Madness is bringing their cheeky ska-pop show to Newmarket Nights this summer
They burst into the charts as part of the burgeoning 70s 2 Tone scene before cementing their status as bona fide pop royalty. More than 40 years later, Madness are still as popular – and bonkers – as ever, and they’ll be playing to another packed-out crowd when they bring their cheeky ska-pop show to Newmarket Nights this summer.
The ‘Nutty Boys’, as they became known, ruled the charts in the late 70s and early 80s with quirky, infectious radio favourites such as Baggy Trousers, Embarrassment, Shut Up and House Of Fun. And their unwavering commitment to being as serious about being silly as they are about the serious matter of songwriting means they’re in demand as much as ever.
“The race meeting thing is such an amazing phenomenon,” said Madness frontman Suggs as he looked ahead to the band’s Newmarket Nights appearance on July 17. “I remember the first time, a long time ago now, when our manager said ‘we’ve got this idea of having a little meeting and a band on afterwards’.
“I’m thinking ‘what if the old man’s done all his dough? He’s halfway there and back again – is he really going to want to go and see a band?’ But that’s the sort of role we fit. Regardless of what’s happened, we’re going to have a good time. It’s a great privilege – it’s something we started out doing and still do.”
The Newmarket show is just one of a number of big outdoor gigs they’ll be playing at home and in Europe this summer – quite remarkable for a band which can trace its roots way back to 1976. And their longevity, says Suggs, is down to the fact that they’re all mates and they like having a chuckle.
“It’s extraordinary,” he said. “I’ve got a lot of contemporaries from when we started out, and a lot of them split up. “But we were all friends from school. The premise was always to have a laugh and enjoy yourself.
“It’s not that we weren’t serious about making music and songwriting and all of that, but getting along and having a good time is what really keeps the old boat afloat. It’s always been the same. When we started out playing in pubs, if you didn’t entertain, you wouldn’t be asked back.
“It’s a reciprocal thing. The way the audience dig what we do energises you. People really enjoy what we do.”
The music industry could be brutal back in the 80s – one minute you could be the hot ticket, the next you were yesterday’s men.
Madness know that scenario well enough. Changing styles and trends led to their split in 1986, seemingly drawing a line under their crazy capers forever.
“We were the biggest band of the 80s then in about 1986 we started to not be,” said Suggs. “Our keyboard player left, he was a very fundamental part of the band and we packed up for a bit, thinking that was that. I was retired when I was 26!
“Then in 1992 someone asked us to do a festival in North London called Madstock and 70,000 people turned up! Suddenly the tide can change when you think it’s all over. And from then on, we ain’t looked back. Apart from having all the hits – that’s something no one can take away and it’s not like every band has had 25 top 10 hits or whatever – people pay their fiver or £500 or whatever to see you and if you perform, they’ll ask you back.
“And we’ve always been performers as much as musicians, so I think that’s been part of the longevity.”
The band’s videos during their heyday were legendary. Costumes, props, band members flying through the air… you never knew what was going to come next.
“I think one day there’ll be a section in the V and A Museum,” joked Suggs. “They’re works of art, those videos. There was no MTV or anything. Our record company boss said ‘you’re so theatrical, why don’t you make little films?’
“We’d sit around coming up with the most ridiculous ideas and then he’d go ‘we can only afford a van, an armchair and a car falling out of the sky’ and we’d work out what we could actually afford to do in two days. But there was this costumier in Camden Town called Berman and Nathan’s who did all the big films that let us take anything we wanted.
“It wasn’t a fancy dress shop – they had real copper’s uniforms. Can you imagine the fun we had in North London? ‘Ello, ‘ello, ‘ello, what’s going on here then?
“Especially when we burst into The Clash’s dressing room in Regents Park and you could hear the sound of doors slamming and toilets flushing! They never spoke to us for five years!
“I think when we fizzled out in the 80s it was because we’d run out of things to dress up as. We’d been flowers, coppers, exploding traffic wardens, cowboys…. It was a unique phenomenon. We were all quite extrovert.
“Some bands found it quite embarrassing to make a fool of themselves but we always felt you had to take being stupid as seriously as being serious. So we really got into it.
“Because there were seven of us, if you wanted to get on Top of the Pops, you had to do something extraordinary to get in the video in the first place, so we were trying to outdo each other all the time. But we were having fun! There weren’t no stylists or people telling us how to behave.
“When you see us laughing and joking, we are literally laughing and joking at ourselves and I think that resonates in the way the music does when you’re playing live. You can see when it’s authentic.”
With that zany showmanship still very much in play, the bookings keep coming and the fans keep turning up in numbers.
“Our sax player, Lee, said the other day – it’s like that song from The Eagles,” said Suggs. “You can check out any time you like but you can never leave. When will it end? When will the audience stop asking us to come back?
“We were supposed to have a quiet year this year but they keep asking us back! I’ve got a friend who’s a promoter. He had us on last year and he said ‘to be honest Suggs, I’ve got this bill and they’re all really boring! We need you to come along and liven it up!’
“No one could have foreseen this. We couldn’t have. But it’s the phenomenon of being in a band. You start off messing around and you think ‘oh this song’s not bad’.
“Then you get a gig in a pub and think ‘brilliant, that’s it, we’ve made it’. Then you make a record and it goes on and on and on.”
Newmarket Nights features a summer-long programme of top acts performing at Newmarket Racecourses after an evening of horse racing. This year’s programme also includes Five (June 19); Basement Jaxx (June 26); Aitch (July 31); Jessie J (August 7); Craig David TS5 (August 14) and Kaiser Chiefs (August 22).
For further information, including to book tickets, click here.

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