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Iraq secure final World Cup spot with win over Bolivia, join France group

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Iraq became the 48th and final team to qualify for the World Cup on Tuesday, defeating Bolivia 2-1 in an intercontinental playoff in Mexico to seal their first appearance at the finals in 40 years.

Iraq, whose preparations for Tuesday’s playoff had been disrupted by the war in the Middle East, will play in World Cup Group I against France, Senegal and Norway.

Goals from Ali Al-Hamadi and Aymen Hussein secured a famous win for Iraq, whose last appearance at the World Cup came at the 1986 finals in Mexico.

Read moreItaly’s World Cup nightmare deepens with shoot-out defeat to Bosnia

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The win marked a triumph for Iraq’s Australian coach Graham Arnold, who had initially sought to have Tuesday’s fixture postponed due to the disruption caused by the regional conflict triggered by US-Israeli strikes on Iran.

Most of the Iraqi squad only reached Mexico after a gruelling three-day journey from Baghdad that began with an overland crossing into Jordan.

But there was little sign of weariness during a confident start by Iraq, who took the lead after nine minutes through Luton Town striker Al-Hamadi – the 24-year-old who moved to Liverpool as a toddler following the outbreak of the 2003 Iraq war.

Iraq midfielder Amir Al-Ammari won a corner after a superb free-kick that was saved at full stretch from Bolivia goalkeeper Guillermo Viscarra.

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From the subsequent set piece Al-Ammari curled a pinpoint corner on to the head of Al-Hamadi who nodded home for 1-0.

Iraq were well worth the early goal and looked in control until Bolivia, who had gradually grown into the game, equalized after 38 minutes.

Ramiro Vaca’s shot from the edge of the area was controlled with one touch by Moises Paniagua and the Morocco-based central midfielder swept into the roof of the net.

The goal stunned Iraq and Bolivia looked likely to grab a second after dominating the remainder of the half.

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Read moreDR Congo score extra-time winner to reach first World Cup in half a century

Iraq regained the lead eight minutes into the second half, when a long ball forward was nodded into the path of substitute Marko Lawk-Farji.

Lawk-Farji’s cross found captain Hussein and the veteran striker clipped a first-time finish into the bottom corner.

Bolivia pressed frantically for a goal to force extra-time, but Iraq’s well-marshalled defence held firm during a nerve-shredding nine minutes of stoppage time.

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(FRANCE 24 with AFP)

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Are they rating the album or the person?

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Bully, Kanye West’s first album post-apology, has received a 3.4 out of 10 rating from Pitchfork, which stated that the rapper returned to music as a “hollowed-out shell of his former self.” Bully, Ye’s highly anticipated album, created buzz online when it was released on March 28, 2026, as it marked his return to his roots as an artist following his antisemitism controversy and a full-length apology ad in The Wall Street Journal in January 2026.

The 18-track album included features from Travis Scott, Peso Pluma, CeeLo Green, and Don Toliver, among others. On April 1, 20206, Pitchfork published its review of Bully, giving it a meagre rating of 3.4 out of 10. The music publication called the project a “cheap hit of retro-Kanye—a copy of the classic spectacle.” It further suggested that the album was filled with “weak introspection and feeble, characterless music,” adding:

“Even at his bleakest moments of self-professed nitrous and porn addiction, when he was prohibited from seeing his children, he still knew how to make a song. Bully’s real curveball is the lack of Ye, even after he re-recorded it with human vocals. He’s on every track but also somehow none of them, making a case for redemption and not sounding very convinced by it himself.”

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Pitchfork’s rating of Bully seemed to draw divisive responses from netizens on X, with one user questioning:

“Are they rating the album or the person? Lmaooo.”

@Kurrco Are they rating the album or the person? Lmaooo

Several fans felt the publication was too harsh with its rating.

@Kurrco The record could have sonically excelled more but definitely not this rating. Today’s pseudo music intellectuals fr.

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@Kurrco Bully is good. It’s a 10/10 but we have these Moral clowns who think hating on his music makes them a better person. I mean a 59 score for DONDA? a 65 for YE? like no one should give a fuck what people think anymore.

@Kurrco This gotta be an April Fools joke right?

@Kurrco Nobody cares about “Pitchfork”

However, others claimed that the rating was deserved and even suggested it deserved to be rated lower.

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@Kurrco 3.4 checks out. album was lowk mid

@Kurrco Well deserved. album was absolute buns

@Kurrco I mean it was a 2\10

@Kurrco Kanye fans will never be objective and call an album he makes bad lol, they’ve never had to deal with getting poor music over and over again, not everything the guy makes is a masterpiece anymore but they keep acting as if it is.

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Meanwhile, Rolling Stone gave Bully 2.5 stars out of 5 in a review on March 31, stating the album felt “lifeless overall” and more like Ye’s “greatest-hits compilation.” The publication also addressed widespread rumors of the rapper using AI to create the album, writing:

“Whether or not Ye used AI to make Bully, the album nonetheless feels like decades of his music fed into a computer program.”


Kanye West’s Bully topped Spotify charts despite underwhelming critical reviews

Kanye West’s Bully made waves on Spotify despite critics’ underwhelming response, and topped Spotify’s top albums chart following its release on March 28, 2026. According to Rolling Stone, ten songs from the 18-track list have debuted on Spotify’s chart of top songs worldwide.

Gamma, which distributed the album, claimed that it drew approximately 50 million streams on the first day, making it the largest single-day total for a hip-hop artist on Spotify in 2026.

However, the album was not without its fair share of controversy, and its rollout was plagued by speculation that Kanye West had used AI. However, days before the album’s release, West took to X to release the album’s tracklist with the caption, “BULLY ON THE WAY NO AI.”

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Following the album’s release, English singer and record producer James Blake requested that Ye remove his production credit from the album in response to fans speculating that AI was used on the track This One Here. In a comment on his Vault social media platform, Blake suggested that the released version of the song did not align with his original version, writing:

“The way I pitched his vocals and constructed the track from his freestyle is partially there, majorly peppered with other newer vocal takes etc. But the spirit of my actual production is mostly absent other than that. My original version is a completely different production in spirit. Happy for the fans but I’ve asked to be taken off the producer credits for now as I don’t want to take credit for other people’s work and this version isn’t what I created with Ye.”

According to Billboard, he also clarified that his reasoning for wanting to remove his name from the production credit was “not personal,” adding that he had “hit a point where don’t want to be credited on music where I can’t affect the end result.”


In other news, Kanye West is scheduled to headline all three days of the Wireless Festival from July 10 to July 12 at Finsbury Park, London.