If you think about the best movie trilogies, The Godfather or The Lord of the Rings may immediately come to mind. It’s easy to see why they come in threes. The first movie is so good, they have to make another. Or, they have to finish an arc that has been established in the first film. In doing so, they have become so beloved by audiences everywhere. However, there are also movie trilogies that make you question their existence.

From misguided adaptations and painfully repetitive romances to low-budget movies made on a dream and not a dime, the trilogies on this list demonstrate how difficult and miraculous it can be to sustain a story across three movies. These are the movies that make us question: How did they make one, let alone three of these?

6

‘Fifty Shades Trilogy’ (2015-2018)

Image via Universal Pictures

The Fifty Shades trilogy follows Anastasia Steele (Dakota Johnson), a young literature student who enters into a “complicated” relationship with billionaire businessman Christian Grey (Jamie Dornan). Fifty Shades of Grey introduces how they meet and Christian’s unconventional sexual preferences. The sequels, Fifty Shades Darker and Fifty Shades Freed expand their story as they get married and face conflict with other people.

Despite its enormous popularity, the trilogy is remarkably weak as the story barely moves forward. The first film ends as the drama gets exciting, yet the second and third films do not really explore it further. For all the themes about BDSM, the film is, for lack of a better word, very vanilla. Based on a Twilight fan fiction, the characters themselves have the potential to be more memorable, yet the plot of the films only gets even more formulaic as it goes. The dialogue is very stiff, and both Johnson and Dornan try so hard to sell their characters. It’s not a good sign when, in one of the movies, the most interesting part is when Anastasia manages to parallel park flawlessly.

5

‘The Kissing Booth Trilogy’ (2018-2021)

Image via Netflix

The Kissing Booth trilogy follows Elle Evans (Joey King), a high-school student whose romantic life becomes increasingly complicated after she kisses her best friend’s older brother, Noah Flynn (Jacob Elordi), at a school kissing booth. The subsequent films follow them as they go to college and find new romantic interests in each of their lives.

The premise is undeniably cute for a teen film, but the films become increasingly frustrating because its central conflicts are repeatedly manufactured by characters refusing to communicate like functioning human beings. Elle’s relationship with Noah is frequently presented as passionate despite being riddled with jealousy, possessiveness, and unhealthy behavior, while her friendship with Lee (Joel Courtney) is dependent on a weird list of rules that should have disappeared years earlier. The sequels barely justify their existence, but are still incredibly popular on Netflix. Fortunately, both Jacob Elordi and Joey King have moved on to better projects these days.

4

‘My Fault Trilogy’ (2023-2025)

Image via Prime Video

Based on Mercedes Ron‘s Wattpad stories, My Fault trilogy follows Noah (Nicole Wallace) and Nick (Gabriel Guevara), who meet after she moves in with her mother’s new husband. Despite being step-siblings who clash with each other all the time, the two develop an intense attraction, especially after Noah beats Nick in racing. The sequels continue their story as their relationship goes further even though their parents disapprove.

The Kissing Booth and this are evidence that the most popular Wattpad stories do not always translate to compelling movies. These stories are truly out of the box and irrational, no matter how entertaining they are as text. Throughout three films, the films just go through the same cycle with very little development. The lavish setting is fun to see but that can only take the audiences to a certain distance before they get bored. Nevertheless, the films are constantly on Prime Video’s most watched films and it even has an English-language remake titled My Fault: London, with its own set of trilogy. Ultimately, maybe it’s just our fault for tuning in to these movies.

3

‘Atlas Shrugged Trilogy’ (2011-2014)

Advertisement

The Atlas Shrugged Trilogy is an ambitious attempt to bring Ayn Rand‘s novel to the screen. The story follows Dagny Taggart, played by pre-Orange is the New Black Taylor Schilling in the first film, a determined railroad executive trying to keep her company from collapsing as a mysterious man named John Gait is dismantling the system. All three films bombed at the box office, leading the production to recast new actors and hire new directors for each film.

It’s simply baffling to split the novel into three films without a guarantee or confidence that they would be good films. Rand’s novel is filled with strong philosophical ideas yet the films never fully translate them for the screen. No matter the audience’s political beliefs, the films would confuse those who aren’t familiar with Rand’s principles and alienate those who are familiar, making this a trilogy for no one. It shows in the box office take, as they keep dwindling for each film, with the last one barely reaching the $1 million mark. The first film might be the most competent of them all, with stars like Schilling and Edi Gathegi starring. The second and third films seem to exist solely for the producers’ completionist mindset.

2

‘In the Name of the King Trilogy’ (2007-2014)

Image via 20th Century Studios

Advertisement

Loosely inspired by a video game series, the first film, In the Name of the King: A Dungeon Siege Tale, follows Farmer (Jason Statham) who embarks on a quest to rescue his kidnapped wife and avenge his murdered son while becoming involved in a war between kingdoms and an army of magical creatures. The second and third films shift gears and follow modern-day soldiers, played by Dolph Lundgren and Dominic Purcell respectively, who are transported to the medieval world.

The director of this trilogy is the notorious Uwe Boll, often dubbed the worst working director today. The first film at least has the ingredients of a potential fantasy blockbuster but Boll’s direction turns them into a muddled and lifeless imitation of The Lord of the Rings. After a catastrophic failure at the box office, it is a miracle that the sequels are made. Both sequels abandon almost everything from the first film. The consistent things these films have are poor effects, stilted dialogue, and paper-thin characters. If it’s any consolation, the first film is one of the few Uwe Boll films that are somewhat coherent.

1

‘365 Days Trilogy’ (2020-2022)

Image via Netflix

Advertisement

The 365 Days films follow Laura (Anna-Maria Sieklucka), a Polish woman, who is kidnapped by Massimo (Michele Morrone), the head of a Sicilian crime family. As she fulfills Massimo’s sexual desire, she is given 365 days to fall in love with him. The second film brings a new lover to create jealousy between them, while the third film reveals that Massimo has a twin.

To say that 365 Days movies are practically porn films disguised as proper films is a disservice to porn. 365 Days aim to shock and lure viewers with its steamy sex scenes but there is simply not enough plot to fill the films’ runtime. The closest comparison is 50 Shades of Grey, but that film has an extended sequence where Anastasia and Christian discuss limits and boundaries. 365 Days does not, making these films guilty of assault and coercion. The characters are simply there to sleep with each other and be pretty and cool. Released during the pandemic in 2020, the first film found runaway success on Netflix. It appeared on the top 10 lists in numerous countries, and still holds its position until today in a few countries. The ultra-bland sequels are, of course, inevitable after that kind of achievement.

Advertisement

365 Days

Advertisement

Release Date

February 7, 2020

Runtime

114 minutes

Advertisement

Director

Barbara Bialowas

Advertisement

Writers

Barbara Bialowas, Tomasz Klimala, Blanka Lipinska, Tomasz Mandes

Advertisement

• 
• 

Advertisement

Advertisement

Drink up me hearties. D23 is the biggest night of the year for Disney fans and that also means it’s the biggest night of the year for Disney themselves to show off what they’ve got coming up. Not content with the likes of Frozen, Star Wars, Marvel, and Mickey himself, the most popular sea-faring series in history was there too, and it got an exciting new update.

Iron Studios unveiled a new collectible model during the event, and it brings Johnny Depp‘s iconic Captain Jack Sparrow — the worst pirate you’ve ever heard of, but you have heard of him — to life in a new way. In it, he battles the nefarious Davy Jones, played by Bill Nighy in the films. Release details are to come, but for die-hard fans of Pirates of the Caribbean, this looks like something you won’t want to miss.

Will There Be a New ‘Pirates of the Caribbean’ Movie?

The intention for Disney is to make more films in the series, but whether it has Depp at the helm is another question entirely. In 2024, the Top Gun: Maverick and F1 producer and Hollywood royalty Jerry Bruckheimer told Collider’s Steve Weintraub that he and his team are “working” on a sixth Pirates of the Caribbean film.

“Jeff Nathanson (screenwriter of the last entry in 2017, Dead Men Tell No Tales) is working on a script. We have another one… We have two, and we don’t know who’s going to win the horse race at this point. But hopefully in the next month, I’ll have a script, and maybe Disney will want to make it.”

Last year, Bruckheimer revealed that he’d had conversations with Depp about the prospect of the actor coming back for a sixth film, and it sounded positive. “If he likes the way the part’s written, I think he would do it,” Bruckheimer said. “It’s all about what’s on the page, as we all know… We are still working on a screenplay. We want to make it. We just got to get the right screenplay. We haven’t quite gotten there yet, but we’re close.”

Stay tuned to Collider for more updates on Pirates of the Caribbean.

Advertisement

Advertisement

Release Date

July 6, 2006

Runtime

151 minutes

Advertisement

Director

Gore Verbinski

Advertisement

Writers

Ted Elliott, Terry Rossio

Advertisement

Advertisement

Advertisement

Hayden Panettiere reflected on “good times” in her final Instagram post shared prior to her death.

“Good times and good friends @randallslavin ✨,” the Nashville alum captioned a black-and-white photo of herself with photographer and director Randall Slavin. The July 27 post captured Panettiere winking at the camera while Slavin, 56, wrapped his arm around her.

A representative for Panettiere confirmed in a statement shared with Us on Sunday, August 16, that the actress had died. “It is with profound sadness that we share the tragic passing of our beloved Hayden. She was an incredible light and a force of nature who brought immeasurable love and joy to all who knew her — and to the millions who watched her onscreen,” the statement read. ABC News was first to report.

She was 36 years old, and details into her death were not immediately available. Panettiere is survived by her 11-year-old daughter, Kaya, whom she shared with ex Wladimir Klitschko.

Related: Hayden Panettiere Cries as She Breaks Silence on Brother Jansen’s Death

Hayden Panettiere tearfully broke her silence on brother Jansen Panettiere‘s death during an emotional TV tribute. “He’s right here with me,” the 33-year-old actress said on Good Morning America on Monday, March 6, speaking publicly about her loss for the first time. Us Weekly confirmed last month that Jansen died in New York on February […]

Slavin, a former actor who has photographed a string of A-list celebrities, shared Panettiere’s post via his own Instagram Stories late on Sunday night. “Peace be with you, H,” he captioned the post while setting it to the sound of Olivia Dean’s “Dive.”

ABC News also reported on Sunday that Panettiere’s father, Skip, asked for privacy in the wake of his daughter’s death “as our family takes time to process this unimaginable loss.”

Panettiere began acting as a child, rising to fame through her role as Clare Bennet in Heroes, which she held from 2006 to 2010. She then starred in 2011’s Amanda Knox TV movie before landing another enduring TV role from 2012 to 2018 in Nashville as Juliette Barnes.

Related: Hayden Panettiere Prays Brother Is ‘In a Beautiful Place’ After His Death

Advertisement

Amanda Edwards/Getty Images Hayden Panettiere is still mourning the death of her younger brother, Jansen Panettiere. “Two years ago today, I lost my little brother. This amazing human being touched the lives of so many. Especially mine,” Hayden, 35, wrote via Instagram on Wednesday, February 19. “The pain isn’t quantifiable.” She added, “I pray you’re […]

Her film career also included the role of Kirby Reed in 2011’s Scream 4 and 2023’s Scream VI. She most recently starred in the psychological thriller film Sleepwalker, which was released in theatres in January.

Panettiere’s personal life was put under the spotlight over the years, resulting in a memoir titled This Is Me: A Reckoning, which was released in May. In the book, the actress wrote candidly about her struggles with being a child star as well as addiction and postpartum depression. She also shared her experience with abuse at the hands of an ex.

Thank You!

You have successfully subscribed.

Advertisement

Related: Hayden Panettiere Attends ‘Scream 6’ Premiere After Brother Jansen’s Death

Hayden Panettiere made her first red carpet appearance since the death of her brother, Jansen Panettiere, while attending the premiere of Scream VI. Hayden, 33 — who reprises her role as Ghostface survivor Kirby in the sixth installment of the horror franchise — attended the world premiere at AMC Lincoln Square in New York City […]

Advertisement

The book also discussed the unexpected death of her brother Jansen in 2023.

She told Us while promoting her book in May, “It really started when I was 16 years old … people creating stories that were false about me. There have been a lot of preconceived ideas, and I’ve always tried to be open and honest. I felt like there was a big target on my back and all that mattered was what would make the biggest headlines and shock people the most.”

If you or someone you know is struggling or in crisis, help is available. Call or text 988 or chat at 988lifeline.org. https://988lifeline.org/

Hayden Panettiere’s final months were marked by an unusual tension: she was looking backward while deliberately trying to move forward. 

Just months before her death at 36, the actress had laid bare the addiction, grief, trauma, postpartum depression and domestic abuse that shaped parts of her life. However, her memoir was never intended as a farewell. 

Panettiere was using those painful chapters to imagine a future built around creativity, protection and the possibility of leaving the world better than she found it.

5

When Hayden Panettiere released “This Is Me: A Reckoning,” she knew putting her life on paper would reopen wounds she had spent years learning to live with. 

The memoir offered an intimate account of her experiences with addiction and recovery, postpartum depression, trauma, domestic abuse, loss and the painful custody arrangement involving her daughter, Kaya.

The actress had already spent much of her life in the public eye, beginning her career as a child performer and eventually becoming known for “Heroes” and “Nashville.” 

However, writing about that life required a different kind of exposure. In May, she explained that one of her greatest fears had been knowing what would come with telling such personal stories.

“One of the things that I was most terrified about, when deciding whether or not to write this book, was that I knew what was going to come along with it,” she told The Hollywood Reporter.

Ultimately, Panettiere decided that honesty mattered more than protecting herself from the reaction. She revealed, “I had to sit with myself and make a decision, and I realized it was more important for me to share my stories and to wipe the slate clean.”

That decision also shaped the way she approached other people who appeared in her story. The 36-year-old explained that she had been “fiercely protective of people” while writing and wanted to tell her experiences without dragging others through the mud.

“I just had to speak my truth – and it’s mine alone,” she said. The response initially reassured her that the difficult process had been worthwhile. 

“Reading those comments from people within the industry and outside of it, it makes me feel like I made the right decision to write the book,” Panettiere told the outlet.

Panettiere Refused To Let Grief Become The Whole Story

5

Some of the most difficult material in Hayden Panettiere’s memoir involved her family, particularly her estrangement from her mother and the loss of her younger brother, Jansen. 

Discussing the experience of writing about him, she acknowledged that the grief remained painfully immediate despite the passage of time.

Panettiere explained that mentioning her brother could still bring her close to tears, describing the grief as something that continued to change rather than disappear. 

Yet the Hollywood star resisted letting that grief, or any of the other tragedies in her life, define who she was. 

In her memoir, she wrote about the addiction struggles, postpartum depression, treatment, trauma and separation from her daughter while making clear that those experiences represented only parts of her life.

“There’s no easy way to share your story with the world, but the last thing I want to be is a downer,” she wrote. “I’m an optimist to the core and refuse to be defined by my tragedies.”

Instead, Panettiere described the upheavals as “lifequakes,”  moments capable of shaking someone apart but also creating the conditions for rebuilding. 

Hayden Panettiere Was Already Planning A More Creative Future

5

One of the clearest signs that Panettiere was thinking beyond her own struggles was her appearance at a Los Angeles book event hosted by Book Soup at the Harmony Gold Theater on May 26. 

The conversation was not solely about what she had survived. Panettiere was also asked what she wanted to do next, and her answer revealed an actress thinking beyond the roles that had made her famous.

“I have a laundry list,” she revealed per PEOPLE. Directing was high on that list. She wanted to use her own experiences in Hollywood to create an environment where performers, particularly younger ones, could feel protected rather than overwhelmed.

“I really wanna direct and be that person that creates a safe environment for actors and be like, this is the experience you’re supposed to have,” she said.

Panettiere also wanted to produce and was “kind of trying my hand at writing,” while expressing an interest in “anything creative.” The appeal was partly about gaining greater control over her career rather than waiting for roles.

Her ambitions were closely connected to her experiences as a young performer. Panettiere began working as a baby and had booked dozens of commercials by the time she was 5. With that history behind her, she had strong opinions about what adults sometimes demand from children working in entertainment.

“People don’t always understand what they’re asking of young actors emotionally,” she said.

Panettiere Saw Vulnerability As A Form Of Strength

5

The future Hayden Panettiere imagined was not based on pretending her past had never happened. Instead, she increasingly viewed vulnerability as part of what could make her work meaningful. 

At the May event, she spoke about people approaching her after hearing her discuss mental health and sharing their own experiences.

“So many people have come up to me within the industry and outside of the industry and shared their stories with me and said, ‘Because you’ve talked about your mental health, it gave me the courage to be honest about mine and get myself help, and you saved my life,’” she said.

Those encounters changed the way she viewed the difficult decision to expose so much of herself. “And I was like, this is worth it,” she noted.

Panettiere added, “I can hopefully leave the world a better place than I found it,” before emphasizing, “The strength is in our vulnerability.”

That philosophy also appeared in her reflections on recovery. She acknowledged that perfectionism had been ingrained in her from an early age and that constantly trying to meet impossible expectations had eventually become overwhelming.

Hayden Panettiere’s Final Vision Was Bigger Than Her Tragedies

5

Only months before her death, Panettiere was thinking about what she could still create. Her memoir opened with the idea that personal growth never truly stops, describing life as a process that continues through failures, mistakes, grief and pain. She compared that process to trees shedding their leaves before returning in spring.

She acknowledged the pain that came with shedding parts of oneself that no longer served a purpose. 

“We’re meant to shed our dead skin and the parts of ourselves that don’t serve us, and sometimes it’s immensely painful,” she wrote, adding, “Believe me when I say, I’ve felt this pain.”

Those words now carry a different weight following the announcement of her death at 36 on August 16. 

Representatives for the former child star said per The Blast, “It is with profound sadness that we share the tragic passing of our beloved Hayden.”

They remembered Panettiere as “an incredible light and a force of nature.” The cause of death was not immediately clear, while law enforcement sources confirmed an investigation was ongoing.

Mariska Hargitay and Jalen Brunson have developed an unexpected friendship, with the “Law & Order: Special Victims Unit” star and New York Knicks point guard often showing their support for each other. Now, their friendship is crossing into the actress’ longtime television world. Hargitay recently confirmed that Brunson is “definitely” appearing in the procedural crime show, though fans will have to wait to see what role the athlete will play.

Mariska Hargitay and Jalen Brunson are close friends, and the actress supported the NBA star during the Knicks’ recent championship run. Now, Brunson is stepping out of the court and crossing over into the world of entertainment.

Since Brunson expressed his desire to appear in the long-running series, fans have been waiting to find out if it would ever happen.

At a recent event, Hargitay, who has starred as Olivia Benson in “Law & Order: SVU” since 1999 and also serves as an executive producer, confirmed to Variety that Brunson will indeed make a guest appearance.

Hargitay said the script isn’t quite ready yet, but it’s “in the works,” adding, “But it’s happening. It’s definitely happening.”

The Actress Says Jalen Is ‘Open And Ready’ For Any Role

After the Knicks won the NBA championship in June, breaking a 53-year drought, Brunson was asked what his next big plans were, to which he replied, “Try to get on ‘SVU’.”

Hargitay said Brunson didn’t say what type of role he wanted, but she believes the athlete could do anything.

“He’s kind of magnificent that way. He is just open and ready. I don’t think there’s much that Jalen can’t do,” the actress said. The reporter then asked if she wants to get Brunson an Emmy nod, and she jokingly said, “I don’t think he can handle any more awards, to be honest.”

Brunson received many accolades during the 2026 NBA season, including NBA Finals MVP, Eastern Conference Finals MVP, and three individual awards at the ESPYs: Best Athlete, Best NBA Player, and Best Championship Performance.

Advertisement

Jalen Brunson Was On Mariska Hargitay’s ‘SVU’ Bucket List

“SVU” has been on the air for almost 27 years, and many big names have appeared as guest stars, including Whoopi Goldberg, Bradley Cooper, Robin Williams, Jeremy Irons, and Cynthia Nixon, among others.

In a guest appearance on TODAY in May, Hargitay revealed that there were two people she had on her bucket list when it came to “Law & Order: SVU” guest stars, and they’re both close to her heart. “Two people, and they both start with ‘J.’ Jamie Lee Curtis and my Jalen Brunson,” she revealed.

A few months later, the actress went on the show again and coyly teased Brunson’s potential appearance, telling anchor Savannah Guthrie, “I’m hoping we might – don’t tell anyone, but – see him on ‘SVU’… But we’ve got some things in the works.”

Inside Mariska Hargitay And Jalen Brunson’s Friendship

Hargitay and Brunson’s friendship grew out of mutual admiration. The actress is a devoted New York Knicks fan and regularly attends games, while Brunson said he has watched “SVU” since he was a child.

In an episode of “The Roommates Show” podcast in May 2025, Brunson shared that “Law & Order: SVU” was a staple in his home. “The older I got, the more I watched. The more I see now, I’m like, ‘I’ve seen that episode,’ I’ve seen so many different episodes,” Brunson said, adding that it’s his “pregame show.”

The two formed an instant bond when the actress learned the athlete was a fan, and they have supported each other since. In June, Hargitay joined the athlete and his family on their float at the New York Knicks’ victory parade.

Advertisement

‘Law & Order: SVU’ Season 28 Is In Production

“Law & Order: SVU” is currently on its summer break, following the Season 27 finale in mid-May. Reports say production on Season 28 has begun. While Hargitay did not reveal when Brunson will make his guest appearance, it will most likely be during the upcoming season.

“Law & Order: SVU” Season 28 is scheduled to premiere on October 8.

Horror games have one unfair advantage over horror movies. They make you open the door yourself. You control the flashlight, choose whether to inspect the noise, and decide how long you can tolerate hiding while something searches the room. And that very fear becomes participation.

These eight games changed what interactive horror could accomplish. While games like House of the Dead started it all, they were scarcely scary thanks to centuries old graphics (it’s an exaggeration). But these games weaponize helplessness. They hand you a shotgun and still keep your pulse elevated. Scroll down if that interests you.

8

‘Fatal Frame II: Crimson Butterfly’ (2003)

Image via Tecmo

Fatal Frame II: Crimson Butterfly takes twin sisters Mio and Mayu Amakura into Minakami Village, an abandoned settlement trapped in endless night. Mayu follows a crimson butterfly deeper into the village, leaving Mio to search through decaying houses filled with vengeful spirits and clues about a forbidden ritual. Her only real defense is the Camera Obscura, a supernatural camera capable of capturing ghosts. Lovely holiday. Terrible accommodation.

That camera creates the game’s brilliant central tension. Dealing greater damage requires keeping an approaching spirit inside the frame and waiting for the strongest possible shot. Survival therefore means staring directly at the thing every instinct tells you to escape. The slow movement, Japanese folk-horror imagery, and fragile bond between the sisters give the scares real sadness. Its reputation remained strong enough to inspire a complete remake released in March 2026, more than two decades after the original PlayStation 2 game. Start with the lights low. Keep the camera ready.

7

‘Outlast’ (2013)

Image via Red Barrels

Independent journalist Miles Upshur enters Mount Massive Asylum after receiving information about secret activity connected to the Murkoff Corporation. The facility has recently reopened under the cover of research and charity, yet the corridors tell a very different story. Miles finds mutilated bodies, escaped patients, corporate experiments, and several residents who take an immediate dislike to investigative reporting. His main tool is a camcorder. His fighting ability is nonexistent.

Running and hiding had existed in horror games before Outlast, though few titles built such an aggressive rhythm around complete vulnerability. Night vision turns black corridors into grainy green tunnels while limited batteries add pressure to every second spent looking. Lockers offer uncertain shelter. Beds provide just enough space to reconsider every life choice. The game’s chases can become relentless, but the visual identity, found-footage perspective, and commitment to helplessness made it a defining release for a generation of horror players and spectators. Wear headphones. Your neighbors deserve to hear the scream naturally.

6

‘SOMA’ (2015)

Image via Frictional Games

SOMA drops Simon Jarrett into PATHOS-II, an underwater research facility where damaged machines speak like people and the remaining signs of human life raise increasingly disturbing questions. Simon begins with a simple desire to understand where he is. That search expands into a confrontation with consciousness, identity, memory, and the possibility that a person may survive in ways the original person never experiences.

The monsters can still send Simon scrambling beneath desks, though the deepest fear comes from the ideas waiting between those encounters. Frictional Games deliberately wanted a different kind of terror from the primal pursuit found in Amnesia. The studio built SOMA around questions concerning consciousness and what qualifies as human life. Those questions become personal through decisions that initially appear technical. Avoid spoilers at all costs. This is one of those games where an innocent discussion can steal half the experience. Play it slowly, read the terminals, and prepare to think about a coin toss for an uncomfortable amount of time.

5

‘Amnesia: The Dark Descent’ (2010)

Image via Frictional Games

A man named Daniel wakes inside Castle Brennenburg with almost no memory of his past. A note written by Daniel himself explains that he deliberately erased those memories and instructs him to descend through the castle and kill its master, Alexander. That sounds manageable until the halls begin shifting, creatures start hunting him, and the darkness itself starts damaging his sanity.

Amnesia: The Dark Descent made defenselessness into a complete design philosophy. Daniel cannot defeat the creatures stalking him, so players must hide, run, manage lamp oil, preserve tinderboxes, and decide whether seeing clearly is worth using limited resources. Looking directly at monsters can make the situation worse. Very rude of them. Physical interactions also pull the player deeper into the environment as doors are pushed open, drawers are searched, and objects are manipulated by hand. The original release emphasized atmosphere and story over the era’s heavily armed action heroes. It succeeded spectacularly. Enter Brennenburg when you have several free hours and no urgent need to feel safe.

4

‘Alien: Isolation’ (2014)

Image via Creative Assembly

Advertisement

Set fifteen years after the original Alien, Alien: Isolation follows Amanda Ripley as she searches for answers about the disappearance of her mother, Ellen. A recovered flight recorder leads her to Sevastopol, a deteriorating space station filled with desperate survivors, hostile androids, corporate secrets, and one fully grown Xenomorph. One is plenty. Creative Assembly understood the assignment.

Sevastopol recreates the chunky computers, analogue screens, industrial corridors, and retro-futuristic technology of the 1979 film with obsessive care. The Alien is driven through systems that allow it to respond to sound, movement, and the player’s habits instead of appearing only at rigidly scripted points. Flares, noisemakers, and the motion tracker provide options without creating comfort. Even the tracker’s beep can betray how frightened you already are. The campaign runs longer than its concept strictly requires, yet few games sustain this level of physical anxiety. Save often. Breathe quietly. Never assume the vent above you is decorative.

3

‘Dead Space’ (2008)

Image via EA Redwood Shores

Advertisement

Engineer Isaac Clarke boards the planet-cracking vessel USG Ishimura expecting a repair mission. He finds the communications system broken, the crew slaughtered, and the corridors overrun by Necromorphs created from human remains. Isaac also hopes to locate his partner Nicole, who was serving aboard the ship before contact disappeared. This is how the original Dead Space made combat part of its horror rather than an escape from it.

Shooting enemies in the head wastes precious ammunition, so Isaac must sever limbs with repurposed engineering equipment. Strategic dismemberment forces players to abandon familiar shooter instincts while grotesque bodies keep advancing. Health information appears along Isaac’s suit, ammunition displays sit on weapons, and menus exist inside the world, leaving almost nothing between the player and the Ishimura. Sound finishes the job through scraping vents, distant machinery, and noises that may signal an attack or simple mechanical cruelty. The 2023 remake is excellent. The 2008 original remains essential. Cut off their limbs and enjoy your completely normal repair shift.

2

‘Resident Evil 4’ (2005)

Image via Capcom

Advertisement

Resident Evil 4 sends Leon S. Kennedy to rural Europe to rescue Ashley Graham, the kidnapped daughter of the United States president. Instead of traditional zombies, Leon encounters villagers controlled by Las Plagas and a religious cult determined to derail the rescue. The opening village fight immediately establishes the new rules. Enemies communicate, surround buildings, climb through windows, and keep coming until the church bell offers a temporary reprieve. Then everyone leaves. Leon is understandably confused.

The over-the-shoulder perspective gave aiming greater precision while keeping danger close enough to crowd the screen. Contextual melee attacks, upgradeable weapons, the attaché case inventory, dynamic enemy groups, and the merchant created a loop that action games spent years studying. Capcom itself describes the 2005 release as the first series entry to adopt that camera perspective, and its influence quickly spread across the wider gaming landscape. The balance is the real triumph. Resident Evil 4 can be tense, funny, grotesque, and spectacular within the same hour. Pick up every treasure. Respect the chainsaw. Buy something from the merchant. He has excellent energy.

1

‘Silent Hill 2’ (2001)

Image via Konami

Advertisement

Silent Hill 2 begins when James Sunderland receives a letter from his wife Mary asking him to meet her in Silent Hill, the town where they once shared precious memories. Mary has been dead for three years. James travels there anyway and finds a fog-covered community filled with empty streets, locked buildings, disturbing creatures, and people carrying private reasons for entering the same nightmare.

Placing it first has little to do with mechanical perfection. The combat is deliberately awkward, and some puzzles can become obscure. Silent Hill 2 remains unmatched in the way its environments, creature designs, music, dialogue, and symbolism serve one psychological portrait. Pyramid Head became the recognizable monster, though the quieter details carry equal force. A radio crackles when danger is close. Akira Yamaoka’s music shifts between industrial noise and aching melody. The town seems to understand James before he understands himself. Twenty-five years later, people are still debating its imagery and returning to that fog. Go in with patience and minimal knowledge. Silent Hill will handle the rest.

Advertisement

Resident Evil 4

Advertisement

Released

January 11, 2005

ESRB

Advertisement

M for Mature: Blood and Gore, Intense Violence, Language

Engine

RE Engine

Advertisement

Franchise

Resident Evil

Advertisement

Advertisement

Advertisement

One of DC’s hit animated series became a streaming success ahead of its season finale. The show received a perfect critics’ score on Rotten Tomatoes for every season, and was also well-received by audiences. While the show’s future remaines uncertain, fans prepared themselves as the series approaches the end of another season.

My Adventures with Superman was part of DC Elseworlds, and was not connected to the main DC Universe continuity. Additionally, the show had already been greenlit before James Gunn and Peter Safran took over DC Studios and received support from the studio’s new leaders. At the time, the series was in its third season, with its season finale scheduled for that weekend.

Recently, My Adventures with Superman soared to the #9 spot on HBO Max’s Top 10 TV Shows worldwide, sitting between 90 Day Fiancé and The Wicked. Season 3 continued where Season 2 left off, with Clark’s cousin, Kara, becoming part of the team as they encountered new problems, threats, and allies.

What’s ‘My Adventures With Superman’ About?

My Adventures with Superman follows Clark Kent (Jack Quaid) during his early years as he and Jimmy Olsen (Ishmel Sahid) began their internships at the Daily Planet and are partnered with senior intern Lois Lane (Alice Lee), at a time when the world was only beginning to discover Superman. Throughout the first season, Clark tried to keep his identity a secret from his friends, though they eventually learned the truth and attempted to protect him as the government increasingly viewed Superman as a potential threat. As the show progressed, new characters were introduced. Season 2 introduced Kara Zor-El, aka Supergirl, voiced by Kiana Madeira, as well as Brainiac (Michael Emerson), while Season 3 introduced future versions of Superman and Lois Lane’s children, Jonathan (Darren Criss) and Lara (Jolie Hoang-Rappaport).

Since its release, My Adventures with Superman earned a perfect critics’ score on Rotten Tomatoes and an average audience score of 80%. Critics praised Season 3 for its art and familiar storytelling, with some noting how it drew inspiration from the comics while still keeping the story fresh. Meanwhile, audiences described My Adventures with Superman as one of their favorite shows but expressed concern that Season 3, in particular, tried to cram too much story into too few episodes. Collider’s Mike Thomas gave Season 1 of My Adventures with Superman an 8/10 rating in his review, praising Superman’s portrayal as a flawed character and offering a fresh take on the character, as well as Quaid’s ability to bring an optimistic energy to the role.

The Season 3 finale of My Adventures with Superman was released this weekend, on August 16, 2026. In the meantime, My Adventures with Superman is available to stream on HBO Max. Follow Collider for more updates.​​​​​​​

​​​​​​​

Advertisement

Release Date

July 7, 2023

Advertisement

Network

Adult Swim

Showrunner

Advertisement

Jake Wyatt

Directors

Diana Huh, Jen Bennett, Kiki Manrique

Advertisement

Writers

M. Willis, Angela Entzminger, Aman Adumer, Brendan Clogher, Cynthia Furey, Jake Wyatt, Josie Campbell

Advertisement

Advertisement

• 

  Clark Kent / Superman (voice)

• 

  Alice Lee

  Lois Lane (voice)

  Advertisement

Advertisement

Advertisement

All movies are hard, and often expensive, to make, involving a lot of hard work and long hours from tremendously talented craftspeople and creative artists. That hard work and long hours are doubled for any movie that needs to create an entire world, whether that be another period or an entirely different realm. When it comes to creating those fictional worlds, it’s most often in service of stories of the fantasy genre, which take a tremendous amount of ambition to bring to life.

Even in the last 25 years, with massive advancements in visual effects technology, mounting a fantasy has become no less ambitious, as the movies have only grown bigger and more lavish. Some films have embraced that technology, while others have strived to avoid using it, and many of the most ambitious films attempt to find a balance between practical and digital. Groundbreaking CGI, lavish costumes, massive sets, grand locations and expansive casts are all part of what makes the following fantasy films the most ambitious of the last 25 years.

10

‘The Polar Express’ (2004)

Image via Warner Bros. Pictures

Robert Zemeckis is known for his technical innovations. Films like Who Framed Roger Rabbit, Death Becomes Her, and Forrest Gump all featured pioneering uses of different visual effects technologies. In the 2000s, Zemeckis became particularly obsessed with motion capture technology, and he and his company, ImageMovers, decided to use it for his adaptation of the Chris Van Allsburg book The Polar Express, which was also the first to pioneer full facial performance capture.

While the results were uneven, with creepy-looking characters that looked like they crawled straight out of the Uncanny Valley, the film, at the very least, showed the potential of the technology. In hindsight, the story would have been better served as a live-action adaptation. There’s still plenty of beauty in some of the digitally rendered locations, and the titular train looks magnificent, but the dead-eyed children are hard to look at. The first guy through the wall always gets bloody, and Zemeckis took on a lot of hits for this film and his animated fantasy follow-ups.

9

‘Wicked’ (2024)

Image via Universal Pictures

Adapting the smash Broadway musical Wicked into a feature film took over a decade and the turnover of many creatives, but the result was a film that itself became a pop culture sensation. The first Wicked, which adapted the first half of the musical, as directed by Jon M. Chu, utilized both expansive digital effects and large-scale sets to bring its version of the land of Oz to the screen.

The effort is evident on the screen, continuing the grand musical tradition from the original The Wizard of Oz. The musical numbers are lavish, the performers are stellar, and the film manages to keep its energy up for most of its two-hour-plus runtime. Some of its darker themes of systemic oppression and corruption get a little lost under all the glitter and grandeur, but it still packs a punch in its climax. The sequel, Wicked: For Good, unsurprisingly wasn’t able to recapture that same magic, but still managed to become a box office hit and wrap up what was one of the biggest fantasy phenomena in movies in a long time.

8

‘Harry Potter and the Sorcerer’s Stone’ (2001)

Image via Warner Bros.

Adapting the beloved Harry Potter books to film was a daunting undertaking. Not only did Harry Potter and the Sorcerer’s Stone have to craft an entire Wizarding World, but it also had to find a cast who could capture the essence of the characters and carry on their roles for multiple sequels. The film did all that and managed to tell a compelling story that had many fans wishing they could be whisked off to Hogwarts themselves.

The importance of the casting of Daniel Radcliffe, Rupert Grint, and Emma Watson cannot be understated, and all three actors will remain synonymous with their roles for the rest of their lives. Director Chris Columbus gets a ton of chemistry out of the trio, despite their collective lack of acting experience, and they anchor the film, even in its silliest moments. The moments that matter most are all handled perfectly, though, from Harry getting his first wand to the introduction of Hogwarts. While later films would improve on and perfect the potion, the first film set the formula.

7

‘Pirates of the Caribbean: The Curse of the Black Pearl’ (2003)

Image via Walt Disney Studios Motion Pictures

Basing a movie on one of the most popular fantasy novels of all time definitely requires some brave ambition. Basing a movie on a decades-old theme park ride featuring pirates requires near-delusional levels. In the early 2000s, Disney was in another of its transitional periods, trying a lot of different things, but Pirates of the Caribbean: The Curse of the Black Pearl was a definite risk. Theme park ride movies had not been a success for Disney, and modern pirate movies had all universally bombed, including Disney’s own Treasure Planet from the year prior.

Johnny Depp was also not a known box office draw in the 2000s as well. Long before his movie star status and controversies, the actor was known for being a heartthrob who took on strange roles in films that were often unsuccessful at the box office. Director Gore Verbinski had only had one hit film as well, with the horror remake The Ring, but clearly had a creative energy that was ready to be unleashed. The first film in the Pirates franchise is a lot of swashbuckling fun, and has some supernatural tricks up its sleeve. It’s a genuine treasure in comparison to the cursed film it could have been.

6

​​​​​​​’The Green Knight’ (2021)

Image via A24

All the previous films on this list had plenty of ambition, but they also had plenty of money. Ambition and skill can only carry a film so far if it doesn’t have resources. It’s why so many modern epic fantasy films come with price tags consistently over $100 million. It’s also why The Green Knight, made for one-tenth of that, is such an impressive fantasy feat. Despite having a fraction of the budget, it still makes its hero’s journey feel suitably epic and fills it with fantastic imagery.

Retelling the legend of Gawain and the Green Knight, David Lowery‘s film examines its hero through a modern lens, but keeps a lot of its effects old-school. The film is a tribute to the practically made fantasy films of the ’80s, like Legend and Excalibur, and it has the same tactile quality. The Green Knight may not have gigantic battle sequences or effects-filled action sequences, but it’s no less imaginative or fully realized than films made on ten times its budget. It’s a minor masterpiece with major ambitions.

5

‘Mad God’ (2021)

Image via Shudder

Any stop-motion animated film is inherently ambitious. The painstaking medium takes excruciatingly long to properly accomplish and demands incredible patience. Stop-motion animation artists are some of the most underappreciated in Hollywood, and the films they’ve delivered all kinds of wonders and horrors over the decades. In the 21st century, there have been some very ambitious stop-motion fantasy films produced, from Corpse Bride to Kubo and the Two Strings. The upcoming Wildwood looks to be another visual feast of incredible handmade artistry as well, but in terms of sheer audacity and ambition, it’s going to be hard to beat Mad God.

A passion project of visual effects legend Phil Tippett, Mad God took 30 years to complete, with huge gaps in its production as Tippett would collaborate with different volunteer artists on weekends. The result is a dark fantasy nightmare that defies easy classification or description, but is a must-watch for any fan of the art form or the artist. Mad God is completely untethered from any standard narrative structure, unfolding as a true descent into hell. It’s definitely not for everyone, but it is a striking sight to behold and undeniably ambitious.

4

​​​​​​​’The Odyssey’ (2026)

The ambition of Christopher Nolan shouldn’t be taken for granted. Whatever failings he may have as a storyteller or filmmaker, being unambitious is not one of them. The director has been mounting epic films on an increasing scale for over a decade, transporting audiences into Gotham City, the dark reaches of outer space, and most recently into Homer‘s The Odyssey. While the discourse around Nolan’s fantasy epic began to overwhelm the film itself, it’s likely to find continued love for its epic scale.

From the production design, to the costumes, to the depiction of mythical beasts, there is a tactile quality to all of it. The film’s location shooting makes it feel practically gargantuan compared to other blockbusters shot on stages with green screens that can feel claustrophobic. The Odyssey features many visual effects, but they are meticulously designed and beautifully integrated. The best thing about a filmmaker like Nolan isn’t just that he’s able to make films on this scale, but that he commands enough power with studios to get the time and money for his crew of collaborators to accomplish them properly.

3

‘The Tale of Princess Kaguya’ (2013)

Image via Toho

Trying to compare the ambition and efforts of different animated mediums is a futile gesture. There is ambition in every animated film made, but there’s a special ambition in attempting something different. Movies that utilize the medium to create something that looks different than what mainstream audiences are accustomed to always risk rejection, even when coming from Studio Ghibli. While the storied animation studio is synonymous with director and co-founder Hayao Miyazaki, its creations extend beyond his masterpieces, including its most ambitious film, The Tale of Princess Kaguya.

Based on the Japanese folktale The Tale of the Bamboo Cutter, the film is animated in a style reminiscent of watercolor paintings, with textured brushstrokes and charcoal lines that maintain their minor imperfections. It’s an evocative art style that director Isao Takahata wanted to use to elicit an emotional response, and it does. It doesn’t conform, even to the expected style of its studio, and stands in stark artistic opposition to almost any other animated film of the last 25 years.

2

‘The Fall’ (2006)

Image via Roadside Attractions

Tarsem Singh‘s The Fall was, for a long time, the most ambitious fantasy that almost no one had seen. The film came and went without much promotion or a widespread release and quickly went out of print on physical media. It’s been brought back thanks to a restoration on streaming, allowing fantasy fans to properly witness its stunning visuals. The film was mostly self-funded by Singh, who shot it over four years in two dozen countries. Its ambition expands well beyond the edges of the frame, and it’s an overwhelming visual experience.

Presenting a fantasy story through the imagination of a child isn’t necessarily novel. Many films have made attempts to create wild fantasies that represent the unbound imagination of children, but often fall short or devolve into chaotic CGI. The Fall is vibrant, unbound to any one style, with a world that shifts as quickly as the mind of a child wanders. There were few films that looked as good as or better than The Fall before it, and there aren’t likely to be many more.

1

‘The Lord of the Rings: The Fellowship of the Ring’ (2001)

Image via New Line Cinema

Despite many attempts, no fantasy franchise has been able to capture the same level of epic achievement as The Lord of the Rings. The massive cinematic trilogy, adapted from J.R.R. Tolkien‘s seminal fantasy novels and shot back-to-back, was an incredibly ambitious undertaking. Peter Jackson had never directed a film close to the scale of a fantasy epic, never mind three, and the films became a behemoth production in New Zealand.

There are films that have had larger or longer productions, with just as many complexities as The Lord of the Rings, but none have been able to recapture the success of Jackson’s trilogy. Not even Jackson himself could replicate it with The Hobbit prequel trilogy. Back in 2001, audiences had never seen a fantasy epic as big as The Lord of the Rings: The Fellowship of the Ring, and now we often take them for granted. Regardless of their individual success, the ambition of filmmakers who make fantasy movies should always be celebrated.

Nashville and Heroes alum Hayden Panettiere has died.

A representative for the actress confirmed the news to Us the late hours of Sunday, August 16. She was 36 years old.

“It is with profound sadness that we share the tragic passing of our beloved Hayden. She was an incredible light and a force of nature who brought immeasurable love and joy to all who knew her — and to the millions who watched her onscreen,” the representative told Us in a statement. ABC News was first to report.

Details into Panettiere’s death were not immediately available.

Related: Hayden Panettiere Dons Late Brother Jansen’s Jacket at His Memorial

A heartfelt tribute. Hayden Panettiere honored her late brother, Jansen Panettiere, at his memorial service while wearing a jacket he designed. The Heroes alum, 33, joined friends and family at Palisades Presbyterian Church in New York on Wednesday, March 8, to pay their respects to Jansen following his death at age 28. Panettiere was also […]

The actress is survived by her 11-year-old daughter, Kaya, whom she shared with ex Wladimir Klitschko.

Panettiere’s life in the spotlight began at just 8 months old when she signed with Wilhelmina Models. She had opened up about her life extensively in her recent memoir, This Is Me: A Reckoning, released in May.

In her book, the actress details years of physical and emotional abuse at the hands of an ex, as well as rehab stints, alcoholism and undiagnosed postpartum depression after the birth of Kaya.

During a sit-down interview with Us in May that discussed her book, Panettiere revealed that the project was “very scary” to complete.

Advertisement

Related: Hayden Panettiere Pays Tribute to Late Brother Jansen in Touching Post

Hayden Panettiere shared a touching post to honor her late brother, Jansen Panettiere, on what would have been his 31st birthday. The actress, 36, posted a photo of the siblings as children via Instagram on Thursday, September 25, alongside an emotional caption. “My little brother Jansen would’ve turned 31 today. He was a remarkable human […]

“I talk about traumatic moments and things that people don’t even know about. The abuse I went through at the hands of people that were supposed to be there to protect me. Admitting to all of the things that I did. I knew if I was going to do this, I wanted to be brutally, painfully honest,” she said at the time. “When I was honest about postpartum depression on Live With Kelly and Michael [in 2015], the repercussions were shocking. After that interview, I had no idea when I walked off that stage that I was going to get the call saying, ‘Neutrogena wants to fire you. They’re not OK with this.’ And you’re going, ‘Wait a second, of all the things, how can they judge me about something that is so human and so real?’”

Thank You!

You have successfully subscribed.

Advertisement

The book also delved into Panettiere’s relationship with her mother, Lesley, who also served as her manager, detailing the pressure she felt under her mom’s direction. “I feel like this is the first time [through the book] that I’ve been able to [talk to her]. I was so scared of her that approaching her and being honest about my feelings was not going to get me any positive reaction,” she told Us at the time. “This is my way of doing it.”

If you or someone you know is struggling or in crisis, help is available. Call or text 988 or chat at 988lifeline.org. https://988lifeline.org/

Love Island’s Nicolas “Nic” Vansteenberghe is keeping tight-lipped about the prospect of getting back together with Olandria Carthen.

“I would love to tell you guys, but I’ll keep that private for now,” Nic, 25, said while interviewed at LIV Beach at Fountainebleau Las Vegas after reuniting with Olandria, 28, at the Saturday, August 15, wedding of Jordyn Woods and Karl-Anthony Towns in Malibu, California. “We did enjoy ourselves tremendously at Karl and Jordan’s wedding last night. It was amazing.”

In photos published by Deux Moi on Sunday, August 16, Nic and Olandria were seen seated beside one another while witnessing the nuptials.

After Us confirmed last month that the pair had split after one year of dating, Nic added that he believes people can always be friends with an ex. “If you end healthily, you know, it’s cool. Sometimes it’s better to maybe not be friends but in my case … we ended on a good note,” the season 7 star said.

Related: Love Island USA’s Nicolandria Address Misconceptions, Cierra and More

Love Island USA‘s Nic Vansteenberghe and Olandria Carthen know not everyone believes their romantic connection — and they don’t really care. After coming in second place during the Sunday, July 13, finale, Nic, 24, and Olandria, 27, were in a great mood while speaking to Us Weekly in a joint interview about the “unreal” support […]

Nic also shared advice for others who may face navigating a breakup. “Things will always get better. It’s rock bottom, but it’s about to climb,” he said.

The former couple met while filming the Peacock series, despite initial sparks flying between Olandria and Taylor Williams. During the early stages, Nic was paired with Cierra Ortega before a Love Island shakeup led Nic and Olandria to explore their own chemistry.

Nic told Us in May that he and Olandria chose to take their ongoing romance away from the cameras to maintain privacy. “At this point, the critics and the critiques are just overdone,” he said at the time. “I’ve said all I need to say. At this point, it’s just about not giving it any more attention.”

The duo did, however, open up during a Glamour cover shoot in December 2025, that discussed how they dealt with life after appearing on the reality TV series and how they maintained boundaries in their relationship.

Thank You!

You have successfully subscribed.

Advertisement

Olandria told the outlet that she found the aftermath of their on-screen stints far from easy. “It was kind of hard at first. These are the people that met us through a TV screen and watched us every single day for six weeks at a time. They’re hungry for more. We felt obligated to let them in, still, in the beginning,” she said. “He was the Nicolandria updater, literally, because I was so shook up and just not really friendly with the internet at that time. They would get all the updates from his Snapchat account—what I’m doing, what we’re up to. They were so used to seeing us on the screen and they loved us so much. It was like, ‘We have to keep giving them content.’”

Related: Love Island USA’s Olandria Slams Interest in Nic Romance: ‘Creeps Me Out’

Love Island USA‘s Olandria Carthen made a rare comment about how frustrating the public interest in her relationship with Nic Vansteenberghe has been. “Why is it your business? Are your bills getting paid? Are you touch-deprived? Go get a man — go do something with your life,” Olandria, 28, told Cosmopolitan on Thursday, June 18. […]

Advertisement

She added that the pressure to maintain a public profile felt too overwhelming with time. “Eventually it became mentally draining. People started to nitpick. They were doing that on the show, but we didn’t have our phones to see it—now that we’re actually having to live with it and hear about it, it’s like, ‘Oh, maybe we don’t need to share as much anymore. Because they’ll find the smallest little thing and it’s a big discourse all over social media,” she explained.

Nic agreed, adding that he too found a balance that worked. “Being in the social media space now, people want to be let in, and the more you let in, the monetary gain is nice. So finding that balance of, ‘Okay, this is our work now, but it’s also our life,’ was kind of hard in the beginning, but now I feel like we’ve got a better grip on it,” he told the outlet.