Organised by Woodland Trust volunteers, the guided route introduced walkers to woodland, moorland and panoramic views, while highlighting the physical and mental health benefits of spending time in nature.
The walk took participants from Walker Fold Car Park along riverside paths.
The group is learning more about the Smithills Estate (Image: NQ)
They crossed the “tramway” route, which isn’t actually a tramway, up one of the estate’s steep climbs before looping back around Burnt Edge.
Volunteer Pete Hargreaves said: “Everybody should know about it, it’s good for their exercise and mental welfare.
Pete Hargreaves (Image: NQ)
“It’s a fabulous place. I do it because I love it. I just love the place, always have done.
“We’ve got a good gang working together.”
The route gave walkers the chance to experience woodland, open moorland and panoramic views while learning more about the estate from the volunteers who help care for it.
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Several people taking part said they had either never visited before or had previously passed through without realising the area’s history or network of footpaths.
(Image: NQ)
Terry Gilligan, who joined the walk with his wife, Tonya, said: “We wanted to get out, have a walk round and experience a walk.
“I think it’s really important because you hear a lot about the town centre area and you forget about all the nature on our doorstep.
“I think it’s really important we get out and enjoy nature as much as we can and get out there.”
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Andy Welch (Image: NQ)
Andy Welch, also walking, said: “I came because one of my friends came on it a couple of months ago.
“I’ve been round before with my wife, but you pass lots of history that’s really nice.”
It was a fun day had by all.
Volunteer Lawrence Marsh, who previously volunteered with Bolton Council‘s ranger service before helping establish the current volunteer group with the Woodland Trust, said many people were unaware they could explore the estate.
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He said: “Bringing people out who haven’t been out before, and it’s on the doorstep.
“They don’t know it’s on the doorstep.
“I’ve asked people, ‘Where have you come from?’ They say, ‘I live in Edgworth, I live in Harwood, I live in Deane,’ and they’ve never been here.
“As soon as they walk up that hill, they can see down that valley, they think, ‘I didn’t know this was here,’ or ‘I didn’t know we could go here, we’ll come here again.’”
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Lawrence Marsh (Image: NQ)
Mr Marsh said the estate had become increasingly popular with families since improved access and footpaths encouraged more people to visit.
He added: “You get a lot of families coming up here in the evenings, bringing picnics on these benches.
“A lot of little kids as well, which is good to see, instead of being on the screens. They’re out here.
“You know, parents come out and say, ‘What’s that bird?’ and you can see the kids are really interested.”
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Glenys Jones (Image: NQ)
Glenys Jones said: “The walks are fantastic, it gets people out in the countryside, it enhances wellbeing especially mental health.
“I like trees, the wildlife, and just getting out and walking.
“I do it all the time, but I would definitely encourage members of the public to get out.”
Scania UK has officially opened a new service depot in Stockton, replacing its long-standing Darlington operation after more than 40 years of service.
The depot offers expanded support for customers across Teesside’s industrial sector, including businesses in chemicals, steel, manufacturing, logistics and port operations.
Inside Scania UK’s new Stockton depot opened yesterday (July 29). (Image: Tees Valley Combined Authority)
At 2,281 square metres, the new workshop is more than triple the size of the former Darlington site, which had been operating close to capacity.
Tees Valley Mayor Ben Houchen said the investment is a clear sign of rising confidence in the region and its growing opportunities.
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He said: “Scania has been part of our region for decades. This £14million investment shows they’re backing its future too.
“Businesses don’t invest in bigger sites unless they can see opportunities to grow.
“As more companies choose to invest here, they need the facilities, the workforce and the confidence to support that growth. That’s why this matters.
“It’s another investment creating jobs, supporting local businesses, and helping keep our economy moving.”
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Tees Valley Mayor Ben Houchen officially opened the depot. (Image: Tees Valley Combined Authority)
The branch launches with a team of 34 employees, with plans to grow the workforce to 40.
The depot includes six inspection bays, three maintenance bays, two service pits and a gas bay.
It also features an authorised testing facility lane, an internal wash facility with water recycling, and equipment ready for diesel, gas and battery-electric vehicles.
The site also has the electrical capacity to support future heavy vehicle charging infrastructure.
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Inside Scania UK’s new Stockton depot. (Image: Tees Valley Combined Authority)
Scania UK’s new Stockton depot opened yesterday. (Image: Tees Valley Combined Authority)
Chris Newitt, managing director of Scania UK, said the investment reflects rising customer demand and the company’s commitment to the UK market.
Chris said: “Although we’ve had a presence in the Teesside area for more than 40 years, it was time to increase our workshop capacity and give our team all the tools to do their job today and support the vehicle technologies of the future.”
The Stockton branch has achieved accreditation from BREEAM – a sustainability assessment and rating system- for incorporating rooftop solar panels, a heat pump, underfloor workshop heating and environmental containment measures.
It is the latest in a series of upgrades across Scania’s UK network, which has also seen recent improvements at branches in Falkirk, Inverness, Preston, Warrington and Maidstone.
The Mercury Prize, a prestigious award given to outstanding British and Irish albums, has just released its 2026 shortlist.
Artists include former winners Dave (who won in 2019) and Suede (1993), alongside first-time nominees like Sir Paul McCartney.
RAYE and Florence + The Machine, who have both received previous nominations but no wins, will return to the competition too.
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To be in the running, musicians’ albums have to come from British or Irish artists and be released between August 30 2025 and July 17 2026 (inclusive).
Some have suggested that the absence of Lily Allen’s zeitgeisty West End Girl – which would qualify – from the list amounts to a “snub”. Charli XCX’s new album, Music, Fashion, Film, is just outside of the qualifying timeline, meanwhile – if she submits it for consideration, it’ll have to be for 2027’s award.
Every household in the UK is legally required to have a TV licence in order to watch or record live TV, regardless of what channel it is on.
A standard colour TV Licence currently costs £180, following a price increase in April.
But TV Licensing has revealed that those trying to avoid the charge while still watching TV can be caught by their fleet of vans.
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A statement on the TV Licensing website says: “We operate a fleet of vans equipped with advanced detection tools.
“These can identify TV receiving equipment at targeted addresses within minutes.”
Changes in TV Licence Fees Over the Years
You can be fined up to £1,000 by a court if you are caught watching or recording live TV or using BBC iPlayer without a valid TV licence.
Am I eligible for a free TV Licence?
For those of us aged 75 or over who are in receipt of Pension Credit, the TV Licence can be obtained for free.
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Guidance from TV Licensing says: “Free TV Licences are only available if you’re 75 or over and you, or your partner living at the same address, are receiving Pension Credit.
“If you think you’re eligible for a free licence but can’t apply online, please call 0300 790 6117* and speak to one of our advisors to request an application form (our lines are open between 8.30am and 6.30pm, from Monday to Friday).
“Once we’ve received your application it may take a few weeks to process. If there are any problems we’ll write to let you know. We may also call you if you have given us your phone number.
Do I Need a TV Licence to Watch Netflix?
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“There are separate arrangements in place for over 75s on the Isle of Man, the Bailiwick of Jersey and the Bailiwick of Guernsey.”
When do I need a TV Licence?
You do not need a TV Licence to watch:
streaming services like Netflix and Disney Plus
on-demand TV through services like All 4 and Amazon Prime Video
The Friday letters page is worried Gears Of War: E-Day is going to be a flop, as one reader recommends Crunchyroll’s free game service.
Games Inbox is a collection of our readers’ letters, comments, and opinions. To join in with the discussions yourself email gamecentral@metro.co.uk
One or the other A lot of people have already guessed that it’s the sort of contrary thing Nintendo is likely to do but I think it’s looking increasingly likely that the Zelda: Ocarina Of Time remake is going to coming out at almost exactly the same time as GTA 6. Nintendo is crazy enough to do anything but we’re at the point where we still haven’t seen more than 5 seconds of the game, so we’re going to have get a Direct first, which shows no sign of happening yet.
Even if it’s early to mid-August, that’s going to mean a release no earlier than September and I’d guess much later. Nintendo isn’t going to shadow drop their biggest game of the year, they want that sweet pre-order money just the same as every other publisher.
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Now, who knows what Nintendo is going to think when it sees that September and October are jam-packed and nothing is out in November but I think it’s going to be… ‘Nothing is out in November, let’s release it then!’
I’m sure there’s some crossover, but GTA and Zelda aren’t exactly the same audience so I’m going to bet 10 internet points that they release Zelda within a week of GTA 6.
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But now, the point of my long, rambling email: which would you play first? If you got both at the same time, would you dive into Ocarina Of Time first or the most anticipate game of all-time? Me personally, I’ll always bet on Nintendo. Onibee
Late realisation It’s a sad inevitability that everyone only realises what a con digital downloads are at the point at which they become the only option. These price cuts on Wolverine, months before it’s even out, are not something you’ll ever get digitally, because there’s only one way to buy the download: Sony’s way.
They want all the money for themselves and they want all the control, so they can take the game away from you whenever they want and stop you from getting a refund. Nothing’s going to change, they’ve made their stand now and most people don’t know or care what’s being lost.
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But soon enough even the most casual gamer is going to notice that Sony (and Microsoft, I’m sure) hold all the cards and they just have to go along with it. Franky
E is for Ehh I’ve read a handful of Gears Of War: E-Day previews now and not a single one of them is above lukewarm. I know that’s exactly what you’d expect after seeing the footage but whoops, what a waste.
The game clearly cost a fortune, that it’s not got a chance of getting back if it’s an Xbox console. Microsoft is going to be on the hook for $100+ million for this, so you know what they’re going to do about that… so good luck to all developers on the job market.
I honestly don’t know why Microsoft is still in the games industry. They’re obviously not going to come out on top and all they’re doing is destroying other perfectly good companies. The time to leave with dignity was long ago and they’re only making things worse. Penfold
A penny saved In response to bigboybent, who went into CeX and found Mario Kart World for £60, whereas Currys had it for £65. It’s cheaper second-hand. £5 is £5. Arguably the biggest Nintendo game and system seller is probably not the best game to use for examples of second-hand prices.
All the factors will lead to it retaining a pretty high price for ever, but they still have it cheaper and why would you spend an extra £5 simply to remove some plastic from the box? It’s a big problem with society as a whole and its critical thinking abilities.
To see £5 as a ‘small’ value and therefore not enough to differentiate between two numbers is illogical and quite simply false. Cheaper is cheaper and the difference between new and second-hand (especially with cartridges) is negligible. Alex
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No comparison All those against Sony scrapping physical discs are allowing themselves to be affected by two things: nostalgia and resistance to change.
Let’s look at PC gaming. It was completely physical before. Then Steam came along, and it’s now the most universal online purchasing platform. Now PC gaming is all digital, and no one’s complaining, so why don’t Sony fans just grow up and accept the change? Henry
GC: You should check and see how Sony’s refund policy compares to Steam’s.
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Mr Did I saw that Mr. Do! was available on Arcade Archives today. 1982 is a long time ago. The age of my wife… but don’t tell her. She still thinks she’s 21 (smiley face). It came out in May, and I thought I had been keeping up with it. Mr. Do! though! They had this game at the caravan park I used to visit, and my dad always used to watch me do the top score on it. Wanting me to excel in life he got me a means to play games, but never Mr. Do! (sad face).
A few people wrote in recently about Hamster and the Arcade Archives. For anyone of a certain older age it’s got to be worth a look, or anyone of any age, as some are really playable even today.
Usually their screenshots of the games you’re purchasing is pretty much bang on and you’ll remember the name of the game you’re wanting to buy.
Been blasting Mr. Do! all day, well for a few hours. I’ve been getting complaints because it’s so loud from my missus but it’s because the game has such a wonderful soundtrack. Maybe it’s four or five songs and a few sound effects but it’s amazing and you’ll end you whistling it while you’re out.
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Had the sound when you lose in my mobile for ages. Nick the greek
GC: Despite its ubiquity in arcades Mr. Do! saw surprisingly few home ports. There was no Spectrum or NES version, and it never appeared on any Sega console. There was a SNES game, but it arrived 12 years late and with very few new features.
Free roll I have just found out that Crunchyroll subscriptions include access to a collection of free games similar to Netflix.
While the majority are anime-inspired visual novels, there are some highly rated gems like Metal Slug Tactics, Crypt Of The Necrodancer, Dungeons Of Hinterberg, Pepper Grinder, Shogun Showdown, and more. Apparently, this was added a few years ago and I had no idea. Ali K
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GC: That’s a pretty good list of indie titles.
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Expert opinion In response to Wotan and the user review scores of Splatoon Raiders; no, we can’t trust user review scores – but no more or less than a paid reviewer.
For context, they mention about it being in the top seven games of all time. For me, it’s most definitely not, but I also didn’t rate The Last Of Us – I found it so slow, and not ‘my kind of game.’ I gave up a good few hours in, trying to give it it’s chance, as I’m predominantly a single-player gamer, due to the way I’ve personally evolved in the last 15 years or so.
I also don’t think it’s in the top seven Nintendo games (whether first party or otherwise). I could easily name Zelda: Ocarina Of Time, Super Mario Bros. 3, Super Mario World, GoldenEye 007, Tetris, and Mario Kart 8 above them, off the top of my head, as part of my top seven.
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But equally, I do think it’s one of the best Switch 2 games at the moment. I’ve finished the main story and am now grinding for the best loadout (if you know, you know) and one of the few I’ve genuinely stuck with, along with Mario Kart World and Bananza, to complete as much as possible – so easily in my top three for the console.
Add to that, whilst I have the other three mainline Splatoon games on the original hardware, I’ve never been that fond of them, as I’m not too stuck on competitive shooters (my reflexes are just not good enough for the young’uns) and I absolutely love the game – even elsewhere I’ve given it a 9 via personal opinion.
Now, I’m not saying that a lot of people are like me and have been screaming for a more single-player focused version of the game but coming relatively full circle; it can show how in both user and professional reviews, bias can easily be implemented, even unconsciously.
If I give it a 9, and others do, that automatically puts it at 90%; but then you have to consider things like is this what some/all users wanted, do they enjoy the snappy pick up and play levels (like me), are they happy with the price point (even if they are, as stated ‘no-name sites’), or maybe just starved of Switch 2 originals and gave it a high score on that?
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I can see personally why the scores are high when you potentially consider those factors – and that the thing also with an opinion; it’s exactly that. What I love, GC and some users (readers, gamers) may not.
I do find it odd, the ranking at the moment; but with the world in a bit of limbo, let people have their opinions on a game. The way I see it, it’s not hurting anyone! Slideaway1983 (PSN ID)
GC: We can’t help but feel a little hurt that you apparently don’t trust us, or any other established review source, more than a random user review.
Inbox also-rans There were some pretty impressive tornadoes on Giant’s Deep in The Outer Wilds. Or were they seanadoes? GMA
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You can also submit your own 500 to 600-word Reader’s Feature at any time via email or our Submit Stuff page, which if used will be shown in the next available weekend slot.
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The BBC has compared Guy Fawkes to Nelson Mandela and dubbed him an ‘astonishing activist’.
The Beeb’s free online study support service, Bitesize, has listed the plotter, who attempted to blow up Parliament and King James I alongside his Catholic accomplices, with the likes of Rosa Parks and suffragette Emmeline Pankhurst.
In the history resources for youngsters, Mr Fawkes also stands alongside the likes of anti-apartheid leader Nelson Mandela in the section of civil rights activists ‘who wanted to change the world’.
The material appears in an educational game called Back in time with…Astonishing Activists, where children can be transported back to the time periods of some world-renowned activists – as well as Guy Fawkes.
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The BBC website says the game allows children to go back in time and learn ‘all about the people who fought racism, campaigned for women’s rights… and changed the world forever’.
Players learn about the 17th-century political conspirator’s failed 1605 plan to set alight gunpowder underneath Parliament during its state opening – in a move that could have killed the King as well as most of the Protestant aristocracy.
The plan was sparked by disappointment among Catholic revolutionaries that the son of a Catholic Queen, Mary Queen of Scots, had not restored their liberties immediately upon his accession.
They hoped his accession would mean a greater tolerance of their faith, and while he did moderate the relationship between Catholics and Protestants, and many welcomed his efforts, certain members of the faith remained unhappy.
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The BBC has compared Guy Fawkes to Nelson Mandela and dubbed him an ‘astonishing activist’
The BBC has since taken the decision to remove the game as acknowledged ‘this description was too nuanced for the intended age group’
Rosa Parkes (left) and Nelson Mandela (right) were also included in the game called ‘Back in time with…Astonishing Activists’
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Following the failed plot, Mr Fawkes was captured, tortured and then executed, while his accomplices were tracked down and killed – including the gunpowder plot leader, Robert Catesby.
The game, accompanied by factual material, explains how Bonfire Night, held on November 5, is a celebration of the failed Gunpowder Plot.
Meanwhile, players can build digital bonfires, and help Mr Fawkes hide from a royal guard in Parliament’s basement as well as aid him in killing rats during his imprisonment at the Tower of London.
It comes as questions previously emerged concerning the broadcaster’s educational material over the years, as in 2023 it alleged every Brit is ‘descended from immigrants’ – an assertion that has since been removed.
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A BBC spokesman said: ‘We acknowledge this description was too nuanced for the intended age group and have taken the decision to remove the game.
‘Bitesize contains thousands of educational resources that we regularly review to ensure they remain relevant and appropriate for the audience.’
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BBC calls Guy Fawkes an ‘astonishing activist’ – and likens him to Nelson Mandela
But one encounter – caught on camera by Channel 4 – quickly went awry.
“You are the local candidate, are you?” The man said.
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“Oh no,” Burnham said, smiling. “No I was a local candidate, I had a by-election a few weeks ago. But, I’m now the prime minister.”
“You what?” The man said.
“He’s the prime minister,” someone else told him.
“What, a new one?” The pensioner with incredulity.
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Burnham nodded, adding: “Yes, another one.”
“They keep changing every five minutes!” The man said, and the PM laughed.
“What, a new one? They keep changing every five minutes.”
A care home resident was shocked to meet the new Prime Minister when he paid a visit. As Andy Burnham introduced himself, he was asked by resident Robert whether he was a local candidate. A smiling Burnham responded that… pic.twitter.com/WSBTakgaN9
The encounter was reminiscent of the viral TV moment when a woman, known only as Brenda from Bristol, reacted with nothing but shock when she found out Theresa May had called a snap election in 2017.
Her response was not unwarranted, as it came after the 2016 referendum on EU membership and the 2015 general election.
Similarly, Burnham is the UK’s seventh prime minister in a decade.
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David Cameron stepped down as PM after the country voted to leave the EU in 2016 and Theresa May quit in 2019 over not being able to get a Brexit deal through the Commons.
Boris Johnson called a snap election in 2019 when he took over from May, but was kicked out of office in 2022.
His successor Liz Truss spent less than two months before the Tories forced her to resign over her mini-Budget.
Rishi Sunak was then voted out in the 2024 general election and Keir Starmer quit this summer after it was clear he had lost the support of Labour MPs.
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Burnham was the Greater Manchester mayor up until he won the Makerfield by-election in June, and was the only Labour MP to put his name forward to replace Starmer.
Listen to Commons People, the podcast that makes politics easy. Every week, Kevin Schofield and Kate Nicholson unpack the week’s biggest stories to keep you informed. Join us for straightforward analysis of what’s going on at Westminster.
In Greece, two firefighters, aged 25 and 58, were killed yesterday when they became trapped while battling a blaze at Krya Vrysi, a small mountain village in the Rethymno region, on the island of Crete.
Tragically, Padelis Diamadakis – the youngest of the two – had only just started working as a seasonal firefighter after completing his studies, according to Greek media.
A third firefighter, aged 27, died after being found unconscious yesterday while tackling a wildfire iin Gytheio, a port town on the Mani peninsula in the southern Peloponnese region.
Meanwhile, two firefighters narrowly escaped with minor burns after two fire engines were engulfed in flames yesterday during a wildfire in Sitia, Lasithi, on Crete, the Hellenic Fire Service said.
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The three deaths came as wildfires ravaged the islands of Paros and Lesvos.
A fire burns through low-lying vegetation in Krya Vrysi, Rethymno, on the Greek island of Crete(Image: NIKOS CHALKIADAKIS/EPA/Shutterstock)
Members of the public helped officers apprehend Robinson
An enjoyable night out turned violent when a 21‑year‑old man trying to defend a woman was brutally stabbed in the back, cheek and shoulder.
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Police say 49‑year‑old Shaki Robinson chased the victim after a row outside a fast‑food restaurant and repeatedly slashed him with a Stanley knife. The shocking attack happened on Beastmarket Hill in the early hours of November 22, 2025.
Officers found the young man bleeding from multiple wounds and arrested Robinson minutes later on Wollaton Street. Officers detained Robinson with the help of members of the public after the offender punched one officer in the head as he tried to resist arrest, Nottingham Post reports.
The 21-year-old victim had been waiting with his girlfriend for a taxi on Angel Row when they saw Robinson “acting aggressively” towards a woman. Footage obtained by detectives shows Robinson throwing his knife to the floor moments before he was apprehended and searched. Arresting officers found suspected class A drugs inside a sock in his pockets.
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Robinson, of Radford Road in Nottingham, eventually admitted the attack just days before he was due to stand trial, pleading guilty to wounding with intent, possession of a knife in a public place, assault on an emergency worker and possession with intent to supply cocaine.
He also admitted possession of heroin and cannabis after further enquiries were carried out into his criminality. On Thursday (July 30), at Nottingham Crown Court, he was jailed for seven years and six months for his crimes.
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“A number of people enjoying a night out unwittingly became involved in this incident,” said Detective Constable Natalie Gooderham after the case was heard in court. Robinson not only violently attacked the victim, but proceeded to walk through the city centre brandishing a knife.
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“It must have been frightening to witness and we’re grateful to the members of the public who bravely intervened by assisting officers to both detain Robinson and recover the knife.
“Violence of this nature has no place in our night-time economy and will always be met with a robust response by officers.”
Music is one of the most powerful tools through which films and TV programmes affect us. We might hear a sad melody that brings us to tears, a creepy tune that gives us goosebumps, or a funny song that compels us to laugh.
This effect is not limited to the silver and small screen. In his plays, William Shakespeare used music in a multitude of ways to delight, amuse, relax, confuse and frighten his audiences – and so did many of his contemporaries.
In my new book, Music and Emotion on the Caroline Stage, I demonstrate how emotions were controlled, provoked and directed through music in the early modern theatre. Specifically, in the Caroline period (1625-1649), during the reign of Charles I.
The most memorable instance of supernatural music in Shakespeare is the rhythmic chanting of “double, double toil and trouble” by the three witches in Macbeth. The witches’ rhythmical conjuring of apparitions in this play gave contemporary audiences an impression of what seeing “real” witches might have been like and the potential harm that they could do, provoking a fear response.
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‘Double, double toil and trouble’ as performed in The Tragedy of Macbeth (2021).
Although not everyone in the early modern period believed in witches, accusations of witchcraft were taken seriously by the authorities. There were several witch trials conducted in England. The most notable were in Pendle, Lancashire, including the 1612 case in which ten of the 16 people accused of being witches were executed.
Another case from 1634 was dramatised by Richard Brome and Thomas Heywood in their comedy, The Late Lancashire Witches. In this play, music is used in several ways to unsettle the audience. At one point church bells ring backwards (a known distress signal in the period) and witch characters sabotage singers and cause musicians to play their instruments out of tune.
Harmonious music had a spiritual significance and was associated with God and heaven. Out of tune and discordant sound disrupted that harmony and was linked to the devil and supernatural activity.
Melancholy music
Turning to music was also an effective way for characters to express feelings of love-sickness and grief on the stage; something that is still widely recognisable today.
Ophelia famously sings snippets of sorrowful songs and bawdy ballads in Shakespeare’s Hamlet after her father’s death, and Desdemona sings the mournful song of willow in Othello when her husband falsely accuses her of infidelity. This tradition continued into the Caroline period. The title character of Richard Brome’s play The Northern Lass (1629) communicates her lovesickness by singing.
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Ophelia sings in Hamlet (1996).
It is important to note that all female characters were played by men or boys in public theatres until the beginning of the Restoration period in 1660.
While it was acceptable for female characters to sing about their feelings onstage, if a male character appeared singing during the Caroline period, he was derided as effeminate or mad. For example, in Brome’s play, The Court Beggar (1653), the courtier, Ferdinand, is referred to as “mad” by the other characters on several occasions when he sings. If they wanted to sing, men frequently called for musicians or a servant figure to sing on their behalf.
This happens in Shakespeare’s Cymbeline in which the suitor, Cloten, hires musicians to serenade the princess, Imogen for him. It was also acceptable for other lower-class male characters to sing onstage, like shepherds. The text of Ben Jonson’s unfinished 1635 play, The Sad Shepherd, reveals that Eglamour, the sad shepherd of the title, is grieving after hearing that his beloved Earine has drowned. His friend and fellow shepherd, Karolin, comforts him with a song.
Calming music
Music was also recognised as having many other healing properties in the early modern period. It could calm people in distress and distract people from pain. There were even theories that music could bring people back from the dead.
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Shakespeare was particularly fond of music’s ability to revive and resurrect. In The Winter’s Tale, a statue of the queen, Hermione, is brought to life when music is played. In Pericles, the physician, Cerimon, calls for music to revive the princess, Thaisa, when she is unconscious.
While alchemical philosophy claimed to provide “evidence” for music’s ability to resurrect the dead, it is also possible that people only believed in this theory to give them comfort from grief while knowing it was not true.
Many modern performances of The Winter’s Tale and Pericles have framed the action so that the “revived” characters are not actually dead and the music just so happens to coincide with the moment they reveal that they were alive. This seems to be what would have happened in The Sad Shepherd if it was finished.
These plays were written and performed over 400 years ago, but we are still attuned to the emotional powers of music today. Many of us listen to sad songs when we are heartbroken or grieving to bring us comfort, happy songs to give us energy and motivation and calming songs to reduce our stresses.
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We listen to music so often and the different songs we listen to change our moods so often that sometimes we don’t even realise it is happening. It is no wonder that Shakespeare and his contemporaries were so fascinated by music’s seemingly otherworldly powers.
PHOENIX (AP) — The last person known to have seen Navajo elder Ella Mae Begay alive has been accused of burglary in an unrelated incident, raising questions about whether he will be sent back to federal prison in Begay’s disappearance.
Preston Tolth is the only person ever charged and convicted in connection with the 2021 disappearance of Begay, a weaver and grandmother of nine from a remote community on the Navajo Nation who has never been found. He acknowledged stealing her truck, beating her and leaving her on the side of the road.
Her case has become emblematic of the heartache felt across Indian Country when loved ones go missing or are killed. Begay’s photo appears at marches. Her name is regularly invoked at rallies calling attention to the crisis.
Phoenix police arrested Tolth, 27, on Tuesday after getting a call about a home break-in. Officers found him about a block away, wearing clothing that matched the description of the suspect and carrying a pocket knife, according to court records.
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Tolth was released from federal prison in June, five years to the day Begay vanished and two years earlier than his sentence was scheduled to end. The Bureau of Prisons cited a federal statue that counts time served after the commission of a crime but before sentencing, including on unrelated charges, in releasing him early.
Tolth was sent to a transitional housing facility in Phoenix. Under the terms of his plea agreement in federal court, he was not to commit any additional crimes while on supervised release. He also was barred from possessing dangerous weapons.
He faces a single charge of burglary in Maricopa County. Court records did not have an attorney listed for him, and his public defender in the federal case did not respond to an emailed request for comment Thursday.
Esther Winne, a spokesperson for the U.S. Attorney’s Office in Arizona, said the office is aware of his arrest.
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“There is a process for handling violations,” Winne said in an email Tuesday, declining further comment.
Gerald Foxworth, an employee at Phoenix Oasis where Tolth was staying, said Tolth returned to the facility drunk on July 4 in violation of program rules. Tolth left on his own after refusing to be transported to a medical center, Foxworth said, and the facility informed Tolth’s probation officer.
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The U.S. Marshals Service had an active warrant out for Tolth’s arrest when he was picked up by Phoenix police.
The Associated Press left phone and email messages with Tolth’s probation officer Thursday requesting comment.
Begay’s family said they were unaware Tolth left transitional housing. His arrest is the latest frustration in a case they say has offered little in the way of justice or closure. The eldest of Begay’s three children, Gerald Begay, said he is relieved no one was harmed in the break-in.
“(Federal officials) made the decision to release this person. Now he’s out here hurting people,” Begay said. “This could have ended far worse.”
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