Entertainment
Travis Scott Slammed for Treating Stormi Like an ‘Accessory’
Travis Scott‘s parenting skills are being put on blast after fans noticed a cold pattern with his daughter, Stormi Webster.
The famous rapper attained fatherhood in 2018 after welcoming Stormi with socialite Kylie Jenner. Five years down the line, their son, Wolf Webster, joined the family.
Scott and Jenner have since broken up and remain amicable co-parents, but fans think the entertainer is slacking in doing his part.

Scott has been making media rounds for his cameo in the highly anticipated Christopher Nolan project, “The Odyssey.”
During a recent stop at “The Tonight Show Starring Jimmy Fallon,” the rapper brought along his eight-year-old as his plus one, making it the ultimate father-daughter adventure.
Although Stormi didn’t join her father on air, the pair took heartwarming photos behind the stage. In one snapshot that has gone viral, they posed in front of the show’s signage. Scott opted for his signature all-black look comprising a leather jacket and pants.
His daughter, however, was the opposite in a colorful rainbow cropped sweater paired with baggy jeans. Stormi held on tightly to her famous dad, wrapping her arms around his waist as he posed with one hand underneath his chin and the other tucked away.
Scott Bashed For Not Being Affectionate With His Daughter

It didn’t take long for eagle-eyed fans to study the image and notice something distant about Scott’s body language with his daughter.
“And he is still aura farming in the pics. Boy, if you don’t hold ur d-mn kid,” one fan criticized, while another observed, “elbow in her face is wild.”
A similar remark read, “Lmaooo why was his body language like that around his daughter? Like she’s a fan he’s emotionally disconnected from.” Others noted the rapper always acted nonchalantly and continued even in the presence of his child. “You can tell she craves his affection,” this comment read.
“Why is he never acknowledging his kid? She’s not an accessory. Can’t put his arm around her? Can’t hold her hand on stage?” this user questioned.
Travis Scott Performed With Stormi At 2026 Fanatics Fest
The backlash from fans comes after the Texas native brought out his little one as a special guest during his performance at the 2026 Fanatics Fest held at the Jacob Javits Center in New York.
It is no strange sight seeing the Kardashian-Jenner kids in the spotlight, just like North West has done on multiple occasions with her father, Kanye West.
During a rendition of “SICKO MODE,” a shy Stormi accompanied her father onstage and trailed behind him as he sang for the crowd. The eight-year-old kept following Scott as he performed, as seen in a clip on X.
Online users were far from pleased by how he didn’t hold his daughter’s hand and left her feeling overwhelmed. “It’s wild how people can perform in front of thousands but acting like a dad for 10 seconds is somehow the difficult part,” a harsh remark read.
The ‘Butterfly Effect’ Rapper Involved In Club Brawl

Scott’s parenting isn’t the only thing making headlines lately. According to The Blast, a night out in New York including several high-profile guests turned chaotic when the rapper got into an altercation.
The drama began when Scott reportedly noticed someone recording him at the private event hosted by Raising Cane held at Zero Bond. Angered, the 30-year-old approached the individual and a fight broke out.
“It all happened really fast. It started fast and broke up really quickly,” one eyewitness recalled. Members of Scott’s team reportedly began throwing bottles as things heated up.
Alix Earle, Logan Paul, Jake Paul, Tate McRae, and NBA player Jordan Clarkson, who intervened in the brawl, were among the popular faces at the event.
Travis Scott Still Wants A Grammy Winner

Despite the negative chatter, Scott remains focused on chasing after his dreams and goals.
The “Stargazing” artist recently opened up about his career aspirations as his latest track, “When I’m Home,” which he created for Nolan’s “The Odyssey,” sparks Oscars buzz.
“I still need a Grammy, but I would love to take home an Oscar. That’d be cool,” Scott confessed, per The Blast.
He explained that while he doesn’t feel unfulfilled about not having the prestigious awards, he believes the accolades represent “something.”
Entertainment
Evolution’ Star Addresses Whether Voit Could Return After That Shocking Season 19 Finale
Editor’s note: The following contains major spoilers for Criminal Minds: Evolution
Summary
In his time on Criminal Minds: Evolution, Elias Voit (Zach Gilford) has evolved from a serial killer to the leader of a network of killers, to a broken man no longer considered a psychopath. Rather than just rotting away in the dark corner of a prison, Voit would rather use his newfound conscience to help the FBI’s Behavioral Analysis Unit (BAU), but how can you atone for your past when you don’t even know where to begin?
At the same time, the BAU is investigating a string of new cases that ultimately wind their way back to Voit. The attention focused on the Sicarius killer and a podcast dedicated to his misdeeds brings The Fan out of the shadows in an attempt to prove he is worthy of the God status he has labeled himself with. The two men eventually clash face-to-face and Voit is left to wonder whether his daughter might become more like him.
After watching the Season 19 finale, Collider got the opportunity to chat with Gilford about playing Elias Voit and whether he could still turn up on the series again in the future. During the 1-on-1 interview, he discussed what it was like to find the dynamic between Voit and James Crowley, aka The Fan, his experience directing Justin Kirk in their scenes together, Voit’s tunnel vision when it comes to saving his daughter, the fun of playing off of an imaginary David Rossi (Joe Mantegna), whether Voit really meant his apology to Penelope (Kirsten Vangsness), shooting the physical stunts in the finale, Voit’s concern that his daughter might take after her father, his favorite scene this season, and whether he might show up on the series again in the future.
Zach Gilford Enjoyed Finding the Voit and Crowley Dynamic With Justin Kirk in ‘Criminal Minds: Evolution’ Season 19
“I loved working with him. I couldn’t believe I got to direct him.”
COLLIDER: This season, we’ve seen Voit have trouble finding his footing with The Fan. For those moments when you guys were together, did you and Justin Kirk discuss how that dynamic would work, or did you just want to find it in the moment?
ZACH GILFORD: He was creepy. In real life, he’s the nicest, most normal guy. No, we didn’t discuss it much. The episode I directed was his introduction, when he basically came in. I’ve known him, as an actor, since I was a kid. I’ve been a fan of his. And then, when we did the table read, I was like, “Oh, my God, this guy has so much going on.” I’m very much like, “Let’s just show up on set and see what we find,” as opposed to beating it to death. We’re not making a play, so I want it to be alive. He knew his shit and he had a take on it. Selfishly, as an actor, I can do better if I don’t know what you’re going to do and I have to react to it. I definitely learned that doing Friday Night Lights because we did a lot of improv and stuff. You couldn’t just memorize your lines and know exactly how you wanted to say them because you didn’t know what the other people were going to say.
I like not to rehearse, but I tried that when I was directing on the show and people imploded. I was like, “Okay, nevermind. Let’s just rehearse it.” You get so much organic stuff when you don’t know what the other person is going to do. So, no, we didn’t talk about it a lot, especially because of the dynamic between these two people. I’ve never met him before. I don’t know who he is. So, I thought it was good to just come out and be like, “I have no idea what I’m walking into.” I loved working with him. I couldn’t believe I got to direct him. Directing him really just meant that I was like, “You sit at the table here and act however you want to act because it’s great.” There wasn’t a lot of discussion before it. He knew what he wanted to do, and I think he was spot on.
Voit makes the decision to escape in the finale. When he does that, do you think he cares at all about whether he lives or dies, or do you think he’s really just solely focused on what he believes he has to do and doesn’t think beyond that?
GILFORD: I think he’s just so tunnel vision with saving his daughter. I don’t think he really thinks about anything else. He’s said, over the course of the last couple of seasons, “Kill me. I don’t want to live anymore. This is terrible, living with this conscience.” I think he doesn’t really care if he dies, but I don’t think he’s thinking about that. I think he’s just so focused on, “I have to take care of my family. Whatever happens, happens. The repercussions will be what they will be. But this is what has to happen now.”
What has it been like for you to have imaginary Rossi there, especially for this season? Does that help gauge where Voit is at mentally when you have those conversations together, otherwise they would just be very quiet scenes?
GILFORD: Yeah, that’s a good point. It’s great. I know Joe [Mantegna] had a lot of fun doing that because he finally got to mess with me. Over the course of the season, different directors would push him in different directions for how much to play with it. It is a fun thing when you’re a voice in someone’s head. You’re not that person. You’re their manifestation of you. He is my antagonist, and he’s also my sounding board. It’s cool that we have been in each other’s heads because we’re the only people who rival each other intellectually. When you’re gaming things out in your head or strategizing, you need someone who’s as smart as you. It’s fun that these two characters, with me in jail and him out in the world, still find a way to have him be the only person who can challenge me enough to get to the conclusion I need to get to.
How do you feel about Voit apologizing to Penelope? How do you think he feels about her actually having gone to bat for him? Do you think he regrets any blowback she might get from all of that?
GILFORD: I think he means it. In Season 3, he is a new person or is tapped into the good part of himself. This whole season is him reckoning with not just what he’s done, but what he can do to make it better. Season 3 is coming to terms with, “I’ve hurt all these people. I’ve hurt all these families. And not only that, but now there’s the ripple effect of people worshiping me and wanting to replicate me. It’s even worse than I thought it was.” That’s another level of realization for him when it comes to how much damage he’s caused the world.
‘Criminal Minds: Evolution’ Star Zach Gilford Got Heavily Involved With the Physical Stunts in the Season 19 Finale
“There was a lot of rehearsal.”
Once Voit shows up and wants Crowley to bring him to his daughter, there’s a lot of fighting and physical work going on. What was that like to shoot? Did you have enough time to shoot all of that?
GILFORD: Yeah, we had enough time. This is where, to be honest, having had the chance to direct on the show actually helped a lot. They had us go for a stunt rehearsal, just to figure that out. And because of the way TV works, you’re always shooting. It’s so fast. Glenn [Kershaw], who was directing that episode, was directing scenes somewhere else and we were just there with the stunt people. They were like, “Here’s the fight.” And I was like, “Okay. Where’s the camera?” I kind of took over a little bit. I went back to set and they were like, “You should see our text chain from the PAs and ADs.” And I was like, “What?” Someone was like, “How’s it going in stunt rehearsal?” They were like, “It’s kind of chaos. Oh, it’s good now. Zach took over and is directing the scene.” I think that’s just because I knew, “Okay, I could just learn this fight, but we have to consider where the cameras are.”
Stunt people are great, but their job is to make it safe and make it look good. And that may be all well and good, but we can’t shoot that. So, there was a lot of rehearsal. Justin was so funny. He was like, “Whatever you want me to do, I’m here. Just tell me, and I’ll do it. I am a puppet. I will do my acting.” And I am such a control freak. I’m like, “No, the camera is going to be over there, and we need to figure this out.” It definitely was a big rehearsal, but it was fun and we figured it out. And then, when we finally shot it, it went pretty smoothly.
Voit tells his daughter that he loves her before he’s taken away. Do you think he would have wanted to sit down and have a conversation with her if he could have, or do you think it was better that he didn’t have that opportunity?
GILFORD: I think it’s better that he didn’t, honestly. I’m a father. My kids are young, but there are things where I’m like, “Man, I hope I never have to have that conversation with them” I hope they just know I love them and I did my best. With everything that he’s done, there’s no explanation. He can’t explain it away. And she knows what he’s done. I think what’s most important to him is just that she knows that he loves her, and he would do anything for her. In spite of everything bad he’s done, he would do anything for her and he needs her to know that.
’Criminal Minds: Evolution’s Voit Is Worried His Daughter Could Become a Monster Like Him
“If he just spawned another monster, it’s the worst thing that could have happened.”
There’s an interesting moment when she says she’s not sure how she feels about what happened and that she doesn’t want her mother to know what she did. She says that she’ll be fine, but there’s a small smile on her face. Do you think Voit is concerned about what his daughter did and what that could turn her into in the future?
GILFORD: Yeah. I think something that’s been lingering in the back of his head for years is, “I hope this isn’t something I pass onto my children.” Seeing her do things, even though when she kills The Fan, it’s in self-defense, there is this moment of, “Was she only able to do that because she has this thing that I gave her, or would anyone have done that?” He sees himself as a monster, and he always saw his children as his salvation. Not as his way to right wrongs, but to be different. And if he just spawned another monster, it’s the worst thing that could have happened.
Did you have a favorite scene or moment this season?
GILFORD: It was definitely the scene with Justin when we were at the table talking because it was like a play. It’s just two people talking and mentally sparring, and he brought so much to it. We basically got that scene in three takes. That was really fun. It was a seven-page scene or something, so you got to get lost in it and just be there. That was really fun. Besides that, I just loved any time Allison [Nordahl] was on set because I’ve seen her grow up over four years. She went from being 13 to 17, or whatever ages she was. She’s grown up so much and she’s going off to college. It was fun to have her around and just talk to her and see how different of a person she is.
Have Viewers Seen the Last of Elias Voit on ‘Criminal Minds: Evolution’?
“I do know I’m not coming back in Season 20.”
Have we seen the last of Voit? Will he really not darken the door of the B.A.U. ever again, or might we see him if his daughter decides she likes killing?
GILFORD: I don’t know. Obviously, they didn’t kill me. I do know I’m not coming back in Season 20. But you never know. I hope to be back. I hope the end of his story isn’t just that he’s in a cell somewhere and gone. You never know. But as of now, no one’s talked to me about it. I think they very purposefully did not kill me so that, at some point, if need be, if it makes sense for story, I could show back up.
Criminal Minds: Evolution is available to stream on Paramount+.
Entertainment
Resident Evil Official Trailer Reveals Zach Cregger’s Terrifying New Horror Film
The nightmare is officially returning.
Earlier this month, Paramount Pictures announced that a brand new A Nightmare on Elm Street film is in development through its new horror label, Paramount Primal. The project is being produced in partnership with the Wes Craven estate and will be based on Craven’s original 1984 screenplay, marking the franchise’s first new theatrical chapter in more than 15 years.
With no director or cast announced, fans have already begun asking the biggest question of all:
Who should become the next Freddy Krueger?
No one will ever replace Robert Englund, whose performance helped make Freddy one of the most recognizable horror icons of all time. Instead, Paramount has an opportunity to introduce a fresh interpretation of the dream demon while honoring the legacy that made the character legendary.
Here are five actors we’d love to see take on the role.
1. Bill Skarsgård
If there’s one actor who has already proven he can reinvent an iconic horror villain, it’s Bill Skarsgård.
His unforgettable performance as Pennywise in IT showcased his ability to transform through subtle facial expressions, unsettling body language, and an eerie sense of unpredictability. Rather than trying to imitate Robert Englund, Skarsgård could create a completely new version of Freddy that feels terrifying for an entirely new generation.
Bill Skarsgård
2. Jack O’Connell
Jack O’Connell may not be the first name fans think of, but that’s exactly why he’d be such an interesting choice.
Whether playing violent criminals or emotionally damaged antiheroes, O’Connell brings an intensity that feels authentic. He could portray Freddy as less of a wisecracking slasher and more of a psychologically disturbing nightmare that haunts victims long before the killing begins.
Jack O’Connell
3. David Dastmalchian
Few actors have become as respected within the horror community as David Dastmalchian.
His performances in films like Late Night with the Devil have shown that he can balance charm, vulnerability, and unsettling menace all at once. Dastmalchian’s unique voice and naturally eerie screen presence could make for one of the most unsettling interpretations of Freddy Krueger yet.
David Dastmalchian
4. Walton Goggins
Walton Goggins might be the wildcard on this list, but he possesses one quality that’s essential to Freddy Krueger: charisma.
Freddy doesn’t simply kill his victims he enjoys tormenting them. Goggins has repeatedly demonstrated an ability to mix dark humor, intimidation, and unpredictability into every performance. That combination could make for a Freddy who is equal parts entertaining and terrifying.
Walton Goggins
5. Andy Serkis (Motion Capture)
Andy Serkis has built an incredible career bringing unforgettable characters to life through motion capture. From Gollumin The Lord of the Rings to Caesar in the Planet of the Apes trilogy and Supreme Leader Snoke in the Star Wars sequel trilogy, Serkis has repeatedly shown that digital performances can be just as emotionally powerful as traditional acting.
Rather than relying solely on practical makeup, Paramount could use motion-capture technology to create a Freddy Krueger whose movements feel unnaturally fluid, distorted, and dreamlike. Serkis’ mastery of performance capture could allow Freddy to move in impossible ways that perfectly fit the surreal nature of nightmares, creating one of the most visually unique versions of the character ever seen on screen.
Andy Serkis
Final Thoughts
Paramount’s newly announced A Nightmare on Elm Street film is still in the early stages of development, meaning fans may be waiting a while before an actor is officially cast as Freddy Krueger.
Whoever lands the role will have enormous shoes or rather, a burned fedora and bladed glove to fill. Robert Englund’s portrayal defined the character for decades, but every horror icon eventually finds a new generation.
Whether it’s Bill Skarsgård’s haunting presence, Jack O’Connell’s intensity, David Dastmalchian’s psychological edge, Walton Goggins’ sinister charisma, or Andy Serkis’ groundbreaking motion capture performance, each actor brings something unique that could help Freddy Krueger haunt audiences once again.
Entertainment
The View’s Joy Behar Kisses Guest Anson Mount, Spouses React
The View’s Joy Behar is going viral for a lingering kiss with married guest Anson Mount — and their respective spouses are weighing in.
Behar, 83, planted a kiss on the Star Trek: Strange New Worlds actor, 53, when he came out for his interview on the Wednesday, July 22, episode, much to the surprise of her cohosts, including Whoopi Goldberg and Sunny Hostin.
“I’m old but I’m not dead!” Behar declared after the intimate greeting, while Mount discreetly tried to remove the comedian’s lipstick from his mouth.
Behar noted that the last time Mount was on the ABC daytime talk show, “he brought me flowers for my birthday, and it’s never been the same between us.”
“Well, I got married,” responded Mount, who wed Darah Trang, with whom he shares two children, in 2018.
Behar then quipped, “I know. That’s what I mean.”
Following Wednesday’s episode, Behar took viewers behind the scenes of her impromptu moment on the latest episode of the “Behind the Table” podcast hosted by The View executive producer Brian Teta.
“All morning I’d been hearing about Anson Mount, and I’d been making jokes about his name backstage,” Behar explained. “And then when he came out, I just felt like kissing him. I said, ‘Lips,’ and then those lips hit mine.”
Behar shared her husband Steve Janowitz’s reaction to the kiss, revealing, “Steve wrote, ‘Cut that out!’ In the middle of the show I got a text.”
Mount also addressed his steamy moment with Behar in an interview with TV Insider on Wednesday.
“I asked my wife to promise me that she wouldn’t divorce me,” he joked.
“She thought it was hilarious,” Mount added.
Mount continued, “I hadn’t been on The View in like 13 years; that was the last time I saw Joy Behar. I brought her flowers for her birthday, and I guess I made an impression. We’ll see what she does the next time!”
Mount is far from Behar’s first kiss with guests and cohosts on The View. On Wednesday’s “Behind the Table” podcast, Behar shared memories of previous kisses with the likes of Meredith Vieira and X-Files star Gillian Anderson.
“I was very attached to her,” she said of Vieira. “And then Whoopi. Gillian Anderson was my lesbian fantasy at that time, but before that was Catherine Deneuve. The last [kiss] was Jane Fonda — another lesbian fantasy.”
“I’m done with that phase of my life,” Behar went on to quip, adding that she has “no problem kissing women on the lips,” citing growing up in an Italian neighborhood where greeting someone with a kiss was commonplace.
Entertainment
Jennifer Lopez Still Can’t Escape Ben Affleck After Split
Jennifer Lopez may have erased one of the most visible reminders of Ben Affleck, but moving on has proven far more complicated than changing a tattoo.
Just days after what would have been the former couple’s fourth wedding anniversary, the singer quietly debuted a redesigned version of the ink that once featured Affleck’s name.
Yet despite their divorce, one lasting connection continues to keep Jennifer Lopez and her ex-husband firmly in each other’s lives.

Although Jennifer Lopez and Ben Affleck finalized their divorce in January 2025, their lives reportedly continue to overlap because of the close friendship between Lopez’s 18-year-old child, Oskar, and Affleck’s 17-year-old child, Fin.
The two teenagers have reportedly remained inseparable despite their parents’ split, leaving the former spouses with little choice but to stay in touch. An insider told the Daily Mail that their situation is far from what most divorced couples experience.
“Their children keep them connected, they just can’t escape each other,” the insider revealed.
According to the source, Lopez would rather avoid frequent encounters with her ex, but she continues showing up because maintaining the teenagers’ bond comes first.
“She really doesn’t want to have to see Ben all the time. It is a reminder of what they lost, but she would do anything for her kids, so she sucks it up” they added.
That commitment has reportedly led to shared moments throughout the summer, with Oskar and Fin spending time together at concerts, vacations, sleepovers, pool parties, and casual outings.
Lopez was recently photographed joining both teenagers at Ariana Grande’s Los Angeles concert, showing just how intertwined the families remain.
Lopez And Affleck Face A New Reality This Fall

Jennifer Lopez and Ben Affleck’s unique family dynamic is reportedly about to face another test.
Oskar is preparing to leave California behind to study theater at Sarah Lawrence College in New York, while Fin will remain on the West Coast for their senior year of high school.
Rather than letting thousands of miles weaken their friendship, Fin has reportedly begun exploring East Coast colleges, including Bowdoin and Swarthmore, in hopes of staying close.
The transition has also prompted Lopez and Affleck to revisit co-parenting conversations. “Jennifer and Ben have been forced to have many conversations over this as the kids don’t like being separated,” a source explained.
The insider added that the former couple has agreed to fly the teenagers between New York and Los Angeles regularly so they can continue spending time together despite living on opposite coasts.
Jennifer Lopez’s Blended Family Bond Outlasts The Marriage

Long before their divorce, Lopez and Affleck had already blended their families after rekindling their romance in 2021.
The “Marry Me” actress’s twins, Oskar and Max, joined Affleck’s children, Violet, Samuel, and Fin, to form one household after the couple married in 2022, and the transition appeared to bring the siblings unusually close.
According to the insider, Oskar and Fin developed the strongest connection, often coordinating their outfits and appearing together in public.
Even after Lopez and Affleck quietly separated in 2024, the teenagers reportedly made it clear that their friendship wasn’t ending with the marriage.
“Oskar and Fin dug in their heels and insisted they would still be best friends,” the source revealed.
They added that both Lopez and Affleck embraced that decision without hesitation, with Lopez continuing to support the friendship despite the emotional reminders it brings.
Lopez Says Affleck Divorce Forced A Life-Changing Realization
Even as Jennifer Lopez and Ben Affleck continue navigating life as connected exes because of their children’s close friendship, the singer has previously admitted that the end of their marriage ultimately became the catalyst for one of the biggest personal transformations of her life.
Reflecting on the “puzzling” divorce during a June episode of the “SmartLess” podcast, Lopez said she reached a point where she knew she had to stop searching for answers everywhere else and instead focus on herself.
The 56-year-old recalled canceling her tour and stepping away from work so she could, in her words, “f-cking figure” herself out, describing the difficult period as a true “turning point.”
Looking back nearly two years later, Lopez explained that she asked herself, “What is going on with you? Forget about everybody else. There’s nobody to blame here except yourself in a certain way,” adding that the painful experience ultimately helped her grow into a stronger, more self-aware person than she was before.
Ben Affleck Makes Surprising Post-Divorce Gesture To Jennifer Lopez

Two months before Lopez publicly described her divorce from Affleck as a personal “turning point,” the former couple had already begun quietly untangling one of the biggest financial ties left over from their marriage.
Court documents obtained by TMZ reportedly showed the “Deep Water” actor signed over his entire interest in their $60 million Beverly Hills mansion to Lopez without seeking compensation.
The unexpected move effectively gave the singer full ownership of the estate the pair purchased together in 2023, even after months of unsuccessfully trying to sell the sprawling property.
According to the outlet, the change was made through an amendment to their divorce settlement under a “transfer of property among spouses,” with sources claiming Affleck gifted his share to Lopez for free.
Entertainment
Jimmy Kimmel invites Stephen Colbert to guest-host “Jimmy Kimmel Live” after controversial cancellation
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Colbert’s “Late Show” was canceled in a controversial CBS move, with many suspecting that it was a politically motivated maneuver.
Entertainment
Travis Scott Is Still Fighting For A Grammy
Travis Scott has built a remarkable career since launching in 2008, but he says there’s still one milestone he hopes to reach. In a new interview, the “Rodeo” rapper reflected on earning multiple Grammy nominations without ever taking home the coveted gold gramophone. While some artists have distanced themselves from the awards show, Scott says winning a Grammy would still be a meaningful achievement.

Speaking with Variety, Scott, 35, reflected on his new track, “When I’m Home,” possibly being a contender for Best Original Song at the Academy Awards. He created the track for the recent film “The Odyssey.”
“I still need a Grammy, but I would love to take home an Oscar,” Scott said. “That’d be cool.” And while not winning a Grammy isn’t causing Scott to lose any sleep, he said winning one is still a major goal of his.
“It’s not why I do what I do,” he said. “I like to set goals, and I just want to achieve them. I noticed the people that get them always have that like, ‘It doesn’t matter’ [attitude]. To me, the award represents something, and to achieve that would be amazing.”
Other Artists Have Distanced Themselves From The Grammys

Other artists have distanced themselves from the Grammys over the years, including The Weeknd, who, in 2020, slammed the Recording Academy as “corrupt” after his project “After Hours” was snubbed from the nominations list.
“The Grammys remain corrupt,” the musician tweeted at the time. “You owe me, my fans and the industry transparency…”
Shortly after, the Grammys’ CEO Harvey Mason Jr. issued a statement saying he, too, was surprised to see The Weeknd wasn’t nominated for any awards and said he could “empathize” with how the singer was feeling.
“I was surprised and can empathize with what he’s feeling. His music this year was excellent, and his contributions to the music community and broader world are worthy of everyone’s admiration,” he said.
Drake And Teyana Taylor Also Call Out The Grammys
Teyana Taylor also called out the Grammys that year with a post of her own, saying, “Y’all was better off just saying best MALE R&B ALBUM cause all I see is d–k in this category.”
The nominees for the Best R&B Album that year were Ant Clemons, Giveon, Luke James, John Legend, and Gregory Porter.
Drake also chimed in following the chatter and told artists to stop tying their worth to winning awards.
“I think we should stop allowing ourselves to be shocked every year by the disconnect between impactful music and these awards and just accept that what once was the highest form of recognition may no longer matter to the artists that exist now and the ones that come after,” he said, per E! News. “It’s like a relative you keep expecting to fix up but they just can’t change their ways.”
Travis Scott Has A Role In ‘The Odyssey’
While Scott still waits for a Grammy win, the rapper is riding the high of being in Christopher Nolan’s new film, “The Odyssey.”
The “SICK MODE” rapper recently appeared on “The Tonight Show Starring Jimmy Fallon” and recalled the moment Nolan called him with the opportunity.
“My phone went off, and it just said, ‘Chris.’ And I’m thinking, like, ‘Okay, I don’t know what this is about. Maybe he wants to go to a show?’” he recalled.
Scott said he was initially confused, reminding Nolan that he makes music. However, his conversation with the movie director eventually led him to sign on for the project.
“I really enjoy his time. I’m really inspired by him; he’s a real mentor of mine outside of this. And so I’m like, ‘Yo, whatever you’re down with, I’m down. However, it goes, I’m with it,’” Scott said about his appearance in the movie.
Why Nolan Cast Travis Scott In ‘The Odyssey’

Nolan spoke with Time Magazine about the film and revealed why he chose the hitmaker to be in it.
“I cast him because I wanted to nod towards the idea that this story has been handed down as oral poetry, which is analogous to rap,” Nolan said.
Entertainment
Kristen Doute Slams Jax Taylor for Dating Brittany Publicist
The Valley’s Kristen Doute is weighing in on Jax Taylor’s romance with his publicist — and estranged wife Brittany Cartwright’s former publicist — Lori Krebs.
“To me, this is not about Jax. Jax is so diabolical … like, of course,” Kristen, 43, reacted to the news on the Wednesday, July 22, episode of Watch What Happens Live With Andy Cohen.
She continued, “But with [Brittany] … this is Brittany’s trusted paid professional, a friend, basically part of her family for the past decade. It’s so totally deceitful. It’s her publicist. The one person who knows the ins and outs of everything.”
“I’m tired of seeing everyone on social media come for Brittany and say, ‘You should have known.’ It’s like this woman’s sleeping with the enemy,” Kristen added.
Kristen’s The Valley costar Zack Wickham, who was in the audience for Wednesday’s WWHL episode, also gave his reaction to Jax’s new romance and didn’t hold back.
“I was actually this person’s biggest defender when rumors had come out before, because she’s been friends with our group for 10-plus years,” Zack, 38, said of previous speculation about Jax and Lori’s close relationship in 2024.
“I was actually very shocked. You know, she made her bed, and now she can lie in its disgusting sheets,” he added.
Vanderpump Rules alum Jax, 47, and Lori were spotted getting cozy at the Hotel Mousai in Puerto Vallerta, Mexico, earlier this month, per photos obtained by Us Weekly.
An eyewitness told Us that the pair were seen hugging and showing PDA in the resort’s pool. They reportedly described themselves as “both happily divorced.”
Brittany, who filed for divorce from Jax in August 2024 after five years of marriage, has since addressed Jax’s new romance with the publicist they once shared.
“All I’m going to say about this at this moment is I will be speaking my truth — the truth — on this matter very soon whenever I’m ready,” Brittany said on the July 17 episode of her “When Reality Hits” podcast. “As of right now, I am focusing on me and the most important thing in my life, which is my beautiful son. And as of right now, I’m just trying to protect my son and my peace and very soon I will be telling [my story].” (Jax and Brittany share son Cruz, 5.)
An insider previously told Us that Brittany cut ties with her now-former publicist after the photos of Jax and Lori emerged.
“It’s very upsetting to her and she is sick to her stomach over it,” the insider said. “She is shocked that photos surfaced and that they are out in public. Lori was with Brittany through dark days.”
Entertainment
Minka Kelly’s Burgundy Jumpsuit Look Is Under $50 on Amazon
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If you’ve been relying on crisp white linen and breezy beige basics all summer, consider this your sign to switch things up. Minka Kelly was spotted in New York City this week wearing a gorgeous burgundy ensemble, proving that rich, saturated hues aren’t just for autumn anymore. The unexpected shade feels polished, sophisticated and incredibly expensive, while still working beautifully during midsummer. Better yet, the color transitions seamlessly into fall, making it one of the smartest hues you can add to your wardrobe right now.
While we don’t know exactly where Kelly’s outfit is from, we didn’t waste any time searching for a similar look. Luckily, Amazon came through with a sleek burgundy jumpsuit that captures the same quiet luxury vibe for less than $50. With its timeless silhouette and elevated color, it’s a one-and-done outfit that looks like you spent far more than you actually did. Burgundy may not be the obvious choice for summer, but Kelly is convincing Us to wear the color straight into fall.
Get the Mandonce Sleeveless Jumpsuit for $48 at Amazon! Please note, prices are accurate as of the publishing date but are subject to change.
One of the biggest draws of this jumpsuit is how effortlessly polished it looks, with almost no styling required. As a one-piece outfit, it takes all the guesswork out of getting dressed, while still delivering that elevated, fashion editor feel. The drapey boat neckline gives it an elegant, understated touch, and the fluid silhouette creates beautiful movement with every step, letting the rich shade take center stage.
The fit is equally flattering. The tie-waist belt gently defines your shape and almost creates a customized fit that’s comfortable enough for all-day wear. The wide-leg silhouette feels modern and sophisticated (and is breezy in hot weather). The smooth polyester-and-linen fabric also has a lightweight feel for those in-between weeks when summer hasn’t quite let go but fall is on the horizon.
This jumpsuit’s styling potential is endless. Pair it with strappy sandals and delicate gold jewelry for rooftop dinners or weekend brunches, then swap in loafers, a blazer or pointed-toe heels once the temperatures begin to dip. It also packs beautifully for vacations as an effortless, dressy go-to.
Looking chic in under five minutes is definitely possible with this timeless jumpsuit. It’s the kind of piece you’ll reach for all summer long, then happily keep wearing well into fall. And if you’re anything like Us, being able to channel Kelly’s iconic style for under $50 is totally worth it.
Get the Mandonce Sleeveless Jumpsuit for $48 at Amazon! Please note, prices are accurate as of the publishing date but are subject to change.
Looking for something else? Explore more from Mandonce here, and don’t forget to check out all of Amazon’s Daily Deals for more great finds!
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Welcome to summer with our biggest sale of the year. This summer’s chicest dresses, tops and swimsuits are all over 30% + free shipping. Inventory is limited so hurry before they’re gone.
Entertainment
The 10 Best Comedy TV Shows of the 2000s, Ranked
Comedy as a genre has always been huge in the world of television. Comedy shows—from purely comedic outings to sitcoms and dramedies—have always occupied a special place in the audience’s mind, largely because of their undemanding yet highly rewarding natures. Comedies are ideal to sit back and relax, not quite asking their viewers to turn off their brains but never overstepping their welcome.
The 2000s produced several incredible comedies. The new millennium’s changing attitudes produced works of true genius, groundbreaking comedies that pushed boundaries while still embracing tradition. In many ways, the best comedies from the 2000s are the last of their kind, sandwiched between Gen X ideas from the ’90s and the new wave of trends from the 2010s. These comedies are funny, wicked, and brilliant, genuine works of humorous excellence that stand tall and proudly in the pantheon of great shows from the small screen.
10
‘Malcolm in the Middle’ (2000–2006)
Malcolm in the Middle premiered in the spring of 2000, and noughties pop culture was never the same. Frankie Muniz stars as the titular character, an 11-year-old prodigy living with his lower-middle-class family, a dysfunctional yet well-meaning bunch. The show chronicles the family’s life and their numerous misadventures with friends and family.
Acclaimed for its dark, biting humor and earnest take on working-class families, Malcolm in the Middle was a worthy heir to sitcoms that came before, like Roseanne. Benefitting from an impressive cast, including the underrated Jane Kaczmarek and future Walter White, Bryan Cranston, Malcolm in the Middle is an influential comedy that paved the way for future single-camera hits like The Office and Arrested Development. In Frank Reynolds’ words, Malcolm “changed the game.”
9
‘The Office’ (2005–2013)
And speaking of The Office, few shows have the chokehold this wacky series has on pop culture. Steve Carell stars as Michael Scott, the largely useless and highly unprofessional regional manager of the Dunder Mifflin paper company branch in Scranton, Pennsylvania. The show follows several characters working under him, following a mockumentary style and featuring one-on-one interviews.
One of the most popular and enduring comedy shows from the 2000s, The Office is widely regarded for its quotes, distinctive humor style, and the performances of its cast. Embracing chaos and an over-the-top approach, The Office soars to new comedy heights due to its impressive and committed ensemble. The writing is good, but the cast takes it and makes the most out of it, often turning already funny material into a work of true comedic genius. The Office remains an enduring part of the 2000s, continuing to attract new fans thanks to streaming.
8
‘Modern Family’ (2009–2020)
Arriving late into the decade, Modern Family was an instant hit. The show revolves around a large and chaotic yet loving blended family and stars a large ensemble cast. Like other peers from its time, Modern Family uses a mockumentary approach, featuring interviews, voice-overs, and meta-humor.
A five-time Emmy Winner for Outstanding Comedy Series, Modern Family dominated the first half of the 2010s. The show was famous for its wild but heartwarming humor, which wasn’t afraid to make biting jokes, sometimes at the expense of its game cast. Modern Family also featured a large parade of guest stars, to the point where it seems anyone who’s anyone had a stint on the show. Although it features many of the questionable jokes that many other comedy series from its time indulged in, Modern Family‘s loving depiction of family remains a highlight, especially as television became increasingly cynical throughout the 2010a.
7
‘Parks and Recreation’ (2009–2015)
When discussing comedies from the 2000s, Parks and Recreation stands tall among its peers. Fresh off her eight-season stint on Saturday Night Live, Amy Poehler starred in the beloved show as Leslie Knope, the cheerful and shamelessly optimistic deputy director of the Parks Department in the fictional town of Pawnee, Indiana. The show featured a large ensemble supporting cast, including Adam Scott and Nick Offerman.
Following a highly divisive first season, Parks and Recreation came back with full force for its impressive sophomore effort, finding its footing and settling into a unique brand of humor. The show is widely known for its mix of positive comedy and wacky performances. Yet, the show’s overt political message never became grating, instead acting as an idealizes look into how things could be. And while its comedy might seem dated today, Parks and Recreation remains a wonderful photograph of a specific time and place.
6
‘Pushing Daisies’ (2007–2009)
Few shows have the right to be called truly unique; Pushing Daisies is one. From the vibrant mind of Bryan Fuller, the series follows Ned, a pie maker with the ability to bring back the dead by touching them; however, a second touch will kill them forever. When he impulsively brings his childhood crush back to life, he must settle into a bizarre existence, living with her but being unable to touch her.
Pushing Daisies is a gem of noughties television. With a quirky sense of humor, remarkably witty dialogue, and stellar production design, the show was like nothing airing in 2007. Pushing Daisies made use of music, meta-humor, and an endearing, bizarre tone to tell a modern fairy tale with a twist. Canceled far too soon, Pushing Daisies has aged beautifully, its oddball style seeming just as fresh today as it was in 2007. And while fans might never see the pie maker again, the show’s impact will forever endure in the hearts of all those who fell under its spell.
5
‘Arrested Development’ (2003–2019)
Long before he was a movie star and Emmy-winning director, Jason Bateman was starring as the only sane person in a collection of delusional oddballs. Arrested Development sees him playing Michael Bluth, who unexpectedly becomes CEO of his family’s company after his father goes to prison. The show’s straight man, Michael must deal with his wild family, who don’t react the best at the prospect of losing their wealth.
Featuring over-the-top humor and bombastic performances, Arrested Development is almost surreal, a comedy that packs layers upon layers of humor, often in one single line. It has one of television’s best ensembles, including comedic geniuses like the late Jessica Walters, Tony Hale, and Will Arnett. Featuring lively narration from Oscar-winning director Ron Howard, an endless parade of guest stars, and multiple jokes that have become iconic, Arrested Development is a comedic triumph and a defining series of 2000s television.
4
‘Curb Your Enthusiasm’ (2000–2024)
Larry David created and stars as a fictionalized version of himself in HBO’s Curb Your Enthusiasm. The show chronicles his life as a semi-retired television writer and actor, featuring numerous real-life stars from his life as fictionalized versions of himself. Curb openly acknowledges David’s contributions to the medium, most notably as a co-creator of the 90s hit Seinfeld.
Curb Your Enthusiasm has been one of the best-reviewed shows for over twenty years. Returning sporadically throughout the 21st century with new seasons, each better than the one before, Curb excels as an exploration of David’s public persona and a distillation of the very idea of celebrity. With incredible writing brought to life by David and an excellent ensemble, Curb Your Enthusiasm is a biting, cynical, and revealing look into the mind of one of modern television’s most influential figures, allowing viewers a better understanding of the medium itself.
3
‘The Comeback’ (2005–2014)
Straight after the ending of Friends, Emmy winner Lisa Kudrow returned to primetime television as the star of her own show. Co-created by Kudrow and Michael Patrick King, The Comeback follows Valerie Cherish, a former sitcom star who mounts a return to television with a supporting role in a new sitcom and a reality show tracking her journey of preparation.
Phoebe Buffay might be Kudrow’s most beloved character, but without a doubt, Valerie Cherish is her finest creation. Equal parts absurd, engaging, relatable, and frustrating, Valerie is a marvelous creation from one of television’s most gifted performers and one of HBO’s best characters. As a show, The Comeback is just as farcical as its protagonist, a sharp and revelatory portrayal of fame-seeking hunger, the same that would take over pop culture in the following years with the rise of reality stars and influencers. The Comeback turned out to be prophetic in many ways, only adding to its ever-rising prestige.
2
‘It’s Always Sunny in Philadelphia’ (2005–Present)
It’s Always Sunny in Philadelphia is the longest-running sitcom in television history, an impressive feat considering its peculiar brand of politically incorrect humor. The show centers on The Gang, a group of irresponsible, egotistical, and arguably sociopathic friends who spend their days running a pub, Paddy’s, and coming up with ludicrous schemes.
It’s truly a testament to Sunny‘s excellence that it’s the longest-running live-action sitcom, and it remains as fresh and shocking as it was while still in the single digits. Sunny is morbid, unflinching, and utterly unafraid, challenging conventions and expectations while delivering a hilarious and, more often than not, unsettling depiction of twisted friendship. It’s Always Sunny in Philadelphia has pushed every boundary imaginable, resulting in a true riot unlike anything airing on television. Daring and more willing to make a fool out of itself than any other show, Sunny is a savage show with a loyal fanbase that has stuck with them for 16 years and counting.
1
’30 Rock’ (2006–2013)
From the mind of Tina Fey comes 30 Rock, quite possibly the most acclaimed and celebrated comedy from the 2000s. Based on Fey’s experiences as head writer in Saturday Night Live, 30 Rock chronicles the behind-the-scenes comings-and-goings of a fictional live sketch comedy show. Alec Baldwin, Jane Krakowski, Tracy Jordan, and Jack McBrayer also star.
30 Rock marked a before-and-after in modern television. A groundbreaking show for its fast-paced, highly ironic and satirical tone, 30 Rock was the perfect combination of stellar writing and outstanding acting. Despite being an overt satire, many of its jokes have aged beautifully, with the show acting as an unexpected prophet for late 2010s and early 2020s culture. Named by multiple publications as one of the best comedies in TV history, 30 Rock is not only the best sitcom from the 21st century but a game-changing effort that offered valuable insights into corporate structures and the people that uphold them.
Entertainment
Woodstock 1969 Was Defined by This Surreal Performance From the Band You’d Least Expect
The dawn had just begun to break over the writhing mass of bodies. Packed – full of energy and as tight as sardines – and grooving relentlessly, as if they hadn’t just partied straight through the night. People, as far as the eye can see, spilling out across the field and over the hill, all eyes turned toward the stage – where, at last, a woman had appeared. Dressed all in white, bell-bottoms and fringe swaying as she walked, barefoot, towards the microphone. “Alright, friends, you have seen the heavy groups,” Grace Slick said into the microphone. “Now, you will see morning maniac music. Believe me, yeah. It’s a new dawn.” And with that, Jefferson Airplane began their much-delayed performance at the legendary 1969 Woodstock Music and Art Fair.
Woodstock is perhaps the most famous music festival of all time. There are countless legendary performances, innumerable moments that will never be forgotten. A then-unknown Santana appeared prior to the release of their debut album. Jimi Hendrix performed a psychedelic rendition of “The Star-Spangled Banner.” Pete Townshend of The Who chucked his guitar into the crowd. It is hard to choose a single set that stands out amongst so many inimitable live performances. That being said, Jefferson Airplane’s chaotic Sunday morning appearance just may be a cut above the rest.
Jefferson Airplane (Almost) Headlined at Woodstock
The Woodstock Music and Art Fair was marketed as “An Aquarian Exposition in White Lake, N.Y. – Three Days of Peace & Music.” With an attendance of nearly half a million people, it is one of the largest music festivals to date. Packed to the gills with hippies and free spirits, the festival was the pièce de résistance of the 1960s counterculture movement. It is no surprise that Jefferson Airplane, an unequivocal pioneer of psychedelic rock, was one of the most highly anticipated acts on the set list.
Initially scheduled to headline on Saturday night, Jefferson Airplane did not take the stage until around eight am the following morning. The festival was famously loose, with shoddy infrastructure and inclement weather affecting the schedule as the days rolled on. The lackadaisical approach to event planning reflected the cultural liberalism in which the fair was so deeply entrenched. It wasn’t about logistics – it was all about the music, man! While the constant delays were annoying, Jefferson Airplane and the other bands at the festival were committed. They were going to perform, come hell or high water.
However, there were other obstacles that made performing a bit more difficult. The members of Jefferson Airplane, worn out from a night of smoking and drinking and waiting around, went looking for a pick-me-up. In doing so, they unintentionally ingested LSD just fifteen minutes before they were finally due to perform. Fresh morning light, hundreds of thousands of people, psychedelic rock, psychedelic substances. They had waited all night for their moment in the sun, and they weren’t about to let a little mix-up get in the way.
It was well worth the wait. Despite the relentless stream of setbacks, their performance was breathtaking. Psychedelic rock had never been as fully embodied as it was at that very moment – and never has been since. Hypnotic and powerful, they had the crowd in the palm of their collective hand as they performed songs off of their wildly popular 1967 album Surrealistic Pillow. The album featured two of the band’s top hits, “Somebody to Love” and “White Rabbit”, both of which they performed on that bizarre Sunday morning.
Jefferson Airplane’s Most Successful Album
Surrealistic Pillow was a keystone of the San Francisco Sound, a harbinger of the Summer of Love. The record is Jefferson Airplane’s second studio album, but their first to include the hauntingly beautiful vocals of Grace Slick. The album’s title was rumored to be provided by Jerry Garcia of the Grateful Dead – he used the term to describe the band’s nascent sound during the album’s conception. Garcia was credited as “Musical and Spiritual Advisor” on the back of the record sleeve.
While their Woodstock performance is inarguably iconic, singer Grace Slick definitely had her qualms. She criticized her own sound during their Woodstock set, stating, “If you’ve been up all night smoking, your voice is not spectacular. I mean, I didn’t get up with a big bunch of sleep the night before. So, your attention span, a bunch of things, are not working as well as they should.” While Slick may not have been completely satisfied with every aspect of their sound that morning, given the circumstances, it was a raging success.
The Jefferson Airplane Crash
A few months later, Jefferson Airplane performed at another hugely famous music festival – but perhaps “infamous” is a more apt adjective, in this case. The Altamont Speedway Free Festival was expected to be a second iteration of Woodstock. This festival, headlined by The Rolling Stones, took place in December 1969. It was shoddy and slapdash – plans fell through, poor decisions were made. Inexplicably, the outlaw motorcycle club Hells Angels had been hired for security. The Altamont Free Concert is remembered today not for the music, but for the superfluous violence that took place there. There were stabbings, drownings, and fights. The Angels, paid with bottomless beer, became increasingly aggressive in their handling of the unruly crowd. At one point, Jefferson Airplane singer/founder Marty Balin leapt off the stage mid-performance in an attempt to intervene in the jarring violence. He was knocked unconscious by one of the Angels.
This unfortunate and traumatic festival – a far cry from the “Woodstock West” they had envisioned – was the beginning of the end for Jefferson Airplane. The first flake in what would snowball into messy relationships, disagreements, and lifestyle changes, eventually leading to the band’s dissolution in the early ‘70s. Their fleeting existence as the Jefferson Airplane that graced the stages and mud-pits of Woodstock makes their Summer of Love performance all the more powerful.
While Jefferson Airplane’s popularity may not share the longevity of bands like the Grateful Dead, they had just as big (if not bigger!) of an impact on psychedelic rock music. They brought the counterculture into the mainstream, shone a spotlight on the anti-war movement and the push for social change. Jefferson Airplane was both musically and culturally significant, and they had never been more impactful than during their performance at the Woodstock Music and Art Fair in 1969.
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