Related: Everything We Learned From Joseph and Kendra Duggar‘s Jail Calls
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By Robert Scucci
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After watching 2021’s Kate, the almighty algorithm threw 2022’s The Gray Man onto my radar, and I can’t say Ryan Gosling has ever disappointed me, so I figured I may as well give it a shot. He has a built-in level of charisma that lets him do his thing, and most of the time it lands. Going into the Russo brothers’ film expecting to see $200 million well spent on action sequences, with the added bonus of Gosling in the mix, I didn’t quite know how things would play out, but I had a hunch I wouldn’t feel let down.
But here’s the problem with straight-to-streaming action thrillers. Films like The Gray Man never get much time on the big screen, and they kind of need it if you want to enjoy them at the highest level. Across roughly 400 theaters, the film only brought in $454,023, which isn’t really its fault. It had a very short run across a disproportionately small number of screens, meaning it was never meant to recoup its budget this way. It’s a Netflix Original, designed to pull huge numbers on streaming.

The reason I see this as a bad thing is because this is an expensive movie. MCU expensive. Waterworld expensive. When that much money goes into blowing stuff up in spectacular fashion, I want to see it on a giant screen. Living in an apartment, I don’t have a fancy audio setup because my neighbors would murder me if I did, and my 44-inch TV is fine for most things, but less than stellar when entire city squares are getting leveled with all guns blazing.
Long story short, The Gray Man is a lot of fun, but it would be even more fun if you could watch it the way it was meant to be seen.

The Gray Man also has an extremely convoluted plot. Not in a “too many twists” kind of way, but it’s a “load up the guns, spray and pray” kind of movie that would have been better served by simplicity. It’s executed well, but as side characters keep getting introduced in the second and third acts, part of me gets annoyed that I can’t fully shut my brain off because there’s always a new name or face to keep track of after the blasting has already started.
Ryan Gosling is a black ops agent known as Sierra Six, formerly Courtland Gentry. He was locked up as a minor after murdering his abusive father, and CIA officer Donald Fitzroy (Billy Bob Thornton) decides he’s the perfect candidate for a second chance. The deal is simple: Courtland works for him in exchange for his freedom, knowing he’ll be dealing with some very dangerous people.

Once things get rolling, Sierra Six teams up with Agent Dani Miranda (Ana de Armas), and the first mission we see involves assassinating a target named Dining Car (Callan Mulvey). Complications arise when the job goes sideways and Dining Car reveals he’s also part of the Sierra program before succumbing to his wounds. A flash drive gets passed off with vague instructions, and the wild goose chase begins, centering on CIA officer Denny Carmichael (Regé-Jean Page), who sends a swarm of operatives after Six and Dani to retrieve it.
Along the way, we get more backstory on Six’s relationship with Donald and his niece Claire (Julia Butters), who Six previously worked security detail for. This obviously becomes important later because more collateral has entered the equation. The scenes between Six and Claire offer a surprisingly wholesome break from the chaos in Prague, and they’re a welcome addition.

From here on out, you pretty much know the deal. Double crosses stack on top of double crosses, things explode, and there’s so much inter-agency confusion over who’s good and who’s pulling the strings that you almost wish they’d ease up on the exposition and just keep blowing stuff up.
The Gray Man’s budget absolutely shows on screen from start to finish. The action sequences are gorgeously shot (something that’s not always consistent across Netflix Originals), and at one point Sierra Six is standing on top of a moving tram, firing through the roof while tracking targets through reflections in nearby windows as the city flies past. This comes after he’s handcuffed to a railing in a town square, picking off attackers before they even get a chance to take him out.

Ana de Armas wielding a shotgun after throwing hands is also worth your time because she fully commits when the moment calls for it.
The only real issue I have is the film’s tendency to overload its premise with complexity for the sake of it. Most people don’t turn on action thrillers to do mental gymnastics. At least I don’t. I love psychological thrillers when I want things to get murky, but with action movies, I just want to sit back and watch things explode.

The convoluted plot isn’t a dealbreaker, just a nitpick. Some people enjoy sprawling shadow government conspiracies. It’s just not really my thing, so take that with a grain of salt. It’s still a great watch, just not one you can fully sink into the couch for and completely turn your brain off.

The Gray Man is a Netflix Original, and you can stream it with an active subscription.
Blake Lively is reportedly still hopeful that she will be invited to Taylor Swift‘s wedding to Travis Kelce despite the strain their relationship has suffered in recent times.
The “Blank Space” singer has reportedly sent out save-the-dates, but most likely didn’t send one to the “Gossip Girl” star after being dragged into her legal battle.
It comes amid Blake Lively’s legal battle with Justin Baldoni, where a judge dismissed 10 out of her 13 claims against him, including sexual harassment.

Despite reports suggesting Lively and Swift are no longer on speaking terms, the “A Simple Favor” actress is said to still be confident she will be invited to the pop star’s wedding to Travis Kelce.
Both stars used to be very good friends, but their relationship reportedly tanked after Swift was pulled into her ongoing court case with Baldoni.
Yet, insiders claim that she’s convinced the singer would invite her regardless and is patiently waiting.
“Blake is totally optimistic,” a source said, according to a report. “She keeps going back to the beginning. She was around when Taylor and Travis first got together — she feels like part of their story.”
The source added that while Lively remains “hopeful,” she may be the only person “who thinks this invite is coming.”

Lively was still close friends with Swift when the pop star and Kelce first got together, and even accompanied the singer to watch him play the 2024 Super Bowl LVIII in Las Vegas and at the Kansas City Chiefs vs. New York Jets game in October 2023.
Noting this, the insider went further to explain that despite media reports of the strained relationship, Lively sees herself as “inner circle,” and her presence at the nuptials as a must-have.
“She sees herself as inner circle,” the source said. “Not optional — essential.”
Meanwhile, it appears Swift doesn’t share the same sentiment and would like to keep her distance from Lively, especially because of her ongoing legal issues.

After Judge Lewis Liman dismissed most of her claims against Baldoni, Lively took to her Instagram account to share a lengthy statement saying she plans to fight it out till the end and was doing it for other victims who might not have the opportunity to speak up.
However, according to reports, this is something the Grammy winner doesn’t want, especially with her big day approaching. Swift allegedly wants all the legal drama wrapped up and done before the wedding.
“People around Taylor aren’t so sure,” the insider told journalist Rob Shuter. “They don’t see Blake as a must-have guest.”
“There’s a lot of baggage right now,” they added. “And Taylor is being incredibly careful about her guest list.”

A source previously told the journalist that Swift is carefully watching how things develop and doesn’t want to be involved in the case again, while another source emphasized that Lively and her husband, Ryan Reynolds, will not be invited to Swift’s wedding.
“They are not invited. Period,” the insider said. “Taylor wants a drama-free day, and she no longer trusts Blake or Ryan.”
Swift was also said to be feeling “exposed and violated” after her texts with Lively were exposed due to the case, and concluded not to invite the couple a long time ago.
“There’s been an emotional gap for a long time,” a source noted. “Rebuilding trust doesn’t feel possible right now.”

Meanwhile, reports suggest Swift’s wedding is slated to go down over the 4th of July weekend.
It’s unclear what the lineup of the event is, as everything has been kept hush-hush, but the lovebirds are seemingly going for a rather small gathering with 150 guests.
According to Us Weekly, these include “many celebrities” like Selena Gomez, Gigi Hadid, Emma Stone, the Haim sisters, Zoë Kravitz, Patrick and Brittany Mahomes, and Miles and Keleigh Teller.
A source told the news outlet that Swift and Kelce had “gone back and forth between inviting everyone and keeping it small and private,” adding that they settled on scaling it down and “It’s no longer going to be a massive blowout.”
The wedding will reportedly be “traditional” with the singer’s father walking her down the aisle, coupled with every other practice like the father- daughter dance.
“Taylor loves those emotional, meaningful moments, and Travis [is] on the same page,” the source revealed.
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Bistline speaks with EW about what happened off camera, the lessons she learned in prison, and how she’s spending her time these days.
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The actress and Secretary of Health and Human Services wed in 2014.
Kendra Duggar’s immediate family is speaking out after Joseph Duggar was arrested amid accusations of sexual abuse.
“Our family is both troubled and heartbroken over the alleged actions committed by our son-in-law,” the Caldwell family wrote via Instagram on Wednesday, April 15. “We are devastated for the young girl, a child who was courageous in every way to share her truth. We stand by her, both in support and prayer, and forever will.”
The statement continued, “Our love for this child remains at the forefront of our family’s priorities and minds. We are proud of her for being strong enough to share her story while also retaining her own identity and joy.”
Us Weekly previously confirmed on March 18 that Joseph, 31, was arrested in Arkansas amid accusations of sexual abuse from a teen girl who was 9 years old at the time of the alleged incident.
The former 19 Kids and Counting star pleaded not guilty to all charges, including lewd and lascivious behavior involving molestation of a victim less than 12 years old and lewd and lascivious behavior conducted by a person 18 years or older.

Kendra Duggar and Joseph Duggar Courtesy of Joseph and Kendra Duggar/Instagram
Joseph was released from a Florida jail on March 31 after posting $600,000 bail. His lawyer confirmed to People that he was able to reunite with Kendra one day later.
While Kendra’s family said they pray for all victims of crimes, they also “recognize how traumatic this incident has been for our grandchildren as well and continue to pray for their strength. Our love for them, and our daughter Kendra, remains.”
“The only way to freedom is to shine light in the darkness,” the statement continued. “And in this time, part of the light in our lives has come through the outpouring of love and prayer from people near and far. Thank you who have given in all the ways, through prayer, finances, time, energy and words of encouragement. We love you all. At this time, we have no further comment and request privacy.”
Earlier this month, Kendra’s family made news when they launched a GoFundMe page.
“My family is facing a difficult and urgent situation. We are in need to cover displacement expenses,” Kendra’s father, Paul Caldwell, stated in the crowdfunding initiative. “We will not be using these funds for [our] legal expenses.”
While the page was briefly removed, it reappeared with another note from Paul, who expressed gratitude for those supporting his family.
“Thank you so much everyone. The response has been overwhelming. We truly appreciate your generosity and prayers and thoughts,” he wrote. “The displacement fees will be for moving expenses, housing costs such as rent until we can find a place to stay more permanently.”
After Joseph’s arrest, both he and Kendra were arrested and charged with endangering the welfare of a minor and false imprisonment. A source close to the family later told Us that Kendra’s arrest was unrelated to the allegations against her husband and apparently triggered by an investigation of their home.
If you or someone you know has been sexually assaulted, contact the National Sexual Assault Hotline at 1-800-656-HOPE (4673). If you or someone you know is experiencing child abuse, call or text Child Help Hotline at 1-800-422-4453.
Meghan Markle is set to headline a luxury wellness retreat in Australia, with VIP packages priced at up to $3K, featuring wellness sessions and photo opportunities.
According to a royal expert, the duchess is considering this as a new means to “generate income” for herself, and the move aligns with her growing focus on lifestyle ventures, alongside her brand As Ever.
During her visit to Australia, Meghan Markle will also appear on MasterChef Australia, blending media, wellness, and commercial engagements.

Meghan’s “Her Best Life” retreat includes premium experiences such as group photo opportunities with the Duchess of Sussex, curated wellness sessions, spa-style activities, and multi-day stays at an upscale coastal hotel.
Standard tickets are also available at a lower rate, though both tiers grant access to talks, workshops, and lifestyle-focused events.
An insider familiar with the industry told Page Six the move fits into Meghan’s broader lifestyle and wellness brand positioning, noting that audiences are increasingly willing to pay for celebrity-led experiences centered around personal development and self-care.
Grant Harrold, former royal butler to King Charles III, also commented on the venture, noting that he “wasn’t surprised to hear about Meghan exploring this as a new way to generate income.”
“People pay a lot of money to attend these retreats, and with Meghan [as] the face of the event, they are sure to generate a decent profit,” he added.
Harrold further noted that she has steadily built a presence in the lifestyle sector through projects such as As Ever and earlier media work.
According to him, unlike traditional royal family members who tend to keep wellness interests private, Meghan has taken a more public and commercial approach since stepping back from royal duties in 2020.

Harrold shared that he does not expect the initiative to create tension within the royal household, adding that Harry may have informed King Charles III beforehand as part of efforts to maintain communication with his father.
“I don’t think the King or other members of the Royal Family will take issue with this,” he said, suggesting they would likely prefer “Meghan made money from this than a tell-all book or yet another TV interview.”
He also highlighted that other royals, including Zara Tindall, Princess Beatrice, and Princess Eugenie, have pursued independent careers, arguing that modern royal relatives often need alternative income streams.
On whether formal approval was needed, Harrold said Meghan would not require royal permission, but believes Harry likely gave King Charles a prior heads-up as part of maintaining family relations while the couple continues their Australia visit from April 17 to 19.

In the same period, Meghan is also set to appear as a guest judge on the upcoming season of MasterChef Australia, with filming confirmed by Network Ten. The show’s 18th season is scheduled to premiere on April 19.
Meghan and Harry are currently undertaking a four-day visit to Australia, combining charitable engagements with professional commitments. T
he trip marks their first return to the country since their 2018 royal tour, shortly after their wedding, and follows their decision to step back as senior royals in 2020.

During the trip, the couple has attended a range of events across Melbourne and Canberra.
Harry spent time with an Australian Rules football team, learning the basics of the game, and also visited the Australian War Memorial.
Meghan, on her part, visited the Royal Children’s Hospital, where she met staff and served meals at a women’s shelter.
The couple also spent time with local communities earlier in the week, including a hospital visit where they met children and families.

Meanwhile, speculation continues about Meghan’s lifestyle venture, As Ever, and its possible entry into the Australian market.
While reports point to recent trademark activity across several product areas, a spokesperson for Meghan and Prince Harry has pushed back on the narrative, telling People Magazine that Australia is simply “one of many” countries where the brand has been registered.
Public records from Australia’s intellectual property authority indicate that the brand has secured protections across a wide and diverse range of categories.
These reportedly include beauty and skincare products, pet care items, candles, gardening equipment, jewelry, stationery, furniture, yoga accessories, as well as hospitality-related services such as food, beverages, and short-term accommodation.
Additional filings also appear to cover outdoor décor, craft materials, and edible products like jams, which have been highlighted as a signature part of the brand concept, alongside sauces and non-alcoholic drink mixes.
The registrations further extend into media and digital spaces, including internet broadcasting, content production, downloadable and non-downloadable entertainment such as films, television content, and video podcasts.
Jaws may have laid the blueprint for many shark films to come, but this year, Netflix’s newest creature feature, Thrash, proves that there are still undiscovered waters to wade into. Instead of one behemoth of a shark terrorizing folks who dare to enter its territory, Thrash throws a multitude of smaller (but no less terrifying) bull sharks into the floodwaters of a town struck by a Category 5 hurricane.
It begins as your usual foray into a creature feature as we’re introduced to several characters, some who would turn into survivors and others fodder, but there is one storyline that becomes increasingly more unrealistic and is better for it. One of the characters stuck in the chaos is Lisa (Phoebe Dynevor), a single soon-to-be mother who stars in the gnarliest scene of the movie, one that may just give future horror films a run for their money.
Most shark films involve a group of intrepid or ambitious people diving into the deep blue sea, but Thrash takes the Rogue approach, where a hurricane floods and de-familiarizes the streets of a coastal town. This is the first step towards the absolutely berserk scene the film is setting up — one that allows a woman to give birth in shark-infested waters. In the beginning, Lisa is trapped in her car before the agoraphobic Dakota (Whitney Peak) finally musters enough courage to help her. She leaves Lisa on the bed of her second-storey bedroom to find a boat, which is when Lisa’s scene really begins. As the water level rises, the bed floats to the ceiling and Lisa continues to dilate, and anticipation drastically ratchets up until she is clutching her newborn in a pool of blood while menacing fins circle her.
Conceptually, a pregnant woman not only surviving this shark-pocalypse, but also successfully giving birth, is ludicrous and laughable. It is imagination stretched to the unreachable limits. Yet, as we watch Lisa almost rabidly sever her umbilical cord then immediately turn around to skewer a shark in the head, there’s no doubt that this is the peak of gnarly cinema. To add to the ridiculousness of the scenario is the tiny twist of irony of Lisa being vehemently against doing the water birth encouraged by her mother, only to perform it in the most perilous way possible — the kind of humor we scoff at but secretly appreciate. There may be something deeper, like an allegory of the anxieties around pregnancy and motherhood for women, but the most compelling part of the scene is truly the creativity. It is hilarious, ferocious, and everything we crave in a B horror movie.
The wildest part of Lisa’s childbirth scene in Thrash is that, on a technical level, it is actually brilliant. It kicks off when the bed begins to float and Lisa reaches for her birth playlist to flick on “A Thousand Miles” by Vanessa Carlton, the perfectly dissonant soundtrack to the utter devastation around her. Alongside the masterful sound design is the claustrophobia of the bed inching towards the ceiling, eerily forecasting the moment she would have to leave the relative safety of the room while making for a visually morbid yet captivating scene. Similar to how the flood de-familiarizes the town, watching everyday items float around her while she is lurching around the bed in unimaginable pain evokes a surreal kind of horror. Already, it is the ideal set up for the bonkers sequence yet to come.
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Once again, disregarding the absurdity of it all, Dynevor’s performance is all-consuming throughout Lisa’s entire ordeal. It would be too farfetched to say Dynevor sells the scene, but she certainly sells Lisa’s pain, desperation, and the brutal rush of adrenaline that invokes the super-strength associated with a maternal instinct. She is fully immersed in her role and cinches the audience’s favor — we’re all rooting for her as she viciously protects her newborn without skipping a beat after losing so much blood. Even the film seems to need to take a break, as there is a silent overhead shot of Lisa swimming in water that is darkening with her blood, a grim, dangerous, yet almost triumphant moment that contrasts with the rest of the mayhem. With Peak’s Dakota covering her with a harpoon gun on the sidelines, the scene is wonderfully acted, enhancing the sheer egregiousness of it all.
Thrash takes survival to a whole new level with this one scene, and it’s a must-watch for any fan of creature features. Between the complete absurdity of the situation and how incredibly they executed it, Lisa’s childbirth sequence is already by far the gnarliest one we’ve seen in horror movies this year. It is B-horror at its best, filled with all the little ironies and delicious terror we search for in the genre.
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The “SNL” alum goes through some of the most iconic desk performances.
Hailey Bieber is turning heads in her latest campaign for Yves Saint Laurent, but not everyone is loving the look. The 29-year-old supermodel posed in a striking blue-and-black one-piece swimsuit, accessorized with gold bangles on both wrists, as she struck a power pose with her fists on her hips. The stance instantly drew comparisons to “Wonder Woman,” famously portrayed by Lynda Carter in the 1970s TV series and later by Gal Gadot on the big screen.

While some admired the bold aesthetic, others were left scratching their heads over Hailey Bieber’s latest campaign look. “Why is she standing like that… I don’t get it?” one follower commented on Instagram, while another added a more sarcastic take, writing, “Where’s the toilet, man?”
As the photos continued to circulate, the reactions only intensified, with critics aiming for her posing style. “It’s like Zoolander the way she has literally one look,” one user joked.
Others focused on specific shots from the campaign. “Second pic? Ironically, taking a sh-t,” one commenter wrote, while another admitted, “I laughed out loud at that picture.”
Confusion remained a recurring theme throughout the comment section. “What’s with the weird-a-s poses?” one person questioned. “Is she about to pee on the lawn? What are we even doing?” another added.
Still, not everyone was critical, with some fans rushing to defend the model. “Notice how the haters are here before anybody else?? She’s really that girl…. Models have been posing like this for years now because it’s Hailey, y’all have something to say,” one supporter fired back.

Hailey Bieber is also getting candid about why she’s taken a step back from certain parts of the fashion industry. While covering the May issue of Allure, the model reflected on an experience that impacted her confidence on the runway. “I had a really bad experience with a casting director who was very important,” Bieber said.
The moment she explained, it ultimately changed how she views that side of the industry. “He said something to my agent that just shook my confidence when it came to the runway,” she recalled. “I don’t want to feel bad about myself in this space because I feel really good about the other work that I do. So why would I even put myself in a position to feel small?”

Elsewhere in the interview, Hailey Bieber opened up about balancing her modeling career with her growing role as an entrepreneur, particularly after launching her skincare line Rhode. The model revealed that her passion for skincare was deeply rooted in family traditions passed down through generations.
“I just could always remember my mom, as a child, getting [me] out of the bath, drenching me head to toe, just hydration, hydration, hydration, very focused on keeping the skin healthy. It started with my grandmother, she taught my mom, my mom taught me,” she shared.
The inspiration, she explained, became the foundation for building her own brand focused on simple, effective skincare.

Even before her modeling career took off, Hailey Bieber had an eye for fashion, and she credits a Disney Channel favorite for sparking that passion. “I remember watching ‘Hannah Montana’ and being so inspired by Miley [Cyrus]’s fashion on the show, and wanting to recreate the outfits and put my own spin on them,” she said.
That early influence helped shape her approach to fashion, but over time, Hailey Bieber says her style has become more about how she feels than what she wears. “When I feel good in clothes, is when I feel they look the best, a lot of it comes from the inside-out,” she said. “One thing I’m always aiming for is to be effortless and chic, and like I’m wearing the clothes and not that they’re wearing me.”
That mindset also influences the icons she looks to for inspiration, with Hailey Bieber pointing to some of fashion’s most legendary figures. “Gisele is just a forever reference, when you think of Victoria’s Secret, you think of her and the amazing Angels, so that was fun and felt very bombshell and sexy,” she said, referencing Gisele Bündchen.
Marlo Hampton recently claimed that Porsha Williams was the reason she was not asked back for “Real Housewives of Atlanta” season 16. Now, days later, the Go Naked Hair founder is responding to her former “RHOA” co-star, saying she’s lucky she got the chance to speak her name. This comes as the show continues to deliver strong viewership in its 17th season.

Williams appeared on “The Breakfast Club” in April 2026 to promote “The Real Housewives of Atlanta.” While on, one of the show’s cohosts, Lauren Larosa, mentioned Hampton’s recent comments regarding her “RHOA” firing.
In response, the 44-year-old said, “Oh, okay. Well, she loves talking about me, so I’m glad she got that opportunity to talk about me. She loves it.” After that, Williams claimed that Hampton gets a “thrill” from speaking about her in the press.
For context, Hampton appeared on “RHOA” as a full-time cast member for seasons 14 and 15, which were the duration of Williams’ hiatus from the show. She then returned for season 16, but Hampton didn’t.

Charlamagne tha God then asked Williams how she handles filming scenes with “people like that,” referring to Hampton. She responded, “You know, I’m a part of a cast, so you still have to do some scenes with people you might not want to do a scene with.”
However, Williams went on to say that she doesn’t have to be “overly engaged” with those she’s on bad terms with.
Regarding Hampton, the “RHOA” star went on to say, “I guess she’s doing her thing. She’s being interviewed. She’s not on my show. Again, she loves my name. She loves how it feels coming out of her mouth, so I’m glad she had that experience that day.”

Hampton appeared on Cam Newton’s “Funky Friday” podcast in April 2026. During the appearance, the NFL legend listed multiple “RHOA” stars and asked the 50-year-old if she was on good terms with them. Once he mentioned Williams, she said, “I don’t like her. She’s a hater, complicated.”
Regarding her status with the show, Hampton continued, “But anyway, that’s just complicated because she was very against me coming back two seasons ago. She was one of the main people against me coming back. And one thing I don’t play with, I would never try to stop someone from getting their check.”
When asked why she thinks Williams didn’t want her to return to “RHOA,” Hampton said, “I’m the one who will hold her accountable. I’m gonna ask the questions. She likes to run sh-t.” After that, she stated that Williams had failed to deliver what the network expected her to for season 16, noting that Williams was going through a divorce and couldn’t show her lavish home.

Following Williams’ response to her former “RHOA” co-star, fans of the show are divided, with some noting that she didn’t fully deny Hampton’s claim. One person wrote on X, “Cute shade, but she didn’t deny it. Marlo gotta respond.”
Someone else said, “Judging by her response, she definitely had her hand in Marlo not being on.” However, a different X user stated, “Marlo played her cards wrong, and she’s upset about it. Porsha doesn’t owe her sh-t.”
A different “RHOA” defended Williams, writing, “This was the best way to respond to what Marlo said. Not give it the energy people would expect.”
Lastly, someone else speculated, “So she’s admitting she made Marlo not being there a condition of her returning because she didn’t want anyone holding her accountable.”

Gone are the days when new episodes of “The Real Housewives of Atlanta” and other “Housewives” franchises drew in millions of viewers for a single broadcast. However, many of them are still performing well, with “RHOA” season 17 among the best in recent years.
According to Bravo Ratings on X, the second episode from the new season drew in 0.711 million viewers and a 0.15 share in the 18 to 49 demographic. Notably, this is a substantial increase from the premiere episode, which delivered 624,000 live viewers and a 0.12 share in the 18-49 demographic.
New episodes of “RHOA” air on Sunday nights right before Bravo’s newest show, “The Real Housewives of Rhode Island.”
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