When Steven Spielberg‘s Jurassic Park came out in 1993, it changed the way we looked at dinosaurs. No longer were they drawings in a book or stop-motion in a cheesy movie. Thanks in part to the genius of Industrial Light & Magic, dinosaurs felt alive like never before. Now, the iconic director and visual effects studio are back together again for another dino story. This time, instead of the world of fiction, with dinosaurs impossibly living amongst modern humans, Netflix‘s The Dinosaurs is a four-part docuseries that goes back millions of years to show the rise and fall of their era — and if the story’s jaw-dropping visuals aren’t enough of a selling point, it’s all narrated by Morgan Freeman.
What Is ‘The Dinosaurs’ About?
Steven Spielberg, Morgan Freeman, Industrial Light & Magic, and Netflix have actually worked together before on the 2023 Netflix docuseries Life on Our Planet. The eight episodes covered the history of life on Earth from the very beginning to the animals of today. This was done through a combination of live-action footage, when possible, and CGI when needed, with the technology coming in handy for episodes that covered the reign of the dinosaurs.
The Dinosaurs covers the days of Tyrannosaurus Rex and company in four detailed episodes, but rather than only depicting big names like the T-rex or a Triceratops, Netflix’s docuseries succeeds by digging deep and covering four distinct eras and what came from them better than most history lessons ever could. “Rise” focuses on the beginning, where small dinosaurs from 235 million years ago fight for survival in a new world. In “Conquest,” dinosaurs grow, only for many to be wiped out by the Ice Age. “Empire” is aptly titled because dinosaurs are now giants and the rules of an ever-changing Earth. Lastly, “Fall,” as the name implies, takes us all the way to the end, with an asteroid like a ticking time bomb to the end credits.
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‘The Dinosaurs’ Is Treated Like a Brutal Nature Documentary
A closeup of a blue eye in ‘The Dinosaurs’Image via Netflix
The Dinosaurs is not only built on the passion of Spielberg and Amblin Entertainment, but also on the know-how of Silverback Films, the creators of wildlife documentaries such as Secrets of the Bees, Ocean with David Attenborough, and Secret Lives of Orangutans. Their influence shows heavily in the best of ways, taking The Dinosaurs out of the realm of stuffy history lessons and narrowed scope. In a large world with fantastical figures from before our time, The Dinosaurs takes an emotional approach, with its subjects fighting to live in a world where only finding food and making it to the next day matters. Each episode plants the audience in the daily life of a little Marasuchus, a mammoth saurpod, or a terrifying carnivore in a world that’s eat or be eaten.
The viewers are moved in herds. They really are moved in herds.
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Dinosaurs might be one of the first things kids are fascinated by, but The Dinosaurs is probably not for the little ones. The docuseries is brutal and unforgiving. It sucks you in with the warm blanket of Morgan Freeman’s voice, but he’s narrating a vision of hell and even tells us so. Each episode is one scene after another of getting to know a dinosaur, one usually all alone, before its life is either snuffed out by a predator, a sudden fire, or the inability to adapt to a world that keeps evolving. A few scenes are hard to watch because The Dinosaurs does such a phenomenal job of taking these prehistoric creatures and turning them into three-dimensional beings with personalities and fears who only want to make it through another day.
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Industrial Light & Magic Brings ‘The Dinosaurs’ to Life
Birds surround their eggs in ‘The Dinosaurs’Image via Netflix
Industrial Light & Magic, which was co-founded by George Lucas in the mid-1970s, has made the impossible possible in movies such as E.T. the Extra-Terrestrial, Poltergeist, and Who Framed Roger Rabbit, before reinventing itself in the early ’90s thanks to CGI. Jurassic Park changed the game, putting the possibilities of our imagination on the screen in a way that felt lifelike. In The Dinosaurs, ILM isn’t there to supplement an existing film; they are the movie. The detail is there in every speck of sand, crack of dirt, and lush vegetation needed to thrive. Some of it resembles the world humanity knows right outside our door, while other scenes might as well be an alien planet. It’s the attention to detail of the dinosaurs themselves that puts the docuseries above anything else like it. CGI is good at making living things seem more alive in the dark. However, The Dinosaurs depicts its subjects right out in the open, blending them seamlessly with the world around them.
The only flaw of The Dinosaurs is the repetitive nature of its episodes. A dinosaur is introduced, it’s shown struggling to survive and eat, then it’s wiped out, and it’s on to the next. What begins as a heavy emotional impact in early episodes starts to become not only predictable but numbing by the end. The series doesn’t overstay its welcome, though. At four episodes of nearly 45 minutes each, The Dinosaurs gets it right. It’s dark and at times all too much, but the mastery of ILM and Morgan Freeman guiding the audience through hellscapes of another era helps the series rise above its limitations. The Dinosaurs will rip your heart out, but it wisely ends on a note of hope and respect. These dinosaurs don’t talk or devour people; they only live and die as they were, their ends brought to life millions of years later through the evolution of humanity, and thanks to Netflix, you’ve never seen them like this before.
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Release Date
March 6, 2026
Network
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Netflix
Directors
Nick Shoolingin-Jordan
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Pros & Cons
ILM’s technology makes the dinosaurs look more real than ever.
A lot of time is spent with dinosaurs you’ve never heard of, not just big names like the T-rex.
It’s a wise choice to tell stories with the dinosaurs so that we care about them.
The episode structure is the same throughout, leading to less emotional impact later on.
Lady Gaga has had an exciting past few years. She recently performed at the Super Bowl for the third time, released a chart-topping, Grammy award-winning album, and she got engaged to her boyfriend, Michael Polansky, in April 2024. Since then, she’s spoken openly about the positive impact he’s had on her life, but recently she called into Bruno Mars‘ radio show and gave a somewhat of an update on their wedding timeline.
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Lady Gaga Says She’s Getting Married ‘Soon’
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Mars is currently promoting his latest album, “The Romantic,” which he released in February 2026. To do so, he recently launched “Romantic Radio,” where he plays music and takes calls. One of the callers was none other than Gaga, who seemingly tried to disguise her voice before Mars immediately recognized it, calling his “Die With a Smile” collaborator “my dear friend Lady Gaga.”
She said during the call, “Hi Bruno, me and my fiancé have been traveling all year, but we’re getting married soon. We were hoping that maybe you could choose a special song for us.” He then suggested “Risk It All,” from his latest album.
Mars then said, “So, I want to dedicate this one to Lady Gaga and her fiancé, Michael. This is for you, too.”
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The Singer Announced Her Engagement In 2024
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The world now knows that Gaga became engaged to Polansky in April 2024 while they were on a camping trip. However, she kept the news private until July 2024, when, according to PEOPLE, she introduced him as her fiancé at the Paris Olympics.
An insider spoke to PEOPLE in September of that year about the details of their private engagement. They told the outlet, “The couple shared the happy news with family and close friends right away but wanted to keep the engagement private otherwise. Everyone’s excited about them getting married.”
The insider also noted that Gaga is “the happiest with Michael.”
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Fans Are Reacting To Gaga Getting Married ‘Soon’
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Following the clip of Gaga going viral, fans took to social media to react and wonder exactly how soon the singer meant she’d be walking down the aisle. One Gaga fan wrote on X, “I’m crying! Getting Married Soon????” Someone else said, “Wait? I was literally listening to ‘Risk It All’ last night while imagining Lady Gaga and Michael Polansky getting married with tears in my eyes.”
The comment continued, “Bruno better sing that song at their wedding for the first dance.” Lastly, another of her fans anticipated the wedding dress, writing, “Off topic, I’m excited for her bridal gown, omg. If I remember correctly, she opted for Vera Wang for her supposed-to-be wedding with Taylor.”
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The ‘Die With a Smile’ Singer Recently Tributed Polansky
Polansky isn’t only Gaga’s fiancé, he’s also a significant part of her management team. Recently, in September, Gaga took to Instagram to pay tribute to him after she won Artist of the Year at the 2025 MTV Video Music Awards. She did so by posting a black-and-white photo of them, in which she smiled at him while he had his back to the camera.
Gaga began, “Dreaming up this album, making the plan, building every vision with you–talking endlessly about what we would create and do for monsters has been an experience I could not have ever imagined.”
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She then said, “I’m forever grateful for how much you love and fight for me. You work so so hard with me from dawn till dusk every day, living the music, performances, and plans with your blood, sweat, and tears– to see it through every step of the way this year, I am the luckiest girl alive.”
Later in the caption, she added, “I love you endlessly. Having your creative partnership in our art, business, and in love–is a love I’ve never known.”
Lady Gaga Is Currently On Tour
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Gaga released her latest album, “Mayhem,” in April 2025. According to PEOPLE, she announced the accompanying world tour in March, ahead of the album. “The Mayhem Ball Tour” officially kicked off in July with a stop in Las Vegas. The tour is still going, having recently returned to North America after being extended.
On the acting front, according to Variety, Gaga will appear in “The Devil Wears Prada 2,” which is scheduled for release on May 1. She is also rumored to have recorded new music for the soundtrack.
The Hollywood monopoly unveiled its first trailer for Lanterns, the upcoming HBO Max series about the Green Lantern, Hal Jordan, and his apprentice, John Stewart. The trailer, which I’ll embed at the bottom of this article, looks mostly like a new season of True Detective, not like a superhero show. In addition to scenes of driving around in a car, there is a brief shot of the Green Lantern’s costume, which looks like a bunch of football pads sewn together, dyed pea green, and then run over a few times with that same car.
If you’re at all familiar with Green Lantern, as a superhero, then you know it’s sort of a sci-fi spacey property about a guy who can make anything he wants out of his green ring. It’s not a dusty comic about an old guy driving around back roads in a car.
Green Lantern’s suit in LanternsGreen Lantern’s costume in the comics
But if you’re a fan of a major, geek-centric media property, then you’re probably used to disappointment. Hollywood seems to have made it their mission to destroy everything nerds once loved, from Star Wars to Marvel to Star Trek. Most have assumed it’s been happening due to incompetence, but the truth may be something far, far worse.
That truth is this: Hollywood views geeks as pay pigs, and they’re being farmed.
A pay pig is a slang term for a person who repeatedly gives money, gifts, or financial support to someone who views them with open contempt or indifference. The payer is seen not as a valued supporter but as a gullible source of easy income, tolerated only as long as the payments continue.
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Damon Lindelof Reveals What He Really Thinks Of Green Lantern
Damon Lindelof, who is responsible for HBO’s Lanterns and many of the biggest geek properties that have been ruined and are currently being ruined, recently revealed in an interview that this is how he views the people who pay his bills. Here’s the clip from Lindelof, watch what happens when he gets too comfortable and the mask drops.
This is all part of the now-decades-long Hollywood trend of making content for itself rather than its viewers. You’re viewed as pay pigs, a captive audience forced to eat their slop.
That results in a Green Lantern show that won’t have anything green in it. It also won’t do any Green Lantern things. Instead, as explained by the trailer, the plot seems to revolve around a horrible old white man getting out of the way so a hot dude with the kind of skin color Damon Lindelof approves of can take over.
The old, white man who has to get out of the way in the Lanterns trailer.
What does this have to do with a superhero comic about an organization of intergalactic guardians? Nothing. All that space stuff costs money to make and effort to coordinate. They don’t have to go to all the trouble because you’re just a pay pig, and they’ll use the Green Lantern logo. Eat your slop.
Everything’s Terrible Because You Aren’t Respected
Hollywood’s lack of respect for its audience is why every show seems to be doing musical episodes or childish drama, because the people behind them are a bunch of theater kids who enjoy doing stage plays and don’t care about, and in some cases are actively repulsed by, what the audience wants. It’s why everything pushes a political agenda that has nothing to do with the show; it’s why everything looks cheap and lazy. Modern entertainment is made for the people making it, not for you.
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It’s not incompetence. They see you as beneath them and believe they can take your money from you without putting in any effort. You’re a pay pig, and you’re being farmed. It’s a Ponzi scheme, and you’re the elderly grandma they’re ripping off.
Star Trek’s recent musical episode.
The worst thing about it is that they aren’t wrong in their approach. Modern society is now overrun with zombified slop eaters, who will watch anything that shows up on screen with the right logo in front of it. There’s no incentive for them to respect their audience. People have been so thoroughly screenwashed that manipulating them has become easy, and they don’t have to try anymore.
So why put in all that effort on something you don’t care about? Give the slop eaters their slop, collect your paycheck, and laugh at them on the way home. It’s easy to imagine that’s what Damon Lindelof does, and he’s not the only one.
A closeup shot of Banner Creighton (Jerome Flynn) glancing offscreen with concern in 1923.Image via Paramount Plus
Following the premiere of Marshals, the latest spin-off in Taylor Sheridan‘s Yellowstone universe, audiences seem to be sending clear signals about what they want. Marshals marks the franchise’s first entry to be released on the CBS network rather than the Paramount+ streaming platform, and the reason is clear. Unlike previous installments, which were told on perhaps the biggest scale attempted on the small screen, Marshals appears to be a procedural in the vein of old-school network TV. Immediately after the first episode’s premiere on March 1, audiences flocked to the two previous Yellowstone spin-offs, giving them a massive spike on the viewership charts.
Sheridan’s Yellowstone debuted in 2018 and quickly became one of the most popular shows in the country. However, clashes between Sheridan and his lead, Kevin Costner, led the show to an abrupt end after five seasons in 2022. By then, Sheridan was already working on his two mega-budget prequels, the first of which premiered in 2021. The show, 1883, told the story of how the Dutton family came to Montana from the perspective of John Dutton III’s grandmother. She was played by Isabel May, who returned to serve as the narrator in the franchise’s second spin-off, 1923. This show ran for two seasons and concluded only last year. It told an epicGodfather-inspired tale of a prodigal son’s return to defend his family against enemies. 1923 was headlined by Helen Mirrenand Harrison Ford, with Brandon Sklenar emerging as its breakout star.
Can you answer these movie questions, wherein each correct response begins with a successive letter of the word “Collider”?
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Taylor Sheridan’s Magnum Opus Will Continue With ‘1944’
According to FlixPatrol, 1923jumped by an incredible 15 spots on the domestic iTunes charts following Marshals‘ premiere. 1883 followed not too far behind. Both shows were written in their entirety by Sheridan, with 1923 holding a 94% score on the aggregator website Rotten Tomatoes. The website’s consensus for the first season reads: “Distinguished by the ineffable star power of Harrison Ford and Helen Mirren, 1923 is another solid if unrelentingly grim addition to Taylor Sheridan’s Yellowstone universe.” With Marshals having disappointed audiences and the upcoming The Madison reportedly no longer a part of the franchise, fans will now look forward to 1944 — the third prequel in the series.
You can watch every installment of the Yellowstone franchise on PVOD and Paramount+.Stay tuned to Collider for more updates.
“The Princess Bride” star honored the late Hollywood icon with a heartfelt social media post Friday … on what should have been Rob’s 79th birthday.
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Of course, Rob and his wife, Michele were stabbed to death in their home back in December … and their son, Nick Reiner, is charged with their murders.
Cary posted a throwback photo of him and Rob, who directed the epic classic ‘Princess Bride’ back in the day.
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The actor captioned the Instagram post, “Today would have been your 79th birthday. Still hard to believe you’re gone. Missing you so much #robreiner ⚔️💔.”
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It’s Rob’s first birthday since his murder … so it’s clear folks who adored him are hurting big time today.
“A little over a year now and the dog bite that took my cheek and upper lip out is PRETTY MUCH HEALED,” Spara, 36, wrote via her Instagram Stories on Thursday, March 5, alongside a new selfie. “BONJOUR, AMEN.”
In a follow-up slide, Spara offered a “before” photo of her facial injuries.
“RIP SCARESSSSSSSSSS,” the actress captioned her pic, in which she had stitches underneath her left eye and in two places near her top lip.
The Good Doctor series finale ended with a heartfelt farewell to its fans — and the team behind the ABC series are answering any remaining burning questions. After premiering in 2017, the medical drama series concluded its run during the Tuesday, May 21, episode. Viewers watched as Dr. Shaun Murphy (Freddie Highmore) processed the return […]
Spara has not shared further details from the dog attack. She’s also a puppy parent herself, often posting snapshots of dog Sally via social media. (It’s not clear whether Sally is the canine that bit Spara in the face.)
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“I make a cup of coffee and journal to empty my brain,” she exclusively told Us Weekly in 2022 of her daily morning routine. “[Then], I take Sally out for a long walk around the seawall in Vancouver while I talk to my momma.”
After her morning walks with Sally, Spara headed to the set of ABC’s The Good Doctor. She played Lea Dilallo from 2017 to 2024.
“Even though we’re filming emotionally draining scenes, I’m the happiest when we are all together,” Spara told Us.
The medical drama, which wrapped in 2024 after seven seasons, also starred Freddie Murphy, Antonia Brown, Fiona Gubelmann, Noah Galvin and Hill Harper.
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“I love working with Hill so much,” she added at the time. “He keeps me on my toes with his ideas and I love talking life with him between setups.”
Paging Paige Spara! The actress plays Lea Dilallo on ABC’s medical drama The Good Doctor — and is loving every minute of it. “Even though we’re filming emotionally draining scenes, I’m the happiest when we are all together,” Spara, 33, revealed in the latest issue of Us Weekly. The Kevin From Work alum has acted on The Good Doctor since its season […]
The Good Doctor followed Shaun Murphy (Highmore), a doctor on the autism spectrum, throughout his medical training. Elsewhere on the show, Shaun fell in love with Lea before they eventually got married and welcomed a baby.
“One of my best friends is on the spectrum and that definitely drew me to [the role],” Spara previously told NewBeauty in October 2022 of joining The Good Doctor. “I really wanted to be a part of the conversation of someone who’s on the spectrum and someone who’s not on the spectrum can come forth and have a relationship.”
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She added at the time, “I really wanted to explore what that looks like and what that can be like and put that out there in the world as part of that. I was really excited to be a part of that for sure.”
Britney Spears isn’t stirring up any more drama … she’s keeping a low profile since being released from jail following her DUI arrest this week, TMZ has learned.
Sources close to Britney tell TMZ the pop star has been laying low at her L.A.-area mansion since her release — not even stepping out of the house — as people in her inner circle push for her to get treatment for her issues.
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As we first told you, her team is already exploring options, including mental health treatment, detox and dual-diagnosis programs — all aimed at getting her back on track.
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Her manager, Cade Hudson, reiterated the same thing to TMZ … a plan is being put in place to set her up for success … adding she’ll comply with the law and take the right steps moving forward.
It’s unclear whether treatment would be inpatient or outpatient, or whether it would happen before or after her May 4 court date — but bottom line, people around Britney are trying to help her turn things around.
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As we reported, Britney was pulled over by California Highway Patrol officers around 9:30 PM Wednesday near Westlake Village, not far from her home.
She was later taken to a hospital — not for injuries, because we’re told she didn’t have any — but so officers could draw blood to determine her blood alcohol content and test for drugs.
According to CHP, Britney was arrested for driving under the influence of a combination of drugs and alcohol.
Bold and the Beautiful has Sheila Carter (Kimberlin Brown) convinced Taylor Hayes (Rebecca Budig) is responsible for Deacon Sharpe (Sean Kanan) being such a wonderful and passionate husband to her again. But when the truth comes out about Taylor and Deacon, I think Sheila’s reaction will stun everyone.
Everybody expects rage and danger but we may instead get devastation, sadness and tears instead. It’s Belinda from Soap Dirt and we’re going to talk about how Taylor’s cheating betrayal might hit Sheila harder than Deacon’s betrayal.
Bold and the Beautiful: Sheila’s Undying Gratitude for Taylor
So, this week, we had Sheila up at Taylor’s office with a box full of stomach-turning toe cookies to thank her for talking to Deacon. And then Sheila dropped an incredible amount of TMI as she thanks Taylor for telling Deacon to get back in her bed and be a real husband.
He absolutely rocked Sheila’s world, blew her mind and was more passionate than ever. She said it was like Deacon was making love to her for the first time and it’s all because of Taylor. And then Sheila insisted Taylor’s the reason her marriage to Deacon is so wonderful right now.
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I mean technically, Taylor is 100% responsible for Deacon’s amazing bedroom performance that wowed Sheila. But it’s also skeevy that Taylor knew Deacon was thinking about her the whole time. Of course, Sheila doesn’t know that and begged Taylor to keep seeing Deacon.
Sheila Trusts Taylor Completely and Considers Her a Friend on Bold
And when Taylor tried to say that she couldn’t see Deacon anymore because he’d graduated therapy, Sheila wasn’t having it. It’s like she’s afraid that if Deacon stops seeing Taylor, then Sheila thinks the progress in their marriage will stop—which makes sense.
She also told Taylor she would like to think they’re friends and hopes they’ve gotten past all the horrible things Sheila has done in the past. She thinks Taylor is amazing, I mean, let’s be real, Sheila has Taylor up on a pedestal as much as Deacon does.
And when Sheila hugged Taylor and said it feels like they’re all in this marriage together, that was absolutely accurate although Sheila doesn’t yet know that is literally true. And then she talked about wanting to see her grandson and wanting to belong, writers doing overtime on her angst.
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Bottom line is that Sheila really likes Taylor, cares about her and trusts her in every way. Sheila is genuinely thankful for Taylor. It seems Sheila really believes she’s changed and is a different person and it’s clear Brad Bell’s working hard to set up a pity party for Sheila.
Brad’s writing it so psycho Sheila, the woman who shot her own son Finn (Tanner Novlan) and his wife Steffy Forrester (Jacqueline MacInnes Wood) and left them for dead, is a victim. I mean if you didn’t know her history, you’d feel kind of bad for her.
Has Sheila Really Changed or Is the Old Villain Still Lurking on B&B?
But there are two sides to the Sheila thing—yes people can change, like I truly think Deacon did. But also, it’s hard to think that at her core, after decades of evil-doing that Sheila really has changed.
She still seems volatile, like a flip could switch at any moment and she’d be dark and dangerous again. Like when she told Deke Sharpe (Harrison Cone) she’d just kill him then was like ha, ha just kidding. I definitely think that’s a red flag that the old Sheila is still in there and maybe not too far beneath the surface.
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I mean, to be fair, she did save Taylor from falling off the roof of the hospital a few years back, so maybe in Sheila’s mind that makes up for her shooting Taylor and her being presumed dead many years ago.
Maybe Sheila thinks that makes them even. But she also shot Taylor’s daughter Steffy. Then again, Sheila turned around and saved Steffy from being shot by Luna Nozawa (Lisa Yamada). So, again, maybe in Sheila’s mind, that balances their books.
Bold and the Beautiful: Sheila Carter – Taylor Hayes
Taylor’s Betrayal Will Cut Deeper Than Deacon’s
So, right now, Brad Bell and his writers are putting Sheila in the position of the victim because what Deacon and Taylor are doing is wrong. There’s no denying that. So, what I’ve been thinking about is that I think Sheila’s actually going to be harder hit by Taylor’s betrayal than she is by Deacon’s.
You know, men put their pepperonis in other ovens when they shouldn’t. That’s always possible. But for Taylor to betray Sheila? That’s going to be a knife to the gut. She really thinks that Taylor is her trusted best friend.
I think Sheila’s going to be absolutely crushed, devastated, and in tears when the truth comes out. Now, this could wind up with her so hurt by Taylor that she goes stark raving mad. Sheila may snap and revert to her villainous ways. Or she could crumble into a whole pile of sadness.
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In a recent interview, Kimberlin Brown said that when Sheila finds out, it’s going to be big. I can see her being mad at Deacon, definitely. But I think it’ll hit Sheila a different way with Taylor. I think it will be soul-crushing and at first, Sheila may just have a tear-filled breakdown.
Will Sheila Snap and Unleash Her Inner Villain Again?
But once she dries her tears, the pain of Taylor betraying her could push Sheila over the edge and unleash the villainess in her once again. But if she goes after Taylor, first, I think Deacon would protect the woman he loves—Taylor.
And I think if Sheila flips that switch back to psycho, it may be triggered more by Taylor than Deacon himself. I think Sheila will be absolutely heartbroken that Taylor could do something so awful to her.
I think Sheila would be more upset about being hurt by Taylor than by the possibility of losing Deacon. We’ll see what happens. But it’s going to be explosive when Taylor and Deacon’s love for each other is exposed.
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We’re still waiting to see that Bold and the Beautiful spoiler about a couple making love for the first time happen. Because I feel pretty strongly that it’ll be Taylor and Deacon giving into their passion and getting intimate.
And from there, it’s a ticking time bomb until Sheila finds out, freaks out, and is stunned at the extent of betrayal from Deacon and Taylor, the woman she considers her closest friend. The fallout’s going to be epic and I’m definitely here for it.
Young and the Restless spoilers for next week talk about Jack Abbott’s (Peter Bergman) shocking blast from the past that ends in a kiss. And Matt Clark’s (Roger Howarth) dangerous return looms large.
We’ve got the latest Y&R spoilers for the week of March 9th where we’ll see Diane Jenkins (Susan Walters) and Kyle Abbott (Michael Mealor) chasing a lead. And Sienna Bacall (Tamara Braun) shocking Sharon Newman (Sharon Case) and Nick Newman (Joshua Morrow).
Young and the Restless: Diane Jenkins & Kyle Abbott Desperate to Find Jack
Ok so, let’s start with Diane and Kyle and what’s going on with Jack. At the end of this week, Diane and Kyle headed over to Billy Abbott (Jason Thompson) and Sally Spectra’s (Courtney Hope) place to strategize. They’re trying to retrace Jack’s steps and figure out when he was taken. And how to bring him home.
Diane’s terrified to think that Victor Newman (Eric Braeden) really has Jack. But Kyle wonders if Victor might be playing them. And Billy says this definitely wouldn’t be the first time Victor’s done something like that. Billy wants to talk to Nikki Newman (Melody Thomas Scott) because Billy says she won’t be okay with Victor kidnapping Jack.
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But I agree with Diane who says that Nikki will just make excuses and enable what Victor did. Bottom line, is that Diane and Kyle just want Billy to go ahead and give Chancellor back to Victor. And put an end to this.
Sally prods Billy to admit he doesn’t technically own Chancellor yet, Phyllis Summers (Michelle Stafford) still does. Then they argue and Diane’s worried that Phyllis wouldn’t actually help. And might just let Jack pay the ultimate price.
Diane thinks Nikki and Phyllis won’t help and she, Kyle and Billy need to find Jack themselves. But Kyle and Billy think they might be able to convince Phyllis to help them—but they need to do it fast.
Kyle and Diane Chase a Lead to Find Jack Abbott
While Billy heads over to work on Phyllis, we have Diane admitting to Kyle that she will go beg Nikki if she can help them get Jack back. Diane’s frantic. And worried Jack being in danger, but Kyle thinks his uncle Billy will get through to Phyllis.
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So in next week Young and the Restless spoilers, we’ve got lots of Jack action coming. First, we have Billy back over at the Abbott mansion telling Kyle and Diane that this could be a wild goose chase. But Kyle says it could also be the lead they need to find his dad Jack.
And then Diane says it’s the only lead they have so they have to follow i. And hope for the best. Meanwhile, I was so excited that I was right thinking that crazy Patty Williams (Stacy Haiduk) is back to Y&R for the kidnapping storyline—working with Victor yet again it seems.
Patty Williams Returns to Babysit Jack on Victor’s Yacht on Y&R
So, at the end of this week, Jack woke up groggy on the yacht—so it’s clear he was drugged so Victor’s thugs could kidnap him. Jack’s banging on the door and calling for help. And decides he may be on Lake Michigan but needs to see the shoreline to figure out where he is.
Jack wonders if Victor is behind this—but I mean come on—who else would kidnap him and stick Jack on a yacht. He’s wondering if Victor cooked this up because of something to do with Billy. And rather than being worried about his safety, Jack hopes that Billy doesn’t let Victor win.
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And that’s when the door opened and Jack’s jaw dropped. As we suspected, there stood crazy Patty Williams who said nice to see you too Jack. This is a woman that Victor’s used more than once as a tool to target Jack.
So in next week Young and the Restless spoilers, Jack is, of course, still stuck on the yacht where Victor has him trapped with Patty there to babysit. And possibly torment him. So, Jack’s trying to work her and wants a favor.
Jack Agrees to Kiss Patty for a Favor
I’m guessing it’s for Patty to let him out of the stateroom so he can look for a way to get away. But she asks Jack what she’ll get if she does him this giant favor. So, he asks Patty what she wants and what she wants from Jack is a kiss.
Then, he tells Patty that if she shows him around the yacht, Jack will give her a kiss. Now, I’m pretty sure that Patty knows he’s married to Diane. And Jack was cheating on Patty with Diane back when they were married. Jack even slept with Diane on Patty and Jack’s wedding day.
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So, I’d be really surprised if Patty settles for just a kiss. She may want Jack in bed with her to rub it in Diane’s face. And if it goes anything like the last time Victor kidnapped Jack, he might’ve provided Patty with drugs she can use to force Jack to do anything she wants.
Young and the Restless Spoilers: Jack Abbott – Matt Clark
Holden Makes a Deal with Audra to Seduce Kyle on Young and the Restless
Also, next week on Y&R, we’ll get more on Holden Novak’s (Nathan Owens) brand new deal he just cut with Audra Charles (Zuleyka Silver). While Holden acted gracious when Claire Grace Newman (Hayley Erin) called things off with him, clearly Holden’s not going to let it go and he wants Claire away from Kyle and back to him.
He asked Audra to seduce Kyle so it’ll end things with Claire and Kyle. But Audra just swore to a truce and she’s worried Claire might choke her again. Audra claims she doesn’t care about Kyle but Holden makes it into a challenge to make Audra want to be the winner and beat Kyle.
In the end, despite Holden obviously doing this to get Claire back for himself, but Holden said that if she has Kyle at her side, she’d be a real power player since he’s an Abbott. Surely, this will end in disaster but I can’t wait to see Audra tempting Kyle while Claire stews about it.
Sienna Takes Steps to Stop Matt Clark on Y&R
Then, next week on Young and the Restless, we’re getting close to having Matt Clark pop his awful head up out from under the rock where he crawled when he was released from police custody. And we also have Sienna back to Genoa City determined to make a go of it with Noah Newman (Lucas Adams).
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But Matt’s an ongoing threat to a lot of people. So, Sienna tells Sharon and Nick that she wanted to repay them for getting her out of a dangerous situation with Matt, so Sienna says she owes them and takes some steps to try and stop Matt once and for all.
Make sure to catch our full weekly spoilers video tomorrow, for the week of March 9th-13th plus our weekly predictions and lots more.