. She also famously performed “Vogue” in 1990 and kissed Britney Spears and Christina Aguilera in 2003.
Taylor Swift had some extra shine to take home after the 2026 MTV Video Music Awards.
Swift, 36, won a total of two Moon Person trophies out of her 11 nominations on Sunday, September 27, at the Peacock Theater in Los Angeles. The singer, who was also honored with the inaugural Artist Director Honors, received Video of the Year for “The Fate of Ophelia” and Best Direction for “Opalite.”
While taking home the trophy for Video of the Year, Swift dedicated her speech to the late Dolly Parton.
“To the fans, thank you for voting on it,” she began. “I loved making this video because I wanted it to seem like one continuous shot, so I learned a lot about hiding cuts in places. I want to thank and dedicate this award to one person, without whom this wouldn’t be happening, and that person is the ultimate showgirl, Dolly Parton. Every single song that she wrote, her storytelling was so vivid and so rich. … Listening to her songs, it’s like watching the best music video you have ever seen in your life every single time you hear what she has written.”
This year, Swift was also nominated for Best Choreography, Best Art Direction, Best Cinematography, Best Editing, Best Visual Effects, and Best Pop Song for her hit “The Fate of Ophelia.” She was also up for Best Album for The Life of a Showgirl and Artist of the Year. Lastly, Swift was nominated for Song of the Summer for her Toy Story 5 track “I Knew It, I Knew You.”
While accepting the inaugural Artist Director Honors, she premiered her “Patient Zero” music video, which featured Colin Farrell and Dakota Johnson as a couple. Swift also appeared in the video as Farrell’s ghostly ex who lived through a similarly toxic relationship.

Swift released an extended edition of her 12 album, titled The Life of a Showgirl: The Encore, on Friday, September 25. The album featured new single “Patient Zero,” as well as three more songs: “Cleveland!,” “Pink Clouding” and “Babylon.”
“About a year ago, you guys did a truly unfathomable thing. Something that completely blew my mind… You gave The Life of a Showgirl the biggest first week for an album in history,” the chart-topping performer wrote via Instagram last week. “I took a trip to Sweden to celebrate with [producers] Max [Martin] and Shellback, my two collaborators on this album.”
She continued, “Really we just wanted to reflect and take in how grateful we were for the moment we were in, but there was a studio there and we did what we do when we feel anything at all: We wrote more songs. I hope you love them, because they were born out of pure gratitude for your exuberance for and celebration of the album we made.”
Animated film has, since its inception, been home to some of cinema’s most iconic villains. The virtually boundless nature of animation leaves room for antagonists who are always a mighty obstacle in the hero’s way — and sometimes, an absolutely terrifying one, too.
Whether they’re from a straight-up animated horror movie like The Nightmare Before Christmas, or from a less scary but equally intense classic like The Hunchback of Notre Dame, some animated villains can truly make young audiences’ skin crawl; and in the best of cases, they can even scare the pants off adults.
Disney’s essential classic Pinocchio is one of those fantasy movies with perfect endings, but before it gets to that destination, the film throws not just one, but several of the House of Mouse’s scariest villains the protagonist’s way. The scariest of the bunch, though, is undoubtedly the Coachman, a man who lures children onto a stagecoach to take them to “Pleasure Island.”
Pinocchio as a whole can be a remarkably scary film considering the age demographic it’s aimed at, but the Coachman in particular feels like he was specifically designed to be as scary as possible. Nearly a century later, it’s still awfully effective. From his design to his sadistic demeanor, he’s one of the most memorable parts of an unforgettable animated classic.
Pinocchio wasn’t the only Disney movie from 1940, nor did it deliver the year’s scariest animated villain. That title has to go to the legendary Fantasia, one of the best movie classics from 1940. This musical anthology introduces eight distinct musical segments, the penultimate one being Modest Mussorgsky‘s “Night on Bald Mountain,” where a giant demon called Chernabog summons monsters to revel in humanity’s suffering.
Considering the fact that he has no dialogue and that he appears only in a single segment of the entire movie, it’s remarkable just how unforgettably scary Chernabog can be. Hailing from Slavic mythology, the character is designed and shown in such a way that it’s impossible not to find him intimidating, and impossible not to celebrate when he and his spirits are finally banished back into the mountain.
Back in 1985, Disney’s The Black Cauldron was an all-out critical and commercial flop for a wide variety of reasons. As the years have passed, audiences have greatly warmed up to it. Is it one of the best fantasy movies of the 1980s? Not quite. But is it nevertheless full of redeeming qualities? Yes, which is how it has become such a nostalgic cult classic.
It’s almost universally agreed that the most redeeming strength that makes The Black Cauldron entertaining after more than three decades is its iconic villain, the Horned King. With his absolutely terrifying skeletal design, John Hurt‘s chilling voice performance, and the movie’s overall grim tone, it’s no wonder why he’s gone down in history as one of Disney’s most underrated 20th-century villains.
In Disney’s animated classic Mulan, viewers follow a young Chinese maiden who, in order to save her father from death in the army, goes in his place and becomes her country’s greatest heroine in the process.
While Disney Renaissance classics may not be the first group of movies to come to mind when you think of the word “scary”, some certainly had their fair share of fear to generate. The villain of Mulan, the ruthless leader of the Hun Army, is certainly quite terrifying. Visually imposing and intimidating in his demeanor, Shan Yu is quite a force to be reckoned with.
Despite how acclaimed it is, The Hunchback of Notre Dame still feels like one of the most criminally underrated Disney classics. A somewhat watered-down, but still pretty intense adaptation of Victor Hugo‘s dark and tragic novel, it’s about a bell-ringer who must assert his independence from a government minister in order to help a friend.
The vicious minister is Claude Frollo, one of the most genuinely horrifying villains Disney has ever created. What’s particularly scary about him is that he feels all too realistic—Manipulative, abusive, and purely evil, he’s a reflection of all the villains that have defined history.
One of the most romantic animated films ever, and one of director Don Bluth‘s most acclaimed works, Anastasia is the story of the last surviving child of the Russian Royal Family, who joins two con men to reunite with her grandmother.
While Anastasia struggles to find her family, the sinister Rasputin seeks her death. The villain’s design is creepy to say the least, and the scenes that show him at his most relentlessly violent should be enough to send chills down the spine of anyone who grew up getting nightmares from this antagonist.
Disney’s second-to-last traditional 2D-animated feature, The Princess and the Frog puts a fresh spin on some traditional fairy tale tropes. It tells the tale of a waitress who, after trying to turn a frog prince back into a human, faces the same problem herself after kissing him, and has to set out on a journey to fix it.
Although the film’s main antagonist, Dr. Facilier, is intimidating enough, it’s his mysterious spirit friends who are the scariest presence in the movie. Based on Louisiana Voodoo elements, the spirits are so unpredictable and mystifying that it’s hard not to be scared of them.
Based on the 1972 novel by Richard Adams, Martin Rosen‘s British indie classic Watership Down is one of the most subversive animated movies of all time, and quite successfully so. It completely redefines the idea of a children’s fable, mostly thanks to elements as shockingly dark as General Woundwort, a military dictator who runs the Efrafa warren with an iron fist.
A villainous bunny rabbit may not sound like all that intimidating of a concept, but General Woundwort is surprisingly scary. Inspired by the brutality of history’s most terrifying dictators and designed in such a way that just looking at him sends chills down one’s spine, he’s one of the main reasons why Watership Down is still a must-see in 2026.
There are plenty of surprisingly great horror movies for kids, and Gil Kenan‘s supernatural horror comedy Monster House is undoubtedly one of the very best. Far more than just a vestige of the days when motion-capture-animated movies were all the rage, Monster House is a bona fide modern classic which has only gotten scarier, funnier, and more universally beloved with age.
The mystery of the titular monster house is what the film is all about, and while the character who holds the answer to that mystery may not exactly be a villain, the vengeful spirit that possesses the house certainly is. It isn’t a traditional character by any means, but it’s such a well-written and even better-designed villain that it’s absolutely unforgettable.
Indie animated musical films aren’t all that common, which makes FernGully: The Last Rainforest an even more precious gem. It’s about the magical inhabitants of a forest and their fight to save their home from a polluting force of destruction called Hexxus.
A beautiful film that celebrates love for nature, FernGully nevertheless isn’t afraid to scare its audience with a terrifying villain. With stunning animation and one of Tim Curry‘s best voice performances, Hexxus becomes a formidable entity that, for the majority of the film’s runtime, feels impossible to defeat.
Pokémon GO players have had plenty of reasons to hunt for Applin since the apple-dwelling Pokémon arrived in the game. Catching one is only part of the job: Evolving it means collecting the right kind of apple, and the one you need depends on which evolution you’re after. The upcoming Harvest Festival is giving players a chance to fill their bags before those choices come up again.
There is another reason to go apple picking this year. Mossy Lure Modules will work differently during the event, and players will be able to choose a reward path that gives them a particular kind of apple. Anyone who has been putting off an Applin evolution might want to make room in their schedule.
Shiny Applin will make its Pokémon GO debut during Harvest Festival: Applin Picking, which runs from Tuesday, September 29, at 10:00 a.m. through Monday, October 5, at 8:00 p.m. local time. Applin may appear in the wild, and catching one during the event will have an increased chance of yielding a Tart Apple, Sweet Apple, or Syrupy Apple once players unlock the first bonus on the event’s GO Pass. As always, finding a Shiny is a matter of luck, so the extra Applin encounters should be welcome.
Mossy Lure Modules will attract only apples during the event. Tapping those apples can award one of the three evolution items or trigger an encounter with an event Pokémon, including Applin and flower-crown Cottonee. Wild encounters will also include Skwovet, Lechonk, and Smoliv, with an increased chance of finding Shiny Smoliv. Players who reach Rank 10 on the event GO Pass can make their Mossy Lure Modules last for an hour, giving them more time to search. The event also includes branching Timed Research with a choice between Tart Apples, Sweet Apples, and Syrupy Apples as rewards. Pick the path that matches the evolution you want, then finish the tasks and claim the rewards by October 5 at 8:00 p.m. local time. Event-themed Field Research will offer additional Pokémon encounters.
Every player will automatically receive the free Harvest Festival GO Pass when the event begins. Ranking it up can earn Pokémon encounters, apples, a Mossy Lure Module, and a Super Rocket Radar, while Rank 20 unlocks extra Stardust from defeating Team GO Rocket Grunts and Leaders, although doing so is considerably less frequent now. A paid GO Pass Deluxe costs $4.99, or $6.99 with enough GO Points to reach Rank 7, and adds rewards such as more encounters, apples, and Mossy Lure Modules. Players can upgrade later and still collect paid rewards from ranks they have already unlocked. There is a little breathing room after the event for claiming GO Pass rewards: They expire on Wednesday, October 7, at 8:00 p.m. local time. The Shiny hunt itself ends with the Harvest Festival on October 5.
Weekend Open Thread: J.McLaughlin – Corporette.com
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