Entertainment
The 25 Best Sci-Fi Movies of the 1990s, Ranked
In the 1990s, the sci-fi genre reached new heights. With the advent of CG-character technology, the tools available for filmmaking increased exponentially. The impossible was now possible, and ideas that were once non-viable in the feature film format were now able to be realized. Of course, technology is only a tool—it can get you so far, but it’s story and character that determine whether a film will stand the test of time. But master filmmakers like James Cameron, Steven Spielberg, Luc Besson, and the Wachowskis seized upon these new opportunities and crafted sci-fi films that would endure for decades.
Of course, the advent of new technology also opened up a wealth of new thematic potential as well. The rise of the digital age gave way to fear of robot uprisings or computers taking over the world, and this resulted in terrific (and terrifying) stories that were relevant to a rapidly changing world. All in all, the ’90s were one of the best decades for sci-fi filmmaking, and in an effort to highlight some of the most memorable films from that period, Collider’s own Haleigh Foutch, Adam Chitwood, and Dave Trumbore have singled out 25 great examples. Behold, the best sci-fi films of the ’90s.
25
‘Screamers’ (1995)
Set against the backdrop of a Cold War on a nuclear war-ravaged planet, Screamers takes a grim and desolate view of the future, focusing on a planet full of soldiers from two sides of the same battle who have been abandoned by their government in the aftermath of war. On the planet Sirius 6B, commanding officer Joe Hendricksson (Peter Weller) sets out to seek peace with his combatants when he learns the truth that Earth has essentially left them for dead on their remote posts. But Sirius 6B is populated by “Screamers,” a form of man-made artificial intelligence weaponry, properly called an Autonomous Mobile Sword (AMS), that evolved beyond what man ever intended. As Hendricksson and his team set out across the wasteland, they face peril at every turn from the various, sometimes deceiving, forms the Screamers have evolved into, and director Christian DuGuary makes fine work of ratcheting up the tension, along with the dramatic stakes, as they make their way towards an uncertain alliance.
The underrated Screamers has some serious sci-fi pedigree, based on a short story by the great Philip K. Dick with a screenplay co-penned by Alien scribe Dan O’Bannon. It never quite lives up to that grand promise, but Screamers is a refreshingly serious-minded spin on what could have easily become a schlocky B-movie that delivers visceral, pulse-pounding thrills every time its titular murder-bots attack. —Haleigh Foutch
24
‘Escape from L.A.’ (1996)
Where Escape from New York was a precisely cut, stylish science fiction classic — politically subversive, serious-minded in its conception, and vibrantly inventive in its imagery — Escape from L.A. seems more purposefully cheeky and cheap. This isn’t to say that the second mission by Snake Pliskin (Kurt Russell) isn’t encoded with John Carpenter’s particular brand of leftist politics, but it’s delivered in a far more bombastic aesthetic, the dark greys and blues of the first film traded in for yellows, oranges, and reds. This is, in a sense, a reflection of the difference between the two cities, but also reflects the mythology of those cities. New York is thought of as a dangerous realm rife with killers, gangs, and violent thieves, whereas Los Angeles is the playground of the blowhards, the covert sadists, the con men, and the self-obsessed.
In a sense, this is a commentary on Carpenter’s arrival in the Hollywood system, far away from his early days as a cult genre filmmaker who had to do some hard-scrapping to get his meager budgets. In Escape from L.A., pitted against a cruel revolutionary who makes himself up like Che Guevara, Pliskin is a man with a name, a celebrity even, brawling and shooting his way out of an island of West Coast maniacs and derelicts, just trying to get a job done. —Chris Cabin
23
‘Stargate’ (1994)
An early work of Roland Emmerich‘s, Stargate is a disaster film that laid the groundwork for the grand-scale sweeping popcorn movies that would come to define his career. The film takes place after the discovery of an extraterrestrial teleportation device that transports matter from Earth to a far-flung alien planet with a distinctly ancient Egyptian flavor. When James Spader‘s Egyptologist Daniel Jackson discovers how it works, he joins Kurt Russell’s military man Jack O’Neill through the portal with a team of soldiers to investigate the planet on the other side. Naturally, once they’re there, everything goes to hell as they come up against the tyrannical sun god Ra (Jaye Davidson).
Emmerich hadn’t yet fully defined his signature style, and it often feels like he’s borrowing moves from familiar playbooks, but the sum of Stargate‘s parts is something that feels wholly his. It can be far-fetched and ridiculous, but part of Emmerich’s greatness is his grandiosity, and the Spader/Russell team-up delivers on its promise of eccentric odd-couple chemistry. It’s a big, boisterous popcorn movie carried by a fantastic leading duo and the emerging outlandish sensibilities of its filmmaker. —Haleigh Foutch
22
‘Tank Girl’ (1995)
Straight up, Tank Girl just isn’t for everybody. It’s cheeky camp to the utmost degree that essentially boils down to a series of strange vignettes and set-pieces that occasionally feel like someone built a film around a string of high-octane music videos. But it’s also fun as hell. A pure product of the MTV generation, the forgotten Tank Girl is like a highly concentrated dose of the alt-rock ’90s, with a pretty jammin’ soundtrack that includes Portishead, Bjork, Hole, Veruca Salt, and Bush.
Based on the comic of the same name by Jamie Hewlett and Alan Martin, Tank Girl stars Lori Petti as the titular smart-mouthed hellion, a flippant, fearless icon of zero-f**ks-given who squares off against the evil Power & Water Corporation in a desert landscape where water has become a commodity so valuable it’s worth killing for. It’s consummately silly, unapologetically so, but it’s made joyfully and without abandon, and if you’re of the right disposition, it’s an absolute delight. —Haleigh Foutch
21
‘The Faculty’ (1998)
Spun from familiar threads of classic sci-fi yarn, The Faculty is a teen movie through and through, but in the hands of director Robert Rodriguez and screenwriter Kevin Williamson, it’s got enough punchy zeal and reverence for the genre it’s playing in to make for a fun, if somewhat silly, pulpy pleasure in its own right. If you’ll allow me to be a bit reductive, The Faculty feels like The Breakfast Club by way of Invasion of the Body Snatchers with a healthy dose of The Thing. The film pits a rag-tag group of teenagers against an alien invasion that turns the infected hosts into a conforming hive mind.
While The Faculty may deal in cliché characters on the surface level — the annoying cheerleader and her quarterback boyfriend, the twerpy smart kid, the slacker genius, the vaguely goth outsider, the too-pure Midwest transplant — it works because they’re all much more interesting than your standard trope fare. The teachers don’t get quite as much of a fair break, but with actors like Robert Patrick, Bebe Neuwirth, and Famke Janssen in the roles, they’re fabulously creepy as they fall one by one to the alien infestation. While teen movies are all too easy to deride, the virulent conformity narrative may have no more natural home than the halls of a high school, and Rodriguez largely steers clear of angst and apathy in favor of a campy, gleeful thrill-ride. —Haleigh Foutch
20
‘Event Horizon’ (1997)
There’s something about Event Horizon that is just downright unsettling and chilling. It’s a complete B-movie, directed by Paul W.S. Anderson of Resident Evil fame, but it also lands on a surprisingly effective tone that somehow wrings out a nightmarish sense of doom amidst the poor character decisions and indulgent flourishes. The story follows Sam Neill as Dr. William Weir, the designer of a groundbreaking space travel vehicle, who journeys into space with a team of military scientists to uncover the cause of a distress beacon. Weir’s great invention was a gravity drive that allows for rapid space travel by creating black holes that close the gap between points in spacetime. But, as always in any good horror sci-fi, that kind of defiance of nature reaps unholy rewards when an evil force consumes the ship, thrusting the rescue crew into the same terror that befell their predecessors.
There’s no doubt that Event Horizon cribs from superior films, and not in a way that feels like homage, but the sense of dread it conjures is a work all its own, punctuated by well-rendered moments of visceral gore and violence, all of it stemming from the natural middle ground where science fiction meets horror. —Haleigh Foutch
19
‘Gremlins 2: The New Batch’ (1990)
Gremlins 2 is a damn delight that may even be better than the original Gremlins, and I will fight anyone who says differently. While the first film was firmly in the horror genre, for the sequel, director Joe Dante wanted to craft a darkly funny satire, and boy did he do just that.
The follow-up takes place in a massive skyscraper in New York City as corporate greed leads to the creation of a hodgepodge of Gremlins (this Key & Peele sketch apparently isn’t too far off). The result is a hilarious, twisted, colorful monster movie with nods to classic films throughout. I get that some may think Gremlins 2 is cheesy or dopey, but Dante was purposefully leaning into the ridiculousness of the conceit, and his willingness to get crazier and crazier as the film rolls on is what makes Gremlins 2 such a joy to behold. —Adam Chitwood
18
‘Mars Attacks!’ (1996)
If Tim Burton is often guilty of style over substance, Mars Attacks! is all style, no substance. The title is literally the plot of the film. Martians show up on Earth. Then they attack. That’s it. That’s the movie. It’s not bad; in fact, it’s pretty fun; it’s just not much. Fortunately, if style’s all you’ve got, Mars Attacks! has got it in spades. A doting spoof and homage to 1950s alien invasion pics, it’s pure B-movie schlock and surprisingly sadistic. As the Martians stage their no-prisoners invasion, Burton relishes finding new ways to dispatch and torment his earthlings, who are played by an impressive cast.
But this movie isn’t about the acting, and most of them end up with not much to do. The political satire is on-the-nose, and the plot… wait, just kidding, there isn’t really a plot, and without a narrative to hold things together, it’s the top-notch production value that ends up being the real star of the film. Spectacle isn’t enough to be great, but in this case, it’s enough to be good enough thanks to how Burton lovingly harkens back to the films that so obviously influenced him as a budding filmmaker. — Haleigh Foutch
17
‘Star Trek VI: The Undiscovered Country’ (1991)
Nicholas Meyer just gets what makes Star Trek tick. The filmmaker behind what’s almost universally considered the greatest Star Trek movie of all time, Star Trek II: The Wrath of Khan, returned to helm another standout installment with Star Trek VI: The Undiscovered Country. The film is essentially a sci-fi murder mystery set against the backdrop of racial tensions and the threat of war that finds Captain Kirk and McCoy wrongfully charged and imprisoned for the murder of the Klingon High Chancellor, while the rest of the Enterprise’s crew rally to rescue them.
It’s a fine send-off for Star Trek‘s original crew, a philosophical and introspective exploration of the series resonant deeper themes that always respects the characters while still delivering the sci-fi spectacle with outstanding effects and clever gadgetry. The Undiscovered Country can feel bloated in parts, but it never overstays its welcome as a well-crafted vehicle for the beloved Enterprise crew and their iconic cast of characters —Haleigh Foutch
16
‘Independence Day’ (1996)
Image via 20th Century Studios
While the sins of the ill-advised sequel may be fresh in our minds, that unfortunate debacle can’t quite dim the shine of Roland Emmerich’s 1996 sci-fi spectacle, Independence Day, which remains a bombastic delight even now. The movie follows three heroes of the alien apocalypse: Will Smith‘s hotshot army pilot Captain Steve Hiller, Jeff Goldblum‘s everyman satellite technician David Levinson, and Bill Pullman‘s Thomas J. Whitmore, president of the United States in the aftermath of a hostile invasion from an unknown alien combatant.
Through the use of miniatures, Emmerich crafted enormous effects set-pieces, sending the world’s iconic landmarks up in flames and billowing plumes of smoke. But unlike a lot of Emmerich’s inferior works, Independence Day delivers characters as entertaining as the explosions, making for a blockbuster disaster adventure that has genuine charm and humor along with its kaboom-ing excess. —Haleigh Foutch
Destiny’s Child alum Kelly Rowland has had her fair share of movie roles, including “Mea Culpa” and the 2025 film “Relationship Goals.” While she’s enjoyed stepping into the shoes of fictional characters, there’s one real-life singer she’s hoping to portray one day.
Speaking with Us Weekly, Rowland, 45, opened up about her love for Donna Summer, known for the hits “I Feel Love,” “Last Dance,” “Hot Stuff,” “Bad Girls,” and “She Works Hard for the Money.” Rowland’s love for Summer is actually so strong that she’d want nothing more than to portray the Grammy winner in a future biopic.
“I would love nothing more than that role. That’s all I can say,” Rowland said. “That’s all I can say for now.”
Rowland’s coy answer came weeks after the superstar singer appeared to tease herself dressed as Summer in an Instagram post with wavy hair and bangs.
“I’m hoping you won’t be waiting long,” she added. “All of us have our fingers crossed, toes crossed. We’re just totally crossed out.”
Kelly Rowland Talks Working With Her Co-Star Cliff ‘Method Man’ On Prime Video’s ‘Relationship Goals’
Since Destiny Child’s last full album in the early 2000s, Rowland has put out some solo music, but has spent the last several years working on different television shows, like “The X Factor” and “The Voice,” and filming movies, like Prime Video’s “Relationship Goals.” In her latest film, Rowland plays a television producer who reunites with her ex while competing for a job at a New York morning show.
In a previous interview with PEOPLE, Rowland opened up about her relationship with her co-star Method Man, saying that when they did their chemistry read, everything seemed to fall into place. “As soon as he did and he grabbed his little pillow, I was like [to director Linda Mendoza], ‘It’s him!’ And it was very vulnerable. We’ve never seen Cliff, ‘Method Man,’ like this,” she said.
Method Man Had The Utmost Respect For Kelly Rowland While Filming Their Movie
Method Man also praised Rowland while discussing his work on the film, calling the “Dilemma” singer a “consummate professional” who makes everyone around her extremely comfortable. “So, yeah, I mean, the chemistry was a given for me, honestly,” he added.
Rowland then discussed how she was able to relate to her character, Leah, stating that the fictional corporate baddie had been dealt devastating lows just as she had. “When we meet Leah, she’s very much so in control of her whole environment, her life, so she thinks she’s in control, and she’s dealing with grief,” said the mother of two. “I’ve had a bit of grief in my life and trying to mask it with work or not think about it. So I understood that with her.”
Rowland Talks Relationship With Beyoncé’s Mom
In December 2025, Rowland got candid about her special bond with Beyoncé’s mom, Tina Knowles. Tina, 72, has been a mother figure to the Destiny’s Child alum since she was a child, even welcoming Rowland into her Texas home as the group worked to launch its career.
Consequently, Rowland has developed a close relationship with the “Matriarch” author, calling the fashion designer her “safe space” during a previous interview, per The Blast. “I’m heard, I’m seen by her. I see her; I hear her, and I love her with every fiber of my being,” Rowland said.
Rowland Thanked God For Providing Her With Two Mothers
Rowland, whose biological mother, Doris, died from a heart attack in 2014, spoke even further about her bond with Ms. Tina and expressed her gratitude for the motherly guidance and encouragement she’s always provided.
“I can’t believe that God thought the most of me to give me two moms that can give me that great amount of love, and then give me sisters as well with Bey, and Angie [Beyince], and Solange,” she said.
“The amount of love he’s given me through people I can never repay him for,” Rowland finished.
Tina echoed Rowland’s stance in a separate interview, saying that while she gave birth to two daughters, she’d really been blessed with four.
“Kelly, I know without a doubt that you were a true gift from God. You came to live with us when you were only 11 years old. You were the sweetest, most kind person I had ever met, and you still are. You are also a true survivor. You never give up. Your discipline and drive always inspires me,” Tina said.
Anne Hathaway and her “The Odyssey” co-stars have been making the rounds to promote the epic film, but one recent interview turned into an unexpectedly emotional moment. During the actress’ appearance on “The View,” Hathaway fought back tears after Whoopi Goldberg shared a few heartfelt words, leaving the Oscar-winning actress visibly moved.
On the July 20 episode of “The View,” Anne Hathaway, Matt Damon, and director Christopher Nolan sat down with the hosts to talk about their recently released film. Everyone on the panel had high praise for “The Odyssey” and urged the audience to see the movie.
Toward the end of the segment, Whoopi Goldberg turned to each of the guests and expressed her appreciation of their craft. Hathaway was brought to tears as she turned to her, saying, “Anne Hathaway, it’s been wonderful watching you. It’s been wonderful watching you grow up. And you have just blossomed, turned into this fabulous actress,” she continued.
Hathaway, visibly emotional, covered part of her face and said, “No, don’t.” Goldberg insisted that she needed to hear it. “Girl, yes! Yes! You need to know. You need to know… It’s something you need to know and remember,” the host sincerely said.
“I don’t know what to say. Thank you. You know how I feel about you,” Hathaway responded with glassy eyes.
The EGOT Winner Said ‘The Odyssey’ Showed The ‘Stupidity Of Men’
Elsewhere during the interview, Goldberg didn’t mince words when she shared what she thought about men in the movie.
She prefaced her point by asking the men in her audience not to get “annoyed” with her, then continued to say the movie “does represent the stupidity of men.” Goldberg said men in “The Odyssey” were repeatedly told not to do certain things because of the consequences.
Every time, they go and do that, and they’re surprised that it’s going the other way,” she exclaimed.
She then praised Hathaway’s portrayal of Penelope. “Women forget that they are insanely strong and they are clever, because Penelope fools these men for 20 years,” Goldberg said.
Goldberg also saw striking parallels between “The Odyssey” and today’s social climate and said it’s a reminder that “No one wins in a war.”
Anne Hathaway’s Rise To Stardom
Goldberg’s praise reflected Hathaway’s decades-long career, which includes an Academy Award and a wide range of acclaimed performances.
The actress rose to fame after portraying Mia Thermopolis in “The Princess Diaries” in 2001. The project was followed by other family-friendly films like “Ella Enchanted” and “The Princess Diaries 2: Royal Engagement.”
In the succeeding years, Hathaway took on a wider variety of roles, including a recovering addict in “Rachel Getting Married,” the clever and agile Catwoman in “The Dark Knight Rises,” and a NASA scientist in “Interstellar.” In 2013, Hathaway earned a Best Supporting Actress Academy Award for her portrayal of Fantine in the musical film adaptation of “Les Misérables.”
Hathaway has established herself as one of Hollywood’s most versatile leading actresses with a filmography spanning a wide range of genres.
The Actress Has Five Movies This Year
“The Odyssey” marked Hathaway’s third film release of the year, following “Mother Mary” and “The Devil Wears Prada 2,” which premiered in April and May, respectively. She has two more films scheduled for release before the year ends: “The End of Oak Street” in August, and “Verity” in October.
Hathaway shared that having so many movies in one year was “surreal,” and she knows how rare it is. “I’m at an age and a moment in my career where I know stuff like this doesn’t come around very often, and certainly doesn’t last forever,” she told PEOPLE.
The actress added that she is focused on enjoying and appreciating her successes “as long as it lasts.” “I’m going to enjoy being on my board, and then when I fall in the water, that’ll be that moment,” she said.
Anne Hathaway Is Expecting Her Third Child
In June, Hathaway revealed that she’s expecting her third child with her husband of 13 years, Adam Shulman. They already share two boys: 10-year-old Jonathan and 6-year-old Jack. As The Blast previously reported, the pregnancy was a welcome surprise.
The 43-year-old, who has previously spoken about her fertility struggles, is overjoyed about the newest addition to her family and is focused on balancing her successful career with her growing family.
Hathaway has other projects in development, including “Princess Diaries 3” and the psychological thriller “Yesteryear.”
Fetty Wap is now engaged, and the internet has plenty to say!
RELATED: Fetty Wap’s Latest Prison Pic Has The Internet Girlies Saying, “Baby, Won’t You Come My Way”(PHOTOS)
Fetty Wap Is Now Engaged… To Who?
On Monday, July 20, a woman who goes by the name Alexis, Instagram handle @lilsex_, took to the platform to share a carousel of photos. Furthermore, the first photo showed a “Will you marry me?” decorated with flowers and a flower-strewn pathway. In front of the sign, Alexis held her left hand, which showed off a ring on her ring finger.
The next slide revealed her kissing her apparent fiancé, Fetty Wap. In the flick, she held pink roses as the next slide showed footage of her and him walking up to the display.
The following clip then showed Fetty, down on one knee, proposing. Finally, the last slide showed a closer look at Alexis’ engagement ring.
See the photos and videos below.
Social Media Reacts
Social media users reacted to the rapper’s engagement in TSR’s comment section. Many mentioned Masika Kalysha, the mother of his daughter Khari Barbie, while others mentioned his ex, Alexis Skyy.
Instagram user @dfw_ladii_pluug wrote, “Masika somewhere plotting and punching air😂”
While Instagram user @iambealewis added, “Her name being Alexis is too ironic lol”
Instagram user @_onetimeforpeyy wrote, “Oh Masika bout to lose her s**t 😭”
While Instagram user @leveledupelites added, “Marriage over baby shower. I’ll take it🎉”
Instagram user @kween.ronnib wrote, “Engaged he doing to much he just got out brooooo NOOOOO 😂😂😂😂 you didn’t even see the rest of us you gotta take your time 😂”
While Instagram user @daejones added, “Harpo who this woman? 😂”
Instagram user @mekmakemoves wrote, “Another Alexis is lowkey funny af 🤣🤣🔥”
While Instagram user @nayirolla added, “NOOOOOOO😔💔 congrats 💔💔”
Instagram user @riahill14 wrote, “Who that Alexis sky”
While Instagram user @bluevelvet_57 added, “Alexis whooooo??????”
Instagram user @abnormaltuesday wrote, “😂😂 . I never date the same name twice”
While Instagram user @danithedemon_ added, “Like wtf you mean engaged 😂😂😂😂😂😂😂😂😂 us girlies are hurting right now 😂😂😂😂”
More On Fetty Wap’s Time Home & Engagement
As The Shade Room previously reported, in January, Fetty Wap was released from prison after serving almost three years of a six-year sentence for drug distribution. Subsequently, Masika Kalysha shared her disappointment at Fetty allegedly not coming to see their daughter immediately. By the end of that month, however, Fetty was reunited with Khari and Kalysha’s youngest daughter, Amari, whom she shares with the late Jamar Champ.
Exclusive: ❤️ Fetty Wap enjoys a post-prison reunion with his daughter Khari. https://t.co/IPJlyXk04I pic.twitter.com/Nm2fpVKicy
— TMZ (@TMZ) January 20, 2026
More recently, Fetty Wap released his first project since being home, ‘Zavier.’ On it, he featured his single, ‘White Roses,’ on which he sang about a love interest. But no one could have anticipated that he had plans of popping the question.
At this time, neither Masika Kalysha nor Alexis Skyy has publicly reacted to Fetty’s engagement.
RELATED: Switchin’ It Up? Fetty Wap Turns Heads With New Song & Music Video Apparently Inspired By ‘Sinners’ (WATCH)
What Do You Think Roomies?
When you’re an actor of a certain caliber, a call to join a prestigious Taylor Sheridan series is usually the sign you’re getting a pretty meaty role, given the empire the prolific creator has built around huge, ensemble casts that get starrier and starrier with every show he puts out. Many of Hollywood’s biggest stars are signing up to play key figures in the Yellowstone universe that just won’t stop expanding, but according to one of the stars of Dutton Ranch, those promises aren’t being kept.
Speaking to Variety at the premiere of Apple TV’s The Dink, Ed Harris revealed he felt “misled” about the size of his role in Dutton Ranch, admitting that halfway through filming he was telling his representatives to “get me the f— out of here.”
“Prior to signing on for it, I was talked to quite a bit about what the season was, and what my character was going to do — and that I was one of the four main characters,” Harris said. “And that wasn’t really the case.”
Ed Harris Says He Felt “Underused”
Harris, who plays veterinarian Everett McKinney in the Yellowstone spin-off, said he voiced his frustrations during production after feeling his character had become “underused and inconsequential.” Despite those frustrations, Harris admitted his opinion softened once he watched the finished series.
“I said, ‘I’m feeling underused and inconsequential,’ and they kind of went, ‘Oh’. I’m being told my character will have a little bit more to do [in Season 2]. I was just a little frustrated, to tell you the truth. When I watched it, I thought it was pretty good,” he said, adding that Everett ultimately felt “relatively important to the story,” even if it hadn’t felt that way while filming.
One moment that still frustrates the Oscar nominee was a deleted scene in which Everett performed a song in a bar, with Harris recalling filming the sequence only to discover it had been cut because producers felt it was too upbeat for the episode’s ending.
“So there’s this scene in there… I walk up to the mic, and they cut it. They cut the song out. I’m going, ‘F*ck you, people.’”
Dutton Ranch stars Kelly Reilly, Cole Hauser, Ed Harris, Finn Little, Juan Pablo Raba, Jai Courtney, J.R. Villarreal, Marc Menchaca, Natalie Alyn Lind, and Annette Bening. Season 1 is now streaming on Paramount+.
- Release Date
-
May 15, 2026
- Network
-
Paramount Network, Paramount+
- Showrunner
-
Chad Feehan
- Directors
-
Christina Alexandra Voros
- Writers
-
Jacob Forman, Hilary Bettis, Chad Feehan, Hayley Tibbenham, J. Todd Scott, K.C. Scott
Tom Holland didn’t need a lengthy love story to remind fans how happy he is with Zendaya.
During a playful podcast appearance, the “Spider-Man” star dropped what may have been the sweetest moment of the interview when he casually referred to the Emmy-winning actress as his “wife.”
The offhand remark came just days after Holland confirmed the pair had quietly tied the knot, instantly sending fans into a frenzy and adding another heartfelt chapter to one of Hollywood’s favorite romances.
Tom Holland gave fans another reason to adore his relationship with Zendaya during an appearance on the U.K.-based “Dish” podcast, hosted by DJ Nick Grimshaw and chef Angela Hartnett.
While taking part in a quick-fire question round, Holland was asked, “Which person would you like a holiday in Greece with?”
Rather than overthink his answer, the actor immediately replied, “I think probably my wife would be pretty good.”
The affectionate remark came after Holland confirmed that he and Zendaya had married, making the casual response all the more meaningful.
He also joked that choosing anyone else would be awkward, adding, “It would be a bit strange if I went, ‘Sorry babe, I’m gonna take Matt [Damon, Holland and Zendaya’s “Odyssey” costar] actually.”
Holland’s Sweet Reference To Zendaya Sparks Fan Frenzy
It didn’t take long for Tom Holland’s affectionate remark to spread across social media, where fans quickly declared the two-word response the highlight of the interview.
“‘My wife’ and Nick was so nonchalant about it. Wonder if his insides were screaming like the rest of us,” one fan wrote on Instagram, while another added, “Yeah he said it! His wife and look at his face! So cute. Excited to see this interview about the Odyssey.”
A third user also remarked, “I’m just waiting for Zendaya to say husband but Tom can care less lol he is the type to shout it out from the rooftops.”
Other fans were thrilled about his return to the show, with one noting, “Cannot wait for this one as I love Tom Holland! He comes across as such a genuinely nice guy too.” Another wrote, “LOVED his Christmas episode. Thrilled he’s back.”
Zendaya Once Joked She’d Leave Tom Holland If He Turned Down The Odyssey
Holland’s sweet “my wife” remark wasn’t the only recent glimpse fans have gotten into the couple’s playful relationship.
In an interview with PEOPLE, the “Pilgrimage” actor revealed that Zendaya played an unexpected role in convincing him to join Christopher Nolan’s “The Odyssey.”
Speaking alongside Nolan, Matt Damon, and Anne Hathaway, Holland explained that he initially hesitated because productions for “The Odyssey” and “Spider-Man: Brand New Day” were due to begin at the same time.
After telling Zendaya he had received “the big one” from Nolan, she immediately understood the significance of the opportunity.
Holland then recalled that when he explained the scheduling conflict, Zendaya jokingly told him, “I’ll leave you if you don’t do The Odyssey,” prompting laughter from the panel.
The lighthearted ultimatum encouraged Holland to approach Sony Pictures chairman Tom Rothman about adjusting the “Spider-Man” production schedule, a request the studio ultimately approved.
Zendaya Backs Team England After Holland’s World Cup Pick
Zendaya’s support for Tom Holland didn’t stop with encouraging him to take a career-defining role in “The Odyssey.”
The actress also showed where her loyalties lie during the 2026 FIFA World Cup, happily throwing her support behind England after being asked which nation she was rooting for.
During a lighthearted interview alongside her husband with Spanish media outlet LOS40, Holland immediately answered, “It’s England for me,” before Zendaya admitted soccer isn’t her strong suit.
“I don’t really follow it, so I’m gonna support who you support. I love you so much,” she told her husband, prompting Holland to respond with a smiling, “Thank you.”
Tom Holland Earns World Cup Bragging Rights Over Lupita Nyong’o
Holland’s support for England during the FIFA World Cup didn’t just win over Zendaya, it also sparked a friendly rivalry with one of his “The Odyssey” co-stars, Lupita Nyong’o, who proudly supported Mexico ahead of the nations’ Round of 16 showdown.
Before kickoff, the pair posed together in a playful video, with Holland holding up an England jersey while Nyong’o confidently waved Mexico’s colors, each refusing to switch sides despite sharing the screen as co-stars.
England ultimately edged Mexico 3-2 in a thrilling contest to book its place in the quarterfinals, giving Holland undeniable bragging rights over Nyong’o.
Ironically, the actor didn’t even watch the match live because he was preparing for the world premiere of “The Odyssey” in London, later revealing he skipped the 1 a.m. kickoff so he could be “fresh and present” for what he called “one of the biggest days” of his life before catching a replay that morning without knowing the result.
Dystopian movies are a particularly potent and popular subset of science fiction cinema. That may be because they’re becoming increasingly reflective of our current reality or simply due to our own morbid fascination with our inevitable decline and demise. Either way, there are lots of incredible, and incredibly depressing, dystopias that have been depicted in movies, and some of those are pretty much perfect from beginning to end.
Perfection in film is as unlikely as the notion that humanity will ever create a true utopia, but that doesn’t mean there aren’t films that we’re willing to ignore the individual faults of in favor of what they provide for us. Like deluded citizens in a technoir police state, we buy into the reality of these dystopian films hard. Whether you choose the red pill for these movies or not, we’d still like to argue that these dystopian movies are perfect from their first scene to their last.
‘Metropolis’ (1927)
Fritz Lang‘s staggering silent sci-fi classic Metropolis basically set the blueprint for all future dystopian films to follow. Its expressionistic vision of a mechanized society has influenced the designs of so many subsequent sci-fi films, including several on this list, as have the mechanics of its plot surrounding economic disparity and class divide. Lang was influenced by the skyscrapers of New York and the industrialization of World War I in creating his depiction of a dystopian future.
In the titular future city, the wealthy elite reside in their steel towers while the workers toil away in the bowels of the city. The conflict between the classes is personified by the personal battle between city master Fredersen (Alfred Abel) and his son Freder (Gustav Frohlich), who rebels against his father in an attempt to bring unity to the city. There’s also a deranged inventor who creates a humanoid robot as a means to bring about the destruction of the city. The depiction of the machine-human Maria (Brigitte Helm) was one of the earliest ever robots on film, and its legacy has extended far beyond into the future.
‘A Clockwork Orange’ (1971)
Stanley Kubrick‘s ultraviolent vision of a future Britain in A Clockwork Orange will never be mistaken for anything resembling reality. The stylized aesthetic, complete with iconic costume design and fictional slang taken directly from the novel by Anthony Burgess, is a world unto itself, but still one that has a lot to say about our own. It’s a visceral depiction of a violent youth in rebellion within a totalitarian state that only knows how to respond with its own brand of violent therapy to recondition him.
Alex DeLarge (Malcolm McDowell) leads a gang of violent youths known as Droogs. After a series of violent physical and sexual assaults, Alex is eventually caught and imprisoned. In prison, he’s subjected to a form of drastic conversion therapy designed to make his violent impulses repulsive. A Clockwork Orange was controversial upon its release, and it still has a fair amount of potency even decades later. Even for fans of dystopian cinema, it can be a bit hard to stomach, but it’s still a vital piece of cinema made by one of the greatest directors of all time.
‘Blade Runner’ (1982)
If there’s any depiction of a dystopian future that could be considered the most quintessential, Ridley Scott‘s Blade Runner would probably be it. The film went from a box office bomb to a bona fide cult classic and has since been canonized as a sci-fi masterpiece thanks to its iconic visuals. The rain-soaked tech noir vision of the future meshes perfectly with the hard-boiled detective story that has been partially transplanted from Philip K. Dick‘s Do Androids Dream of Electric Sheep? Blade Runner is a totemic cyberpunk movie, and its influence on the sci-fi genre at large cannot be overstated.
Rick Deckard (Harrison Ford) is a former Los Angeles police officer tracking down rogue replicants, androids built for labor and combat. He’s called back into duty when four replicants, led by the violent Roy Batty (Rutger Hauer), run amok in the city. His investigation also brings him into contact with the advanced replicant Rachael (Sean Young), with whom he develops a connection that forces him to question his humanity. Questions of what constitutes identity and consciousness lie under the slick surface of Blade Runner, which operates efficiently on its own vibes but has deeper themes for those who want to look a little closer.
‘Brazil’ (1985)
Terry Gilliam‘s satirical sci-fi film Brazil is probably the funniest depiction of an Orwellian dystopia ever put on film. It’s a dystopia where a man can be tortured to death thanks to clerical error, which is frankly a far more realistic depiction of a totalitarian government than those that are depicted as operating with lethal efficiency. Brazil is filled with all the fanciful flourishes that make Gilliam such an idiosyncratic filmmaker and serves as a comedic counterpart to George Orwell’s 1984, which had just had a major adaptation the year prior.
Sam Lowry (Jonathan Pryce) lives in a bureaucratic nightmare while dreaming of being a knight in shining armor who saves a beautiful woman. When Sam sees the woman of his dreams, his infatuation puts him in collaboration with the resistance and at odds with the powerful Ministry. Brazil is a dark slice of political satire made decadent with a retrofuturistic production design that’s equal parts brutalist and absurdist. Alongside Blade Runner, the visuals of Brazil inspired many further depictions of the future, especially those with a bend towards black comedy.
‘RoboCop’ (1987)
RoboCop is the best film version of the comic book series Judge Dredd that has ever been made. Despite not being an official adaptation in any capacity, and the fact that there are two wildly different movies actually based on the comics, Paul Verhoeven‘s ultraviolent satire shares a lot of DNA with the 2000 AD character. Both focus on a law enforcement officer who deals out bloody justice in a crime-ridden future, taking potshots at American consumerism, corporate culture, and police privatization.
In the future, Old Detroit is a hellscape that megacorporation Omni Consumer Products has plans to pave over to make way for the new Delta City. They already control the police, and their next step is to upgrade their officers into something more destructive and programmable. Enter recently murdered police officer Alex Murphy (Peter Weller), who’s turned into the chrome-plated cop of the future. RoboCop is just as absurdist as Brazil, but Verhoeven is far more explicit than Gilliam, filling the frame with a lot of flesh and blood, but never without purpose. RoboCop is an indictment of Reaganomics that takes it to a sci-fi extreme.
‘They Live’ (1987)
The same year that Verhoeven was applying an outsider’s perspective to American politics with his sci-fi dystopia, John Carpenter was doing the same with his homegrown anger and disillusionment. They Live is yet another film that takes very specific aim at Reagan-era policies, but still hits the bullseye today with its satire. In They Live, the extra-terrestrials have already landed and taken control, and most of humanity doesn’t even know or has already bent the knee. It’s a blunt and brutally funny satire that only Carpenter could make.
Nada (Roddy Piper) drifts into town looking for work, finding a home at a camp where he also becomes aware of a secretive underground that’s also manufacturing sunglasses. Those glasses give Nada an unfiltered view of the world that surrounds him, discovering a race of bug-eyed aliens that live among humans, as well as the propaganda that hides under everyday advertisements. Carpenter isn’t dealing with subtlety here, but his bluntness is part of what makes They Live so effective, and why it feels even more vital today.
‘Akira’ (1988)
Akira is an iconic action anime that had a huge impact on the medium’s proliferation internationally and especially in the United States. It was the first major anime to find success in the Western world, and has been a continual influence on it since. It’s also a totemic cyberpunk film with one of the most indelible depictions of a dystopia in any medium. Directed by Katsuhiro Otomo and based on his manga, Akira ranks among the greatest in just about every genre, format and style it touches.
In 2019, Neo-Tokyo is a military-controlled future city built on top of the remains of its namesake city, which was destroyed by the titular character, a powerful psychic. Kaneda, the leader of a motorcycle gang, joins a government resistance group after his childhood friend Tetsuo becomes a test subject in a secret government lab for those with psychic abilities. There’s a lot of rather dense worldbuilding that’s efficiently executed in the film, which speeds along thanks to some kinetic action scenes. Akira has a well-earned legacy in all its sci-fi subgenres.
‘The Matrix’ (1999)
Akira is one of several anime that were foundational influences on The Matrix. The pop-cultural behemoth of a sci-fi action movie aestheticized the cyberpunk attitude and dystopian themes of movies like Ghost in the Shell through film noir and a heavy dose of Philosophy 101. Even though its effects and style were mimicked in Hollywood movies for almost a decade, nothing ever came quite as close to recapturing the first film’s innovation or impact, not even the sequels, which became far more bombastic and overloaded with philosophy student debates as dialogue.
The arc of Neo (Keanu Reeves), the hacker messiah, is definitely enthralling, with a lot of Christian allegory and Buddhist philosophy overlaying a kind of superhero origin story. But the most interesting aspect of the film and its dystopia is presented in the supporting character Cypher (Joe Pantoliano), who betrays his human compatriots in exchange for getting plugged back into the simulated world. The Matrix raises a thousand interesting questions but hardly scratches the surface on most of them, but that’s part of what makes it such a fun sci-fi film to overanalyze and dissect.
‘Children of Men’ (2006)
Blah blah prescient film. Yadda yadda still reflects today. What has been written ad nauseam about all these dystopian movies online and in the preceding paragraphs also applies to Children of Men. This writer is guilty of typing out a bunch of pretentious nonsense about the values of Alfonso Cuarón‘s dystopian masterpiece on multiple occasions. There’s no need to add more superlatives to a film that has already received a lot of acclaim, except to add that it also rips as an action movie.
Similar to The Battle of Algiers or the more recent One Battle After Another, the film cleverly disguises its action setpieces through the lens of civil unrest and violent conflict. That’s pretentious film fanatic for “its action you’ll feel kind of weird for enjoying.” It’s especially unnerving when you can apply its images to any number of current events, as could they also be mistaken for images of events from decades past. Children of Men is also a sad observation of the human capacity for violence and hate, but it’s also got action scenes that’ll knock you on your ass.
‘WALL-E’ (2008)
At first glance, WALL-E doesn’t seem as prescient as some other dystopian films. It seems like it was making some very obvious observations about over-consumption, environmental preservation, and human reliance on technology. Except those obvious observations were being made about very different things in 2008. The Buy-N-Large corporation was once a satire of big box stores like Walmart, which has since been superseded by Amazon. Humans’ reliance on technology is an old theme in sci-fi, but the screen addiction shown in WALL-E is shockingly accurate for a film released only one year after the first iPhone.
WALL-E offers a very unsettling possible future for humanity, but it’s all wrapped around a love story between two robots that’s so charming and adorable it’ll leave you smiling through the mountains of trash. WALL-E is the only robot left on Earth, dutifully cleaning up humanity’s mess while pining for someone to hold metal hands with. That’s when the advanced robot EVE lands, and an intergalactic romance and adventure begins. WALL-E is Stanton’s best film, Pixar’s best film, and the best film to feature an anal-retentive cleaning robot named MO.
David Boreanaz is heading back to the world of criminal investigations, this time without the badge. Fresh off his run leading CBS’s SEAL Team, the actor is trading military missions for private investigations as he’s set to headline NBC’s reboot of The Rockford Files. He’ll play the role of legendary detective Jim Rockford, originally made famous by James Garner. NBC has already unveiled a first look at the reboot, and now, it’s become clearer how the network plans to structure the new series.
NBC appears to be staying largely faithful to the original series regarding Jim Rockford’s story. Boreanaz’s Rockford is a newly paroled private investigator who was wrongfully imprisoned. After returning to Los Angeles, he quickly resumes his detective work, this time drawing on the network of former inmates he met behind bars to help crack cases. However, his eagerness to prove legitimacy soon lands him in hot water, putting him at odds with both local law enforcement and a dangerous organized crime syndicate. The series will also star Michaela McManus (9-1-1: Lone Star) as Kate, Rockford’s ex, who’s also an LAPD detective; Jacki Weaver (Silver Linings Playbook) will play Rockford’s trailer-park neighbor and activist, and Felix Solis (The Rookie) as Rockford’s confidante, Nitty, who’s also a defense attorney.
The Rockford Files reboot has already secured NBC’s Thursday 8 PM ET timeslot, a slot that has traditionally served as a strong launching pad for new series. While the network has confirmed a midseason January premiere, it has yet to reveal which Thursday the show will debut. That announcement is expected soon, especially after Boreanaz recently revealed to ScreenRant that the first season will consist of 13 episodes. “We have 13 episodes. We’re tackling one at a time. We’ve got No. 1 in our belt, and we’re excited about that,” the Bones star said. While shorter than the episode counts of NBC hits like the One Chicago and Law & Order franchises, a 13-episode order has become increasingly common for new broadcast dramas and could likely be expanded if the series proves successful.
What Other New NBC Show is Premiering in the Next TV Season?
The Rockford Files won’t be the only new series joining NBC’s lineup this TV season. The network is also introducing several other highly anticipated projects, including Line of Fire, a thriller that marks Peter Krause‘s return to television following his exit from ABC’s 9-1-1. Co-starring Hope Davis (Your Honor), the series follows a law enforcement officer who becomes the target of an assassin and premieres Monday, September 21, 2026, at 10/9c. On the comedy side, NBC will debut Newlyweds and Sunset P.I., the latter coming from the creative team behind Brooklyn Nine-Nine.
The Rockford Files is created by Mike Daniels (Ponies) and produced by Sarah Timberman and Carl Beverly for Universal Television. Greg Mottola (Superbad) directed the pilot episode. Stay tuned for future updates.
- Release Date
-
1974 – 1980-00-00
- Directors
-
William Wiard, Lawrence Doheny, Ivan Dixon, Jerry London, Reza Badiyi, Russ Mayberry, Jackie Cooper, Lou Antonio, Corey Allen, Jeannot Szwarc, Stephen J. Cannell, Alexander Grasshoff, Arnold Laven, Harry Falk, John Patterson, Stuart Margolin, Alexander Singer, Bernard L. Kowalski, Bernard McEveety, Bruce Kessler, Charles S. Dubin, Christian I. Nyby II, Dana Elcar, Hy Averback
- Writers
-
Gordon T. Dawson, Rudolph Borchert, Don Carlos Dunaway, Edward J. Lakso, David Taylor, Donald L. Gold, Rogers Turrentine, Walter Dallenbach, Lester Wm. Berke, William R. Stratton, Jo Swerling Jr., Leigh Brackett, Mitch Lindemann, Robert Hamner, Zekial Marko, Howard Berk, Shel Willens, Eric Kaldor, Gloryette Clark
-
James Garner
Jim Rockford
-
Noah Beery Jr.
Joseph “Rocky” Rockford
Entertainment
Jessica Chastain Delivers Pure Nightmare Fuel in the First Trailer for Other Mommy : Coastal House Media
Freddy Krueger is officially preparing to haunt audiences once again.
Jackie Earle Haley, Freddy Krueger
According to The Hollywood Reporter, Paramount Pictures has acquired the U.S. rights to A Nightmare on Elm Streetfrom the Wes Craven estate, with plans to develop a brand new feature film based on the legendary horror franchise. The project is currently in early development, with Marc Toberoff attached as producer alongside Iya Labunka and Jonathan Craven, the widow and son of the late Wes Craven. Lifshitz and Margules will serve as executive producers for Paramount.
Labunka expressed her excitement about bringing Freddy Krueger back for a new generation of horror fans.
“We look forward to bringing the world of Wes Craven’s Nightmare on Elm Street to a new and completely engaged generation of fans,” Labunka said in a statement. “We know that Wes would have been thrilled to see how horror is taking its long overdue place in the cultural canon. We can’t wait for all of us to sit together in a dark theatre around the campfire of today as the next chapter of the Nightmare story unfolds.”
Executive producers Lifshitz and Margules also shared their enthusiasm for the new film, praising the opportunity to continue one of horror’s most iconic franchises.
“We can’t remember a time before we were fans of Wes Craven,” they said. “The fact that Iya and Jonathan have entrusted us with this opportunity to help usher a new story into this world is an honor beyond words. We look forward to working alongside them to bring a terrifying new nightmare to audiences everywhere, and to welcome Freddy home.”
Robert Englund, Freddy Krueger [EVERETT]
While no writer, director, casting details, or story information have been announced, the project marks the franchise’s first major step forward since the domestic rights reverted to the Craven estate in 2019.
Originally released in 1984, A Nightmare on Elm Street introduced audiences to Freddy Krueger, the razor gloved dream stalker who became one of horror’s most recognizable villains. The film spawned numerous sequels, a crossover with Friday the 13th, television adaptations, comics, and a 2010 remake.
With Paramount now steering Freddy’s next chapter, horror fans can finally look forward to the return of one of the genre’s greatest icons.
Soon you’ll be able to be more like Dune‘s Paul Atreides than ever before. No, not by igniting a galaxy-spanning holy war, winning a sick knife duel, or hanging out with Jason Momoa. Instead, you can prove that you are the Lisan al-Gaib by riding the worm…sort of. Dark Horse Direct and Legendary Pictures are releasing an all-new skate deck with an eye-popping sandworm design, and Collider is proud to present an exclusive first look at it.
Made from 100% 7-ply Canadian maple, the skate deck features art of one of Dune‘s iconic sandworms emerging from the desert sands, inspired by the murals in the palace of Arrakeen in Denis Villeneuve‘s first Dune film. Boasting a handsome crimson red background with gold foil details, the deck measures 31.87″ long by 8.25″ wide. The deck is limited to only 500 pieces, and will retail for $80 USD. It can be preordered now only on DarkHorseDirect.com.
What Are the Sandworms of ‘Dune’?
Created by Frank Herbert in his 1965 novel Dune, the immense sandworms, known as the Shai-Hulud to the nomadic Fremen, roam the endless deserts of the planet Arrakis. Their larvae produce the spice melange, the substance that makes Arrakis the most important planet in the universe; its consumption is the only thing that makes interstellar travel possible. However, the fiercely territorial sandworms also make harvesting the spice extremely perilous, as they will attack the men and machines that attempt to collect it. The sandworms are culturally important to the Fremen; learning to ride the enormous beasts is considered a rite of passage, and is one of the tasks Paul Atreides must master before they accept him. The book’s original illustrations, and David Lynch‘s 1984 film, gave them a three-lobed mouth, while Villeneuve’s sandworms have a more lamprey-like appearance.
Of course, you’ll see more Shai-Huluds than you can Shai-handle in this winter’s Dune: Part Three. Paul Atreides (Timothée Chalamet) now rules the known universe as his Fremen loyalists wage a war across the stars. While some consider him a liberator or a messiah, he has enemies everywhere, and they will stop at nothing to put an end to him and everything he cares about. The final chapter of the epic science fiction trilogy hits theaters on December 18.
The Dune Shai-Hulud skate deck from Dark Horse Direct can be pre-ordered now. Stay tuned to Collider for future updates, and remember, skate without rhythm, and you won’t attract the worm.
- Release Date
-
September 15, 2021
- Runtime
-
155 minutes
- Director
-
Denis Villeneuve
- Writers
-
Denis Villeneuve, Eric Roth, Jon Spaihts, Frank Herbert
- Producers
-
Herb Gains, John Harrison, Joseph M. Caracciolo Jr., Mary Parent, Richard P. Rubinstein, Cale Boyter, Thomas Tull, Brian Herbert, Byron Merritt, Kim Herbert, Joshua Grode
For Olivia Wilde, the biggest disappointment surrounding “Don’t Worry Darling” was never the headlines themselves; it was watching the conversation drift away from the film she spent years bringing to life.
As the actress and director returns to the promotional circuit with her new movie, “The Invite,” she says time has given her enough distance to look back on one of Hollywood’s most scrutinized productions with fresh perspective.
While the experience remains painful, Wilde now believes she can finally separate the work from the storm that engulfed it.
Nearly four years after “Don’t Worry Darling” dominated entertainment headlines, Olivia Wilde says the public fascination with the film’s off-screen drama prevented audiences from engaging with what the psychological thriller was actually trying to explore.
Appearing on “The Louis Theroux” podcast, the 42-year-old agreed with the host’s observation that the film had been “derailed by publicity” and caught up in “many multidimensional scandals.”
During its release, attention shifted away from the movie itself as reports circulated about alleged friction between Wilde and Florence Pugh, speculation over pay disputes, and the intense scrutiny surrounding her romance with co-star Harry Styles.
Reflecting on that period, Wilde admitted the relentless focus on the surrounding drama came at the film’s expense.
“I think it did hurt the film for sure because we didn’t get to have the conversations about what the film was trying to say,” she explained, adding that it was especially frustrating considering the challenges of making the movie during the COVID-19 pandemic.
Wilde Calls The Experience A ‘Tornado From The Inside’
For Olivia Wilde, one of the hardest parts was watching years of creative work become secondary to internet discourse.
She pointed out that “Don’t Worry Darling” was produced on a relatively modest $30 million budget but achieved a much grander visual scale thanks to the work of cinematographer Matty Libatique and production designer Katie Byron.
“But we never got to talk about that, so I think it hurt the film,” she said.
The experience also reshaped how Wilde views fame and online culture. Looking back, the Hollywood star admitted she had underestimated how quickly social media narratives could consume both a project and the people behind it.
“It hurt me for sure, because I was so naive up until that point about the grinder, the garbage disposal that the internet can be,” the “Booksmart” actress shared.
Although the ordeal remains one of the most difficult periods of her career, Wilde says the passing years have helped her view it differently.
“So at this point, I have enough of a perspective on it and that allows me to experience it as a fascinating time,” she said, adding, “It is interesting to witness a tornado from the inside.”
Olivia Wilde Says ‘The Invite’ Has Been A Healing Return To The Spotlight
Returning to promote “The Invite” initially filled Wilde with uncertainty after everything that unfolded during the “Don’t Worry Darling” press tour. She admitted she questioned whether stepping back into another round of interviews would reopen old wounds.
Instead, the experience has reminded her what film promotion can feel like when the conversation stays centered on the work.
“Well, it’s interesting because this is my first time back into the press cycle since then and I did wonder, would this feel quite traumatising?” Wilde recalled.
Rather than revisiting tabloid headlines, she has found herself discussing the creative choices behind her latest project, something she says has been unexpectedly restorative.
“I find that the conversations around The Invite are so wonderfully interesting to me, and I’ve actually been allowed to have them,” she remarked, further sharing, “So, it’s been actually kind of healing because I understand that it’s not always a garbage disposal.”
Wilde Says The Invite Helped Her Move Past The ‘Failure’ Of ‘Don’t Worry Darling’
Olivia Wilde had previously acknowledged that the mixed reception to “Don’t Worry Darling” ultimately gave her the confidence to take bigger creative risks with “The Invite.”
While promoting her new A24 film, the movie star reflected on how watching her 2022 thriller earn a 38% critics’ score on Rotten Tomatoes forced her to let go of the fear of failure.
“I believe in early failure,” Wilde told Variety in June, explaining that surviving a project so heavily criticized became unexpectedly freeing because it reminded her how subjective filmmaking can be.
Rather than trying to chase expectations after the success of “Booksmart,” Wilde said she approached “The Invite” with a greater willingness to experiment, shooting the film sequentially over 21 days and embracing an intimate, character-driven story.
Olivia Wilde Says Diane Keaton’s Influence Is ‘All Over’ ‘The Invite’
Wilde paid an emotional tribute to Diane Keaton by dedicating “The Invite” to the Oscar-winning actress, whom she credits as one of the project’s biggest creative inspirations.
Speaking at the film’s Los Angeles premiere, Wilde revealed that she had hoped Keaton, who died in October 2025, would have the chance to see the movie.
“I really wanted to show this movie to Diane. I don’t think that there is an Invite without Diane Keaton because she’s in so many of the films that inspired this film,” Wilde told The Hollywood Reporter.
She praised Keaton for portraying women who defied convention, adding that she was “the first actress I recognized to kind of represent a totally unique and complex woman.”
Wilde also recalled how Keaton personally encouraged her to direct and be fearless in her career. As a tribute, “The Invite” closes with a simple dedication reading, “For Diane.”
Nvidia shows off Vera Rubin platform for tokenmaxxing
Ryanair flight from Dublin descends into boozy chaos and mid-air toilet sex
Embraer and Saab sign deal for 20 more Gripen jets in Brazil
Renter of Home in Anne Heche Crash Denies Settlement With Son
No Jackpot Winner as $257 Million Prize Rolls Over to $269 Million Monday Draw
Weekend Open Thread: Staud – Corporette.com
Crypto Live Trading| 20 july #vinbullindia #livetrading #vinbulllive #live #trading #cryptotrading
Bitcoin (BTC): WARNING.. The Final Crash Is About To Begin! (BE READY)
XRP $50.10 IS NOT CRAZY – “XRP LEDGER ACTIVITY HITS RARE LOWS” On-Chain Analytics Firm Reports
-
NewsBeat5 days agoLondon Mayor Sadiq Khan handed a peerage by Keir Starmer alongside 15 other Labour figures… just days before the PM leaves No10
-
Fashion4 days agoWeekend Open Thread – Corporette.com
-
Politics3 days agoThe House | The City of London can help the new chancellor deliver growth in every postcode
-
Politics6 days agoYoung campaigners urge incoming PM to act on outdoor junk food ads
-
Crypto World6 days agoCFTC blocks Kalshi from unwinding Michigan trades after court order
-
Crypto World4 days agoTwo July Windows Left: The CLARITY Act’s Senate Fight and What Failure Means
-
Crypto World3 days agoRipple Payments Joins MiCA With 14 Firms, Does It Mean Anything For XRP?
-
Business6 days agoNvidia Stock Slips After Big Tuesday Rally as Huang Confirms Vera Rubin Chip Is Now in Production Today
-
Politics2 days agoDemocrats look to World Cup watch parties to register thousands of voters
-
Entertainment6 days agoDisney’s Most Ambitious Failed Star Wars Attraction Is Coming to SDCC
-
Crypto World4 days agoRipple wins EU-wide access as ESMA adds it to MiCA register
-
Crypto World5 days agoInjective Submits SEC Transfer-Agent Registration to Onchain Ownership Records
-
Crypto World7 hours agoGrayscale Files For Worldcoin ETF, WLD Registers Sharp Rise
-
Business6 days agoPalantir Shares Rise After Expanded Nvidia Partnership and Fresh Analyst Upgrades Ahead of Earnings Day
-
Tech15 hours agoSail Virtually Aboard The “Itanic” With IA-64 Emulator
-
Tech13 hours agoTurtle Beach Command Series KB7 review: a nifty screen-equipped gaming keyboard
-
Tech7 days agoDark Secrets Emerge When Jailbreaking LLMs
-
NewsBeat4 days agoRegistration is now open for March for Men with Kev 2026
-
News Videos7 days agoXRP BOMBSHELL… XRP OMBOARDED FOR TRANSACTIONS!!!
-
NewsBeat1 day agoUnregistered fitter used Gas Safe logo on business flyers
You must be logged in to post a comment Login