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‘Having poetry in a public space transports us, even if we don’t understand it’

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'Having poetry in a public space transports us, even if we don’t understand it'

Forty years after poems first appeared on London’s Underground, the project that placed verse beside adverts and Tube maps continues
to shape the daily journeys of millions

On a Tuesday morning in January, packed into a Victoria Line train between Oxford Circus and Green Park, most commuters keep their eyes firmly on their phones or gaze dreamily into the middle distance. Then something appears in their sightline: a poem, tucked alongside the usual ads for apps and health supplements, grabs their attention. A few heads lift. A few eyes linger. A moment later, the doors open and they are whisked back into the bustle of London’s streets.

This is Poems on the Underground in action. It’s been like this for 40 years, and the scheme marks its anniversary this year by reminding the 3 million people that make journeys on the Tube everyday that public transport need not be only about deadlines and screens.

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Founded in 1986 by the American writer Judith Chernaik, the project now displays six poems, refreshed three times a year across London Underground trains, deliberately mixing classic and contemporary voices so riders encounter a range of styles and subjects during their commute. Over the decades, hundreds of poems by hundreds of poets have appeared in carriages and stations– from Shakespeare and Sappho to Wole Soyinka and Blake Morrison – collected now in a 40th-anniversary anthology of 100 Poems on the Underground.

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Wrapped in a cosy scarf, Chernaik greets me into her north London kitchen on a crisp January morning, walls adorned with framed Tube posters from years past. Around the table, pamphlets and old leaflets lie like artefacts of a cultural project that has become invisible precisely because it works. As she flips through selections from earlier years, it’s clear each poem carries its own life on the move, inseparable from the daily rhythm of millions underground.

The poem has to “strike them” in that time. That’s the criterion. They aren’t chosen to be relentlessly upbeat, because “life is very complicated, and grief and struggle and despair are part of it.”

Chernaik’s voice is clear and playful. She recounts early letters from literary figures like Seamus Heaney and Philip Larkin, who championed the idea, and she shows me the archive of correspondence – now held at Cambridge University – that helped convince Transport for London to give poetry a home next to Tube maps and schedules. Larkin, writing to Chernaik in 1985, compared the project to pulpit posters outside churches, a reminder that “the world of the imagination existed.”

 

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American writer Judith Chernaik founded Poems on the Underground in 1986. Here, she reads a poem at Bank Underground station to celebrate the project’s 40th anniversary

The structure is simple: every few months, Chernaik and her co-editors – now poets Imtiaz Dharker and George Szirtes – gather to pick a fresh set of six poems that will run across Tube carriages for about three months. In recent years they have also placed selections at key stations such as Heathrow, Westminster and Aldgate East, extending the reach of the project beyond the carriages into the spaces where journeys begin and end.

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In a space dominated by screens and consumer messaging, these poems demand nothing and allow for reflection, empathy, puzzlement or humour.

“People like the idea of something artistic in public space, because there’s so much advertising, which is telling you, buy this, buy it now…” Chernaik puts it. The poems “offer you something. It’s free.”

The inclusion of WH Auden’s Epitaph on a Tyrant carried its own resonance recently – and Chernaik makes a point of dating the posters so casual readers might connect the poem to its time

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Selections have also been sensitive to context and meaning. Some have quietly acknowledged broader cultural moments – such as Black History Month, marked with expanded leaflets featuring voices from the African diaspora – while others have nodded to collective memory and geopolitics without overt partisanship. The inclusion of WH Auden’s Epitaph on a Tyrant, for example, carried its own resonance recently – and Chernaik makes a point of dating the posters so casual readers might connect the poem to its time.

The approach isn’t without challenge. Very occasionally there have been complaints – one over accusations of blasphemy, another over a medieval poem titled I Have A Gentil Cock.

“This is a very sophisticated city with a very sophisticated population,” Chernaik says. “People don’t take offence that easily..”

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When I finished reading it I looked up to see a woman with her teenage daughter also reading it, with tears in her eyes

Chernaik remembers them with a lightness belying the project’s seriousness. Nearly all responses, she says, are positive: letters telling of consolation found in lines read en route to a difficult day, or debates sparked among strangers who paused mid-commute to exchange interpretations.

Ask Tube users what they make of the project and the answers are as diverse as the poems themselves. For Glen, 44, the poetry “removes me from my commute. I’m reading and re-reading it, trying to make sense of it. If I see certain publishers, it sparks off London memories from when I was a kid and exploring poetry books in libraries and having my mind blown. Having poetry in a public space transports us, even if we don’t understand it.”

Katie, 27, says the presence of poems feels like a reminder “that not everything is AI and marketing”.

Malaika, 25, says she once saw a poem about a woman’s love for her newborn on her morning journey. “I’m not even a mother but it was so beautiful it was making me tear up,” she says. “When I finished reading it I looked up to see a woman with her teenage daughter also reading it, with tears in her eyes.”

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I am Raftery the Poet, part of the Poems on the Underground campaign, April 2015

Today the project has inspired similar public art initiatives around the world – from Dublin to New York to Shanghai – but its greatest impact is felt in the everyday journeys of Londoners. Though the Underground is still beset by delays, overcrowding and daily grind, a few lines of poetry can prompt riders to look up, think, feel and connect.

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This January the scheme marked its 40th year with a special anthology and event at Bank Station. For Chernaik, who never imagined this idea would “take over her life” in the way it has, the future of these poems still feels open. She hopes another will take up the mantle and keep the poems alive long after her own tenure.

Late last year, the scheme did receive some criticism from Reform UK and Conservative members of the London Assembly, who were quoted as calling the £72,000 TfL spend on the project “a waste of money”. But the project, which is currently funded by a combination of support from the Arts Council, TfL and the British Council, will remain available to all those travelling on the Underground. They are, as one supporter wrote to Chernaik, “a shaft of light in the darkness. They must continue.

Images: TFL 

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Man arrested after high-speed police chase in Harrogate

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Man arrested after high-speed police chase in Harrogate

It came after a high-speed pursuit, which started in Harrogate and continued into Ripon, shortly after 9.15pm on Tuesday (April 28).

A 37-year-old man was arrested on suspicion of theft of a motor vehicle, failing to stop, driving whilst disqualified and without insurance, dangerous driving, theft and driving under the influence of drugs.


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He remains in custody for questioning.

A spokesperson for North Yorkshire Police said: “We received information that a suspected stolen vehicle from Harrogate had been spotted in the area, and officers were quickly deployed.

“The car was swiftly sighted by one of our Roads Policing Units, but failed to stop, leading to a pursuit.

“With support from our “eyes in the sky” at the National Police Air Service (NPAS), officers maintained the pursuit despite the driver’s attempts to get away.

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“It continued into Ripon, where a stinger was successfully deployed, bringing the vehicle to a stop.

“The driver made off on foot, but a 37-year-old man was detained a short time later.”

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UAE’s departure from Opec tells a story about the limited future of oil production

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UAE’s departure from Opec tells a story about the limited future of oil production

The decision by the United Arab Emirates to leave the oil producers’ cartel Opec after 59 years is more than a symbolic break. It highlights a growing divide among major oil producers over how to respond to a changing energy landscape, and will weaken the group’s ability to manage global supply.

In the short term, the impact of the UAE’s exit will be limited. The world still needs every available barrel of oil, and the UAE accounts for some 3-4% of global production. But the forces behind the decision are more significant than the move itself. They are both economic and political – and the war in Iran helped the two align.

For years, the UAE has been investing heavily to expand its oil production capacity, spending around US$150 billion (£111 billion) to push its potential daily output close to 5 million barrels. But Opec quotas have prevented it from fully exploiting that capacity. Actual production has remained well below its potential at about 3.5 million barrels a day (mbd), with some 5 mbd capacity, constrained by the Opec quota system designed to restrict supply and support prices, generally shaped by the de facto leader, Saudi Arabia.

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Opec production quotas for 2026.
Opec

This has created a tension. Why invest to produce more oil if you are not allowed to sell it?

Abu Dhabi’s answer reflects a different economic model. The UAE can balance its budget at much lower oil prices than Saudi Arabia (just below $50 v Saudi $90 a barrel or more), giving it less incentive to restrict output. Instead, it has prioritised maximising its oil exports.

That strategy is also shaped by expectations about the future. As countries such as China accelerate the electrification of transport, the hitherto steady and reliable demand for oil is slowing and becoming less reliable. Over time, it is likely to plateau. UAE is also well ahead of the Saudis in energy transition – and maintain their net zero target as 2050, compared to the Saudi 2060.

From the UAE’s perspective, the bigger risk is not falling prices, but leaving oil in the ground that may never be sold.

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Shifting geopolitics

The timing of the exit is not just about economics. It also reflects shifting political and security calculations, particularly after the UAE came under heavy, sustained attack during the war in Iran.

In Abu Dhabi, there is a growing sense that regional institutions and partnerships, such as the Gulf Cooperation Council (GCC) offered limited support during that period. Anwar Gargash, a senior presidential adviser, told reporters that: “The GCC’s stance was the weakest historically, considering the nature of the attack and the threat it posed to everyone,” adding that he “expected such a weak stance from the Arab League … But I don’t expect it from the GCC, and I am surprised by it.”

That experience has reinforced a more independent foreign policy. The UAE has strengthened ties with the US and Israel, building on the agreement it signed as part of the 2020 Abraham accords. The relationship with Israel is seen not just an economic and security partnership, but as a channel for influence inside the White House.

At the same time, relations with Saudi Arabia have become more strained, with differences over regional conflicts in Somalia and Yemen and economic strategy increasingly visible. Leaving Opec is both an economic decision and a geopolitical signal.

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The UAE’s departure also raises questions about the future of Opec itself. The group once controlled more than half of global oil production. Today, its share is much smaller (no more than 35%), and internal divisions over production quotas are more pronounced. Quotas, long the core of its strategy, are increasingly seen as uneven constraints rather than shared commitments.

UAE energy minister, Suhail Al Mazrouei, explains the decision to leave Opec.

Saudi Arabia remains the only member with significant spare capacity, giving it outsized influence. The result is an organisation that still matters, but is less cohesive than it once was.

Not necessarily a win for the US

Some have hailed the UAE’s exit as a victory for Donald Trump, who has repeatedly criticised Opec for keeping oil prices high. A weaker OPEC would indeed lead to higher output and lower prices at the pump.

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But sustained lower prices would also put pressure on higher-cost producers, including the US oil patch, which has been one of Opec’s main competitors in recent years. It benefited from the cartel’s restraint when it came to capping oil production. So what now looks like a geopolitical win could, over time, become an economic challenge.

For now, I believe that the UAE’s exit will not dramatically reshape oil markets. Demand remains strong enough to absorb additional supply, particularly as countries rebuild their inventories when Iran reopens the Strait of Hormuz. But the deeper significance lies in what the decision reveals.

Oil producers are no longer aligned around a single strategy. Some are trying to manage scarcity and keep prices high. Others are racing to monetise their resources before demand peaks and they end up with stranded assets. That divergence is likely to grow – and may ultimately prove more consequential than any single country leaving the cartel.

We may be entering a new age where oil is going to play a much lesser role in our lives.

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Mykhailo Mudryk: Chelsea player appeals against FA drugs ban

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Mykhailo Mudryk looking to his right while playing in a Chelsea kit

Chelsea winger Mykhailo Mudryk has lodged an appeal with the Court of Arbitration for Sport against a four‑year drugs ban imposed by the Football Association.

The Ukraine international, 25, has been sidelined for nearly 18 months after an “adverse finding in a routine urine test” led to a provisional suspension in December 2024.

Charged in June 2025, Mudryk was subsequently handed the maximum four‑year ban by the FA, according to a spokesperson for the Court of Arbitration for Sport, the highest legal authority in sport.

The FA has never disclosed details of the case.

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In such cases, bans are typically backdated to the start of the provisional suspension, meaning his current return date would be around December 2028.

However, an appeal has now been lodged with the Court of Arbitration for Sport (Cas) in Switzerland, with sources close to the player hopeful he could return to action as early as next season.

In a statement to BBC Sport, Cas said: “Cas confirms it has received an appeal by Mykhailo Mudryk against the FA, filed on 25 February 2026. The Parties are currently exchanging written submissions, and a hearing is yet to be scheduled.”

The BBC understands Mudryk came into contact with the cardiovascular medication meldonium, which can increase respiratory capacity and stamina, while on duty with the Ukraine national team in October 2024.

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Mudryk, who joined Chelsea for an initial 70m euros (£61m) in January 2023, has not played a competitive match since November 2024.

In his only public statement when his provisional suspension began, Mudryk described his “complete shock” and said he had “never knowingly used any banned substances or broken any rules”.

Mudryk is being defended by Morgan Sports Law, the firm who worked with former Manchester United midfielder Paul Pogba during his doping case while playing for Juventus, as well as boxer Tyson Fury and cyclist Chris Froome during their respective investigations.

He is understood to want to return to playing football this year and is keeping fit by training at non-league Uxbridge FC with a private coach and having hired goalkeepers to work with.

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Chelsea declined to comment as they wait for the process to take its full course and the FA said it is unable to comment on an ongoing case. Mudryk’s legal team has also been contacted for comment.

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<a href='https://news.sky.com/story/ukraine-war-latest-eu-formally-approves-ukraine-loan-teenagers-hired-for-school-terror-attacks-by-russia-detained-12541713?postid=11607478#liveblog-body'>Ukraine 'clearly has the Kremlin rattled'</a>

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<a href='https://news.sky.com/story/ukraine-war-latest-eu-formally-approves-ukraine-loan-teenagers-hired-for-school-terror-attacks-by-russia-detained-12541713?postid=11607478#liveblog-body'>Ukraine 'clearly has the Kremlin rattled'</a>

<a href='https://news.sky.com/story/ukraine-war-latest-eu-formally-approves-ukraine-loan-teenagers-hired-for-school-terror-attacks-by-russia-detained-12541713?postid=11607478#liveblog-body'>Ukraine 'clearly has the Kremlin rattled'</a>

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FA Cup final referee announced with assistant to make history at Wembley

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Daily Mirror

The referee for the FA Cup final next month has been announced with Darren England taking charge of the Wembley showpiece for the first time whilst his assistant will make history

Darren England has been announced as the referee for the FA Cup final – taking charge of the game for the first time ever – whilst his assistant will make history at Wembley.

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Last weekend played host to the two semi-finals leaving Manchester City and Chelsea to fight out the final having seen off Southampton and Leeds respectively.

The officials for the clash on May 16 have now been confirmed with England leading them. Tim Wood and Akil Howson will serve as his assistant referees, with the latter becoming the first black official to feature in an FA Cup final. The fourth official will be Sam Barrott.

Potentially having a major role will be VAR and Peter Bankes has been handed that role with Nick Hopton his assistant. Last season a VAR decision to not send off Crystal Palace goalkeeper Dean Henderson proved to be a massive call.

City were beaten by the Eagles, edging them out 1-0, but Pep Guardiola was left fuming and confronted Henderson at the full-time whistle. He did not want to discuss the incident afterwards, saying only: “I’m not the referee.”

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READ MORE: Man Utd outcast is ‘absolutely an Arsenal player’ but Mikel Arteta sent transfer warningREAD MORE: Mykhailo Mudryk hit with FOUR-YEAR doping ban as Chelsea star launches appeal

England has refereed losses for both Chelsea and City this term. He was the man in the middle when Guardiola’s side were beaten at Brighton early in the season, but they have won two of the four games he’s officiated. The Blues meanwhile had England referee their losses at Leeds and Arsenal.

It was in the loss at the Gunners that England sent-off Pedro Neto – one of ten red cards received by Chelsea this season. He’s brandished eight yellows to Blues’ players in his four games.

Guardiola has led City into a fourth successive FA Cup final. Since their victory in 2023 they’ve twice been beaten finalists – losing to Manchester United and Palace. Chelsea meanwhile have not claimed FA Cup glory since 2018. Their last final appearance was five years ago.

Victory for the Manchester outfit could yet form part of an iconic domestic treble. They’ve already claimed the Carabao Cup and are looking to edge out Arsenal in the Premier League title race. Guardiola previously won the domestic treble back in 2019.

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Sky Sports, HBO Max, Netflix and Disney+ with Ultimate TV package

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Sky has upgraded its Ultimate TV and Sky Sports bundle to now include HBO Max, Netflix, Disney+, discovery+ and Hayu, as well as 135 channels and full Sky coverage of the Premier League and EFL.

Sky broadcasts more than 1,400 live matches across the Premier League, EFL and more with at least 215 live from the top flight alongside Formula 1, darts and golf.

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Warehouses to be replaced with new homes in Cambridgeshire city

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Cambridgeshire Live

The site will have 11 new flats

Plans have been granted by Peterborough City Council that will see commercial buildings in New England demolished to make way for 11 new residential flats.

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Surjit Singh Developments Ltd’s planning application request to remove the warehouses which currently occupy much of the site at 74-80 Crown Street and replace them with six one-bedroom flats to the rear of the land. Permission was granted on April 22.

The development will also see No. 80 Crown Street, which is a Non Designated Heritage Asset, internally renovated to accommodate three one-bedroom flats.

At the front of the site will be a new building, designed in keeping with the architectural character of No. 80, which will provide an additional two flats.

PiP Architects, who presented a design and access statement on behalf of the applicant, said: “The new proposal respects the existing, whilst enhancing the local architecture by providing new high-quality, safe and sustainable homes to the neighbourhood.”

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Along with presenting an “opportunity to establish a more harmonious relationship with the surrounding dwellings,” they suggested the development would also aid in “minimising the likelihood of noise, disruption, and environmental impact.”

The exterior of the property will be landscaped and offer 11 on-site parking bays for residents and three additional bays for visitors. Existing hard-paved areas will be transformed into communal green spaces to “enhance the urban environment and promote sustainable living.”

Green roofs will also feature to further support biodiversity and help manage rainwater sustainably.

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Here’s What The Non-Fluffy Stripes On Towels Are Really For

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Here's What The Non-Fluffy Stripes On Towels Are Really For

Every once in a while, I see a post on social media that makes me realise I know nothing about the world.

Last week, that question came from a Redditor who wanted to know why new builds sometimes have bricked-up windows (turns out it’s a mixture of manufactured charm and, sometimes, council rules).

And now, another, equally mind-melting X post has come to my attention: “What is the purpose of this part of a towel?” software engineer Nate McGrady asked, sharing a circled photo of the non-fluffy stripes on the bathroom textile.

This, I thought, is what my press privileges exist for. So, I reached out to Courtney Cole, an interior designer at TileCloud, about what’s really going on here.

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They’re called “dobby borders”

“This part of the towel is actually called a ‘dobby border’ – which so many people don’t know,” Cole explained (I certainly didn’t).

King Towel describes a “dobby border” as a strip or band on the towel which has no loops or pile on it – in other words, the non-fluffy bit.

“Because it’s woven more closely than the rest of the towel, it will help with fraying and will keep the edges from curling over time,” Cole continued.

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“This means that the towel with the dobby border will likely last longer than those that don’t have it.”

There’s also a branding-friendly reason for the addition, the interior designer told HuffPost UK.

“It also gives manufacturers a structured area for branding and embroidery, which is why you’ll see logos and monograms there with hotels and other places like spas,” she said.

And lastly, there’s the matter of storing them to consider. The interior designer suggested towels without this border don’t stack as well, “which anyone who’s ever tried to make their linen closet look perfect knows all too well”.

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So basically, it’s down to structural integrity, branding, and better stacking.

X users had other theories…

Responding to the original post, X users shared their – erm – questionable theories.

One joked the bands are “racing stripes. It makes them dry faster.”

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“The purpose of it is to annoy me and to make me feel grateful for the other side of the towel that actually dries your hands all the way,” another commenter wrote.

Yet another simply said: “Grip.”

To be fair, I don’t think I would have been able to give a better answer without Coles’ help…

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the government’s plans for Send reform in England hinge on these overworked school staff

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the government’s plans for Send reform in England hinge on these overworked school staff

Sencos – special educational needs coordinators – play a vital role in maintained mainstream English schools, nursery schools and sixth forms. If you are a parent, you may encounter them if you have concerns about your child’s progress or the support available, or during review meetings. Children may meet them through assessments, pupil interviews or informal check-ins.

They are teachers who take on additional leadership responsibility for special educational needs and disabilities across the school. In many cases, they continue to teach classes, but in larger schools the role is increasingly non-class based due to its scale and demands.

Despite its importance, the Senco role is often hampered by excessive workload, inconsistent status – many Sencos are still not part of school leadership teams as this is not a requirement in legislation – and a limited understanding of its scope. These factors affect both effectiveness and retention.

The government’s recent policy proposals for special educational needs and disabilities support make frequent mention of Sencos and the role they play in schools. As a former Senco, and as someone who has worked in Senco professional development for almost twenty years, I have scoured the proposals to understand what they mean for the profession.

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Statutory support

The reforms – still under consultation and not yet law – formalise much of what Sencos already do. However, they also signal a profound shift. The role is set to become more data-driven and more central to whole-school development than before.

Sencos oversee Sen Support – internal school provision for learners with special educational needs. They also oversee support for children with education, health and care plans (EHCPs). EHCPs are legal documents issued and funded by local authorities for children with more complex needs. They outline a child’s needs, required provision and targeted outcomes across education, health and care.

Sencos often are not part of a school’s senior leadership team.
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The recent policy proposal sets out a system of school-based individual support plans for every child and young person identified with special educational needs. These digital plans would be statutory, monitored and reviewed annually at minimum.

Sencos would therefore be responsible for ensuring that each individual support plan accurately identifies any barriers to learning (such as sensory needs or a specific learning difference), and records support and reasonable adjustments (such as adapted materials or additional processing time). While the terminology may be new, this practice is not. Individual support plans largely formalise what Sencos already do for learners at Sen Support.

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However, the statutory nature of individual support plans represents an expansion of legal accountability, borrowing from policy implemented in recent years in Wales. Whereas EHCPs apply to a small proportion of pupils in schools, statutory individual support plans could apply to a greater percentage of the school population.

This risks creating a compliance-heavy model of inclusion. Sencos may spend increasing amounts of time on producing evidence rather than working directly with teachers and families.

EHCPs will remain for a smaller number of children – those with the most complex needs – who will receive specialist support packages. The definition of complex needs has not yet been defined in the policy proposals, which may be an area for contention.

By tightening access to EHCPs while expanding individual support plans, the reforms shift the pressure point from local authorities to schools. Sencos may become the public face of a rationed system. They will need to mediate between school resources, parental expectations and local authorities, as well as colleagues working in health and care.

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There is the risk that trust in Sencos may decline unless schools are given the capacity to deliver the promised support. At the same time, Sencos will have to navigate families’ worries about tighter access to EHCPs.

Overseeing mainstream support

A central message of the policy proposals is that mainstream education must be strengthened in terms of its ability to include pupils with special educational needs and disabilities. This is a laudable aim, but it requires significant investment in teacher expertise, curriculum flexibility and environmental adaptation.

For Sencos, it will mean leading whole-school early identification and targeted support. They will need to build teacher confidence in adaptive and inclusive education and provide more robust evidence when specialist placements are requested. They will lead in helping families school provision. This shift may increase contested decisions and appeals, with Sencos becoming the key point of contact for families navigating changing legal boundaries.

One of the government’s most ambitious proposals is the Experts at Hand service. This is designed to give schools quicker access to educational psychologists, speech and language therapists and other specialists. It’s likely to place the Senco at the centre of multi-agency work, coordinating referrals, implementing specialist advice and contributing to wider planning.

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What’s more, every member of school staff will complete a national special educational needs training programme. It’s likely that Sencos will take a lead in delivering much of this professional development. This will elevate the Senco as a driver of whole-school pedagogy.

The proposals amount to a significant widening of the Senco remit. Their success hinges on whether the Senco role is finally given the leadership status, time and support it requires. Without structural changes such as protected leadership time, a place on leadership teams, administrative support and clear career pathways, the reforms risk accelerating burnout. However, with the right support and sufficient resourcing, Sencos can be leaders shaping the cultures, systems and partnerships that help every child to learn and flourish.

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Investigation into suspended Addenbrooke’s surgeon extended

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Cambridgeshire Live

90 trauma cases and 700 planned surgical procedures that happened during the time Ms Stohr was employed by the Trust have been examined

An investigation into a suspended Addenbrooke’s surgeon has been extended. Kuldeep Stohr, an orthopaedic surgeon, was suspended by Cambridge University Hospitals Foundation Trust (CUH) after a review identified the “outcomes of treatment provided to a small number of patients were below the standard” the Trust said it would expect.

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The independent review of surgical operations carried out on children by Ms Stohr was commissioned last year and has been extended to cover additional emergency procedures. This follows after the review team was asked to examine an initial 90 trauma cases to assess the standard of treatment, alongside 700 planned surgical procedures during the time Ms Stohr had been employed by the Trust.

In letters to patients, signed by Chief Medical Officer Sue Broster, the Trust says the decision to extend the review was taken “following careful consideration by the independent clinical experts.”

It reassures parents that cases are being selected for review “to understand whether the treatment provided met the outcomes we could expect”. According to Hudgell Solicitors, the letter says that each case will be considered individually, and that some patients may need to undergo a clinical review.

A number of families affected by the ongoing investigations are being represented including some who have reportedly now had confirmation from the Trust that their child was harmed.

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Solicitors Elizabeth Maliakal said: “This is a significant development, given it comes 14 months after the initial review was commissioned by the Trust into the surgeries Ms Stohr had conducted in her time there.”

The focus will now be on the final independent report findings, which the Trust has said will be shared publicly on conclusion in the Autumn.

In a report last year, CUH Trust was found to have failed to act appropriately after an initial investigation into Ms Stohr’s practice in 2015. That investigation found “a series of shortcomings” in her surgeries and proposed remedial steps to address them.

However, an external review of the Trust’s response last year said it had done “nothing substantial” to address concerns over her practice, meaning “any deficiencies in Ms Stohr’s practice were allowed to persist for the next seven to eight years”, missing 32 opportunities to act.

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Mrs Stohr went on a period of leave in March 2024 which led to colleagues raising concerns about patient outcomes and aspects of her decision-making. This resulted in an initial review of 55 cases which found nine where treatment provided was below the standard expected and Ms Stohr’s was consequently suspended.

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Gogglebox star details filming ‘traumatic’ scene with family member ‘I’ve had to escape’

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Daily Mirror

One Gogglebox fan-favourite detailed an awkward experience they had while filming the Channel 4 show this week.

Gogglebox star Lara Fawcett joined the Channel 4 show last year.

She has quickly became a fan favourite with viewers for her hilarious and sweet relationship with her mother-in-law, Sara.

However, it seems as though watching certain shows with her in-laws has provided some awkward moments, especially this week.

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Taking to Instagram, Lara shared a video of herself on holiday as she could be seen in front of snowy mountains.

She said: “Oh my god, Gogglebox this week is a corker! But I’ve had to escape the trauma of watching Virgin Island with my mother-in-law, Sara.

“Her talking about sex and virginity. Oh my god, it’s traumatic. I’ve had to escape to the mountains for a few days on my own. Enjoy Gogglebox, it’s cool.”

Although Gogglebox fans will have to wait until Friday night to watch Lara squirm next to her mother-in-law.

Lara was one of the many new faces that joined the Channel 4 show last September, alongside Sarah, Chee and Andre, Andrew and Alfie, Jake and Calum and Susie and Rosie.

This comes after Scottish favourites on the show Roisin Kelly and Joe Kyle were axed after three years on the sofa, much to viewers dismay.

Mike Cotton, Creative Director for Studio Lambert, spoke about the latest additions as he said: “It’s a delight to welcome some new households to the Gogglebox family.

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“Along with our much-loved returning cast, we can’t wait to join them in their living rooms and hear their candid thoughts on this week’s most talked-about TV!”

Gogglebox fans were left stunned when they recently discovered Lara has a very famous younger brother, survival expert and TV star Bear Grylls.

Bear is well-known for his survival shows such as Running Wild, Celebrity Island, Man Vs Wild and Netflix’s Celebrity Bear Hunt with former This Morning star Holly Willoughby.

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However, it seems that not everyone is thrilled that Lara is on the programme with a famous brother, as some think it helped to get onto the show.

One fan wrote on TikTok: “Controversial opinion, but it does help to get chosen to go on Gogglebox if your brother is Bear Grylls.”

In response, someone else wrote: “Only the same way being related to the chuckle brothers helped Sophie and Pete get on the show.”

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Although some defended their appearance as one person replied: “I think Gogglebox is a rare example of where it works, they need one family from all walks of life and you’d struggle to find someone that posh and aristocratic who aren’t related to someone famous.”

The siblings are no strangers to the world of showbiz, as their father, late Conservative politician Michael Grylls, was knighted by the late Queen Elizabeth in 1992.

Gogglebox is available to watch Fridays at 9pm on Channel 4

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