Gardner also asked why Apple never removed Grok, which still hosted sexualized deepfakes of celebrities as recently as June, from its App Store.

“When someone points out that these apps are deepfaking teenagers or creating child sexual abuse materials, they sort of quietly remove them from the App Store without making any announcement about it, so their inconsistency in terms of the App Store is really pronounced,” Gardner says.

Apple says nudification apps are against its guidelines, and it has proactively rejected many and removed others, including those which people have flagged through the App Store’s reporting tools. The company did not address why Grok is still available on the platform.

As for whether Apple is still looking into deploying CSAM detection tech, Apple pointed to its Communication Safety feature, which blocks images and videos containing nudity, violent content, or gore in various apps. (It’s turned on automatically for users under 18.) The company will also make a new function available for reporting these types of content. Users in Australia, Brazil, the US, and the UK will get it first, with expanded availability coming to other regions over time.

“We have a long-standing commitment to building a safe and trusted platform for kids, and provide many industry-leading tools that help keep them safe while also safeguarding their privacy,” Apple says.

Anunay Kulshrestha, an applied cryptographer and information security consultant at Infosec Clinic, says Apple’s CSAM implementation had no accountability guarantees. He doesn’t think Apple implementing it today would be any better than if the company had charged ahead three years ago. “A government can pressure Apple into adding something to the set that isn’t CSAM, and Apple is known to defer to governments,” Kulshrestha says.

What Apple Is Changing

So what can you expect later this year in iOS 27, iPadOS 27, and macOS 27? Let’s break down some of the new improvements and capabilities.

Courtesy of Apple

Updates to Child Accounts

The onboarding process for creating a child account has been revamped, with Apple saying it should take around six minutes to set up. It’s required for children under 13 and available for kids up to 18. This process includes limiting adult websites, setting age-appropriate media, and implementing age-based restrictions in the App Store.

Parents can also choose what apps kids can access on the device—there’s an option to start with a few essential apps, a curated set, or to manually choose apps. (You can add more apps over time.)

Ask to Browse

Courtesy of Apple

Ask to Browse is a new experience in Safari; if it’s enabled, kids must ask parents for permission to visit a new website in the browser. It works similarly to the Ask to Buy function in the App Store (where kids must ask permission to purchase or install new apps). When they ask permission, a message is sent to the parent’s device via Messages.

Approve New Contacts

Courtesy of Apple

By default, kids need to request permission before saving or communicating with a new contact on the Phone, FaceTime, or Messages app. Parents will receive a message asking for approval, which they can decline or approve right there.

Communication Safety Updates

Apple’s existing Communication Safety feature automatically detects and blurs nudity in Messages, FaceTime, and AirDrop for users under 18. This is now expanded to include gore or graphic violent content, and Apple says it also works in Shared Photo Albums, Contact Posters, and the Contacts app.

Time Allowances and Custom Schedules

Apple says it’s working with the American Academy of Pediatrics and its Family Media Plan as a reference point for parents and their children’s digital wellbeing. That’s why Time Allowances has suggestions on how much time kids should spend in specific app categories based on their age, like Entertainment, Games, or Social Media.

Parents can customize these allowances, and there are daily schedules let you allow groups of apps at certain times of the day or week. For example, parents can block gaming apps during school hours. And if you want your kid off their phone during dinner, parents can pause device access through their own device. In general, the Screen Time interface has been redesigned for an at-a-glance view that shows a kid’s average device usage and most-used apps.

Other Small Improvements

• Screen Time Passcode Notifications: You can set up a notification every time a Screen Time passcode is entered on the kid’s device.
• User Reporting Tools: Apple says a new reporting tool is available in Australia, Brazil, the US, and the UK (more regions to come), making it easier for users to report CSAM or other inappropriate material.
• Child Safety Website: Apple has a dedicated website that runs through the new tools with helpful resources and answers to common questions.

Ripple effect: As Sony, and likely Microsoft, prepare to take their gaming businesses fully digital, more users may find themselves at risk of losing their purchases to account hijacking. In one case that could be a sign of challenges to come, a user only got their account back after taking Microsoft to court.

Redditor “Ordo_Liberal” recently claimed to have won back their compromised Microsoft account by taking the tech giant to court. The episode offers a useful playbook for dealing with the company’s customer support, and serves as a warning as gaming companies phase out physical media.

Ordo’s troubles began in April, when their Microsoft account was compromised despite having two-factor authentication enabled. It’s unclear whether the 2FA code arrived via email or the less secure SMS. Microsoft has been pushing users toward passkeys and away from traditional passwords for exactly this kind of risk.

Update on my last post “Microsoft deleted my acc and told me to buy my games again”. I sued their asses and won! They have to restore my acc with all my games + pay me 400$USD. Translation in comment.
by u/Ordo_Liberal in xbox

Microsoft’s customer support told Ordo that it had verified the account was stolen, but said it couldn’t restore it because the thief had already changed its security details. The company’s only offered solution was to close the account entirely, forcing the original owner to buy his games again, including Minecraft.

After Ordo contacted a lawyer, a follow-up message from Microsoft’s support team in Brazil, where the user lives, revealed that the earlier response had been automated and that the case remained under investigation. One commenter on the Reddit thread claimed to have received an identical message, signed by a support representative with the same name.

Interestingly, Ubisoft’s customer service handled the situation far more effectively. When the thief tried to hijack Ordo’s Ubisoft account by logging in through the compromised Microsoft account and changing its security details, Ubisoft simply asked for ID verification and restored the account within an hour of the support ticket being filed.

Ordo claimed Microsoft fought the lawsuit with 12 lawyers and a 300-page filing, and still lost. Under a ruling filed with case number 0811207-44.2026.8.19.0002 in Rio de Janeiro’s court system (TJRJ), the company has 15 days to restore the Redditor’s account and purchases or face mounting fines that could reach hundreds of dollars. Microsoft also owes Ordo roughly $400 in moral damages.

Filing the lawsuit cost Ordo nothing, thanks to Brazilian consumer protection laws that let public defenders take on cases like this at no charge. He joked that the only expense was $10 for a pair of pants, since he couldn’t file the claim while wearing shorts.

Consumer protection regulations could soon carry even more weight in the gaming industry: Sony has confirmed that starting in January 2028, new PlayStation games will be sold only in digital form. Xbox appears headed the same way – Microsoft’s next-gen console, reportedly codenamed Project Helix, is rumored to ship without a disc drive, though the company is said to be testing a disc-to-digital feature that would convert legacy physical discs into digital licenses.

Anyone who still thinks Them! is just a 1950s giant bug movie has clearly never had ants invade a kitchen, a picnic, or the inside of a wall. Ants are not peaceful. They are organized, relentless, and disturbingly good at turning a small problem into a full-scale occupation. Fortunately, they do not have nuclear death rays. Were that to happen, Raid could go sit back down.

Gordon Douglas’ 1954 science-fiction classic takes that very real anxiety and gives it an atomic-age upgrade. Much like Godzilla, released the same year in Japan, Them! uses nuclear weapons testing as more than a convenient monster-movie excuse. The bomb does not merely create a creature; it creates a consequence. Godzilla turned nuclear trauma into a walking national nightmare. Them! takes American desert testing, mutates one of nature’s most efficient predators, and follows the premise to its logical extreme: if radiation made ants gigantic, humanity would have a very serious problem under its floorboards.

That is one reason the film has always remained one of my favorite childhood discoveries. Yes, the title is blunt. Yes, the ants are enormous. Yes, there is a giant insect shriek that can make your dog leave the room. But Them! is far smarter and more disciplined than its reputation as a creature feature suggests. It works because Douglas does not treat the material like disposable drive-in nonsense. He stages the film like a police procedural that slowly mutates into a military thriller, letting the dread build long before the monsters take center stage.

James Whitmore stars as New Mexico State Police Sergeant Ben Peterson, who discovers a traumatized young girl wandering alone in the desert near a destroyed trailer. A nearby general store has been ripped apart, its owner killed, and sugar scattered across the floor. FBI agent Robert Graham, played by James Arness, joins the investigation, and the evidence soon brings in entomologists Dr. Harold Medford and Dr. Patricia Medford, played by Edmund Gwenn and Joan Weldon. Their conclusion is not exactly the kind of thing one wants to hear before lunch: atomic testing has mutated ordinary ants into enormous predators capable of spreading new colonies.

From there, Them! moves from the New Mexico desert to the storm drains of Los Angeles, where the surviving queens threaten to reproduce beneath the city. Flamethrowers, soldiers, missing children, and one of the great “what the hell is making that sound?” monster noises in cinema follow. The effects may look mechanical by modern standards, but the film’s sense of escalation still works because the threat is treated seriously.

That seriousness is why Them! remains both popular and underrated. Fans of classic science fiction and horror know exactly why it matters, but the broader audience still tends to file it under “old movie with big ants.” That undersells it badly. The film is tense, well-acted, sharply paced, and rooted in the same nuclear unease that gave the 1950s its most durable monsters. Childhood nostalgia brought me back to Them! more than once; the craftsmanship, atmosphere, and stubbornly effective nightmare logic are why it has never left the shelf.

The Best Them! Has Ever Looked

Scream Factory’s two-disc Collector’s Edition gives Them! the 4K UHD and Blu-ray treatment, with both discs housed in a standard case and slipcover. The new transfer comes from a 4K restoration of the original camera negative, and the UHD is presented in native 2160p with Dolby Vision and HDR10 support. The disc is framed at 1.67:1, which keeps it very close to the film’s original 1.66:1 theatrical presentation.

I have owned Them! in just about every home video format one could reasonably defend without requiring an intervention, and this UHD is easily the best the film has ever looked in my collection. The old Warner Bros. Blu-ray was perfectly watchable for its time, but putting it on after the Scream Factory 4K is not especially kind to it. The UHD offers a more stable grayscale, deeper blacks, better dimensionality, and a far more convincing layer of film grain. On the Warner disc, grain could look clumpy and somewhat flat. Even Scream Factory’s included Blu-ray does not fully escape that flatter appearance, but the 4K disc finally gives the image some real texture and depth.

The Dolby Vision presentation is not about turning Them! into some glossy modern spectacle, which would be a crime against common sense and giant ants alike. The HDR gives the black-and-white photography more separation and snap, especially in darker interiors, desert exteriors, and the Los Angeles storm-drain sequences. Fine detail is also stronger, with facial textures, uniforms, sand, concrete, and practical effects all looking more resolved without making the film appear scrubbed or artificially sharpened.

Does the Mono Track Still Have Bite?

Scream Factory includes a DTS-HD Master Audio 2.0 Mono track, and it is a meaningful upgrade over the earlier Warner Blu-ray. The 2015 disc was listenable, but dialogue could sit too low in the mix, and the presentation lacked the presence needed to make the film’s sound design fully register.

The new track sounds cleaner, better balanced, and more authoritative without pretending to be something it is not. Dialogue is easier to follow, Bronislau Kaper’s score has welcome warmth, and the effects have more weight than expected from a 1954 mono presentation. The ant shrieks remain sharp and unsettling, while bazooka shots, explosions, aircraft, and the storm-drain climax land with more impact.

Through the Focal Mu-so Hekla currently under review, the track had surprising scale and body without feeling artificially inflated. It also helps that Joan Weldon’s Dr. Patricia Medford could explain ant behavior for hours and still hold one’s attention, even if her delivery is so composed that the giant radioactive insects almost sound like a scheduling issue.

“THEM! Memories” is a short Richard Bellis interview, with the former child actor recalling his small role, Sandy Descher, and Gordon Douglas’ very 1950s method of producing tears on command.

“Nameless Terror” gives Courtney Joyner time to explain why Gordon Douglas and Warner Bros. turned Them! into something far better than just another bug problem with a budget.

“Entering the Atomic Age” focuses on James Arness, his John Wayne connection, and why his understated performance works alongside James Whitmore, Joan Weldon, Edmund Gwenn, and Fess Parker.

The archival extras include the brief 2003 behind-the-scenes footage of the giant ants and the original theatrical trailer; neither is pristine, but both are worth having unless one is allergic to context.

Scream Factory’s Them! Collector’s Edition is the best home video presentation this atomic-age classic has received, with a superb 4K image, stronger mono audio, and enough supplemental material to remind viewers that giant radioactive ants were never the silly part. The silly part was assuming humanity could keep detonating nuclear weapons in the desert and not eventually create something that wanted sugar, darkness, and possibly Los Angeles.

Movie Details:

• STUDIO: Scream Factory / Shout! Studios
• FORMAT: Ultra HD 4K Blu-ray (June 16, 2026)
• THEATRICAL RELEASE YEAR: 1954
• ASPECT RATIO: 1.67:1
• ORIGINAL ASPECT RATIO: 1.66:1
• HDR FORMATS: Dolby Vision, HDR10
• AUDIO FORMAT: DTS-HD Master Audio 2.0 Mono
• LENGTH: 94 mins.
• MPAA RATING: Not Rated
• DIRECTOR: Gordon Douglas
• STARRING: James Whitmore, James Arness, Joan Weldon, Edmund Gwenn, Fess Parker, Sandy Descher

Our Ratings

★★★★★★★★★★ Movie

★★★★★★★★★★ Picture

★★★★★★★★★★ Sound

★★★★★★★★★★ Extras

Where to buy

Related Reviews:

Old electronics have a talent for making themselves invisible. The laptop that got replaced two years ago is still in the office, the printer that stopped cooperating is in the garage and the desktop tower is somewhere in a closet behind things you haven’t touched since you moved in. None of it is being used, none of it is going away on its own, and the vague intention to deal with it keeps getting deferred because dealing with it feels complicated. It isn’t. Most major retailers and manufacturers run free take-back programs that handle old tech responsibly, and using them typically requires nothing more than a short drive and a few minutes of prep.

Major retailers such as Best Buy and Staples have become drop-off hubs for digital junk. You can walk into a store with a dead PC or a clunky old scanner and hand it over for free, regardless of where you bought it. Some of these places will even give you a discount on new gear or a trade-in credit just for helping them reclaim the heavy metals and plastics that don’t belong in a landfill. It’s the easiest way to recover your storage space without feeling like a jerk for tossing electronics in the trash.

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The only real “work” on your end is making sure you aren’t handing over your entire life history along with the hardware. Before you dump a device, you need to do a legitimate data wipe — not just drag files to the trash can. A 10-minute factory reset or a dedicated drive-scrubbing tool ensures your old tax returns and saved passwords don’t become someone else’s property. Stop acting like you’re going to “fix” that laptop from 2015 and let a professional recycler break it down for parts instead.

What to do before you recycle your old computer

Wherever you take or mail in your items to be recycled, you’ll want to protect your data by removing it as best you can. One way to do this is to perform a factory reset on your computer. Our guide walks you through the process.

Where to recycle your old printers and computers

Some retail stores will accept computers and printers for recycling, but it’s not always a free service. Policies vary by company.

Apple

You can recycle your old Apple computers, monitors and peripherals, such as printers, for free at an Apple store, but there’s a costly catch. According to the Apple Free Recycling program, you must purchase a qualifying Apple computer or monitor to receive this service. Need another option? A third-party company called Gazelle buys old MacBooks to recycle them. After accepting Gazelle’s offer, you print a prepaid label or request a prepaid box and ship the machine to them.

Read more: Phone and Laptop Repair Goes Mainstream With Push From iFixit

Best Buy

Best Buy generally accepts up to three household items per household per day to be recycled for free, including desktop computers and printers, as well as other items ranging from e-readers to vacuum cleaners. While three is the limit for most items, there’s a higher limit for laptops — Best Buy will take five of those per household per day. Note that rules for dropping off monitors vary by state, and it’s not always free to do so. Best Buy also offers a mail-in recycling service for select items, but that’s also not free. A small box that holds up to 6 pounds costs $23, while a large box (up to 15 pounds) costs $30. One CNET editor recently lugged in an old, nonworking tube TV-VCR combo for e-cycling, and was happy to pay $30 to be rid of it.

Office Depot 

Office Depot and OfficeMax merged in 2013. The retailers offer a tech trade-in program both in-store and online, where you may be able to get a store gift card in exchange for your old computers and printers. If the device has no trade-in value, the company will recycle it for free. Office Depot also sells e-waste recycling boxes that you can fill with electronics to be recycled and then drop off at the stores, but they aren’t free. The small boxes cost $8.39 and hold up to 20 pounds, the medium ones cost $18.29 and hold up to 40 pounds, and the large boxes cost $28 and hold up to 60 pounds.

Staples 

You can bring your old desktop computers, laptops, printers and more to the Staples checkout counter to be recycled for free, even if they weren’t purchased there. According to a Staples rep, the retailer also has a free at-home battery recycling box, which has led customers to recycle thousands of batteries per week, up from an earlier average of 50 per week. Here’s a list of everything that can be recycled at Staples.

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Watch this: Give Your Old Phone a Second Life: The Right Way to Recycle and Reuse It

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Where to find electronics recycling centers

If you don’t live near a major retailer or would rather take your computers and printers to a recycling center, you can locate places near you by using search tools provided by Earth911 and the Consumer Technology Association.

Earth911

Use the recycling center search function on Earth911 to find recycling centers near your ZIP code that accept laptops, desktops and printers. Note that the results may also turn up places that accept mobile phones and not computers or printers, so you may have to do a little filtering.

Greener Gadgets

Consult the Consumer Technology Association’s Greener Gadgets Recycle Locator to find local recycling centers in your area that will take old items. The search function also allows you to filter the results to separately hunt for places that take computers versus printers.

Noise has added another device to its range of wearables with the launch of the REP Band, its first product in the screenless wearables category. The device provides comprehensive health tracking and insights through the NoiseFit app, with no subscription fees. Pre-bookings can be made for Rs. 9,999, and the device claims up to 10 days of battery life.

Noise REP Band Features and Specifications

The Noise REP Band is designed for those who want health-monitoring features on their wearable device without being distracted by a display screen. The screenless technology makes the wearable device look minimalist, and the stainless steel body makes it very durable. The device weighs only 27g; thus, it is very light to wear for extended periods. Its woven band, one-handed clasp, 10-day battery life, and 5ATM water resistance make it perfect for everyday use.

The wearable continuously tracks key health metrics, including heart rate, blood oxygen, stress, sleep, respiratory rate, recovery score, and VO2 Max. However, instead of providing raw numbers, the NoiseFit app transforms the information above into AI-driven daily health insights. Since these insights do not require a subscription, users can access all app features at no additional cost.

Noise has also considered tracking accuracy. The optical sensor has been tuned for different skin tones to deliver accurate readings. The 6-axis motion sensor detects any movement, including running, walking, cycling, rowing, and elliptical training. The REP Band can connect to a smartphone via Bluetooth on Android and iOS. It can also connect via Bluetooth to Android and iOS smartphones.

Noise REP Band Price in India, Availability

The Noise REP Band is available for pre-booking in India at an introductory price of Rs. 9,999. Users can pick the REP Band in Vivid Orange, Navy Blue, Classic Black, or Sand Beige. Buyers can reserve the wearable through the Noise website, Amazon, and Flipkart. The company has not yet confirmed its regular pricing or sale date.