Few movie genres have had so much staying power as adventure. Since the early days of cinema, audiences have been utterly transfixed by movies about grand, dangerous, and thrilling adventures in far-off lands, filled with daring heroes, handsome rogues, spirited damsels, and wicked villains. Adventure movies have had a long and storied journey on the big screen, from the early days of The Thief of Bagdad all the way to the Indiana Jones movies of the ’80s.
In the 21st century, the genre endures as a prime source of entertainment, even if its popularity isn’t exactly what it once was. Indeed, the genre’s inherent, old-fashioned sensibilities might seem a tad outdated by today’s standards, but audiences will still run to the theater for the right kind of adventure movie. Over the last 25 years, a few adventure movies have raised the bar and set new standards, becoming greatly influential not only within the genre but in cinema as a whole.
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The Lord of the Rings Trilogy (2001-2003)
Frodo on the floor about to put on the One Ring in The Lord of the Rings: The Fellowship of the RingImage via New Line Cinema
Aragorn, Gandalf, Legolas, Boromir, Samwise, Frodo, Gimli, Merry, and Pippin forming The Fellowship in The Lord of the Rings: The Fellowship of the RingImage via New Line Cinema
Viggo Mortensen and Liv Tyler in ‘Lord of the Rings: Two Towers’Image via New Line Cinema
Gollum, played by actor Andy Serkis, crouched down smiling menacingly in Lord of the Rings: The Two TowersImage via New Line Cinema
Image via New Line Cinema
Mumakil charge against the Riders of RohanImage via New Line Cinema
Frodo on the floor about to put on the One Ring in The Lord of the Rings: The Fellowship of the RingImage via New Line Cinema
Aragorn, Gandalf, Legolas, Boromir, Samwise, Frodo, Gimli, Merry, and Pippin forming The Fellowship in The Lord of the Rings: The Fellowship of the RingImage via New Line Cinema
Viggo Mortensen and Liv Tyler in ‘Lord of the Rings: Two Towers’Image via New Line Cinema
Gollum, played by actor Andy Serkis, crouched down smiling menacingly in Lord of the Rings: The Two TowersImage via New Line Cinema
Image via New Line Cinema
Mumakil charge against the Riders of RohanImage via New Line Cinema
No movie—or in this case, movies—are more foundational to 21st-century filmmaking than The Lord of the Rings trilogy. Sir Peter Jackson‘s adaptation of J. R. R. Tolkien‘s equally seminal novel is the pillar upon which all of this century’s blockbusters rise. The trilogy tells the story of the hobbit Frodo Baggins (Elijah Wood) as he and a fellowship of allies carry the One Ring to the fires of Mount Doom as the Dark Lord Sauron assembles an army to take over Middle-earth.
The Lord of the Rings revived the fantasy genre and proved that blockbuster filmmaking could perfectly balance commercialism with artistry. It accrued a total of 30 Oscar nominations, winning a whopping 17 statuettes, including Best Picture for The Lord of the Rings: The Return of the King. The films launched a new wave of fantasy and adventure movies based on literary IPs, with every studio wanting to replicate Jackson’s success, if not critically, then at least commercially. It wasn’t an easy task, as not even Jackson could do it with the subsequent Hobbit trilogy. The Lord of the Rings‘ legacy remains untouched, though; if anything, it has only kept increasing over the years, now standing as certified masterpieces of cinema as a whole.
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‘Pirates of the Caribbean: The Curse of the Black Pearl’ (2003)
Orlando Bloom and Keira Knightley look in the same direction as soldiers in Pirates of the Caribbean: The Curse of the Black Pearl.Image via Walt Disney Studios Motion Pictures
In 2003, Disney took a huge gamble by making a movie out of a theme park ride, one that wasn’t particularly popular. Pirates of the Caribbean: The Curse of the Black Pearl also had the daunting task of reviving the pirate and swashbuckling genre, which was all but killed eight years earlier, when the disaster that was Cutthroat Island put a knife through its heart and bankrupted Carolco Pictures in the process. The risk paid off, alas, and The Curse of the Black Pearl became a sensation.
The film not only launched an incredibly successful franchise, including two sequels that rank among the biggest cultural phenomenons of the 2000s. However, it also signaled a shift in the industry: suddenly, studios didn’t need to stick to books, shows, or movies for inspiration, as theme park rides and even board games were all game. Disney would make multiple attempts at replicating Pirates‘ success, tackling other theme park rides like Haunted Mansion and Tomorrowland; none were as successful. Similarly, competitor studios went all in on the whimsical, adventure vibe of the movie, leading to multiple movies with varying degrees of success, from solid performers that went on to become cult classics, like Stardust, to outright disasters that are best left forgotten, like Prince of Persia: The Sands of Time.
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‘Sherlock Holmes’ (2009)
Robert Downey Jr. and Jude Law chat on the street as Sherlock and Watson in 2009’s Sherlock Holmes by Guy Ritchie.Image via Warner Bros.
The ’80s showed that action heroes can come from the most unlikely of places. However, that idea took a whole new form in the late 2000s, when studios got the idea to turn classic literary characters into men of action, if not necessarily action stars per se. Perhaps the most influential of these new heroes was Guy Ritchie‘s take on Sherlock Holmes, played by Robert Downey Jr. in the middle of his post-Iron Man career resurgence.
2009’s Sherlock Holmes was an action-comedy-mystery hybrid that greatly benefited from Downey Jr.’s witty, physical, and curiously charming performance, which even earned him the Golden Globe. The film’s hectic, highly modernized approach also inspired a new wave of movies taking classic properties and translating them to a modern audience, from 2011’s The Three Musketeers to Abraham Lincoln: Vampire Hunter, none of which were particularly successful. The film also launched a new wave of Sherlock Holmes adaptations, most notably the BBC serial starring Benedict Cumberbatch in an Emmy-winning performance. A third entry in Ritchie’s Holmes series has been long-discussed, but nothing has materialized, and fifteen years after 2011’s Sherlock Holmes: A Game of Shadows, we’re still waiting.
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‘Alice in Wonderland’ (2010)
Tim Burton’s 2010 Alice in Wonderland remakeImage via Walt Disney Studios Motion Pictures
Not every movie that was influential was strictly “good”; take Tim Burton‘s fantasy Alice in Wonderland, which might very well be one of the weakest entries into his filmography. The film acts as a sequel to the classic Disney movie and sees Alice (Mia Wasikowska) returning to “Underland,” which has been overtaken by the Red Queen (Helena Bonham-Carter). With the help of many of the classic characters from Lewis Carroll‘s tale, Alice launches a revolution to put the White Queen (Anne Hathaway) back on the throne.
The wave of Disney live-action adaptations that dominated the 2010s, and keep popping up to this day, can be traced back to Burton’s Alice in Wonderland. The film was an overwhelming success, surpassing a billion at the box office and making Disney salivate at the prospect of repackaging their timeless classics in live-action. Along with James Cameron‘s Avatar, Alice in Wonderland was also instrumental in popularizing 3D, with many movies post-2010 quickly scrambling to turn themselves into 3D, hoping to replicate Burton and Cameron’s successes. Indeed, few movies of the early 21st century were as influential as this one, believe it or not.
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‘Snow White and the Huntsman’ (2012)
Chris Hemsworth as the Huntsman and Kristen Stewart as Snow White in Snow White & the Huntsman, entering a forest.Image via Universal Pictures
And speaking of mid movies that had a profound impact on the industry, we have Snow White and the Huntsman. A dark retelling of the classic tale of Snow White, the film sees the evil queen Ravenna (Charlize Theron) taking over Snow White’s (Kristen Stewart) kingdom and locking her in a tower. Years later, Snow White escapes into the Dark Forest, and Ravenna sends the huntsman Eric (Chris Hemsworth) to bring her back.
Snow White and the Huntsman is a curious case: it wasn’t exactly acclaimed by critics or audiences, yet its impact on filmmaking is undeniable, launching countless dark retellings of classic fairy tales in the years to come. Everything, from failed efforts like Hansel & Gretel: Witch Hunters and Jack the Giant Slayer, to criminally underrated grimdark gems like Tale of Tales, to even Disney’s own Maleficent and Into the Woods, can be traced back to Stewart and Theron’s fantasy adventure. The trend was short-lived, though, because who doesn’t want to see fairy tale figures in grimy, oppressive landscapes because the story isn’t actually how we know it? By the time The Huntsman: Winter’s War (the long-awaited sequel that didn’t feature Stewart’s Snow White) came out, the industry had ended its venture into fairy tale territory.
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‘Barbie’ (2023)
Ken (Ryan Gosling) singing in the back seat of a car with Barbie (Margot Robbie) driving in BarbieImage via Warner Bros. Pictures
Now, first things first: Barbie is a fantasy comedy with heavy adventure elements rather than a strictly pure adventure movie. However, considering the adventure takes the entire middle act of the movie and is the main driver in Barbie’s (Margot Robbie) story, it’s eligible for this list. The movie sees Barbie and Ken (Ryan Gosling) going on an adventure from Barbieland into the human world after she starts having dangerous thoughts that are directly tied to the girl playing with her in the real world.
Barbie was a proper cultural phenomenon, not only as one-half of the Barbenheimer phenomenon, but in and of itself. It was the highest-grossing movie of 2023 and earned eight Oscar nominations, including Best Picture—infamously, both Robbie and Greta Gerwig were snubbed in the Best Actress and Best Director categories. As expected, the film’s massive success provoked an instant reaction in the industry, not with studios actively searching for more female-centric, female-driven movies about distinct female-oriented issues, but by green-lighting more movies based on toys. Thus far, we’ve had new adaptations of Masters of the Universe, and there are active plans to make movies about Polly Pocket and, believe it or not, even Barney.
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Collider Exclusive · Oscar Best Picture Quiz Which Oscar Best Picture Is Your Perfect Movie? Parasite · Everything Everywhere · Oppenheimer · Birdman · No Country
Five Oscar Best Picture winners. Five completely different visions of what cinema can be — and what it can do to you. One of them is the film that was made for the way your mind works. Ten questions will figure out which one.
🪜Parasite
🌀Everything Everywhere
☢️Oppenheimer
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🐦Birdman
🪙No Country for Old Men
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01
What kind of film experience do you actually want? The best movies don’t just entertain — they leave something behind.
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02
Which idea grabs you most in a film? Great films are driven by a central obsession. What’s yours?
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03
How do you like your story told? Form is content. The way a story is shaped changes what it means.
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04
What makes a truly great antagonist? The opposition defines the protagonist. What kind of opposition fascinates you?
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05
What do you want from a film’s ending? The final note is the one that lingers. What do you want it to sound like?
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06
Which setting pulls you in most? Where a film takes place shapes everything — mood, stakes, what’s even possible.
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07
What cinematic craft impresses you most? Every great film has a signature — a technical or artistic element that makes it unmistakable.
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08
What kind of main character do you root for? The protagonist is the lens. Who you choose to follow says something about you.
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09
How do you feel about a film that takes its time? Pace is a choice. Some films sprint; others let tension accumulate slowly, deliberately.
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10
What do you want to feel walking out of the cinema? The best films leave a mark. What kind of mark do you want?
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The Academy Has Decided Your Perfect Film Is…
Your answers have pointed to one Oscar Best Picture winner above all others. This is the film that was made for the way your mind works.
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Parasite
You are drawn to films that operate on multiple levels simultaneously — that begin in one genre and quietly, brilliantly migrate into another. Bong Joon-ho’s Parasite is a film about class, desire, and the architecture of inequality that manages to be darkly funny, deeply suspenseful, and genuinely shocking across a single extraordinary running time. Your instinct is for cinema that hides its true intentions until the moment it’s ready to reveal them. Parasite is exactly that — a film that rewards close attention and punishes assumptions, right up to its devastating final image.
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Everything Everywhere All at Once
You want it all — and this film gives you all of it. The Daniels’ Everything Everywhere All at Once is one of the most maximalist films ever made: action comedy, multiverse sci-fi, family drama, existential crisis, and a genuinely earned emotional core that sneaks up on you amid the chaos. You are someone who responds to ambition, who doesn’t want cinema to choose between being entertaining and being meaningful. This film refuses that choice entirely. It is overwhelming by design, and its overwhelming nature is precisely the point — because the feeling of being crushed by infinite possibility is exactly what it’s about.
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Oppenheimer
You are drawn to cinema on a grand scale — films that understand history not as a backdrop but as a force, and that place their characters inside that force and watch what happens. Christopher Nolan’s Oppenheimer is a film about the terrifying gap between what we can do and what we should do, told with the full weight of one of the most consequential moments in human history behind it. You want your films to feel important without feeling self-important — to earn their ambition through sheer craft and the gravity of their subject. Oppenheimer does exactly that. It is enormous, complicated, and refuses easy comfort.
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Birdman
You are drawn to films that foreground their own construction — that make the how of the filmmaking part of the what it’s about. Alejandro González Iñárritu’s Birdman, shot to appear as a single continuous take, is cinema examining itself through the cracked mirror of a fading actor’s ego. You respond to formal daring, to the feeling that a film is doing something that probably shouldn’t be possible. Michael Keaton’s performance and Emmanuel Lubezki’s restless camera create something genuinely unlike anything else — a film that is simultaneously about creativity, relevance, self-destruction, and the impossibility of ever truly knowing if your work means anything at all.
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No Country for Old Men
You are drawn to cinema that trusts silence, that refuses to explain itself, and that treats dread as a form of meaning. The Coen Brothers’ No Country for Old Men is a film about the arrival of a new kind of evil — implacable, arbitrary, and utterly indifferent to the moral frameworks we use to make sense of the world. It is one of the most formally controlled films ever made, and its controlled restraint is what makes it so terrifying. You want your films to haunt you, not comfort you. You are not interested in resolution if resolution would be dishonest. No Country for Old Men is honest in a way that most cinema never dares to be.
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‘The Odyssey’ (2026)
Matt Damon and Zendaya in The OdysseyImage via Universal Pictures
It might be cheating to include Christopher Nolan‘s The Odyssey in this list, considering it’s literally still in movie theaters. However, the impact it’s already had on the industry is perceivable, and considering Nolan’s reputation and the film’s performance, it’s easy to conclude it will go all the way to become one of the all-time greats. Matt Damon stars in this adaptation of Homer‘s epic about Odysseus’ 10-year-journey back to Ithaca.
The Odyssey has already become Nolan’s highest-grossing movie, and the dollars just keep coming. Awards predictors have it as a top contender in multiple categories at the Oscars, including Matt Damon in Best Actor. Just like Gladiator did for the sword-and-sandal genre, The Odyssey is bound to inspire a new wave of large-scale, character-driven epics. Whether they come from Greek classics or not remains to be seen, but don’t be surprised if new movies based on the Trojan War and the arguably less-widely-known epic Aeneid are announced in the following months—perhaps we’ll finally get the long-awaited adaptation of Madeline Miller‘s The Song of Achilles. How many of those will actually reach the heights of Nolan’s Odyssey? Well, that’s a different matter altogether.
Fantasy has remained one of cinema’s most popular and prolific genres for over a century for a reason: There are very few movie genres better fit for the medium of cinema than these stories of magic, mythology, and grand imaginary worlds. As such, it’s no coincidence that several of the best fantasy movies in film history can also be counted among the best movies of all time, period.
After all, we’re talking about foundational Hollywood classics like It’s a Wonderful Life, cornerstones of international arthouse cinema like Wings of Desire, and modern masterpieces like Pan’s Labyrinth. Film history’s greatest fantasy movies are proof of what has kept this genre as one of the most timeless to have ever graced the big screen.
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10
‘The Fall’ (2006)
Alexander the Great (Kim Uylenbroek) reads a message among a crew of soldiers and a horse in a desert in ‘The Fall’ (2006)Image via Roadside Attractions
There are only a handful of R-rated fantasy movies that truly changed the genre forever. By this point, in spite of the fact that it’s still a relatively niche cult classic, it’s nevertheless quite reasonable to say that Tarsem Singh‘s The Fallis one such film. Due to an atrocious release strategy that largely stemmed from a bitter feud with Harvey Weinstein, The Fall was a massive flop upon release; but as the years have passed, cinephiles have woken up to its visionary genius.
The Fall was shot across more than two dozen countries over the course of four years, and that level of passion and dedication comes through in the form of some of the most stunning visuals, riveting storytelling, and deep character development that fantasy has seen this century. It’s an absolutely jaw-dropping artistic achievement unlike anything else any fantasy film fan has ever seen.
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9
‘The Green Mile’ (1999)
Tom Hanks and Michael Clarke Duncan in ‘The Green Mile’
Image via Universal Pictures
There is no artist in Hollywood better at adapting Stephen King stories than Frank Darabont, whose The Green Mileis one of the saddest Stephen King movies of all time. But as downright depressing as it may be, this three-hour-long magical realism masterpiece is one of the greatest prison dramas of the entire 20th century, and certainly in film history.
The Green Mile deals with the usual thematic elements that you’d expect in a prison drama, from critiquing the flaws of the American justice system to examining the layers of racial prejudice, but the fantastical elements it sprinkles in add a fascinating dimension to the story. It’s low fantasy at its most powerfully subtle, and one of the bigger tearjerkers in Hollywood film history.
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8
‘Wings of Desire’ (1987)
An angel sitting on a statue in the Wim Wenders film Wings of Desire (1987)Image via Road Movies
Fantasy movies without any flaws are so rare that when one comes across a film as practically perfect as Wim Wenders‘ Wings of Desire, one has to cherish them like they’ve run into a true treasure trove. This romantic fantasy drama earned Wenders a Best Director award at the Cannes Film Festival, and it was a perfectly-deserved one, because this really is one of the most beautifully-constructed arthouse dramas the fantasy genre has ever delivered.
It’s a slow-moving movie, one that dives deep into the gorgeous intricacies of the mundanity of life and celebrates their simple wonders. Anchored by Bruno Ganz‘s subtly potent lead performance, this poetic meditation on the beauty of existence and mortality is every bit as thought-provoking and life-affirming as any fan of slow-burning fantasy could possibly expect.
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7
‘Monty Python and the Holy Grail’ (1975)
Characters from Monty Python and the Holy Grail.Image via EMI Films
The legendarily hilarious British comedy troupe Monty Python were looking for a new creative challenge after Monty Python’s Flying Circus wrapped up. The clear answer was a feature film, and that ambitious mission resulted in Monty Python and the Holy Grail, now widely remembered as one of the greatest and funniest comedy movies the big screen has ever seen.
The film takes full advantage of its low budget and finds endless ways of leveraging it as part of its timeless charm, charm that makes it one of the most fun fantasy movies of all time. Serious and epic fantasy has delivered several masterpieces over the course of film history, but the genre has also seen the release of many of the funniest and most creative comedies ever made, a realm where Monty Python and the Holy Grail rules supreme.
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6
‘Macario’ (1960)
Image via Azteca Films Inc.
Every year, it’s tradition in Mexico to watch Roberto Gavaldón‘s Macarioas the Day of the Dead approaches. Outside of Mexico, this is one of those perfect dark fantasy movies nobody remembers anymore, but that should absolutely not be the case. It may be designed around Mexican culture and folklore, but Macario is a fantasy masterpiece as universally engrossing as they come.
Creatively structured, perfectly paced, visually gorgeous, and full of deeply emotional and thought-provoking moments, this gem is a film all about death, wealth disparities, and culture. It’s as thematically profound as it is phenomenally performed, and 66 years later, it’s just as fascinating and wonderfully moving as it has always been.
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5
‘Spirited Away’ (2001)
Hayao Miyazaki is both the master of anime filmmaking and one of the greatest cinematic auteurs in the history of Japanese cinema, which makes it unsurprising that he was responsible for the second-ever film (and first-ever international production) to win the Best Animated Feature Academy Award: Spirited Away, one of the most rewatchable fantasy movies ever made.
There are those who would go so far as to call this the greatest animated movie in history—certainly the greatest animated fantasy movie in history—, and it would be difficult to disagree. Mature, complex, and beautifully creative, it’s a family film so artful and universally appealing that anyone and everyone, no matter their age, should consider it a must-see.
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4
‘Pan’s Labyrinth’ (2006)
Pan’s Labyrinth movie image doug jones
Mexican filmmaker Guillermo del Toro has been one of dark fantasy’s undeniable masters in Hollywood for many years, but what most people would consider his magnum opus is actually a Mexican-Spanish co-production. It’s Pan’s Labyrinth, of course, one of the best fantasy movies of the 21st century and of the entirety of film history.
For anyone who loves fantasy, what’s not to love about Pan’s Labyrinth? Del Toro’s direction is amazingly layered and tonally complex; the visuals are some of the most jaw-dropping that the genre has ever seen; and the narrative is a dark fairy tale that’s unlike anything else fantasy cinema has produced over the course of the last two decades.
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3
‘Fanny and Alexander’ (1982)
A young boy playing with a dollhouse in Fanny and Alexander (1982)Image via Sandrew Film & Teater
There will never be a filmmaker quite like Ingmar Bergman, master of Swedish cinema and one of the greatest European auteurs in history. The question of where the uninitiated can start when they want to dive into Bergman’s filmography is one bound to elicit many answers, and one of the most accessible (despite its daunting runtime) is the wonderful Fanny and Alexander.
This dramatic family saga is a whopping three hours long (over five hours in its extended miniseries version), but every second of that runtime is imbued with enrapturing magical realism, Bergman’s unmatched direction, and one of the best depictions of childhood in movie history. It’s certainly not fast-paced or action-packed fantasy, but it’s a masterpiece which proves that slow-burning fantasy can be every bit as powerful and every bit as riveting.
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2
‘It’s a Wonderful Life’ (1946)
Image via Paramount Pictures
Frank Capra was one of Golden-Age Hollywood’s biggest visionaries, a director who was never afraid to push the boundaries of the Hays Code and show the unparalleled wonders that the Seventh Art was capable of. His first feature film after serving in World War II ended up becoming one of his very best: It’s a Wonderful Life, one of those 20th-century fantasy movies that are downright perfect.
It was probably Capra’s experiences during the War that helped him balance the pure joy of It’s a Wonderful Life‘s life-affirming messages with the poignant bittersweetness of many of its most emotionally punchy moments. An anti-suicide character drama is a concept so ambitious that you’d probably not expect it to come from Hollywood’s Golden Age, but that wonderful optimism and lust for life is precisely what has kept this Christmas classic timeless for so long.
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1
‘The Lord of the Rings: The Return of the King’ (2003)
Image via New Line Cinema
There is no fantasy movie in the entirety of film history better, more impressive, or more unforgettable than Peter Jackson‘s The Lord of the Rings: The Return of the King. The Lord of the Ringsfilm trilogy as a whole was a titanic artistic achievement, transforming the most important fantasy book of the 20th century into a series of movies worthy of its legacy, but the trilogy’s conclusion is on a whole other level.
Return of the King is tied with Ben-Hur and Titanic as the winner of the most Oscars in history, with a whopping 11, which is but one of the myriad reasons why it’s one of the best movie sequels of all time. Its action sequences are grand and exciting, its tone is both epic and emotionally character-driven, and its production values have aged like fine wine. All in all, film history has never seen a fantasy movie quite like Return of the King, and it quite possibly never will again.
Candace Cameron Bure‘s pregnant daughter Natasha Perry has slammed critics claiming she’s had her baby and won’t share the news in a grab for more “attention” and “money.”
“It’s September 6, I’m filming this in real time … I’m still pregnant, I still have a baby here, OK?” she told fans in a Sunday, September 6, TikTok video, before lifting her shirt up to reveal her bump.
Natasha, 28, who is expecting her first child — and Candace’s first grandchild — with her husband, Bradley Steven Perry, filmed the clip in response to a comment that claimed she had delayed a birth announcement for strategic reasons. “Ultimately these people just use us for engagement and likes and comments because the more attention, the more money. They don’t actually want us involved or want to keep anyone in the loop,” the comment, pasted in Natasha’s TikTok, read.
Natasha, who is one of three children shared by the Full House alum, 50, and her husband, Valeri Bure, told fans, “I see [this type of comment] all the time on my content. The internet can be a really fun, beautiful place. I love my community that I have on here. It can also be such a creepy, parasocial space where people feel entitled to information about your life. That being said, not sharing content in real time has never come from a monetization aspect.”
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She added that delayed content posts are “not about money, it’s not about strategy: it’s simply about having boundaries online, protecting my family and ultimately the biggest reason is, allowing myself to soak up the moments that are happening for me in my real life before I share them with the internet.”
Natasha, who announced her pregnancy via a joint Instagram post with her husband in May, continued, “I’m not sitting at home thinking about how it’s going to financially benefit me to post a certain video at a certain time. I’m just not. If I feel comfortable to share in the moment then great, I will, but if I want to savor a moment that’s happening for my family, I don’t owe you anything. Nobody owes you anything.”
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Candace Cameron Bure and Natasha PerryVivien Killilea/Getty Images for Lionsgate
She concluded, “I’m always going to do it when it makes me feel comfortable. Sometimes that’s the same day, sometimes that’s a month later. I don’t know what I’m going to feel and when I’m going to feel that way.”
This isn’t the first time that Natasha has hit back at online criticism. In June, she clapped back at social media users who didn’t approve of her showing off her growing bump publicly. “Raise your hand if you will never understand people being offended by a pregnant belly being out?” she quipped in a June 12 TikTok video, subsequently raising her own hand. “Let me just be the first to say: I do not care. I literally don’t care.”
She continued at the time, “I didn’t know this was a thing until I have received countless DMs from grown women telling me I need to put my belly away, buy a bigger shirt or sending me the lengthiest stories about how when they were pregnant, in their time, they didn’t do that. I love my pregnant belly, [and] I have never in my life been so proud of my body, so proud that I’m growing a little baby in there.”
“I know I’m so skinny right now. I can’t eat because the things I do … decreases my food. I feel like death. I look like death,” Glanville, 53, told fans in a Sunday, September 6, Instagram video that captured her slender frame in a kitchen as she prepared daily IV infusions.
She continued, “I just finished this IV, it’s Imipenum. It’s on a pump. I had to learn to do all these with the nurse. Now she comes four hours a day in the evenings to do my other IV but I have to do this IV before she comes for the 4-hour IV, and then I start this at 4 o’clock, the Imipenum, and I have that overnight. 18 hours a day. It’s a lot of setup.” (Imipenum is an antibiotic used in conjunction with Cilastatin to treat infections caused by bacteria, according to the Cleveland Clinic.)
Dressed in exercise gear with a bandage wrapped around one of her biceps, the reality star also provided a window into her lifestyle via the clip’s caption. “For the first time, I’m showing you what my life has really looked like behind closed doors. The treatments. The IVs. The exhaustion. The days nobody saw,” Glanville wrote of “part 1” of her story. “I haven’t been ready to talk about all of it publicly, and there’s still a lot I’m not ready to share yet. This is only one minute of a much bigger story.”
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The health update comes after Glanville revealed in June that a benign tumor in one of her facial lymph nodes provided a hurdle amid the return of her facial parasite. (Glanville suffered from facial disfigurement due to the parasite in the past, revealing in 2024 that she’d spent more than $113,000 on treatments.)
She said on a June episode of her “Unfiltered” podcast that the non-cancerous tumor “could be why the fluid is going around my face,” adding during the episode that she “can wear makeup for, like, 15 minutes, and [then] I have to take it off.”
The reality star, who rose to fame on the Bravo series from 2011 to 2015, spoke to Us in November 2025, revealing that her health issues sparked a “slow process.” Noting that she’d moved house in search of a “fresh start,” Glanville said at the time, “I’m finally getting back to my normal routine and feeling like myself again. The new space has really helped me reset and focus on creating a calmer, more positive environment for myself.”
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She continued, “I’m enjoying keeping things simple, spending more time at home, and really taking care of myself … I’m actively filming my YouTube series and working on a variety of new projects, so my focus is really on everything I’m creating today. It’s been exciting to grow and explore new platforms.”
While Glanville is only beginning to open up about her IV needs, she did recently reveal all regarding the vaginal rejuvenation surgery she underwent in 2009 after her ex-husband Eddie Cibrian allegedly commented on her body’s changes after childbirth.
“The only way I could stop f***ing my ex-husband was to be a virgin again,” she told her podcast cohost James Maas about the surgery. “You know, I spit out two kids and [Cibrian] made a comment like, ‘It’s not what it used to be.’”
Director Guy Ritchie is never far from our screens, and he’s back with a second season of two of his biggest shows this month. First is The Gentlemen, the Theo James-led crime comedy that took Netflix by storm. Second is the return of MobLand on Paramount+, which was a huge hit in its first season. It hasn’t all been smooth sailing ahead of MobLand Season 2, with star Tom Hardy reported to have been fired from the show amid off-screen conflicts.
Thankfully, these issues were resolved, as it was confirmed that Hardy would return as Harry Da Souza in the now-confirmed third season of MobLand. Season 2 of the hit crime series will officially begin streaming on September 18, with 10 episodes in the new season airing weekly on Paramount+. Hardy is joined by a stacked returning cast for Season 2, which includes Pierce Brosnan (Mamma Mia!), Helen Mirren (Gosford Park), and Paddy Considine (Doctor Sleep). With just a couple of weeks until Harry Da Souza returns, fans have been flocking to streaming to catch another of Hardy’s big franchises.
At the time of writing, Venom: The Last Danceis one of the ten most-watched movies on Disney+ in the U.S. The final entry in Hardy’s sci-fi trilogy is arguably the most disappointing, with The Last Dance earning mixed reviews from critics. That being said, with a 79% average approval rating on review aggregator Rotten Tomatoes from audiences, it’s clear that The Last Dance ticked all the boxes for fans. The film featured a starry ensemble, including Chiwetel Ejiofor (12 Years a Slave) as Rex Strickland, Juno Temple (Ted Lasso) as Dr. Teddy Paine, Rhys Ifans (The Amazing Spider-Man) as Martin Moon, and Stephen Graham (Adolescence) as Patrick Mulligan.
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Collider Exclusive · Marvel Personality Quiz Which MCU Hero Are You? Spider-Man · Daredevil · Iron Man · Punisher · Thor · Cap
Six heroes. One destiny. Answer 10 questions to discover which Marvel Cinematic Universe hero shares your personality, values, and fighting spirit. Will you swing, fly, or thunder your way to glory?
🕷️Spider-Man
😈Daredevil
🤖Iron Man
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💀Punisher
⚡Thor
🛡️Cap
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01
What drives you to do what’s right? Choose the answer that feels most like you.
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02
It’s 2 AM. Where are you? Your answer says more about you than you’d think.
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03
How do you handle a villain who keeps escaping justice? Every hero has a method. What’s yours?
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04
How do you feel about keeping a secret identity? The mask — or the lack of one — says everything.
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05
You’ve lost someone important because of your heroism. How do you carry that? Every hero pays a price. The question is how they pay it.
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06
What’s your role when working with a team? Who you are under pressure is who you actually are.
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07
Where do you draw the line between justice and revenge? The answer defines what kind of hero you really are.
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08
When you’re not saving the world, what does life look like? The person behind the mask is always the more interesting story.
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09
What keeps you up at night? Fear is useful data — if you’re honest about what you’re actually afraid of.
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10
The battle is lost. You’re outnumbered, outgunned, and exhausted. What do you do? This is your tiebreaker — choose carefully.
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Your Hero Has Been Identified Your MCU Hero Is…
Based on your answers, the Marvel hero who matches your spirit, values, and instincts has been revealed.
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Queens, New York
🕷️ Spider-Man
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You carry the weight of the world on shoulders that are younger than they should have to be — funny, loyal, and endlessly self-sacrificing.
You do the right thing not because it’s easy, but because no one else will.
You understand that responsibility isn’t a burden you choose — it’s one that finds you.
Whether it’s a neighbourhood mugging or a multiverse crisis, you show up.
Peter Parker’s lesson — that great power demands great responsibility — isn’t a slogan to you. It’s the code you live by, even when it costs you everything.
Hell’s Kitchen, New York
😈 Daredevil
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You fight in the shadows between law and chaos, guided by a fierce moral compass that refuses to let the guilty walk free.
You use every tool available — your mind, your body, your faith — to protect those the system overlooks.
You’ve looked into the darkness and chosen not to become it, though the line has never been easy.
Matt Murdock’s duality — champion in the courtroom, devil in the alley — mirrors your own.
Relentless, conflicted, and unwilling to stop. That is exactly you.
Stark Industries, Malibu
🤖 Iron Man
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Brilliant, driven, and occasionally insufferable — but always the person who solves the unsolvable problem.
You lead with your mind and back it up with resources, innovation, and a stubbornness that borders on heroic.
You started out looking out for yourself, but somewhere along the way the world became your responsibility.
Tony Stark’s arc — from ego to sacrifice — is your arc too.
You build, you plan, and when the moment comes, you’re willing to give everything. Because in the end, you’re Iron Man.
New York City
💀 The Punisher
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You’ve been through fire that would break most people — and it did change you, completely. What’s left is unyielding, relentless, and operating by a code forged in grief.
You don’t ask for forgiveness, and you don’t expect gratitude.
You see a corrupt, broken world and you’ve decided to do something about it, consequences be damned.
Frank Castle’s war is born from love twisted by loss — and so is yours.
Uncompromising and unflinching — the world may not agree with your methods, but your conviction is absolute.
Asgard · Protector of the Nine Realms
⚡ Thor
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Powerful, proud, and on a lifelong journey to become worthy of the legend you carry.
You lead with strength but have learned — sometimes painfully — that true greatness comes from humility and growth.
You’re larger than life, yet more vulnerable than you let on.
Thor’s story is one of transformation: from arrogant prince to worthy king, from isolated warrior to beloved protector.
You bring the storm when it’s needed — and the warmth when it matters just as much.
Brooklyn, New York · The Avengers
🛡️ Captain America
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You believe in something bigger than yourself — and you fight for it even when the world has moved on and nobody else will.
You don’t bully the small guy, and you never stop when it gets hard.
Steve Rogers didn’t become a hero when he got the serum — he was always one. So were you.
Your strength isn’t in your fists; it’s in your refusal to compromise what’s right, no matter the cost.
In a world full of people taking the easy road, you’re the one who picks up the shield and stands up — every single time.
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How Much Did ‘Venom: The Last Dance’ Make at the Box Office?
When all is said and done, Venom: The Last Dance can be remembered as a box office success. Against a reported budget of $110 million, the movie earned just shy of $500 million worldwide, split between a domestic haul of $140 million and a further $335 million from overseas markets. However, The Last Dance was the worst performing of the three Venom movies, and hinted at a declining interest in Hardy’s portrayal of Eddie Brock.
Venom: The Last Dance is a streaming hit. Stay tuned to Collider for more updates.
Kristin Cavallari has spent years transforming herself from a reality TV star into a successful entrepreneur, podcast host, and mother of three.
Yet despite building a thriving business empire and a stable life in Nashville, those closest to her reportedly believe one area remains unpredictable: her love life.
While Cavallari’s candid dating stories continue attracting headlines and listeners, friends are said to be increasingly concerned that the wrong relationship could jeopardize everything she has worked so hard to create.
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Behind the headlines and podcast confessions, insiders say Kristin Cavallari faces a challenge many people might not expect. According to sources, her success can be intimidating to potential partners, particularly men in her age group who are already established in their own careers.
“The truth is, guys her age with their own money don’t necessarily want a woman who has it all,” one source told the Daily Mail, adding, “Men still want to be in control, and Kristin is someone who dominates.”
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The concern comes as Cavallari continues to expand her professional portfolio. Since her divorce from former NFL quarterback Jay Cutler was finalized in 2022, she has remained financially independent through appearances, brand partnerships, business ventures, and her growing media presence.
Insiders insist she is far from struggling financially and has built a comfortable life outside of any romantic relationship.
Despite that success, sources say the 39-year-old still enjoys dating people who understand the unique realities of fame.
“She loves dating guys in the spotlight because they have money, they understand her life more and it makes her more interesting to be attached to an athlete, celebrity [or] reality star,” the source explained.
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Cavallari’s Friends Fear She Keeps Meeting The Wrong Men
According to those close to Kristin Cavallari, the biggest concern isn’t whether she dates again; it’s who she dates next.
Friends reportedly worry that some men are attracted to her profile rather than the possibility of a genuine relationship.
“It’s been tough for her,” a source revealed. “The guys she dates are total douchebags and she normally doesn’t find out about it until after a few dates – or weeks – of dating them.”
The insider added that the television personality has become increasingly cautious after several disappointing experiences. “Men have dated her for fame, so she knows better now,” the source explained.
That concern is one reason her inner circle has become protective. According to the insider, “Friends worry about her dating life because she’s successful and they want to make sure anyone she brings into her life isn’t going to ruin her reputation or use her in any way.”
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Those closest to her are reportedly hoping she eventually finds someone who fits seamlessly into the life she has already built rather than someone who disrupts it.
Kristin Cavallari’s Dating Stories Continue Driving Headlines
Ironically, the same dating life that worries friends has become one of Cavallari’s most successful talking points. Through her “Let’s Be Honest” podcast, she has openly discussed former relationships, celebrity encounters, and dating rumors, creating a formula that consistently generates attention.
Recent examples include shutting down speculation that she hooked up with “Southern Charm” star Austen Kroll during a Mallorca vacation, insisting there was “zero hooking up.”
She has also made headlines discussing a brief but “deep” romance with retired NHL player Nate Thompson, revisiting past feelings for Travis Kelce, and sharing stories about other dating experiences.
Not everyone is impressed by the strategy. “She’s pretty much all talk,” one insider claimed, further noting, “The way to get attention to whatever she’s doing is to bring up old stories about other people.”
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Another source argued, “It feels like she has her podcast just to get attention on things people don’t actually care about, like who she’s sleeping with.”
Yet the numbers suggest listeners disagree. Since launching in 2023, “Let’s Be Honest” has grown into one of Dear Media’s biggest successes, surpassing 140 episodes, expanding into a multi-city tour, and securing a multi-year seven-figure deal in 2025.
More From The Blast
Cavallari Gives Rare Look Inside Her 130-Acre Nashville Estate
While much of the conversation around Kristin Cavallari tends to focus on her dating life, those closest to her have repeatedly pointed out that her day-to-day reality is far different from the headlines.
That quieter side of her life recently came into focus when Cavallari offered fans a rare look inside the sprawling Tennessee estate she has spent years transforming into a family sanctuary.
During the tour, she showcased several of the home’s most impressive features, including a dedicated podcast studio where she records “Let’s Be Honest,” a full gym, an indoor basketball court, expansive outdoor entertaining areas, and a resort-style pool.
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Cavallari also emphasized that the property was designed with her three children, Camden, Jaxon, and Saylor, in mind. The home includes family-focused spaces intended to give them room to grow while maintaining privacy from public attention.
She explained that creating a peaceful environment was one of her primary goals during the extensive renovation process.
Kristin Cavallari Explains Why Her Kids Fly Coach While She Sits First Class
That emphasis on keeping her children grounded extends beyond the walls of her Nashville estate.
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During a July appearance on the “Aspire with Emma Grede” podcast, which generated significant online discussion, Cavallari explained why she chose not to give her children every luxury available to them, even when she could easily afford them.
“Something as small as they fly coach, I’m flying first class. That was important to me when they became old enough that they could,” she shared. “It’s not [difficult to do] when they’re older. I’m like, ‘Bye guys, have fun back there.’”
According to Cavallari, the arrangement was intentional and reflected lessons she wanted Camden, Jaxon, and Saylor to learn as they grew older.
She explained that she did not want her children to assume that privileges automatically came with their family’s financial success.
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Instead, she hoped they would develop an appreciation for hard work, responsibility, and earning rewards rather than expecting them. Cavallari indicated that she believes giving children everything immediately could create unrealistic expectations about adulthood.
The Transformers franchise has been around for over four decades now, and since then, the Autobots, Decepticons, and other alien machines have waged war across countless stages. Originally beginning as a toy line by Hasbro and Takara Tomy, it’s since become one of the most profitable multimedia juggernauts out there, with 11 movies and an avalanche of animated series spread across different eras that don’t just revolve around Optimus Prime and Megatron. Hollywood also brought them onto the big screen like never before with the visual spectacles that were Michael Bay‘s ill-received but high-grossing live-action CGI films and their follow-ups, Bumblebee and Transformers: Rise of the Beasts. Yet, after 40 years, The Transformers: The Movie has come to be recognized as a cinematic high point of the franchise, with an epic story and surprising darkness and tragedy for a family film.
In celebration of the 1986 animated adventure’s milestone anniversary this year, Hasbro has been going all out with a year-long “Apology Tour” in recognition of all the childhoods traumatized by the death of Optimus Prime and other fan favorites in the film. The festivities have ranged from concerts to new toys, merchandise, and more, but the main event is the return of The Transformers: The Movie to theaters in glorious 4K. Viewers will get to relive the scarring moments, the sweeping battle against the planet-devouring Unicron, and the memorable soundtrack on the big screen from September 17 through 21 courtesy of Fathom Entertainment. However, one piece of the celebration will arrive a bit later than expected.
Insight Editions and Titan Books have delayed the massive anniversary art book, The Transformers: The Movie: The Ultimate Visual History, from its original October 27 release date and will now be publishing it on November 24, a few days shy of Thanksgiving. The later date isn’t for nothing, though. It has grown in size, from 256 pages of illustrations and insight into the animated classic to 282. While there’s no indication of what those new contents will be, the recent death of the longtime voice of Optimus Prime, Peter Cullen, may have spurred the need for an expanded volume. Much of the book by author Chris Prince will be told through interviews with members of the creative team, taking readers on a journey through all parts of the creation, from the eye-popping visuals to the character and environment designs, the casting of legendary actors from Orson Welles to Leonard Nimoy, and the rocking soundtrack defined by Stan Bush and Kick Axe. Beyond the many designs illustrating this collector’s item, there will also be a section dedicated to the lasting impact of the movie on the wider Transformers franchise.
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Collider Exclusive · Sci-Fi Survival Quiz Which Sci-Fi World Would You Survive? The Matrix · Mad Max · Blade Runner · Dune · Star Wars
Five universes. Five completely different ways the future went wrong — or sideways, or up in flames. Only one of them is the world your instincts were built for. Eight questions will figure out which dystopia, galaxy, or desert wasteland you’d actually make it out of alive.
💊The Matrix
🔥Mad Max
🌧️Blade Runner
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🏜️Dune
🚀Star Wars
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01
You sense something is deeply wrong with the world around you. What do you do? The first instinct is often the truest one.
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02
In a world of scarcity, what resource do you guard most fiercely? What we protect reveals what we believe survival actually requires.
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03
What kind of threat keeps you up at night? Fear is useful data — if you’re honest about what you’re actually afraid of.
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04
How do you deal with authority you don’t trust? Every dystopia has a power structure. Your approach to it determines everything.
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05
Which environment could you actually endure long-term? Survival isn’t just tactical — it’s physical, psychological, and very much about where you are.
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06
Who do you want in your corner when things fall apart? The company you keep is the clearest signal of who you actually are.
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07
Where do you draw the line — if you draw one at all? Every survivor eventually faces a moment that tests what they’re actually made of.
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08
What would actually make survival worth it? Staying alive is one thing. Having a reason to is another.
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Your Fate Has Been Calculated You’d Survive In…
Your answers point to the world your instincts were built for. This is the universe your temperament, your survival instincts, and your particular brand of stubbornness were made for.
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The Resistance, Zion
The Matrix
You took the red pill a long time ago — probably before anyone offered it to you. You’re a systems thinker who can’t help but notice the seams in things.
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You’re drawn to understanding how the system works before figuring out how to break it.
You’d find the Resistance, or it would find you — your instinct for spotting constructed realities is the machines’ worst nightmare.
You function best when you have access to information and the freedom to act on it.
The Matrix built an airtight prison. You’d be the one probing the walls for the door.
The Wasteland
Mad Max
The wasteland doesn’t reward the clever or the well-connected — it rewards those who are hard to kill and harder to break. That’s you.
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You don’t need comfort, community, or a cause larger than the next horizon.
You need a vehicle, a clear threat, and enough fuel to outrun it — and you’re good at all three.
You are unsentimental enough to survive that world, and decent enough — just barely — to be something more than another raider.
In the wasteland, that distinction is everything.
Los Angeles, 2049
Blade Runner
You’d survive here because you know how to exist in moral grey areas without losing yourself completely.
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You read people accurately, keep your circle small, and ask the questions others prefer not to answer.
In a city where humanity is a legal designation rather than a feeling, you hold onto something that keeps you functional.
You’re not a hero. But you’re not lost, either.
In Blade Runner’s world, that distinction is everything.
Arrakis
Dune
Arrakis is the most hostile environment in the known universe — and you are precisely the kind of person it rewards.
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Patience, discipline, and political awareness are your core strengths — and on Arrakis, they’re survival tools.
You understand that the long game matters more than any single victory.
Others come to Dune and are consumed by it. You’d learn its logic and earn its respect.
In time, you wouldn’t just survive Arrakis — you’d begin to reshape it.
A Galaxy Far, Far Away
Star Wars
The galaxy far, far away is vast, loud, and in a constant state of violent political upheaval — and you wouldn’t have it any other way.
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You find meaning in being part of something larger than yourself — a cause, a crew, a rebellion.
You’d gravitate toward the Rebellion, or the fringes, or whatever pocket of the galaxy still believes the Empire’s grip can be broken.
You fight — not because you have to, but because standing aside isn’t something you’re capable of.
In Star Wars, that willingness is what makes all the difference.
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‘The Transformers: The Movie’ Will Be Paired With Peter Cullen’s Final Performance
After seeing The Transformers: The Movie in theaters again, The Ultimate Visual History looks to be a perfect celebration of its legacy on every level. Hasbro’s “Apology Tour” includes one other surprise, however. After the credits roll on the anniversary screenings, viewers will be treated to an entirely new Transformers short, Optimus Prime: Awakening, that will serve as one final adventure for the Autobots leader and a bookend to Cullen’s time as the voice of an animated hero. This is confirmed to be Cullen’s last original performance as Prime after over 40 years of using his booming, yet warm voice to exemplify the bot’s courage, wisdom, compassion, and strength.
The Transformers: The Movie: The Ultimate Visual History is available to pre-order now at Insight Editions and major retailers ahead of its release on November 24. Check out a few pages from the book in the gallery above.
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Release Date
August 8, 1986
Runtime
84 minutes
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Director
Nelson Shin
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Writers
Ron Friedman
Producers
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Joe Bacal, Lee Gunther, Margaret Loesch, Tom Griffin
Ridley Scott on the red carpetImage via Nasser Berzane/ABACA/INSTARimages.com
Director Ridley Scott‘s long-awaited return to the sci-fi genre with The Dog Stars didn’t exactly go according to plan. The movie underperformed in its box-office debut and received mediocre reviews. It had been nearly a decade since Scott made a sci-fi movie; his previous release was Alien: Covenant, which fell short of box-office expectations as well and sent its iconic franchise into hibernation for several years. The Alien series was resurrected by Fede Álvarez‘s Alien: Romulus, which grossed $350 million worldwide and received an 80% score on the aggregator website Rotten Tomatoes. Scott wasn’t quite impressed, however. In a recent interview with AlloCiné, he described the movie as “okay” and expressed his intention to return to the series.
Director Neill Blomkamppreviously cited Scott’s intervention as the main reason why his long-gestating Alien project never took off. And Álvarez has already made it clear that he will not be returning to direct a sequel to Alien: Romulus. Scott plans to ignore the movie entirely, choosing instead to make a direct sequel to Alien: Covenant. That film, released in 2017, was a sequel to a divisive franchise-reviving hit directed by Scott. The movie in question was recently added to the Peacock library, giving audiences who haven’t yet seen it a chance to do so.
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Collider Exclusive · Sci-Fi Survival Quiz Which Sci-Fi World Would You Survive? The Matrix · Mad Max · Blade Runner · Dune · Star Wars
Five universes. Five completely different ways the future went wrong — or sideways, or up in flames. Only one of them is the world your instincts were built for. Eight questions will figure out which dystopia, galaxy, or desert wasteland you’d actually make it out of alive.
💊The Matrix
🔥Mad Max
🌧️Blade Runner
Advertisement
🏜️Dune
🚀Star Wars
Advertisement
01
You sense something is deeply wrong with the world around you. What do you do? The first instinct is often the truest one.
Advertisement
02
In a world of scarcity, what resource do you guard most fiercely? What we protect reveals what we believe survival actually requires.
Advertisement
03
What kind of threat keeps you up at night? Fear is useful data — if you’re honest about what you’re actually afraid of.
Advertisement
04
How do you deal with authority you don’t trust? Every dystopia has a power structure. Your approach to it determines everything.
Advertisement
05
Which environment could you actually endure long-term? Survival isn’t just tactical — it’s physical, psychological, and very much about where you are.
Advertisement
06
Who do you want in your corner when things fall apart? The company you keep is the clearest signal of who you actually are.
Advertisement
07
Where do you draw the line — if you draw one at all? Every survivor eventually faces a moment that tests what they’re actually made of.
Advertisement
08
What would actually make survival worth it? Staying alive is one thing. Having a reason to is another.
Advertisement
Your Fate Has Been Calculated You’d Survive In…
Your answers point to the world your instincts were built for. This is the universe your temperament, your survival instincts, and your particular brand of stubbornness were made for.
Advertisement
The Resistance, Zion
The Matrix
You took the red pill a long time ago — probably before anyone offered it to you. You’re a systems thinker who can’t help but notice the seams in things.
Advertisement
You’re drawn to understanding how the system works before figuring out how to break it.
You’d find the Resistance, or it would find you — your instinct for spotting constructed realities is the machines’ worst nightmare.
You function best when you have access to information and the freedom to act on it.
The Matrix built an airtight prison. You’d be the one probing the walls for the door.
The Wasteland
Mad Max
The wasteland doesn’t reward the clever or the well-connected — it rewards those who are hard to kill and harder to break. That’s you.
Advertisement
You don’t need comfort, community, or a cause larger than the next horizon.
You need a vehicle, a clear threat, and enough fuel to outrun it — and you’re good at all three.
You are unsentimental enough to survive that world, and decent enough — just barely — to be something more than another raider.
In the wasteland, that distinction is everything.
Los Angeles, 2049
Blade Runner
You’d survive here because you know how to exist in moral grey areas without losing yourself completely.
Advertisement
You read people accurately, keep your circle small, and ask the questions others prefer not to answer.
In a city where humanity is a legal designation rather than a feeling, you hold onto something that keeps you functional.
You’re not a hero. But you’re not lost, either.
In Blade Runner’s world, that distinction is everything.
Arrakis
Dune
Arrakis is the most hostile environment in the known universe — and you are precisely the kind of person it rewards.
Advertisement
Patience, discipline, and political awareness are your core strengths — and on Arrakis, they’re survival tools.
You understand that the long game matters more than any single victory.
Others come to Dune and are consumed by it. You’d learn its logic and earn its respect.
In time, you wouldn’t just survive Arrakis — you’d begin to reshape it.
A Galaxy Far, Far Away
Star Wars
The galaxy far, far away is vast, loud, and in a constant state of violent political upheaval — and you wouldn’t have it any other way.
Advertisement
You find meaning in being part of something larger than yourself — a cause, a crew, a rebellion.
You’d gravitate toward the Rebellion, or the fringes, or whatever pocket of the galaxy still believes the Empire’s grip can be broken.
You fight — not because you have to, but because standing aside isn’t something you’re capable of.
In Star Wars, that willingness is what makes all the difference.
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Ridley Scott’s Most Divisive Sci-Fi Movie Has a New Streaming Home
We’re talking, of course, about Prometheus. A prequel to Scott’s original Alien, the movie featured Michael Fassbender, Noomi Rapace, Guy Pearce,Idris Elba, and Charlize Theron, among others. It grossed more than $400 million worldwide against a reported budget of $130 million and received positive reviews. Although it holds a “Certified Fresh” 76% score on the aggregator website Rotten Tomatoes,Prometheus‘ reputation is rather complicated. The late critic Roger Ebert, on the other hand, was an early champion. He awarded the movie a perfect four out of four stars, and described it as “a seamless blend of story, special effects and pitch-perfect casting.” Prometheus is now streaming on Peacock, while The Dog Stars plays in more than 3,300 theaters nationwide. Stay tuned to Collider for more updates.
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Release Date
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June 8, 2012
Runtime
124 minutes
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Writers
Jon Spaihts, Damon Lindelof, Ronald Shusett, Dan O’Bannon
Jennifer Lawrence has never been one to shy away from speaking her mind, and comments about Hollywood’s male actors have once again caught attention.
Without mentioning names, the actress once stated that some of her male colleagues get offended whenever she refuses to have sex with them on set.
4ZUMAPRESS.com / MEGA
In a previous interview with the Las Culturistas podcast, Lawrence opened up about filming intimate scenes with some of her male colleagues.
The actress has starred in several romantic films, including “Die My Love,” in which she appeared alongside “Batman” star Robert Pattinson.
She enjoyed that collaboration, as Pattinson behaved differently from some of the male stars she had met on set.
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“A lot of male actors get offended if you don’t want to f-ck them,” the actress told her hosts while withholding names.
She added that when she openly refused some of the actors, they would “punish” her, though she did not explain what that entailed.
Fans Speculate Over Jennifer Lawrence’s ‘Punishment’ Claim
Fans began to speculate about what kind of punishment Lawrence must have meant in her revelation about her male colleagues.
“I imagine much the same way as always — pettiness and spite, ignoring and avoiding them and their professional input, patronizing them and badmouthing them to others on the project and to friends,” one person wrote.
“From someone who’s been on many sets, they avoid eye contact with you, then act very aggressive and condescending towards you when you have to interact with them. Everyone on set notices, but no one intervenes,” another individual commented.
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Another netizen said they weren’t surprised by Lawrence’s admission, given how the entertainment industry allegedly operates.
“It’s not totally surprising that kindness and respect is a rarity in an industry dominated by nepotism, privileged people, uber-rich, the mollycoddled, the entitled, narcissists, egomaniacs, spoiled… etc,” they said.
Lawrence Says Robert Pattinson Made Her Feel ‘Safe’
At the time Lawrence made the comment, she also admitted she had not used an intimacy coordinator with Pattinson when they worked together.
According to her, Pattinson was “not pervy,” and they instead spent most of their free time talking about their personal relationships with their partners and children.
She also claimed that she “felt really safe” with the actor, which further reduced the need for an intimacy coordinator.
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“If there was a little bit of [weird] I would probably have an intimacy coordinator,” the actress also noted.
Jennifer Lawrence Says She Had ‘No Issues’ With Nudity
One of the intimate scenes filmed during production was right at the beginning of shooting, with both Lawrence and Pattinson fully nude and physically wrestling with each other as required by the script.
She later revealed during the film’s screening that she had no issues with nudity and even turned down a request from one of the crew members to touch up some of the cellulite she had at the time.
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“I don’t care about nudity. I’m not sensitive about it,” Lawrence said. “I think being pregnant took a lot of, like, vanity anxiety away. Before No Hard Feelings, I was dieting and not eating carbs and working out. I was pregnant [for Die My Love]. Like, what was I gonna do? Not eat?”
She added, “I was working 15 hours a day. I was just tired… I remember, like, them sending over a close-up of cellulite and being like, ‘Do you want us to touch this up?’ And I was like, ‘No. That’s an -ss.’”
Jennifer Lawrence Opens Up About Botox And Plastic Surgery
More recently, Lawrence told British Vogue that she is open to Botox, though she hopes to keep it to a minimum.
“I can’t really get very much done. I need to have movement in my face — I get baby Botox, but I can’t do a lot,” she told the outlet for her cover story.
She also shared that she draws the line at buccal fat surgery because of how glaring it would be to everyone.
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“I support other people doing them because I want to continue to watch and see what happens, but I don’t know about that,” she shared. “I mean, I would love to have a buccal fat removal. I can’t because everybody would know, but just know that I want that.”
There are few movies more quotable than fantasy movies. These grand stories, full of rich imagination, set in grand fictional worlds with complex magic systems and mythical creatures of wonder, typically lend themselves to fun, memorable dialogue. Oftentimes, these lines of dialogue go down in movie history as some of the medium’s most iconic, cementing fantasy as the perfect place for quotes that are inspiring, or funny, or badass, or all of those things at once.
Whether it’s a huge fantasy franchise like the Harry Pottermovies, or a one-off classic like It’s a Wonderful Life, the most quotable fantasy movies usually couple their memorable lines of dialogue with colorful, vibrant characters and engrossing world-building. This ensures that, if anything, these films will go down in history as some of the most entertaining ever made.
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15
‘Conan the Barbarian’ (1982)
Most iconic quote: “To crush your enemies, see them driven before you, and to hear the lamentations of their women.”
Image via Universal Pictures
Based on the sword-and-sorcery hero Conan created by Robert E. Howard, one of the biggest icons in the history of pulp magazines, Conan the Barbarianrepresented Arnold Schwarzenegger‘s breakout role as a leading Hollywood action hero. By proving that the sword-and-sorcery genre could be big, brutal, and serious, Conan became one of the R-rated fantasy movies that changed the genre forever.
There are plenty of reasons why it has been one of the most widely beloved fantasy and action movies of the ’80s for years, not least of which is the quotability of the script co-written by Oliver Stone and director John Milius. Dialogue throughout the movie is relatively sparse, but that stoicism is precisely what lends so many of the script’s most memorable lines such dramatic weight.
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14
‘The Emperor’s New Groove’ (2000)
Most iconic quote: “Oh, right. The poison. The poison for Kuzco. The poison chosen especially to kill Kuzco, Kuzco’s poison. That poison?”
Kuzco and Pacha scale the walls of a narrow valley together, back to back in The Emperor’s New Groove.Image via Walt Disney Animation
Often, it’s fantasy comedies that end up going down in history as some of the genre’s most quotable films; and often, it’s family comedies that end up having the most memorable dialogue. Case in point: Disney’s The Emperor’s New Groove, one of the first movies the House of Mouse released after the end of the period now known as the Disney Renaissance.
Originally envisioned as a dramatic epic musical, Emperor’s New Groove ended up transforming into the delightfully comedic buddy film that allowed it to become one of Disney’s biggest animated cult classics. From Kuzco and Pacha’s hilarious banter to the deliciously villainous lines delivered by Eartha Kitt‘s Yzma, the movie is full of snappy dialogue that has endured with the rise of meme culture in the years following the film’s release.
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13
‘Army of Darkness’ (1992)
Most iconic quote: “You see this? This… is my Boomstick!”
Bruce Campbell as Ash holding his boomstick in Army of Darkness.Image via Universal Pictures
Sam Raimi‘s The Evil Dead didn’t just catapult the young director’s career; it altogether revolutionized low-budget horror filmmaking. Its sequel, Evil Dead II, proved to be every bit as inventive and successful. And with Army of Darkness, Raimi brought the franchise squarely into dark fantasy territory with an even more overt sense of humor than ever before.
Precisely thanks to that sense of humor, Army of Darkness is one of the most fun horror movies of all time, as well as one of the most quotable. From “this is my boomstick!” to Ash’s iconic catchphrase “groovy,” the film is full of lines both amusing and badass, which only add to how utterly unforgettable the whole movie is.
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12
‘Labyrinth’ (1986)
Most iconic quote: “You remind me of the babe.”
Image via Tri-Star Pictures
Directed by Jim Henson and starring David Bowie and Jennifer Connelly in what’s perhaps both their most iconic big-screen roles, Labyrinthreceived a mixed critical reception and underperformed at the box office upon release. In the years since, however, it has come to be recognized not just as one of the biggest Hollywood cult classics of the ’80s, but also one of the most irresistibly entertaining musical movies ever made.
Whether it’s the songs or the spoken dialogue, Labyrinth is filled to the brim with quotable lines that have been a paragon of Internet pop culture for years. The dialogue and song lyrics themselves are already abundantly bombastic in isolation, but the way Bowie and Connelly deliver those lines with gleeful theatricality elevates the entire film even further.
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11
‘Willy Wonka & the Chocolate Factory’ (1971)
Most iconic quote: “You get nothing! You lose! Good day, sir!”
Willy Wonka (Gene Wilder) stands in front of assorted candies in Willy Wonka and the Chocolate Factory.Image via Paramount Pictures
One of the most brilliantly subversive family movies of all time, Mel Stuart‘s Willy Wonka & the Chocolate Factorymay have been hated by Roald Dahl upon release (then again, not that Dahl ever approved of any cinematic adaptation of his work), but cinephiles throughout the years have never stopped considering it one of the most magical family movies ever made.
Reasons to love Willy Wonka are abundant, and the iconicity and memorability of its dialogue is certainly no small reason. It’s primarily the lines delivered by Gene Wilder as Wonka himself that have gone down in history as some of the fantasy genre’s most commonly quoted, but pretty much the entire script penned by David Seltzer and Dahl himself is full of unforgettable lines of dialogue.
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10
‘Pirates of the Caribbean: Curse of the Black Pearl’ (2003)
Most iconic quote: “This is the day you will always remember as the day you almost caught Captain Jack Sparrow!”
Johnny Depp as Jack Sparrow looking confident in Pirates of the Caribbean The Curse of the Black PearlImage via Walt Disney Studios Motion Pictures
Based on the iconic Disneyland attraction, the Pirates of the Caribbeanseries proved that, when they put enough love and passion into it, Disney could really make an awesome movie out of any concept. The first film is Curse of the Black Pearl, where a blacksmith teams up with an eccentric pirate to save his love from the pirate’s former allies, who are now undead monsters.
Curse of the Black Pearl is one of the best and most entertaining pirate swashbucklers in the history of movies, packed with creativity, humor, great action, and some genuinely scary moments. What’s most memorable and fun about the whole film, though, is arguably the presence of Johnny Depp’s bombastic Captain Jack Sparrow, who has most of the best quotes in the series. Curse of the Black Pearl is wonderfully written, and that includes some super strong dialogue that bolsters the story, world, and characters remarkably well.
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9
‘It’s a Wonderful Life’ (1946)
Most iconic quote: “Every time a bell rings, an angel gets his wings.”
George Bailey (Jimmy Stewart) crying in a bar in It’s a Wonderful LifeImage via RKO Radio Pictures
Frank Capra‘s It’s a Wonderful Life is so much more than just the quintessential Christmas classic. Part endearing rom-com, part profoundly moving character drama, part complex exploration of depression and suicide in men, it’s far and away one of the best movies of Hollywood’s Golden Age. It’s the story of George Bailey, a frustrated businessman who thinks the world would be better off without him. So, an angel is sent from Heaven to show him what life would have been like if he had never been born.
A huge part of what makes It’s a Wonderful Life one of the most uplifting drama movies in history is the outstanding screenplay, which has an emotionally riveting story, an engrossing protagonist, and a formidable villain. It also includes some of the most quotable dialogue of this era of Hollywood, from Clarence the angel’s delightful bits of wisdom to George and his wife Mary’s many romantic conversations.
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Collider Exclusive · Oscar Best Picture Quiz Which Oscar Best Picture Is Your Perfect Movie? Parasite · Everything Everywhere · Oppenheimer · Birdman · No Country
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Five Oscar Best Picture winners. Five completely different visions of what cinema can be — and what it can do to you. One of them is the film that was made for the way your mind works. Ten questions will figure out which one.
🪜Parasite
🌀Everything Everywhere
☢️Oppenheimer
🐦Birdman
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🪙No Country for Old Men
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01
What kind of film experience do you actually want? The best movies don’t just entertain — they leave something behind.
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02
Which idea grabs you most in a film? Great films are driven by a central obsession. What’s yours?
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03
How do you like your story told? Form is content. The way a story is shaped changes what it means.
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04
What makes a truly great antagonist? The opposition defines the protagonist. What kind of opposition fascinates you?
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05
What do you want from a film’s ending? The final note is the one that lingers. What do you want it to sound like?
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06
Which setting pulls you in most? Where a film takes place shapes everything — mood, stakes, what’s even possible.
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07
What cinematic craft impresses you most? Every great film has a signature — a technical or artistic element that makes it unmistakable.
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08
What kind of main character do you root for? The protagonist is the lens. Who you choose to follow says something about you.
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09
How do you feel about a film that takes its time? Pace is a choice. Some films sprint; others let tension accumulate slowly, deliberately.
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10
What do you want to feel walking out of the cinema? The best films leave a mark. What kind of mark do you want?
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The Academy Has Decided Your Perfect Film Is…
Your answers have pointed to one Oscar Best Picture winner above all others. This is the film that was made for the way your mind works.
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Parasite
You are drawn to films that operate on multiple levels simultaneously — that begin in one genre and quietly, brilliantly migrate into another. Bong Joon-ho’s Parasite is a film about class, desire, and the architecture of inequality that manages to be darkly funny, deeply suspenseful, and genuinely shocking across a single extraordinary running time. Your instinct is for cinema that hides its true intentions until the moment it’s ready to reveal them. Parasite is exactly that — a film that rewards close attention and punishes assumptions, right up to its devastating final image.
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Everything Everywhere All at Once
You want it all — and this film gives you all of it. The Daniels’ Everything Everywhere All at Once is one of the most maximalist films ever made: action comedy, multiverse sci-fi, family drama, existential crisis, and a genuinely earned emotional core that sneaks up on you amid the chaos. You are someone who responds to ambition, who doesn’t want cinema to choose between being entertaining and being meaningful. This film refuses that choice entirely. It is overwhelming by design, and its overwhelming nature is precisely the point — because the feeling of being crushed by infinite possibility is exactly what it’s about.
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Oppenheimer
You are drawn to cinema on a grand scale — films that understand history not as a backdrop but as a force, and that place their characters inside that force and watch what happens. Christopher Nolan’s Oppenheimer is a film about the terrifying gap between what we can do and what we should do, told with the full weight of one of the most consequential moments in human history behind it. You want your films to feel important without feeling self-important — to earn their ambition through sheer craft and the gravity of their subject. Oppenheimer does exactly that. It is enormous, complicated, and refuses easy comfort.
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Birdman
You are drawn to films that foreground their own construction — that make the how of the filmmaking part of the what it’s about. Alejandro González Iñárritu’s Birdman, shot to appear as a single continuous take, is cinema examining itself through the cracked mirror of a fading actor’s ego. You respond to formal daring, to the feeling that a film is doing something that probably shouldn’t be possible. Michael Keaton’s performance and Emmanuel Lubezki’s restless camera create something genuinely unlike anything else — a film that is simultaneously about creativity, relevance, self-destruction, and the impossibility of ever truly knowing if your work means anything at all.
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No Country for Old Men
You are drawn to cinema that trusts silence, that refuses to explain itself, and that treats dread as a form of meaning. The Coen Brothers’ No Country for Old Men is a film about the arrival of a new kind of evil — implacable, arbitrary, and utterly indifferent to the moral frameworks we use to make sense of the world. It is one of the most formally controlled films ever made, and its controlled restraint is what makes it so terrifying. You want your films to haunt you, not comfort you. You are not interested in resolution if resolution would be dishonest. No Country for Old Men is honest in a way that most cinema never dares to be.
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8
‘Toy Story’ (1995)
Most iconic quote: “To infinity and beyond!”
Woody and Buzz Lightyear in Toy StoryImage via Pixar Animation Studios
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When Pixar released Toy Story, the first-ever fully CG-animated feature film in history, the animated film industry changed forever. This is one of the most iconic stories of ’90s cinema, about a cowboy toy who feels jealous when a new spaceman action figure supplants him as his owner’s favorite toy. Thus, the legendary filmography of the king of animation studios kicked off.
Toy Story sparked three (soon to be four) sequels, all of them with phenomenal dialogue, but no Pixar movie is more quotable than this one. Funny moments, like Woody reminding Buzz that he’s only a toy; profound scenes, like the duo’s heart-to-heart conversations in the third act; and, of course, larger-than-life quotes that have become staples of pop culture all make this delightful little family movie endlessly quotable.
7
The ‘Harry Potter’ Series
Most iconic quote: “Always.”
Hermione (Emma Watson) talking to Pansy (Katherine Nicholson) as they enter the Great Hall behind Harry (Daniel Radcliffe) and Ron (Rupert Grint) in Harry Potter and the Sorcerer’s StoneImage via Warner Bros.
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There are very few fantasy movie franchises more popular, better-known, or more beloved than the Harry Potterfilms. Throughout these eight magical movies, fans got to grow up alongside this orphaned boy who finds out that not only is he a wizard—he’s an awfully powerful one, too, destined to become the only person who can stop the evil Lord Voldemort from rising to power in the Wizarding World.
As much as it’s known for its endearing characters, thrilling moments, and many entertaining storylines, all eight Harry Potter films are popular for their delightfully fun dialogue. They go from the funny, to the romantic, to the badass, to the simply unforgettable. Every character in the franchise has a very distinct way of speaking, and as a result, every few quotes that they spoke throughout the films instantly became a whole pillar of fantasy pop culture.
6
‘Shrek’ (2001)
Most iconic quote: “We can stay up late swapping manly stories, and in the morning, I’m making waffles!”
Image via DreamWorks Pictures
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There aren’t many movie moments more magical than hearing “Some…BODY” and the kick in the door that opens the story of DreamWorks Animation’sShrek. Winner of the first Best Animated Feature Oscar ever, it’s a fairy tale comedy about an ogre who, after his swamp home is taken over by fairy tale creatures who have been evicted by a mean lord, must go on a quest to rescue a princess in order to get his land back.
Shrek has everything that anyone could ask for in a family movie. Plenty of fun moments and amusing jokes to charm the little ones? Check. A surprisingly even larger number of hidden adult jokes and clever deconstructions of the fairy tale movie genre? Check. Some of the greatest, most quotable lines in animated movie history? Definitely check. Awesome music, hilarious jokes, and a number of emotional moments make Shrek one of the best animated films of the 21st century, all memes aside.
All eyes are on Nintendo, and specifically, The Legend of Zelda, as the year enters its final stretch. While Grand Theft Auto VI is undoubtedly the blockbuster gaming release of the fall, set to land with a seismic impact on November 19, the company could still change the landscape of the season fairly notably depending on when it officially dates its Ocarina of Time remake. Tuesday, September 8, should finally answer when the much-anticipated game will arrive this year thanks to a special 40th anniversary Nintendo Direct celebrating a milestone year in Zelda’s history. However, even before the future of the fantasy adventure series is explored, one release is already dated to commemorate the special occasion.
Earlier this year, Nintendo unveiled The Legend of Zelda: Tears of the Kingdom — Secrets of the Zonai, a new hardcover artbook full of illustrations, insights by the creative team, and Hyrule history from the surface to the sky islands and the titular Zonai themselves. Spanning 472 pages, the book primarily shows the perspective of the developers, with exclusive “behind-the-scenes sketches, notes, rough designs, concept art, and recollections” from throughout the process of bringing the game to life. However, over 80 pages are dedicated to expanding the lore of Tears of the Kingdom, specifically unfurling the past of the Zonai civilization leading up to the beginning of the Breath of the Wild sequel. The cherry on top of this collection is new interviews with producer Eiji Aonuma, director Hidemaro Fujibayashi, and art director Satoru Takizawa, going further in-depth on the creation.
The wait for Secrets of the Zonai won’t be much longer, as it’s locked in to hit store shelves on October 20. Pre-orders are already open for either the standard hardcover at $59.99 or the Hero Edition, which features a few extra goodies, including a green slipcase containing the book with a special green cover, an art print featuring Link with the sages, a cloth map of the depths, and a replica of the Secret Stone of Time. Picking up this version courtesy of Dark Horse Books will be costly, though, coming in at $119.99.
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Collider Exclusive · Universe Personality Quiz Which Iconic Universe Do You Belong in the Most? Star Wars · Lord of the Rings · Harry Potter · Game of Thrones · Star Trek
Five legendary universes. Five completely different visions of what the world could be — or already was. One of them is the world your instincts, your values, and your particular way of existing were built for. Eight questions will tell you which one.
🚀Star Wars
💍Lord of the Rings
🧙Harry Potter
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👑Game of Thrones
🖖Star Trek
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01
What gives your life its deepest sense of meaning? Every universe is built around a different answer to this question.
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02
Which kind of world do you most want to inhabit? The environment shapes who you become. Choose carefully.
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03
How do you prefer your conflicts resolved? The shape of a world’s conflicts tells you everything about its soul.
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04
Who do you want beside you when things get difficult? Your ideal companions reveal the world you were made for.
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05
What is your relationship with power? How you seek, wield, or resist power is the map of who you are.
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06
How does your universe treat good and evil? A world’s moral architecture tells you more about it than any map.
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07
What role would you naturally fall into? Every universe has archetypes. Which one fits you without trying?
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08
What do you ultimately believe about the future? The answer to this is the clearest window into which universe already lives inside you.
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Your Universe Has Been Chosen You Belong In…
Your answers point to the iconic universe your values, your instincts, and your particular way of seeing the world were built for. This is where you would find your people — and your purpose.
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A Galaxy Far, Far Away
Star Wars
You believe in the cause — in the idea that freedom is worth fighting for even when the odds are impossible and the empire is vast.
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You are drawn to the moral clarity of a universe where hope itself is a form of resistance.
You’d find your people in the Rebellion — a ragtag coalition of true believers held together by conviction more than resources.
Star Wars is fundamentally a story about ordinary people choosing to matter in an extraordinary conflict — and that is exactly your kind of story.
The Force may or may not be with you. But the will to use it for something larger than yourself certainly is.
Middle-earth
Lord of the Rings
You understand, in the deepest part of yourself, that the journey matters as much as the destination — and that the world’s beauty is worth protecting even at great cost.
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Middle-earth is a world of ancient wonder, deep friendship, and a darkness that only retreats when enough small acts of courage accumulate.
You would thrive here because you value the fellowship more than the glory — the road more than the arrival.
Tolkien’s universe rewards patience, loyalty, and the willingness to carry something heavy across a very long distance.
Those are not burdens to you. They are simply how you move through the world.
The Wizarding World
Harry Potter
You believe that love, loyalty, and doing what’s right are not naive sentiments — they are the most powerful forces in any world, magical or otherwise.
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The Wizarding World is a place of wonder hidden in plain sight, where learning is transformative and the bonds you form at school follow you into every battle.
You would flourish here because you take both the magic and the friendships seriously — and you understand that one without the other is incomplete.
Harry Potter’s universe ultimately rewards those who choose to stand for something even when standing is terrifying.
That choice — made quietly, without guarantee — is something you understand completely.
Westeros · The Known World
Game of Thrones
You see the world clearly — its power structures, its hypocrisies, its brutal arithmetic — and you are not paralysed by that clarity. You use it.
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Westeros is a world that rewards intelligence, adaptability, and the willingness to understand that every alliance is also a negotiation.
You would survive here — possibly thrive here — because you don’t confuse the world as it is with the world as you’d like it to be.
Game of Thrones is a story about what happens when the idealists and the realists collide. You are sharp enough to know which one lasts longer.
Winter always comes. You are already prepared.
The United Federation of Planets
Star Trek
You believe the future is worth building — that curiosity, cooperation, and the expansion of understanding are not just ideals but the most practical path forward for any civilisation.
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Star Trek is a universe where the questions matter as much as the answers, and where encountering something utterly alien is cause for wonder rather than fear.
You would belong here because you are fundamentally optimistic about what intelligence and decency can achieve — while being honest about how hard that achievement is.
The Federation is the universe’s most ambitious thought experiment: what if we actually got better?
You don’t just hope that’s possible. You think it’s the only thing worth working toward.
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What Else Is Expected at ‘The Legend of Zelda’s 40th Anniversary Direct?
Between Secrets of the Zonai and the anniversary direct, Nintendo still has a lot left in store as The Legend of Zelda‘s 40th birthday year comes to a close. The upcoming presentation, however, should have a lot to say about where the franchise is going in the near future. Ocarina of Time will undoubtedly be a big part of their showcase, but it’s also likely to be where Nintendo provides a new look at the upcoming The Legend of Zelda movie from Wes Ball. Last month, the rest of the main cast was revealed, with Uli Latukefu joining Benjamin Evan Ainsworth and Bo Bragason as the evil warlock, Ganondorf, alongside Yvonne Strahovski, Dichen Lachman, and the late great Sam Neill in his final role. With the film due to be released on April 30 next year, a trailer isn’t out of the question. It remains to be seen if the gaming giant will also tease a proper new game for the Nintendo Switch 2 era, considering it’s been three years since Tears of the Kingdom.
The Legend of Zelda: Tears of the Kingdom — Secrets of the Zonai is available to pre-order now ahead of its release on October 20. Check out the cover and Hero Editions in the gallery above.
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