Entertainment

The 35 Best Demonic Possession Horror Movies, Ranked

Published

5 hours ago

6 April 2026

Jane Levy as Deadite Mia poking her head out of the basement in Evil Dead 2013

Of all the different types of horror movies out there, those that focus on demonic possession have proven continually popular over the years. Regardless of whether one believes in the supernatural, the idea of a demonic entity or some kind of spirit entering one’s body is a frightening one. This kind of horror works because losing control of oneself is inherently scary, and when it’s a demon doing the possessing, chances are their reasons for taking control aren’t going to help the person in question.

Demonic possession movies are also notable for being popular throughout the world, with this kind of horror being mixed with various cultures and folklore, which keeps such films interesting and from feeling stale. It also shows that the idea of being possessed is an unsettling one on a global scale, with the following best possession movies—ranked below from worst to best—demonstrating the various ways this kind of supernatural terror has been portrayed in cinema. Possession horror movies and films about exorcisms aren’t going out of style anytime soon, and any time is the perfect time to dive into some of the best ones.

35

‘Evil Dead’ (2013)

If you want to read about good possession movies, you’re going to have to get used to seeing the films from the Evil Dead series keep popping up. Most of these are reliably scary and gross (well, Army of the Darkness aside, given that one is pretty much just a comedy), and 2013’s Evil Dead is no exception, with the Fede Álvarez-directed remake (of sorts) being especially grimy and graphic.

The premise here involves a young woman trying to kick a drug habit, which involves spending time in an isolated cabin with friends while going cold turkey. But this is an Evil Dead movie, so the cabin has some horrific stuff inside, and then people start behaving oddly, and then violence ensues. Like, it’s the usual sort of thing, but it gets especially intense and gory here, which makes it stand out, to some extent.

34

‘Alucarda’ (1977)

Alucarda is a deeply unstable and bizarre film, but that’s perhaps more of a feature than a bug. It’s about a young girl who goes to live in a convent following the deaths of both her parents, but then when she’s there, weird things keep happening, and the interactions she has with another girl who initially seems to be a friend grow in intensity, in more ways than one.

Eventually, Alucarda explodes into something borderline incomprehensible, but it’s a ride worth taking. It’s an odd and feverish sort of film in ways that feel unique, even among other horror movies that deal with psychological stuff and demonic possession. Even calling it just a demonic possession movie feels like underselling it, given Alucarda—despite its brief runtime—intends to be a good deal more, and arguably pulls it off, by and large.

33

‘When Evil Lurks’ (2023)

A bloodied Jimi is inside a car with the windshield broken in When Evil Lurks.

Though recent, When Evil Lurks already feels like it could be some kind of (minor) modern classic, because it’s at least bold enough to make a mark alongside so many other horror films released in recent years. Mostly, the plot here involves people in a small town reacting to the revelation that there is about to be some kind of demon born in their midst.

Evil does indeed lurk and affect their behavior, with the impending disaster creating a lot of dread that stands out, and is complemented by some more in-your-face horror elements, namely, a fair bit of grisly violence. When Evil Lurks doesn’t reinvent the brand of horror it explores, but it takes on the idea of demonic possession with style and confidence that make it easy to get wrapped up in.

32

‘Saint Maud’ (2019)

A young woman looking at herself in the mirror in Saint Maud — Morfydd Clark in *Saint Maud* (2019).

Saint Maud is a fairly slow film, but it’s slow with a purpose, working as a character study first and then a possession-related horror movie second. That might mean it’s not for everyone, but it’s still worth taking a chance on if you like supernatural horror, since if you give it the chance to get under your skin, it probably will.

Given it’s simple and also pretty short, it’s best not to go into too much depth about the plot of Saint Maud, but broadly, it centers on a young woman working as a carer for an older woman. Gradually, the younger woman unravels, and then things get gradually more horrific and surreal. It’s odd, but it is also effective, and it works well as a stripped-back and psychological sort of horror film.

31

‘The Blackcoat’s Daughter’ (2015)

Emma Roberts as Joan in The Blackcoat's Daughter — Emma Roberts as Joan in The Blackcoat’s Daughter

Before he directed one of 2024’s best thrillers (Longlegs), Osgood Perkins made The Blackcoat’s Daughter, which centers on young women in the same manner that so many solid demonic possession movies seem to do. Both are isolated during winter break, and this makes them extra vulnerable to some sort of dangerous spirit that preys on them and ensures that both their lives start to fall apart.

It’s another slow and offbeat sort of horror movie, too, but it’s effectively cold and desolate, using its setting and aesthetics to add immensely to the scare factor already present in such a premise. The Blackcoat’s Daughter ends up doing quite a lot, as a film, with relatively little by way of narrative and scale. It’s intimate, intense, and eerie, and also served as a promising sign of greater things to come for its director.

30

‘Evil Dead Rise’ (2023)

While it’s not the best movie to carry the Evil Dead name, Evil Dead Rise is still a good deal better than you’d expect it to be, and an arguable improvement on the other non-Sam Raimi Evil Dead movie from 2013. Rather than a cabin in the woods, Evil Dead Rise mixes things up by taking place largely inside an apartment complex, which proves to be often just as claustrophobic as a cabin would.

There are people getting possessed, jump scares, and some sequences of very gnarly violence and bloodshed; all things you’d expect from an Evil Dead movie that isn’t Army of Darkness. Evil Dead Rise keeps things simple but ultimately satisfies, feeling so familiar and satisfying that it’s the closest a demonic possession movie will probably ever come to being like a warm hug.

29

‘Immaculate’ (2024)

Cecilia, played by actor Sydney Sweeney, screaming with her face covered in blood in Immaculate.

Plenty of movies about demonic possession also happen to be movies that deal with religious themes, and Immaculate belongs in such a camp. It’s about possession, and it also deals with religious horror pretty full-on, given it’s mostly set in a convent in Italy, with the main characters being the nuns who live there.

The central character is a newcomer to said convent, and while there, unusual things keep happening to her and around her, eventually suggesting that something fishy is going on within this isolated and seemingly peaceful countryside location. The premise of Immaculate is one that very easily gives way to horror of a particular flavor, meaning it’s hard to praise the film necessarily for being original. Then again, some conventions often get followed when it comes to movies about demonic possession, and at least Immaculate follows such conventions, perhaps not immaculately, but fairly well.

28

‘Event Horizon’ (1997)

Sam Neill wears a space uniform and looks anxious in Event Horizon.

Demonic possessions alongside religious horror? That can be fairly expected stuff. But a demonic possession movie with a sci-fi spin? That’s something more novel, and a big reason why Event Horizon – despite its flaws – proves so memorable. It’s set in the future and in space, following astronauts as they travel to a ship that went missing several years earlier.

Uncovering what made it disappear leads to some unsettling discoveries, with Event Horizon being at its best when it’s at its most brazen. Some parts are genuinely quite shocking, and there’s a certain creative spark to the whole thing; a thrill in seeing this kind of horror take place in such a setting. Other parts of Event Horizon don’t work quite as well, but it’s an ambitious movie – and a minor cult classic of sorts – where the strengths outweigh the weaknesses.

27

‘Constantine’ (2005)

John Constantine looking ahead with a determined expression in 'Constantine' — Keanu Reeves is John Constantine in ‘Constantine’

Constantine, like Event Horizon, also earns some points for being a unique take on demonic possession-related horror. This Keanu Reeves-starring movie also works as a fantasy/action flick, and technically counts as a superhero movie of sorts, too, as it follows a man who’s able to travel between Hell and Earth while also having the ability to battle demons.

It’s fairly mild as far as demonic possession movies go, watering things down enough to make it broadly appealing—and only slightly scary—to not alienate those more interested in seeing a Keanu Reeves action movie. Constantine‘s a film that’s become a little more appreciated as time has gone on, being perhaps a little too young to be a full-on cult classic in the traditional sense, but certainly feeling as though it’s on its way to attaining such a label.

26

‘Late Night with the Devil’ (2023)

David Dastmalchian as Jack Delroy in Late Night with the Devil

While it wasn’t the first movie to combine a found footage format with demonic possession-related horror, Late Night with the Devil does have enough novelty to its presentation to be a distinctive viewing experience. The premise is nice and simple, being about a late-night talk show that has various guests related to paranormal activities on one night, which eventually leads to genuine terror and possible possessions.

Late Night with the Devil is one of the more exciting and interesting horror movies of the 2020s so far, not hitting it out of the park entirely but taking enough risks that pay off to make it an engaging and memorable watch. It does a great deal with a modest budget and a confined setting, and has an approach that makes it more than worthwhile for anyone who feels a bit burnt out by films about demonic possession and/or the found footage sub-genre.

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Test Your Knowledge With the Collider TV Quiz — April 6, 2026

Published

8 minutes ago

6 April 2026

NewsAdmin

Published Apr 6, 2026, 9:01 AM EDT

There’s no wrong time to break bad with Walter White, Jesse Pinkman, Hank Schrader, and the rest of that Vince Gilligan universe. Let’s start cookin’.

Don’t forget to sign in to your account to track your daily progress. You can always play today’s Movie Quiz for even more trivia, and all of our current and archived quizzes are here.

For the week ahead, we’re planning on testing your wits with television spin-offs, series that changed networks mid-run, famous episodes of shows that featured baseball, and the off-beat phenomenon, Atlanta.

For today’s TV challenge, we’re heading to Albuquerque and checking in with our favorite teacher-turned-dealer, Walter White, in order to grill you on the Breaking Bad universe. Scroll down for the cold open!

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Crunchyroll’s New Fantasy Anime Series Is Already One of Its Best

Published

22 minutes ago

6 April 2026

NewsAdmin

Reze lying in a bed of flowers in Chainsaw Man the Movie

News of an anime adaptation of the popular manga Witch Hat Atelier made headlines in 2022. Initially scheduled for a 2025 premiere, the show was delayed to ensure “an even higher quality,” making fans more excited but also more anxious. Witch Hat Atelier has been one of the most highly anticipated Crunchyroll titles for a while, considering its production process and the name recognition of its source material.

However, the series not only meets the sky-high expectations set for it but also exceeds them in a few key ways. Fantasy anime is almost always a surefire bet, but there’s something special about Witch Hat Atelier, a sense of warmth and melancholy that makes it the perfect watch for any and every lover of the genre and the medium.

What Is ‘Witch Hat Atelier’ About?

Witch Hat Atelier tells the story of Coco (Rena Motomura), a young girl who lives with her dressmaker mother in a secluded home. Enthusiastic and hopeful, Coco is fascinated with magic and dreams of one day becoming a witch, but knows it’s impossible since only those with innate magic can perform it. She also has a mysterious book full of drawings and a wand given to her by a witch when she was a child.

Coco’s fate changes when she meets Master Qifrey (Natsuki Hanae), a witch who visits her home, leading to Coco discovering how he uses magic: by drawing signs using special ink. Realizing her book’s drawings are actually spells, and the wand is actually a pen, Coco begins replicating the drawings, accidentally petrifying her mother. Intrigued by the book’s contents, Qifrey agrees to take Coco as a student.

The show also stars the voice talents of Hibiku Yamamura, Kurumi Haruki, and Hika Tsukishiru as Agott, Tetia, and Richeh, three fellow students at Qifrey’s atelier. Witch Hat Atelier is based on the manga by Kamome Shirahama, with Ayumu Watanabe acting as director, Hiroshi Seko in charge of the script, Kairi Unabara as character designer, and Satoshi Nakano as chief animator.

‘Witch Hat Atelier’ Features Some of the Best Visuals in Anime

The Witch Hat Atelier manga earned considerable acclaim for its beautiful art style, and the anime adaptation lives up to its high standard. Indeed, this anime features some of the most striking and detailed visuals on television, joining the likes of Frieren: Beyond Journey’s End among the shows that are currently elevating the medium to new, impressive heights. Many of Witch Hat Atelier‘s panoramic sequences are genuinely breathtaking, creating an immersive world that feels alive and full of magic.

From the jump, Witch Hat Atelier establishes itself as a visual marvel with a truly jaw-dropping sequence where Coco stands on the rooftop and the camera follows a pegasus carriage as it circles her humble home; everything, from the mountains to the tree tops and even the clouds to the winged horses, feels vibrant and almost tactile. A few scenes, like memories and some of the exposition, are presented in the style of a pop-up book, and the result is striking, both gorgeous and somewhat haunting. There’s a level of attention and care to the show that makes it all the more impressive, with shots that fans should be allowed to experience on the big screen.

20 Anime Shows With the Best Art Styles, Ranked

Beauty is in the eye of the beholder.

The character animation flows naturally, whether it’s the lively, restless personality of Coco or the quiet, stoic approach of Agott. What truly amazes is the level of care in the characters’ movements — a sequence as simple as Coco tracing measurements in a piece of cloth becomes an outright ASMR session. There’s not a hint of stiffness here; every movement just glides across the screen, like butter sliding down a piece of warm toast. It all combines to create a true sense of coziness, the type of warmth that many crave in their anime but very few shows successfully offer.

Perhaps most impressively is how effectively Witch Hat Atelier builds its world from the ground up. Early in the premiere, Coco establishes her philosophy: magic is everywhere if we know where to look for it, and the show takes it as gospel. It effectively shows us everything from Coco’s perspective, and we discover the marvels of magic alongside her. Every scene drips with a sense of wonder, the innocence of a child just discovering the world and all its possibilities. In that way, Witch Hat Atelier echoes the spirit of Studio Ghibli movies, which convey a sense of awe and charm in every frame. Like the studio’s biggest masterpieces, Witch Hat Atelier reminds us that there is magic in being alive, even if we can’t use special ink to conjure spells.

‘Witch Hat Atelier’ Has the Perfect Protagonist

Coco with a bright light surrounding her in Witch Hat Atelier — Coco from Witch Hat Atelier

A story is only as good as its protagonist, and fortunately, Witch Hat Atelier features a perfect one. Coco is the ideal lead: she’s fallible, and her curiosity leads her to make serious mistakes, most notably petrifying her mother. As Qifrey’s student, she’s eager to please and learn but prone to overreactions, leading to the type of overblown visuals one would expect from an anime. Yet, Coco remains endearing, a classic hero on a journey of self-discovery. Crucially, she’s relatable, frustrating but never annoying, and it’s a breeze to be on this magic journey with her.

It’s wonderful that Coco is such a likable protagonist, because Witch Hat Atelier uses her to introduce many of its detailed worldbuilding blocks, and it can get somewhat tedious. Such an intricate world was always going to need considerable exposition to establish its boundaries, but the show should’ve taken a more subtle approach, especially when explaining how the magic system works. Instead, it opts for a dynamic where Qifrey has Coco repeat all the rules under the guise of teaching. It’s an effective but rather blunt ploy, and while it’s harmless for a few episodes, hopefully, we don’t have much more of that in the future. After all, many fantasy stories have been crushed under the weight of their own worldbuilding, and it’d be a shame to see that happen to Witch Hat Atelier.

Overall, Witch Hat Atelier is a perfect fantasy anime that hits the ground running. The visuals are among the best in current television, creating a sensory experience that will easily transport you into its world of charm, magic, and unforeseen dangers. For all its more obvious qualities, the real strength of Witch Hat Atelier lies in its message about self-discovery and perseverance, and the feelings it’s bound to evoke in its audience. There’s a warmth to it that recalls the comfort shows that are in short supply in this era of prestige TV. It’s the perfect mix of nostalgia and solace, pure hopecore in service of a riveting fantasy tale. Indeed, Witch Hat Atelier is a triumph of feeling, and it’s exactly that quality that makes it a must-watch anime for every fan.

Witch Hat Atelier premieres with its first two episodes April 6 on Crunchyroll.

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Mark Consuelos emotionally announces death of his father: 'Greatest person I've ever known,' Kelly Ripa says

Published

35 minutes ago

6 April 2026

NewsAdmin

“He raised three pretty good kids,” Consuelos said, tearing up on “Live With Kelly and Mark” as he announced the news.

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Rumer Willis Breastfeeding Post Divides Fans Online

Published

48 minutes ago

6 April 2026

NewsAdmin

Rumer Willis at the 2024 Vanity Fair Oscar Party

Rumer Willis is once again at the center of an online debate after sharing a deeply personal parenting moment that quickly divided opinion.

The actress, who has been open about her motherhood journey since welcoming daughter Louetta in April 2023, posted a clip of herself breastfeeding, only to be met with both praise and sharp criticism.

As the conversation escalated, Willis didn’t hold back, defending her choices while also shedding light on her life as a single mother navigating public scrutiny.

Rumer Willis Fires Back At Parenting Critics With Bold Response

Rumer Willis made it clear she wasn’t interested in staying quiet after facing repeated criticism over her parenting.

Sharing a video of herself breastfeeding her daughter on Instagram, she addressed the backlash directly with a pointed message.

Overlaying the clip, she wrote, “When someone starts judging my parenting,” before cutting to a viral TikTok clip of a woman encouraging people to mind their business.

The TikTok clip featured the woman drawing two circles on a whiteboard and saying, “This is my business,” pointing to one circle, “And this is yours,” while pointing to another circle.

“I am here,” she continued, referring to the first circle. “The problem is, you are also here,” she added, pointing to the same circle before drawing a line to the second circle. “When you need to be here,” the woman concluded.

Willis reinforced her stance in the caption with a blunt “Sorry not sorry,” signaling she had no intention of backing down.

Willis Faces Backlash Over Breastfeeding A Toddler

Rumer Willis out and about in Los Angeles — MEGA

Despite her confident stance, Rumer Willis’ post drew sharp criticism from many who questioned her decision to continue breastfeeding as her daughter approaches three years old.

Several commenters argued that once a child can ask for breastfeeding, it may be time to stop.

One person wrote, “Once a baby has teeth, it’s time to stop nursing. One woman lost her nip when lightening & thunder hit and scared the child.”

Another added, “3 is way too old to keep breastfed. Sorry honey!!” while others suggested transitioning to alternatives like pumping or using a cup, calling it a more typical milestone.

“This is just insane. Just pump and let her drink from a cup,” one person shared.

Some critics went further, claiming the practice was no longer about the child’s needs. A comment reading, “It’s more for you at this point. Not sorry.” captured that sentiment.

Others framed their concerns around milestones and discipline, suggesting that parents should guide children away from habits like breastfeeding as they grow older.

Rumer Willis Gets Support From Fans Who Share Similar Experiences

While backlash was loud, Willis also received strong support from followers who related to her experience.

Many mothers shared their own stories of extended breastfeeding, pushing back against the criticism and encouraging her to ignore the negativity.

Some supporters emphasized that nursing beyond toddler years is both natural and beneficial.

One wrote, “I breastfed my daughter until she was three; no regrets,” while another commented, “I think it’s a beautiful thing. My cousin breastfed her son until he was 5. It’s your business F others and their opinion.”

Some described breastfeeding as something that fosters comfort, bonding, and long-term emotional security.

Others applauded Willis for being open about a topic they feel is often unfairly judged.

“Good job, mama!!! You are normalizing normal, healthy parenting. Carry on — you are on the right path!!!” one fan commented.

Willis Accused Of Inviting Judgment By Posting Private Moment

A major portion of the criticism wasn’t just about breastfeeding, but about Rumer Willis choosing to share the moment publicly.

Many argued that by posting such personal content online, she was inevitably opening herself up to scrutiny.

One commenter wrote, “No one is judging your parenting, just posting breast feeding…..which you’ve now made public and everyone’s business.”

Another shared, “What a ridiculous post. If you don’t want people in your business then keep it private,” while a third commented, “Why put yourself out there to be judged? Why have to show everyone what you’re doing with your child? Some things should just be private and that’s okay too.”

Some critics even suggested the post was intentional, labeling it “rage bait” and questioning her motives.

Others expressed concern about Louetta’s future, wondering how she might feel seeing these moments shared online.

Rumer Willis Defends Her Choices And Opens Up About Motherhood

Willis has faced similar backlash before and has consistently defended her choices.

During World Breast Feeding Week in August 2024, she described breastfeeding as “one of the most joyful and bonding experiences of my life,” adding that she and her daughter would figure out together when to stop.

She also highlighted its benefits, noting per the Daily Mail, “Breast milk is a miraculous living substance, rich in antibodies, essential nutrients, and enzymes that bolster a baby’s immune system and promote healthy development,” framing it as more than just nourishment.

Addressing criticism about sharing such moments, Willis previously said, “I didn’t grow up in a house where we had shame about being naked, ever,” making it clear that her perspective is shaped by her upbringing.

She also pushed back against the sexualization of breastfeeding, stating, “I’m feeding my kid. It’s not sexual unless you’re making it that way.”

Beyond the controversy, Willis has been candid about her personal life. She revealed she is raising her daughter independently, saying, “I am single momming it and co-parenting. I’m so grateful for Lou,” and calling her “the best thing in my life.”

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Fans Are Laughing As He Sings Heart Out At Ye Show

Published

1 hour ago

6 April 2026

NewsAdmin

Chile! The internet is in tears after Rod Wave was caught fully in his feelings while singing along at Ye’s, formerly known as Kanye West, latest concert.

Related: Yikes! Rod Wave Shuts Down Woman Claiming He Fathered Her Child After She Demands DNA Tests

Ye Brings Out Major Guest For Second L.A. Comeback Show

On Friday, Ye held his second comeback show in Los Angeles at SoFi Stadium. The performance followed his first return show earlier in the week on Wednesday, April 1.

Ye ran through a mix of new and old fan-favorite hits from his catalog. Night two also came with a few surprises, including a special appearance from Lauryn Hill. She joined Ye onstage for a live performance of ‘All Falls Down’ before transitioning into one of her own records.

The show continued to deliver star power, with Travis Scott and CeeLo Green also hitting the stage. Meanwhile, 12-year-old North West returned for another performance alongside her dad after appearing during the first show.

Rod Wave Goes Viral While Singing ‘All Falls Down’

While the stage was packed with major guests, the crowd also had its own viral moments. Celebrities in attendance were seen singing along throughout the night and sharing their view. One artist in particular, Rod Wave, definitely stole the show online.

The Florida artist shared clips from the concert on his Instagram Story, including one standout moment during “All Falls Down.” As Lauryn Hill and Ye performed, Rod could be heard loudly singing along, passionately trying to hit every note.

The clip quickly made its rounds on social media, with fans joking that his raw vocals sounded just like how they belt out his songs at his own concerts.

Social Media Is Crying Laughing

Social media users wasted no time chiming in, flooding comment sections with jokes and relatable reactions.

Instagram user @heydimpless wrote, “He sound just like his songs just without the instrument 😂😂😂😂”

Another Instagram user @banksbig4 wrote, “Tb sum “NAH FORREAL” 😭”

While Instagram user @_mickishaaa wrote, “Exactly how I be at his concert 😭😭”

Instagram user @s.for.shametria wrote, “he sound funny bra 😂😂😂😂”

Another Instagram user @mariiipyt wrote, “Just hootin and hollerin 😂😂😂😂😂”

While Instagram user @nasia.lavay_ wrote, “having the time of his life 😂😂😂😂😂”

Instagram user @iiamroyaltybaby wrote, “he sounds like me 😂😂😂😂 a hot mess”

Another Instagram user @onlyycharm wrote, “this canning be the same Rodarius Green who sings”

While Instagram user @jadorekiss_monae wrote, “😭😭😭😭 He sang that with his chest too 🫶🏽”

Related: New Era Loading? Rod Wave Clears The Air On His “Sad Artist” Reputation While Teasing New Album (VIDEOS)

What Do You Think Roomies?

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Taylor Frankie Paul ‘Detaching’ From the Mormon Church

Published

1 hour ago

6 April 2026

NewsAdmin

Taylor Frankie Paul revealed she is “detaching” from the Mormon church.

“Born and raised Mormon (LDS) and I’ll always have love and respect towards it. I’ll even continue to go with my family at times … with that being said, it’s time to detach myself from it,” the Secret Lives of Mormon Wives star shared in a Sunday, April 5, Instagram Story.

Taylor, 31, continued, “I strongly believe in Christ, God, the bible, the divine. I believe we are loved whether we are praying in [a] church building or from a bathroom floor at home. I’ve also experienced grace and love from amazing people that aren’t sure what they believe if at all and that’s okay too.”

“Point being there is more out there to learn. And I’m writing this out as a release,” she concluded.

Taylor first gained fame in 2022 when she went public about a swinging scandal involving members of Utah’s Mormon church. Taylor revealed via TikTok that she and her husband at the time, Tate Paul, had engaged in “soft swinging” with other couples, including her Mormon Wives costar Miranda Hope McWhorter and Miranda’s ex, Chase McWhorter.

The swinging scandal and Taylor’s life in the Mormon church have both been central to Hulu’s hit reality show, which premiered in September 2024.

Taylor Frankie Paul Is 'Detaching' From the Mormon Church — Courtesy of Taylor Frankie Paul/Instagram

Taylor recently hit headlines after ABC pulled season 22 of The Bachelorette amid domestic violence allegations involving the reality star and her ex-boyfriend, Dakota Mortensen.

Taylor shares son Ever, 2, with Dakota, 33, as well as daughter Indy, 8, and son Ocean, 5, with ex-husband Tate.

Earlier on Sunday, the influencer opened up about experiencing “hell on earth” over the last month.

“The last 40 days felt like hell on earth,” she wrote alongside an Instagram video featuring candid moments from her life. “Through every panic attack I prayed for strength as I could feel my body breaking down and out from the distress of it all.”

“And HE sent just that in various ways along with so many undeniable signs saying ‘I am with you’ which I can’t wait to share that part,” she continued. “I’ve prayed since I was young and never strayed away because I believe he wants us to ask for help especially during our lowest points. However, instead of just asking I switched over to thanking him at the end of each day no matter how low I felt.”

ABC announced it was canceling Taylor’s season of The Bachelorette on March 19 after video footage emerged of her and Dakota involved in a 2023 domestic dispute. Utah’s Draper City Police Department and West Jordan Police Department later confirmed they were looking into separate allegations of domestic violence involving the pair, including one as recently as February.

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All 3 Godfather Movies Are Masterpieces, but One Is Untouchable

Published

1 hour ago

6 April 2026

NewsAdmin

Al Pacino as Michael Corleone sitting in a chair outside alone in The Godfather Part III (1990)

When it comes to discussing the all-time greatest movies in American cinema, two names will always come up: The Godfather and The Godfather Part II. Francis Ford Coppola‘s timeless tale of family tragedy, legacy, and the deterioration of the human spirit has become synonymous with American cinema, a celebrated duology that is often used as the standard to compare all subsequent crime and drama movies. Sure, the third part, 1990’s infamous The Godfather Part III, isn’t as great as its predecessors, but it remains a riveting and poignant conclusion to the tragedy of Michael Corleone (Al Pacino). Together, they form one of the greatest film trilogies in the medium’s history, and their standing keeps improving with each passing year.

With such high praises, it’s easy to understand why these three movies are often considered among cinema’s indisputed masterpieces — yes, even Part III, despite its numerous and well-known shortcomings. Thus, the question arises: which of these three silver screen triumphs is the best one, the cream of the crop, the ultimate triumph among a group of undeniable masterworks? Chances are, you know which of the three isn’t the best one, but the other two are neck-and-neck. You might have another opinion, and many will surely have a lot to say about the one they believe is the best. However, there’s no denying that one of the Godfather movies is so good that it’s almost impossible to believe it’s real.

‘The Godfather Part III’ (1990)

As I said, you probably know which movie is not the best in the Godfather trilogy, and that’s The Godfather Part III. Arriving sixteen years after Part II, this coda to the story of Michael Corleone might be the most uneven of the three, but it remains a satisfying payoff to this decades-spanning tragedy. Set in the late ’70s and early ’80s, with an epilogue set in the mid-’90s, the film tells the final portion of Michael’s story, particularly his efforts to legitimize his family business, much to the chagrin of the other mafia dons. Meanwhile, Michael’s illegitimate nephew, Vincent (Andy Garcia), throws the family into chaos with his arrival and eventual romance with Michael’s daughter, Mary (Sofia Coppola).

For years, Part III has been unfairly maligned as the black sheep of the Godfather trilogy. Now, to be fair, much of the criticism is fair: in their review, Variety called it “two hours of exposition and 40 minutes of payoff,” and you know what? They’re spot on. Yet, there’s some real gold in those two hours of exposition, and the 40-minute payoff packs a strong punch, albeit far less impactful than the first two movies. Pacino is brilliant as the weary and nearly broken Michael, finally bearing the weight of decades of violence, ruthlessness, and moral compromise: his spirit is deteriorated, and his body is barely hanging on. For his part, Garcia is a welcome addition to the cast, making Vincent equal parts charming and reckless. Alas, we can’t discuss Part III without mentioning Sofia Coppola, whose performance has been widely panned for years now. It’s fair to say she was woefully miscast, but it’s also fair to say there is a certain ugliness in the way the film’s shortcomings are often solely placed at her feet. In the end, Part III is convoluted and uneven, but it remains a somber and melancholic culmination to a larger-than-life tale that redefined American cinema.

‘The Godfather’ (1972)

In 1972, Francis Ford Coppola revolutionized the industry with The Godfather, an adaptation of Mario Puzo‘s 1969 pulpy crime novel of the same name. The plot centers on Vito Corleone (Marlon Brando), the aging don of the Corleone crime family, and his efforts to shape his youngest son, Michael, into a worthy heir. Although initially unwilling to commit himself to a life of crime, Michael soon surrenders to his family’s influence, going from a reluctant outsider to a ruthless mafia boss who will stop at nothing to protect his empire. James Caan and John Cazale co-star as Vito’s oldest and middle sons, Sonny and Fredo.

The first Godfather marked a distinct before-and-after in mainstream filmmaking. Arriving in the early years of New Hollywood, it was a formative entry in the movement, challenging notions and reshaping what audiences expected from their crime sagas. There is a pervasive sense of dread looming over the film, an inescapable and nearly suffocating notion that everything can change from one scene to the next. Here, Coppola presents the erosion of the soul with such assuredness that one can’t help but feel empty after it ends. Yet, Michael’s deterioration is so compelling, so brutal yet so operatic that it becomes almost irresistible; you’re watching the very destruction of the human spirit, and there’s an eerie beauty to eat. It’s well known that The Godfather influenced how the real mafia behaved, making it one of the few films that actually changed history. Its legacy is nearly indescribable: much has been written about this film, and much will follow still. The Godfather is among those movies that are as good as everyone says, a true masterpiece that you must simply watch at least once before kicking the bucket.

‘The Godfather Part II’ (1974)

Two years after Coppola wowed the world with The Godfather, he did it all over again. The Godfather Part II presents two stories: the first is the rise of young Vito Corleone (Robert De Niro) at the turn of the century, chronicling how he went from a lowly Italian refugee in New York City into the head of one of the most powerful mafia families. The second continues Michael’s rise in power as the new don of the Corleone family, focusing on his efforts to protect the business and ensure his place following an attempt on his life.

The question of whether The Godfather or The Godfather Part II is better has been going on for decades now. You could make a convincing argument for both, but this time, we have to give it to the sequel. Part II is monumental in scope, brilliant in construction, tragic in storytelling, and outright masterful in execution. The choice to juxtapose Michael’s further descent into darkness with Vito’s rise in the criminal world is a stroke of genius, allowing the parallel stories to build towards the same conclusion. Part II is more operatic, more detailed in its exploration of Vito and Michael’s psyche, and therefore far more tragic. There is a solemnity and melancholic inevitability to the story, the sense that ambition will always come first for the Corleones: they will get everything, only to lose it all because, in a world of absolute power, there can never be absolute trust. Here, commitment becomes imprisonment, and family is a life sentence. In the end, The Godfather Part II surpasses its predecessor in every possible way, presenting a heartbreaking tale of power, a beautiful calamity that is, quite possibly, the greatest achievement in American cinema.

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The 25 best miniseries ready to binge-watch this weekend

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6 April 2026

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For those who can’t commit to dozens of 20-plus-episode seasons, miniseries are a major solution.

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47 Years Later, This Remains The Most Addictive Sci-Fi Franchise of All Time

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6 April 2026

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47 Years Later, This Remains The Most Addictive Sci-Fi Franchise of All Time

In this day and age, franchise films have overwhelmed the cultural landscape, but one still finds a way to reinvent itself. This IP continues to impress, even decades after it came screaming out of the darkness. Sci-fi horror was in its early days in the ‘70s, but Ridley Scott’s Alien redefined what it meant to be scared.

Starring Sigourney Weaver, the first Alien film was a jarring flip on the script. Instead of slasher films that often victimized women, the pendulum swung the other way. Weaver stars as Ripley, an officer on the spaceship Nostromo who is really the only person concerned when an alien lifeform is found. Instead of adhering to the quarantine protocols, Captain Dallas (Tom Skerritt) brings an infected crew member on board, which allows the Xenomorph to be born — literally and painfully. Alien shows sexual violence pointed at men instead of women, and this first film fueled a sci-fi franchise that continues to impress audiences.

‘Alien’ Is Still Terrorizing Film and Television Audiences

The heart of the Alien films is the “perfect organism” that has been terrorizing viewers since 1979. This concept is what makes the series so addictive — and why the Weyland-Yutani corporation continues to try and capture the ultimate predator for profit. Alien has always been a source of fascination for viewers in the theaters, even with the less-than-popular franchise films. Following Sigourney Weaver’s tenure as Ellen Ripley, the series continued with some unfairly criticized sequels.

Prometheus served as a divisive prequel to the franchise, co-written by Lost co-showrunner Damon Lindelof. Viewers took issue with the Engineers, but the origins of the Xenomorph were still a captivating story. Starring Noomi Rapace, Charlize Theron, and Idris Elba, Prometheus shows the challenges of looking for faith in all the wrong places.

For some, the film was a misfire, but like the Xenomorph, the franchise always returned. Recent additions, such as Alien: Romulus, capitalized on what made the franchise so enduring to begin with. A love letter to the series, Romulus, takes place between Alien and Aliens as a crew imprisoned by Weyland-Yutani gets trapped in another version of Ripley’s story. Horror director Fede Álvarez finds the sweet spot with the film, showing the heartbreaking reality of an android with the character Andy (David Jonsson) and a killer third act – in more ways than one.

It was with FX’s television series, Alien: Earth, that really showed how to do a franchise right. The series elevated the original concept of a victim stuck in a room with a killing machine and broadened the concept even further. Created by Fargo scribe Noah Hawley, the series is set a couple of years before the first Alien film.

At its core, Alien has always been a criticism of capitalism, which Hawley’s series explores. At a time when technology has reached its peak, corporations have been looking for a path to immortality. Humanity has created cyborgs, fully synthetic life, and hybrids. This sets up the main conflict when a research ship crashes into Earth, carrying a deadly secret.

Alien: Earth is just another way to explore the themes set up in Alien with even more specificity. This franchise continues to draw in viewers not just because of the scares, but also because of the social commentary that was always part of the IP’s DNA. Alien defined sci-fi horror and continues to show others in the genre how it’s done.

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Keanu Reeves’ Forgotten Fantasy Movie Surges on Streaming 1 Year Later

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6 April 2026

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There are some movies that feel like they should have sparked a much bigger conversation than they actually did. Good Fortune is one of them. A comedy about angels, fate, and a messy clash between ordinary people and heavenly interference already sounds like the kind of thing that should click with streaming audiences, especially with Keanu Reeves in the mix. Now that it’s landed on Prime Video, it looks like the movie is finally getting that chance.

Prime Video’s global chart has shown the film surfacing in multiple territories, even if its exact placement is shifting day to day. That still matters. For a title that didn’t exactly arrive with a huge cultural footprint, just breaking through at all is a strong sign that viewers are finding it now in a much more relaxed streaming setting.

The film stars Reeves as the angel Gabriel, with the story following his attempts to meddle in the lives of a struggling worker and a wealthy capitalist. That premise alone makes the movie feel like a spiritual cousin to Dogma, even if it’s playing a much newer game. It may not have exploded in theaters, but on Prime Video, Good Fortune is finally getting to make its case.

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Is ‘Good Fortune’ Worth Watching?

Collider’s review by Joe Schmidt stated that Good Fortune is a fun and thoughtful comedy that does not always come together as smoothly as it should. The film clearly pulls from stories like It’s a Wonderful Life, using a familiar idea to explore money, privilege, and the struggle of getting by in a big city. It does not go especially deep with those themes, but it stays earnest enough to keep you invested. The strongest part of the movie is the cast. Ansari and Rogen both do what you expect them to do, and they are funny doing it. But Reeves and Keke Palmer are the real standouts. Reeves brings a goofy charm to Gabriel that makes him a constant highlight, while Palmer gives the movie warmth and heart whenever she is on screen.

“That’s not to say Ansari is consistently nuanced throughout this journey. Your mileage may vary on that. After a gigantic middle finger to capitalism, coupled with each character’s realization of what it takes to be a good person and why it’s worth it, Ansari finally takes something that has been prevalent throughout the entire film and puts it in the spotlight. Good Fortune is about love, redemption, and privilege, but it’s also an indictment of exploitative labor and the forces that enable it, even if it takes many clumsy steps to get there. Its greatest strength is a reminder that being a good person doesn’t get you a reward — being a good person is the reward.”

Good Fortune is streaming now.