Entertainment
Obsession Needed Only Two Weeks To Make Movie History
By Jonathan Klotz
| Published
Memorial Day weekend is a showdown between the two sides of modern Hollywood. On one side, we have Disney’s big-budget Star Wars blockbuster The Mandalorian and Grogu, and on the other, the latest micro-budget horror from Blumhouse: Obsession. The two films can’t be any more different, and while Star Wars’ return to the big screen is expected to earn over $400 million at the box office, it’s Obsession that’s going to enter the history books. Not only because of its total box office, it’s going to end up over a $100 million, but it’s how it’s earned the money. It’s the first film since Shrek to earn more its second weekend than its first, without the benefit of Christmas or Thanksgiving weekends. That’s one for the history books.
Obsession Defies Decades Of History
A second weekend drop of under 50 percent is considered a success in Hollywood. On average, movies tend to be frontloaded these days, and we’ll never again have a film like Titanic, which earned more on Valentine’s Day three months after release than it did on opening night. It was catastrophic that both Batman v. Superman: Dawn of Justice and Ant-Man and the Wasp: Quantumania fell by 67 percent in their second weekends, but a franchise-saving success when Bumblebee dropped only 3 percent. Obsession has, percentage-wise, done better than all of those films, and thousands of others.
Obsession is, as of the time of this writing, on pace for a second weekend performance of $19 million. 16 percent above its original haul of $17 million. With outstanding word of mouth, rave reviews, and countless social media reactions, sketch comedian Curry Barker’s (no relation to that other Barker) horror debut shows no signs of slowing down. If the third weekend breaks $19 million, Obsession will become one of the most successful films in modern history.
The Next Big Name In Horror
With a total budget of under a million dollars, Obsession cost less than the catering budget for The Mandalorian and Grogu. The tight story, with a total runtime of barely over 100 minutes, has been able to capture the audience’s imagination in a way few horror films have before, already earning the film comparisons to The Ring, The Blair Witch Project, and Paranormal Activity. The One Wish Willow that allows Bear (Michael Johnston) to wish for his crush, Nikki (Inde Navarrette) to love him more than anyone is already being talked about as the subject of a second film, or an anthology, with multiple One Wish Willow’s going very, very badly for the wisher.
Low-budget horror has become a staple of cinema over the last few decades in particular, and Curry Barker is set to follow up his current hit next year with Anything but Ghosts starring Aaron Paul and Bryce Dallas Howard (with an estimated budget of $5 million) and in 2027, a new take on an old classic: The Texas Chainsaw Massacre. It’ll be a tough bar to clear the success of Obsession, which might break even more records before its run comes to an end, but given the reaction to his small-scale Monkey’s Paw story, Barker is going to become one of the hottest directors in Hollywood.
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Netflix has had a fairly strong performance in the first half of 2026, with several hit releases, particularly when it comes to its shows. The streaming service has released several acclaimed and popular series this year, with the promise of more to come. It’s a good time to be a subscriber, but that doesn’t mean it’s all amazing.
Obviously, not every new show can be a masterpiece, but Netflix has had more hits than misses in 2026 so far. And in case you’re not all caught up on the streamer’s 2026 series, we’ve got you covered. Here’s a handy guide to some of Netflix’s top 2026 shows, ranked from worst to best.
8
‘Finding Her Edge’ (2026–Present)
Adapted from the novel by Jennifer Iacopelli, Finding Her Edge is a teen drama series set in the world of competitive ice skating. Developed by Shelley Scarrow and Jeff Norton, the show follows Adrianna Russo (Madelyn Keys), a skater from a dynastic family, as she returns to the sport to help her family through a financial crisis and finds herself conflicted by a budding romance with her new skating partner and the return of her first love. Cale Ambrozic, Olly Atkins, Alexandra Beaton, Alice Malakhov, and more appear in key roles.
Fully immersed in the sport of ice skating and predictably complicated by classic teen romance tropes, Finding Her Edge is a fairly fun watch for fans of YA romance dramas, but the show’s narrative is far too poorly constructed to maintain consistent engagement for all but the most invested viewers. The show earned mostly positive reviews from critics, with praise for the costumes and choreography, but it has also attracted criticism from reviewers and viewers alike. The series has been renewed for a second season, though, so there’s still a chance it could grow out of those flaws.
7
‘Run Away’ (2026)
Netflix’s latest Harlan Coben adaptation, Run Away is a drama thriller miniseries developed by Danny Brocklehurst (Fool Me Once). James Nesbitt stars as investment banker and desperate father Simon Greene, following his frantic search for his runaway, drug-addicted daughter (Ellie de Lange), which brings him into the darkness and dangers of the underworld and his family’s shocking past. The series also features Alfred Enoch, Ruth Jones, and Minnie Driver in key roles.
One of the stronger Harlan Coben adaptations on Netflix, Run Away is a twisty, fast-paced drama that takes several unexpected turns, including some that veer into the implausible. Anchored by Nesbitt’s gripping performance, the show is an engaging and addictive watch, but it does test the suspension of disbelief, and the plot can be quite uneven, particularly towards the end. It’s a must-watch for Harlan Coben fans, but it may not be as great a watch for everyone else.
6
‘His & Hers’ (2026)
Adapted from the 2020 novel by Alice Feeney, His & Hers is a mystery thriller limited series developed by William Oldroyd. Tessa Thompson stars as Anna Andrews, a former news anchor living in Atlanta who finds herself drawn back into action by news of a murder in her hometown, where she clashes with the officer on the case: her estranged husband, Detective Jack Harper (Jon Bernthal). The series also features Pablo Schreiber, Rebecca Rittenhouse, and Sunita Mani in key roles.
Released in January 2026, His & Hers earned praise for Tessa Thompson’s central performance, which gives the series its driving force. However, despite the moody atmosphere and plentiful mystery, the show is a bit of a mixed bag in the plot department. It’s still an entertaining watch, but His & Hers has ultimately earned a mixed reception from critics and hasn’t performed much better with audiences either.
5
‘Strip Law’ (2026)
Created by Cullen Crawford, Strip Law is an adult-animated sitcom revolving around a law firm in an exaggerated version of Las Vegas. Adam Scott stars as the voice of Lincoln Gumb, a lawyer who is kicked out of his mother’s law firm after her death, and the show follows his attempts to build his own firm by recruiting a motley crew of employees. The voice cast also includes Janelle James, Stephen Root, Shannon Gisela, and Keith David.
Strip Law was released in February 2026 and canceled in May, and while Netflix does have a history of canceling acclaimed new shows, this one’s critical reception was fairly mixed. It’s a serviceable and often hilarious animated sitcom in the tradition of Archer, with loads of irreverent humor and an enjoyable satire of Las Vegas, but not a lot of great characterizations to go with all that. The show is a good watch for fans of chaotic adult-animated comedies, but it still could have been better.
4
‘Agatha Christie’s Seven Dials’ (2026)
Created by Chris Chibnall and adapted from Agatha Christie’s 1929 novel, The Seven Dials Mystery, Agatha Christie’s Seven Dials is a murder mystery miniseries that kicks off with the mysterious death of Gerry Wade, a guest at the Caterham country estate. Suspecting murder, Lady Eileen “Bundle” Brent, Lady Caterham’s daughter and Gerry’s love interest, sets out to investigate, uncovering old secrets and a complicated conspiracy. Mia McKenna-Bruce stars as Bundle and Helena Bonham Carter as Lady Caterham, with Edward Bluemel, Iain Glen, Martin Freeman, and more in key roles.
A gorgeous period production with compelling performances by McKenna-Bruce and Bonham Carter, Agatha Christie’s Seven Dials is a lighthearted, cozy mystery show. The miniseries may not be one of the greatest Christie adaptations, but it packs suspense, drama, and humor into its three-episode narrative. The show had a pretty mixed reception, and it likely won’t be very widely remembered in the years to come, but it’s a breezy, satisfying mystery with broad appeal.
3
‘Something Very Bad Is Going to Happen’ (2026)
Created by Haley Z. Boston, Something Very Bad Is Going to Happen is a horror thriller miniseries that revolves around the impending wedding of Rachel Harkin and Nicholas “Nicky” Cunningham. In the days leading up to the event, the couple finds their relationship rocked by haunting revelations of family history. The ensemble cast is led by Camilla Morrone as Rachel and Adam di Marco as Nicky, with Jennifer Jason Leigh, Ted Levine, Sawyer Fraser, Zlatko Burić, Jeff Wilbusch, Karla Crome, and Gus Birney in notable roles.
An atmospheric horror miniseries with a bleak, gothic-inspired aesthetic, Something Very Bad Is Going to Happen is a gripping and surreal journey. Combining absurdism, bleak humor, paranoia, superstition, and supernatural elements, the show has been widely praised by critics and viewers alike. The series may not be for everyone, but it’s a delightful watch for fans of surreal horror rooted in the psychological.
2
‘How to Get to Heaven from Belfast’ (2026)
Created by Lisa McGee of Derry Girls fame, How to Get to Heaven from Belfast is an Irish comedy thriller show that revolves around three Belfast women: TV writer Saoirse Shaw, mother of three Robyn Winters, and gay Catholic carer Dara Friel. When they hear that the estranged fourth member of their teenage friend group has died, the trio decides to pay their respects at the funeral, only to find themselves drawn into a series of strange events. The show stars Roisin Gallagher as Saoirse, Sinéad Keenan as Robyn, and Caoilfhionn Dunne as Dara, with Natasha O’Keeffe, Bronagh Gallagher, Darragh Hand, Michelle Fairley, Saoirse-Monica Jackson, and more in supporting roles.
A wild, chaotic, and utterly gripping miniseries, How to Get to Heaven from Belfast is a brilliant watch that shifts genres and gears with expert precision, keeping the audience guessing until the very end. Powered by the stellar performances of its leading trio, McGee’s follow-up to Derry Girls is a totally different beast from the ’90s coming-of-age story but shares a lot of the same DNA (and some of the cast). It’s easily one of Netflix’s best releases of the year so far, and it’s already been widely hailed as a masterpiece.
1
‘The Boroughs’ (2026)
Created by Jeffrey Addiss and Will Matthews and produced by The Duffer Brothers, The Boroughs is a sci-fi series set in a picturesque Florida retirement community. When strange, otherworldly creatures start attacking the residents, they’re forced to band together to face this eldritch evil. Alfred Molina leads the ensemble cast, which also includes Bill Pullman, Geena Davis, Clarke Peters, Alfre Woodard, Denis O’Hare, Jena Malone, and Carlos Miranda.
Featuring an immense breadth of talent both in front of and behind the camera, The Boroughs was easily one of Netflix’s most highly anticipated shows of the year, and those expectations have been rewarded. It’s an ambitious and masterfully crafted sci-fi horror drama with a powerful emotional core and stellar performances. The show shares the energy of the Duffer Brothers’ landmark hit Stranger Things, but it’s still unique enough to stand out as an instant classic in its own right.
- Release Date
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May 21, 2026
- Network
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Netflix
- Showrunner
-
Jeffrey Addiss, Will Matthews
- Directors
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Augustine Frizzell, Kyle Patrick Alvarez
- Writers
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James Schamus, Jose Molina, Julie Siege, Tom Hanada
Prince Harry made a rare virtual appearance on the same day his embattled and estranged royal family members attended the annual Trooping the Colour.
“It is an honor to be sending this message as you all gather in Düsseldort for another Invictus sporting title,” Prince Harry, 41, said in a Saturday, June 13, video shared via the Invictus Games’ official Instagram Stories. “Germany is setting a powerful example of what it means to honor service with dignity and enduring commitment. We are now gathered for the second Invictus Germany Sports Festival, welcoming 11 nations.”
The estranged prince added, “And what you’ve created here is already helping shape the inaugural Invictus Australia Sports Festival later this year.”
Harry’s virtual appearance and remarks during the opening ceremony of the 2026 Invictus Germany Sports Festival — an offshoot of the prince’s Invictus Games, a multisporting event for wounded, injured or sick military service personnel and veterans founded by the royal in 2014 — came the same day his father, King Charles III, celebrated his annual birthday parade and military flypast.
Prince Harry and Meghan Markle did not make the trip across the pond to celebrate King Charles III’s first Trooping the Colour parade. Charles, 74, marked his inaugural birthday procession on Saturday, June 17, with wife Queen Camilla, eldest son Prince William and siblings Princess Anne and Prince Edward. The king arrived to the occasion […]
The king’s wife, Queen Camilla, and his other son, Prince William, were all in attendance, along with Princess Kate Middleton, Prince George, Princess Charlotte and Prince Louis.
Former Prince Andrew, now known as Andrew Mountbatten-Windsor, was noticeably absent from the family’s celebratory event as he continues to experience the legal and cultural fallout of his controversial friendship with convicted sex offender Jeffrey Epstein.
Britain’s Prince Harry, Duke of Sussex Getty Images
In February, authorities confirmed that the disgraced royal family member was taken into custody on “suspicion of misconduct in public office” for allegedly sharing classified information with Epstein, who died by suicide in 2019 while awaiting trial for sex trafficking. The investigation has since expanded to include accusations of sexual misconduct. Andrew has denied all allegations levied against him.
“Prince Andrew will now be known as Andrew Mountbatten Windsor. His lease on Royal Lodge has, to date, provided him with legal protection to continue in residence,” Buckingham Palace shared in a statement. “Formal notice has now been served to surrender the lease and he will move to alternative private accommodation. These censures are deemed necessary, notwithstanding the fact that he continues to deny the allegations against him.”
The statement concluded, “Their Majesties wish to make clear that their thoughts and utmost sympathies have been, and will remain with, the victims and survivors of any and all forms of abuse.”
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As for Prince Harry, he remains estranged from members of his royal family, though insiders previously told Us Weekly that he is slowly but surely repairing his relationship with his father after the pair shared an emotional reunion two years in the making.
“The meeting was sparked by a handwritten letter from Harry earlier this year to Charles expressing his desire to reconnect,” a source exclusively explained to Us in September 2025. “They were not sure it was going to happen until just in the last week.”
Harry’s visit with his father was said to be “super positive and very relaxed.” He has yet to repair his relationship with his brother William, however, after moving to California with wife Meghan Markle and leaving life as a senior working royal behind.
The amnesiac format in psychological thrillers is always a fun one: an unreliable narrator thrown into a dizzying world where they don’t know who to trust, not even themselves, as secrets are slowly uncovered. In 2022, Apple TV gave us another rendition of this classic trope that was sorely overlooked, even though it had all the thrills and charm of the genre. Surface is a perfect escapist weekend binge, one that’ll have you playing the guessing game right until the end while you are enthralled by the lavish costumes and designs of San Francisco high society. On top of that, with psychological thriller veteran Gugu Mbatha-Raw leading the way, we’re in safe hands as we enter this emotional and paranoid spiral.
Gugu Mbatha-Raw Is a Quietly Fierce Lead in ‘Surface’
The amnesiac in question in Surface is Sophie (Mbatha-Raw), a woman who sustains a head injury after a suicide attempt and returns to her world of luxury without any memories. She lives with her husband James (Oliver Jackson-Cohen), who tries to coax Sophie back into their picturesque life with the help of her best friend Caroline (Ari Graynor). Though we already question if we can trust their claims and motivations. Things become more complicated when Sophie meets undercover cop Baden (Stephan James), who insists that she cannot trust her husband. Soon enough, she also realizes that she has some secrets of her own, deepening the cracks of the perfect picture that everyone claims to be her life. But the most damning piece of evidence that proves not everything is as it seems is voiced by Sophie herself: “If my life was so perfect, why did I try to end it?”
Playing an amnesiac is always a fun challenge for actors: balancing being a blank slate with the hints of the character’s instincts and personality underneath. In Surface, Mbatha-Raw masters the tight-rope act and is reason enough to dive into the depths of deception and betrayal of Sophie’s life. She mixes the effortless charisma we saw in “San Junipero” in Black Mirror, with the deadpanned suspicion in her role from The Girl Before, becoming a compelling lead we enjoy following down the rabbit hole. As Sophie overhears suspicious conversations and goes running around the area to clear her mind, there’s an innate fierceness that simmers beneath her surface of confusion, distrust, and vulnerability. It’s a quiet ferocity that drives the series forward, making the character easy to root for as she peels back the layers of her flashy life.
‘Surface’ Is the Perfect Psychological Thriller for Escapism
Mbatha-Raw’s persevering performance is what guides us through a show that is pure escapism, one that exists for genre thrills wrapped in the facade of luxury. In the vein of Big Little Lies, the sets scream wealth, and the costumes are devastatingly gorgeous, but this is all drenched in dark hues that suggest something sinister is going on, which is undoubtedly true. As such, the escapism stems from the timeless experience of watching rich people be miserable and bored while draped in the sinful fruits of their wealth. Combining extravagance with a distinct sense of paranoia and distrust results in an atmosphere that is charged and palpable, radiating right off the screen to include viewers in the turmoil.
Though the show has been criticized for being a tad too much of a slow-burn, this atmosphere and the visuals that come alongside it make the methodical unraveling worth it. Our amateur sleuth flits between her untrustworthy psyche and the elusive pieces of evidence she comes across, making every revelation feel earned as it arrives with a truckload of emotional weight. It’s especially enthralling when Sophie digs into her own secrets, which is where Mbatha-Raw’s performance excels, as the character is confronted with the aspects of her own identity that she has forgotten. As the plot slowly twists and turns towards the dark truth, we’re submerged in Sophie’s own internal struggles, the genre thrills, and the contrast of the surrounding opulence. Mbatha-Raw guides us through her character’s fractured psychological state, as she dissects the veneer of wealth around her, making for a twisty and escapist thriller that is utterly easy to consume.
Surface
- Release Date
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July 28, 2022
- Network
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Apple TV+
- Directors
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Kevin Rodney Sullivan, Jennifer Morrison
Hot Ones host Sean Evans and Nope actress Keke Palmer are fueling online rumors they’re dating in the wake of their viral TV kiss.
The pair were spotted enjoying an intimate dinner at Brooklyn Italian hot spot Lucali on Friday, June 12, per photos obtained by multiple outlets including celebrity gossip site DeuxMoi and TMZ.
In the photos, Evans, 40, and Palmer, 32, were seen “locked in” during their 90-minute meal, per Cosmopolitan. While the two did not reportedly show any public displays of affection during their outing, sources told TMZ that Evans appeared to be “smitten” over Palmer.
While appearing at the special FYC event at Hollywood’s Avalon on Tuesday, June 9, Evans opened up — again — about his palpable chemistry with Palmer, who has previously described as “charming.”
Keke Palmer has navigated her personal life in the public eye for more than a decade. “I’ve always had the same philosophy when it comes to dating. Not that I wouldn’t give someone a try. But trying to keep my private life outside of my work life, to me, it’s easiest when you don’t date […]
“Working with Keke Palmer is always like a one plus one equals three situation,” Evans said at the time, per The Hollywood Reporter. “You know who I loved interviewing was Viola Davis. I really loved interviewing Viola Davis. Paul Rudd is another one who immediately understood what we were doing and got me.”
The pair have never publicly defined or shared their relationship status. Us Weekly has reached out to reps for both Evans and Palmer for comment.
@firstwefeast the smooch that broke the internet ❤️🔥😘 #HotOnes #BabyThisIsKekePalmer #SeanEvans #KekePalme
Online rumors Evans and Palmer are a romantic couple have hit a fever pitch as of late and ever since the Hot Ones host admitted he had something of a crush on the actress.
“Keke Palmer,” Evans told Chicken Shop Date host Amelia Dimoldenberg when he was asked if he liked anyone he had ever interviewed. “Very charming. Very charming woman.”
Palmer later reacted to the viral admission, writing in the comments section of a post featuring the interview clip, “It was love at first hot wing — this was too kind @seanseaevans.” The actress later told People in an August 2024 interview that she as “living for” his confession.
“Not to say that I was surprised or I wasn’t surprised,” she explained at the time. “But when I heard it and people were sending it to me, I was like, ‘I knew the vibes were vibing.’”
Throughout her career, Keke Palmer has proven that the sky’s the limit — and she’s only getting started. Palmer began singing in the church choir at age 5 and after moving to Los Angeles she quickly found success with acting. She rose to fame after starring on her own Nickelodeon series, True Jackson, VP, from […]
Later, in September 2025, the pair finally shared their first (Us assumes) real-life kiss during Palmer’s third Hot Ones appearance.
“And then there’s one more thing I’d like to say, Sean,” Palmer said during the episode, taking charge of the program. “Because I saw an interview where you said, like, I was your favorite guest, you know, and all this really sweet stuff. And I know we’ve just had some wings, but I thought that maybe we could just have a quick smooch to see if there’s a spark.”
“When I’m dying and my life flashes before my eyes, I’ll have that snapshot,” Evans said after giving the actress a kiss on the lips.
Entertainment
Agatha Christie Fans Need To Watch This 2016 Mystery Thriller That’s Impossible To Solve
Is there anything better than a gripping, spine-tingling mystery? Throw in a web of lies, deceit, and a race against time, and you’ve got something that truly keeps viewers on the edges of their seats. Modern whodunnits like the Knives Out movies and classic Agatha Christie tales might scratch that itch, but if you’re looking for something you might’ve overlooked, you need to watch The Invisible Guest.
What Is ‘The Invisible Guest’ About?
Directed by Oriol Paulo, the master of layered and intricate storytelling, the film promises to be a murder mystery. However, it doesn’t just stop there. It dives into puzzling realms and creates a narrative where every single piece counts. At the center of it all is Adrian Doria (Mario Casas), a businessman who’s found locked in a hotel room with the lifeless body of his lover, Laura Vidal (Bárbara Lennie). All fingers are pointed at him considering the damning evidence of a sealed room with no extra entry/exit points.
That’s where razor-sharp defense attorney, Virginia Goodman (Ana Wagener) comes in. Using her talent for dismantling lies, she chips away at Adrian’s version of the truth and in the process kicks off a high-stakes cat-and-mouse chase. Using an expertly patched-together set of flashbacks, shifting perspectives, and red herrings, The Invisible Guest proves that a good mystery isn’t just about finding out who did it, but figuring out who’s lying.
‘The Invisible Guest’ Capitalizes on a Web of Secrets and Expert Storytelling
Your run-of-the-mill murder mystery reveals the truth, but The Invisible Guest, on the other hand, makes you work for it. In Paulo’s usual fashion, right at the moment when viewers think they’ve cracked the case, the movie flips the script… again. The Invisible Guest wastes little to no time reeling you into its intricately spun web. From the very first moment, there’s the locked room set up, but that’s just the tip of the iceberg as Wagener’s Virginia Goodman claws away at Adrian’s story. The fascinating thing is how it’s not simply about what transpired but about how each revelation leads further into a maze of lies and unexpected plot twists.
A standout moment comes in the form of the fateful car accident that changes everything. While driving through a snow-covered area, Adrian and Laura end up hitting a young man’s car. Unfortunately, the entire ordeal ends in his death. Then, panic sets in and instead of reporting things to the authorities, they cover up the accident. Unexpectedly, another driver happens on the scene of the accident, leading Adrian and Laura to pretend to be exchanging insurance information. However, from this point on, the story spirals as Adrian hides the victim’s car and body in a lake. Later, a local automotive engineer, Tomas Garrido (José Coronado), offers to help Laura repair the damaged vehicle — Adrian’s car, but in a shocking twist, Tomas happens to be the actual victim’s father. The tension in these scenes is nothing short of electric and creates the perfect cocktail of guilt, revenge, and betrayal. In a nutshell, this is how the film delivers reveals within reveals that are everything but linear or one-note.
The Thin Moral Lines in ‘The Invisible Guest’ Make for an Unforgettable Narrative
One of the most fascinating things about The Invisible Guest is how quickly morality becomes a moving target. In this film, no character walks away unaffected by the myriad of choices they make as the story runs its course. It all begins with the central characters, Adrian Doria and Laura Vidal, whose situation kicks off a string of ethically questionable decisions. It’s made clear early on that the moral compass between the couple is weak, from their affair to their calculated self-preservation at the accident scene. But it’s not just the hit-and-run that muddies the waters. There’s Adrian’s penchant for lying and manipulating everyone around him in a bid to control all versions of the truth. The combination of their questionable judgment ripples outwards, which ends up pulling other characters, like Tomas Garrido and his grieving wife, into their web of lies.
Even the moral compass of the film, defense attorney Virginia Goodman, operates in gray areas, laying psychological traps to coax the truth out of Adrian. At the end of the day, The Invisible Guest proves it’s more of a mystery as it weaves a tale that challenges viewers to consider how far they’d go when their backs are against the wall.
‘The Invisible Guest’ Revives Classic Mysteries With a Modern Bite
If The Invisible Guest feels strangely familiar, it’s because Oriol Paulo knows his way around the mystery blueprint as a whole. The film boldly leans into its genre influences — from Agatha Christie’s tendency to misdirect to Alfred Hitchcock’s penchant for sleight-of-hand. But instead of taking the easy route and full-on mimicking these classics, The Invisible Guest updates them for a modern audience. To that effect, it’s faster, sharper, and less patient with predictable plotlines. Take the locked-room setup, for instance; it’s a well-worn trope that’s been used through the ages to make a murder seem impossible because the crime scene is inaccessible. Typically, in older murder mysteries, the trope is the entire puzzle, but in The Invisible Guest, it’s just the beginning of a whole lot of chaos. Sure, the sealed room is a conundrum, but the film does its best not to dwell on the logistics; instead, it turns it into some sort of narrative weapon. The impossibility pushes the lead character to come undone under the weight of his own lies.
What really sells the plot, ultimately giving the film its modern bite, is the way it handles the concepts of truth and time. Instead of giving viewers one reliable narrator — or, at the very least, a steady linear timeline — the story folds in on itself with conflicting accounts, flashbacks, and mental rewrites. The result isn’t just the spectacle of a mystery unfolding, but audiences are forced to actively try to piece together the rules of the game. This kind of narrative manipulation is more in line with the psychological thrillers of the 2000s than the neat resolutions of older whodunnits.
Then there’s the tone. It’s common for classic murder mysteries to play with elements like decorum and quiet deduction. However, Paulo’s approach is all tension and urgency. Unlike older stories where justice feels inevitable, The Invisible Guest is one of those films that makes you wonder whether anyone will ultimately pay the price for the crimes committed. In a nutshell, the movie clearly respects tradition, but it doesn’t wrap itself in it. Instead, it cleverly borrows just enough from the classics to feel familiar but sharpens the narrative to deliver something entirely new.
The Invisible Guest
- Release Date
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January 6, 2017
- Runtime
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106 Minutes
- Director
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Oriol Paulo
- Writers
-
Oriol Paulo, Lara Sendim
When it comes to major media conglomerates, no company has more magic than the Walt Disney Company. The place where we learn to wish and dream as our imagination takes flight, Disney has been a major part of our lives in one way or another. The 21st century featured two major acquisitions for Disney to add to the roster: Star Wars and Marvel. Both media franchises had established themselves as major players in the pop culture lexicon, and now, with Disney at the helm, those opportunities and budgets increased exponentially!
Playing in the Star Wars or Marvel universe is a fun treat for an actor, but to get to do both? It’s like getting to go to Disney! We’re here to talk about the giant list of actors who have had the glory of playing in both worlds. For this list, we are sticking to those films and series that are canonically tied to both franchises. So yes, for the Marvel Cinematic Universe, the Netflix shows like Daredevil and Jessica Jones are included! The simple fact that this is a hefty list proves that both franchises can pull in mega stars.
1
Richard Armitage
This one might be a bit of a cheat, because Richard Armitage‘s presence in the Star Wars universe came in the form of a cameo. In 1999, Armitage made his film debut as an uncredited Naboo fighter pilot in Star Wars: Episode I — The Phantom Menace. As it turns out, he originally had a few lines, but they were cut. Though he’s visible in the background, we’ll count it! When it comes to the MCU, Armitage played Heinz Kruger, a top Hydra assassin in Captain America: The First Avenger. Kruger is the operative who infiltrates the facility where the super serum is created and later swallows a cyanide capsule to avoid interrogation.
2
Paul Bettany
Some names on this list have prominent roles in both worlds. One such actor is the incredible Paul Bettany. He began his tenure in the MCU as the voice of J.A.R.V.I.S., the trusty artificial intelligence of Tony Stark (Robert Downey Jr.) in Iron Man through Avengers: Age of Ultron. It was in that film that J.A.R.V.I.S. was uploaded into a synthetic vibranium body, putting Bettany on screen as Vision. He brought the beloved role to the small screen in WandaVision. And yes, he will return in the upcoming VisionQuest. Bettany then stepped into a galaxy far, far away as the primary antagonist Dryden Vos in Solo: A Star Wars Story. Vos is a high-ranking, merciless leader in the Crimson Dawn crime syndicate who acts as the primary employer for Han Solo (Alden Ehrenreich) and Qi’ra (Emilia Clarke) during their smuggling days.
3
Emilia Clarke
Though her most iconic role came on Game of Thrones, this actress, known for playing Daenerys Targaryen, appeared in a Star Wars film and an MCU series. Clarke played Q’ira in Solo: A Star Wars Story. Q’ira was Han’s childhood best friend and first love from Corellia. She eventually rises in the ranks of the Crimson Dawn, only for her to defeat Dryden Vos in the end. Clarke spent more time on screen as a main character in Secret Invasion. She played adult G’iah, a hardened rebel fighting alongside the extremist faction led by Gravik (Kingsley Ben-Adir). Having the superhuman abilities from the “Harvest” machine, she eventually turned on Gravik and his followers. By the end of the series, G’iah ended up being one of the most powerful beings in the entire MCU. Clarke recently went on the record, saying that her time in both series, as well as in The Terminator franchise, was “disappointing” because they weren’t “liked.” (At least everything until the end of Game of Thrones was enjoyed by the audience!)
4
Rosario Dawson
Before taking on her most iconic pop culture role of the live-action iteration of Ahsoka Tano to life, Rosario Dawson had a recurring stint in the MCU Netflix series as Claire Temple. A dedicated medical professional, she first arrived on the scene as an ally to Matt Murdock (Charlie Cox) in Daredevil. She continued the role in the subsequent connected series within The Defenders shows. Now to Star Wars, Dawson brought Ahsoka first to The Mandalorian and then reprised the role in The Book of Boba Fett. In 2023, she was granted the opportunity to lead her own series, Ahsoka. The iconic character is a Force-sensitive Togruta and formally Anakin Skywalker’s Padawan in The Clone Wars. Her grand journey on the small screen has solidified her as one of the most notorious and fan-favorite characters in franchise history.
5
Benicio del Toro
To say that Benicio del Toro is versatile is an understatement, but when it comes to space, del Toro loves to play it cool. Del Toro began his MCU journey as The Collector in Guardians of the Galaxy. The Collector is a prominent Elder of the Universe known for curating a vast gallery of rare artifacts from across the cosmos. The iconic character returned with cameos in Thor: The Dark World and Avengers: Infinity Wars, while also voicing the alternate timeline version of the character in the animated series What If…? In the Star Wars universe, he played enigmatic codebreaker DJ in Star Wars: Episode VIII—The Last Jedi. The cynical mercenary’s motto is “Don’t Join,” believing both the Resistance and the First Order are equally corrupt. In the end, though he initially aided Finn (John Boyega) and Rey (Daisy Ridley), he betrayed them to the First Order to save himself. Del Toro may not have been a lead in either universe, but he brought two distinct, nuanced performances to the memorable parts.
6
Giancarlo Esposito
It’s not fair to call Giancarlo Esposito a character actor, but when you’re in the hunt for an exceptional actor to play a villain, look no further than him. The prolific actor’s more prominent part in the two worlds came as the ruthless Imperial warlord and leader of the Remnant Moff Gideon in The Mandalorian. Like many of us, he was obsessed with Grogu. Unlike the rest of us, he wanted to harness his powers for his own benefit. Moff Gideon has emerged as a notorious figure and one of the franchise’s greatest bad guys. Now, to the MCU. Let’s just say we were extremely short-shafted after his brief appearance in Captain America: Brave New World. Esposito played Seth Voelker, who is better known to Marvel Comics fans as Sidewinder. As the leader of the Serpent Society, Sidewinder went all combat mode with Sam Wilson (Anthony Mackie), only to be defeated and taken into custody fairly early on in the film. Though no official projects have been announced, with Esposito’s high profile, his character is expected to return in the future.
7
Jon Favreau
Many, many years ago, one might have laughed at the thought that comedian Jon Favreau would become a prolific architect of the MCU and Star Wars franchises. But between his on-screen work and his roles as a creator, director, and producer, our current landscape has been shaped by his extraordinary work. Let’s begin in the MCU. The very first entry into the MCU was a tone-setter as Iron Man featured Favreau in the director’s chair. That is in addition to him playing the now long-running Happy Hogan, Tony Stark’s faithful bodyguard and chauffeur. Having been so successful, Favreau continued to direct Iron Man 2 before becoming a major producer on future MCU projects. And fret not, Happy was back quite often in featured and cameo moments. His proven skill then allowed him to help give Star Wars a prominent identity on the small screen, bringing The Mandalorian to life and producing many subsequent projects. Having his stamp on The Mandalorian, there was no better man than Favreau to direct the recent blockbuster The Mandalorian and Grogu. Now, it would only be fair to include Favreau on this list if he acted in the Star Wars universe, and guess what? He did! In addition to voice work on The Clone Wars, he portrayed Paz Vizsla on The Mandalorian and an Ardennian pilot in Solo: A Star Wars Story.
8
Cailey Fleming
Casting directors don’t always get the credit they deserve when they do slam dunk work by casting the spitting image of the adult in the young version of a character. Such was the case for Cailey Fleming, who portrayed Young Rey in The Force Awakens. The former The Walking Dead actress played the pivotal role, setting the stage for the adventure Ridley’s character would eventually go on. Fleming’s Young Rey did appear via archival footage in The Rise of Skywalker. Fleming once again got to take on a younger version of a major character in the Disney+ series Loki. This time, she took on Young Sylvie, the role played by Sophia Di Martino. It’s through Fleming’s appearance that we learn the critical backstory of Sylvie. All the youngster was doing was playing with the toys in Asgard before being taken into custody. But her detainment didn’t last long as she escaped, plotting her revenge under the original guise of Loki. Fleming was the perfect young star for these mammoth franchises.
9
Donald Glover
Very few actors have such a fascinating career as Donald Glover. After establishing himself on Community and as Childish Gambino, Glover continued his dominance in Hollywood. During that run, Glover made his MCU appearance as Aaron Davis in Spider-Man: Homecoming. Though it wasn’t explicitly stated in the live-action film, Aaron is Miles Morales’s uncle, the protagonist of Spider-Man: Into the Spider-Verse. Glover voiced Aaron, under his future role as Prowler in Spider-Man: Across the Spider-Verse. His big cinematic breakthrough came in Solo: A Star Wars Story as Lando Calrissian. His performance was so iconic that he was initially tapped to create a Lando project. Glover has stated that a film still lives, so we must wait for its fate.
10
Richard E. Grant
Richard E. Grant is one of the most enigmatic actors of our time. An almost chameleon of the screen, Grant’s appearances in both universes are quite wonderful. He took on a central antagonist role in Star Wars: Episode IX — The Rise of Skywalker as the ruthless Allegiant General Pryde. The cold and ambitious high-ranking military officer in the First Order serves as a faithful ally to the Emperor (Ian McDiarmid) and Kylo Ren (Adam Driver). In the MCU, Grant’s cameo in Loki was met with great praise, taking on an older “Classic Loki” who survived Thanos (Josh Brolin) by casting a hyperrealistic illusion of himself, then going into a self-imposed exile. His variant of the God of Mischief made a major decision, sacrificing himself to distract the giant monster Alioth to allow the main Loki (Tom Hiddleston) to escape. Now, technically not in the MCU, though it might be canon soon, Grant played Dr. Zander Rice in the 2017 film Logan. Dr. Race was the ruthless chief of surgical operations who was responsible for creating X-23, also known as Laura Kinney (Dafne Keen). Put a pin in her!
A federal judge has ruled that President Donald Trump‘s name must come off the John F. Kennedy Center for the Performing Arts — and members of the Kennedy family are celebrating the decision.
U.S. District Judge Christopher Cooper handed down the 94-page ruling in May 2026, finding that only Congress has the power to rename the federally chartered Washington, D.C., institution. The decision also temporarily blocked the venue’s planned two-year closure for alleged renovations, throwing the building’s future into uncertainty.
Trump appointed himself the president of the Kennedy Center upon his second term as president, which began in January 2025. He also replaced the entire board of trustees, who subsequently voted to rename the theater “The Donald J. Trump and the John F. Kennedy Memorial Center for the Performing Arts.”
Keep scrolling to learn more:
President Donald Trump has even more plans for the Kennedy Center after he worked to rename the landmark. “The Trump Kennedy Center will close on July 4th, 2026, in honor of the 250th Anniversary of our Country, whereupon we will simultaneously begin Construction of the new and spectacular Entertainment Complex,” Trump, 79, wrote via Truth […]
Judge’s Ruling Explained
A judge ruled in May 2026 that Trump and the Kennedy Center’s Board of Trustees acted unlawfully when they added the president’s name onto the venue, which Congress previously dedicated to President John F. Kennedy in 1964 — a year after his assassination.
“The Kennedy Center’s organic statute makes crystal clear that the Center is to be named for President Kennedy, and it cannot bear any other formal name or public memorial based on the Board’s unilateral say-so,” Cooper wrote in his decision. “Congress gave the Kennedy Center its name, and only Congress can change it.”
The judge also halted Trump’s planned two-year shutdown of the venue, which was originally scheduled to begin in July 2026 to coincide with the country’s 250th anniversary. Cooper found that “none of the board members had sufficient information in advance of the March 16 meeting to make a well-considered decision to close the center,” according to The New York Times. He left the door open for the board to revisit the closure if it independently weighs “its multiple obligations to the Center in a prudent fashion.”
Kennedy Center Staff Told to Scrub Trump References
In a June 4, 2026, memo obtained by Politico, Kennedy Center employees were told to strip Trump’s name from internal and public-facing materials.
“You must immediately change email signatures, letterhead, and other documents to reflect the name as ‘The John F. Kennedy Center for the Performing Arts,’ or ‘Kennedy Center,’” the memo read. “Other changes, such as to templates and forms, signage, brochures, and website pages, must be completed no later than Friday, June 12, 2026.”
Trump’s name had already been quietly removed from the center’s official website, voicemail and YouTube channel in the days leading up to the memo, according to the Associated Press.
A Kennedy Center spokesperson said in a statement, “We are complying with the court’s order while evaluating all legal options to preserve this revitalization and recognize President Trump’s leadership.”
Construction workers were spotted removing Trump’s name from the building facade on June 13, 2026.
Maria Shriver and Jack Schlossberg Celebrate the Decision
JFK’s niece Shriver called the ruling a “birthday present” for her late uncle, who would have turned 109 the day Cooper issued his decision.
“An appropriate birthday present on my uncle’s birthday today. A federal judge ruled that President Trump and the Kennedy Center Board acted unlawfully in renaming the Kennedy Center after him,” Shriver wrote via Threads in May 2026. “The judge held that only Congress can change the Center’s name and blocked the planned two-year closure for now. I know they’ll probably appeal and the story isn’t over, but for today, let’s celebrate a great birthday gift.”
JFK’s grandson, Schlossberg, took an even sharper tone, writing via X: “Trump can take the Kennedy Center for himself. He can change the name, shut the doors, and demolish the building. He can try to kill JFK. But JFK is kept alive by us now rising up to remove Donald Trump, bring him to justice, and restore the freedoms generations fought for.”
Donald Trump Responds to Judge’s Ruling
The president slammed Cooper’s decision in a lengthy Truth Social post, accusing the judge — a President Barack Obama appointee — of bias and vowing to push Congress to take the building off his hands entirely.
“Shockingly, a Judge appointed by Barack Hussein Obama, Christopher Cooper, ruled that The Kennedy Center, which was going to close in early July for large-scale renovations and construction due to years of neglect, decay, and poor maintenance, and which was to be transformed by the Trump Administration into the Finest Facility of its kind, anywhere in the World, is not allowed to close for these renovations,” Trump wrote, claiming that he instructed the Department of Commerce to “make all necessary arrangements” to transfer control of the Kennedy Center back to Congress.
Kennedy Center Board of Trustees Files Appeal
The Board of Trustees voted to seek a stay of Cooper’s order in June 2026, arguing the name change reversal would be “both wasteful for the Center and confusing for the public.”
Roma Daravi, the Trump Kennedy Center vice president of public relations, said in a statement, “With $257 million secured by President Trump and approved by Congress, the resources are in place and we remain committed to pursuing every lawful avenue to ensure the Trump Kennedy Center is restored as a national cultural landmark for all Americans to enjoy.”
This story was compiled with the help of AI tools and edited by journalists.
John Stamos is getting candid about the cosmetic surgery he’s received — and the procedures he says that he’d never consider.
“I’m always with younger people or younger girls and stuff, so I don’t want to look super old,” Stamos, 62, admitted on the Wednesday, June 10, episode of the “Really Good” podcast, revealing he has no plans to undergo an invasive facelift. “I won’t do that. I’ve gotten Botox in my forehead, but not for a long time.”
The Full House alum further revealed that he had a rhinoplasty “when he was a kid” acting on General Hospital.
“I broke it when I was a kid. I got hit by a golf club,” Stamos explained of his reasoning for getting a nose job. “I just didn’t like the way it looked, and so I got it done and it didn’t look great. Then, I went and then I actually had it fixed by Michael Jackson‘s guy. He didn’t make me look like Michael Jackson.”
General Hospital has had numerous different cast members during its 60-year run, including some familiar faces. John Stamos got his start on the soap opera with his role as Blackie Parish from 1982 to 1984. Even though he starred on the show for only two years, Stamos has discussed the tremendous impact General Hospital had […]
Jackson underwent multiple plastic cosmetic procedures years before his death in 2009. (The King of Pop died at age 50 after suffering cardiac arrest triggered by an acute propofol and benzodiazepine intoxication.)
“I have never had my cheekbones done, never had my eyes done, never had my lips done,” Jackson said in a 1993 interview, revealing the procedures he said that he had done. “I try not to look in the mirror. I’m never happy with what I see.”
The “Billie Jean” singer, who battled the skin condition vitiligo prior to his death, has asserted that he’s only had two nose jobs.
“Everybody in Hollywood gets plastic surgery,” Jackson said in his 2003 Living With Michael Jackson documentary. “Plastic surgery was not invented for Michael Jackson.”
As for Stamos, he’s long been candid about how he manages his aesthetics while aging.
While some prefer to fly under the radar when they get plastic surgery, celebrities including Denise Richards, Secret Lives of Mormon Wives’ Jessi Ngatikaura and Heidi Montag keep it candid. After getting some of her enhancements reversed in 2013, Montag exclusively told Us Weekly that she struggled with the decision. Thank You! You have successfully subscribed. […]
“I am getting old, although I don’t feel it. I take care of myself. I stopped drinking 10 years ago. That’s why I’m alive,” Stamos exclusively told Us Weekly in an August 2025, reflecting on his sobriety. “I never would have met my wife [Caitlin McHugh] if I was still drinking. I’m happy where I’m at in my career, but I think I would be a lot further along if I’d stopped sooner.”
He continued, “I got the job done, but I could have done it better, and I could have been more connected. Getting married and having a child, that’s kept me young and kept me alive. I think that’s helped with my longevity.”
Stamos credits must of his seemingly everlasting youthfulness to his wife and their 8-year-old son, Billy, over any skincare regimens.
“I don’t do a lot. I wash my face, depends on if there’s some scrub around,” the actor told Us. “I work out three or four times a week. I do this electric muscle-stimulant thing where you put a suit on, but you only wear it for 20 minutes. But good sleep now is important. Having a young son helps.”
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If your calendar is packed with upcoming events, Sutton Foster just wore a dress to inspire your next fancy getup. The performer recently stepped out in New York City wearing a long satin dress that’s equal parts timeless and flattering. It’s just the kind of style that women over 50 will especially appreciate.
Foster sported the Marina Moscone navy number while attending The Death of Robin Hood premiere with partner Hugh Jackman. With it being wedding season, we couldn’t help but think that Foster’s dress would be ideal for attending such events. So, we found a similar one, the Realtix Satin Mock-Neck Midi Dress, on Amazon.
Get the Realtix Satin Mock-Neck Midi Dress for $46 at Amazon! Please note, prices are accurate as of the publishing date but are subject to change.
The $46 lookalike is quite similar to Foster’s ensemble, featuring a dark blue hue, a draped mock neck and a side slit. That high neckline combined with a sleek skirt proves that simple doesn’t have to equal boring, and sometimes, something understated feels especially elegant for formal events.
The wedding invitations keep arriving, and the dress code keeps shifting. A garden ceremony in June, black tie reception in September and there’s a cocktail hour at a vineyard somewhere in between. After a certain point, raiding the back of your closet for that one reliable navy sheath dress starts to feel like a tired […]
One detail we like better about the Amazon dress compared to Foster’s pick is the back. The Broadway star’s is more basic, but the affordable version has a racerback-like detail that shows just enough to look sexy without being exposed. Still, it nails the drapey silhouette that makes the original feel so special.
Foster elegantly paired her dress with matching pumps, a matching clutch, silver earrings and a slicked-back bun. This exact formula would be the summer wedding guest look of our dreams, but it could be slightly dressed down for less fancy affairs. You can achieve that timeless feel with a range of style decisions, though.
To get the Foster look, snag the Realtix dress in navy. However, you can’t go wrong with the classic black hue, either. If you really want to be on-trend for the season, shop the butter yellow and sage options that show how elegant a splash of color can be.
Real-life reviewers agree that the satin-like fabric gives this midi dress an “elegant and polished look.” One person pointed out that, despite the drape up top, the dress’ silhouette is “not too tight or loose” and “creates a flattering silhouette without any pinch,” allowing it to work for a range of body types.
Even if you don’t think you have an event to wear this dress to (yet), it’s not a bad idea to make sure you have an option in your closet. Because it’s always impossible to find a dress when you actually need it, right?
Get the Realtix Satin Mock-Neck Midi Dress for $46 at Amazon! Please note, prices are accurate as of the publishing date but are subject to change.
Looking for something else? Explore more satin dresses here and don’t forget to check out all of Amazon’s Daily Deals for more great finds!
At the Alliance for Children’s Rights 34th Annual Champions for Children event, Meghan Markle did what she does best: turned every head in the room. The Duchess stepped out in a silky strapless dress in a deep navy hue, and the look was pure elegance from head to toe. Markle gravitates toward clean lines and […]
Law & Order: SVU star Mariska Hargitay is opening up about the palpable shift that occurred on the set of the hit crime procedural once the show secured its first woman to serve as showrunner.
“I had a secret fantasy of having a female showrunner for … a few years,” Hargitay, 62, told Variety in an interview published on Saturday, June 12, commenting on the hit NBC show hiring Michele Fazekas as the show’s season 27 showrunner. (Fazekas, 49, worked in the show’s writers’ room for seasons 3 through 7.)
“Michele and I always connected. She was so smart, and those years on SVU were some of my favorites,” the actress continued. “Her episodes during that time were the best ones.”
Fazekas had just finished working on Prime Video’s Gen V when she became the first woman to showrun the Dick Wolf series. While also speaking with Variety, Fazekas said there is a “great synchronicity with how we all think” on- and off-set, which only benefits the show’s overall culture.
“We were all rowing in the same direction,” Fazekas told the outlet. “There’s no toxicity. Having worked in really toxic environments, it’s like, oh my God, I don’t know what to do with myself! We all just want to make a good show and not make it harder than it needs to be.”
Hargitay added that with Fazekas now steering the ship, so to speak, things feel both “old and new” on the show.
Mariska Hargitay Getty Images
“It’s new and coming home at the same time,” she explained. “There are emotional beats and comedy beats that are so specific to me and to the origins of the character. Obviously, it was time. It’s what SVU needed more than anything, and it was the perfect fit. It’s all the elements coming together in a perfect way.”
She continued, “I want to highlight that word: Team. That is the difference now. There’s such a sense of lock arm, ladies. Let’s do this together — and, at the same time, push each other to be excellent, to be great, and we know that we can do it and we will figure it out.”
While the on-set collaboration and non-toxic work environment certainly aided everyone on- and off-set, Fazekas couldn’t help but point out how hard Hargitay continues to work since making her SVU debut back in 1999.
“She does not phone it in,” Fazekas told Variety of Hargitay’s work ethic. “She is not just collecting a paycheck. She makes everyone better.”
After wrapping season 27 — yes, Fazekas did write the season’s finale — Hargitay told Variety she couldn’t help but grow emotional when considering all she has accomplished on the show.
“Twenty-seven years in and I’m thinking, that’s one of my favorite episodes — that Michele could dig in and write this story that’s haunting me,” Hargitay said of the season’s finale. “Brenna is elevating details and tweaking constantly. We all play hard and play our best.”
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