Related: Millie Bobby Brown Celebrates Jake Bongiovi’s 24th Birthday With PDA Photo
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Millie Bobby Brown enjoyed soaking up the views with her loved ones during a picturesque getaway to Italy.
The Stranger Things actress, 22, made memories with her husband, Jake Bongiovi, and their daughter during a stay at SAN SONNEA, a five-star luxury resort and “secluded sanctuary” based in Luson, South Tyrol, which is for families to reconnect deeply with nature.
“Different in the dolomites @sansonnea.family,” she captioned her post on Monday, September 7, including a video of herself holding her baby girl while walking llamas alongside Bongiovi, 24, in front of a gorgeous scenic background.
She also included a clip of ducks on the premises, as well as a snapshot of a peaceful mountain getaway viewed from inside a cozy room in addition to a close-up pic of white roses.

In her recap was also a photo of Bionjovi sunbathing shirtless outside and a photo of Brown rocking a string bikini and “Italia” tank top in honor of their family trip. She paired the look with brown sunglasses, a beaded necklace and hoop earrings.
It’s been just over a year since Brown announced that she and Bionjovi expanded their brood.
“This summer, we welcomed our sweet baby girl through adoption,” the couple shared in their August 2025 announcement. “We are beyond excited to embark on this beautiful next chapter of parenthood in peace and privacy.”
Brown and Bongiovi have been married since May 2024, when they first tied the knot in an intimate ceremony followed by another larger ceremony held in Tuscany that October.
The parents have opted not to share their little one’s name with the world following her adoption, although Brown did give rare insight into her journey to motherhood in a December 2025 interview.
“Being a mother expedited this version of me,” she told Allure at the time. “Nothing could get in the way of me being who I need to be for my daughter.”
Brown said she was determined to instill good values in her daughter and lead by example.
“I want her to see me take care of myself,” she said, quipping, “You have to do everything 10 times quicker, and you don’t really get to do your gua sha in the morning.”
“I have to talk to myself kindly,” the Enola Holmes actress continued, noting it can be easy to “talk badly about yourself and your body.” Brown continued, “After becoming a parent, I couldn’t imagine talking about myself like that anymore, because she’s going to watch me do that.”
UPDATE 9/8/26, 2:30 a.m. ET: Pawn Stars’ Rick Harrison is now recovering at home after having emergency bypass surgery.
“Today, Rick was discharged from the hospital and is now resting at home. By all accounts, he’s now doing great,” a spokesperson for the Harrison family told TMZ on Monday, September 7.
Original story below:
Pawn Stars’ Rick Harrison is on the mend after undergoing emergency bypass surgery.
“He went in for a simpler procedure and they found he needed a bypass,” a spokesperson for the Harrison family told People on Friday, September 4. “He is resting comfortably and looking forward to a full recovery.”
The spokesperson added that Harrison, 61, was appreciative of the support he has received from the staff and his loved ones in the midst of his health scare.
“He is grateful for the doctors and staff at the hospital and that his wife and family can be with him during this time,” the statement concluded
Harrison is best known for starring on Pawn Stars, which documents the ins and outs of Harrison’s family business, the World Famous Gold & Silver Pawn Shop in Las Vegas, which opened in 1989. Rick ran the store with his late father Richard “Old Man” Harrison, son Corey “Big Hoss” Harrison and Corey’s childhood friend, Austin “Chumlee” Russell. Richard ultimately retired in 2017, and Rick has continued to run the store. (Richard died in 2018 following a battle with Parkinson’s disease.)
Pawn Stars premiered on the History Channel in 2009. The series is currently ongoing and in its 24th season, which premiered back in January.
Earlier this year, Rick wed his fifth wife Agripina “Angie” Polushkin after two years of dating. (Rick was previously married to Kim Harrison from 1982 to 1985, Tracy Harrison from 1986 to 2011, DeAnna Burditt from 2013 to 2020 and Amanda Palmer from 2021 to 2023.)
The couple tied the knot in January at the Little White Chapel in Las Vegas with an intimate reception held at Rick’s barbecue restaurant, Rick’s Rollin Smoke BBQ & Tavern.
“1/3/26 we became Mr & Mrs Harrison 🥰,” Polushkin wrote via Instagram at the time.
Weeks later, they held a destination wedding at the Le Blanc Spa Resort in Cancun.
“My dream beach wedding came true on 1/26/26,” Polushkin wrote via Instagram following the couple’s second ceremony. “I married the most loving, caring, and supportive man I’ve ever met and the one that treats me like a princess every single day. Love you always & forever ♥️♥️♥️.”
Around the same time as Rick’s wedding, his son Corey was involved in a motorcycle accident in Mexico. He sustained serious injuries, including multiple broken bones.
“Pretty messed up but I’m good crash bars are awesome 3 nights in the hospital 11breaks in my rib cage,” Corey wrote via Instagram in January. “Will do an episode on @theCoreyHarrisonshow. Sorry Pops, looks like I’m missing your wedding.”
Editor’s Note: The following contains spoilers from Fire & Blood and potential spoilers for future seasons of House of the Dragon.
Even by Westeros standards, House Targaryen is not a normal family. But after the appearance of Daenerys Targaryen (Emilia Clarke) in Daemon’s (Matt Smith) vision sequence in House of the Dragon Season 2, casual viewers might wonder just how connected are these two branches of the Targaryen tree? They both belong to the same noble house, of course, but are they even in the same bloodline? And Rhaenyra Targaryen (Emma D’Arcy), where does she fit? The answer, full of spoilers for the rest of the story of House of the Dragon, is not so simple.
Daemon’s vision is filled with nods to the future of House Targaryen and Westeros as a whole — there are even White Walkers there. But the most surprising part of it is when he sees Daenerys with her three dragons. The vision is plucked directly from the Season 1 finale of Game of Thrones, when Daenerys grabs her three petrified dragon eggs and walks into Khal Drogo’s (Jason Momoa) funeral pyre. When the fire is spent, only Dany remains, unburnt, with her three children having miraculously hatched.
Crucially, this part of Daemon’s visio comes after he sees the dying of the dragons in Westeros — primarily caused by the current civil war. Daenerys hatching her three dragons is a sign that dragons will rise again. With the Others a constant and legitimate threat, the dragons are needed to fight them. Daemon understands that, for the world to have a fighting chance, the Targaryen who needs to sit on the Iron Throne must be his wife, Rhaenyra.
Although Daemon doesn’t know who Daenerys is, the audience are fully aware of her identity and the fact that she is one of the last members of the once great house. Due to the nature of his vision, he has no idea if this event takes place in a few years or centuries in the future. To him, Daenerys could be anyone.A future daughter, a granddaughter, or even a great-great-great-great-great-granddaughter — which just happens to be the truth.
In order to understand how Daenerys is related to Daemon and Rhaenyra, we must wade into spoiler territory by exploring George R.R. Martin‘s Fire & Blood. It’s no secret that Rhaenyra dies at the end of the Dance of the Dragons. Joffrey Baratheon (Jack Gleeson) says as much in Game of Thrones when he reveals that she was eaten by Aegon II’s (Tom Glynn-Carney) dragon, Sunfyre. Daemon is also destined for a deadly confrontation against Aemond (Ewan Mitchell) at Harrenhal. Although they die, Daemon and Rhaenyra’s two sons eventually end up ascending to the Iron Throne after the fighting is done. Aegon III becomes king, but when two sons, Daeron I and Baelor I, leave no heirs, it’s his brother (and Daemon and Rhaenyra’s youngest son), Viserys II, who inherits the throne.
Through Viserys II, the Targaryen line continues, from his terrible son, Aegon IV (“the Unworthy”) to Aegon V aka Egg (Dexter Sol Ansell) from A Knight of the Seven Kingdoms who is Daenerys’ great-grandfather and Rhaenyra’s great-great-great-grandson to the Mad King, Aerys II (David Rintoul), Daenerys’ father. In total, Daenerys Targaryen is eight generations removed from Rhaenyra Targaryen, making Rhaenyra Daenerys’ great-great-great-great-great-grandmother. It’s important to point out, however, that this is following Fire & Blood, since Game of Thrones removed Jaehaerys II, who is Aerys II’s father in the books, from its lore, according to Maester Aemon (Peter Vaughan) in Season 1. Unless some retconning takes place, in the show franchise, Daenerys is just seven generations removed from Rhaenyra.
Lizzo is looking back at the peaks and valleys of her career.
“I wasn’t even really perceiving how famous I had gotten,” the “Truth Hurts” singer, 38, said during her appearance on the Monday, September 7, episode of Dax Shepard’s “Armchair Expert” podcast. “I feel like a regular girl in the Twin Cities, walk into the bar, going to get some cheese curds and a beer. I still feel like that girl.”
Lizzo continued, “But the whole world is like, everything I did was news. I had been going full throttle. It was like, clothing line. It was like, TV show, tour, album, actually really doing well. Like, oh my God. I didn’t even know how well the album was doing. I wasn’t paying attention.”
Lizzo shot to fame in 2019 with her hit “Truth Hurts,” which was released two years prior but later went viral thanks to its appearance in the Netflix film Something Great. The single reached No. 1 on the Billboard Hot 100 and increased interest in her third studio album, Cuz I Love You. Lizzo won three Grammy Awards in 2020: Best Pop Solo Album, Best Traditional R&B Performance and Best Progressive R&B Album. (Three years later, Lizzo also won Record Of The Year for her single “About Damn Time,” off her 2022 album, Special.)
At the height of her career, Lizzo expanded her profile to include TV and film, hosting a 2022 reality series called Lizzo’s Watch Out for the Big Grrrls and starring in her own documentary, Love, Lizzo. She also launched her own clothing line, Yitty, that same year.
In August 2023, Lizzo became the subject of controversy when three of her former backup dancers filed a lawsuit against the singer, her production company and her dance captain Shirlene Quigley, accusing them of sexual, religious and racial harassment, disability discrimination, assault, false imprisonment, creating a hostile work environment and weight-shaming.
Lizzo’s former wardrobe assistant, Asha Daniels, also sued the Grammy winner and her touring company over alleged racial and sexual harassment in 2023.
Lizzo has denied all allegations. In December 2025, a judge dismissed the fat-shaming allegations in the suits filed by Lizzo’s former backup dancers. The remaining claims are still pending in court.
A judge ultimately removed Lizzo as an individual defendant in Daniels’ case in 2024. On Tuesday, September 1, the federal court dismissed the remaining claims against her touring company due to a lack of evidence.
Amid the controversy, Lizzo took a break from releasing music until her fifth studio album, BITCH, in June. The project struggled commercially and failed to produce any chart hits.
Lizzo said on Monday that she had always planned to take extra time to work on her latest album, but the hiatus came at a time when “the world stopped f***ing with me.”
“I was like, ‘Whoa, this feels like my life is over,’” she recalled. “And so with the fame thing and the success and the public perception being super positive and being overly loved and people understanding me, I wasn’t looking over my shoulder for a shoe to drop because I really genuinely was moving so purely. I really, which they say you shouldn’t do, just really showed the whole world my heart.”
Lizzo continued, “When everybody started hating me, I kind of didn’t understand. … I had experienced little waves of it, but this time after my [Special Tour] ended, it was, like, legitimate. So I really did feel like my life was over because music had been my life, and I didn’t feel like anyone wanted me to make music anymore.”
Lizzo said she wondered if she should “cease to exist” amid the backlash.
“It was really heavy. It’s really heavy. And I think you have to kind of go to a very, very, very, very low place to be able to kind of float back up to the top,” she added, noting that she ultimately had to find herself as a person again.
“You know, what I came to is knowing who you are and not what you do. I feel like I had been identifying myself as what I do for so long, instead of remembering who I am because that’s my job,” she concluded. “It was extremely freeing because I’m like, ‘Oh, only I know me, only I know who I am and I need to remember that and not allow someone to change that because I can do that too.’”
If you or someone you know is struggling or in crisis, help is available. Call or text 988 or chat at 988lifeline.org.
The most unexpected Tom Cruise character needs no introduction, and he knows it, for the entire 123 minute run-time of this classic. It’s rare that a film’s final scene, final line, or final needle drop are the best. But in this beloved horror film, all three are the case. Back in 1994, before the movie star became known for stunts and running, Cruise let loose as a melodramatic, seductive, bloodsucking vampire second only to Dracula in infamy. To paraphrase Homer Simpson, every time he’s not on the screen you’re wondering where he is—making his jump-scare entrance in the coda all the more delicious.
This spooky season, you can revisit it in full. The 1994 film adaptation of Anne Rice‘s novel Interview with the Vampire, starring Cruise as well as Brad Pitt, Kirsten Dunst, Christian Slater and Antonio Banderas, is now streaming on HBO Max. Thandiwe Newton and Stephen Rea also play supporting roles. Neil Jordan directed, and Rice herself wrote the screenplay. While the finished product is not necessarily considered the best adaptation of Rice’s Vampire Chronicles, it is a very re-watchable and very 90s film.
Cruise’s Lestat is not the protagonist of the film. That would be Pitt’s character, Louis de Pointe du Lac, a vampire recounting his life to a seemingly objective observer, Slater’s Daniel Molloy, as the gothic narrative plays out in flashback. Louis bemoans his immortal existence through various trials and tribulations: getting turned in the late 18th century, honing and occasionally eschewing his killer instincts, raising a vampire daughter (Dunst’s scene-stealing performance as Claudia), attempting to kill his maker, and worst of all, moving to Paris. The through line in his life post-death? Lestat, Lestat, Lestat, Lestat, Lestat.
Interview with the Vampire was well received. It made $223 million worldwide at the box office in its original release, according to Box Office Mojo, and was nominated for two Academy Awards despite mixed reviews from critics. However, when Warner Brothers went about making the sequel, titled Queen of the Damned after the third book in Rice’s series, Cruise did not reprise the role. “At the time,” Jordan told Entertainment Weekly in 2024, Cruise simply “wasn’t doing sequels.” Now, from franchises like Mission: Impossible to legacy sequels like Top Gun: Maverick and the upcoming Days of Thunder, he can’t get enough. One can imagine that, if Cruise was doing sequels at the time, the second movie would have drawn more from Rice’s second book: The Vampire Lestat.
Queen of the Damned was eventually released in 2002 with Stuart Townsend in the role of the vampire Lestat. Despite a standout performance by singer and actress Aliyah, who tragically died ahead of the premiere, the film only brought in $45 million worldwide. Rice, who initially expressed doubt over Cruise in the role, later recanted and praised his performance. Society had and/would continue to move on to other vampire narratives like Buffy the Vampire Slayer, Twilight, True Blood, and The Vampire Diaries.
Twenty-four years later, however, Rice fans are having a particularly good moment. AMC’s Interview with the Vampire, which stars Jacob Anderson, Sam Reid, Delainey Hayles, Eric Bogosian, and Assad Zaman, and restyled itself as The Vampire Lestat for Season 3, is set to return for a fourth season officially titled Queen of the Damned with Sheila Atim in the titular role as Akasha. The cable network’s other televised Rice adaptation, Mayfair Witches, returns for Season 3 in 2027, with Eliza Scanlen joining Alexandra Daddario in the cast.
Plus, there’s Tom Ford‘s upcoming film adaptation of Rice’s historical novel Cry to Heaven starring Nicholas Hoult, Aaron Taylor-Johnson, Julianne Moore, Hunter Schafer, and Adele to look forward to in the near future. That movie is about the cutthroat (among other things) world of opera singers in 18th-century Italy, not monsters in the more traditional sense. But there’s never been a better time to be an Anne Rice fan.
Stay tuned at Collider for more.
Seventeen years ago, Megan Fox played a monster in one of the only 2000s teen comedies that really holds up — and as this satire is not without its screams, it’s also become one of the best horror cult classics of the century. There are very few cringe-worthy millennial jokes, and all in all, the movie has only gotten better with age. Over the last 20 years, audiences have only become more willing to get behind — and really enjoy — a succubus killing creepy guys, finally giving the movie the attention it deserved in 2009.
This fall, you can reevaluate one of cinema’s biggest comebacks for yourself, as Jennifer’s Body is now streaming on Hulu and Pluto TV. The movie also stars Amanda Seyfried, Adam Brody, J.K. Simmons, Amy Sedaris, Kyle Gallner, and Johnny Simmons. In addition, Chris Pratt plays a police officer in one of his first big-screen roles. Jennifer’s Body was directed by Karyn Kusama and written by Diablo Cody, hot on the heels of her Academy Award win for Juno. That’s a winning combination on paper, but it took a while for the result to be appreciated.
Seyfried actually plays the protagonist, a shy high school student aptly named Needy (short for Anita) whose popular best friend Jennifer, played by Fox, has become possessed by a demon and must commit murder to survive. Needy tries to help Jennifer as her killing spree continues. But does she kind of have a point? Who’s actually protecting who? Is this a love story? As with so many things when you’re a teenager, the situation is complicated.
Jennifer’s Body grossed $31 million worldwide, according to Box Office Mojo. As it turns out, Hollywood did not know how to properly market a feminist horror comedy in 2009. According to Cody in a retrospective Vox interview, she wanted to reach female audiences, but the executives focused on trying to get male fans into theaters. Considering how blatantly misandrist Jennifer is, however, that seems like an uphill battle doomed to fail. Critics gave Jennifer’s Body mixed reviews that often missed the film’s intentions as well. “Just what we were waiting for,” opened Roger Ebert‘s original review, “Twilight for boys, with Megan Fox in the Robert Pattinson role, except that I recall Pattinson was shirtless.” And he gave it four out of five stars! Imagine what the people who didn’t like it were saying.
In recent years, especially after the MeToo movement brought the themes to the surface, Jennifer’s Body started to resonate more. It’s still kind of difficult to get certain audiences on board with movies that are feminist and funny. Even the act of insisting that empowerment doesn’t have to be dour makes you sound a little desperate… but it’s true! Anyway, the film has been reevaluated by critics and audiences alike, and is now considered a queer feminist cult classic. It only took a decade and some change!
Stay tuned at Collider for more.
September 18, 2009
107 minutes
Karyn Kusama
Brad Van Arragon, Daniel Dubiecki, Jason Reitman
We love watching a good mind game unfold before us. The allure of a psychological thriller lies in seeing how characters inflict psychological terror or overcome it. Throughout movie history, there have been some extraordinary masterpieces of psychological thriller cinema, but only ten are genuinely perfect.
From timeless legends to modern classics, these films have served as the blueprint for the genre over time. Some have haunted our nightmares while others reshaped the rules of cinema. No matter how they played with your mind, these movies continue to be some of the very best of all time.
A brilliantly underrated cult classic, Donnie Darko earned its way into psychological thriller history. Written and directed by Richard Kelly, the film follows Donnie (Jake Gyllenhaal), a troubled teenager who, after sleepwalking, narrowly escapes death from a falling jet engine and is guided by Frank (James Duval), a mysterious, grotesque figure in a giant rabbit suit to uncover secrets of time and destiny. Donnie Darko deliberately blurs the line between clinical paranoid schizophrenia and actual supernatural destiny for a powerful coming-of-age drama about teenage isolation, death, and existential purpose.
The brilliance of Donnie Darko lies in being forced to see the world through a troubled teen’s vantage point. Gyllenhaal is pitch perfect in his breakout role, guiding the film to its final destination. By questioning the validity of Frank and the time-travel scenario, or whether it’s all a symptom of his disease, viewers are kept on their toes. His ability to humanize isolation and anxiety is profound. The film is not a flat-out obvious story, as Kelly tasks the audience to personally interpret every single moment and image. With a haunting atmosphere and a brilliant soundtrack that included “Mad World” by Gary Jules, it serves as the perfect aesthetic world-building. Donnie Darko is a terrifyingly accurate story of being misunderstood.
One of the most iconic physiological horror thrillers of all time, Rosemary’s Baby took Ira Levin’s novel and transformed it into a stellar and sinister story. Directed by Roman Polanski, the film follows Rosemary Woodhouse (Mia Farrow) and her husband Guy (John Cassavetes) as they move into an old, eerie apartment building in New York City. Rosemary begins to suspect her odd neighbors, Roman and Minnie Castevet (SydneyBlackmer and Ruth Gordon), and her ambitious husband belong to a satanic cult plotting to use her unborn child for evil rituals. A story built on psychological dread and paranoia, Rosemary’s Baby taps into how society strips away a pregnant woman’s personal choice and agency.
With deep-seated social fears, gaslighting, and slow-building paranoia, Rosemary’s Baby traps you in Rosemary’s mind. You’re forced to determine if Rosemary’s fears of a satanic conspiracy are real or just the paranoid delusions of a pregnant woman. As Rosemary is gaslit by everyone she believes she can trust, she loses her autonomy and power, exposing a universal sense of unease. The terror of Rosemary’s Baby is not entirely the threat of giving birth to the devil but the revelation that it’s the unsuspecting individuals around you that make up the cultist monsters. It may be a period piece today, but Rosemary’s Baby remains poignant today.
Many will try, but no one will have a mind quite like David Lynch. The visionary has given the world some of the most daring projects, including Mulholland Drive. His 21st-century classic is a surrealistic psychological mystery about an actress in Los Angeles and an amnesiac car crash survivor who try to uncover the survivor’s true identity. Betty (Naomi Watts), an ambitious, bright-eyed aspiring actress who’s new to Los Angeles, and Rita (Laura Harring), an enigmatic woman with amnesia, try to piece together Rita’s past, only for reality and illusion to crash into one as Betty and Rita are anything but. Mulholland Drive explores psychological collapse, guilt, and the dark underbelly of Hollywood by depicting a warped nature of ambition, betrayal, and a shattered mind.
Mulholland Drive is a mind-blowing thriller that demands close attention to the story Lynch proposes. The first two-thirds of the film operates as a a fantasy created by a failed and heartbroken actress. She imagines herself as something grander when, in truth, it couldn’t be further from reality. Lynch presumes that severe trauma is shielded by a safer identity, despite who it hurts in the process. Yet the dark landscape of Los Angeles is an illusion she uses to excuse her failure. Mulholland Drive is a brilliant script brought to life flawlessly, earning itself as Lynch’s very best.
The obsession for artistic perfection is put on full display in the mind-bending Black Swan. A brilliant psychological masterpiece from Darren Aronofsky, Black Swan follows Nina Sayers (Natalie Portman), a dedicated, perfectionist ballerina, who loses her grip on reality when rival dancer Lily (Mila Kunis) earns the role she greatly desires. Nina’s relentless drive for technical perfection turns into a mental prison, pushing her past the brink. Black Swan takes the duality of the White and Black Swan to represent the inner battle between a sheltered, fragile young girl and an indecent, sexually revitalized young woman.
Black Swan represents the mindset all artists experience as they strive for greatness. Nina’s mental breakdown comes from the desire to become the best through perfection as she’s pushed by the pressure of her career, the industry, and her overprotective mother, Erica (Barbara Hershey). Through visceral body horror and spellbinding visual direction, Black Swan puts you squarely inside Nina’s mind. It’s a high-tension, claustrophobic atmosphere that dives deep into Nina’s repressed self and her darker desires. A mesmerizing film that redefined Portman’s career, Black Swan is a true work of art.
If you love Fight Club, defy the rules and talk about Fight Club! Director David Fincher brought Chuck Palahniuk’s novel to life in perfect fashion. The narrative (Edward Norton) tracks an unnamed office worker whose mundane profession turns him into an insomniac. He finds emotional relief by attending a fake terminal illness support group where he meets Marla Singer (Helena Bonham Carter), another impostor. Then he forms an underground fight club with a charismatic soap salesman named Tyler Durden (Brad Pitt). As the group transforms into a radical, destructive anti-capitalist organization called Project Mayhem, the truth comes out about Tyler’s true twisted identity. The psychological thriller traps the audience in a fractured, unreliable mind where the line between objective reality and delusion blurs.
Fight Club is a fervent mix of psychological turmoil and philosophical dread. Tyler embodies everything the narrator desires to be. He embodies freedom, danger, and confidence that the narrator simply lacks. By the time the big twist is revealed, it all makes complete sense, as Fincher spelled it out in plain sight. That said, it reframes everything prior, making a subsequent watch more than worthwhile. Rather than just a critique of modern life, consumerism, and corporate monotony that creates a numb society, the chaotic nature and danger of a broken identity. Fight Club remains a cinematic game changer.
Even though Stephen King wasn’t completely satisfied with The Shining, it remains a sensational work. Directed by Stanley Kubrick, the big-screen adaptation follows Jack Torrance (Jack Nicholson) as he takes a job as a winter caretaker of the Overlook Hotel. Moving in with his wife, Wendy (Shelley Duvall), and their son, Danny (Danny Lloyd), they become isolated and trapped within the confines of the estate where evil spirits exploit Jack’s past struggles with alcohol and anger, slowly driving him to madness. A haunting portrayal of addiction, trauma, and isolation, The Shining is a masterclass in psychological horror.
The Shining uses the hotel to represent the sick cycle of violence and cruelty that traps people who ignore the past. Using Sigmund Freud’s concept of “the uncanny,” Kubrick built the locale to evoke the unsettling feeling of the familiar feeling wrong. Every set piece, architectural element, and visual trigger dread and unease. The Shining taps into pure dread and fear, thanks to some of the moldy iconic moments in horror history. From the twins to the bloody elevator, “redrum” to “Here’s Johnny!” The Shining remains a profound part of cinematic history.
The horror genre has been elevated thanks to the genius of Jordan Peele and Get Out. The subversive thriller follows Chris Washington (Daniel Kaluuya), a young Black photographer, who uncovers a terrifying, racially motivated conspiracy when he visits his white girlfriend’s, Rose Armitage (Allison Williams), family estate. He uncovers a terrifying truth that the Armitage family runs a sinister cult in which Black individuals are lured to the estate in order to surgically transplant the consciousness of wealthy white buyers into their healthy bodies, trapping the original victims in a paralyzed mental state known as the “sunken place.”
Get Out uses horror and satire to critique modern racism, microaggressions, cultural appropriation, and the commodification of Black bodies in America. Locked into Chris’ perspective, the audience is forced to see and feel every microaggression and racist comment. The horror comes from the complete and utter gaslighting as how the “villains” cause Chris and the audience to question if they are truly a present threat. Get Out flips the horror tropes of dark locales into a bright, out-in-the-open seemingly safe suburban neighborhood. Get Out’s perfect blend of comedy, mystery, and heavy social commentary weaves a modern classic.
Alfred Hitchcock proved that with one big twisted decision, the trajectory of cinema would change forever. Bringing Robert Bloch‘s novel to life, Psycho follows Marion Crane (Janet Leigh), who steals $40,000 and escapes to the remote Bates Motel, run by the fascinatingly intriguing Norman Bates (Anthony Perkins). After being brutally stabbed in the shower the next morning, Marion’s sister Lila (Vera Miles) and boyfriend Sam Loomis (John Gavin) search for her, only to discover the truth about Norman and the Bates Motel. An iconic film that defined horror within pop culture, Psycho subverted audiences’ attention while providing a masterful exploration of the human psyche.
Psycho is a brilliant story, but the film soars to great heights thanks to Hitchcock’s risky decision to kill off his star within the film’s first act. In doing so, it forces the audience to be on their toes as anything can and will happen. Leaving them in suspense became the film’s greatest asset. Psycho is grounded in ordinary reality, where a seemingly shy, polite, and regular guy is anything but. Norman serves as the ultimate ordinary monster that may be lurking around the corner. With sensational direction and a shrieking score from Bernard Herrmann, Psycho is fear and terror to the max, serving as an inspiration for the genre.
There are some extraordinary films across multiple genres on Christopher Nolan‘s resume, but when it comes to psychological thrillers, it doesn’t get much better than Inception. A sci-fi action thriller, Dom Cobb (Leonardo DiCaprio) commits corporate espionage by infiltrating his target’s mind during shared sleep states. Hired by Saito (Ken Watanabe), Dom is offered a clean slate and a reunion with his children should he commit the perfect crime: perform inception by planting a new idea in the mind of his rival CEO, Robert Fischer (Cillian Murphy). Assembling a specialized team to commit the mission, Cobb and company must maintain stability across deeper dream layers as he’s haunted by psychological projections of his dead wife, Mal (Marion Cotillard).
A richly layered dream drama, Inception uses a high-concept, high-stakes framework to pull off a brilliant sci-fi heist movie. Nolan builds the perfect architecture to play within. Guilt, grief, and self-sabotage play the role of the antagonist, as the only way Cobb can succeed is to defeat his own demons. Inception weaves the mechanics of the human subconscious directly into the narrative. Nolan evokes a unique pacing structure as time slows in each layer, making the pressure-cooker race against the clock even harder to sustain. Using Nolan’s signature production style, practical sets and stunts give the film a tangible feel. Inception is the perfect psychological thriller because we’re still debating the ending and that damn spinning top.
Cinema has some of the greatest villains, but no one is more terrifying than Hannibal Lecter (Anthony Hopkins). And yet, even behind bars, he is a terrifying threat because of the incredible mind games he plays. In The Silence of the Lambs, FBI trainee Clarice Starling (Jodie Foster) is assigned to track down serial killer Buffalo Bill (Ted Levine), who abducts and skins women. To get inside the killer’s mind, she interviews Hannibal in exchange for offering her own personal traumas from her past. The Silence of the Lambs is a tense battle of wits and psychological leveraging that gave the horror genre a seat at the awards table.
The Silence of the Lambs is pure horror, but rather than jump scares, the terror and suspense come through psychological warfare. It’s a truly twisted tale that is acted to the max. Foster and Hopkins deliver career-defining performances that set the gold standard for this subgenre of crime thriller. Director Jonathan Demme opts for dread over gore, stillness over chaos, and claustrophobic tension over high-stakes action. Earning the Big Five at the Academy Awards, the thriller doesn’t get more thrilling than this film.
February 14, 1991
119 minutes
Jonathan Demme
Ted Tally, Thomas Harris
A letter was written on behalf of King Charles III to clarify Prince Harry and Meghan Markle’s status as royal family members amid their return to the United Kingdom.
“The charitable work of the Duke and Duchess is a personal matter for them both and undertaken in their private capacity,” read the letter written by senior officer of the royal household Lord Chamberlain, obtained by multiple outlets including Newsweek and NBC News. “In short, their position is akin to private citizens with commercial and charitable interests.”
The letter continued, “It is well known that in January 2020 the Duke and Duchess stepped down from undertaking representative duties on behalf of The Sovereign, and are no longer working Members of The Royal Family. This position, distinct from the State and Royal duties undertaken by the working Royal Family, and with the personal latitude it brings the couple in respect of financial independence and protection of their privacy as they would wish, will continue to be fully respected.”
The letter added that Harry, 41, and Meghan’s “styles as His and Her Royal Highness remain in abeyance and are not used.”
A Buckingham Palace source confirmed to the outlet that the letter was shared with Harry’s team on Monday, September 7.
Harry and Meghan, 45, stepped down as senior royals in 2020 and subsequently left the U.K. and moved to Montecito, California, with son Prince Archie, now 7. The following year, they welcomed daughter Princess Lilibet, 5.

Six years after their shocking move, Harry and Meghan surprised the world again after they decided to return to the U.K. with their children. Archie and Lilibet are scheduled to begin school there this month.
The pair are expected to keep their home in Montecito, as well as a vacation residence in Portugal.
A source told Us that Harry was “not as happy in the U.S. as he is in the U.K” and that he and Meghan are “open to a new chapter.”
Harry and Meghan were not expected to resume royal duties upon their return across the pond. The Duke of Sussex will be spending more time supporting multiple U.K.-based charities and patronages while Meghan is expected to continue running her As Ever brand overseas. Rumors swirled that Meghan was going to return to acting with a potential role in The Gentlemen season 3. However, nothing has been officially announced.
They say when you see a train wreck or a car crash, you can’t look away. It’s the fascination of seeing a disaster unfold that you’re not a part of. Our curiosity paints a picture of what happened and what the aftermath might be. That’s why disaster movies are so alluring—you get the entire story laid out for you!
Hollywood has provided cinema with some of the greatest disaster films of all time. From human-made errors to natural devastations, these disasters have provided a brilliant source of thrills that we simply can’t look away from. Though these may be stressful scenarios, the magic of cinema has made them entirely entertaining. From pure thriller to romance and parody, the range of styles proves that disaster flicks have no bounds.
We can look back at the year 2012 and chuckle at the paranoia that the world might end in the same way it could have due to Y2K. But in 2009, the premise of the film 2012 did give some of us quite a fright. Directed by Roland Emmerich, the epic disaster film follows a global cataclysm that destroys the planet as massive solar storms heat the Earth’s core. Geoscientist Adrian Helmsley (Chiwetel Ejiofor) warns world leaders of impending doom, leading to the revelation of massive arks intended to preserve humanity. Meanwhile, divorced limousine driver and novelist Jackson Curtist (John Cusack) races to save his family while facing off against massive earthquakes, volcanic eruptions, and megatsunamis that topple cities.
Drawn from the 2012 phenomenon and Mayan calendar prediction that forecasted the end of the world on December 21, 2012, the film played into our paranoia about what could happen if we don’t take care of our planet in the present. 2012 went full tilt, as anything that could happen did happen. Emmerich ramped up the action, introducing every apocalyptic trope that came into play in order to allow a high-octane global destruction story. Watching beloved landmarks crumble before one’s eyes serves as a wake-up call about the potential of total destruction. As pure entertainment, 2012 is a genuine popcorn flick whose greatest strength is its shock-and-awe. It’s the most disastery film in history.
If there is a hall of fame for the greatest comedies of all time, you can most certainly expect Airplane! to appear. The film delivered non-stop laughs, but at its core, it is a serious disaster film set on a plane. The satirical comedy, written and directed by David Zucker, Jim Abrahams, and Jerry Zucker, follows Ted Striker (Robert Hays), a traumatized former fighter pilot with a fear of flying, who boards a commercial flight to win back the heart of his flight-attendant ex-girlfriend, Elaine Dickinson (Julie Hagerty). As the passengers and crew onboard fall violently ill with food poisoning, Ted must overcome his trauma, take control in the cockpit, and land the plane safely. Surely, you can’t be serious!
The spoof comedy parodies the 70s movie genre, utilizing brilliant visual gags, on-the-nose puns, and rapid-fire absurdist humor. A product of its time, Airplane! continues to keep us laughing to this day. A major reason for the film’s success is tasking serious dramatic actors, including Leslie Nielsen, Robert Stack, and Lloyd Bridges, to deliver silly performances with deadpan seriousness. In turn, it made Airplane! a quotable hit. Though some bits may not have aged quite as well, they still make us laugh. Through high-stakes action and low-seriousness delivery, Airplane! is a literal ticking-clock scenario of peril in the sky. The film reinvented the parody genre while launching a sequel and other like-minded genre-spoofs, many starring Nielsen. I dare you not to chuckle when you’re at the airport and hear the announcements about loading zones.
Every so often, two studios release very similar movies around the same time. Like Pixar and DreamWorks tackled the insect game with A Bug’s Life and Antz in 1998, that same calendar year saw two rival meteor disaster films, Touchstone Pictures’ Armageddon and Paramount Pictures’ Deep Impact. It was the former that was the more superior film, though less accurate. In the Michael Bay-directed film, a rogue asteroid the size of Texas is on a collision course with Earth, threatening humanity if it crashes within 18 days. NASA executive Dan Truman (Billy Bob Thornton) assembles a ragtag group of deep-core oil drillers, led by Harry Stamper (Bruce Willis), to split the rock in two.
A story of heroism from ordinary people, determination, and the ultimate sacrifice, Armageddon is a high-octane thriller that filled the summer box office slot. With Bay in control, Armageddon was a sleek and visually spectacular film. Though science is treated as an afterthought, practicality means little when you’re watching everyday people do the extraordinary. By compiling a group of individuals you resonate with, the stakes are at an astronomical high. Of course, there must be a convenient love story between Harry’s daughter, Grace (Liv Tyler), and his employee, A.J. Frost (Ben Affleck), to make the mission even more personal. Armageddon is also responsible for “I Don’t Want to Miss a Thing” by Aerosmith, so the disaster film was anything but! A great popcorn flick of the time, Armageddon is pop culture entertainment to the max.
The sinking of the Titanic was a source of storytelling long before the iconic 1997 film we’ll discuss soon. In fact, it was the source of a 1958 film directed by Roy Ward Baker. The historical disaster film A Night to Remember showcases the final hours of the ocean liner’s maiden voyage. Tracking the events as they unfold in real time, the film depicts the disaster through the eyes of Second Officer Charles Lightoller (Kenneth More), as well as those of the passengers and crew. A Night to Remember showcases the response to the crisis across all social classes, capturing the profound bravery through extreme panic.
Based on Walter Lord‘s nonfiction book of the same name, A Night to Remember is a film endorsed by historians and survivors for its cinematic accuracy. It’s the ultimate battle between humans and nature. What was believed to be an unsinkable vessel was anything but. A Night to Remember rejected the standard Hollywood melodrama in favor of a documentary-style, immersive experience that prioritizes the authentic experiences of the individuals on board. Baker builds slow tension and dread through practical special effects, black-and-white cinematography, and realistic performances. A Night to Remember is a perfect companion film to the ’90s masterpiece, offering an important perspective.
There have been quite a few virus-centric disaster films, but none as powerful as 2011’s Contagion. A film that has grown more terrifying over time, the Steven Soderbergh medical thriller depicts a rapidly spreading lethal airborne virus that spreads across the globe. As ordinary people are directly affected by the disease, the CDC’s Dr. Ellis Cheever (Laurence Fishburne) and Dr. Erin Mears (Kate Winslet) race to track it, while Dr. Ally Hextall (Jennifer Ehle) works to develop a vaccine that will be distributed only through a birthdate lottery system. A narrative that describes how paranoia is born from conspiracy and corporate power, Contagion shows the dramatic cost of a domino effect.
Rather than playing into the sanitized Hollywood disaster-flick trope seen in the ’90s, Contagion explores chilling, scientifically rigorous truths. With its real-world biology, accurate transmission, and the slow, methodical, and bureaucratic struggles for an overnight vaccine miracle, Contagion was a prophetic film that needed to be viewed in real time. The most terrifying element of Contagion is how easily the societal breakdown arrives. Rather than purely shown through action, the illustration of societal hierarchy, slow distribution, and the spread of misinformation can be just as lethal as the virus itself. Contagion‘s eerie precision makes it a sensational film that has aged like fine wine. Boasting a brilliant ensemble, featuring Matt Damon, Jude Law, Marion Cotillard, Bryan Cranston, and Gwyneth Paltrow, Contagion is a must-watch.
Natural disasters are one of society’s greatest fears. Mother Nature can be unpredictable, but there are certain weather events we can avoid. Others, like a tsunami, have a lower chance of survival. And then came The Impossible, which proved otherwise. Inspired by true events and the experience of Maria Belon and her family during the 2004 Indian Ocean tsunami in Thailand, The Impossible is a harrowing story of resilience, survival, and true grit. Maria (Naomi Watts) and her son Lucas (Tom Holland) are dramatically separated from her husband, Henry (Ewan McGregor), and their sons, Thomas and Simon, when the massive tsunami strikes. The Impossible depicts the struggle for reunion as they navigate widespread devastation, life-changing injuries, and overwhelming trauma. With powerhouse performances from Watts and Holland, who makes his film debut, The Impossible is one of the most stressfully hopeful disaster dramas of all time.
The Impossible showcases how a fun family vacation can change in the blink of an eye. Director J.A. Bayona leaves little to the imagination, grounding the film in immense realism. He drops you into the inescapably rough waters before shifting gears toward a genuine human story. Through a micro-examination of the family rather than a more outward approach of the local victims, The Impossible is a very specific ordeal. The Impossible is a powerful film thanks in part to the visceral imagery, remarkable performances, and the fight against overwhelming odds. You may not be able to escape an event like this, but The Impossible brings a glimmer of hope through its story of perseverance.
In 1972, Ronald Neame adapted Paul Gallico‘s 1969 novel The Poseidon Adventure into a cinematic event. The film depicts the titular aging luxury ocean liner on its voyage from New York City to Greece. Just after midnight on New Year’s Eve, the S.S. Poseidon is rocked by a rogue wave, capsizing the ship. As many passengers drown while awaiting help in the ballroom, Reverend Frank Scott (Gene Hackman) leads a small group to climb through the upside-down interior, facing off against raging fires, rising water, and block passages in hopes of safety. A high-stakes survival thriller, The Poseidon Adventure was simply groundbreaking
The Poseidon Adventure could have been a disaster with its epic all-star cast, which included five Oscar winners: Hackman, Jack Albertson, Ernest Borgnine, Red Buttons, and Shelley Winters. Instead, it was a brilliant, simply unpredictable disaster film. Unlike other disaster films, this one has a buffer when it comes to its stars. With this stacked cast, major characters can and will die. The original story allowed for constant, realistic danger at every turn. With practical sets, real water and fire, and physical stunts performed by its stars, The Poseidon Adventure is a thrill of a watch. Though a sequel and remakes were made, nothing holds up as well as the original.
Nothing is more terrifying than the thought of being stuck in a skyscraper during a major disaster. That fear is realized in 1974’s The Towering Inferno. Directed by John Guillermin, the all-star disaster film is set in the lavish, state-of-the-art 138-story building called the Glass Tower in San Francisco, where a massive fire breaks out during the grand opening dedication party. The building’s architect, Doug Roberts (Paul Newman), and fire chief Michael O’Hallorhan (Steve McQueen) work together to fight the blaze, rescue the trapped attendees, and survive the collapsing high-rise. A practical high-stakes thriller, The Towering Inferno is a disaster flick as you’ve never seen before.
The Towering Inferno became a groundbreaking hit thanks to its special effects. Using real Fire and Water, it put the actors right into the danger zone. Through highly detailed miniatures and massive sets, the film felt tangible. A dual production feat from 20th Century Fox and Warner Bros., The Towering Inferno featured one of the strongest ensembles in cinema, including Fred Astaire, Richard Chamberlain, Faye Dunaway, William Holden, and Robert Wagner, among others. The Towering Inferno constantly keeps the action moving and the audience on high alert. A spectacle from start to finish, The Towering Inferno remains one of the most influential disaster films of the decade.
And now, we turn to the pinnacle film about the greatest sea disaster, Titanic. Directed by James Cameron, the Oscar-winning film depicts the maiden voyage of the Ship of Dreams through the eyes of an elderly woman named Rose (Gloria Stuart), who recounts her experience to treasure hunters. On board, upper-class Rose DeWitt Bukater (Kate Winslet) begins a forbidden affair with lower-class Jack Dawson (Leonardo DiCaprio). As their romance heats up, the Titanic strikes an iceberg, causing a devastating tragedy for all on board. A cinematic marvel, Titanic might possibly be the greatest disaster film in Hollywood history.
Titanic is a brilliant romantic film, but its core is rooted in its disaster story. By anchoring the terrifying mechanics of a sinking ship to the romance between Jack and Rose, Cameron gives audiences a reason to care about individual lives during the terrifying ordeal. It humanizes the tragedy by the time disaster strikes. The film humanizes the story by telling a tale of classism in which status dictated potential for survival. By highlighting the stark realities of class barriers during evacuation and the chilling aftermath on the freezing water, Titanic is a complete drama. Cameron’s attention to detail made the film a groundbreaking feat. Cameron conducted deep-sea dives to film the actual wreck, which paired perfectly with the cinema technology. Titanic is a timeless classic.
Not since The Wizard of Oz has a tornado been such an iconic piece of pop culture. Directed by Jan de Bont and written by Michael Crichton and Anne-Marie Martin, the 1996 blockbuster Twister follows Dr. Jo Harding (Helen Hunt) and a group of storm chasers in Oklahoma who brave extreme tornadoes to deploy a groundbreaking weather-research device named “Dorothy.” The team races against a well-funded corporate rival (Cary Elwes) who stole her ex-husband’s Bill Harding (Bill Paxton), design to try and beat them to the scientific breakthrough. Having past trauma of watching her father get swept away by an F5 tornado, Jo is motivated by the desire to bring safety to win. A relentless thriller, Twister merged a compelling and emotionally grounded story with a high-octane action narrative.
Unlike many disaster films that have their characters run away from the disaster, Twister has them racing straight into it. Twister is a tale about chasing danger straight on. The film focuses on the human story in relation to the great weather event. Though Jo and Billy may be separated, they’re together on a mission, reigniting the pressure cooker of love. To bring the tornado to life, Industrial Light & Magic used innovative particle simulations to make them feel practical. Combined with physical wind machines and practical debris, the action feels immersive. It was such a groundbreaking special effect that it even inspired a Universal Studios attraction. One of the defining disaster films of the decade, Twister’s legacy lives on today thanks to its legacy sequel.
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When one A-lister wears a shoe style, we take notes. When all of our favorite celebrity rich moms wear the same one, we add it to our cart immediately, as is the case with Hilary Duff‘s latest look. Her chic sneakers nail the low-profile Adidas trend, and we found her exact pair at Nordstrom!
These Adidas Japan Low-Top Sneakers are Duff’s pick for sporty-luxe style. She rocked them with a tank, leggings and a tote bag for the easiest errand outfit. But it’s not just Duff. We’ve also spotted Anne Hathaway, Mariska Hargitay and Nicole Kidman wearing similar pairs, proving it to be the rich mom ‘it’ look of 2026.
Get the Adidas Japan Low Top Sneakers for $130 at Nordstrom! Please note, prices are accurate at the date of publication but are subject to change.
With a sleek silhouette, a classic side-stripe logo and perforated detailing around the toes, these kicks are stylish by default. They combine soft suede and tumbled leather, a mixed-textile moment that channels retro and modern vibes at the same time.
Better yet, the perforations keep them breathable, and the insole is plush enough for long walks. One shopper said it “literally molds” to your foot while another said they can “walk for miles,” so do with that what you will. Whether you’re running errands or touring Europe, you’ll be glad you chose these timeless everyday sneakers.
We love the look of these Duff-approved low-tops with a tee and wide-leg jeans, but you can easily dress them up with a blouse and trousers. A five-star reviewer wrote, “They look great with anything. Can wear them anywhere from the office to a day or night out.”
To make things sweeter, they come in 22 colors, all rich-mom-coded. Some are even on sale, so don’t miss out on this celeb-loved style that’s dominating celebrity, rich mom and celebrity rich mom wardrobes everywhere!
Get the Adidas Japan Low Top Sneakers for $130 at Nordstrom! Please note, prices are accurate at the date of publication but are subject to change.
UsNow Fall Sale Alert: These chic fashion finds are up to 60% off – plus free shipping
Welcome to fall with our biggest sale of the season. Our favorite dresses, tops, handbags, and shoes are all on sale + free shipping. Inventory is limited so hurry before they’re gone.
Brandi Glanville is pulling back the curtain on just how consuming her ongoing health battle has become.
After years of searching for answers about the mysterious problems affecting her face, the former “Real Housewives of Beverly Hills” star revealed that her current routine includes roughly 18 hours of IV treatment a day.
Even more troubling, Glanville says the treatments have affected her appetite as she acknowledged her noticeably thin appearance.
In a new Instagram video, Glanville gave followers an unusually intimate look at what her days look like now.
“I know I’m so skinny right now,” the 53-year-old said before explaining that her treatments have affected her appetite. “I can’t eat because the things I do… decreases my food [sic]. I feel like death. I look like death.”
Rather than receiving all of her care at a medical facility, Glanville has learned how to manage portions of the process herself. She showed the equipment in her kitchen and explained that a nurse visits for several hours each evening.
Glanville identified one of her IV medications as imipenem, which she receives through a pump, before describing a schedule that continues overnight.
“18 hours a day,” she said per the Daily Mail. “It’s a lot of setup.”
Mayo Clinic describes imipenem-containing medications as antibiotics used to treat certain bacterial infections. Glanville, however, did not disclose a new diagnosis or explain precisely what infection her current regimen is targeting.

The video may have provided Brandi Glanville’s most revealing glimpse yet into her daily routine, but she made clear that it was not the complete story.
“For the first time, I’m showing you what my life has really looked like behind closed doors,” she said, pointing to the treatments, IVs, exhaustion and difficult days she previously kept private.
She added that there remains “a lot” she is not prepared to discuss publicly and labeled the video “Part 1,” suggesting more disclosures are coming.
That uncertainty is significant because Glanville has spent years trying to determine exactly what caused the facial problems that first came to public attention in 2024.
Her explanations have evolved as doctors uncovered new information, making her latest treatment another development in a medical journey that has repeatedly appeared close to resolution before taking another turn.

Earlier this year, there appeared to be a breakthrough. In February, Glanville revealed that one of her nearly two-decade-old breast implants had ruptured.
She said silicone had migrated into her lymph nodes and linked the problem to a severe infection.
The Blast previously obtained details about the surgery Glanville underwent to remove the ruptured implants. At the time, she was hopeful that doctors had finally identified the underlying problem after years of uncertainty.
Her ordeal had already included facial swelling and disfigurement, numerous medical consultations, and her belief that a parasite was contributing to her symptoms.
However, the surgery did not close the book on her health problems.
By June, Glanville was again telling listeners of her “Brandi Glanville Unfiltered” podcast that her face was “sinking in again” and that she still did not have all the answers.

Another significant development came in June when Brandi Glanville disclosed that doctors had found a benign tumor in one of the lymph nodes in her face.
“I have a benign tumor in one of my lymph nodes in my face,” she said at the time, adding that it “could be why the fluid is going around my face.”
The finding came after Glanville noticed a lump that she said other doctors had previously dismissed as scar tissue. As The Blast previously covered, the reality personality also said her condition had made something as routine as wearing makeup difficult.
Separate comments reported by PEOPLE illustrated the extraordinary cost of her search for answers. Glanville said she had consulted 21 doctors and spent around $200,000 out of pocket while seeing specialists, including infectious-disease doctors and rheumatologists.

The severity of Glanville’s latest update is particularly striking considering how hopeful she sounded less than a year ago.
In November 2025, she said she was slowly returning to her normal routine after moving into a new home and focusing on a calmer environment.
Then, in January this year, she appeared ready for a more public comeback, showing off a dramatically refreshed appearance after spending much of the previous two years away from the spotlight.
The Blast covered Glanville’s cautious return to public life after her lengthy health ordeal, when the reality star appeared optimistic about finally moving forward.
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