Sandra Bullock had one of Hollywood’s biggest nights in 2010, but her memory of it is surprisingly blurry.

The actress won the Best Actress Oscar for “The Blind Side” in 2010. “The Blind Side” was a  2009 drama based on the story of NFL player Michael Oher. She almost turned down her role in the movie, saying that she could not do justice to it.

Instead of celebrating late into the night, Sandra Bullock was desperate to return to the baby nobody knew she had. She adopted a newborn son named Louis when he was three and a half months old.

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The Oscar-winning actress admitted that she remembers almost nothing from the night she won her first Academy Award. When asked what she remembered most about the ceremony, she jokingly answered, “Nothing.”

The actress confessed that she had secretly adopted Louis just months earlier and said she was running on roughly two hours of sleep. She also revealed that the newborn was dealing with acid reflux and waking every two hours at the time, leaving her focused on getting back home.

Apparently, nobody at the Oscars knew she had a baby waiting for her. Nevertheless, Bullock still attended the entire ceremony and accepted the Best Actress trophy for “The Blind Side.” However, she quickly left the afterparty, even though guests assumed she was exhausted from the long evening.

Bullock had another reason for wanting to desperately to get back to Louis. She recalled sitting in her dress with Louis in her lap while her Oscar award rested on the floor. She wanted to handle his feeding herself because she knew the person caring for him was probably struggling.

The “Live With Kelly and Mark” interview captured Bullock looking back on that extraordinary night and explaining why motherhood overshadowed her Oscar victory.

‘The Blind Side’ Role Almost Never Happened

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The Oscar Bullock won came from “The Blind Side,” the 2009 drama based on the story of NFL player Michael Oher. She portrayed Leigh Anne Tuohy, a Memphis businesswoman who adopted Oher alongside her husband, Sean Tuohy. The role ultimately earned Bullock the Academy Award for Best Actress.

She initially kept turning down the part because she was afraid she would not do Leigh Anne justice. “It was really scary. That’s why I just kept saying, ‘No,’” she explained to Tribute Movies. Bullock felt the character had an energy that was unlike anything she had encountered.

She eventually searched for what she called a “crack in the veneer” that could help her understand Leigh Anne. A dialect coach helped her master the accent, but she focused even more heavily on the character’s intentions and energy. She said everything from the clothes to the makeup had to reflect the real woman.

Once she committed to the role, Bullock described the experience as much bigger than simply making a film. She said she left the production feeling “fuller” and believed it had changed her beyond the work itself.

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Sandra Bullock’s Oscar Night Happened While She Was Raising ‘A Little Smurf’

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The timing of the Oscar win made the night especially complicated because Bullock was privately navigating a major change. She had initially planned to adopt Louis with her then-husband, Jesse James. Their marriage ended in 2010, and she ultimately adopted Louis on her own that same year.

The couple’s divorce was finalized in 2012 after James admitted to being unfaithful. Bullock later adopted her daughter, Laila, in 2015, expanding the family she had already begun building around Louis. Her private life therefore looked very different from the glamorous Oscar-night celebration happening around her.

Bullock later described another film, “Gravity,” as particularly meaningful because it mirrored what she was experiencing after her marriage ended. She said she was “raising and protecting a little smurf” while grieving and trying to move forward. Spending long periods alone while filming gave her plenty of time to think.

That perspective helps explain why the Oscar itself did not dominate her memories of that night. She was already carrying the responsibility of protecting a child while dealing with a deeply personal transition. The award became part of a much larger chapter in which motherhood and recovery were taking priority.

Motherhood Eventually Took The Actress Away From Hollywood

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Bullock later made the decision to step away from acting so she could devote more time to Louis and Laila. In 2022, she explained to ET that acting was a “24/7 job” and said she wanted to be “24/7 with my babies and my family.”

The actress described motherhood as the place where she was happiest. She was not simply taking a break from work without a plan for her time. She joked that she would be servicing her children’s every need and managing their social calendar.

During the pandemic, she was also known among other parents for being extremely cautious about COVID. Her approach to parenting has included difficult conversations about race and the experiences her children may face.

She has openly discussed being a white mother raising Black children and worrying about whether they might feel disconnected from her culture. She has also spoken about wanting to prepare Louis for navigating the world without her beside him.

Adoption has remained central to how she understands her family. She once said that without adoption and foster care, she would not have her family, while encouraging others to consider adoption.

Bullock stepped away from acting because she wanted to spend her time with her children, describing motherhood as the role she wanted to prioritize.

Sandra Bullock’s Children Became Her Biggest Role

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Louis was adopted in January 2010 when he was three and a half months old. Bullock has said she felt a strange connection to him even before meeting him, recalling that Hurricane Katrina made her feel that her child was somewhere in New Orleans.

When they finally met, she described him as perfect and said it felt like he had always been part of their lives. Louis eventually became known in the family as a food enthusiast with an unusually strong personality. His mother has described him as sensitive, wise, and kind, while also revealing that he gives her career advice.

He once advised her against taking a film, and she later admitted that he had been right. Laila joined the family through adoption in 2015 at two and a half years old. Bullock said Louis “spearheaded the whole journey,” and his reaction during a visit from child protective services convinced her that the family was meant to be together.

She also took classes to understand Laila’s experiences in foster care better and learn how to respond to her triggers. Bullock has kept her children’s lives largely private, but she occasionally shares glimpses of their family life.

In 2026, she posted a rare Mother’s Day photo and wrote, “To all the mamas, no matter how you came to be, Happy Mother’s Day.” PEOPLE detailed Bullock’s journey with Louis and Laila, including how motherhood influenced her decision to step back from acting and why she considers raising them her most important role.

Winning an Oscar is unforgettable in Hollywood, but motherhood is what made that night unforgettable for Sandra Bullock.

Gypsy Rose Blanchard and Ken Urker are facing a new wave of speculation about their relationship and the future of their daughter, Aurora. A viral Instagram post, along with several YouTube videos, alleges that the couple has separated and that Urker may be preparing to pursue full custody of their child. The post also claims that Urker is refusing to communicate with Blanchard directly as tensions escalate behind the scenes. However, neither Blanchard nor Urker has confirmed a breakup or custody dispute. The social media account that circulated the claims also acknowledged that it had not found evidence of an actual custody filing.

The rumors were shared by the Instagram account @audacious.audrey06, which posted a photograph of Ken Urker and Gypsy Rose Blanchard separated by a torn-paper effect and a broken heart emoji. “RUMORS ARE SWIRLING ABOUT GYPSY ROSE & KEN URKER,” the caption began.

The social media account alleged that Blanchard and Urker had ended their relationship and claimed that Urker may be preparing to seek full custody of Aurora. According to the post, Urker is also allegedly refusing to communicate with Blanchard directly and will only speak to her through a third party.

The account did not identify the source behind the allegations or provide documentation supporting the custody claim, though several YouTube videos have also been posted, claiming the same information.

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Gypsy Rose Blanchard Is Allegedly Struggling With The Situation

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The same post claimed that Gypsy Rose Blanchard was not handling the alleged relationship problems well and had been experiencing frequent emotional “crash outs.” No evidence was included to substantiate that allegation, and Blanchard has not publicly discussed having such episodes.

The post ultimately acknowledged that the claims remain rumors. “To be clear: These are allegations and rumors circulating right now. I have not seen confirmation that Ken has actually filed for full custody or that the other claims are verified,” the account stated.

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Blanchard’s recent disappearance from social media has added more fuel to the rumors. The Instagram post claimed that she recently deleted her public YouTube channel. Her Instagram and TikTok accounts also appeared to be unavailable amid the speculation. Blanchard has not explained why she stepped away from the platforms or indicated whether the decision is permanent.

Blanchard previously deleted her social media accounts in 2024, months after leaving prison. At that time, she reportedly wanted to distance herself from the intense attention surrounding her life.

Gypsy Rose And Ken Urker First Met While She Was In Prison

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Blanchard and Urker began corresponding as prison pen pals in 2017. Urker proposed during a prison visit in 2018, but the pair ended their engagement the following year.

Blanchard subsequently married Ryan Anderson in July 2022 while she was still incarcerated. She was released from prison on December 28, 2023, after serving more than eight years for her role in the 2015 murder of her mother, Dee Dee Blanchard.

Blanchard announced her separation from Anderson in March 2024 and later filed for divorce. She and Urker rekindled their romance shortly afterward. The couple welcomed Aurora Raina Urker on December 28, 2024, exactly one year after Blanchard’s release.

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No Full Custody Filing Has Been Confirmed

A request for full custody would generally require a formal court filing and would not be automatically granted simply because one parent asked for it. A court would consider the child’s best interests and the specific circumstances presented by both parents.

Blanchard and Urker have also not issued public statements confirming that they are communicating through a third party or preparing for a custody fight.

Peaking too soon or storming out of the gates with a sense of bravado? To a degree, the movies that launched these trilogies exist somewhere on a scale between those points. Are they their first chapters that stand as attention-grabbing beginnings to cinematic sagas that almost match their level of brilliance, or are they inspired triumphs that stand alone after sparking sequels that squander their success?

Perhaps it is better to simply ask what makes a great first chapter to a film trilogy. Regardless of the genre, it needs to introduce viewers to the story world, establish the stakes of the story at large, and ground the audience in the first phase of the characters’ journeys while still delivering a movie that is rewarding in its own right. From blockbuster fantasy and sci-fi spectacles to animated family adventures, spoof comedy, and even international crime thrills, these trilogies all find their defining strength in their first movies.

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The ‘Pirates of the Caribbean’ Trilogy (2003-2007)

Image via Walt Disney Studios Motion Pictures

The Pirates of the Caribbean franchise is an interesting one. There is a set trilogy of ravishing fantasy adventure flicks… and then there are another two movies, though many would understandably have forgotten about them. Even with the initial three films delivering a rousing treat of blockbuster fun, the 2003 original is a noteworthy standout of immersive excellence as it strikes the perfect balance between swashbuckling adventure, dark fantasy intrigue, romantic passion, and gorgeously-constructed action spectacle.

Every single character dynamic, tonal shift, stylistic choice, and narrative turn excels at hooking viewers deeper into the story, which revolves around a lovestruck blacksmith’s journey to rescue the governor’s daughter from a crew of undead pirates while being aided by the deceitful and nefarious Captain Jack Sparrow (Johnny Depp). Its two immediate sequels are underrated blockbusters and triumphs of fantasy adventure in their own right, but Pirates of the Caribbean: The Curse of the Black Pearl stands tall as one of the most infectiously fun movies of the century so far, and the defining highlight of the franchise at large.

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The ‘Star Wars’ Sequel Trilogy (2015-2019)

Image via Lucasfilm

Interestingly, each of the Star Wars trilogies has a different movie that stands out as the strongest. The original saga has Star Wars: Episode V – The Empire Strikes Back, which stands among the greatest mid-trilogy movies ever made, the prequels end on a high with Star Wars: Episode III – The Revenge of the Sith, and, while the ill-fated sequel trilogy has become a source of fierce derision for the wider franchise, it did begin with an invigorating sense of adventure and fun in the form of Star Wars: Episode VII – The Force Awakens.

While it does unfold in a very similar fashion as Star Wars: Episode IV – A New Hope, its storytelling is as assured and emotionally gratifying, its characters are brilliantly defined, and its sense of spectacle is absorbing even if not entirely original. Star Wars fans the world over were left in a state of joyous excitement for what the remainder of Disney’s trilogy would deliver, and while Star Wars: Episode VIII – The Last Jedi does deserve some praise for making bold decisions, the ensuing two movies ultimately slumped as a poorly planned and shambolic continuation of what was a promising start to one of the most anticipated movie trilogies of all time.

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The ‘RoboCop’ Trilogy (1987-1993)

Image via Orion Pictures

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One of the more remarkable and enduring titles of ‘80s action excess, RoboCop finds an intriguing balance between bombastic bravado and the social commentary of dystopian sci-fi. Set in a futuristic Detroit, it unfolds as a terminally injured police officer on the brink of death is repurposed by the evil Omni Consumer Products corporation when they turn him into a prototypical cyborg crime fighter.

The film was an instant hit that wowed audiences with its hypnotizing appetite for carnage while also impressing critics with its mindfulness towards issues of corporate greed and consumerism, the privatization of the police force, and the impact of media desensitization. It is little surprise that RoboCop spawned two sequels to spearhead a trilogy, but both of its follow-ups faltered on every level to leave the 1987 original as the sole highlight of the trilogy and, if the ill-fated 2014 reboot is considered as well, then the only triumph of the franchise at large.

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‘The Naked Gun’ Trilogy (1988-1994)

Image via Paramount Pictures

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Spawned from the short-lived though underappreciated 1982 television series Police Squad!, The Naked Gun: From the Files of Police Squad! delivered a hit of crime parody fun from the spoof comedy geniuses behind 1980’s Airplane!. Operating with the same absurdist style, it soars off the back of its laugh-a-minute lunacy that implements everything from inspired ridiculousness to slapstick hysterics to conjure hilarity as it takes aim at the hard-edged detective drama of the ‘70s and ‘80s.

Fresh, fiery, and frenetic, the first of The Naked Gun movies occupies an air of comedy exuberance that is as captivating as it is uproarious, and while the two sequels maintain this drive for non-stop laughs, their formulaic platform does show through. While it would be a stretch to call them stale, the trilogy’s middle and climactic chapters do also lack some of the energized originality that made the first film such a treat, making 1988’s The Naked Gun a clear peak of the series as well as one of the defining comedies of the decade.

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The ‘Austin Powers’ Trilogy (1997-2002)

Image via New Line Cinema

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Not dissimilar to the progression of The Naked Gun trilogy, the Austin Powers series started with a sense of inspired comedic fervor that gradually became repetitive as it went on. Lampooning spy action blockbusters, with a particular emphasis placed on the early James Bond films, Austin Powers: International Man of Mystery offers intoxicating fun as it follows the titular Austin Powers (Mike Myers), a cryogenically frozen British spy from the ‘60s who is recommissioned when his nemesis, Dr. Evil (Myers again), returns from outer space.

As ludicrous as its story is, International Man of Mystery does unfurl with a tight narrative focus that serves as the perfect platform for all its outlandish gags, a focus that the succeeding movies in the Austin Powers trilogy sometimes lack. Everything from the sight gags and anachronistic send-ups to the dynamic between Powers and his co-star—in this case, Elizabeth Hurley as Vanessa Kensington—and even the narrative itself works a charm in International Man of Mystery whereas, in the ensuing movies, it becomes cyclical and loses some of its comedic punch and polish.

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The Millennium Trilogy (2009)

Image via Nordisk Film

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Released two years before David Fincher’s Americanized adaptation of Stieg Larsson’s crime novel, 2009’s The Girl with the Dragon Tattoo is a moody descent into Nordic noir intrigue accentuated by an arresting sense of slow-burn tension and the boldness to explore the depths of human depravity. Not only did the Swedish crime thriller deliver one of the genre’s greatest movies of the 21st century so far, it was also followed by two sequels released in the same year that adapted all of Larsson’s books in the series.

The trilogy as a whole is a triumph of international thriller cinema, a richly atmospheric journey of mystery suspense, human evil, and power and corruption, but The Girl with the Dragon Tattoo thrives as it introduces viewers to the callous, icy brutality of the story world with striking perfection. It is the noteworthy standout of what is an exceptional crime trilogy, one that benefits from its concentrated story arc and the chemistry between stars Noomi Rapace and Michael Nyqvist, which isn’t featured as prolifically in the two follow-up films.

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‘How to Train Your Dragon’ (2010-2019)

Image via Paramount Pictures

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Animated cinema has produced some of the best and most consistent trilogies audiences have ever been treated to, from groundbreaking triumphs like Toy Story to modern-day sensations like The Lego Movie saga. Few trilogies in the animated format have been as unwavering in their quality as the How to Train Your Dragon movies, but even that has a notable high point which comes in the form of its mesmerizing original film.

The trilogy as a whole focuses on the bond between a young Viking leader and his dragon that shifts the social values of the land. The first movie revels in the charm and fun of seeing Hiccup (Jay Baruchel) defy Berk’s culture of hostility and dragon hunting in what is a heartwarming tale of friendship, camaraderie, and coming-of-age self-discovery. Complimented by the majesty of the animation—a quality that is consistent throughout the whole trilogy, to be fair—and the intimacy of its more focused, small-scale story, How to Train Your Dragon emerges as the strongest chapter of what is arguably the best animated trilogy of all time.

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The ‘Jurassic Park’ Trilogy (1993-2001)

Image via Universal Pictures

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Even within a filmography as illustrious and decorated as Steven Spielberg’s, Jurassic Park has emerged as a defining triumph, a masterpiece of blockbuster spectacle that combines its groundbreaking achievements of visual effects with a beautifully orchestrated story of adventure and excitement. To be fair, despite what their reputations may suggest, neither of its sequels are terrible movies, but they fall well short of the first film with regard to cultural impact, storytelling prowess, and technical excellence.

Based on Michael Crichton’s novel of the same name, it unfolds as a small cohort of special guests are invited to a soon-to-be-opened amusement park where scientists have cloned dinosaurs. However, a power failure places the lives of everyone in danger and calls into question the morality and purpose of the achievement. Littered with iconic moments, Jurassic Park isn’t just the best movie in the trilogy, it stands tall among Hollywood’s most beloved and distinguished accomplishments as well.

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The ‘Back to the Future’ Trilogy (1985-1990)

Image via Universal Pictures / Courtesy Everett Collection

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One of the most beloved movie trilogies of all time, Back to the Future epitomizes the essence of ‘80s adventure fun while incorporating elements of time-travel sci-fi, uplifting romance, and plenty of comical fun. In many respects, the two sequels could be viewed as the more extravagant stories as they venture to the exciting future of 2015 and the lawlessness of the Old West respectively, but in terms of storytelling perfection, it is the 1985 original that delivers the best movie of the trilogy.

Soaring off the back of its screenplay, Back to the Future delivers a structurally perfect story that balances high-stakes thrills against meaningful character development while maintaining flawless pacing and never once losing any of its effortless charm. Furthermore, the time-travel paradoxes that become somewhat convoluted in the sequels are handled with impeccable clarity and logic in the ’85 original.

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‘The Lord of the Rings’ Trilogy (2001-2003)

Image via New Line Cinema

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Marking one of the most breathtaking feats in cinematic history, The Lord of the Rings trilogy at large is ceaselessly brilliant across the entirety of its 9+ hour runtime (11+ hours for the extended editions). The adaptation of J. R. R. Tolkien’s epic books captures the essence of movie magic, immersing viewers in the realm of Middle Earth as it follows Frodo Baggins (Elijah Wood) and the fellowship in their journey to Mordor to destroy the ring of power and defeat the evil of Sauron.

The Two Towers features what is arguably the greatest battle cinema has ever seen, and The Return of the King delivers a perfect conclusion to the epic, overarching story, and yet The Fellowship of the Ring is the trilogy’s magnum opus. Its elaborate and engrossing world-building works beautifully in tandem with its enrapturing air of warmth, the air of eye-opening grandeur, and the charm of the fellowship adventuring as one tight-knit unit. The trilogy as a whole is packed with awe-inspiring sequences that stand among the greatest moments of 21st century cinema, but The Fellowship of the Ring is a divine highlight amid a trilogy of utter perfection.

Gypsy Rose Blanchard is facing new speculation about her well-being as her reported feud with Ken Urker’s sister, Autumn, continues to unfold publicly. Autumn allegedly claimed in a now-unavailable YouTube video that Blanchard was planning to enter a behavioral health center. However, Blanchard has not addressed the allegation, and no independent confirmation of an admission has emerged. The claim should therefore be treated as an unverified allegation rather than confirmation that Blanchard is receiving treatment.

According to an account of the deleted video, Autumn claimed that Blanchard was checking herself into a behavioral health center. She also reportedly alleged that she had been receiving texts from Blanchard suggesting that Autumn would be “next.”

The context and meaning of the alleged messages remain unclear. The video containing Autumn’s claims is no longer available on her YouTube channel, making it impossible to independently review her complete remarks or determine whether anything was omitted from the account circulating online.

Neither Blanchard nor Urker appears to have publicly confirmed the behavioral health claim.

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Gypsy Rose Blanchard Has Not Addressed The Rumor

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Blanchard has not announced that she entered a behavioral health facility or disclosed any recent treatment connected to the rumor. Without a statement from Blanchard, her representative, or a verifiable public record, Autumn’s alleged remarks remain unconfirmed.

The deleted video also raises questions about whether Autumn continues to stand behind the allegation. Her reason for removing it is not publicly known.

While the reported dispute has generated considerable online attention, there is currently no verified information explaining what may have prompted the alleged messages or whether Blanchard intends to respond.

The Rumor Comes Amid An Alleged Family Feud

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The behavioral health speculation surfaced against the backdrop of reported tension between Blanchard and her partner’s sister. Autumn and Blanchard have reportedly clashed publicly, pulling Urker’s family into the intense scrutiny that has followed Blanchard since her release from prison in December 2023.

Blanchard’s relationship with Urker has also remained a major part of her public story. According to A&E, the couple first connected as prison pen pals in 2017 before becoming engaged during a 2018 visit. Their engagement ended the following year, and Blanchard later married Ryan Anderson in July 2022 while she was still incarcerated.

After her release, Blanchard announced her separation from Anderson in March 2024 and filed for divorce. She and Urker subsequently rekindled their romance in April 2024.

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Gypsy Rose And Ken Urker Share A Daughter

Blanchard and Urker welcomed their daughter, Aurora Raina Urker, on December 28, 2024, exactly one year after Blanchard was released from prison. PEOPLE reported that the pair had selected Aurora’s name years earlier because of their shared fascination with the Northern Lights.

Blanchard revealed that Urker was the one who chose their daughter’s name, Aurora Raina. “Ken came up with that,” she said. “There’s a whole backstory to it.” Despite the name’s apparent Disney connection, Blanchard clarified, “Some people think that it’s because of the Disney princess,” referring to the title character in “Sleeping Beauty.”

“Back whenever Ken and I were together seven years ago, both of us have a fascination with the Northern Lights, and the proper term is the Aurora Borealis,” she added, referencing when she and Urker first dated during her time in prison. “I think it was maybe in 2018, we wrote each other’s future kid’s name on pieces of paper and Aurora is what we both picked without even knowing each other was picking it.”

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The behavioral health rumor surfaced shortly after Blanchard appeared to delete both her Instagram and TikTok accounts.

Her sudden disappearance from the platforms quickly raised questions among followers, particularly as speculation about her reported feud with Autumn continued to spread online.

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Destin Daniel Cretton appears to be sticking around for another adventure with Tom Holland’s Spider-Man.

Following the massive success of Spider-Man: Brand New Day, producer Amy Pascal has indicated that Cretton will return to direct the next installment in the franchise.

When asked whether the filmmaker would be back for Spider-Man 5, Pascal reportedly gave a remarkably straightforward response:

“Daniel is doing the next one.”

While Sony Pictures and Marvel Studios have yet to formally announce Cretton as the director of the fifth film, Pascal’s comments are the strongest indication yet that the filmmaker will remain behind the camera for Peter Parker’s next solo adventure.

The news isn’t entirely unexpected. Cretton’s Spider-Man: Brand New Day has become an enormous theatrical success since opening July 31. Sony previously confirmed that the film delivered a record-breaking $932 million worldwide during its opening weekend alone.

Cretton has also previously expressed openness to returning.

When discussing where Brand New Day leaves Peter Parker and the possibilities for another movie, the filmmaker acknowledged that conversations surrounding the next chapter would eventually continue in the writers’ room.

Jay Maidment/Columbia Pictures

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Pascal had similarly expressed her desire to keep Cretton involved. When previously asked whether the director could return for another installment, she responded, “If we have our way, he certainly will be.”

It now appears they may have gotten their way.

Cretton joined the Spider-Man franchise after previously directing Marvel Studios’ Shang-Chi and the Legend of the Ten Rings. His Brand New Day stars Tom Holland alongside Zendaya, Sadie Sink, Jacob Batalon, Jon Bernthal, Tramell Tillman, Michael Mando and Mark Ruffalo.

The filmmaker has a busy slate outside the Marvel Cinematic Universe as well. He’s attached to direct a live-action adaptation of Naruto and is developing a Hawaii Five-O feature film for Paramount.

Sony has not announced a release date for Spider-Man 5. Sony Pictures CEO Ravi Ahuja recently confirmed that the studio doesn’t have a date set yet, suggesting another live-action Spider-Man film could still be a couple of years away.

But if Pascal’s latest comments are any indication, one major piece of the next Spider-Man movie is already falling into place.

Former Nickelodeon producer Dan Schneider has suffered a major legal defeat in his defamation lawsuit over the 2024 documentary series Quiet on Set: The Dark Side of Kids TV.

California’s Second District Court of Appeal ruled Thursday in favor of Warner Bros. Discovery, Sony Pictures Television and producers Mary Robertson and Emma Schwartz, reversing an earlier decision that had allowed Schneider’s lawsuit to move forward.

Schneider filed the lawsuit in 2024, arguing that Quiet on Set falsely implied that he was involved in or facilitated the sexual abuse of children who worked on Nickelodeon productions.

The documentary examined allegations surrounding the working environment on several popular Nickelodeon shows while also detailing crimes committed by individuals including dialogue coach Brian Peck and production assistant Jason Handy.

Schneider argued that the documentary’s editing, including the placement of images and footage of him alongside discussions of abuse committed by others, could lead viewers to falsely associate him with those crimes.

The appeals court disagreed.

Quiet on Set: The Dark Side of Kids TV [Warner bros.]

In its ruling, the three-judge panel determined that Quiet on Set clearly distinguished the allegations involving Schneider from the child sexual abuse attributed to other individuals featured in the documentary.

The court also pointed to the documentary’s acknowledgement that an investigation into Schneider’s conduct found inappropriate workplace behavior but no evidence that Schneider sexually abused children.

The decision overturns a 2024 ruling from Los Angeles Superior Court Judge Ashfaq G. Chowdhury, who had previously denied an attempt by the defendants to have Schneider’s lawsuit dismissed.

The defendants appealed that decision under California’s anti-SLAPP law, which provides protections against lawsuits targeting speech involving matters of public interest. The appeals panel unanimously sided with the defendants and concluded Schneider had not demonstrated a likelihood of succeeding with his defamation claim.

Schneider’s attorney Gerry Silver expressed disappointment with the ruling and said his legal team is evaluating its options for further review and appeal.

Silver also emphasized that the court acknowledged Quiet on Set presented no evidence that Schneider sexually abused members of his casts and that such an allegation would be false.

Quiet on Set: The Dark Side of Kids TV premiered on Investigation Discovery in March 2024 and examined the experiences of former child actors and employees who worked on Nickelodeon productions during the network’s highly successful run of live-action programming.

Schneider was behind some of Nickelodeon’s biggest series, including The Amanda Show, Drake & Josh, Zoey 101, iCarly and Victorious. Nickelodeon and Schneider parted ways in 2018.

Complex is shaking up the timeline yet again after releasing its latest ranked list of Chicago rappers. The list highlights many of the city’s natives who have made their mark and helped shape the Windy City’s rap scene. As the list circulated on social media, fellow Chicago rappers Dreezy and Queen Key entered the chat to share their thoughts.

RELATED: Oop! Deion Sanders Reacts To Deiondra Sanders’ Tweet Seemingly Referencing Jacquees’ New Comments About Her & Dreezy

Complex Reveals Its Ranked List Of 50 Best Chicago Rappers Of All Time

On Wednesday, Complex released its 50 Best Chicago Rappers of All Time list, highlighting artists from different generations of the rap scene. The list spans from ’90s pioneers to artists who helped lead the rise of Chicago’s drill scene.

Complex says the 50-artist ranking considers technical skill, catalog strength, commercial impact and influence. Kanye West was crowned at the top of the list, followed by Common and Chief Keef. Check out Complex’s full ranking below:

1. Kanye West
2. Common
3. Chief Keef
4. Twista
5. Lupe Fiasco
6. Lil Durk
7. Chance the Rapper
8. Juice WRLD
9. G Herbo
10. Da Brat
11. King Von
12. Bump J
13. Polo G
14. Lucki
15. Noname
16. King Louie
17. Belo
18. Vic Mensa
19. Lil Bibby
20. Young Pappy
21. Shawnna
22. Cold Hard
23. Lil Reese
24. Saba
25. Sir Michael Rocks
26. Mick Jenkins
27. Buk
28. G Count
29. Kilo
30. Fredo Santana
31. Lud Foe
32. Famous Dex
33. Valee
34. Open Mike Eagle
35. Joey Purp
36. FBG Duck
37. Katie Got Bandz
38. Chuck Inglish
39. L’A Capone
40. Tink
41. AK-47
42. Z Money
43. Rhymefest
44. Kool Rock Steady
45. Pac Man
46. GLC
47. Dreezy
48. Chris Crack
49. CupcakKe
50. BabyChiefDoIt

Dreezy & Queen Key React To Complex’s List

As the list made its way around social media, Dreezy took to X to question her placement at No. 47. “Complex just dropped their 50 best Chicago Rappers of all time. I’m #47. So it’s 46 other rappers better than me? Lol,” Dreezy wrote.

Queen Key reacted to Dreezy’s tweet while expressing frustration about being left off the list completely.

“Whoever made that list a dumb bit**** & can go suck they mama d*** … How im not even on it b*** do they know how much impact and money I got around this mf for the past 10 yrs fake a*** n**** don’t even speak English who made that,” Queen Key wrote.

Dreezy then gave her fellow Chicago rapper her flowers, replying, “You definitely earned yo spot. They been doing this to me for years smh.” Queen Key continued the discussion over on Instagram, further expressing her frustration about being left off the list.

“In my disrespectful era. Don’t ever disrespect the queen. F*** the industry yall don’t know nothin. No rap b*** has higher numbers than me currently & consistently in this f****** city,” Queen Key wrote.

“It’s like | let them play cause I never needed validation but it’s to the point yall goofies tryna erase history around this mf or some, or create a false narrative either way I’m not going never will I guess when this plaque come yall gone come to yall senses? It’s already too late This is not real @complexmusic get yall ppl,” she continued.

Social Media Weighs In On The Ranking 

Many gathered under The Shade Room Teens as they reacted to Dreezy and Queen Key’s responses to Complex’s list. While some understood where Dreezy was coming from, others shared their thoughts on the rankings and where certain artists should have landed.

Instagram user @iamsvuceboss wrote, “I WAS LISTENING TO QUEEN KEY WHEN I WAS 13 IM 24 NOW STOP PLAYING WITH HER”

Instagram user @thatsjust_bluee added, “I was gone say she need to calm down till I saw cupcake was up there😂😂😂😂😂😂😂her point is valid

While Instagram user @die4_medaddy wrote, “Shit as long as durk, Herbert, & bibby up there I’m not gon complain too hard but they definitely playing in her face”

Instagram user @brittanyalisha wrote, “they definitely just googled “rappers from chicago” & threw them on the list.”

Instagram user @ah_kiraa added, “Of all time? Baby Chief? He was just born yesterday how he best of all time🫤”

While Instagram user @kiss_mii_kurves wrote,”As long as pappy up there because if he was still alive he would be on a different level”

Instagram user @chocopediiaaa wrote, “They definitely been tryna down play drezzy she was a era fr”

Instagram user @bardinae_ added, “Katie is definitely not a better rapper than Dreezy! 💯 

While Instagram user wrote @kknotanaa wrote,lNo fr who tf made ts??? I see why she mad!”

RELATED: Queen Key Sparks Heated Debate: Would You Stay If Your Partner Cheats But Still Provides? (VIDEO)

Religion and horror are often perfect partners, with the latter capable of twisting ideas of control, fanaticism, and the meaning of faith into nightmares that hit close to home. Classics like Rosemary’s Baby and The Exorcist ran with those themes to Oscar gold, but a wide range of acclaimed films have emerged from the subgenre over time, from Carrie with its depiction of life under a tyrannical parent, to more under-the-radar hits like Saint Maud, following a religious devotee who delusionally believes herself on a mission from God. At this year’s Fantastic Fest, The Ones Who Grieve will tap into those same themes in its North American premiere as it whisks viewers back to a plague-ridden France in the tail end of the 19th century. As part of Collider’s Exclusive Preview series, we’re excited to share a new image ahead of its arrival that illustrates the horrifying influence of fanaticism at such a dark time.

The Ones Who Grieve unfolds in the French countryside, which has been ravaged by a mysterious disease known only as The Black Veil. In the middle of the bleak reality is Zélie, a 17-year-old girl living in a household ruled with an iron fist by her deeply devout father, Jacob. A self-styled “Masker,” he subjects the sick and dying to brutal, inhumane purification rituals involving imprisoning them behind hand-carved wooden masks under the belief that he is saving their souls from damnation. Disturbed and sick of his tyranny, Zélie finds an opportunity after she heads out to a neighboring farm for food at her mother’s behest and finds a woman named Jane with a dark secret, a man plagued by his demons named Carmin, and later, Gabriel, an infected soldier who made his way into their barn and offers to kill Jacob for her. Before they can enact their plan, though, the father finds out and punishes her mercilessly for her betrayal, beginning a downward spiral into madness that begets countless tragedies.

Our exclusive image shows Jacob’s horrifying handiwork on a man in a river. He’s covered in scratches and wearing nothing but a cloth, and the mask clasped around his head, confirming that he’s infected. With its large, hollow eyes and haunting mouth combined with the rough exterior and metal bolts securing it, the headwear is downright haunting and feels more like a tool of torture than an act of mercy by a faithful man trying to help. His “purification” means walking the earth still riddled with disease, but now unable to see, eat, speak, or scream as he inevitably wastes away.

Who Is Involved in ‘The Ones Who Grieve’?

As the image shows, The Ones Who Grieve will be a bleak folk horror tale where the greatest monster is not the disease increasingly spreading through the land, but the self-proclaimed prophet wielding his religion as a tool for control. Thierry Frémont plays the terrifying role of Jacob after previously taking part in AMC‘s adventurous 20,000 Leagues Under the Sea prequel series, Nautilus. Joining him are Zélie Rixhon, Isabelle Anciaux, and Jean-Baptiste Maunier, while French filmmaker Quarxx takes the reins behind the camera. This will be the writer-director’s third film and a return to Fantastic Fest, after bringing his also downbeat sci-fi flick All the Gods in the Sky to Austin back in 2018. He co-wrote the screenplay to his latest with Frederic Soulier.

The Ones Who Grieve makes its North American premiere at Fantastic Fest on Friday, September 18, at the Alamo Drafthouse South Lamar in Austin, Texas. Check out our exclusive image above and stay tuned here at Collider for more early looks at the event’s entries leading up to its first day on September 17. More information on all the titles heading to the genre event can be found on the official Fantastic Fest film guide.

The arrest of a man accused of stalking Kris Jenner has opened the door to a series of disturbing allegations that stretch far beyond the recent incident at the reality star’s Los Angeles-area home. 

As authorities continue examining the circumstances, newly resurfaced records reveal the 25-year-old had already attracted police attention in Hawaii months earlier. 

Those incidents allegedly involved fireworks, neighborhood disputes, and a court-ordered restraining order that paints a troubling picture of his behavior before his name became linked to the Kardashian family matriarch.

One of the most striking developments to emerge after the arrest involves a legal dispute between stalker Zenwilliam Bronze Robson and his former landlords in Hawaii.

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According to court documents obtained by Page Six, a married couple sought a temporary restraining order against the 25-year-old after alleging he harassed them on multiple occasions. The filing followed the landlords’ eviction notice to Robson on September 3, 2025.

The couple detailed a string of encounters they found alarming. In one incident, the husband claimed Robson yelled at him while he was attempting to fix a clogged toilet, creating enough commotion that neighbors reportedly checked in to see what was happening.

The landlords also alleged that another confrontation occurred on October 11, 2025, when Robson lit an object in the roadway outside their residence, prompting police involvement and a warning from authorities.

A judge ultimately sided with the couple’s request. Robson was ordered not to contact them and was prohibited from visiting their home or workplace. Court records further show he was required to surrender any firearms or ammunition.

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Those allegations are now receiving renewed scrutiny following claims that Robson attempted to visit Kris Jenner’s residence on September 7, 2026.

Jenner Case Sparks Renewed Attention On Explosive Firework Incident

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The restraining-order filing also referenced an incident that had already landed Robson in trouble with police.

Authorities in Kaua’i previously arrested him after a dangerous firework episode that was captured on Ring camera footage. Video released by the Kaua’i Police Department allegedly showed Robson lighting a firework in front of a Kīlauea residence.

The situation quickly escalated when the explosive device shot underneath a parked vehicle before detonating.

Police said Robson fled after the explosion but was later located and taken into custody. The incident resulted in a reckless endangerment arrest and drew a strong public response from law enforcement officials concerned about the potential consequences.

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Assistant Chief Darren Rose did not mince words when discussing the dangers involved.

“Illegal fireworks have no place in our neighborhoods,” Rose said in a press release. “We urge the public to help keep our community safe by reporting dangerous or illegal activity. Your report could save lives.”

Kris Jenner’s Security Team Acted Before Suspect Ever Reached Her Property

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The newly uncovered details about Zenwilliam Bronze Robson’s past make one thing clear: by the time he appeared near Kris Jenner’s Los Angeles-area home, security personnel were taking no chances. 

According to NBC4 Los Angeles, private security detained Robson before he could reach Jenner’s property. 

Jenner’s home, nestled in the Santa Monica Mountains, already offered a significant degree of privacy and protection. 

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Even so, security personnel reportedly viewed Robson’s presence seriously enough to intervene immediately rather than wait for law enforcement to arrive. Sources said they stopped him well before he made contact with Jenner herself. 

The Blast Internal Link Bullets

Jenner’s Alleged Stalker Pleads Not Guilty As Criminal Case Moves Forward

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While the initial arrest generated headlines, the story quickly moved into the courtroom.

According to ABC 7 News, Robson entered a not guilty plea to the misdemeanor charges filed against him, signaling that he intended to fight the accusations rather than seek an immediate resolution. 

The plea was entered on Wednesday and ensured the matter will continue through the California court system in the weeks ahead. 

What has made the case particularly noteworthy is that authorities were reportedly told this was not a one-time encounter. 

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According to reports, security personnel informed investigators that Robson had allegedly attempted to contact Jenner on several occasions before the incident that ultimately led to his arrest. 

Meanwhile, Robson appears to maintain an active online presence. Reports note that he identifies himself as a model on social media and has amassed more than 27,000 Instagram followers. Media outlets also reported that he follows Jenner’s account.

Kris Jenner Is No Stranger To Security Threats And Stalking Scares

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Long before the latest arrest involving Robson, the Kardashian-Jenner family had already been dealing with another serious security threat that ultimately led to court intervention. 

The case became one of the family’s most alarming stalking incidents in recent years because investigators alleged the suspect wasn’t simply sending messages or attempting contact online; he repeatedly tried to physically reach members of the family. 

In May, court filings revealed that Jenner, along with Kim, Kourtney, Khloé, Kendall, Kylie, and Rob, sought legal protection against Kyle Robert DeWick after a series of incidents that raised significant safety concerns. 

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The most troubling allegations centered on Jenner’s residence, where DeWick was accused of attempting to gain access multiple times. Reports indicated that he allegedly made five separate attempts to enter Kylie’s home before authorities arrested him. 

The family argued that the behavior had become persistent enough to warrant broader protection for everyone connected to the Kardashian-Jenner household. 

Investigators reportedly uncovered evidence supporting the family’s concerns, helping persuade the court that a restraining order was necessary. Three months later, TMZ reported that a judge granted the family a three-year restraining order, keeping DeWick 100 yards away from all the Jenner-Kardashian family members.

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