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Entertainment

Saucy Santana & Deshae Frost Run From Apparent Alligator (Vid)

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Uh-Oh! Saucy Santana & Deshae Frost Have Internet Users Crackin' UP After Running From Apparent Alligator During Livestream (WATCH)

Oop! Roomies, Saucy Santana and Deshae Frost have internet users crackin’ UP after running from an apparent alligator during a recent livestream.

RELATED: You Good?! Social Media Is Crackin’ UP At Footage Of Saucy Santana Taking A Tumble While Jumping Off A Yacht (VIDEO)

Saucy Santana & Deshae Frost Ran From Apparent Alligator During Livestream

On Wednesday, July 22, Deshare Frost published footage from his recent livestream with Saucy Santana via YouTube. About four minutes into the 43-minute-long footage, Frost explained that they would retrieve their food and fish from the nearby creek.

Then, in a second video published via YouTube, the pair got to work, setting up their grill and campfire. However, around the 52-minute mark, Santana decided to teach Frost “how to catch an alligator.” As Frost waded into the water, Santana motioned for him to be quiet. Nonetheless, the pair began joking about Frost being baptized in the creek water. This, when Santana apparently heard a sound, quickly motioned for everyone to be quiet again.

“Okay, now look, pay attention,” Santana told Frost. “Look right here… you see that alligator? When it get close, we finna get out the water, okay?”

As Frost laughed, Santana explained that it wasn’t time for jokes and instructed the streamer to “watch the ripples” in the water. At that point, both Santana and Frost noticed bubbles on the water’s surface.

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“Oh, that is an alligator!” Frost said.

Peep the clip of them immediately fleeing the scene below.

Saucy Santana & Deshae Frost Have Internet Users Crackin’ UP

Internet users were crackin’ UP at the footage of Saucy Santana and Deshae Frost in TSR Teen’s comment section.

Instagram user @itssliyaah_ wrote, They ain’t quiet enough on da creek ! 😂”

While Instagram user @jerica.jerica added, He been living in Florida his whole life he better know when a alligator coming 🤣🤣”

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Instagram user @lov3lyliyah wrote, Cause when he was a lil gworl he was real quiet onna creek so he know when a alligator near by”

While Instagram user @thegoatdre added, Them bubbles 🫧 is your first sign 🪧 cause wtf breathing under there”

Instagram user @m.behavi0rrrrr wrote,Lmao he really got serious he from Florida trust me they know 😂”

While Instagram user @keerichy added,I’m telling you what I KNOW !!!😂😂😂😂😂😂😂😂😂😂😂😂😂😂”

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Instagram user @imjustmulan wrote,‘We almost was the food’ 😂😂😂😂”

While Instagram user @ajaakeleon added, how did he know ?? baby you gotta be quiet on that creek deshae😂”

Instagram user @moniquemonroetv wrote, With the amount of swamps FL have Santana better know how to spot an alligator 😂😂😂😂😂”

While Instagram user @123.aint_nunfree added, Bruh 😂 and they still not quiet onna creek 🤣”

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Before The Rapper Was Running From An Apparent Alligator During Livestream, He Popped Out At Streamer University

Before Saucy Santana had the internet crackin’ up by running from an apparent alligator with Deshae Frost, he made headlines at Streamer University. As The Shade Room previously reported, earlier this month, Santana snuck onto the Streamer University campus with Lizzo, and Kai Cenat didn’t hesitate to call out the ordeal.

RELATED: Too Loud On The Creek? Kai Cenat Speaks Out After Saucy Santana Sneaks Onto Streamer University Campus (VIDEOS)

What Do You Think Roomies?

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John Branca and Wife Celebrate Biopic’s 1B Achievement

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John Branca and Wife Celebrate Biopic’s 1B Achievement

John Branca, the longtime attorney and estate executor for Michael Jackson, was all smiles this week as he and his wife, model and beauty entrepreneur Kristina Tuckute, celebrated a milestone after “Michael” had officially crossed $1 billion at the worldwide box office.

Speaking with Ravv in Beverly Hills, with Tuckute at his side, Branca made clear the moment was not just about him.

“Worldwide love for the Michael biopic is undeniable,” he said. “There’s a lot to celebrate.”

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The Lionsgate biopic, directed by Antoine Fuqua and produced by Graham King, has overtaken “Bohemian Rhapsody” and “Oppenheimer” as the highest-grossing biopic of all time.

Asked whether the film’s abrupt ending leads to a follow-up, Branca, who is also a producer of the film, stopped short of confirming the rumor but hinted at a possibility.

“Well, people are calling for it, that’s for sure,” Branca said. “Nothing is set yet. But think about this. First billion-dollar biopic. Could it be the first biopic with a sequel? Nothing set yet.”

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Branca, who is portrayed by Miles Teller, praised the actor’s take on him during the peak years with Jackson.

John Branca and Wife Celebrate Biopic’s 1B Achievement
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“Incredible,” Branca said. “Listen, everybody in that cast did amazing. Jaafar deserves an Academy Award. Colman Domingo, Miles, Nia Long, everybody. Graham King, Antoine Fuqua, what a team.”

Jaafar Jackson, the late singer’s nephew, stars in the title role. 

Fuqua, who began his career directing music videos for artists including Prince and Stevie Wonder before films such as “Training Day” and the “Equalizer” franchise, has described the project in deeply personal terms.

“The first films of my career were music videos, and I still feel that combining film and music is a deep part of who I am,” Fuqua said when he joined the production. “For me, there is no artist with the power, the charisma, and the sheer musical genius of Michael Jackson.”

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He has also credited Jackson with shaping his path as a filmmaker, “seeing how he refused to get put in a box as just a Black artist only.”

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General Hospital: Drew Launches Brutal Revenge on Nina & Willow

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General Hospital: Drew Cain (Cameron Mathison) - Nina Reeves (Cynthia Watros) - Willow Tait (Katelyn MacMullen)

General Hospital fans. This week, we should see Drew Cain Quartermaine (Cameron Mathison) rolling into the Quartermaine lake and left to die again. And it seems like Nina Reeves (Cynthia Watros) has the idea to take him out before he takes her and Willow Tait (Katelyn MacMullen) down.

But when Drew survives, all heck is absolutely going to break loose. He’s nearly recovered his strength. And when he does, Nina and Willow are going to face his ruthless revenge plan. We’re going to talk about how Drew will wreak havoc and make Nina and Willow pay for all the things they’ve done to him.

General Hospital: Jack & Nina on the Hunt

So, right now, Jack Brennan (Chris McKenna) is still looking for his black box that Ross Cullum (Andrew Hawkes) stole. Despite Nina injecting him with a paralytic, Brennan is committed to helping her and Willow shut down Drew. And I’m sure that Nina doing the horizontal mambo with Jack is another incentive for him to keep helping.

So, it looks like Valentin Cassadine (James Patrick Stuart) has realized that Jack wants the box. Valentin’s smart enough to have concluded that it wasn’t Cullum’s. It was one that he stole from Jack. So, Valentin’s going to offer a deal. If the WSB will unfreeze his assets, then he’ll give Jack the box.

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Carly Fears for Valentin’s Life on GH

But Carly Corinthos (Laura Wright) is worried that Jack might just kill Valentin. And then on Thursday, Nina gets a wild idea that she shares with Willow. So, Nina might tell Willow, “You leave so you have an alibi and I’ll just let Drew accidentally on purpose roll right into the lake to die.” But Willow doesn’t like this. She tells her mom, “We can control Drew without taking drastic action.” But just because Willow told Nina no, that doesn’t mean her mom will listen on General Hospital.

Especially when Drew reveals to Nina that he can speak, he’s going to hear her on a phone call, presumably with Jack, who’s giving her a bad news update, that he’s made no progress yet on the search for the black box. And then when Drew speaks to Nina and asks her what’s wrong and if she got bad news, that’s going to be the big deal.

So, after Willow talked her down, I think Drew amps Nina back up and she decides in that moment that he needs to take a swim, wheelchair and all. She is terrified for Willow and may act very badly. So I suspect Nina is going to leave off the brake so he can just roll in the lake and gravity and water will kill Drew. Or Nina might even give Drew a little push.

General Hospital: Drew’s Survival and Revenge Plans

Unfortunately for her, Giovanni Palmieri (Giovanni Mazza) is around and he is a strong swimmer and a lifeguard and he’s going to save Drew. Even though Tracy Quartermaine (Jane Elliot) might tell Gio that he should have just stayed on the dock and let nature take its course. This is the third attempt on his life from Drew’s perspective. Willow shot him twice. Then she dosed Drew into a stroke and locked him in a paralyzed state and now her mom Nina is trying to drown him. So Drew is going to be understandably ticked off and out for revenge.

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Plus, I suspect that Nina and Willow are going to get the goods from Jack Brennan right in the nick of time, the eleventh hour, to stop Drew and blackmail him into silence. Now, that should keep him from going to the cops. But after what Willow and Nina have done, I don’t think anything will stop Drew from getting payback, especially if he knows they won’t be punished otherwise. So, the first thing that I think we could see is that Drew may tell Willow she’s got to stay married to him. She is so looking forward to getting Drew out of her life.

General Hospital: Drew Traps Willow

Willow told Harrison Chase (Josh Swickard) that same thing recently. But Drew may point out it’ll be suspicious for Willow to dump him right as he is recovering. And Drew may tell her that it’ll ruin her political career.

So, Willow may be trapped in this marriage. Drew might even threaten her, saying he’ll risk prison and they can both go to trial and see who ends up in Pentonville. But I definitely think he would love to keep Willow under his thumb. I think that would be the ultimate revenge for Drew and it would horrify both Willow and Nina. They would be stuck with him indefinitely.

General Hospital: Drew Torments Nina

Another revenge play we could see from Drew might be to take direct aim at his mother-in-law/ex-lover Nina. She’s running Crimson, which is still under Aurora Media. And Drew is a very large stakeholder in that company. Michael Corinthos (Rory Gibson) owns slightly more stock than him, a controlling interest. But I could see Drew getting hold of enough shares to try and flip control back his way.

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And with Curtis Ashford (Donnell Turner) going on trial for a felony assault, there might be a morals clause in that five-year CEO contract he got. That way, Drew can try and force Curtis out and try and get power back. I’m sure he’d love to take over Aurora Media. That way he could screw over Michael and also he could mess with Crimson and torment Nina every day at work. Drew could make her life absolutely miserable. We know a corporate shakeup is coming. We just don’t know which company it happens to.

GH: Strategic Revenge and Long-Term Consequences

Another thing that we could see is Drew conspiring with Michael. Because they have something in common. Intense dislike of Willow. I could see Drew being so petty that he helps Michael get sole custody of their kids. Because Drew knows that’s what would hurt Willow the most.

Drew may not be able to have Willow arrested, may not see her behind bars. But he could whisper stuff to Michael that he could then turn around and use to blackmail Willow or use in custody court. Even if it won’t work out as a criminal case, Drew helping Michael take Willow’s kids away from her would be huge revenge.

General Hospital: Drew Cain (Cameron Mathison) - Nina Reeves (Cynthia Watros) - Willow Tait (Katelyn MacMullen)General Hospital: Drew Cain (Cameron Mathison) - Nina Reeves (Cynthia Watros) - Willow Tait (Katelyn MacMullen)
General Hospital: Drew Cain – Nina Reeves – Willow Tait 

General Hospital: Drew Swipes Jack’s Evidence

Because as much as fans want to see Drew, Nina, and Willow all go to prison, I would be shocked if it happens. It’s so rare that there are real consequences like prison for front burner characters. So, I’m sure we’ll see Drew continuing to do bad things and wreak havoc on Willow’s life even if she can’t be arrested.

Another thing that we might see Drew trying is he may want to steal the evidence that Jack has on him. That way Drew can feel free to go after revenge. And to press criminal charges on his toxic little wife Willow. But I think Drew’s efforts wouldn’t work out. The WSB boss has topnotch security. And even if he hired a professional, I think Brennan might catch whoever he sends.

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Drew Pushes Willow Out of Office on GH

But it’s something I can see Drew at least trying. Because he doesn’t want this blackmail worthy evidence out there hanging over his head forever. But again, I don’t think this would work out for him. I think Jack would get the better of him. And one last thing that dawned on me, I think Drew might find a way to get Willow kicked out of her seat in Congress.

Whether Drew can get the seat back or not, he knows how much Willow enjoys the job. And how much she really likes helping the people of Port Charles. This is important to her. And even worse, she’s so much better at it than Drew, who pretty much didn’t do a lot other than abuse his power.

General Hospital: Did Drew Deserve it All?

Willow’s been mentored by Laura Collins (Genie Francis), and she’s out there doing legit good work. So, Drew knows it would hurt Willow if she lost her seat in Congress. And I think Drew wants to take everything that’s important away from Willow. So, bottom line, I don’t think Drew is going to stop until he makes Nina and Willow pay for everything they’ve done to him. Even though Drew deserves a lot of what’s happened to him, I don’t think he deserved everything that happened to him.

And I doubt this experience though has taught him any sort of life lesson. I don’t see Drew as somebody who will be changed by this. Unlike Ric Lansing (Rick Hearst), who was changed by his kidnapping. Unlike Jason Morgan (Steve Burton), who comes back from this WSB thing, a changed man, I suspect that Drew will be the same old creep as always and maybe even slightly worse, more driven to do bad things, especially to Nina and Willow. I can’t wait to see it all play out.

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7 Must-Watch Movies To Enjoy If You Love ‘The Invite’

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A close up of Elizabeth Taylor with Richard Burton in the background

The Invite is quickly becoming one of critics and audiences favorite films of the year. Olivia Wilde‘s remake of the Spanish-language The People Upstairs has tapped into a kind of awkward, painful vein of comedy that’s been sorely missed. The film walks a fine line between its character-driven humor and marital drama, and the four actors are all exemplary. As with any film that captures widespread attention and inspires such praise, The Invite has left many viewers wanting more.

There are many films that fit a similar bill to what The Invite provides, particularly those which Wilde has listed as major influences when making it. Beyond those, there are also films by the same creatives that also offer something different but equally enjoyable. If you’re a fan of The Invite or its cast, then these are the must-watch movies for you.

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‘Who’s Afraid of Virginia Woolf?’ (1966)

A close up of Elizabeth Taylor with Richard Burton in the background
A close up of Elizabeth Taylor with Richard Burton in the background in Who’s Afraid of Virginia Woolf?
Image via Warner Bros.

There are many films featuring dysfunctional marriages, several of which Wilde has specifically singled out as inspirations on The Invite, such as Scenes from a Marriage or Husbands and Wives. The greatest of all of these, and the clearest influence, is the Mike Nichols classic Who’s Afraid of Virginia Woolf? Based on a play, as was The People Upstairs, the film transcends its theater origins thanks to Nichols direction and the incredible quartet of performances. It’s a far more dramatic piece, but just as equally enthralling.

George (Richard Burton) and Martha (Elizabeth Taylor) are a married couple who like to play games, push buttons and blur the lines between fantasy and reality. That makes for an awkward evening of personal revelations and confrontations when they host younger couple Nick (George Segal) and Honey (Sandy Dennis). Just like The Invite, the tension is all in the performances and the action is all in the emotions of the best directed and acted marital drama of all time. Both Nichols and his entire cast were nominated for Academy Awards, with both Taylor and Dennis walking away with Oscar gold.

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‘Bob & Carol & Ted & Alice’ (1969)

Elliott Gould and Dyan Cannon in 'Bob & Carol & Ted & Alice'
Elliott Gould and Dyan Cannon in ‘Bob & Carol & Ted & Alice’
Image via Columbia Pictures

Another film that was an obvious influence on The Invite, Bob & Carol & Ted & Alice was a seminal film in depicting polyamory. It may not seem as groundbreaking now more than fifty years later, but it’s still a fun, funny time capsule of both the free love era of the ’60s and Hollywood’s own sexual revolution. Directed by the underrated filmmaker Paul Mazursky, it’s another well-acted, Oscar-nominated story of marriage and sex.

Bob (Robert Culp) and Carol (Natalie Wood) are a couple who have discovered sexual liberation at a retreat. Their friends Ted (Elliot Gould) and Alice (Dyan Cannon) are more conservative and don’t know what to make of their newfound freewheeling ways. The whole film culminates with a proposed foursome that gets further than it does in The Invite. Bob & Carol & Ted & Alice may not be considered as subversive as it once was, but the performances and comedy haven’t aged a day.

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‘Take This Waltz’ (2011)

Michelle Williams and Seth Rogen in 'Take This Waltz'
Michelle Williams and Seth Rogen in ‘Take This Waltz’
Image via Mongrel Media

If you’re in the mood for another comedic drama about crumbling relationships co-starring Seth Rogen, then look no further than Sarah Polley‘s Take This Waltz. The actress-turned-director has proven to be an insightful chronicler of highly sensitive content in films like Away From Her and Women Talking. The more comedic Take This Waltz doesn’t involve as high-stakes drama as those other films, but is still a keenly observed film about relationships and the loss of passion.

Margot (Michelle Williams) is married to Lou (Rogen). They love each other, but the spark in their marriage has long since faded. When Margot feels that spark with artist Daniel (Luke Kirby), it threatens to tear her apart emotionally. Take This Waltz isn’t necessarily a revelatory film, but it succeeds thanks to the light touch that Polley maintains in exploring the subtleties of relationships and infatuation, and the solid performances of its cast.

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‘Celeste and Jesse Forever’ (2012)

Rashida Jones and Andy Samberg sit next to each other outside a building in Celeste and Jesse Forever.
Rashida Jones and Andy Samberg sit next to each other outside a building in Celeste and Jesse Forever.
Image via Sony Pictures Classics

The sharp screenplay for The Invite was written by Rashida Jones and Will McCormack, which should come as no surprise to anyone who saw their earlier film about a marriage coming to an end, Celeste and Jesse Forever. It’s a charming romantic comedy and a hidden gem of the genre that works because of the self-aware script and the insanely likable cast. It’s an honest and refreshing depiction of a disintegrating marriage that actually makes you want to believe in love.

Celeste (Jones) and Jesse (Andy Samberg) are high school sweethearts whose marriage has come to an end. They decide to remain friends, against the advice of others, but their emotions eventually get the better of both of them as they struggle with their separation separately before trying to move on. Celeste and Jesse Forever isn’t quite as caustic as other divorce movies, and that’s part of what makes it emotionally effective. Not every failed marriage should be considered a failure, and it’s simply nice to see that represented on screen.













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Collider Exclusive · Oscar Best Picture Quiz
Which Oscar Best Picture
Is Your Perfect Movie?

Parasite · Everything Everywhere · Oppenheimer · Birdman · No Country
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Five Oscar Best Picture winners. Five completely different visions of what cinema can be — and what it can do to you. One of them is the film that was made for the way your mind works. Ten questions will figure out which one.

🪜Parasite

🌀Everything Everywhere

☢️Oppenheimer

🐦Birdman

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🪙No Country for Old Men

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01

What kind of film experience do you actually want?
The best movies don’t just entertain — they leave something behind.





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02

Which idea grabs you most in a film?
Great films are driven by a central obsession. What’s yours?





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03

How do you like your story told?
Form is content. The way a story is shaped changes what it means.





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04

What makes a truly great antagonist?
The opposition defines the protagonist. What kind of opposition fascinates you?





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05

What do you want from a film’s ending?
The final note is the one that lingers. What do you want it to sound like?





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06

Which setting pulls you in most?
Where a film takes place shapes everything — mood, stakes, what’s even possible.





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07

What cinematic craft impresses you most?
Every great film has a signature — a technical or artistic element that makes it unmistakable.





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08

What kind of main character do you root for?
The protagonist is the lens. Who you choose to follow says something about you.





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09

How do you feel about a film that takes its time?
Pace is a choice. Some films sprint; others let tension accumulate slowly, deliberately.





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10

What do you want to feel walking out of the cinema?
The best films leave a mark. What kind of mark do you want?





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The Academy Has Decided
Your Perfect Film Is…

Your answers have pointed to one Oscar Best Picture winner above all others. This is the film that was made for the way your mind works.

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Parasite

You are drawn to films that operate on multiple levels simultaneously — that begin in one genre and quietly, brilliantly migrate into another. Bong Joon-ho’s Parasite is a film about class, desire, and the architecture of inequality that manages to be darkly funny, deeply suspenseful, and genuinely shocking across a single extraordinary running time. Your instinct is for cinema that hides its true intentions until the moment it’s ready to reveal them. Parasite is exactly that — a film that rewards close attention and punishes assumptions, right up to its devastating final image.

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Everything Everywhere All at Once

You want it all — and this film gives you all of it. The Daniels’ Everything Everywhere All at Once is one of the most maximalist films ever made: action comedy, multiverse sci-fi, family drama, existential crisis, and a genuinely earned emotional core that sneaks up on you amid the chaos. You are someone who responds to ambition, who doesn’t want cinema to choose between being entertaining and being meaningful. This film refuses that choice entirely. It is overwhelming by design, and its overwhelming nature is precisely the point — because the feeling of being crushed by infinite possibility is exactly what it’s about.

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Oppenheimer

You are drawn to cinema on a grand scale — films that understand history not as a backdrop but as a force, and that place their characters inside that force and watch what happens. Christopher Nolan’s Oppenheimer is a film about the terrifying gap between what we can do and what we should do, told with the full weight of one of the most consequential moments in human history behind it. You want your films to feel important without feeling self-important — to earn their ambition through sheer craft and the gravity of their subject. Oppenheimer does exactly that. It is enormous, complicated, and refuses easy comfort.

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Birdman

You are drawn to films that foreground their own construction — that make the how of the filmmaking part of the what it’s about. Alejandro González Iñárritu’s Birdman, shot to appear as a single continuous take, is cinema examining itself through the cracked mirror of a fading actor’s ego. You respond to formal daring, to the feeling that a film is doing something that probably shouldn’t be possible. Michael Keaton’s performance and Emmanuel Lubezki’s restless camera create something genuinely unlike anything else — a film that is simultaneously about creativity, relevance, self-destruction, and the impossibility of ever truly knowing if your work means anything at all.

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No Country for Old Men

You are drawn to cinema that trusts silence, that refuses to explain itself, and that treats dread as a form of meaning. The Coen Brothers’ No Country for Old Men is a film about the arrival of a new kind of evil — implacable, arbitrary, and utterly indifferent to the moral frameworks we use to make sense of the world. It is one of the most formally controlled films ever made, and its controlled restraint is what makes it so terrifying. You want your films to haunt you, not comfort you. You are not interested in resolution if resolution would be dishonest. No Country for Old Men is honest in a way that most cinema never dares to be.

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‘The Overnight’ (2015)

Alex (Adam Scott) and Emily (Taylor Schilling) looking surprised in 'The Overnight'
Alex (Adam Scott) and Emily (Taylor Schilling) looking surprised in ‘The Overnight’
Image via The Orchard
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Take the discomfort of The Invite and amp it up to more outrageous levels, and you might get something like The Overnight. It’s a comic sex romp directed by Patrick Brice, who brings the same kind of nervous energy to it that infects both of his Creep films. Much like Celeste and Jesse, it’s flown mostly under the radar, but, for anyone who loves the tension in The Invite, The Overnight is a must-watch.

Alex (Adam Scott) and Emily (Taylor Schilling) are new in town and looking for adult friends when they meet the eccentric Kurt (Jason Schwartzman) and Charlotte (Judith Godrèche). The couple invites them over for pizza and, once the kids are put to bed, things take a turn towards debauchery. The Overnight works best when Brice employs horror techniques for comedic effect, and the actors, especially Schwartzman, play off that disconcerting tone well. It’s a dark comedy that isn’t going to be for everyone, but deserves more attention than it’s been given.

‘Booksmart’ (2019)

Beanie-Feldstein and Kaitlyn-Dever talking by the lockers in Booksmart
Beanie-Feldstein and Kaitlyn-Dever talking by the lockers in Booksmart
Image via United Artists Releasing
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The assuredness with which Wilde directs The Invite is all on display in her raucous debut Booksmart, a film which many labeled as a female Superbad when it came out but which is more than just a gender-swap of that classic teen comedy. It’s a whipsmart coming-of-age film that has a huge amount of empathy and is energized by two outstanding lead performances. It’s certainly a very different flavor of comedy to that which is employed in The Invite, but it’s a perfect showcase for Wilde’s versatility as a director.

As graduation looms, seniors and best friends Amy (Kaitlyn Dever) and Molly (Beanie Feldstein) take solace in the fact that their unpopularity has been worth the fact that they will be attending prestigious schools in the fall. When they discover that their far more popular peers also have bright futures ahead of them, they decide to spend one night partying like they’ve never partied before. That set-up leads to some of the wildness you’d expect, including a Barbie-themed drug trip and some awkward sexcapades, but Wilde also uses the premise to explore underneath the stock labels that so many high school comedies are too quick to try and apply.

‘The Drama’ (2026)

While The Invite and fellow A24 film The Drama seem to be superficially similar, they offer vastly different viewing experiences, with the ZendayaRobert Pattinson joint offering a dark contrast to Wilde’s decidedly lighter film. Directed by Kristoffer Borgli, and produced by Ari Aster, the film offers a portrait of a couple about to exchange vows whose entire future together is put in jeopardy by a dark revelation.

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Charlie (Pattinson) and Emma (Zendaya) are set to walk down the aisle in a week’s time when a conversation with friends reveals a horrifying secret from Emma’s past. The revelation has Charlie questioning everything he knows about Emma, while she begins to deteriorate from stress-induced nightmares. The Drama is even darker than it was advertised as, picking at a particularly potent social issue that it isn’t quite well-equipped enough to handle at times. It’s still affecting in moments, and extremely uncomfortable in others, and it has two very committed and talented actors in the lead role. If The Invite didn’t make you squirm enough, you might see if you can handle The Drama.


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The Drama

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Release Date

April 3, 2026

Runtime
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105 minutes

Director

Kristoffer Borgli

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Writers

Kristoffer Borgli

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12 Best Sci-Fi Movies on Prime Video Right Now (July 2026)

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12 Best Sci-Fi Movies on Prime Video Right Now (July 2026)

In the near future, oil is in short supply and the environment lies in ruins. Civilization, if you can call it that, barely exists, and law and order have been replaced by fear and chaos. On Australia’s desolate roads, there’s only one man you shouldn’t cross – Max Rockatansky (Mel Gibson), a highway cop with a big gun and a bad attitude. When a motorcycle gang exacts revenge on Max for one of their slain members, they quickly realize that was a mistake – one that can only be rectified with their lives.

Who would’ve thought George Miller’s low-budget sci-fi action film would launch a multimedia franchise that’s still going strong in 2026? The Mad Max pictures are some of the genre’s standout movies, with 2015’s Fury Road often ranked as one of the best movies of the 21st century, but Mad Max is where it all started, and it possesses all the trademarks – the extreme camera angles, the gratuitous violence, the silent, swaggering protagonist –  that would make its many sequels and spinoffs into cult classics. 

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“Avatar: Seven Havens” trailer brings a Korra cameo and an Avatar twin to sequel series

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See the first footage from the new successor series to “Avatar: The Last Airbender” and “The Legend of Korra.”

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Want to Be On A Dating Reality Show? Here’s What To Know About Casting

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Age of Attraction

Reality TV lovers might wonder how the shows decide who to cast and what the process is like. The Blast recently spoke with Jacqui Pitman, Emmy nominated casting director and owner/CEO of Pitman Casting Inc., PartyPit Productions Inc., and Black Rice Media Inc., who shared some insight into what it takes to be cast on a dating reality show. 

Jacqui shared some of the application process, what they are looking for when choosing the show’s cast, and a little peek into the casting process of the upcoming season of “Age of Attraction.” 

Whether you’ve always dreamed of landing on a hit dating reality series or you’re simply curious about the process, Pitman reveals how the cast is chosen and why authenticity is the ultimate key to getting a part on the show. 

Age of Attraction
Netflix

Pitman Casting is currently in the process of finding the cast for a new season of “Age of Attraction,” the show that asks the question, “When it comes to love, does age really matter?” 

“Our casting process is pretty extensive. It does begin with the application because we really do try to get into the heads of our applicants and from their past, present, and future thoughts about relationships,” she told The Blast exclusively. “Tell us how you were raised and how that influences who you are today and how you see your future based on all of that. So the application is pretty gnarly. But you know, the shows that I do aren’t frivolous dating shows, so they genuinely are looking for people who are looking for their lifelong love.” 

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The application is much deeper than just writing your Tinder or Bumble bio and filling in your profile. It’s all about digging deep into the person you are and to uncover exactly what you are looking for with the reality show experience. 

Being In The ‘Right Mindset’ Is Important When Applying To Be On A Reality Show

Age of Attraction
Netflix

The application process goes deep and it’s lengthy, so being in the “right mindset” to be on the show you are applying for is necessary. 

“It’s a huge commitment. If you’re doing a show like ‘Age of Attraction’ or even ‘Golden Bachelor,’ you are going away for an extended period of time and you are not doing it for money because there is no money in it as a dater,” Jacqui said. “So you have to be in the right mindset of doing this because you’re looking for your person.”

After the written application, if chosen, there is a pre-interview you must go through first.

“When we’re talking to you, if you are not at the point where you are really ready to connect authentically in real life, you are not really ready for these kinds of shows because you won’t make the commitment,” she said. “Dating has really made people jaded about dating, so a lot of people come to us with negative energy about dating and that’s not what we’re looking for.”

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She said the most “amazing person could be standing in front of you, but because you’ve altered your view of what you think the type of person you should be with, you miss out.” Jacqui and her staff always listen for what’s not being said during these interviews and ask people to be as open as possible.

What Pitman Casting Is Looking For When Casting A Dating Reality Show

Pitman Casting
Pitman Casting

It’s a serious process choosing who will be the next cast of a dating show. One thing that casting is very clear on is making sure participants are ready to connect with someone authentically and make the commitment to the show. 

“We of course look for personality, and we look for people who are aspirational,” she shared. “My staff is trained to always listen for what they’re not saying. My executive producers are extremely conscious of a person coming forward who could just be on any dating show. They’re like, ‘Why do they want to do this show? Why now for this show?’ And that’s ‘Age of Attraction’ and ‘The Golden Bachelor’ for sure.” 

Because of the lack of dating reality shows for the older generation, when casting for “The Golden Bachelor” or “The Golden Bachelorette,” Pitman Casting receives tens of thousands of applications. 

Jacqui said that the first weeding of applications becomes anyone younger than 60. She’s had many people in their 50s apply and says, “we’re not ready to meet you.” Carefully following the casting instructions is essential to staying in the running and increasing your chances of advancing to the next stage of the selection process.

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Jacqui shared some advice for anyone thinking of applying to “The Golden Bachelor” or “The Golden Bachelorette.”

“Know who you are and be open to what you might want, because you could be pleasantly surprised and be ready for the commitment. Don’t think you’re coming to do this for the money because there isn’t money. We don’t do that,” she said. “Come because you are looking for your person.”

‘Age Of Attraction’ Is Gearing Up For A New Season

Age of Attraction
Netflix

While it’s too late to apply for the next season of “Age of Attraction,” The Blast got some insight into what the initial application looks like. The process is currently in the interview phase of casting, with filming beginning in October. 

If you’re planning to apply for a future season, here are some questions you should be ready to answer in detail for your shot of being chosen for the show. Questions about your family, greatest accomplishments, how your friends would describe you, if you are competitive, and how you handle conflict are just a few of the topics you’ll need to deep dive into. 

Other questions include topics such as details about your last relationship, things about you that might surprise casting, how often you date, what you’re seeking in a mate, what your end goal is in dating, would you date someone with children, life obstacles you’ve overcome, your experience with dating apps, and how you feel about age gap relationships. 

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Since this particular show is all about age gap dating, there’s a focus on specific casting questions revolving around age.

“Considering this is a show where no one knows how old the other is until they start to go down the path, it’s fascinating to see because you are not using that as a criteria, which so many of us do,” Jacqui said. “The moment you open your dating app, you set your age range, and we’re not doing that; you can’t do that on this show.”

More About Jacqui Pitman And Pitman Casting

Jacqui Pitman
Pitman Casting

Jacqui has played a crucial role in the success of many television shows over the past few decades. She has contributed to more than 500 shows, including “Big Brother 2,” “America’s Most Wanted,” “Let’s Make a Deal,” and many others. 

Her latest achievement is her part in casting romantics in their golden years on “The Golden Bachelor” and “The Golden Bachelorette.”

Jacqui’s career in television dates back to the late 1980s when she appeared on popular dating shows “Love Connection” and “STUDS.” She later transitioned to working behind the camera, serving as the casting director for “Big Brother 2.” 

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As Senior Vice President of Development at Lighthearted Entertainment, she went on to create and executive produce MTV’s hit dating series, “NEXT!,” drawing inspiration from her own experiences. She also developed and co-executive produced ABC’s “Extreme Makeover.”

Pitman Casting is currently casting for a few popular shows including “Let’s Make a Deal,” “The Golden Bachelor,” “The Golden Bachelorette,” and a few others.

For more information about Pitman Casting and to apply for one of the show’s seeking participants, visit the website.

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Mario Slips During ‘The R&B Tour’ And Fans React (VIDEO)

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Mario slipped on stage concert St. Louis The R&B Tour

Mario slipped on stage while performing In ‘The R&B Tour‘ on Tuesday July 21, and fans are working overtime with their reactions. The singer is currently on tour with Chris Brown and Usher, and he slipped while singing to a crowd in St. Louis.

RELATED: Daddy Duties! Chris Brown Shares Adorable Photo Alongside His Baby Boy Arrow

Mario Slips While Performing Let Me Love You’ In St. Louis

The 39-year-old singer was performing his hit ‘Let Me Love You’ to a crowd in St. Louis when he slipped, and the moment was captured by Instagram user @bubbiea26. The recording artist was walking across the stage, sporting a maroon leather vest-jacket and matching pants as he performed. All of a sudden, Mario slipped… hard. As he tried to stand up, he slipped again. Finally, Mario got on his feet, but he took a moment to make sure he was steady before moving on, which he did effortlessly. Despite his Slip-N-Slide routine, the singer showed he was a true professional and kept on with the show.

Fan Reactions Are Undefeated

Fans reacted after the video was shared on Instagram, and per usual, our Roomies weighed in with their usual panache. They also commended Marion for his professionalism following his fall.

User @mrclaytontaylor questioned if baby oil was the culprit. “Was Diddy in the building????? 👀👀👀🤣🤣🤣.”

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@tonyleezy added, “its the person recording still singing along during the slip for me 😂.”

User @rnb.radar replied, He still hit that note tho 🙂‍↕️.”

User @kingmeqween_bree joked, “Man imagine if he was singing ‘How Do I breathe’ 😂😂😂😂.”

@tjay848 noted, “Bruh walked off then looked back at the floor as if the floor did something to him 😂😂😂.”

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@queen_keene added, “Why when we fall we look like that?!?!?!🤣🤣🤣 His recovery was smooth though..🤣🤣.”

User @mzyoyo78 also noted, “This man never missed a beat when he fell #STL.”

Chris Brown Loves On Fans During ‘The R&B Tour’

Fans are loving ‘The R&B Tour,’ and Brown in particular is going viral for his fan interactions during the show. Brown brought a fan onstage during a recent concert and gave her the VIP treatment. While he sang ‘Take You Down,’ a shirtless Brown got on top of the fan as she lay in the bed. The artist shared a clip of the moment in his Instagram Stories and asked his fans, “This what yall wanted?” It appears as though he understood the assignment!

RELATED: Ho’ Up! Dave Chappelle Surprised Usher At His Concert & The Moment Is Going Viral (VIDEO)

What Do You Think Roomies?

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