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America’s Next Top Model’s most memorable contestants aren’t staying quiet about their experience on TV.

After more than 24 seasons, the reality show is being put under the microscope in a new Netflix docuseries titled Reality Check: Inside America’s Next Top Model.

While host Tyra Banks and judges J. Alexander, Jay Manuel and Nigel Barker are featured in the new project, many viewers are interested in the untold stories by some of the show’s breakout stars.

Since Reality Check premiered on Netflix on February 16, 2026, several contestants have shared their honest and unfiltered reviews of the project. Some are even commenting on Banks’ involvement with the show.

Related: Is Adrianne Curry in Netflix’s ‘Top Model’ Documentary? Her Absence Explained

Netflix will explore the most controversial moments from groundbreaking reality competition America’s Next Top Model in its new documentary Reality Check. The three-part docuseries from American Manhunt: Osama Bin Laden directors Mor Loushy and Daniel Sivan pulls no punches as it examines the way America’s Next Top Model changed the fashion industry — for better […]

“When I signed on for it, Tyra wasn’t even going to be on the show, so I was kind of surprised that it was more like a judge-focused show,” cycle 10 winner Whitney Thompson said via Instagram on February 17, 2026. “I would want to hear more from the contestants.”

Keep reading to see what cast members are saying about Reality Check and if it’s an accurate representation of their experience on America’s Next Top Model:

Shandi Sullivan

America’s Next Top Model cycle 2 finalist Shandi Sullivan claimed that she was sexually assaulted during a group trip to Italy during her time on the show. Now that she’s shared more of her experience, Sullivan is grateful for the support.

“Welp the documentary is out and now you know more of my story…after all of the years the Top Model girls and what we went through were never forgotten,” Sullivan wrote via Facebook on February 16, 2026. “At the age of 43, I continue to struggle with it; always smiling. That’s why I took this opportunity. Knowing that Tyra didn’t have control over my narrative, that the director and producers here had my back…that’s why I did it. I did it for me. Because I mattered and I still do! The love I have felt today has been immense. Thank you to everyone that heard me.”

Whitney Thompson

America’s Next Top Model cycle 10 winner Whitney Thompson addressed the criticism Tyra Banks was receiving from the docuseries.

“Hating Tyra is easy, right? I mean, it’s easy to blame her. But the truth is that the industry would not be what it is today if it wasn’t for her putting these things on Top Model back then,” Thompson claimed via Instagram on February 17, 2026. “We would not be gasping at the craziness that she put on TV if she hadn’t done it and shifted our entire mindset. She took queer, Black, trans, different weights, different heights and she put them into the average American’s living room where everyone was together watching these shows, rooting for someone who didn’t necessarily look like them.”

The model continued, “Because of that, it shifted the whole dynamic to where people could actually use people who weren’t identical to them in advertising. That had never happened before.”

Tiffany Richardson

America’s Next Top Model cycle 4 contestant Tiffany Richardson won’t forget the way Tyra Banks yelled at her before being eliminated.

“Hold up @tyrabanks let’s keep it cute … you know how you treated me the whole time off and on camera, YOU WAS A BULLY!!! You treated me like s*** and said the nastiest things about me and my son,” Richardson claimed in a since deleted Instagram post. “That is not how the argument went but YALL EDITED TO MAKE IT LOOK LIKE YOU CARED.”

Banks admitted in the docuseries that she “went too far” while addressing the “tough” moment.

“You know, I lost it. It was probably bigger than her. It was family, friends, society, Black girls, all the challenges that we have,” she explained. “So many people saying that we’re not good enough. I think all that was in that moment. That’s some Black girl stuff that goes real deep inside of me, but I knew I went too far.”

Adrianne Curry

Although America’s Next Top Model cycle 1 winner Adrianne Curry declined to participate in the Netflix doc, she spoke out about the project on social media.

“I was just told one of the Top Model judges admitted they’d advance girls that were not the best models…just good tv,” Curry wrote via X on February 17, 2026. “That was me. I’ve said it for years, I never was the best one. I just had the best sob story. It is nice to have it confirmed.”

Keenyah Hill

America’s Next Top Model cycle 4 contestant Keenyah Hill participated in the Netflix doc with hopes that her story would be shared accurately.

“I’m grateful for the opportunity to lend my voice about my experience on America’s Next Top Model,” Hill wrote via Instagram on February 16, 2026, before watching the finished product. “Sending SO MUCH LOVE to the ANTM Alumni ❤️. I know we all had very different experiences on the show and I feel for everyone who had to heal from the aftermath with half the world watching!! Grateful to have been a part of such a legendary show… Can’t wait to watch 🍿.”

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Related: Where ‘Top Model‘ Alums Stand With Tyra Banks After Offscreen Backlash

Netflix’s America’s Next Top Model docuseries revealed where Tyra Banks stands with many former contestants after they offered their unfiltered opinions of the show. Reality Check: Inside America’s Next Top Model, streaming now, features interviews from alums Whitney Thompson, Giselle Samson, Shannon Stewart, Shandi Sullivan, Danielle Evans and Keenyah Hill. New confessionals with executive producer […]

Lisa D’Amato 

America’s Next Top Model cycle 17 winner Lisa D’Amato is hopeful that E!’s upcoming project titled Dirty Rotten Scandal will be a more revealing look at the reality TV franchise she was a part of.

“#ANTM #NETFLIX mark your calendars for Dirty Rotten Scandal’s on E! March 11th,” D’Amato wrote via Instagram on February 16, 2026. “The Netflix was still very tame and sugarcoated compared to a lot of us and what happened behind the scenes to US that they kept silenced. We will have the last word. Thank you 🙏 All my love to @miss_jalexander ♥️.”

Eva Marcille

Eva Marcille, who won the third cycle of America’s Next Top Model, revealed she was “gobsmacked” after watching Reality Check: Inside America’s Next Top Model.

“I was in awe … My mouth was wide open,” she said in a February 2026 interview with CBS Mornings. “To be a part of a club, and not know what’s going on in the club is crazy.”

Marcille, who was not approached to be in the doc, added that she was horrified to hear some of the stories mentioned in the Netflix documentary.

“I’ve lived my experience. I’ve walked in my shoes. And though there is a level of relatability one would assume, someone having walked in the same shoes, I had no idea. Absolutely no idea. I have been asked about Tyra for 21 years,” she explained. “No matter what project I’m doing, what I’m involved in, somehow Top Model finds its way in my interview.”

Brian Kelley and Tyler Hubbard are prioritizing their friendship before releasing any new Florida Georgia Line music.

“Right now, I think just working on our brotherhood is kind of top tier, most important for us,” Kelley, 40, said on the Wednesday, February 18, episode of the “Country Outdoors” podcast. “Lord willing, the brotherhood will lead its way home, so we’ll see.”

Hubbard, 39, and Kelley cofounded Florida Georgia Line in 2010, going onto release four studio albums together. The two musicians announced a hiatus from FGL in 2022, each pursuing solo projects.

“I think we’re both focused on the friendship and working on our own stuff still,” Kelley said on Wednesday. “I think time will tell, and I’m excited about what God can do, and I think the options are endless right now. It’s cool to see what time can do, as well. You plan one thing and God and other things happen and things shift and cycles come back.”

Related: Tyler Hubbard Says Brian Kelley Initiated ‘Really Unexpected’ FGL Split

Tyler Hubbard hinted that it wasn’t his decision for Florida Georgia Line to come to an end. “For me, it was really unexpected,” Hubbard, 37, said on the Tuesday, May 7, episode of the “Bussin’ With the Boys” podcast, claiming former bandmate Brian Kelley was “adamant” about going their separate ways. Hubbard recalled his conversation […]

He continued, “I think, over the past couple of years, we’ve really even more so tried to allow God to move and open those doors or close those doors, whatever it may be in life and really not have it our way. I think [any] time we get set on something, if it changes, you get frustrated. We’re just a piece of sand in this world and just trying to say, ‘God, take the wheel.’”

Kelly further teased that a potential FGL reunion “does excite” him without revealing an exact timeline for musically coming back together with Hubbard.

Months earlier, Hubbard teased that he also hoped the duo could mend fences.

“I hadn’t spoken to BK a lot in the last couple years, but we’re going on a hike next week,” Hubbard said on the “Human School” podcast in December 2025. “The way I see it is I have a desire for that friendship. I miss the guy that I was partners with for 10 years. I miss my old roommate, my best man [at] my wedding.”

According to Hubbard, their friendship didn’t “have to be what it was” during their band heyday.

Related: Brian Kelley Raises Eyebrows With New Post After Tyler Hubbard Reunion

Florida Georgia Line’s Brian Kelley shared a cryptic post following his recent reunion with former bandmate Tyler Hubbard. “After going on the hike with T-Hubb,” Kelley, 40, wrote alongside an Instagram Reel on Friday, January 2. In the clip, Kelley can be seen walking through nature before cutting to a clip of the popular Jon […]

“It doesn’t have to equal FGL doing anything, but we need to repair and spend some time together face to face and just walk and talk, hang and go fishing or get a guitar out,” he said. “Enough time has gone by. What’s happened has happened, but there hasn’t been any real repair at all. What I’m hungry for is, let me get my friend back.”

Hubbard further shut down rumors about what led to their friendship breakup.

“There’s not a good guy, bad guy in this equation. There’s not a right or a wrong,” he said late last year. “BK stuck to his convictions and led with his gut and decided to make a decision based on his passion. I set a boundary that I wasn’t willing to cross and it is what it is. We both accepted it way before the internet accepted it.”

Hubbard also claimed that Kelley was eager to work on solo projects over FGL ones.

“We had a really good conversation for, like, an hour. I was able to be really honest. He was able to be really honest,” Hubbard recalled on the 2025 podcast. “He just basically said, ‘Man, I’m really feeling called, like, this is the time for me to do this and I really need your support and want your support.’ [I said] ‘whatever you ultimately want to do, I want you to be happy and I want you to follow your gut and your heart and if that means not doing this, so be it. But I beg you to reconsider.’ That was not the path I wanted.”

Kelley dropped his solo record, Sunshine State Of Mind, in 2021, while Hubbard released his self-titled debut in 2023 and Strong in 2024.

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‘I’m So Ready To Watch This’

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By Robert Scucci
| Published 23 seconds ago

A fast-spreading parasitic infection that turns the entire world into one beautiful, mindless orgy may sound like a great idea on paper, but not if David Cronenberg has anything to say about it. His third feature, 1975’s Shivers, viscerally demonstrates exactly what could go wrong in this context, and how, if such a parasite were to run amok among the general population, nobody is going to have a good time. In fact, everybody is going to have a terrible time, because the friction involved alone will leave you feeling worse for wear.

Just watching Shivers in the comfort of your own home is an upsetting experience, which is par for the course with David Cronenberg. Since that’s the exact aesthetic he’s pursued his entire career, I can’t really fault the movie for doing what it sets out to do. I can only give it credit for being a raw, more extreme version of themes he’d later explore in films like The Brood, Scanners, Videodrome, The Fly, and beyond.

An Unflinching Exercise In Unwholesomeness

Shivers kicks off with a murder-suicide in which Dr. Emil Hobbes (Fred Doederlein) cuts open a young woman named Annabelle and pours acid into her stomach before turning the blade on himself, for reasons that are revealed much later in the film. The bodies are discovered by Dr. Roger St. Luc (Paul Hampton), who learns from Hobbes’ colleague, Rollo Linsky (Joe Silver), that they had been working on a controversial study involving parasites engineered to act like replacement organs. The idea was that these organisms would dissolve damaged tissue and assume its function, but the results were far more volatile than advertised.

The B story in Shivers centers on Nick Tudor (Allan Kolman), who lives in the same building as the slain Annabelle, sees the crime scene before authorities arrive, and simply goes about his life as if he witnessed nothing. While his coldness seems callous at first, it’s soon revealed that Nick is suffering from convulsions caused by a parasite living inside him, potentially influencing his behavior. His wife, Janine (Susan Petrie), tries to care for him, but he downplays how sick he actually is until he can no longer hide it, resulting in him ralphing up the parasite, which looks like a writhing blood clot that slithers around like a slug.

Can’t Put The Cat Back In The Bag

Once Nick’s parasite is let loose in Shivers, all bets are off. Roger begins to suspect that Dr. Hobbes’ research is directly tied to the outbreak, a suspicion that’s confirmed when Linsky alludes to work involving the creation of a sexually transmitted organism designed to spread rapidly. The infected are transformed into libido-driven maniacs who feel compelled to feed the parasite and pass it along, ensuring the cycle continues to its most extreme end.

Escalating with each passing scene, the world that Shivers constructs becomes exactly what Dr. Emil Hobbes intended. Parasites are furiously transmitted, and those who are infected grow increasingly aggressive in their efforts to convert as many residents as possible before anyone can contain the spread.

If you’re a fan of Cronenberg’s later classics but haven’t yet familiarized yourself with Shivers, think of it as a low-budget, stripped-down preview of what his career would continue to refine once he had the clout and studio backing to fully realize his body horror ambitions.

With a reported production budget of $179,000 CAD, compared to The Fly’s $15 million, Shivers is distinctly a Cronenberg vehicle operating with limited resources. If anything, Shivers proves that all you really need is a twisted imagination, patience, and instinct to make an early effort stick. The film was warmly received by critics and currently boasts an 85 percent approval rating on Rotten Tomatoes.

Shivers is raw, uncomfortable, upsettingly violent, and exactly what you should expect from a young and ambitious David Cronenberg before he became a household name. If you want to see one of the earliest examples of his ability to thoroughly get under your skin, you can stream Shivers on Tubi for free as of this writing.

Netflix is telegraphing that one of its highest-buzz fantasy action thrillers isn’t just coming back for a Season 2 — it’s returning with purpose. A new post from Netflix Geeked sells the update by leaning into the idea that it would be a “heart-warming family reunion,” while referring to the picture of the iconic video game character Dante (Johnny Yong Bosch), rather than some routine season-to-season announcement.

The visual does a lot of the talking too: bold, hero-forward key art credited to Studio Mir, staged like a statement that the next run is going bigger, louder, and more character-driven. That framing matters because it tells viewers what kind of season to expect before it tells them when to watch. The post also makes the marketing intent clear: Netflix is emphasizing payoff, the kind that comes from bringing core players back into the same orbit and letting the story spark from their collisions, loyalties, and unfinished business.

Therefore, Dante is officially back in Devil May Cry Season 2, and Netflix has locked the premiere date for May 12, 2026. In other words, this isn’t a vague later this year promise — it’s a set, calendar-ready drop with a clear message: the reunion is the hook, and the new season is the payoff.

Adi Shankar Is Returning as the Showrunner and Creative Force For ‘Devil May Cry’ Season 2

Castlevania producer Adi Shankar’s return signals continuity in the show’s biggest selling point: a loud, unapologetically stylized take on game-to-anime storytelling that doesn’t sand down Dante’s edge. The Devil May Cry Season 1, which almost premiered a year ago back in April 2025, and already proved there’s an audience for that approach, landed a 96% critics score and a 66% audience score on Rotten Tomatoes, alongside a 7.4/10 rating on IMDb (28K votes).

Keeping the same creative driver matters because the series’ identity is tone as much as plot — late-’90s/early-2000s grit, punchy action grammar, and needle-drop energy that fits the brand (from Last Resort-style aggression to Evanescence mood). It’s a clear message: Devil May Cry Season 2 is aiming to escalate, not reinvent.

Devil May Cry Season 2 will be available to stream starting May 12. Stay tuned to Collider for more updates.

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Release Date

April 3, 2025

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Network

Netflix

Directors

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Park So Young

Writers

Alex Larsen

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  Johnny Yong Bosch

  Dante / Soldier #1 (voice)

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  Chris Coppola

  Enzo / Frat Boy (voice)

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UPDATE 2/19/2026 at 12 p.m. ET — The Federal Communications Commission (FCC) requested and reviewed transcripts of Bad Bunny’s Super Bowl LX Halftime Show after Republican Congressman Andy Ogles’ demand for an investigation.

Commissioner Anna Gomez told Reuters on Wednesday, February 18, that she reviewed the transcripts of the performance after seeing that the commission requested them. Gomez told the outlet that she found “no violation of our rules and no justification for harassing broadcasters over a standard live performance.”

The FCC has no plans to continue reviewing the matter, barring additional evidence, a source familiar with the situation told The New York Post.

The investigation came after Ogles, 54, argued that Bad Bunny’s halftime show contained “indecent” dancing and lyrics.

Original story continues below:

United States Congressman Andy Ogles is demanding an investigation into Bad Bunny’s Super Bowl LX halftime show, which he described as “pure smut.”

Ogles, a 54-year-old Republican from Tennessee, called for “a formal congressional inquiry into the National Football League and NBC immediately for their prior knowledge, deliberate approval, and facilitation of this indecent broadcast” on Monday, February 9. 

“American culture will not be mocked or corrupted without consequence,” Ogles shared via X. 

He added, “Children were forced to endure explicit displays of gay sexual acts, women gyrating provocatively, and Bad Bunny shamelessly grabbing his crotch while dry-humping the air. And if that weren’t outrageous enough, the performance’s lyrics openly glorified sodomy and countless other unspeakable depravities. These flagrant, indecent acts are illegal to be displayed on public airways.”

Related: Bad Bunny‘s Super Bowl Halftime Show: All the Hidden Symbols Explained

One of the most talked-about and widely covered halftime performances in Super Bowl history took place this Sunday, February 8. “Qué rico es ser latino,” Bad Bunny declared at the very start of the show at Levi’s Stadium in Santa Clara, California. What followed were 13 minutes filled with symbolism, history, folklore and flavor — […]

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In a letter written to Brett Guthrie, the chairman of the Committee on Energy and Commerce, Ogles pointed out specific points of contention with Bad Bunny’s performance, which aired live during Super Bowl LX on Sunday, February 8. 

Ogles criticized Bad Bunny for performing his song “Safaera,” which the congressman said includes references to “analingus, sexual intercourse and other explicit themes.”

He also referenced the choreography during “Yo Perreo Sola,” which he said featured “overtly sexualized movements including widespread twerking, grinding, pelvic thrusts and other sexually suggestive conduct.”

“While the set was performed predominantly in Spanish, it relied on songs whose sexual content remained readily apparent across any language barrier,” Ogles argued. “This language barrier did not mitigate the explicit nature of the material; rather, it heightened the broadcaster’s obligation to exercise reasonable diligence in reviewing, translating and evaluating the content prior to airing.”

Ogles added, “We must ensure that we hold Spanish-language content to the same standards and expectations we have for English-language content.”

The politician suggested it was “highly implausible” that the NFL and NBC, who broadcast the game, “lacked advanced knowledge of the performance’s content.”

“Rehearsals were conducted, setlists and production elements were submitted in advance and broadcast networks maintain delay mechanisms, commonly referred to as a 7-second delay, specifically intended to prevent indecent or inappropriate material from reaching live audiences,” Ogles wrote. 

The congressman said a committee review was necessary to “ensure that the law continues to function as intended in safeguarding the airwaves relied upon by American families.”

Ogles isn’t the only elected official to demand action in the wake of Bad Bunny’s halftime show. 

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Related: Why Bad Bunny Wore No. 64 on His Jersey During Super Bowl Halftime Show

Bad Bunny had family on his mind when he took the field for the 2026 Super Bowl halftime show. The rapper, whose real name is Benito Antonio Martínez Ocasio, wore a cream-colored custom jersey for his performance, with “Ocasio” on the back and No. 64. “Bad Bunny paid homage to his uncle who played football […]

Congressman Randy Fine, who represents Florida’s 6th Congressional District, said that the Puerto Rican rapper’s “disgusting” performance was “illegal” because he cursed in Spanish. 

“Had he said these lyrics — and all of the other disgusting and pornographic filth in English on live TV, the broadcast would have been pulled down and the fines would have been enormous,” Fine, 51, alleged via X on Monday. “Puerto Ricans are Americans and we all live by the same rules.”

Fine sent a letter to the Federal Communications Committee, demanding “dramatic action” be taken. 

The politician also referenced the NFL, NBC and Bad Bunny himself, writing, “Lock them up.”