Related: ‘McBee Dynasty’ Recap: Steven Wants to Marry Allie 2 Weeks After Dating
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By Chris Snellgrove
| Published

To this day, the greatest Star Trek icon is William Shatner. As Captain Kirk, he taught all of us the importance of boldly going where no man had gone before. In many ways, the actor has led his life by this philosophy: after dominating sci-fi, he killed it in other genres, including cop dramas, legal procedurals, documentaries, and so much more. Heck, he even headlined some infectiously charming commercials for Priceline. After a while, it looked like there might be no new worlds for Shatner to conquer. However, he’s about to boldly go into his own final frontier with the project of a lifetime: leading his own heavy metal band!
I’ll be the first to admit that this news feels like something out of a fever dream. But as William Shatner’s colleague Avery Brooks once said so memorably on Deep Space Nine, “it’s real!” Shatner has assembled a heavy metal band called The *uckers, and they will be making their debut on September 20th at Chicago’s Riot Fest. This will be the group’s first live performance, but in a truly bizarre twist, their appearance took nearly two decades to arrange.

While Riot Fest is mostly about established musical acts, they have a charming tradition of trying to woo various celebrities into attending and performing. For example, after a decade of increasingly wacky invites, the festival eventually convinced Full House star John Stamos into performing alongside the Beach Boys. Similarly, Riot Fest has courted Shatner for the last 17 years. He finally said yes, but instead of performing with a well-known band, the Star Trek legend decided to assemble his own group, the equivalent of a musical away team.
Apparently, both the actor and the festival know how silly it is to have William Shatner playing heavy metal, and they collectively decided to lean into the humor by publishing a hilariously outlandish rider by the actor. The rider includes demands for Chicago to let Shatner co-anchor the local weather, name some local food after him, let him sing “Take Me Out To the Ball Game” at a baseball game, and name a boat after the actor that he can then captain.

Additionally, the rider requests a dressing room themed as “Shatner’s Shag Shack,” a bunch of adoptable puppies, an intro video from Gwar, and a bunch of Faygo that is not to be shared with the Insane Clown Posse. Oh, and he wants his artist’s golf cart replaced by a Delorean. Believe it or not, these are just a few of the winking, outrageous, and almost certainly fake demands.
Obviously, most of this is tongue-in-cheek, and as a Star Trek fan, it’s great to see Shatner playing along. But he also expressed some real sincerity in an official statement, writing that, “I’ve always believed that music, like space, is about exploration. Riot Fest is exactly the kind of place where anything can happen.” Continuing, he wrote, We’re bringing volume, intensity, and a few surprises. I can’t wait to share this experience with the fans.”

While Shatner is new to heavy metal, he’s not new to music, having released several albums in the past. Instead of taking on Riot Festival solo, the Star Trek actor assembled a band, The *uckers, consisting of several well-known musicians. This includes Marcus Nand on guitar, Phil Soussan on bass, Britt Lightning on guitar, and Fred Aching on drums. Together, they will play reimagined songs from Shatner’s musical history as well as songs from their amusingly titled debut album, What the F Is Heavy Metal. As he told People, “That’s the name of the album because I know nothing or didn’t know anything until I found out how little I do know.”
Want to see William Shatner make his inexplicable heavy metal debut? Be sure to save up your latinum and snag tickets to Chicago’s Riot Fest, which runs from September 18-20. On Instagram, the actor claims it will be an event that fans will want to tell their grandchildren about. We’re inclined to agree: one way or another, Shatner beaming into his metal era is something nobody will ever forget!
Jania Meshell has shown off her growing baby bump just days after announcing that she’s expecting her third child.
During the early hours of Saturday, July 18, Jania Meshell took to her Instagram Story to share a photo of herself with her more than 3.3 million followers. Furthermore, the initial photo showed her standing in front of a bathroom mirror as she posed, showing off her full body, wearing a pink bra and shorts set. Furthermore, in a follow-up post, Meshell showed off her side profile as she rubbed her baby bump.
Social media users reacted to the footage of Jania Meshell’s baby bump in TSR Teens’ comment section.
Instagram user @omggliyawtff wrote, “was she not just cursing everyone out for telling her congratulations when they clearly saw she was pregnant 😂”
While Instagram user @april_w2026 added, “2 boys and a girl😍so perfect !”
Instagram user @yournotmyshinigami wrote, “Wait when she got pregnant again 😭”
While Instagram user @s__tutti added, “I love the weight she got 🥹😍😍😮💨”
Instagram user @breezy2turnt._ wrote, “The internet is always right omg 😂😂😂😂”
While Instagram user @_nay__tiff718 added, “definitely knew she was pregnant a month ago”
Instagram user @exoticcshyt_ wrote, “yall ain’t never lied yet 😂”
While Instagram user @_xclusive_.jojo added, “Beautiful and love the pink😍😍😍😍😍😍😍😍”
As The Shade Room previously reported, in April, Jania Meshell took to the internet to respond to a user who speculated that she was pregnant. At the time, a photo of her had surfaced, reportedly from a family funeral.
Then, earlier this week, Meshell seemingly let the cat out of the bag — not only revealing that she and Dejounte Murray are expecting their second child together. (She shares her eldest child with NBA YoungBoy.) But also revealing that they’re expecting a baby boy.
What Do You Think Roomies?
Steven McBee Jr. admits he felt a nudge from his loved ones to settle down with Allie Eklund before their split earlier this year.
“Inherently, there’s a little bit of pressure because my family is who I hang out with,” Steven, 33, exclusively told Us Weekly on Thursday, July 16. “And so they’re all married up, starting their families.”
The McBee Dynasty: Real American Cowboys star explained it was a “combination” of loving Allie, 29, so deeply and his brothers’ being wifed-up that made him feel ready for marriage before their ultimate breakup in April. (Cole McBee is engaged to Kacie Adkison, with whom he shares one daughter, while Jesse McBee is married to Alli McBee and also has one daughter.)
The McBee Farm & Cattle Co. CEO admitted, “I don’t hang out with single friends or anything like that. So there’s a little bit of pressure on that end.”

Steven, however, noted that after watching back season 3, which was filmed in fall 2025, his brothers, Cole, Jesse and Brayden McBee, were actually pushing for him to pump the brakes on his and Allie’s relationship.
“I’m also seeing a lot of learning lessons as far as me moving a little too quickly and my family saying, ‘Hey, you better slow down a little bit and make sure,’” Steven said of the “bittersweet” episodes he’s seen. “And I threw all caution to the wind and was like, ‘I’m ready to get married.’”
While his family dynamic did play a part in Steven’s eagerness to get hitched himself, he told Us that his connection with Allie was an even bigger reason he thought it was time to settle down — even though they’d only been dating a few weeks when he started talking about proposing to his siblings.
“Allie was pretty spot on with everything that I was hoping to find in a woman,” Steven shared. “So I was like, ‘Hey, this is it. I found what I’m looking for. I’m good. Like, there’s no time to waste here. Let’s just do it.’”
He noted that the influencer “checked all the boxes” at the time, so he was all in.
During the season 3 premiere of McBee Dynasty, which aired in June, fans were introduced to Allie, a content creator from Texas. Her debut included her first trip to Steven’s family farm in Missouri and their first kiss — which was on camera.

“I wasn’t even aware that that moment was going to happen on camera,” Allie exclusively told Us earlier this month about the unplanned kiss. “We had gone on multiple dates before that, had been talking for weeks prior, and it just happened to line up where we kissed on camera.”
Allie noted it was a “very authentic way of just life,” insisting it “wasn’t intentional” that they shared that moment with the world.
“It was my first time on reality and TV, so a first kiss on a national level is definitely not normal. Which I feel like you can kind of see in my reaction to it,” she added.
When the cameras stopped rolling in winter 2025, Allie and Steven continued to date. However, they hit a bump in the road in April when Steven publicly accused Allie of cheating with another man while she was at Stagecoach Music Festival in California.
Allie denied the allegations and although Steven later issued a public apology for his actions, the pair split for good that same month.
Despite the drama, Steven told Us on Thursday that he has liked seeing his and Allie’s love story unfold on TV even if it didn’t end well.
“I’m grateful for, you know, seeing how happy I was at the time, what I thought the future would hold,” he said. “I’m grateful for what that feeling felt like, and now obviously hindsight’s 20-20.”
Steven confessed, “I hate the fallout. I hate my role in a lot of the fallout. I wish things would have just been handled internally and privately. Obviously, we are where we are now, and we can’t take the past back.”
Allie, for her part, said she didn’t need “closure” from Steven following their split, telling Us in July that she’s closed that chapter.
“When I realized that it was a pattern [on his part] and it wasn’t circumstantial, this was really just the icing on the cake for me. And it was it. There’s no conversation to be had, no closure left,” she shared. “Like, that’s closure enough for me. And when he asked me to have a conversation, a closure conversation, I denied it because there’s when your actions and your words don’t line up. There’s nothing that I can do with that. So, you know, I wish him the best from afar.”
The McBee Dynasty: Real American Cowboys airs on Bravo Mondays at 9 p.m. ET.
We all love a good mystery thriller. It’s our chance to escape into a crime-filled world, playing a detective as we attempt to solve the mystery. If there is one mystery writer in the modern era who has delivered a world of excellent content, look no further than Harlan Coben. The brilliant mind behind some of your streamers’ highest-charting hits, the American author is, to say the least, prolific.
Having written dozens of novels that bring twists and turns around every corner, many of the titles have been adapted for serialized purposes. Though they may not all be extraordinary, they’ve certainly become a guilty-pleasure genre within thrillers. Adapted in many countries in a variety of languages, one thing they all have in common is the ability to keep you intrigued from start to finish. We’re going to celebrate his televised bibliography as we determine the best series in the greater Harlan Coben Cinematic Universe.
Coben might be American, and his work tends to be transported to the UK, but that doesn’t mean all of his work has to follow the same formula. In 2025, Caught became the first Latin American adaptation of a Coben piece. Set in Bariloche, Argentina, Caught follows investigative journalist Ema Garay (Soledad Villamil), who has built a successful career by catching criminals who have eluded justice. But her latest story hits closer to home. Working alongside social worker Leo Mercer (Alberto Ammann), Ema gets a tip into the disappearance of a 16-year-old girl that makes Leo the primary suspect. With the entire justice system gunning for him, Ema might be the only person who believes his innocence. But as she pursues the truth, she unravels a web of interconnected mysteries that puts her life in direct danger.
Regardless of language, Caught is typical Coben. There are elements that make it a strong series, but what Caught lacks is an immediate, original, and engaging hook. With a pretty murky first episode, Caught drudges along as twists and turns tend to pop out from nowhere simply for the sake of it. Coben’s stories are almost all fragmented, eventually uniting down the line, but Caught seemed to suffer more than normal. What shines through is that, no matter the language or location, you can sense Coben’s unique voice.
Based on one of Coben’s earliest works, the French-language series has all the markings of a classic Coben thriller. Gone for Good follows Guillaume Lucchesi (Finnegan Oldfield), who spends his summers at his family estate on the French Riviera. During his trip in 2010, he witnessed the murder of his girlfriend and his older brother. Ten years later, on the eve of his mother’s funeral, Guillaume proposes to his new girlfriend, Judith (Nailia Harzoune), who suddenly disappears the next day. The past and present collide as Guillaume is thrust into a brand-new mystery to discover the truth about Judith and where she may have gone.
The five-part series has an engaging and riveting hook that immediately moves into a swiftly paced drama. Moving the location to France was a seamless transition. Gone For Good does a lot of time-hopping, which is good for developing a tense story that sets up a stronger overall narrative, but it just needs a bit more nuance and purpose. It’s not necessarily confusing, but it stalls the action at times. If you’re eager to watch every Coben series, regardless of language, Gone for Good is a decent time; otherwise, you can probably skip.
Like many of Coben’s mysteries, it’s the darkest secrets of ours that tend to become the most destructive. Set in Warsaw, Poland, Just One Look follows Greta (Maria Dębska) as her life is upended when a disturbing photo mysteriously surfaces, connecting to the disappearance of her husband, Jacek (Cezary Lukaszewicz). As she digs into what happened, Greta confronts buried truths, past traumas, and her own hazy memory to save her husband. But that might mean discovering a marriage that was not what she thought.
Thanks to its worldwide Netflix release, Just One Look charted quite quickly, as Coben series tend to do. But if you had Coben fatigue at the rate that his series have been churned out, you might have passed this one up. The adaptation of the 2004 novel is led by Dębska, who delivers a solid performance. With an American writing perspective told in a Polish setting, Just One Look works, but it lacks a bit of the universality that other Coben shows contain.
One of Coben’s first series to be created for the screen and not a direct adaptation, The Five is a thriller that takes audiences from the past to the present. Childhood friends Mark Wells (Tom Cullen), Danny Kenwood (O. T. Fagbenle), Slade (Lee Ingleby), and Pru Carew (Sarah Solemani) are reunited when DNA evidence left at the murder scene of Annie Green is revealed to be that of Mark’s younger brother, Jesse (Alfie and Harry Bloor), who disappeared 20 years prior, believed to be killed by serial killer Jakob Marosi (Rade Serbedzija). Through an intricate web of trials and tribulations, the four childhood friends search in hopes of finding Jesse alive.
A true, “I know what you did 20 years ago” story, The Five is Coben at his earliest. And for that, The Five drops a few spots down. Though it has strong acting and solid storytelling, The Five lacks the bells and whistles that later entries tend to have. Despite some clunky dialogue and hokey moments, however, The Five is a steadfast mystery. Should you go back in time and watch all of these shows in release date order, The Five will leave you slightly satisfied and eager to reach the Netflix era as soon as possible. The Five is story first, emotions second.
For the most part, Coben’s stories are contained in their own universe, but two pieces share the same world and timeline: Hold Tight and The Woods. In the unofficial sequel to The Woods, Pawel Kopiński (Grzegorz Damięcki) and his now-wife, Laura (Agnieszka Grochowska), find themselves connected to the primary story through Pawel’s daughter, Kaja (Agata Labno). Her boyfriend, Adam Barczyk (Krzysztof Oleksyn), suddenly goes missing after their friend Igor dies. The race is on to find Adam, and his mother, Anna (Magdalena Boczarska), will go to great lengths to do so.
With action, suspense, and a killer plot, Hold Tight is a decent non-English language adaptation, but, dare I say, on the verge of being too stale and predictable. With some major changes from page to screen, including gender and age, Hold Tight lives on its own. There are some strong story elements, but the series meanders a bit too much. It’s not as engaging as some of the other entries, especially the one it’s connected to.
Created for Prime Video, Shelter was inspired by Coben’s 2011 young adult novel. Shelter follows Mickey Bolitar (Jaden Michael) as he starts a new life in Kasselton, New Jersey, following the death of his father. While there, he becomes entangled in the mysterious disappearance of Ashley Kent (Samantha Bugliaro), a student at his school, which leads him to discover a dark underworld in the quiet suburban community. An absorbing thriller, the intensity helps the series thrive as the fast-paced mystery keeps you glued to your screens.
The key difference between Shelter and nearly every other Coben entry on this list is that Shelter is young adult-focused, not just in the audience but in the central character. The mystery unfolds through the eyes of protagonists much younger than Coben’s other main characters, making Shelter a bit of an enigma. The strength of Shelter lies in the chemistry and dynamics, especially between Michael as Mickey, Abby Corrigan as Emma, and Adrian Greesmith as Spoon. Plus, appearances from Constance Zimmer, Tovah Feldshuh, and Missi Pyle make it a worthy watch. Intended to be a multi-season run, Shelter was unfortunately canceled after a single season.
One of the most promising concepts in the Coben collection was 2025’s Lazarus. The horror-thriller follows psychiatrist Joel Lazarus (Sam Claflin), who returns home to his family’s house following the apparent suicide of his estranged father, Jonathan (Bill Nighy). Haunted by the unsolved murder of his sister 25 years earlier, Joel goes down a rabbit hole, convinced his father wouldn’t have taken his own life, only to be followed by unsettling phenomena and disturbing visions. A visually stunning and artfully crafted mystery, Lazarus had all the makings of a masterpiece but fell into some convoluted directorial execution.
Don’t get it twisted, Lazarus is a fun watch. Watching the typically grounded Claflin descend into madness was an extraordinary experience. The issue with Lazarus was its storytelling. With distinct timelines jumping in and out, maintaining order and comprehension was not its strongest suit. And when you’re dealing with a pair of “Dr. Lazurus,” you have to pay keen attention to whether the father or son is being referenced. Diving into the world of supernatural horror was a logical next step for Coben. Lazarus still has a labyrinth of mysteries to explore, but the mood does not make up for the preposterous plot.
Time for a foreign language triumph in the Harlan Coben Cinematic Universe! In the Polish thriller The Woods, the story is divided into two time periods. In August 1994, at a summer camp in the woods, Pawel Kopiński (Hubert Milkowski) chaperons his younger sister’s camper, Kamila (Martyna Byczkowska). In September 2019, Pawel (now played by Grzegorz Damięcki), a Warsaw prosecutor and recently widowed single father, reconnects with his camp sweetheart, Laura (Agnieszka Grochowska). After a body is discovered surrounded by newspaper clippings about Pawel, he’s called in to identify the deceased. It’s only then that we learn that at that fateful summer camp, two people were murdered and two went missing, including his sister. Pawel investigates the case and digs deeper to learn that his sister may still be out there. A swiftly moving series with red herrings galore, The Woods helped kick off the Netflix domination of Coben mystery thrillers.
The biggest downfall of the series is the way the exposition is layered, as it’s not as natural as one might like. Once you get past that and dive into the mystery in the present, The Woods is a satisfying story. The Woods is an example of where characters triumph over tropes, though the classic Coben staples are alive and well. The transition from New Jersey to Poland was seamless, though selfishly, an American edition of The Woods would be a thrilling watch. Critically approved but audience thrashed, The Woods suffers from the language barrier when it should be on a must-watch list.
How far will you go to save your own child? Just ask Dr. Alice Lambert (Alexandra Lamy). In this shocking miniseries, Alice goes to fix a bottle for her daughter when two gunshots ring out, and everything goes black. A week later, Alice emerges from a coma, and a nightmare reality awaits as her husband has been murdered, and her baby is missing. Suspected by the police and hunted by ruthless hitmen, Alice refuses to give up, turning to Richard (Pascal Elbe), her first love and a former criminal investigator. No Second Chance was a twisted tale that kicked off the Coben obsession around the world.
Based on his bestselling novel, No Second Chance became an instant hit in France. A harrowing story of corruption, social inequality, and the resilience of true love, the series makes a smart and bold choice of swapping genders, turning the protagonist into a woman. Lambert’s hunt for her daughter is the key cog in the story, and it’s truly her journey that draws you in. While many Coben thrillers seem to have the same law enforcement character archetypes, No Second Chance has a standout in Hippolyte Girardot as grouchy detective Cyril Tessier.
A true Coben classic is 2021’s Stay Close. The eight-part series finds three seemingly random individuals whose lives become intertwined by an unsolved case. Photographer Ray Levine (Richard Armitage) inadvertently captured an image of a shadowy figure running in the woods. Then there is Megan Pierce (Cush Jumbo), a mother of three, who is about to be wed to her fiancé, Dave Shaw (Daniel Francis). Meanwhile, Michael Broome (James Nesbitt), a detective investigating the disappearance of a young man, Carlton Flynn, discovers the disappearance happened exactly 17 years after another missing persons case of his that went unsolved. So, how are these three strangers connected to Carlton’s missing-person case? In typical Coben fashion, the puzzle is completed at the end.
From psychopathic musical-theater-loving assassins, Barbie and Ken (Poppy Gilbert and Hyoie O’Grady), to bumbling detectives Broome and Cartwright (Jo Joyner), Stay Close is an outright thrill ride — and one that doesn’t spare much for the imagination if you’re on the queasy side. Stay Close layers in just enough camp to make it enjoyable and not too weighty. Plus, the addition of Eddie Izzard in the ensemble helps boost it to the next level. Jumbo is a satisfactory lead, but it’s Armitage and Nesbitt, true staples of Coben’s, who manage to tackle the material best.
By Chris Snellgrove
| Published

Possibly no TV series ever made has had such a meteoric rise and epic fall as The X-Files. The early seasons captivated ‘90s audiences with a potent combination of sexy lead actors and stories about alien abductions and government conspiracies. The franchise arguably hit a high point with the first movie, The X-Files: Fight the Future. Unfortunately, it was all downhill from there. Later seasons got progressively worse, and David Duchovny eventually left the show for good. He came back for the worst revival in television history, one that followed up on some of the revelations of the second movie, The X-Files: I Want To Believe.
Whereas Fight the Future advanced the complex mythology of the series, I Want To Believe was modeled more after the series’ monster-of-the-week episodes. Unfortunately, the monster was weaksauce, and the film’s vestigial ties to some of the stupider lore really dragged it down. But could this failed film be one good edit away from being a banger? Chris Carter seems to think so. Last year, he teased that he was working on an R-Rated director’s cut of the film, one that brings it to bloody life like never before. Now, fans will be able to judge for themselves: The X-Files: I Want to Believe Vrach Frankenshteyn will begin streaming on Hulu on August 14.

The X-Files: I Want to Believe is a movie where Mulder and Scully have long since left the FBI; she’s a doctor, and he’s a hermit. But when an FBI agent gets kidnapped, and a Catholic priest starts seeing her in psychic visions, the Bureau gets Mulder to consult on the case because of his prior experience with all things spooky. Unfortunately, the PG-13 movie was a flop: it has a 32 percent rating on Rotten Tomatoes from critics and audiences alike. It also earned only $68.4 million against a $30 million budget, with its box office likely suffering because it premiered only one week after Christopher Nolan’s The Dark Knight.
It’s a movie so bad that most X-Files fans would rather forget that it exists. However, when Chris Carter appeared on David Duchovny’s Fail Better podcast last year, he said that he was working on an R-rated director’s cut and hinted that it would premiere on streaming. “Now I have a chance to go back and make the scary movie that I always intended to make,” he said. “It’s not just doing a director’s cut to do a director’s cut. It’s really kind of bringing to life something that for me was on the page and never got to the screen.”

For better or for worse, the teasing is over. Previously, the new cut (titled The X-Files: I Want to Believe Vrach Frankenshteyn) was set to debut on Disney+ in June, but it got quietly yoinked off that streamer’s schedule to make time for some last-minute tweaks. Now, the movie is set to premiere on Hulu on August 14. While Carter is excited to show us his original vision for this flawed sequel, it’s not yet clear how it will differ from the theatrical version. It’s also not clear what the weird new title is about, though many think it’s a hint that Carter has, Frankenstein-style, cobbled together a new film out of assorted footage that had been left on the cutting room floor.
Will this director’s cut from Chris Carter leave fans screaming “it’s alive,” or will we just want to burn the movie with fire? Like Mulder always says, the truth is out there. And we can find out together: The X-Files: I Want to Believe Vrach Frankenshteyn premieres on Hulu on August 14. Here’s hoping it can help to erase the stink of Season 11 from our collective minds!
Some Bridgerton fans have been concerned about potential recasts — and now a former cast member is addressing the chances of them returning to the show.
Calam Lynch, who played Theo in season 2, was asked whether he was asked to come back, to which he told Swooon on Wednesday, July 15, “I mean, I don’t know. I loved doing the show, I really did.”
Lynch, 31, didn’t rule Theo returning for Eloise’s season.
“I’ve always felt that people like Jess Brownell, who runs the show, and Chris Van Dusen before her, know what’s best for those characters,” he continued. “And I think there’s a beauty to it being what it was.”
While Lynch hasn’t heard anything, he suggested how Theo could come back, saying, “If it was really intentional and thought about and done in a really subtle, interesting way, then of course. I love Claudia Jessie so much, she’s so great, and I love working with her, and all of that cast, they’re all great, but I dunno, it was a long time ago …”
Eloise’s near-romance with Theo ended abruptly and wasn’t addressed again. Her love story with Phillip (Chris Fulton) is expected to serve as the inspiration for season 5, which is based on Julia Quinn‘s To Sir Phillip, With Love novel.

Claudia Jessie and Chris Fulton Netflix (2)
“I don’t necessarily know how they’re gonna spin it or write it or what they’re going to keep and change,” Quinn exclusively told Us Weekly in February. “I love her story.”
She continued: “He’s got two kids who she has got to wrangle, which is awesome. The fact that Eloise is going to have an instant family is awesome. His twins are pretty ruthless to her so I hope they keep stuff like that in.”
When asked whether Fulton — who appeared in seasons 1 and 2 — would reprise his role or if a new actor would be brought in, Quinn noted that she doesn’t know the plan after changes have been made in other adaptations.
Quinn also addressed the chances of younger siblings Hyacinth (Florence Hunt) and Gregory (Will Tilston) being played by other actors by the time it’s their turn to be at the center of their own seasons.
“It’s funny because they were, like, 12 and 13 when they started. If you asked me that back then [about the same actors playing them as adults], I’d be like, ‘I don’t know.’ But when I saw them again at the premiere, they were both drinking wine,” Quinn told Us. “They’re both 18 now and Will was there with his girlfriend.”
The author pointed out that there were still a few years before It’s In His Kiss and On the Way to the Wedding will be featured with their own seasons.
“Jess [Brownell] has said the next two seasons will be either Eloise and then Francesca or Francesca and then Eloise, which makes sense. It takes a few years to film, so by the time we get to Hyacinth and Gregory, the actors are going to be well into their 20s,” Quinn explained. “So I think it’ll probably be OK. Will it be weird that we knew them when they were 12? We see child stars grow up all the time.”
Quinn said there’s a lot for fans to look forward to, adding, “As a writer, it was hard to write those two books at first. I really had to let them grow up in my mind a bit and that was hard for both of them. I was really glad it took several years — but even so — I can’t remember how much time passed in the writing. I really had to let them grow up. It was tough.”
Bridgerton is currently streaming on Netflix.
The phrase “classic” is used relatively when describing contemporary shows, given that television is an evolving medium that has changed significantly in the last decade. While the dawn of premium cable used to be seen as the single most defining evolution in how shows are funded and received, streaming has completely shifted the way that the market works. It is now not uncommon for shows to be treated like blockbuster films with massive budgets, A-list talent, and marketing campaigns that begin years in advance. It’s exciting that there is so much innovation that is done on the small screen, as it has opened up more opportunities in a time when the theatrical market is under stress due to the perilous limited release strategies that have made high-quality films inaccessible to those outside of major cities. However, increased budgets and attention do not necessarily make for an immediate jump in quality.
It’s a little bit unusual to think about shows from only two decades ago being now viewed as “classics,” but they do fit that definition when compared to the sheer amount of content that is released regularly. Streaming services like Netflix, Amazon Prime, HBO, and Disney+ will greenlight, renew, and cancel shows at such an alarming rate that it’s impossible to keep track of them all; given that most households subscribe to at least three or four streaming services, there is more content that they have access to than anyone could hope to watch within their lifetime. As easy as it is to be lured in by the promise of new shows that were made to address contemporary subjects, it’s worth diving into the past to rediscover the series that helped build the foundation on which modern television is based.
Twin Peaks is the most influential show in history because David Lynch completely changed the way that audiences interacted with stories told on the small screen. Lynch disagreed with the format of crime procedurals that dismissed the plight of the victim by turning them into a “case of the week” and wanted to dig into the way that a shocking act of violence actually impacted a community. Twin Peaks told the serialized mystery of “Who killed Laura Palmer?” — the character is a high school prom queen played by Sheryl Lee. Although the show begins as a straightforward investigation into those within her hometown who may have been involved, it evolves into an epic drama about the community itself and how this one burst of violence reveals the ugly truths that lie beneath the surface.
Twin Peaks had a “water cooler effect” because it engaged new viewers with its mysteries and secrets, creating one of the first passionate fandoms. Although the series was cancelled at the end of its second season, Lynch believed strongly in continuing the story and directed the prequel film Twin Peaks: Fire Walk With Me, which retold the events set right before the show from Laura’s perspective. The film was a financial disappointment that initially vexed fans who had wanted a firm conclusion to the cliffhanger that had ended Season 2, but it has steadily been appreciated as a masterpiece. Lynch finally returned to Twin Peaks in 2017 for a third season on Showtime that ranks among the most experimental, challenging, and complex works of filmmaking ever made and stands as the perfect swan song because it was his last major project.
The Sopranos is perhaps the show most often cited as “the greatest of all time,” and for good reason. David Chase wanted to create a complex psychological drama about a deeply disturbed anti-hero who struggled with the pressures of raising a family, and he merged it with his interest in Italian gangster films. The Sopranos did for mafia-related shows what The Godfather trilogy did for crime cinema; it took a genre that was otherwise considered to be “trashy” and turned it into an epic about loyalty, faith, human frailty, and the death of the American dream. James Gandolfini’s performance was brilliant because he showed vulnerability and humor within a monstrous character, all whilst making it abundantly clear that Tony Soprano was a psychopath who could never be perceived as a hero.
The Sopranos is the rare show that retained a consistent level of quality throughout its run, as it managed to get even more stylistically experimental as it went along. Season 2 showed the thematic and psychological depths the series could go to with “Funhouse,” and Season 3 offered the perfect “one-off” episode with the classic “Pine Barrens,” but it was in the Season 5 episodes “The Test Dream” and “Long Term Parking” that Chase revealed the tragic, mythic storytelling he was aiming for. While initially divisive, The Sopranos’ finale “Made in America” was the perfect way to end the series.
The Wire was a novelty among HBO shows because it was never a massive ratings hit and failed to get much attention from the Primetime Emmy Awards during its run, having only gained the support of critics and niche fans. However, everyone who saw The Wire came away impressed with what David Simon had achieved, making it an essential HBO show. Since Simon was a former crime reporter in Baltimore who had over a decade of experience, he was able to create a highly realistic series about the intersectionality between different infrastructures involved in the drug trade. By heightening the complexity with each season, The Wire felt closer and closer to reality as it went on.
The Wire is the rare show that offers a tremendous amount of practical information regarding the way that American law works, but it’s also highly entertaining and has at least a dozen of the greatest characters in television history. While it’s possible that the show could have gone on for longer had HBO allowed Simon to expand into a Season 6, the five installments that do exist are must-watches for anyone who considers themselves to be a serious television fan.
The Shield was a show that was ahead of its time and now feels more relevant than ever before. While American television has often lionized the role of law enforcement by treating cops as heroes, The Shield exposed the dark side of police corruption through the terrifying anti-hero Vic Mackey (Michael Chiklis), a member of the LAPD strike force who is involved in both personal intimidation and taking down even more dangerous criminals. The series wrestled with the role that someone like Vic had, as he could both be used as a blunt instrument for good and initiate scandals that caused the entire city to collapse. The Shield refused to give its audience any easy answers, and its ambiguity has only made it age better.
The Shield succeeded in growing in scale with each subsequent season and managed to draw in award-winning guest stars like Glenn Close and Forest Whitaker to make appearances. There might not be a “bad” season of The Shield, but the series finale “Family Meeting” is one of the best of the century, as it offered the most thematically resonant closure for one of the bravest, most confrontational crime shows ever made.
24 redefined what a thriller show could look like because of its novel structure, made even more impressive because it aired on a network that didn’t have the advanced resources of premium cable. Every season of 24 consisted of 24 episodes, with each corresponding to the hour of a single day; the show progressed in real time, allowing audiences to be swept up in the adventures of the CIA counterterrorist agent Jack Bauer (Kiefer Sutherland) as he got to the root of various conspiracies and threats against the American public. The fact that the series began right after 9/11 only fueled the political fire, turning the series into a lightning rod of controversy. Although it might be easy to look at anything from the past that features problematic behavior and claim that it “hasn’t aged well,” 24 didn’t necessarily advocate for Bauer as a flawless hero; in fact, the show often explored the deep-seated corruption in American politics and questioned whether the end justified the means.
24 proved to be a successful franchise that frequently attracted notable actors for guest star roles and was surprisingly able to keep itself on a healthy pace with new seasons released on a yearly basis. A television film was released in-between seasons as a placeholder during the WGA strikes, and Sutherland reprised his role for an extended miniseries in 2014 that, thus far, serves as the final appearance by Bauer. Although there have been rumors about a potential reboot or continuation, it remains to be seen if 24 can be adapted into the modern television era. Nonetheless, it’s a great product of its time, and one that remains more gripping, exhilarating, and emotionally fulfilling than a vast majority of the content that streamers are releasing today.
2001 – 2010-00-00
Robert Cochran
Robert Cochran
Robert Cochran
Gloss Up is keeping fans updated as she recovers after suffering a serious foot injury in a recent car accident. The rapper shared a new video showing her leaving the hospital and easing back into her routine as she focuses on her healing journey.
Recently, Gloss Up hopped on Instagram and gave fans an update on her recovery progress after leaving the hospital. As The Shade Room previously reported, the Memphis femcee suffered a severe foot injury after a car accident. The footage shows Gloss in a wheelchair, with a voiceover thanking fans for their continued love and support. Gloss’s foot remains in a cast as paramedics help her make her way into her home.
While speaking to fans, Gloss admitted that she really thought she lost her foot because of how it looked when she arrived at the hospital. Her management team previously shared graphic photos of her injury and explained that they wanted fans to understand the severity of what she endured after the accident. As the clip continued, Gloss said she knows she’ll be back to normal in no time.
Once Gloss Up dropped her video, fans continued flooding her comment section with love and prayers. Plenty of folks said they were happy to see her home and believed her comeback would be bigger than ever.
Instagram user @officialflippat wrote, “Praying you get well soon ❤️”
Instagram user @djmshypnotique wrote, “❤️🩹 sending healing vibes and prayers to you ❤️🩹”
While Instagram user @ritacatrice wrote, “Small setback for bigger come up you from them m you was made for this boo praying for speedy recovery.”
Then, Instagram user @prettyface_me_ wrote, “Glad you ok hope u have a speedy recovery ❤️🩹 friend @glittergirlgloss”
Another Instagram user @queenjustbrittany wrote, “One day at a time 🧡”
Instagram user @prettyyblckk_ wrote, “Praying for a safe and healing recovery ❤️🩹 don’t try and move too quick get your health and mental back on track.”
While another Instagram user @synthsavior wrote, “Get well! We been praying for ya 🙌”
Finally, Instagram user @thebaddboutique wrote, “So glad you’re home and well baby. You got this ❤️❤️❤️”
In videos shared by LiveBitez, Gloss opened up about the moments leading up to her car accident. She said she was driving on the expressway around 3 a.m. when it was extremely dark and saw a black car spin out of control. Although the car eventually stopped, and she said she wasn’t speeding, Gloss explained that she still hit the vehicle, even though it wasn’t moving.
Gloss also clarified that she never meant to mislead anyone when she said she thought her foot was gone. She explained that she truly believed that was the case because her leg was dangling when she tried to step out of the car. Additionally, Gloss shared that she had never experienced a car accident before and said the experience left her “traumatized.”
What Do You Think Roomies?
Taina Williams showed off a new look, and social media users are hyping her up.
On Friday, July 17, Tainia Williams took to her Instagram Story to share a clip with her more than 2.6 million followers. Furthermore, the clip showed Williams riding in a car, donning a teal sweater, and she shook her head back and forth, revealing her now-short tresses.
“I just cut my hair off lol feeling refreshed #newhairnewme [laughing emoji],” she wrote as the one-screen caption.
Social media users instantly started hyping Tainia Williams up in TSR Teens’ comment section.
Instagram user @slrquansince93 wrote, “G Herbo picked the right one 😍😮💨”
While Instagram user @cl_e_o_ added, “She always looks so classy 😍😍”
Instagram user @lakeithiaax wrote, “Girl I thought this was dream doll 🥴”
While Instagram user @darriii.g added, “Herbo is soooo lucky I swearrr😍”
Instagram user @thassthareal_envymee wrote, “I loveeee a mommy cut 😍”
While Instagram user @imjustessence._ added, “She gorgeous asf bro😍😍😍”
Instagram user @thtgirlbeba wrote, “Looking like her mothers twin”
While Instagram user @malaysia__entrepreneur added, “She can’t be f**ked with ! NO MAKEUP just beautiful 😍😍😍😍😍”
Instagram user @malathegoatx7 wrote, “Omggggg 😍😍 convincing me to go short fr”
While Instagram user @lusciousssalicia added, “It’s so cute It will grow back fast I’m sure😍”
As The Shade Room previously reported, Taina Williams most recently made headlines in June. At the time, Ari Fletcher had taken to X, writing, “I have a whole saved album of wedding inspo. I want a magical wedding. 👰🏽💍”
Subsequently, social media users flooded TSR’s comment section, heavily mentioning Williams.
What Do You Think Roomies?
Sunny Hostin’s attempt to keep her son from receiving a trespassing citation is now playing out publicly, with newly released bodycam footage showing “The View” co-host repeatedly highlighting her television career, legal background, and her son’s Harvard education while speaking with police.
Despite Hostin’s efforts, officers moved forward with citing 24-year-old Gabriel Hostin after he was allegedly found on active Metro-North Railroad property in Westchester County, New York. Police explained that the alleged offense could have resulted in an arrest but said they reduced it to a trespassing violation because Gabriel cooperated and was not standing directly between the rails.

The June 16 encounter began after officers reportedly spotted Gabriel on the railroad right-of-way near New Rochelle.
Bodycam footage released by the MTA Police Department and obtained by TMZ shows officers approaching Gabriel on the tracks and temporarily placing him in handcuffs while he spoke with his mother over the phone.
After officers moved to a nearby street, Sunny arrived and immediately explained who she was. “My name is Sunny Hostin and I’m one of the co-hosts of ‘The View’ and I’m a former federal prosecutor,” she told police.
The 57-year-old television personality then emphasized her son’s background while arguing that he had made an innocent mistake. “That’s my son. He’s a Harvard graduate, he doesn’t have a criminal record,” Hostin said. “He knows. He’s a Harvard grad who teaches 4th grade geometry to South Bronx kids.”
Hostin also described Gabriel as “not a kid who’s ever in trouble” as she asked officers not to issue the citation.

Gabriel reportedly told officers that he had been running when he noticed a gravel incline that appeared suitable for hill training. He claimed he entered through an open gate and did not realize he had crossed onto restricted railroad property.
Police, however, said Gabriel had been found on the right-of-way of active tracks in an area with posted “No Trespassing” warnings. When an officer informed him that he would receive a trespassing citation, Gabriel asked, “Is this necessary?” The officer responded, “Yes.”
Gabriel then questioned what would happen if an officer chose not to issue the ticket. Police said their “hands were tied” and stressed that the situation could have ended more seriously. “Because it is an arrestable offense. I want to make that clear, okay?” one officer explained.
The officer said police were “dimming it down to a trespass violation” because Gabriel had not been standing in the gauge, the area between the rails, and had remained cooperative. “We know you’re not a criminal or anything like that, but our hands are tied with cameras everywhere,” the officer added.
While reports have described the incident as an arrest, TMZ previously reported that court records characterized it as a citation that did not involve an arrest. The newly released footage does show Gabriel being briefly handcuffed during the initial encounter.

The bodycam footage gives additional context to the argument Hostin later presented to prosecutors: that her son entered through an open gate and did not knowingly disregard a visible warning.
MTA Police also released an image of the gate and the “No Trespassing” sign Gabriel said he did not notice. Hostin has argued that because the gate was standing open, the sign attached to it was not readily visible as he entered the area.
The family also reportedly told officers that they had moved to the area within the past year, suggesting Gabriel was still unfamiliar with his surroundings. That explanation now sits at the center of Hostin’s request for the case to be dismissed. Rather than disputing that Gabriel entered railroad property, she is arguing that he lacked the intent to trespass and reasonably believed the incline was accessible.

Hostin, who previously worked as a federal prosecutor before becoming a legal analyst and joining “The View,” is listed as her son’s attorney in the case.
In a letter sent to Westchester Assistant District Attorney Amanda Greene, Hostin asked prosecutors to dismiss the citation before Gabriel’s scheduled July 31 court appearance. “My client is a 2025 Harvard University graduate with no criminal history or prior contact with the criminal justice system,” she wrote. “He is an avid runner and former Junior Olympian track athlete who was in the area training.”
Hostin said her son saw what appeared to be a gravel hill that he could use during his workout. “Although there was a gate at the entrance of the gravel incline, the gates were standing open,” she wrote. “The only ‘No Trespassing’ sign was affixed to the left gate and, because the gates were open, it was not visible to my client as he entered the property.”
“He reasonably believed the area was accessible and had no intention of entering private property unlawfully,” she added.

Hostin concluded her letter by arguing that continuing the case would serve little public interest, particularly given her son’s clean record and cooperation with police. “Dismissal would avoid imposing unnecessary consequences on a young man who has demonstrated exceptional character and achievement and who poses no risk to the community,” she wrote.
The footage nevertheless shows that the same accomplishments Hostin cited in her legal request, including her son’s Harvard degree, community work, and lack of a criminal record, did not persuade officers to abandon the citation at the scene.
Gabriel is currently expected to appear in New Rochelle City Court on July 31.
After weeks of bombshells, heartbreak, and difficult conversations inside the ‘Love Island USA’ villa, Melanie Morena and Sincere Rhea are finally speaking out. The two Islanders’ on-again, off-again relationship became one of Season 8’s most talked-about storylines. They both recently shared separate messages reflecting on their experiences after the season concluded. While many fans rooted for the couple early on, their relationship sparked ongoing debate online as viewers questioned whether the two were compatible.
On Thursday, July 16, Sincere Rhea took to Instagram to thank ‘Love Island USA’ and viewers for what he called a “life-changing experience” following season 8.
Throughout the season, Sincere and Melanie’s relationship experienced several highs and lows as the pair navigated new bombshells, trust issues, and emotional conversations that often left viewers divided. Despite the challenges, Sincere used his first post after the finale to focus on gratitude and personal growth.
He wrote:
“What a blessing!!! This was truly a life-changing experience for me. I’m continuously working on my growth as a person and making more space to grow from my shortcomings. During my time in the villa, I have built such special bonds with people that I can call my family forever.”
He also thanked ‘Love Island USA,’ Peacock, and fans for embracing him throughout the experience, adding that he is “eternally grateful” for the support he’s received.
On Friday, Melanie Morena broke her silence by posting a heartfelt message on TikTok, thanking supporters for standing by her throughout one of the season’s most emotional journeys. During season 8, Melanie became a fan favorite as viewers watched her navigate the ups and downs of her relationship with Sincere while remaining vulnerable about her emotions.
“I shared every version of myself with you—the good, the messy, the vulnerable, and even the moments that were hard to watch,” she wrote. “Thank you for loving me through all of it.”
Melanie went on to say she never expected to return home to so much love after leaving the villa.
“I met some of my best friends in that villa, but I never expected to come home to this much love,” she continued. “It honestly feels like I came home to millions of big sisters wrapping me in one big hug.”
She ended her message by thanking fans for making her feel “protected, understood and loved,” adding, “Thank you for giving me 10 and making this the softest place to land.”
Instagram user @user0124568923 wrote, “idc I love her! not that man tho 😂😂”
Another Instagram user @sha.ky.rah wrote, “We love you MELL Take 20!!!”
While Instagram user @im.lalabanks wrote, “That’s our queen! She was so lovable! We made the right person famous 🥲🩷”
Instagram user @theprincess.sha wrote, “Idc if she’s with sincere or not. We’ve all been there, eventually with more time in the real world again and not isolated with him she’ll see she deserces more 💕”
Another Instagram user @trulyhaiyan wrote, “Melanie if you still dating this man you deserve whatever people say about you okay mami?”
While Instagram user @laylaajoi wrote, “He ain’t mention Melanie not onceeeee saying how he’s happy she didn’t leave him or anything???”
Instagram user @ahjj.__ wrote, “I don’t think they are together anymore & I truly think love island scarred mela for life.. 🥲”
Another Instagram user @drayaj55 wrote, “Life changing is definitely one way to put it”
While Instagram user @othar1n wrote, “Yall need to leave them alone, they are human and love each other move around!”
What Do You Think Roomies?
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