If your calendar is packed with upcoming events, Sutton Foster just wore a dress to inspire your next fancy getup. The performer recently stepped out in New York City wearing a long satin dress that’s equal parts timeless and flattering. It’s just the kind of style that women over 50 will especially appreciate.

Foster sported the Marina Moscone navy number while attending The Death of Robin Hood premiere with partner Hugh Jackman. With it being wedding season, we couldn’t help but think that Foster’s dress would be ideal for attending such events. So, we found a similar one, the Realtix Satin Mock-Neck Midi Dress, on Amazon.

Get the Realtix Satin Mock-Neck Midi Dress for $46 at Amazon! Please note, prices are accurate as of the publishing date but are subject to change.

The $46 lookalike is quite similar to Foster’s ensemble, featuring a dark blue hue, a draped mock neck and a side slit. That high neckline combined with a sleek skirt proves that simple doesn’t have to equal boring, and sometimes, something understated feels especially elegant for formal events.

Related: 17 Chic Wedding Guest Dresses on Amazon That Look Boutique-Worthy

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The wedding invitations keep arriving, and the dress code keeps shifting. A garden ceremony in June, black tie reception in September and there’s a cocktail hour at a vineyard somewhere in between. After a certain point, raiding the back of your closet for that one reliable navy sheath dress starts to feel like a tired […]

One detail we like better about the Amazon dress compared to Foster’s pick is the back. The Broadway star’s is more basic, but the affordable version has a racerback-like detail that shows just enough to look sexy without being exposed. Still, it nails the drapey silhouette that makes the original feel so special.

Foster elegantly paired her dress with matching pumps, a matching clutch, silver earrings and a slicked-back bun. This exact formula would be the summer wedding guest look of our dreams, but it could be slightly dressed down for less fancy affairs. You can achieve that timeless feel with a range of style decisions, though.

To get the Foster look, snag the Realtix dress in navy. However, you can’t go wrong with the classic black hue, either. If you really want to be on-trend for the season, shop the butter yellow and sage options that show how elegant a splash of color can be.

Real-life reviewers agree that the satin-like fabric gives this midi dress an “elegant and polished look.” One person pointed out that, despite the drape up top, the dress’ silhouette is “not too tight or loose” and “creates a flattering silhouette without any pinch,” allowing it to work for a range of body types.

Even if you don’t think you have an event to wear this dress to (yet), it’s not a bad idea to make sure you have an option in your closet. Because it’s always impossible to find a dress when you actually need it, right?

Get the Realtix Satin Mock-Neck Midi Dress for $46 at Amazon! Please note, prices are accurate as of the publishing date but are subject to change.

Looking for something else? Explore more satin dresses here and don’t forget to check out all of Amazon’s Daily Deals for more great finds!

Related: Meghan Markle’s Silky Maxi Dress Screams ‘East Coast Socialite’

At the Alliance for Children’s Rights 34th Annual Champions for Children event, Meghan Markle did what she does best: turned every head in the room. The Duchess stepped out in a silky strapless dress in a deep navy hue, and the look was pure elegance from head to toe.  Markle gravitates toward clean lines and […]

Law & Order: SVU star Mariska Hargitay is opening up about the palpable shift that occurred on the set of the hit crime procedural once the show secured its first woman to serve as showrunner.

“I had a secret fantasy of having a female showrunner for … a few years,” Hargitay, 62, told Variety in an interview published on Saturday, June 12, commenting on the hit NBC show hiring Michele Fazekas as the show’s season 27 showrunner. (Fazekas, 49, worked in the show’s writers’ room for seasons 3 through 7.)

“Michele and I always connected. She was so smart, and those years on SVU were some of my favorites,” the actress continued. “Her episodes during that time were the best ones.”

Fazekas had just finished working on Prime Video’s Gen V when she became the first woman to showrun the Dick Wolf series. While also speaking with Variety, Fazekas said there is a “great synchronicity with how we all think” on- and off-set, which only benefits the show’s overall culture.

“We were all rowing in the same direction,” Fazekas told the outlet. “There’s no toxicity. Having worked in really toxic environments, it’s like, oh my God, I don’t know what to do with myself! We all just want to make a good show and not make it harder than it needs to be.”

Hargitay added that with Fazekas now steering the ship, so to speak, things feel both “old and new” on the show.

“It’s new and coming home at the same time,” she explained. “There are emotional beats and comedy beats that are so specific to me and to the origins of the character. Obviously, it was time. It’s what SVU needed more than anything, and it was the perfect fit. It’s all the elements coming together in a perfect way.”

She continued, “I want to highlight that word: Team. That is the difference now. There’s such a sense of lock arm, ladies. Let’s do this together — and, at the same time, push each other to be excellent, to be great, and we know that we can do it and we will figure it out.”

While the on-set collaboration and non-toxic work environment certainly aided everyone on- and off-set, Fazekas couldn’t help but point out how hard Hargitay continues to work since making her SVU debut back in 1999.

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“She does not phone it in,” Fazekas told Variety of Hargitay’s work ethic. “She is not just collecting a paycheck. She makes everyone better.”

After wrapping season 27 — yes, Fazekas did write the season’s finale — Hargitay told Variety she couldn’t help but grow emotional when considering all she has accomplished on the show.

“Twenty-seven years in and I’m thinking, that’s one of my favorite episodes — that Michele could dig in and write this story that’s haunting me,” Hargitay said of the season’s finale. “Brenna is elevating details and tweaking constantly. We all play hard and play our best.”

Tyra Banks participated in the February 2026 Netflix documentary, “Reality Checked: Inside America’s Next Top Model.” However, months later, the 52-year-old is suing the streaming giant, calling the widely talked about special defamatory.

This comes after a former “America’s Next Top Model” judge defended Banks over not having visited J. Alexander in the hospital amid his stroke.

According to PEOPLE, Banks and her legal team filed the lawsuit against Netflix on June 13. In it, she accuses those involved in the production of attempting to paint a false narrative by omitting much of what she said during her three-plus-hour interview. Banks wants a jury to determine the “appropriate” amount of damages she should receive.

The lawsuit starts, “Tyra Banks participated in the Netflix documentary series ‘America’s Next Top Model’ (‘ANTM’) because she believed viewers deserved a candid conversation about the show’s legacy—its successes and its shortcomings.”

Specifically, the lawsuit claims the comments left on the cutting room floor included her taking accountability for many of the more controversial moments from “Top Model.” Per the docs, “There are aspects of the show for which Ms. Banks takes accountability, and she wanted ‘ANTM’ viewers to hear that from her directly.”

Regarding Banks’ sitdown with producers, “Going into her interview, Ms. Banks did not limit the ‘ANTM’ topics the interviewer could ask.” She states that only 16 minutes of her more than three-hour conversation were featured.

Tyra Banks Is Firing Back Over Claims She Allowed A Contestant To Be Assaulted

One of the most troubling aspects of the document involves a former “America’s Next Top Model” contestant, Shandi Sullivan, who was allegedly sexually assaulted on camera during the show’s second cycle.

Per PEOPLE, Banks addressed the claims in the lawsuit.

It reads, “Worse, the false narrative the producers constructed—through selective editing, deliberate omission, and surgical manipulation of continuous footage—included that Ms. Banks knowingly allowed a contestant to be sexually assaulted on her show, exploited that contestant’s trauma for ratings, and then could not even remember it when asked.”

The legal docs continue, “That narrative about Ms. Banks is a complete fabrication—one that Netflix streamed to a global audience of millions. The implication is devastating and deliberate: that Tyra Banks cannot even remember the story of the woman who was assaulted on her show.”

Banks and her legal team then described what the documentary’s producers removed from the final edit. They claim, “But that was false. The full footage of Ms. Banks’ interview reveals two things that the producers cut out and did not show viewers in Episode 1: before the upward glance, Ms. Banks nods—affirmatively, unmistakably—and immediately says, ‘I do remember her story.’ By carving the nod out of the middle of the sequence and cutting off Ms. Banks’ comment at the end, the producers ensured that viewers would see only the lie and not the truth.”

The Lawsuit Also Addresses The Miss J Situation

“Reality Checked: Inside America’s Next Top Model” also focuses on Banks’s relationship with the show’s former judges. Notably, Miss J revealed that Banks did not visit him while he was hospitalized in 2022 following a massive stroke. Specifically, she says she was never given the chance to give her side of the story.

The suit states, “Had the producers informed Ms. Banks that part of the Netflix Series narrative would include Miss J saying that Ms. Banks never visited him in the hospital, Ms. Banks would have explained that she had been living in Australia for 2 1/2 years.”

Additionally, Banks claims she was not allowed to show a text message she sent to the former ‘Top Model’ judge that went unanswered. It is also alleged in the filing that the two have spoken at length since his hospitalization, with the most recent conversation occurring in December 2025.

Per the suit, “They texted numerous times. As recently as Christmas Day 2025, Ms. Banks and Miss J exchanged holiday messages, and he updated Ms. Banks about his improved health. She replied, ‘Yesssssss. Can we speak this week?’ They never spoke. Just weeks later, the Netflix Series streamed to a worldwide audience.”

Former ‘America’s Next Top Model’ Judge Kelly Cutrone Defended Banks

Kelly Cutrone, who appeared on “Top Model” from cycles 18 to 22, defended Banks in June 2026 in an interview with Entertainment Weekly. She told the outlet that Banks, who was living in Australia, was concerned about Miss J after learning of his health struggles.

She said, “They [including producer Ken Mock] were worried.” After being contacted, Cutrone had a mutual friend, Arton, seek information about Miss J, which led them to learn that he had been admitted to the hospital under an alias, making it harder for Banks or anyone else to locate him.

The former judge continued, “Arton went to his apartment” at the behest of Tyra and Ken, who were worried.

The Netflix Documentary Was A Hit With Viewers

According to Deadline, “Reality Checked: Inside America’s Next Top Model” debuted with an astounding 14.2 million views within its first week, which tracked from February 16 to 22. Notably, this figure includes all three parts of each documentary.

The 2026 World Cup is officially here— and the stars are stepping out to root for their favorite teams.

The global soccer tournament will be held in the United States, Canada and Mexico, with the qualifying teams competing in matchups throughout the three countries this summer ahead of the championship game at MetLife Stadium in New Jersey.

“I think it’s very cool, [and I’m] very much excited for it and what it can do, or what it means for the world and the country itself,” Team USA athlete Miles Robinson exclusively told Us Weekly before making the team in May 2026. “I think it’s a great opportunity for, you know, all humans to come together to celebrate a sport … and can really bridge some gaps between cultures, and can hopefully make people realize that we’re so much more alike than unalike,”

Robinson, in particular, gushed that making the USA roster was a “dream come true.”

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“It [is] something [that is] super surreal to me,” he told Us. “For me, right now, I’m just trying to stay focused and on the present and recognizing that, you know, the moment is king, because I think that’s when I’m at my best when I’m not worried or thinking about the future, I’m really just very much dialed in on the present.”

Robinson and his teammates earned their first victory on June 12, 2026, thanks to midfielder Gio Reynas’ trivela goal in the final seconds of the qualifying match against Paraguay.

Keep scrolling to see which celebrities attended World Cup 2026 games:

The 2000s were an exceptional decade for science fiction television, a golden age for the genre much in the same vein as the 1990s. Packed with refreshingly creative ideas, cutting-edge special effects, groundbreaking serialized stories, and a shift toward more “prestige” television, the living room was the place to be for sci-fi fans during the 2000s.

The whole decade had exceptional sci-fi shows both for kids and for grown-ups; for animation fans and for those who prefer live-action sci-fi; for those who love “mystery box”-type shows and for those who love more straightforward space operas. But over the course of those 10 years, the 2000s only produced 10 sci-fi TV shows that can truly be considered masterpieces.

10

‘Phineas and Ferb’ (2007–Present)

Image via Disney Channel

Children deserve sci-fi masterpieces, too; and during the 2000s, they never got one better than Phineas and Ferb. It’s one of those Disney Channel shows that are perfect from start to finish, a modern classic that allowed 2000s kids to grow up with a cartoon of the same level of quality as the many sci-fi cartoons their parents had grown up watching.

It’s a show so good, in fact, that you’d be hard-pressed to find an adult sci-fi fan who wouldn’t have a blast with the series’ entire run. The show was recently revived on Disney+ after a decade-long hiatus, and it doesn’t seem to have lost one bit of its spark while it was away. But the two seasons of Phineas and Ferb that aired during the 2000s were where it all got started, and it’s one of the most vibrant, colorful, funny, and heartwarming children’s cartoons from its era you could find.

9

‘Garth Marenghi’s Darkplace’ (2004)

Image via Channel 4

Perfect for those who love when science fiction goes as meta as it can possibly get, Richard Ayoade and Matthew Holness‘ Garth Marenghi’s Darkplace is nothing short of a must-see. It’s one of those classic sitcoms that are even better than most modern shows, a horror parody that has grown into more and more of a cult classic as the years have gone by.

The show is a masterclass in parodic and satirical television writing, poking fun at both low-budget sci-fi television and the pretentiousness of those shows’ creators. Brilliantly layered and irresistibly hilarious, Garth Marenghi’s Darkplace is a genius sci-fi comedy that all those who love the clunkier sci-fi shows of the 1980s should check out.

8

‘Samurai Jack’ (2001–2017)

Image via Adult Swim

Genndy Tartakovsky is one of the biggest legends and icons of the world of cartoons, a champion of the animated medium who has made some of the greatest shows it has ever seen. Case in point: Samurai Jack, which blends elements of feudal Japanese lore with bits of retrofuturistic science fiction in a way that has aged like fine wine.

Indeed, it’s one of the best sci-fi shows of the 2000s by a decent margin, the only proof any sci-fi fan should need that cartoons deserve to be placed alongside any live-action show when talking about the genre’s best television outings. Stylish, masterfully genre-bending, visually gorgeous, and with a bloody and more mature final season that feels like it grew up with its audience, it’s undeniably peak 2000s science fiction.

7

‘Fringe’ (2008–2013)

Image via FOX

After leaving his showrunning duties relatively early in the run of a certain other masterful sci-fi show from the 2000s, J. J. Abrams co-created Fringe with Alex Kurtzman and Roberto Orci. What started as a more episodic spiritual successor to the likes of The X-Files and The Twilight Zone soon started to evolve into entirely its own thing, a more serialized story perfect for parallel universe fans and fringe science enthusiasts.

As it changed over the course of its five-season run, Fringe kept growing more and more into one of the most rewatchable sci-fi shows of all time. It’s perfect for science fiction fans who love both deeply emotional stories and elements of heavy speculative science. It’s easy to see how such a masterful show revolutionized “monster-of-the-week”-type genre shows.

6

‘Life on Mars’ (2006–2007)

Image via BBC One

Life on Mars is one of those mystery shows that are perfect from start to finish, yet not many fans of sci-fi remember it today. That’s an absolute travesty. This British police procedural is one of the best shows of its kind, as well as one of the most unique. Here, science fiction isn’t the focus. Rather, it’s cleverly used as both a powerful thematic device and a fuel for the show’s psychological mystery.

Those who prefer hard sci-fi that makes ample use of genre elements won’t likely love Life on Mars, but people who like to see the genre’s boundaries pushed to their limits ought to watch it at least once in their lives. Gritty, tense, mysterious, and potently character-driven, it’s proof of why no one does police procedurals quite like British television-makers.

5

‘Lost’ (2004–2010)

Image via ABC

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With Lost, J. J. Abrams, Damon Lindelof, and Jeffrey Lieber altogether revolutionized American broadcast television, at least as far as the sci-fi genre went. Along with The X-Files, this masterful (and often quite overhated) show is often credited as a pioneer of the “mystery box” genre, shows following complex storylines entirely based on mysteries, secrets, and jaw-dropping twists.

It’s one of those sci-fi shows that keep you hooked throughout, polarizing final season notwithstanding. With an exceptional ensemble cast, a narrative that brings up two fascinating questions for every answer that it provides, and some of the most exciting creativity of any 2000s sci-fi show, Lost is a vital piece of the pop culture zeitgeist of the decade.

4

‘Star Wars: The Clone Wars’ (2008–2020)

Image via Cartoon Network

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After the disaster that was the 2008 film of the same name, fans probably didn’t expect much from Star Wars: The Clone Wars. Little did they know, after a relatively slow start, the show would soon enough become one of the most widely beloved pieces of Star Wars media in history. Largely responsible for the sudden surge in popularity that George Lucas‘ prequel trilogy has seen since the 2010s, this exceptional anthology series is Star Wars at its best.

Indeed, it’s one of the best Star Wars shows ever, an exceptionally written space opera and military sci-fi series that can be enjoyed by any fan of the galaxy far, far away, regardless of their age. Its visuals have aged well, and Kevin Kiner‘s score is excellent, but what has really kept The Clone Wars timeless is how marvelously it expands on the beloved lore of the Star Wars prequel era.

Image via Bones Inc.

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The second-ever animated adaptation of Hiromu Arakawa‘s Fullmetal Alchemist manga series, Fullmetal Alchemist: Brotherhood also happens to be not just the best sci-fi anime series of the 2000s, but also the highest-rated sci-fi show of the decade on IMDb. If that’s not a sign that it’s one of the best anime series of all time, what could possibly be?

It’s hard to know where to even begin singing this masterful show’s praises. The visuals are phenomenal, and there’s virtually no filler here, which should satisfy any sci-fi television fan. But the real star of the show is the gripping narrative, an airtight and meticulously constructed tale full of powerful philosophical themes, emotionally satisfying moments, and fascinating bits of world-building.

2

‘Firefly’ (2002–2003)

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Nowadays, Joss Whedon‘s Firefly is perhaps best-known as one of the most infamous examples of a hugely promising show that was canceled after only one season. It’s always worth looking back at how it developed that reputation, however: It’s one of the best single-season action TV shows in history, a riveting space Western that has aged like fine wine.

For one, the show’s brilliant blend of genres is a delight, creating some of the most entertaining stories that sci-fi television has told at any point during the 21st century. But what really makes Firefly work is not just the legendary ensemble cast, but primarily the endearing characters that they play. This is character-driven science fiction first and foremost, and the result is a deeply human narrative that never loses its spark, even after several rewatches.

1

‘Battlestar Galactica’ (2004–2009)

Image via SYFY

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There is perhaps no sci-fi television masterpiece from the 2000s more important, more iconic, or better-made than Battlestar Galactica. Not every sci-fi show needs a remake, but the outdated 1978 version of Battlestar definitely did, and the result couldn’t have possibly been better than this. 2004’s Battlestar Galactica is one of those sci-fi shows that hold up surprisingly well, a space opera unlike any other in the history of television.

An exceptional cast, masterful character writing, a thematically and politically complex plot, apocalyptic stakes—what’s not to love about the absolute masterpiece that is Battlestar Galactica? Unlike many of its space opera peers, Battlestar is all about gritty storylines and emotionally raw character moments, a show that was able to masterfully tap into the fears and anxieties of the post-9/11 21st century. It’s a product of its time, but it has gotten nothing but better with age.

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Battlestar Galactica

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Release Date

2004 – 2009-00-00

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Directors

Wayne Rose, Michael Nankin, Rod Hardy, Sergio Mimica-Gezzan, Edward James Olmos, Robert M. Young, Jeff Woolnough, Félix Enríquez Alcalá, Jonas Pate, Allan Kroeker, Anthony Hemingway, Jean de Segonzac, Marita Grabiak, James Head, Paul A. Edwards, Gwyneth Horder-Payton, Brad Turner, Ronald D. Moore, Bill Eagles

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Megan Thee Stallion and Klay Thompson’s breakup may have been far messier behind the scenes than fans initially realized. Months after the rapper publicly accused the NBA star of cheating, new insider claims are painting a complicated picture of what allegedly led to the pair’s split, from personality clashes and frustrations over fame to allegations of infidelity and private resentment. The former couple, who went public with their romance in July 2025, officially called it quits earlier this year.

The breakup first made headlines in April after Megan appeared to accuse Thompson of being unfaithful in a heated Instagram Stories. The “Savage” rapper did not hold back while addressing the split.

“Holding you down through all your HORRIBLE mood swings and treatment towards me during your basketball season,” Megan wrote at the time. “Now you don’t know if you can be ‘monogamous’???? b-tch I need a REAL break after this one .. bye y’all.”

While Thompson has yet to publicly respond to the cheating allegations, conflicting insider accounts are now surfacing about what may have happened behind closed doors.

Sources Dispute What Really Caused The Split

According to one insider close to Thompson, the NBA star had emotionally checked out of the relationship before it officially ended. “He was over her and didn’t want to be with her,” the insider told the Daily Mail. “I think he wanted to break up with her for a while but just didn’t know what to do.”

However, a second source strongly disputed the idea that Thompson was the one looking for an exit. “Klay never once tried to break up with her,” the second insider insisted.

Instead, the source alleged the relationship ended after Megan discovered Thompson had allegedly been unfaithful. “The reality is Megan ended the relationship after she discovered that Klay had been cheating on her,” the second source claimed.

A separate insider also alleged Thompson had attempted to reconnect with former flings prior to the breakup, though they said they could not confirm whether he actually cheated.

Insiders Say The Couple Struggled With Major Personality Differences

One recurring theme from insiders was just how different Megan and Thompson allegedly were behind closed doors. While Megan is known for her larger-than-life personality and public-facing career, Thompson has long built a reputation for being more reserved and private.

Fans first noticed the contrast when the pair debuted their romance, often questioning online whether the two were truly compatible. A viral moment from Megan’s inaugural Pete and Thomas Foundation gala only intensified the speculation, with social media users pointing out how animated the rapper appeared while Thompson remained noticeably more subdued beside her.

According to one source, Thompson allegedly expressed frustrations privately. “He was like, ‘She was just so ghetto. I was over the ghettoness,’” the insider alleged. “The way she speaks, the way she acts.”

The insider also described Thompson as introverted and occasionally awkward socially, adding that he allegedly struggled with the intensity of Megan’s public lifestyle. Despite those differences, the source claimed Thompson initially envisioned a future with the Grammy winner and wanted to make the relationship work. According to the insider, the Mavericks star even purchased a larger multimillion-dollar home where the pair allegedly planned to live together.

Fame, Privacy, And Megan Thee Stallion’s Busy Schedule Allegedly Created Tension

The relationship reportedly became strained as both stars juggled demanding careers. According to one insider, Thompson often felt lonely while Megan traveled for work and struggled with the reality of dating such a globally recognized celebrity.

“He kind of felt abandoned by her,” the source claimed. “He went to all of these places to support her, and then when he was off over summer, she was nowhere to be found. He felt like she never made an effort.”

The insider also claimed Thompson found Megan’s habit of documenting their relationship online frustrating, despite willingly appearing in videos shared with fans.

Throughout their romance, Megan frequently gave followers glimpses into their life together, posting everything from golf outings and workouts to romantic dinners. Behind closed doors, however, the insider alleged, “He tried to do it for her but it was annoying [to him]. He’s not a big poster, very to himself and private.”

The second source pushed back on criticism surrounding Megan’s demanding schedule. “It’s hypocritical for Klay to complain about her work ethic when they’re both public figures who travel frequently for their careers and each strive for excellence in their professions,” the source said. “He always knew she was never a stay at home partner.”

Klay Thompson Allegedly Struggled With Megan’s Security Concerns

Another point of alleged tension involved Megan’s heightened sense of security following the 2020 shooting involving Tory Lanez, who was later convicted and sentenced to prison. According to one insider, Thompson privately expressed frustration over what they described as Megan’s ongoing concerns for her safety.

The source claimed Thompson once said, “She would not shut the f-ck up about [Lanez].”

They also alleged that Thompson felt Megan constantly feared people were targeting her. “She always felt like people were out to get her,” the insider said. “She needs security everywhere, even in remote places.”

However, a second insider disputed that characterization. “If anything, she vented and leaned on her partner for support, as anyone would in a relationship,” the source said, adding that discussions surrounding Lanez “rarely” happened and typically occurred when Megan encountered “false narratives circulating about her on the internet.”

Megan Thee Stallion Later Broke Her Silence On The Split

Though Thompson has remained publicly quiet, Megan later confirmed that she had decided to walk away. “I’ve made the decision to end my relationship with Klay,” she said in a statement previously obtained by the Daily Mail.

“Trust, fidelity and respect are non-negotiable for me in a relationship, and when those values are compromised, there’s no real path forward,” the statement continued. “I’m taking this time to prioritize myself and move ahead with peace and clarity.”

For now, Thompson has yet to publicly address the split or the growing list of bombshell claims surrounding it.

Television has always had a fascination with watching people get beaten up — and audiences seem to love it. Social norms tell us that aggression is unacceptable, but fictional television allows those boundaries to disappear. It creates worlds where people can settle their differences with their fists, swords, guns, or anything else at their disposal and somehow live to fight another day. That thrill is one of the reasons the action genre remains so popular.

Whether it’s paired with a sci-fi premise or rooted in traditional martial arts, action can take many forms. Yet not every great action series gets the recognition it deserves. Some were canceled before they could find a wider audience, while others premiered long before social media could make them relevant. Deserving of another second viewing, here are the near-perfect action shows that no one remembers today.

‘Deadly Class’ (2019)

Image via SYFY

If your day at high school isn’t tough enough, try King’s Dominion — the go-to institution for teen assassins. Based on the comics by Rick Remender and Wesley Craig, the short-lived Deadly Class is set in 1980s America, where some of the world’s most promising killers train under one roof. From yakuza prodigies to the children of CIA agents, new kid Marcus Lopez (Benjamin Wadsworth) is the black sheep of the flock.

Nobody is more volatile than a hormonal teenager with a weapon — now multiply that by dozens, and you have the entire Deadly Class student body. With classes ranging from poison to assassin psychology, getting an A can be a matter of life or death. Sometimes, it even requires these students to go for the kill. Because they come from such diverse criminal backgrounds, it’s especially fun to watch them clash, using their own unique fighting styles and weapons of choice against one another.

‘Dark Angel’ (2000–2002)

Image via FOX

If Totally Spies! and Nikita were combined, the result would probably look a lot like Dark Angel. Television loves a butt-kicking femme fatale, especially one like super-soldier Max Guevara (Jessica Alba). Set in a future where the government has collapsed, the series follows Max, a genetically enhanced soldier who escapes from a secret military program and finds herself surviving on the streets of Seattle. While hiding from the agents determined to bring her back, Max teams up with a cyber-journalist to navigate a post-apocalyptic America.

Traditionally, femme fatales are broody and mysterious, but Max brings a lot more snark and sass to the role. The fact that she’s genetically enhanced means her stunt work often feels larger than life — she leaps onto moving cars, survives falls from buildings, and can take down opponents twice her size. Yet despite her superhuman abilities, her combat scenes have a sense of playfulness. It’s a refreshing twist that allows Max to break free from the typical stoic-super-soldier archetype.

‘Banshee’ (2013–2016)

Image via Cinemax

Before Antony Starr shot lasers out of his eyes as Homelander, he played ex-con and master thief Lucas Hood. If The Boys leans into flashier, more stylized action choreography, Banshee goes back to basics. When Hood is released from prison, he takes on the identity of a murdered sheriff and rises in the Amish town of Banshee, only to realize that the town is anything but peaceful. Just as Hood thinks he can escape a life of crime, he finds that old ties still need to be tied up.

Banshee features good old-fashioned, bone-crunching fistfights. There’s hefty weight behind every punch and throw, and with all the damage inflicted, the fights can be almost exhausting to watch in the best way. These are the kinds of beatdowns that would realistically put someone in a wheelchair, but for the sake of fiction, Hood — and Banshee’s law enforcement — miraculously survive each encounter, though not without a few jarring bruises.

‘The Recruit’ (2022–2025)

Image via Netflix

The first day on the job can always be nerve-wracking. Unfortunately, newly-minted CIA lawyer Owen Hendricks (Noah Centineo) has bitten off more than he can chew. More accustomed to office work and bureaucratic procedures, Hendricks is assigned to investigate a threatening graymail letter from a former asset. When the asset threatens to expose CIA secrets to the public, he is immediately thrust into the field.

The Recruit is a classic case of theory versus practice. Hendricks quickly realizes that his law degree is the last thing he’s going to use in this line of work. What sets him apart from the other lawyers, however, is his primal appetite for adrenaline. It’s the reason he’s such a magnet for trouble. Despite having no formal combat training, Hendricks relies on a sloppy yet survivalist fighting style, combined with a desperate determination not to get killed. As a result, he’s constantly forced to improvise, using whatever is available to disarm those trying to hurt him.

‘Spartacus’ (2010–2013)

Image via Starz

In 71 BC, Thracian warrior Spartacus (Andy Whitfield and Liam McIntyre) is betrayed by a Roman commander and condemned to slavery. Forced into the world of gladiatorial combat, he rises through the ranks at the House of Batiatus while secretly harboring a strong desire for vengeance. As his fame grows, so does his rebellious streak. Spartacus leads a massive slave uprising, threatening the Republic and those who obey the orders of Marcus Licinius Crassus (Simon Merrells).

Although it shares a similar premise with Ridley Scott‘s Gladiator, the multi-season format of Spartacus gives it the opportunity to fully flesh out its gladiatorial battles. Unlike the gritty realism of Gladiator, Spartacus embraces a more animated approach, carrying greater momentum and a distinct comic book-like pizzazz. The series is packed with slow-motion violence, warriors leaping through the air as they drive their blades into their enemies, and, of course, plenty of blood spraying across the arena.

‘Warrior’ (2019–2023)

Image via HBO Max

If there’s a show that feels like a love letter to martial arts, it’s Warrior. And it makes sense — the original concept for the series was first developed by Bruce Lee in 1971, initially titled Ah Sahm. Although it took nearly half a century to finally materialize, Warrior does not disappoint. Following Chinese immigrant Ah Sahm (Andrew Koji), he arrives in San Francisco seemingly looking for work in the late 1800s, only to find himself drawn into one of the most notorious gangs in Chinatown.

Warrior is a crash course in different styles of martial arts. On one hand, there’s Ah Sahm with his Wing Chun-inspired fights, defined by close-range combat and relentless punches. On the other hand, there’s Li Yong (Joe Taslim), whose Pencak Silat-inspired moves rely on low stances and brutally precise finishing strikes. Warrior is a true homage to fighting as an art form instead of some gimmick for shock value, showing how combat becomes a brutal universal language across cultures.

‘Arrow’ (2012–2020)

When it comes to the bow and arrow, nobody does it better than Oliver Queen (Stephen Amell). Arrow might have drawn a massive following during its early seasons, but somewhere along the way — like many comic book superhero adaptations — it lost the plot and its relevance, shifting into a more soap-opera-like tone after Season 2. Creative choices aside, Arrow taught the world that in a world where villains love using guns, the bow and arrow can be just as fast and deadly as a bullet.

The action in Arrow is swift and light (no pun intended), featuring tons of acrobatic stunts. A lot of the movement requires quick reflexes. It only takes a few seconds for an arrow to pierce through an enemy’s heart, which explains why much of the choreography is exhilaratingly fast-paced. But even without his weapon of choice, Arrow knows how to pummel his rivals to the ground with his strong physique. Robin Hood, eat your heart out.

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Arrow

Release Date

2013 – 2020-00-00

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Network

The CW

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Directors

James Bamford, John Behring, Glen Winter, Michael Schultz, Wendey Stanzler, Laura Belsey, Gregory Smith, Guy Norman Bee, Nick Copus, Jesse Warn, Gordon Verheul, Antonio Negret, Kristin Windell, Thor Freudenthal, Rob Hardy, Eagle Egilsson, Dermott Downs, Joel Novoa, Kevin Tancharoen, Tara Miele, Ben Hernandez Bray, Mairzee Almas, Alexandra La Roche, Andi Armaganian

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Erika Kirk is best known to some as the widow of the late Charlie Kirk, who co-founded the conservative student organization Turning Point USA (TPUSA) in 2012. He served as the organization’s executive director until his assassination in 2025. Erika was appointed as his successor following his death, but in addition to her role as a nonprofit executive, she is also a podcaster and entrepreneur.

According to Celebrity Net Worth, Erika’s net worth was $12 million as of January 2026. However, in November 2025, The Economic Times estimated that her net worth was only about $2 million after accounting for her income from podcasting, real estate, and business ventures.

Charlie’s estimated net worth when he passed was around $12 million; as a result, they estimate that her total assets are around $14 million. Interestingly enough, the publication also reported that Vice President J.D. Vance also has a net worth of around $12 million, according to Forbes.

Erika Kirk was born Erika Frantzve in November 1988 in Ohio, but grew up in Arizona following her parents’ divorce. She was raised Catholic and attended Notre Dame Preparatory High School, where she excelled in basketball and volleyball. In 2006, during her transition to college, she established Everyday Heroes Like You, an initiative committed to highlighting community philanthropy.

Kirk went on to play basketball for two years at Regis University in Denver before transferring to Arizona State University, where she graduated with a double major in political science and international relations.

Erika Won Miss Arizona USA On Her 23^rd Birthday

Her academic momentum carried into pageantry; in late 2011, she won the Miss Arizona USA title on her 23rd birthday. She then represented the state in Miss USA 2012, but did not place. She later expanded her academic portfolio at Liberty University, earning a Master’s degree in American Legal Studies and later pursuing doctoral studies in biblical leadership.

In 2019, she launched the podcast “Midweek Rise Up,” but her entrepreneurial efforts did not stop there. She launched the clothing brand Proclaim Streetwear (Proclaim365) and BIBLEin365, a ministry project. Before her husband’s death, she also worked as a real estate agent at The Corcoran Group in New York City.

Inside Her Relationship With Charlie Kirk

Erika started dating Charlie Kirk in New York City in 2019. They became engaged the following year, in December 2020. They married one year later, in Scottsdale. Turning Point USA funded the wedding reception, which was held at the Fairmont Scottsdale Princess Hotel.

Erika frequently accompanied her husband to various events. They had two children together: a daughter born in 2022 and a son born in 2024.

On September 10, 2025, Charlie was assassinated while speaking at Utah Valley University, which was one of the stops on his American Comeback tour. Following his death, she pledged to carry on the organization’s work in his memory.

Erika Kirk Talks Forgiveness At Memorial Service

In September 2025, tens of thousands attended a memorial service in Arizona. U.S. President Donald Trump was the headline speaker and called Charlie the “greatest evangelist for American liberty” and a “martyr now for American freedom,” as reported by the BBC.

“My husband, Charlie, he wanted to save young men, just like the one who took his life,” Erika said in a tearful speech, adding, “I forgive him because it is what Christ did. The answer to hate is not hate.”

Erika said that she had forgiven her husband’s alleged killer, Tyler Robinson. “I saw the wound that ended his life,” she said. “I felt everything he would expect to feel. I felt shock. I felt horror, and a level of heartache that I didn’t even know existed.

“These past 10 days after Charlie’s assassination, we didn’t see violence. We didn’t see rioting. We didn’t see revolution,” She continued. “Instead, we saw what my husband always prayed he would see in this country, we saw revival.”

Her Most Recent Public Appearance

Erika Kirk’s most recent public appearance was at the White House Correspondents’ Dinner in April 2026. Sadly, the event was disrupted by another shooting. A suspect armed with a shotgun, a handgun, and knives reportedly ran through a security checkpoint near the ballroom and fired at a Secret Service Officer, as per CBS News.

Fortunately, he did not make it close to the President, who was safely evacuated by the Secret Service. Journalists and guests took cover under tables while the suspect was subdued. Erika Kirk was seen crying as security escorted her safely away from the premises. On June 2, the President revealed that the event would be rescheduled for late July.

“In a sign of Strength and Fortitude, it was just announced that The White House Correspondents’ Dinner, which violently ended rather abruptly on April 25th, will be rescheduled to July 24th,” he wrote on Truth Social. “This announcement is a very good thing in that we cannot allow Lunatics to change our way of life, or even its scheduling.”

He went on to say that the event will take place at the Waldorf Astoria in Washington, D.C, which used to be the Trump International Hotel. It remains to be seen if Erika will attend the rescheduled event.

It has been 25 years since the turn of the century delivered not just one, nor just two, but several of the greatest thrillers of the 21st century so far. Indeed, 2001 was an exceptional year for fans of the genre. Suspenseful, filled with tension, and directed by some of the greatest filmmakers in the world, the best thrillers of 2001 have all aged like fine wine.

Whether it’s an underrated international film like Behind the Sun or a hyper-acclaimed Hollywood blockbuster like Ocean’s Eleven, these films redefined what the thriller genre was able to do in modern times. Looking back at them today, these 25-year-old movies still titillate the senses in much the same way that they did when they originally came out.

10

‘Read My Lips’

Image via Magnolia Pictures

Well before he united the world in their hatred for his latest film, the Oscar-winning Emilia Pérez, Jacques Audiard united critics and cinephiles worldwide in their praise for his romance thriller Read My Lips. This awfully underappreciated drama follows Carla, an almost-deaf woman who wants to help ex-convict Paul, who thinks no one can help except himself.

Smart and gritty with rom-com elements that work surprisingly well and a neo-noirish sense of genre-bending that elevates its entertainment value to the stratosphere, Read My Lips is one of the best international films of 2001. It’s psychologically complex and flawlessly paced, proof that Audiard is perfectly capable of delivering a masterpiece when he really sets his mind to it.

9

‘Behind the Sun’

Image via Lumiére Pictures

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Equally underrated, Walter Salles‘ Brazilian social drama Behind the Sun stars Rodrigo Santoro as Tonho, a young man questioning the violent traditions between two rival families when his father orders him to avenge the death of his older brother. Everything that ensues in this powerful study of cycles of violence is the kind of cinematic perfection that fans of Salles’ latest outing, the Oscar-nominated I’m Still Here, are bound to be able to appreciate.

Behind the Sun is still widely recognized as one of the best Brazilian films of the 21st century, and for good reason. Visually striking and potently dark-toned, it’s a riveting family saga with a profoundly poignant heart. Violence is a theme very often explored in cinema, but few films have as many interesting things to say about it as this one.

8

‘The Experiment’

Image via Senator Film

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Oliver Hirschbiegel‘s The Experiment is a German psychological thriller based on Mario Giordano‘s novel Black Box. Inspired by the 1971 Stanford prison experiment, the narrative follows an experiment where 20 participants are hired to play prisoners and guards over the course of two weeks. It’s an incredibly powerful film about the darkest corners of the human condition, exploring how authoritarian governments like the Nazi regime are allowed to rise.

Far more than just a portrayal of the Stanford prison experiment, The Experiment is an incredibly chilling and tense exploration of human morality and power. The unrelenting atmosphere of brutality achieved by Hirschbiegel blends flawlessly with the story’s thematic depth, offering a masterful character study and historical allegory that still feels timely.

7

‘The Devil’s Backbone’

Image via Sony Pictures Classics

Before films like Hellboy and Pan’s Labyrinth made him a household name both in Hollywood and the rest of the world, dark fantasy master Guillermo del Toro made The Devil’s Backbone. It was his third-ever feature, a Mexican-Spanish co-production that can still reasonably be counted among the heaviest fantasy movies of the 21st century thus far.

The film explores themes that have always seemed to fascinate del Toro, from historical trauma to fascism’s destruction of childhood innocence, in ways that still feel profoundly resonant 25 years later. Impeccably acted and eerily atmospheric, this riveting horror thriller works equally perfectly in both of its most important dimensions: as a creepy ghost story and as a hard-hitting political allegory.

6

‘In the Bedroom’

Image via Miramax

Todd Field‘s crime thriller In the Bedroom is based on the 1979 short story Killings by Andre Dubus. Bolstered by an exceptional cast that includes Oscar-nominated performances by Sissy Spacek, Tom Wilkinson, and Marisa Tomei, it’s one of the most nearly-perfect drama movies of the 2000s. The fact that it was Field’s feature debut is a testament to just how immensely talented a filmmaker he is.

Emotionally raw and so profoundly moving that it’s almost an achievement to get to the credits without having shed any tears, In the Bedroom is every bit as devastating as it is complex. While it may be quite a bit emotionally tough to watch, it’s worth every last drop of effort because it’s an engrossing cinematic journey that leads to one of the most memorable movie endings of not just 2001, but the 2000s as a whole.

5

‘Gosford Park’

Robert Altman is a legend. He was one of the most important voices of the groundbreaking New Hollywood movement, and he continued making exceptional masterpieces all the way into the 21st century. This included Gosford Park, one of the greatest whodunnits in movie history, inspired both by Agatha Christie and by Jean Renoir‘s French classic The Rules of the Game.

It’s one of Altman’s greatest masterpieces, boosted by its insightful social critique of class exploitation and what may very well be the single most star-studded ensemble cast of any 2001 film. Stylish, elegant, and wonderfully engaging in how it dissects and deconstructs the English country house lifestyle and class system, it’s the work of a master auteur at the top of his game.

4

‘The Others’

Image via Warner Bros. Pictures

Directed and scored by Chilean-Spanish filmmaker Alejandro Amenábar, The Others is a Gothic horror thriller unlike any other. Led by a BAFTA-nominated powerhouse performance by Nicole Kidman, it’s a profoundly unsettling thriller imbued with an almost dreamlike atmosphere. Proving that less is often indeed more, it’s one of the hardest-hitting psychological thrillers of the 2000s.

Kidman’s performance is itself entirely worth the price of admission, but aside from great acting, The Others also offers some exceptional direction and a masterful sense of atmospheric suspense. Rather than relying on cheap special effects or lazy jump scares, Amenábar offers a masterclass in misdirection and Gothic darkness, leading to one of the most memorable twists of any film from the 2000s.

3

‘Ocean’s Eleven’

Image via Warner Bros.

Widely hailed as one of the most perfect heist movies of all time, Steven Soderbergh is one of those rare movie remakes that aren’t just every bit as great as their predecessor, but arguably even better. Led by an ensemble cast that oozes talent and charisma, it may very well be the most entertaining movie that Soderbergh has ever made.

The film was far and away the highest-grossing thriller of 2001, and it isn’t hard to see why. Slick, fast-paced, and infectiously fun, it’s popcorn entertainment of the highest quality. Bouncing from thrilling plot point to thrilling plot point with the kind of kineticism that only the best-ever capers have been able to achieve, it’s a true icon of its genre that has only gotten better with age.

2

‘Donnie Darko’

Image via Newmarket Films

Back when it originally came out, Richard Kelly‘s Donnie Darko was a tremendous failure both critically and financially. With its release on home video, however, not only did it become the biggest cult classic of 2001, but it also almost single-handedly brought the midnight film circuit of the cult cinema scene back to life, and watching it at midnight in a packed theater still remains one of those things that every cinephile should do at least once in their lives.

It’s one of those perfect sci-fi movies that get better with every rewatch, a delectably bizarre and masterfully mind-bending mystery thriller about teenage isolation and how love, sacrifice, and courage are its greatest enemies. It’s a movie that’s impossible to fully understand when first watching it, but that only makes every further rewatch all the more entertaining.

1

‘Mulholland Drive’

Image via Studiocanal

David Lynch was one of the greatest filmmakers of his generation, as well as the single most important exponent of cinematic surrealism since Luis Buñuel. His filmography is filled to the brim with masterpieces, but the masterpiece that most people tend to regard as his magnum opus is the Oscar-nominated neo-noir Mulholland Drive.

Part mystery thriller, part showbiz drama, and 100% avant-garde mind-bender, it’s the sort of thriller that’s even better the second time around. Its potent critique of the Hollywood Dream still rings true today, and the profoundly atmospheric mastery of Lynch’s direction hasn’t lost one bit of its spark. Top that with a pair of tour-de-force performances by Naomi Watts and Laura Harring, and you get what may very well be the greatest film of 2001, as intellectually challenging and emotionally unsettling as it may be.

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Mulholland Drive

Release Date

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October 19, 2001

Runtime

147 minutes

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Director

David Lynch

Writers

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David Lynch

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Yes, Kyle Cooke has seen the chatter surrounding his now-viral laughing photos with estranged wife Amanda Batula — and he’s setting the record straight.

“Alright, some of you have your tinfoil hats on, so I’m going to respond to the picture of me and Amanda laughing and smiling as we walk out from the In the City reunion,” Cooke, 43, said in a video shared via Instagram Stories on Saturday, June 13, referring to the images captured earlier this week. “It was a pretty chaotic, action-packed reunion for a season 1 show, and you guys have a lot to look forward to, not only in the season but the reunion.”

Cooke and Batula, 34, were spotted smiling and linking arms as they exited the studio on Thursday, June 11.

“Amanda was in the hot seat, and she opened up a lot more than I would say she did in Summer House,” Cooke explained on Saturday, referring to the three-part season 10 reunion that finished airing Tuesday, June 9. “I was in the hot seat, a lot of people were in the hot seat and we all decided to go get a drink together. Like, group therapy after you, kind of, leave it all out there.”

He continued, “Amanda and I were headed down the elevator, walking out the door and just kind of laughing, like, ‘Can you imagine if there’s a photographer that captures us walking out together?’ And then, boom, that’s exactly what happened. That causes us to laugh even harder, and yes, that’s all that there was to it, guys. That’s all there was to it, my God.”

Cooke and Batula announced in January that they have separated after four years of marriage. Just two months later, Batula confirmed her new romance with Summer House costar West Wilson, who previously dated the swimsuit designer’s BFF Ciara Miller.

Cooke, Batula, Wilson, 31, and Miller, 30, all came face-to-face for the Summer House reunion, where they detailed their sides of the romantic drama. Cooke and Wilson, for their parts, will also sit down in a follow-up special, titled “The Aftermath,” later this month. Batula will speak with Lindsay Hubbard in the upcoming Tuesday, June 16, episode.

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“Kyle and Lindsay met up first in person [before filming] and talked about rising above it all and getting to the bottom of the drama,” a source recently told Us Weekly exclusively. “They don’t feel there were answers at the reunion. They are concerned about Amanda. They don’t trust West.”

Per the insider, Cooke “wanted answers” from Wilson upon their onscreen conversation.

“When Kyle met up with West, he wanted answers. He asked him if he loves Amanda and if he’d watch out for her, and if he is serious about her and if this has been worth it,” the insider told Us, adding that Hubbard, 39, had the “same conversation” with Batula. “Lindsay … asked her if she was sure she wanted to continue with the relationship with West because of what they had been hearing. Even after the meeting, Lindsay and Amanda are still figuring out their friendship.”