Denise Richards and Patrick Muldoon shared a bond spanning more than three decades before his sudden death in April 2026 at age 57 following a heart attack.

Through short-lived romance in the ’90s, a deep friendship and a reality TV reunion, Richards never held back about what the man she called “schweet babe” meant to her.

Keep scrolling to read Richards’ sweetest quotes about Muldoon:

How Denise Richards and Patrick Muldoon Connected

Denise Richards and Patrick Muldoon’s story started long before they were costars in 1997’s Starship Troopers. The two crossed paths in an acting class when she was 19 and he was 21, and what began as an on-and-off romance turned into one of the deepest friendships in Richards’ life.

During a 2019 episode of The Real Housewives of Beverly Hills, Richards reflected on their history: “I’ve known Patrick Muldoon since I was 19 years old. We call each other ‘schweet babe’ because we had nicknames on Starship Troopers for everyone.”

She added on that same episode: “We were on and off for quite a few years.”

On a March 2025 episode of Denise Richards & Her Wild Things, Richards estimated their time together: “We were together for, I would say, s***, almost five years, maybe.”

Denise Richards on the Friendship That Outlasted Her Marriages

After the romance faded around 2000, Denise Richards and Patrick Muldoon kept their friendship alive — though it wasn’t always smooth. Their bond hit a pause during Richards’ marriage to Charlie Sheen from 2002 to 2006. By the time Richards married Aaron Phypers in September 2018, the dynamic had shifted, and Muldoon attended the wedding as a guest.

“I did not speak to Pat when I was married to Charlie,” Richards said on her Bravo show in March 2025. “And it was hard, because I didn’t want to lose him as a friend. But toward the end of the marriage, I talked to him all the time about him.”

She added, “Mine and Pat’s relationship romantically was years ago and it’s just a deep friendship. I’m so grateful Aaron respects that because Charlie, he had a hard time with my relationship with Pat.”

Denise Richards’ Devastating Tribute After Patrick Muldoon’s Death

After Patrick Muldoon died in April 2026, Denise Richards poured her heart out on Instagram. Richards described Muldoon as her best friend, her family and her rock — painting a portrait of a bond that was “unconditional and rare.” Her words captured more than three decades of love and loyalty.

“This is so hard for me to put into words. I am deeply heartbroken & devastated losing you. You were my best friend & my family,” she wrote. “The friendship, love, support, respect & loyalty we had was unconditional and rare. You lit up every room you walked into. You are larger than life & everyone was drawn to you.”

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Related: Inside Patrick Muldoon’s Dating History Before His Death

Days of Our Lives actor Patrick Muldoon had been public about his relationships prior to his death. The Melrose Place alum’s manager confirmed to Variety in April 2026 that the actor died at age 57. His sister, Shana Muldoon-Zappa, told TMZ that Muldoon had gone to take a shower after drinking coffee with his girlfriend, […]

Richards praised Muldoon for having “my back and protect[ing] me more than anyone.”

She also wrote: “Schweetbabe we’ve had those conversations. We thought we’d live forever or at least into our 90’s. Schweetbabe I will be looking for those signs. I need to know you’re still here with me. I love you so much & miss you dearly schweetbabe.”

The Sheen Sisters’ Thoughts on Denise Richards and Patrick Muldoon

Denise Richards wasn’t the only one who recognized the special bond — her daughters had plenty to say, too. Her eldest, Sami Sheen, wasn’t entirely convinced the relationship was strictly platonic when she watched her mom film Patrick Muldoon’s music video on Denise Richards & Her Wild Things.

“He’s very flirty with her, I’m not gonna lie,” Sami said. “I don’t want to get him in trouble, but I feel like he might still have feelings for my mom. Just an idea.”

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Muldoon addressed those comments on an October 2025 episode of iHeartRadio’s “MisSPELLING” podcast, saying, “We dated on and off in the ’90s, but since then, it’s been just friendship. Sammi, we are friends.”

After Muldoon’s death, Lola Sheen also paid tribute on Instagram, writing that she “begged” her mom to reunite with Muldoon.

“I will really miss hearing my mom laugh on the phone with you,” Lola wrote. “The bond you two had was something so special that no one can touch. When I think of my mom, I think of you. You guys came as a package.”

Scooter Braun is facing renewed scrutiny after a new court filing appeared to connect him more closely to an alleged smear campaign shaking Hollywood.

The controversy, tied to multiple lawsuits and high-profile feuds, has raised serious questions about digital attacks, reputation damage, and the powerful figures potentially operating behind the scenes in an unfolding legal battle.

Scooter Braun Named In Expanding Smear Campaign Claims

According to The Hollywood Reporter, the latest developments stem from an updated legal complaint that builds on earlier allegations about a network of anonymous websites designed to damage reputations.

The situation first gained attention through a lawsuit tied to the legal clash between Blake Lively and Justin Baldoni over “It Ends with Us,” a case scheduled to go to trial in May.

Publicist Stephanie Jones initially alleged the existence of a “cottage industry” of defamatory sites, claiming they followed a coordinated strategy linked to crisis publicist Melissa Nathan and online operative Jed Wallace.

A separate lawsuit from actress and activist Alexa Nikolas further expanded the claims, naming attorney Bryan Freedman as a defendant.

According to the filings, these digital campaigns allegedly spread unverified accusations ranging from financial crimes to more serious allegations, using coordinated social media activity to amplify damaging narratives.

Freedman has denied involvement, previously describing the accusations as “speculation presented as fact.”

Scooter Braun Connection Emerges Through Legal Dispute

The updated complaint introduces a new layer by linking Nikolas’ case to financier Peter Comisar, who previously had a legal dispute with Scooter Braun.

The connection reportedly appears through backend search engine data, suggesting overlapping strategies in how reputational attacks were carried out.

“This overlap … appears to evidence common strategies being used against Ms. Nikolas and Mr. Comisar,” Nikolas’ attorney stated in the filing.

Comisar’s earlier lawsuit against Braun and music executive David Bolno adds further context.

In that case, Comisar alleged that “Bolno stated that Braun would trash Comisar’s pristine reputation,” and that Braun “alluded to a smear campaign that [he] would unleash.”

Since then, various online platforms and social media accounts have surfaced with claims questioning Comisar’s personal and professional background, deepening concerns about coordinated digital efforts.

Braun’s Industry Ties Add Complexity To Claims

Scooter Braun’s long-standing influence in the entertainment industry adds another dimension to the controversy.

Known for managing global stars like Justin Bieber, Ariana Grande, and Demi Lovato, Braun later transitioned into a broader business role with stakes in major entertainment ventures.

His involvement with Hybe, which acquired his company in 2021, is now being examined in relation to the allegations.

Braun previously served as CEO of the company’s American division, a position that placed him at the center of key business decisions and partnerships.

While no direct wrongdoing has been proven, the legal filings suggest that Braun’s past disputes and business connections may intersect with the broader smear campaign claims.

None of the individuals named in the filings have publicly responded to requests for comment.

Scooter Braun Linked To Wider Network Of Alleged Targets

The controversy appears to extend beyond a single dispute, with multiple figures reportedly targeted in similar ways.

One example involves K-pop executive Min Hee-jin, who has also been connected to online attacks while engaged in her own legal conflict with Hybe.

In a January Instagram post, Min shared that she had met with legal counsel to investigate the situation further, writing that she had spoken with someone “who’s currently handling lawsuits in the U.S. to uncover what [Nathan’s firm] TAG PR has really been up to,” before adding, “Pieces are starting to come together.”

Although she did not elaborate, the statement hinted at a broader pattern of activity linking multiple cases and individuals.

Business ties have also drawn attention. Hybe’s U.S. division previously held a controlling interest in TAG PR during Braun’s tenure, and the company later divested from it in 2025.

Around the same time, Bolno reportedly formed a business partnership with Wallace, further intertwining key figures mentioned in the lawsuits.

Legal Fallout Continues As Questions Remain Unanswered

As the legal battle unfolds, the broader implications of the allegations continue to ripple through the industry.

The lawsuits raise concerns about how digital platforms can be used to shape narratives and damage reputations on a large scale.

Adding to the complexity, testimony from ongoing proceedings has referenced past crisis management efforts tied to Bolno, including work following a high-profile tragedy.

While Bolno described the incident as a “terrible tragedy,” he denied any responsibility.

Meanwhile, Sigrid McCawley, representing Blake Lively, framed the issue as one of accountability and exposure.

“For Blake Lively, the greatest measure of justice is that the people and the playbook behind these coordinated digital attacks have been exposed and are already being held accountable,” she said.

With multiple lawsuits progressing and new details continuing to emerge, the controversy surrounding Scooter Braun remains unresolved.

As more connections are examined, the situation is likely to evolve further, keeping the spotlight firmly on the intersection of celebrity, power, and digital influence.

By Robert Scucci
| Published 27 seconds ago

Danny McBride is one of those actors I love to watch because no matter what character he takes on, he’s still reliably Danny McBride. It doesn’t matter if he’s a stoned slacker or a straight-up psychopath. He adapts to the role, but there’s always a hint of Kenny Powers energy lurking just beneath the surface. His murder rampage in 2018’s Arizona is a perfect showcase of his range. His rage takes over, but he’s still kind of a bumbling mess when things escalate, which makes the film funnier than it has any right to be.

It’s About To Get Real For The Realtors

Set in a sprawling Southwestern subdivision in 2009, Arizona introduces us to struggling real estate agent Cassie Fowler (Rosemarie DeWitt), who’s on the verge of bankruptcy because she can’t sell pre-fab houses in the middle of nowhere during an active housing crisis. Her boss, Gary (Seth Rogen), knows he set her up for failure, but he’s more concerned with moving units than being honest with his clients. One such client, known only as Sonny (Danny McBride), barges into the office and gets into a fatal confrontation with Gary. Cassie witnesses the deadly scuffle, making her a loose end for Sonny, who knocks her out and brings her back to his house, located in the same neighborhood she lives.

Rightfully terrified, Cassie’s main concerns are making sure her 14-year-old daughter, Morgan (Lolli Sorenson), is safe and getting in contact with her ex-husband, Scott (Luke Wilson), who might be able to reach the authorities. She’d call the police herself, but since we’re dealing with a relatively new, mostly unoccupied property development, it’s not exactly easy to get an officer to respond with any sense of urgency.

This brings us to the source of Arizona’s conflict. Sonny, having been promised by Gary that his property would only increase in value, experiences the exact opposite. After wiping out his savings, he’s stuck in the middle of nowhere with his ex-wife, Vikki (Kaitlin Olson), with no buyer to bail him out. The film takes place during the housing crisis and taps into the desperation of someone who “did everything right” but still faces financial ruin and years of hardship.

Sonny digs himself deeper when he accidentally kills Vikki and realizes Morgan is likely back at Cassie’s house, wondering where her mother is. What follows can only be described as a McBride bloodbath, which is where most of the comedy in Arizona comes from.

Danny McBride Goes Full Nutzo 

As I mentioned earlier, Danny McBride has a signature stank to his line delivery no matter the role. That’s not a knock on his talent. He knows exactly what he’s doing, but he also has a distinct voice and cadence that only he can pull off. The humor in Arizona comes from the comedy of errors lane it occupies. Sonny is rightfully angry and needs someone to blame for his misfortune, but he constantly underestimates his own strength, like Lenny from Of Mice and Men. He wanted to intimidate Gary and silence his ex-wife. He didn’t mean to kill either of them. But once the anxiety sets in and he realizes how deep he is, he keeps digging by dragging Cassie, Morgan, Scott, and his girlfriend, Kelsey (Elizabeth Gillies), into the mess.

With a nearly empty subdivision at his disposal and no authorities within easy reach, Sonny figures he can eliminate any witness and move on with his life. Every time he gets bested, though, the cracks show. His refusal to turn himself in or admit fault is what makes the whole thing so funny because every screwup is worse than the last.

On one hand, you almost feel bad for him. He sank his nest egg into property that’s about to bankrupt him. That’s the one bad decision you can’t really fault him for. Plenty of people were foreclosed on in the mid-2000s, but most eventually bounced back or at least downsized and figured out how to move forward without killing a bunch of people in the process. Sonny can’t stop killing people, and every escalation is entirely his fault, no matter how he tries to spin it.

Danny McBride is an absolute menace in Arizona, and he’s the only person who could make this role work. You want to sympathize with him, but you can’t. Still, he’ll catch you off guard with a laugh here and there because it’s basically Kenny Powers on a murder spree, and with that context, it’s a blast to watch unfold.

As of this writing, Arizona is streaming on Netflix.

While the infamous Oscar slap has come to define Will Smith over the last few years, it still isn’t enough to take away from the years of incredible movies he has given the world since he began his career in the early 90s. Smith is best known for his work in the popular TV series, The Fresh Prince of Bel-Air, but over the years, he’s also gone on to become one of the biggest A-list stars in the world thanks to his performances in Men in Black, I Am Legend, and Wild Wild West. His last big feature role came back in 2024 with the release of the fourth Bad Boys movie, Ride or Die, which was a massive hit with audiences, earning over $400 million at the global box office against a $100 million budget.

When you’ve been acting in movies as long as Will Smith has, though, they’re not all going to be hits. Back in 2019, Smith headlined one of the biggest financial misfires of his career with Gemini Man, the sci-fi thriller that grossed only $173 million globally against a $138 million budget. While it may be easy to look at Gemini Man outgrossing its budget by $35 million and think that it was a financial hit, remember: studios split box office earnings with theaters, and when factoring in marketing costs, this usually leaves a film’s break-even point at around 2–2.5x its budget. Still, despite its woeful box office performance, Gemini Man is rewriting history streaming on Starz, where it’s become one of the platform’s most popular movies. It’s also available to watch for free on Tubi and Pluto TV.

What Is ‘Gemini Man’ About?

Gemini Man follows a former high-level hitman who has left his old life behind to live in tranquility, only to come out of retirement when he finds himself on the hunt. The kicker? It’s a younger version of himself who is hunting him. In addition to Smith, who stars in dual roles as Henry Brogan and Junior, Gemini Man also stars Mary Elizabeth Winstead as Danny, Clive Owen as Clay, Benedict Wong as Baron, and Douglas Hodge as Jack. Ang Lee directed Gemini Man with a script from Billy Ray, Darren Lemke, and Game of Thrones co-creator David Benioff.

Check out Gemini Man on Starz, Tubi, or Pluto TV. Also, stay tuned to Collider for more streaming updates and coverage of Will Smith’s future projects.

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Release Date

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October 11, 2019

Runtime

117 minutes

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By Chris Snellgrove
| Published 1 hour ago

These days, DC’s animated movies are considered some of the best in superhero cinema. For decades, these films have provided both original stories and killer adaptations of beloved superhero comics. Even when the live-action movies were pretty awful (like most of the DCEU), these movies provided the deep characterization and whiz-bang action that every comic fan craves. A quarter century ago, though, Warner Bros., nearly drove their biggest fans away when they created Batman Beyond: Return of the Joker (2000), a nearly perfect comic book movie.

The controversy surrounding Return of the Joker had nothing to do with its quality. You see, the film was so brutal that the studio demanded that it be censored, subsequently releasing a much crappier version of the film on home video. Once the uncensored version leaked online, fans demanded to know why WB tried to keep us from seeing something so cool. Later, they released the better version, but you don’t have to take out your bat-wallet to see it. It’s currently streaming for free on YouTube, and this film is a must-watch for any fans of Batman: The Animated Series.

Somehow, Batman Returned

Batman Beyond: Return of the Joker takes place in a futuristic Gotham City. Bruce Wayne has long since retired as the Caped Crusader, but he’s mentoring a new Batman: Terry McGinnis, a high school student whose father was killed by a criminal. Terry fights a new generation of super-criminals because most of Bruce Wayne’s rogues’ gallery are dead and buried. This includes the Joker, which is why Wayne is so surprised to see the Clown Prince of Crime alive and well, leading a gang in some high-tech heists. Unless two generations of Batman can figure out who this costumed criminal is, he’ll unleash a deadly weapon that will transform all of Gotham into a smoking crater.

Compared to shows like Batman: The Animated Series, Return of the Joker is shockingly brutal. There are vicious fight scenes and some vivid violence, like the sight of an unconscious Bruce Wayne with blood all around his body. However, the most notorious scene is a prolonged flashback that features (spoilers, sweetie) a young Robin getting tortured by the Joker. Afterward, the brainwashed young man shoots and kills his captor, meaning that we see Batman’s most famous foe die onscreen.

A Real Massacre Made Studio Executives Nervous

The movie was set for a fall 2000 release, but Warner Bros. got nervous about the violence in the film because of the Columbine High School massacre of 1999. Accordingly, they heavily edited the film and sold this neutered version of Return of the Joker to fans. But after an uncensored version of the film leaked online, the fandom became very well aware of what the studio tried to take from them. After two years of petitions and angry internet posts, WB caved in and began selling (and later streaming) the uncensored version of the movie.

It was a mistake for Warner Bros. to censor Batman Beyond: Return of the Joker; the dark tone is arguably the best thing about this film. It was designed for the fans who had grown up watching Batman: The Animated Series and wanted something a little more serious, and it delivers on that idea in spades. The Joker is deadlier than ever, engaging in the kind of vicious hijinks that could never be broadcast on network television. This includes everything from torturing the Boy Wonder to killing his own henchmen whenever they displease him.

A Darker Villain For A Darker Era

Unlike in DCEU films such as Batman v. Superman: Dawn of Justice, this never comes across as tryhard, edgier storytelling. Instead, the dark tone effectively serves the basic premise of the movie as a whole. Gotham City is darker and meaner than ever before, and even its greatest hero is tainted by sins that are only now coming to light. Is it any wonder the city’s greatest villain is more brutal than ever before? Thanks to its jet-black tone, Return of the Joker is the perfect bridge between the relatively lighthearted Batman: The Animated Series and the serious, live-action perfection of films like The Dark Knight.

The voice work in Batman Beyond: Return of the Joker is simply outstanding. Will Friedle dazzles as Terry McGinnis, reprising his role from Batman Beyond. The same can be said for Angie Harmon, who is all gruff business as the older Barbara Gordon. Together, they try to fight a Joker gang voiced by some surprisingly big names, including Henry Rollins, Michael Rosenbaum, Melissa Joan Hart, and Frank Welker (TV’s Megatron!).

Of course, the big draw of Return of the Joker is witnessing Kevin Conroy voice the elderly Batman and Mark Hamill voice the back-from-the-dead Joker. For superhero fans of a certain age, these two are the most definitive actors for their respective characters. While each would go on to voice these characters again (including in the excellent Arkham games), this is arguably their most definitive onscreen pairing. It also provides a canonical finale to their endless struggle, making this vintage film a must-see bit of superhero cinema.

Do You Have The Stomach For This Movie?

Long story not very short, this movie has a little something for every kind of fan. If you’re already a fan of Batman: The Animated Series and Batman Beyond, this movie serves as a perfect coda to those two series. If you’re somehow not a fan of those classic DCAU shows, don’t worry. This film is almost shockingly accessible to newcomers, and it functions just as well as a standalone tights-and-flights adventure as it is a foundational cornerstone of Batman mythology. Plus, like the new Batman’s cloaking ability, this awesome film is just a click away!

Currently, Batman Beyond: Return of the Joker is streaming for free on YouTube. It’s a perfect animated adventure for older fans looking for a more serious take on the most famous hero and villain of the comic book world. If you have young kids, though, you should go ahead and tuck them in before you fire up this unrated Batman adventure. Otherwise, your children might grow up to be a bit like the Caped Crusader: absolutely haunted by a killer clown for the rest of their lives!

Batman Beyond: Return of the Joker SCORE

By Robert Scucci
| Published 5 seconds ago

When I fired up 1987’s Robot Holocaust on Tubi, I was expecting a Mad Max-style scenario with a bunch of clankers running amok and wiping out humanity. Instead, I got a weird, loincloth-laden odyssey where the most expensive special effects are red lights, and the villain is basically a giant, walking, talking Dr. Zoidberg from Futurama. I know I’m being anachronistic by comparing a 1987 film to a character that didn’t exist until 1999, but that’s the comparison I’m making, and I’m sticking with it.

Let me have this, because the other reality I have to live with is that this movie is pretty rough. There are barely any robots, and what transpires hardly qualifies as a holocaust. The male-to-female buttcheek ratio sits at a clean 50:50, and the nudity isn’t even the good kind. Everybody’s wandering around in punishing heat all day, so you just know the smell is so bad you can almost taste it.

It’s Listed As A Sci-Fi But It’s More Of A Fantasy Quest

The best way to describe Robot Holocaust is an ill-fated cross between Mad Max and the original Star Wars trilogy. You’ve got a ragtag group of city-dwelling slaves living under the thumb of the Dark One, with his laws enforced by Torque (Rick Gianasi), the robot who looks like Zoidberg.

These wasteland slaves are trying to overthrow the Dark One, and their plan mostly involves a lot of unsexy walking as they run into enemies, obstacles, and, occasionally, robots.

Leading the charge is Neo (Norris Culf), a New Terra drifter accompanied by his C-3PO-esque companion, Klyton (Joel Van Ornsteiner). Along the way, he links up with Deeja (Nadine Hart), Nyla (Jennnifer Delora), Bray (George Gray), and Kai (Andrew Horwath), all of whom are fed up with the Dark One’s evil machinations and willing to trudge half-naked through asphalt and overgrown wasteland to do something about it.

Alliances and wills are tested, but the goal stays the same. Our heroes, and there are too many of them to really invest in, especially given their almost aggressive lack of charisma, need to find the Power Station where the Dark One resides and wipe out him and his goons once and for all.

Amateur Hour, But Not Without Its Charm

While Robot Holocaust mostly plays like a college film project with no budget, I can appreciate what writer-director Tim Kincaid was going for with limited resources. Most of the exterior shots look like people wandering around the outskirts of NYC, and most of the interior scenes feel like they were filmed inside a Spirit Halloween. A lot of my enjoyment came from the production notes I made up in my head, like, “Places, everybody! This fog and these fake spiderwebs set us back $25, making it the most expensive scene we’re shooting!”

That said, I’ve got to give the cast credit for committing to the vision, even if they’re reaching pretty far to get there. The robot costumes actually look decent from a distance, but the illusion falls apart in the close-ups, which we get way too often.

At the end of the day, Robot Holocaust is perfect home-viewing material. It’s only 79 minutes long and packed with a healthy dose of camp. It doesn’t make much sense, and when the primary antagonist is finally revealed, it’s basically just a guy dressed like an egg. For that reason alone, it’s worth a watch because it’s just so random.

As of this writing, you can stream Robot Holocaust for free on Tubi.