Marvel’s Wolverine is not a sequel (Sony Interactive Entertainment)
The Thursday letters page is cautiously optimistic about Tomb Raider: Legacy Of Atlantis, as a reader is worried about the sequel to 007 First Light.
Games Inbox is a collection of our readers’ letters, comments, and opinions. To join in with the discussions yourself email gamecentral@metro.co.uk
Expected response I think I agree with your summary of the State of Play, in that it was solid, didn’t do anything wrong, and yet I wasn’t excited by it at all. The problem is, and I think you hinted at it, is that while I’ll probably even buy Wolverine and God Of War Laufey, I already know what they’ll be and while I’m sure they’ll have unexpected moments they really don’t seem to be doing anything we haven’t seen before.
It’s the problem with sequels and using existing IP and while I understand it, and even encourage it when it comes to something I really like, they almost seem like wasted games, in terms of not moving anything forward.
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I’m sure they’ll rake in the money, because tried and tested is what sells, but I feel Xbox has an opportunity here, to have a much more surprising showcase, with some games that aren’t just the obvious go-tos. They’ll probably miss the open goal though, they usually do. Gazza
Logan Drake I’m getting some serious Uncharted vibes from Marvel’s Wolverine. The whole thing with the chase on the bike reminds me of the Madagascar chase from Uncharted 4. That was probably the best bit in the entire game, so you can’t blame them for trying to copy it, but it doesn’t give me much hope that Wolverine is going to be very original.
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Especially when they had that bit where he’s looking down at the soldiers below and he’s doing some simple stealthing about (like Batman: Arkham Asylum, again). I just don’t know what’s going to be special about the game other than its production values. But then I suppose Wolverine doesn’t really have particularly interesting powers from a video game perspective.
He’s just got short daggers in his hands really, and there’s probably only so much he can do with that, so I’m not entirely on board yet. Goldie
Direct cycle There’s got to be a Nintendo Direct next week. I don’t care how obstinate Nintendo are, you can’t go half a year without announcing a single big game or saying what’s coming out at Christmas. Especially not with a price rise coming up, where you’ve really got to justify why people should be buying the console.
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I agree with GC though, in that it’ll be a minimum effort and probably only announce one or two big things, then the rest will be already announced games, DLC, and Switch 2 editions. Then we’ll be right back into wondering if there’s going to be another Nintendo Direct and if there’s a secret Christmas game they haven’t told us about yet.
I get why things are like this now but it’s kind of exhausting and not as much fun as it used to be. Zeiss
Modern gaming I recently purchased 007 First Light for the PlayStation 5. I put the disc in and downloaded what popped up to get everything ready for when I could start to play. I sat down today to begin and there was an update, just seven minutes – so annoying but not too bad. I played through the first tutorial mission. All pretty standard but I was keen to see what was next after all the positive reviews.
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The game halted suddenly after the intro music, a pop-up stating ‘content downloading, returning to main menu’. I look in the PlayStation 5 downloads and I have more stuff downloading, three hours worth (yes, I have slow internet where I live but nothing too unusual).
I was quite underwhelmed with the early stages of the game, thinking that it continues the trend with modern triple-A games being mildly interactive unimaginative movies rather than actual games. Add to this the fact that I can’t actually play any more of the game today and I really do think that modern gaming is finally becoming not for me. Alex
GC: You really should’ve waited until it had finished downloading before starting it, as it’s colouring your view of the game.
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Traffic jam Really looking forward to Onimusha: Way Of The Sword continuing the Capcom quality run, but that last week of September period is an absolute nightmare. All those games coming out at the same time, all trying to stay out of the way of GTA 6… they’re all going to suffer and some of them are going to flop completely.
Nobody has enough time or money to play them all even if they wanted to, so hard choices are going to be made. In this case it doesn’t seem publishers had much choice about what to do, but I hope some of them change dates now that they see how things have shaken out.
It’s Control Resonant I fear the most for. Remedy games just don’t sell and this one isn’t going to either if it’s like the sixth most high profile game of the week. Grackle
Bubble Raider So what they’re saying about AI in Tomb Raider is that you can guarantee people are going to find AI stuff in the game, in the first week or so, and then we’ll get the usual apology tweet saying they thought they’d removed it all (aka they were hoping nobody would notice).
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I would love to know how much time they think they’re saving by using AI for temporary graphics and then going to all the trouble of removing them (or not) and/or changing them. That sounds like a faff to me and unlikely to save much time, while also generating bad publicity.
What did they do before? Presumably used graphics from older games, which considering Crystal Dynamics has been making Tomb Raider games for decades now they must have plenty of by now. Just use ones from Tomb Raider: Anniversary, which was the first time they did a remake.
I understand that AI can help with programming but we’ll probably never know about that, so you can’t say anything about it, one way or the other.
But in terms of anything else I don’t see how it’s helping at all, other than making the developers look incompetent and heartless. The sooner this ridiculous bubble bursts the better. I’d almost wish NFTs had caught on instead at this point. Sharkton
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Thunderballed As much as I’ve loved 007 First Light, I have big worries about the sequel. It turns out the reason Amazon, who own the Bond licence, weren’t involved in First Light is that they hadn’t bought it when it started. But now they own it they want to publish any game in the future.
That has me very worried, as IO published First Light and that seems to be one of the main reasons they did it. If Amazon kicks off IO from being the developer that would be an absolute disaster. Private
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Top two Being firmly in the camp that believes Returnal was the best PlayStation 5 game by a country mile, I’ve been looking forward to Saros more than any other game in a long while. Now that I’ve completed it, I can say without a doubt: this is easily one of the top two games on the console.
Like many others, I was mildly disappointed at first. The atmospheric, abstract storytelling of Returnal is a bit more prescribed here (though, ironically, many complained that Returnal was too abstract). However, once I got over the fact that it’s different, I came to enjoy it immensely, possibly even more than its predecessor.
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The combat, as always with Housemarque, is second to none; for my money, it’s the best shooting in any game ever. The new mechanics, like using your shield to charge up power weapons and parrying red bullet, add brilliant, fun layers to the loop. The guns are as good as ever, with each class possessing its own distinct style and playing completely differently to keep things fresh.
At first, I thought the shotguns were duff, but once you unlock the enhanced melee attack, staggering enemies with a blast and smashing them to pieces becomes extremely satisfying. Personally, my favourites are the Chakrams, reminiscent of the Dreadbound in Returnal with a few twists, which can absolutely melt through enemy health bars. The bows are great fun too.
When you’re in that flow state, juggling standard fire, alt-fire, shields, power weapons, and parries, it perfectly captures the intense bullet hell arcade action of Ikaruga or Housemarque’s older titles, but blown out into a big budget, 3D space. The sheer drama of each fight leaves you breathless, and the boss fights are extremely impressive. It is a non-stop rollercoaster ride; a sci-fi, bullet hell space opera extravaganza.
I also enjoyed the narrative and found myself genuinely looking forward to the cut scenes to unpick what was going on. The endings are great too.
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Is it better than Returnal? The combat is absolutely better. And while I preferred Returnal’s atmosphere, I still really invested in this story. Ultimately, the reason I keep playing these games isn’t the plot; it’s the gameplay, and in that regard, Saros just pips it to the post.
Either way, both games are entirely unique. No other titles on the market feel like them, which is incredibly rare in this day and age, and exactly why I love them both so much. Choosing between them is like picking a favourite child. Either way, Housemarque has proven once again that they are the absolute kings of modern arcade action. Mud
GC: We think you liked the story a bit more than we did but generally, we agree – especially in terms of the combat.
Inbox also-rans Anyone want a Metal Gear film? Give War Machine a go. Obviously, there’s a lot less history, dialogue and confusing plotting. Best thing is, its runtime is a lot shorter than some Metal Gear cut scenes. Bobwallett
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The announcement trailer for the Tomb Raider remake looks absolutely incredible. I’m in awe! One of my favourite video game franchises. They can’t mess this one up, can they? Paul C.
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People who start planning at 50 could pass on thousands more
Families could be losing thousands in ‘preventable’ Inheritance Tax costs according to money experts after a new report found that delay one single decision by a few years could have a much higher cost than people expect.
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With unused pensions due to be included in Inheritance Tax calculations from next year, millions of families who never expected to pay inheritance tax could find themselves caught up in the 40% bill. This comes after new figures showed nine in 10 UK postcodes have more estates that will trigger IHT bills than they did five years ago.
New Octopus Investments research found that when you start your estate planning could have a significant impact on how much your able to leave to your loved ones. Modelling affluent families who start the process at the age of 50, it found they could pass on £397,000 more to their loved ones compared to those who make the “quiet” decision, or indecision, to not start planning until they hit 70.
Outside of the financial hit late planning can take, the research also found emotional costs of the delay as nearly seven in 10 financial advisors say they’ve seen tax or family conflict because estate planning was started too late. Advisors added that many clients delay starting the process because they think they are ‘too young’ or struggle to have conversations about death and their legacy.
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Kristy Barr, Head of Retail Investments at Octopus Investments said: “The biggest threat to a family’s legacy isn’t tax – it’s the conversation that gets postponed. Most of the wealth lost to inheritance tax isn’t lost to bad planning.
“It’s lost to no planning, by families who genuinely meant to get round to it or people who simply didn’t realise they had an inheritance tax problem.”
The new research focused on affluent families in the top decile of UK wealth after the pension changes begin next year, noting that actual outcomes will depend on each household’s individual circumstances. It found these wealthy families could lose an estimated £12.3billion in ‘preventable Inheritance Tax’ once pensions enter Inheritance Tax liabilities next April.
The controversial change will see unused pension funds included in the value of your estate for Inheritance Tax purposes. It is meant to prevent pension pots from being used as a way to transfer wealth generationally without facing Inheritance Tax as it’s currently exempt.
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Even without this change in tax policy, the research showed families that passively wait to start estate planning may be passing on £258,000 less on average than those who start estate planning early.
Inheritance Tax is paid at a flat rate of 40% on estates valued at over the threshold of £325,000. However, there are some exemptions that can stop your estate over this value from being taxed and acting on these strategies sooner rather than later could add up to thousands according to the research commissioned by Octopus Investments.
The report, 50nomics: the evidence behind earlier estate planning, also discovered that many people are mistaken about when they actually start estate planning. UK adults said on average that it should start around 44 years of age, while financial advisors say clients usually start around 61 years old.
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86% of those in their late 40s admitted they hadn’t done any estate planning at all and this only dropped to 70% for those in their 50s.
Kristy added: “Our research indicated the difference between affluent families starting their planning at 50 and starting at 70 is, on average, nearly £400,000. Multiplied across the country, that is billions of pounds in legacies left on the table.
“For most families, the decision to wait feels like the safer one. 50nomics puts a price on that quiet decision — and a value, for those who act, on starting the conversation sooner.”
England will be aiming to end 60 years of hurt this summer at the World Cup but Three Lions fans are set to get the chance to relive the side’s past glory
07:32, 04 Jun 2026Updated 07:32, 04 Jun 2026
Channel 4 are bringing the 1966 World Cup final back to life – with a little help from Harry Kane. England captain Kane is taking part in a special colour broadcast of English football’s greatest moment to raise awareness for the Alzheimer’s Society.
Hat-trick hero Sir Geoff Hurst is also making a contribution to pay tribute to his teammates who developed dementia which is the UK’s biggest killer.
Alzheimer’s Society ambassador, comedian David Baddiel, will introduce the show with special contributions before the match – England’s 4-2 win over Germany – is shown in all its glory.
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The special broadcast, in partnership with SunLife and MediaLab, is designed to raise awareness and also help raise funds for the disease which has had a devastating effect on footballers.
Kane is also one of several current and former England stars taking part in the show ahead of this summer’s World Cup.
Michelle Dyson, chief executive officer of the Alzheimer’s Society, said: “We are so grateful to be part of this collaboration, which will allow people to experience the historic 1966 World Cup final in full colour, while also raising vital funds for Alzheimer’s Society.
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“It’s heartbreaking that many former players – and indeed fans – of the legendary 1966 World Cup team have been affected by dementia.
“Their stories are a powerful reminder of why we must keep raising awareness and the funds needed to support people living with this devastating condition today while also working towards a better future.”
Neil Canetty-Clarke, Executive Producer, said: “60 years ago, 32 million people, the largest ever audience in UK history, watched England win the 1966 FIFA World Cup Final in black and white.
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“We hope millions more will watch it in colour on Channel 4 on June 6th to celebrate the anniversary and support Alzheimer’s Society.”
Channel 4 partners with SunLife to broadcast a special edition of the 1966 FIFA World Cup Final In Colour, in aid of Alzheimer’s Society at 4.45pm on Saturday, 6 June.
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All across London, a city where a back garden is a luxury and allotment waiting lists are endless, locals are adopting unloved, neglected pockets of land and transforming them into inspiring open spaces. “I think it is magical,” says Eamonn Postlethwaite, who found his haven on a modest strip of woodland between council blocks in Bethnal Green.
Liverpool Street seems quiet ahead of rush hour (Picture: Noora Mykkanen)
Metro is at Liverpool Street station, where things appears to be calm before storm ahead of rush hour.
TfL staff, who declined to give their names, said the first strike day has not been ‘too bad’ with crowds.
‘It’s a little bit busier, but not too bad. But the peak is still to come,’ they said.
Ashley, 34, who was waiting for her cousin at the station’s Elizabeth line entrance, had travelled from Durham for the launch of an LGBTQ+ magazine and to see a comedian.
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She only heard about the strike on her way in on the train.
She said: ‘I was a little bit stressed about it, but it has been completely fine, absolutely no disruption.
‘I took the Tube from King’s Cross to Moorgate and walked from there in the rain. We are staying in Hackney but haven’t planned yet how we will travel there.
‘I’m travelling again on Thursday so will see how it is.’
The 2026 event will see the historic cycle of medieval plays performed across the city centre, blending centuries-old tradition with a contemporary festival celebrating art, community and storytelling.
The York Mystery Plays, a sequence of 48 plays charting Christian history from creation to the Last Judgment, date back more than 600 years and remain one of the world’s best-known surviving cycle play traditions.
This year’s performances will take place on Sunday, June 28 and Sunday, July 5, with additional evening events on June 30 and July 1.
Many famous actors have taken part in the plays over the years, including York-born actress Judi Dench, as well as actors Joseph O’Connor, Christopher Timothy, Simon Ward, Victor Banerjee and Robson Green.
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The young Judi Dench, in the role of the Virgin Mary, watches over the baby Jesus in the 1957 Mystery Plays Image: Newsquest
True to their medieval roots, the plays will be staged on moving pageant wagons as they travel through central locations including Refectory Gardens, Deangate, King’s Square and St Sampson’s Square, before concluding in Dean’s Park.
Audiences will be able to watch much of the action for free at the first three locations, while tickets will be available for the performances in Dean’s Park.
Organisers say the 2026 programme will be “more than a theatrical event”, forming the centrepiece of a wider festival beginning on June 22.
Festival highlights will include an exhibition at the Bar Convent exploring the role of women in the Mystery Plays, a city-wide art and poetry programme, a sound and memory exhibition, guided walks and a series of talks, films and audio experiences.
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Schools and community groups from across York will also play a key role in the celebrations.
York Mystery Plays in Shambles Market. Photo by Catherine Jane of Press Camera Club
New for 2026 will be Twilight Lantern Shows in Shambles Market on June 30 and July 1, transforming the space into an immersive evening experience using light, sound and performance.
Artistic director Alan Heaven said the plays continue to resonate with modern audiences.
“The York Mystery Plays are among the great works of medieval drama – epic, funny, moving and visually extraordinary,” he said.
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“They tell stories that have connected communities for centuries, and performing them in the streets of York creates a truly unique experience.”
Preparation for the event will formally begin on Sunday, June 7 with the traditional Presentation of the Billets.
Flashback to 2014 and The Presentation of the Billets in York.
The ceremony, which dates back to medieval times, sees representatives of York’s guilds and companies symbolically instructed to stage the plays.
Roger Lee, chair of York Festival Trust, said the event remains at the heart of the city’s identity.
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“The York Mystery Plays are part of the city’s soul,” he said.
“In 2026, we are bringing them back in a way that feels both ancient and entirely new – a journey through story, place and shared experience.
“This is York at its most imaginative and most alive.”
The modern revival of the wagon plays began in 1998 and has grown into one of the region’s largest volunteer-led arts events, involving hundreds of performers and community participants.
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Full details of timings, locations and festival events are now available, with organisers urging early booking for ticketed performances.
His body was found a week after authorities called off the search, when he had been missing for an entire month – but he was only supposed to be gone for three days
Grant Gardner was an experienced hiker and he was looking forward to his three-day solo adventure, walking and climbing through the Bighorn National Forest.
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But what started out as a stunning hike for the married father-of-two ended in a living nightmare for his family when he vanished without trace.
Grant had set off on his three-day hike on July 20, 2025, in Wyoming with the hopes of reaching the peak in Bighorn National Forest. He aimed to take on the hike in the northern part of the state, where he would reach an elevation of over 13,000 feet.
The day he set off was the last time anyone spoke to the 38-year-old and when he didn’t return three-days later it would be more than a month until anyone knew what had happened.
The authorities had to stop their search as his “most optimistic survival odds have run out”, and it wasn’t until a month after his disappearance his body was uncovered.
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The last anyone had ever heard from Gardner was when he texted his loving wife around 7pm on July 29. His text told her that he had reached the summit and that the climb had been ‘more taxing than he had expected’ and that he was feeling ‘fatigued’.
Three days later, after not hearing from him since, the sheriff’s office was notified Gardner had not yet returned home, and it was then that the search operation began.
It was no small feat, as the search pulled resources from six counties, including both the Wyoming Army National Guard and the U.S. Forest Service, as well as dog trackers, drones and even private pilots, all searching the area in the hopes of finding Mr Gardner.
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Sheriff Ken Blackburn of Big Horn County released a statement on August 5 that explained why the summit Gardner had taken on was “concerning”. This was “due to the lack of visible trails through cliffs, timberline, boulder fields, and other hazards that had to be navigated after dark before reaching clear trails and safe terrain.”
20 days later, and their search was still unsuccessful, forcing the authorities to make the “heartbreaking and difficult decision” to call off the search. The choice was not made lightly, and done so in consultation with his family members, who were still holding onto hope.
The sheriff said on August 20: “In consultation with family members, I have made the heartbreaking and difficult decision to suspend active search and rescue operations for Mr Gardner. Our teams have exhausted all resources and personnel over the last 20 days.
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“With weather conditions and other factors updated in our search models, we have to face the reality that the most optimistic survival odds have run out.”
Six days later, members of the professional climbing team from North Carolina descended upon the mountain and saw a backpack hidden beneath a ledge.
The following day, on August 27, Gardner’s body was recovered and transferred to the Big Horn County Coroner’s Office, where his death was investigated.
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It was believed that the experienced hiker had “succumbed to a tragic accident” on his solo journey to the summit. While finding his body didn’t serve the outcome they had all hoped for, it certainly provided some peace and closure for his family and his wife, who was left with his parting words.
The artwork, by County Durham artist John Cutting, will be displayed during Bishop Middleham’s first Flower and Craft Festival, taking place at the Grade I listed St Michael’s Church, which dates back to the 12th century.
The festival will run from June 12 to 14 and will also feature three additional works by Mr Cutting.
Rev Rachel Wilson, curate at St Michael’s, said: “This festival brings together nearly a thousand years of history with contemporary creativity.
Acclaimed local artist John Cutting joins Chelsea Gold Medal winning florist Val Guest, pictured, to transform historic 12th-century St Michael’s Church in Bishop Middleham (Image: Supplied)
“From John Cutting’s newly commissioned sculpture to the floral displays and community exhibits, it is a celebration of the remarkable talent we have in Bishop Middleham and beyond.
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“We hope visitors will discover something unexpected and inspiring.”
Mr Cutting is known for transforming salvaged metal, wood, and stone into contemporary sculptures.
Acclaimed local artist John Cutting joins Chelsea Gold Medal winning florist Val Guest, pictured, to transform historic 12th-century St Michael’s Church in Bishop Middleham (Image: Supplied)
His work has been exhibited across the UK and is held in both public and private collections.
More than 20 floral displays will be featured at the festival, coordinated by Chelsea Flower Show gold medal winner Val Guest, whose recent work includes installations at Westminster Abbey.
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The event will also showcase photography, painting, sewing, handicrafts, and poetry created by villagers, schools, and community groups.
Refreshments will be available throughout the weekend.
The festival will open on Friday, June 12 from 6.30pm to 8.30pm, with admission priced at £5, including cheese and nibbles.
It will continue on Saturday, June 13 from 10.30am to 3.30pm with £1 entry, and conclude on Sunday, June 14 from 2pm to 4pm, also for £1.
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A service of Songs of Praise will take place at 4pm on the final day.
Some people believe the loyalty card encouraged more people into their business, while others feel it didn’t make a difference
Shop and restaurant staff have shared mixed reviews over a loyalty card, introduced by a council to encourage more people to shop local. Throughout April and May, Huntingdonshire District Council launched the ‘Shop, Drink and Dine’ card, with the aim to boost footfall in St Ives.
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The town-wide scheme involved independent shops, restaurants and places to drink. Shop owners and staff have shared mixed reviews over the loyalty card, with some saying it was a positive thing, while others feel it didn’t make a difference.
Victoria Giles, owner of Adorn, said it was a “really good idea”. “It’s all helping each other out,” said Victoria.
She added: “It was only £5. It was enticing to customers and to get people into shops.” Victoria saw more customers come into her shop.
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She said: “I had a few customers come in and stamped a few cards. It was only ever going to be a good thing at the end of the day. I think anything active to get people into a shop and shop local is good.”
Cyril Bray, manager at The Tellers Table also thought the loyalty card was a positive thing for the town. He said: “It’s supporting local businesses.
“It encourages people as well to come and see us. There are lots of local people that come in and are happy we are here, the card was just an extra encouragement for them. We had a few people come in. I think it was word of mouth after that. Anything to encourage people to use local businesses is always a plus.”
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Other businesses found the card didn’t do as well as they thought. A worker at Townrow, who wished to remain anonymous, said it “didn’t make off as good as we thought”.
She added: “We only had a few customers. I thought it was going to be good, as you only needed to spend £5. But we only stamped a few people.”
Luke Carton, bar manager at The Taproom, had “mixed” feelings towards the card. He said: “We did one before [set up by the Oliver Cromwell pub] and that did really well. This one was more broad which made it more difficult. Our regulars kept using it so that worked well, but it was too broad.”
Sharon, who wished for her surname to not be included, works at Cadge. She said the men’s clothes shop got a “few people in”, but believes the card was better catered for local places to eat. Sharon added: “I think the problem was getting it out there. We didn’t have too many, but I hope it did well for others. I think it did better for eating places as there is a lot in St Ives.”
Finally Amy Seymour-Shove, who works at The Whisky Cafe, found it positive to encourage more people to shop and eat locally. She said: “It felt like it got people to think of more shops. It encouraged a few people in, but not as many as we thought. I feel it could have been done better, but I don’t think a lot of people really knew about it.”
Executive Councillor for Economy, Regeneration and Housing, Councillor Brett Mickelburgh said: “The St Ives Shop and Dine Local loyalty card pilot was launched with UK Shared Prosperity Fund (UKSPF) funding to increase footfall and support businesses in the town centre.
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“The scheme was developed following a two-month engagement period with local businesses and was open to businesses that reside in the town centre. More than 400 loyalty cards were used during the campaign, with 75 completed entries submitted, representing a minimum of £3,750 spent with participating businesses. The scheme was promoted extensively through a dedicated webpage, social media, stakeholder networks, digital advertising and in-store marketing materials provided to participating businesses.”
The pair, who got engaged in March 2021, married in a “secret” ceremony at their local registry office before holding a larger white wedding just two days later.
Bailey, known for her role as Caz Hammond in Coronation Street, shared the news on Instagram on June 2.
The actress posted photos of the newlywed couple outside the registry office, reflecting on their understated first ceremony.
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Coronation Street star marries pop star
She said: “It was more special than I ever imagined it could be.
“It felt so intimate, as we were so focused on each other and no one else.
“We got the giggles, we both shed a tear and we were brimming with emotions.”
Only Bailey’s sister and her spouse were present as witnesses.
Following the ceremony, the couple went to a “beautiful restaurant” to talk about their main wedding plans.
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Bailey said: “And how incredibly lucky we are to feel so much love for each other after so many years together.
“We also laughed about the fact that we could actually have a conversation without being interrupted every 7 seconds by our kids! It felt all the more special because we don’t get any date nights together at the moment!”
Bailey and Everest, a member of the vocal group The Overtones, share two children, Ilaria and Noemie.
She explained that while their main wedding venue was fully licensed, they chose to do the legal part separately.
Bailey said: “I didn’t want an ‘Officiant’ that we didn’t know conducting our wedding and tapping his watch every three seconds and not being patient with our two year old!”
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“2 year olds are a law unto themselves and I really wanted to create a relaxed and chill environment, to cater for any ‘surprises’ she might throw our way – Which worked perfectly. And did come in handy!”
The couple asked a long-time friend and celebrant of 27 years to conduct their main ceremony, making the day feel more personal.
Bailey said she had worried that marrying at the registry office first might “take something away” from their bigger celebration.
She said: “What it did do, was give us an extra reason to celebrate.
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“An opportunity to make more of this incredible occasion that can often be over too quickly.
“And it also meant we had a bit of a practice.
“We weren’t prepared for how special this intimate setting would feel.”
She also shared that she wore the same shoes for both ceremonies.
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A separate post showed images from their “big white wedding,” where Bailey revealed she had tried on 37 dresses before finding the right one.
She said: “Literally one of the best days of our lives! But there’s been so much going on… out there and in here.
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