More than 20 former id Software developers, artists and designers have formed Hidden Horses, a new employee-owned studio built by people who lost their jobs in Microsoft-era Xbox layoffs. The team is turning to crowdfunding to get its first game off the ground, a single-player first-person shooter called Danger Pay.

What Hidden Horses says it is building

According to GamesIndustry.biz, the studio’s central idea is shared ownership. Co-founder and executive producer Andrew Willis said the aim is a place “where the developers share in its success and have a commitment to it beyond just another job.” He added that people with a stake in something’s success tend to be more committed to it.

The studio also says the structure should “empower individual developers while maintaining the focused decision-making necessary to build ambitious games.” That is a notable balance to strike. Flat, ownership-driven teams often struggle with who makes the final call, and Hidden Horses is promising both.

Kickstarter and the first project

Hidden Horses plans to fund Danger Pay through a Kickstarter campaign. The money is earmarked for “the typical things needed to start a business and finance game development, including licenses, hardware, and healthcare.” Healthcare in particular is a reminder of what laid-off developers lose, especially in the United States. The studio says its initial funding goal will reflect the timeline and costs of the first project. The sources reviewed do not give a dollar figure or a launch date.

Trading one risk for another

Co-founder and rendering programmer Regan Carver described the move in a video documenting the studio’s founding. At id, he said, the question was whether the company could succeed, and that was “a given” because it was established, had revenue and was making good work. The other question was whether the company cared about him. “For a while, that was true, and then it stopped,” he said.

With Hidden Horses, Carver said, he is “trading one for the other.” The team knows they care about one another, and what remains is succeeding. For a startup with no revenue and a crowdfunding campaign still ahead, that is a considerable gamble, but one the founders appear to have chosen deliberately.

The layoffs behind it

Roughly 136 id Software employees were laid off in July. The studio said at the time that it still had “the crew we need to build the games and tech we’re known for,” even as some observers questioned whether it could maintain its proprietary engines with a reduced team. In a statement, id said its current team is about the same size as when it made Doom (2016), and that it would stay a flat studio “where everyone is a maker.”

A GamesRadar+ headline on the story also carries the quote “It really felt like an attack,” suggesting the founders were blunt about the layoffs in their announcement. The text of that article was not available for this report, so who said it and in what context cannot be confirmed here.

Why it matters

Hidden Horses joins a growing list of studios formed by developers after industry layoffs. This one is notable for its pedigree and its ownership model, which tries to give workers the stake that layoffs showed them they did not have. Whether backers will fund a new shooter from a team with no shipped game under its own name remains to be seen. The founders are betting that goodwill toward the people behind id’s work, along with a pitch built on shared ownership, will be enough.

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File photo: Rage (id software) at GamesCom by Sergey Galyonkin, CC BY-SA 2.0, via Flickr (Openverse).

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Capcom had a commanding night at the 44th Golden Joystick Awards, where Resident Evil Requiem won four trophies, including the top prize of Ultimate Game of the Year. The studio itself took home seven awards across the ceremony, which was held on Wednesday.

Requiem, released in February, is the ninth main instalment in the survival horror series, which is now 30 years old. It won Ultimate Game of the Year with 17% of the public vote, beating Phantom Blade Zero, Crimson Desert, Control Resonant and The Blood of Dawnwalker. It also won Console Game of the Year and Best Game Trailer. Angela Sant’Albano won Best Lead Performer for playing new protagonist Grace Ashcroft, an FBI agent who investigates a series of mysterious deaths alongside returning favourite Leon S. Kennedy.

How Capcom reached seven Golden Joystick Awards

Requiem’s four wins were only part of Capcom’s haul. The company was named Studio of the Year. Onimusha: Way of the Sword won Best Audio Design, and Grace Saif won Best Supporting Performer for playing Diana in Pragmata. Together with Requiem’s four, that makes seven.

The result fits a strong year for the publisher. GamesIndustry.biz notes that Requiem has passed seven million sales and helped Capcom secure a ninth consecutive year of profit.

Indie hits and other winners

Capcom did not take everything. The multiplayer hide-and-seek game Meccha Chameleon, in which players paint themselves to blend into their surroundings, was the other big winner with four awards. The public chose it for Best Multiplayer Game and Best Indie Game (self-published), and it also took Streamers’ Choice and Developers’ Choice.

Dispatch won Best Storytelling and Best Soundtrack. Crimson Desert, a Ultimate Game of the Year nominee, won PC Game of the Year. Control Resonant won Best Visual Design, and Subnautica 2 was named Best Early Access Game. Elsewhere, Valheim won Best Indie Game, Doom: The Dark Ages – Revelations won Best Game Expansion, and The Witcher 3: Wild Hunt – Remastered won Best Remake/Remaster. Gamers also looked ahead: The Witcher 4 was voted Most Wanted Game. The Steam Controller won Best Gaming Hardware, Iron Lung won Best Game Adaptation, and Balatro and Minecraft took the two Still Playing categories.

A critics’ pick under scrutiny

The cooperative online game Big Walk, from Australian developer House House, won Critics’ Choice. The win came in a week when the studio faced criticism over reports that it used generative AI late in development without disclosing it at release. The studio has said the tool produced only a tiny amount of code.

The ceremony handed out prizes in 25 categories. Twenty-two were decided by a public vote of gamers worldwide, with the remaining three, Critics’, Streamers’ and Developers’ Choice, decided by those separate groups. That mix helps explain why a mainstream blockbuster and a self-published indie game could both dominate the same night.

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The Fairgames cancellation is the latest sign that PlayStation’s big bet on live-service games has not gone to plan. Sony has ended development on the multiplayer heist shooter from its Montreal-based Haven Studios, according to a Bloomberg report that outlets including IGN, Polygon and The Verge picked up on November 10.

Unlike many game cancellations, this one comes with no layoffs. PlayStation told Bloomberg that Haven will “shift focus to collaborating with other development teams across PlayStation Studios, while also exploring new creative opportunities.” In effect, the studio is being repurposed as a support team for other first-party projects.

Why Sony pulled the plug on Fairgames

The reason, per an internal email reviewed by Bloomberg, was a recent playtest. Executives Sean Decker and John Doyle told staff the test showed “strong operational excellence, live ops readiness and community engagement.” But “player feedback and retention results were mixed and fell short of the goals we had set.” They added that “challenging market conditions in the PVP shooter genre” sealed the decision.

That wording matters. Retention is the lifeblood of a live-service game, which needs players to keep coming back for months or years to justify its running costs. A game can be well run and still fail if players drift away.

IGN suggests the playtest in question was likely tied to a mysterious project called Project Espresso. That game resembled Fairgames and began advertising private playtests alongside a gameplay trailer in September. The sources do not confirm the link, and little is known about how those sessions went.

A long road for Haven Studios

Fairgames was announced in 2023 as Haven’s debut. Jade Raymond founded the studio in 2021, and Sony acquired it in 2022. The game was initially slated for release last year, then delayed to spring 2026. Raymond left in May 2025, and Marie-Eve Danis and Pierre-François Sapinski were named co-studio heads. IGN reports the project was also dogged by developer departures and internal struggles, and Polygon says it was reworked multiple times after its reveal.

Part of a larger live-service retreat

The Fairgames cancellation lands against a backdrop of costly setbacks. In 2022 Sony bought Bungie for $3.6 billion, and then-chief Jim Ryan said the company aimed to launch more than ten live-service games by 2026. That target has not been met. Sony wrote down the value of the Bungie acquisition by $765 million in the 2025/26 fiscal year after Destiny 2 and Marathon underperformed. Bungie has since laid off 292 employees and ended development on Destiny 2.

The casualty list is long:

• Concord was pulled from sale two weeks after its 2024 launch, and Sony went on to close developer Firewalk Studios and Neon Koi.
• Planned live-service games in the God of War and The Last of Us franchises were cancelled.
• In 2025, two unannounced live-service projects from Bend Studio and Bluepoint Games were cancelled, and Bluepoint was later closed, costing 70 jobs.
• A live-service Horizon spinoff was recently rebooted after negative player feedback, according to reports.

There are bright spots. Helldivers 2 has been a clear success, and Polygon also points to Gran Turismo 7 as a steady live-service performer. Marathon, which launched this year, has had a rough start. Bungie showed off a December update this week that adds a co-op PvE roguelite mode and a PvP deathmatch mode. IGN notes that the other major PlayStation live-service game on the horizon is 4:Loop, from JJ Abrams’ studio Bad Robot.

What the Fairgames cancellation says about Sony’s strategy

Sony has not abandoned the genre. Sony Interactive CEO Hideaki Nishino has said the company wants to “revitalise” live-service through both first- and third-party content, adding that the genre “itself is relatively new” and that many companies are “trying various things.” But the evidence suggests a more cautious approach. Sony is cancelling earlier, testing more heavily and, in Haven’s case, keeping talent in-house rather than closing studios.

Keeping Haven’s staff is a notable shift from the closures that followed Concord. Whether it signals a gentler approach or simply reflects that the team’s operational skills are worth retaining is not yet clear. What is clear is that the PVP shooter market is brutally competitive, and even a well-resourced publisher with a studio of experienced developers could not make Fairgames work.

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The Ocarina of Time remake has sold more than 5.2 million copies worldwide in its first four days, Nintendo announced Wednesday. That makes it the fastest-selling Nintendo-published game in the Switch 2’s short history. The remake launched Nov. 5 and revisits the 1998 Nintendo 64 classic.

Nintendo’s wording is precise. The record covers games Nintendo itself publishes, and the company says it holds globally as well as in the U.S., Canada and Latin America. Eurogamer notes that because Nintendo’s own titles are the biggest sellers on the console, the claim probably holds more broadly. Nintendo does not release sales figures for third-party games, so that can’t be confirmed.

How the Ocarina of Time remake stacks up against other Switch 2 games

The 5.2 million figure puts the game ahead of some of the platform’s biggest launches. IGN reports it is selling faster than Donkey Kong Bananza, Pokémon Pokopia and even Mario Kart World. Context matters for that last comparison. Mario Kart World launched alongside the console, and IGN notes that Nintendo sold 3.5 million Switch 2 units in the first four days, with roughly 80% of them bundled with the racing game, at least in the U.S.

Polygon’s analysis suggests the remake is already the second-best-selling Switch 2 game overall. Mario Kart World has sold more than 16 million copies. Nintendo’s latest financial report put Donkey Kong Bananza at 5.05 million through the end of September, a total the Zelda remake has now apparently passed. Polygon adds a caveat: a third-party game could theoretically be ahead, though it is hard to name one.

The remake isn’t Nintendo’s biggest hit of 2026. Tomodachi Life, on the original Switch, has sold 8.8 million copies. Polygon expects Zelda to overtake it before the year ends.

A risky release window that paid off

Timing was a talking point before launch. The remake arrived only weeks before Grand Theft Auto VI, which Variety says was the one title more anticipated this year. Eurogamer joked that the results answer doubts about launching near the Rockstar blockbuster. IGN suggested Nintendo bet that Ocarina’s legendary status and broad audience would hold up against GTA’s pull. Eurogamer also reports that U.S. Switch 2 hardware sales jumped after the game’s release, so it may be moving consoles as well as software.

The reception helps explain the numbers. Polygon says the remake’s reveal was somewhat controversial because of its radically different art style. Since then it has drawn widespread critical praise and looks like a strong awards contender. Eurogamer gave it a five-star review.

What comes next for Zelda

The launch is part of Nintendo’s celebration of the Zelda franchise’s 40th anniversary. Variety lists a worldwide concert tour starting in 2027 and a live-action Zelda film due in theaters April 30, 2027, along with other games and merchandise. A hit remake gives that run of releases strong momentum.

It also raises a question Eurogamer put directly: will Nintendo mine its back catalog for more nostalgia-driven remakes? Four days of sales suggest the appetite is there. Whether other older Zelda games have the same pull as Ocarina of Time is a harder question. For now, Nintendo has its fastest Switch 2 start yet, and the holiday season is only beginning.

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Katsuhiro Harada, long the public face of the Tekken fighting series, used a panel in Korea to say what many developers mutter in private: the Xbox Series S is a headache. He said it with a senior Xbox official sitting in the audience.

The remarks came at a roundtable at the Console Game Developers Conference. Five developers were interviewed by former Sony indie chief Shuhei Yoshida, and Inven Global reported and translated the exchange. The other panelists were DongKi Lee of Stellar Blade studio ShiftUp, Danganronpa creator Kazutaka Kodaka, CD Projekt Red’s Paweł Sasko, and Tynan Sylvester of RimWorld studio Ludeon. Asked about the pros and cons of console versus PC development, Harada first praised consoles for fighting-game esports. Then he pivoted.

“A slightly weaker child”

“I wish hardware like the ‘Xbox Series S’ wouldn’t be released,” Harada said, laughing, and he pointed out that an Xbox official was present. He then turned to Sasko and asked whether the console had secretly upset him too. Sasko answered diplomatically, saying it “constantly throws challenges at us and forces us to optimize our code very cleanly.”

Harada was not satisfied with that. He called it a polite way of saying the console “sucks,” and explained his real objection. Low memory is a problem, he said, but the bigger issue is that the Series S is so close to the Series X while being “awkwardly” less powerful. A Switch 2 port can be treated as its own device for its own audience. With Xbox, he said, “after delivering your absolute best output, it feels like having to do extra work for a slightly weaker child.”

Why developers can’t ignore the Series S

Harada also described a commercial trap. In markets like the United States, he said, the Series S has more users than the Series X, so cutting corners is not an option. Yet when a game looks worse on the cheaper machine, players blame the developers rather than Microsoft. He cited the complaint “Why is texture resolution lower only on Series S?”

Sasko gave a fuller and more upbeat answer. He agreed that Harada “speaks a lot of truth” and that players rarely grasp the technical reasons behind fewer characters on screen or reduced visuals. But he argued that squeezing a game onto weaker hardware pays off everywhere. He pointed to optimization work from CD Projekt’s Switch 2 effort, which he said involved 80 to 100 people for over a year, being fed back into Cyberpunk 2077 on other platforms. He also said the console’s lower price widens the audience. Harada joked that Sasko had made the Series S sound so appealing that the Microsoft representative was nodding along, and he worried it might encourage a successor along the lines of a “Helix S” for the next Xbox generation.

A long-running grievance

Harada’s frankness is unusual for someone of his stature, but the complaint is not new. Microsoft’s rules reportedly require games to launch on both Series consoles with broadly matching features. IGN notes that this is why Baldur’s Gate 3 reached Xbox months late and needed help from Microsoft engineers to get split-screen co-op running on the Series S. Funcom’s Scott Junior called Dune: Awakening a “challenge” on the console, and Moon Studio’s Thomas Mahler blamed the Series S for the delayed Xbox release of No Rest for the Wicked. The developer of Wardogs has said the hardware’s limits kept certain features out of its game. Stellar Blade was announced for Xbox but has not arrived. Lee did not address it at the panel, and no source says why.

The market picture is shifting, too. Kotaku reports that the Series S made up nearly 75 percent of Series console sales as of 2022, but the Series X had outsold it in the US by 2024. Whether higher console prices will push buyers back toward the cheaper model is unclear. Kotaku also notes that the Series S now costs $200 more than at launch, and that Xbox has blamed supply constraints for declining sales.

The open question is whether Microsoft will ever let developers ship Series X-only releases. For now, the Xbox Series S remains a requirement, and Harada’s joke made clear how much it frustrates the people who have to build for it.

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Sony is switching off the PlayStation Plus PC app on December 10, ending the only official way for Windows users to stream PlayStation games without owning a console. The company announced the move on November 10 and said it will notify affected users directly.

Why Sony says it is ending the PlayStation Plus PC app

Sony’s explanation rests on a single number. In its announcement, the company said fewer than 0.4 percent of eligible PlayStation Plus Premium members were using the app on PC. Cutting it, Sony said, lets it focus on “high-quality experiences that more of our members want to use.” The app was a perk of the Premium tier, which let subscribers stream certain games to a PC.

Sony did not say what it plans to build with the freed-up resources. It did point to the options that remain: Premium subscribers can still stream games on a console or on the PlayStation Portal handheld.

What PC players lose

The practical loss is flexibility. IGN noted that, apart from the small number of games Sony has ported to Windows, the app was the best way to play PS5 games on a PC, even though they were streamed. After December 10, the only remaining way to play PS5 games away from a console is Remote Play. It requires a console to be switched on and connected to the same network, so it is a different tool from a subscription cloud service.

That contrasts with Microsoft’s setup, where Game Pass subscribers can stream to a phone or PC without a console in the house. IGN’s report also noted a wrinkle: GTA 6 is the exception on Xbox’s service, since Xbox Cloud Gaming will only carry it for Xbox One consoles.

A pattern of stepping back from PC

The shutdown follows reports earlier this year that Sony is pulling back from PC and no longer plans to release PC ports of its exclusive games. IGN said Sony Interactive Entertainment CEO Herman Hulst told employees that the PC ports had been “inconsistent” and did not make enough money. The company’s reasoning on the PlayStation Plus PC app is similar: a small audience that does not justify the investment.

Taken together, the moves point to a console-first approach. Sony appears to be concentrating its single-player games and its subscription perks on its own hardware rather than courting players on other platforms.

Timing against rising hardware costs

IGN argued the timing is awkward. Consoles are getting more expensive, and it cited a PS5 Pro price of $1,559 on Amazon at the time of writing. When hardware costs climb, cloud streaming becomes a more attractive way to play, and IGN suggested Sony is backing away from it, “if even just a little bit.”

Sony’s rivals are not offering unlimited access either. IGN reported that Microsoft this month capped Xbox Cloud Gaming for Game Pass Ultimate subscribers at 15 hours of play before they must pay for more time. Nvidia’s GeForce Now also has limits, at 100 hours a month. Sony has so far avoided such caps, but that is cold comfort for PC users who will soon have no app to stream with.

What to do before December 10

PlayStation Plus Premium members who have been streaming on a PC should expect a notice from Sony. After December 10 they will need a console or a PlayStation Portal to keep streaming. With under 0.4 percent of eligible members affected, according to Sony’s own figure, the change will be small in scale. For those users, though, the PlayStation Plus PC app is about to lose its place as the easiest way into the PlayStation library without a console.

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Grand Theft Auto 6 is now the most pre-ordered game on both of the big console storefronts, according to reports citing Sony and Microsoft. The claim arrives just ahead of the game’s November 19 release, and it comes with a practical consequence: players can download the game now.

Sony made its version of the announcement in a PlayStation Blog post confirming that pre-loading is live. “Grand Theft Auto 6 is now the most pre-ordered game in the history of PlayStation Store,” the company wrote. It said the “unprecedented demand” led it to work with Rockstar Games so players could begin pre-loading nine days early. Sony also urged anyone planning to play on day one to start the download as soon as possible.

What the “most pre-ordered game” claim does and doesn’t mean

The wording is narrower than the headlines suggest. Eurogamer noted that Sony’s boast covers the digital PlayStation Store, not PlayStation as a whole. Physical pre-orders at retailers aren’t part of that record. GamesRadar+ and PC Gamer both frame the milestone as applying to Xbox as well. However, the source material available here didn’t include Microsoft’s wording or any actual pre-order figures from either company.

That absence matters. Neither platform holder has put a number on this record, so it can’t yet be compared with anything outside their own storefronts. For now, it’s a statement about relative demand rather than a measure of total sales.

Take-Two says the numbers are tracking high

The platform announcements follow a Take-Two earnings call, where chief executive Strauss Zelnick said GTA 6 pre-orders are tracking “far above expectations.” He said the numbers would “speak for themselves” before long. He also predicted the game would “set a new baseline” for the company’s success. Eurogamer reports that GTA 6 is widely expected to become the best-selling entry in an already enormous series, though that remains an expectation rather than a result.

What players should know before launch

The game unlocks when each region’s clock passes midnight into November 19. Players in time zones further ahead, such as New Zealand, will get to play before everyone else. Sony’s blog post also highlighted PS5 and PS5 Pro features for the game. Eurogamer’s coverage says the PS5 Pro enhancements will still run the game at 30 frames per second.

On Xbox, cloud streaming is supported, but Rockstar has ruled out streaming the game from an Xbox to a PC. Eurogamer says an older Xbox One can be used as a streaming target instead.

Pre-loading mostly guards against the launch-day rush. With the most pre-ordered game in PlayStation Store history, and by reports Xbox’s too, about to unlock everywhere at once, Sony’s advice to download early looks sensible. Whether the record translates into record sales is something Take-Two will have to show with real numbers after launch.

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The Golden Joystick Awards 2026 arrive this Wednesday, November 11, when winners across 25 categories will be revealed in a live show open to viewers around the world.

When to watch the Golden Joystick Awards 2026

According to TechRadar, the ceremony starts at 10AM PT / 1PM ET / 6PM GMT / 7PM CEST. Viewers can follow it live on YouTube, Twitch, TikTok, X and Future Games, among other platforms. Because the stream is free and spread across so many services, there is little reason to miss it, whatever your time zone.

Who is hosting and presenting

This year’s host is actor Alix Wilton Regan, known for roles in Dragon Age: Inquisition and Tomb Raider: Legacy of Atlantis. She will be joined by guest presenters from across the industry. The announced names include Rare composer Chloe Kwok, art and creative director Rex Crowle, Paddle Paddle Paddle developer Mateo Covic, and interviewer and presenter AlicesPixels.

The lineup also includes Resident Evil Requiem actor Nick Apostolides, CD Projekt Red production director Malgorzata Mitrega, composer Richard Jacques, and Control Resonant actor Frankie Kevich. The mix of performers, composers, developers and creative directors fits the show’s broad focus on the people behind games as well as the games themselves.

What’s at stake: the nominations

The headline prize is Ultimate Game of the Year, one of the 25 categories up for grabs. TechRadar reports that 007 First Light, Big Walk and Resident Evil Requiem lead the nominations. That puts a licensed spy adventure, a quirkier title and a major horror franchise entry in competition at the top of the field. None of the sources we reviewed lists the full set of nominees or any results, so the winners will not be known until the show airs.

What to expect

PC Gamer and GamesRadar+ have also published their own guides to the Golden Joystick Awards 2026, though the available excerpts mostly contain site navigation rather than extra details. The key facts come from TechRadar’s guide: the date, the time, the streaming platforms, the host, the presenters and the category count.

For anyone planning to tune in, the practical advice is simple. Check the start time for your region, pick a platform, and be ready for a long list of winners. With 25 categories and a crowded presenter roster, the Golden Joystick Awards 2026 look set to cover a lot of ground in a single evening.

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Hollow Knight: Silksong’s physical release has delivered an unexpected piece of news: the game’s pack-in booklet promises multiple free content packs, alongside the already announced Sea of Sorrow expansion. Fans welcomed the confirmation, though the mood cooled quickly when it became clear that nobody has a firm date for the expansion.

Physical copies were due to be delivered from 10 November, but some early arrivals gave the community a look inside the box. According to Eurogamer, a Reddit user posted photos of their Nintendo Switch 2 edition, including the manual’s section on content packs. “The world of Hollow Knight: Silksong will expand with free content packs,” the booklet reads, promising “new friends, new abilities, and new ferocious foes.”

What the booklet actually says

The same text describes Sea of Sorrow as “the first giant expansion,” in which players will “voyage across and beneath a salt-stricken ocean brimming with mystery and menace.” Two details matter here. “First” suggests Team Cherry sees Sea of Sorrow as the opening chapter of a longer post-launch plan, not a one-off. And the plural “free content packs” is the clearest indication yet that the support goes beyond a single paid or free add-on.

Team Cherry said last year that it planned to keep supporting Silksong after launch but gave few specifics. Sea of Sorrow was later announced with a vague 2026 window. The booklet’s wording is the first printed confirmation of the broader plan, though it doesn’t say how many free content packs to expect, what each will contain or when they will arrive.

Why the excitement cooled

The booklet lists Sea of Sorrow as “Coming Soon” and gives no date. GamesRadar’s coverage framed the news as a rollercoaster: players jumped at the talk of free content packs and a giant expansion, then dropped back down as the expansion’s release date seemingly vanished. The text of that article was not available for this report, so the details of what changed on that front can’t be confirmed here. Eurogamer, for its part, notes that the 2026 window is running short and that there is still no date.

The wait is hardly a surprise. Team Cherry has a reputation for letting projects grow well beyond their original scope. Silksong itself began life as a planned Hollow Knight DLC before becoming a full sequel. Many players will see that history as a reason for patience, given how large and detailed the studio’s worlds tend to be.

There is also precedent for generosity. The original Hollow Knight received a run of free post-launch updates, which is why many fans expected something similar for Silksong. The booklet is the first official sign that this is the plan.

For now, the physical edition’s extras are the tangible part of the story: a large map of Pharloom and booklet art taken from the game. The free content packs and Sea of Sorrow remain promises with no dates attached, so anyone eager to dive back into Pharloom will have to wait for Team Cherry to say more.

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The Grand Theft Auto 6 festival is real, and fans have less than a day to enter the lottery for a chance at tickets. Rockstar Games and PlayStation announced a one-night event at Mana Wynwood in Miami on November 21, two days after the long-awaited game arrives on November 19, roughly 13 years after its predecessor.

Who is playing the Grand Theft Auto 6 festival

The festival will run across two stages and draws on the artists tied to the game and its official soundtrack. Travis Scott, Cardi B, Justice and Metro Boomin top the bill. Scott is leading a Cactus Jack showing alongside Don Toliver, Kodak Black and SoFaygo. Rauw Alejandro will front a guest-filled set billed as “Rauw & Friends.”

The Latin contingent includes Ca7riel & Paco Amoroso, Tainy and Suero. French duo Justice, who composed the game’s score and contributed several songs to the soundtrack, will also anchor a run of DJ sets.

The decks lean heavily on electronic music, a nod to the game’s Florida-inspired setting of Leonida and Miami’s dance scene. Billed pairings include Nick León with DJ Python, Prospa with Skream, and The Dare with Fcukers. León is from South Florida, while Kodak Black is another local name on the lineup.

How to get tickets before the lottery closes

Access is by lottery. Fans must register through DICE by 4 p.m. ET on Tuesday, November 10. Those selected can buy tickets on Wednesday, November 11, with Rolling Stone reporting a limit of two per person. Further details are on the event’s official website.

Because entry is a draw rather than first-come, first-served, registering matters more than being quick on the day. No capacity or ticket price was given in the coverage reviewed, so it is unclear how many people will get in.

A launch built around music

The event fits a rollout in which music has been central. NME reports that the game will be available to pre-load from Tuesday ahead of its November 19 release on PlayStation 5 and Xbox Series X|S. A companion soundtrack arrives the same day, featuring PinkPantheress, Future, Yung Lean, King Gizzard and the Lizard Wizard, Tame Impala, Fuerza Regida and others. Rolling Stone adds that Justice’s score is due separately on December 11.

Rockstar has also promised what it calls “the biggest and widest-ranging” selection of in-game radio music. Six stations have been announced so far, including Bad Bunny’s Cocoteo FM, Burna Boy’s AfroBank FM, Robyn’s Flash FM and a Back Country Radio hosted by Lana Del Rey and her husband Jeremy Dufrene. Slayer’s Kerry King and Tom Araya host The Chamber 106.6.

For Rockstar, the Grand Theft Auto 6 festival works as a live extension of that strategy. It turns a soundtrack that has mostly been discussed as a track list into a single night in a real city that mirrors the game’s world. Whether the lottery demand matches the hype around the game itself will become clearer once the draw closes.

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