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Apple hikes Mac, iPad prices as chip crunch squeezes pockets

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Apple said it couldn’t shield customers from rising component costs anymore.

An exacerbating chip shortage has led Apple to hike up prices for several of its products. Price jumps go from as little as €40 for the HomePod Mini, to nearly €1,000 for the Mac Studio M3 Ultra, though iPhones are unaffected for now.

Apple share prices dropped more than 6pc yesterday, before making marginal gains in pre-market trading today (26 June). Prices, however, have dropped more than 10pc in a month.

“The rapid expansion of AI data centres has created an extraordinary surge in demand for memory and storage”, a company spokesperson told news publications, adding that Apple has “never seen a component price increase this much, this quickly”.

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Apple said that the worsening situation meant that it couldn’t shield customers from the rising component costs any longer.

The company previously raised prices for the iPhone 17 Pro, MacBook Air and MacBook Pro, but this is the first time it is hiking rates on products across several categories at once.

iPads will now cost EU customers €100 more at €529; the iPad mini will jump by €120 to €719. The new MacBook Neo, launched in March, is also seeing a price hike of €140, now costing customers €839 to purchase in the EU.

Outgoing CEO Tim Cook told investors in April that AI-led component shortages would constrain supply for Mac, Mac Mini, Mac Studio and MacBook Neo for the June quarter.

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“Realistically, on the Mac Mini and the Mac Studio, I believe it will take several months to reach supply-demand balance,” he said at the time. “We are not at the point where we are saying this is going to end anytime soon.”

Chief financial officer Kevan Parekh, meanwhile, said that iPhones faced supply constraints in the March quarter. Bloomberg Intelligence expects iPhone prices to also rise, likely targeting the Pro models.

Apple isn’t alone in suffering from a shortage in memory chips. According to Counterpoint Research, global smartphone shipments are poised to drop nearly 14pc in 2026, with the squeeze particularly affecting entry-level and mid-range smartphones. Prices are expected to jump by as much as 13pc this year.

Meanwhile, rising prices allow for second-hand and refurbished sellers to fill in gaps with cheaper and environmentally better alternatives, according to Refurbed co-founder Kilian Kaminski.

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Why Do Some Engines Require Higher Octane Fuel?

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Octane really is just a measure of how well fuel resists lighting itself under pressure. Some engines need to run on fuel that that offers more resistance than others, specifically the kind that run a high compression ratio. These are engines where the piston jams the air and fuel mixture which much more force, and does so in a far smaller space than regular engines. Even turbocharged engines love premium gas even if they don’t require it, since higher-octane fuel works well with the additional airflow a turbo feeds into the engine’s cylinders.

Either way, in such engines, the pressure and temperature inside climb way up. As they increase, it becomes easier for low-octane fuels to ignite early.  Higher octane gas is designed to cushion against this phenomenon, which is called knock. When a stray pocket of low-octane fuel combusts early, this causes the cylinder pressure to jump sharply and unevenly. Inside the engine, the process acts like tiny hammers pounding away at the protective film of the piston, causing the full heat of combustion to reach bare metal. In the long run, knocking can lead your engine to seize, which is hard to fix. Most of the time, though, avoiding engine knocking is as easy as switching to the octane level your engine is actually designed for.

But why even build an engine that’s so picky in the first place? Well, higher compression ratios have a range of benefits, and they all have to do with the fact that they are able to squeeze more energy out of the exact same amount of fuel. This results in greater thermal efficiency, which in turn gets you more power and better mileage.

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High-octane gas only benefits high-compression engines

The catch with higher octane fuel is the higher price you pay for it. Even the high-compression-ratio engines themselves that depend on it often require heavier-duty components and advanced engine-management electronics. So it makes sense that the cars with such engines are the performance ones – like sports cars and anything turbo/supercharged. And it’s not just cars either, since plenty of sports motorcycles, supercharged jet skis, and of course, prop airplanes, call for it too.

Now since higher octane can bring better performance, you might be tempted to use that fuel in a car labeled with a lower octane rating. You shouldn’t, though, but not because doing so would be unsafe. The downside is that you’ll be paying for a more expensive fuel option that buys you nothing if your car doesn’t need it. Premium-octane fuel is more expensive, since topping off a regular-sized tank with high-octane gas costs roughly 12 dollars more than regular unleaded fuel. Do that every week, and that “small” $12 difference can pile up fast. Meanwhile, premium and regular gas pack roughly the same chemical energy, so it’s not the fuel that nets you extra horsepower — it’s the ability to handle extra compression that gives you the performance boost.

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That said, going the other way can actually hurt. Drop low-octane gas into an engine that requires premium and you risk damaging it over time. You might even void the warranty in some cases. However, the good news is that many modern cars have built-in safeguards. They include equipment like knock sensors, which help your car’s electronics to tweak the engine’s ignition timing depending on the fuel the engine is being fed. This aids to avoid knocking caused by low-octane fuel.



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Weekend Apple sale on Amazon cuts up to $650 off Macs, iPads

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Prime Day 2026 may be over, but you can save up to $650 across Apple’s Mac, iPad, AirPods, and AirTag lines.

Prime Day 2026 may be over, but aggressive deals still remain in effect across Apple hardware, especially considering Apple raised prices on Macs and iPads on Thursday. Save up to $650 on Apple devices during the weekend sale.

Shop Apple deals on Amazon

Top Apple deals

AirPods 4 $99, AirPods Pro $179

Hand holding AirPods Pro 3 wireless earbuds charging case on a gray surface, with a small green light glowing on the front of the case.

AirPods Pro 3 are still discounted to $179 after Prime Day.

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Amazon’s Prime Day AirPods sale prices have remained in effect this weekend, with AirPods Pro 3 a top choice at $179.

Weekend AirPods deals

AirTag 2 on sale from $24

Dark gray backpack on the floor with an Apple AirTag 2 in a brown holder clipped near a side pocket, showing part of the shoulder strap and soft background cushion

Apple’s AirTag 2 has received the first material discount for Prime Day.

The first material discounts on Apple’s second-generation AirTag have been extended.

AirTag 2 Prime Day deals extended

iPads up to $350 off

iPad Air M4 standing upright on a table, flanked by two small cartoon-style plant pots and resting on a smartphone, with a softly blurred purple and blue background

Amazon has steep discounts on iPad Air and Pro models.

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You can score deals of up to $350 off in our iPad Price Guide.

Save up to $350 on iPads

Today’s top iPad deals

Apple Pencil markdowns

Apple Watch Series 11 $279

Close-up of the back of an Apple Watch Series 1 with circular sensors and text around the edge, attached to a perforated light-colored sports band held by a hand

Apple Watch Series 11 prices have dipped to as low as $279.

Multiple Prime Day Apple Watch deals have been extended, including the Series 11 for $279 ($120 off) and the Ultra 3 for $649 ($150 off).

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Buy Apple Watch S11 for $279

42mm Apple Watch Series 11

  • 42mm Apple Watch Series 11 GPS (Aluminum Case, Sport Band): $279 ($120 off)
  • 42mm Apple Watch Series 11 GPS + Cellular (Aluminum Case, Sport Band): $379 ($120 off)
  • 42mm Apple Watch Series 11 GPS + Cellular (Titanium Case, Milanese Loop Band): $609 ($140 off)

46mm Apple Watch Series 11

  • 46mm Apple Watch Series 11 GPS (Aluminum Case, Sport Band): $309 ($120 off)
  • 46mm Apple Watch Series 11 GPS + Cellular (Aluminum Case, Sport Band): $399 ($130 off)
  • 46mm Apple Watch Series 11 GPS + Cellular (Titanium Case, Sport Band): $569.97 ($180 off)
  • 46mm Apple Watch Series 11 GPS + Cellular (Titanium Case, Milanese Loop Band): $639 ($160 off)

Apple Watch Ultra 3 $150 off

MacBooks up to $650 off

Sky Blue Apple MacBook Air laptop half open on a white surface, displaying the black Apple logo on the back, with a soft blue and purple gradient background

Save up to $650 on MacBooks with Amazon’s deals.

While the discounts aren’t quite as steep as Day 1 of Prime Day, Amazon still has the lowest prices on numerous MacBook configurations, which are worth exploring as Apple’s price hikes trickle over to third-party retailers.

Weekend MacBook Air deals

Blowout MacBook Air sales from $789

  • 13″ MacBook Air M4 (16GB RAM, 256GB SSD, Restored): $789 ($210 off) at Walmart

Top 14-inch MacBook Pro discounts

Best 16-inch MacBook Pro sales

  • 16″ MacBook Pro M5 Pro (18C CPU, 20C GPU, 24GB, 1TB, Standard Display, Space Black): $2,649.99 ($350 off)
  • 16″ MacBook Pro M5 Max (18C CPU, 32C GPU, 36GB, 2TB, Standard Display): $3,849.99 ($550 off)
  • 16″ MacBook Pro M5 Max (18C CPU, 40C GPU, 48GB, 2TB, Standard Display, Space Black): $4,349.99 ($650 off)

OLED TVs up to $702 off

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Save up to $702 on OLED TVs.

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Prime Day deals on OLED TVs have been extended as well, with discounts of up to $702 off on models from LG, Samsung, and Sony.

LG OLED TV Prime Day deals

Samsung OLED TV Prime Day discounts

Sony OLED TV Prime Day sale

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Amazon, Microsoft face strict EU DMA rules over cloud dominance

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AWS and Azure are the largest and second-largest cloud computing services in the EU respectively.

The EU wants to designate Amazon and Microsoft’s cloud services as gatekeepers under the bloc’s strict competition regulations.

Amazon Web Services (AWS) and Microsoft’s Azure are the largest and second-largest cloud computing services in the EU respectively, but they do not meet the Digital Markets Act’s (DMA) thresholds for size, user number and market position to be called gatekeepers.

The DMA aims to regulate players in various digital markets by setting responsibilities and banning unfair practices – and the designation is only given to platforms that provide an important gateway between businesses and consumers.

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The Commission launched an investigation into the platforms nonetheless last November, arguing that the companies’ cloud services showed “very strong [market] positions”.

In its preliminary conclusion today (25 June), it noted that the two companies already hold the gatekeeper title in other services; Amazon, for its online marketplace and ads, and Microsoft for its Windows operating system and social network platform LinkedIn.

It highlighted their “significant” turnover and investments that “seem to have significantly outpaced” its competitors.

“They both have vast and entrenched user bases and appear to benefit from lock-in effects and high switching costs, in addition to a large ecosystem,” the Commission said.

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Meanwhile, AWS and Azure also service a “large proportion” of businesses seeking cloud services due to the surging demand for AI, while holding an “entrenched and durable position in the EU cloud computing sector”, the EU added.

Amazon and Microsoft can refute these claims and respond to the bloc if they want to.

The EU has made concerted efforts in recent years to regulate Big Tech and explore a way out of its heavy reliance on foreign digital infrastructure (nearly all of its DMA-designated gatekeepers across sectors are based in the US, except for TikTok-owner ByteDance and Amsterdam-based Booking.com).

“In Europe, we are increasingly reliant on cloud computing services. From consumers to business large and small, to public administrations,” said EU executive vice-president for clean, just and competitive transition Teresa Ribera.

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“These services will only continue to grow in importance, which is why it essential that we ensure a well-functioning and competitive market, and a level playing field for all cloud service providers.”

The Commission launched a similar investigation into Apple Ads and Maps late last year, but concluded in February that the company’s particular services do not constitute a designation under DMA.

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MSI Claw 8 EX AI+, Sony A7R VI, Ray-Ban Meta Optics And More

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A roundup of recent reviews published by Engadget.

Hot Reviews Summer™ is in full swing, and we’re back with another round of devices that we’ve recently put through their paces. If you’re into gaming handhelds, smart glasses, smart speakers and both pro-grade and vlogging cameras, this week’s roundup is for you. Keep scrolling to catch up on some of the reviews you might’ve missed before the next batch arrives. 

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MSI Claw 8 EX AI+

New gaming handhelds are popping up all of the time, and MSI’s Claw 8 EX AI+ made a lasting impression during our tests. It’s expensive, but for the high price you get massive performance, according to senior reviews writer Sam Rutherford. “The Claw 8 EX is a beastly handheld that has pushed mobile PC gaming performance to new highs,” he said. “It just sucks that the price basically makes it off limits to most folks, unless you have seriously deep pockets.”

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Sony A7R VI

With Sony’s cameras, you typically have to choose between either speed or resolution. The company hasn’t delivered both in the same model until the arrival of the A7R VI. And that combination, according to contributing writer Steve Dent, makes a near-perfect high-resolution camera. “The A7R VI is Sony’s most impressive camera in years, offering ultra-high resolution images and impressive speed,” he said. “It’s still primarily a portrait and landscape camera, but might tempt action photographers who would love the extra megapixels to crop in on distant subjects.”

Ray-Ban Meta Optics

The Ray-Ban/Meta team-up has delivered several options for the smart glasses crowd, but only recently has the duo given users the ability to grab a pair with prescription lenses. They aren’t cheap, but they do offer a better fit than previous versions. “Ultimately, if you already like Ray-Ban Meta glasses, and you want to use them with your prescription, the Optics line is definitely the most comfortable, premium version you can get,” senior reporter Karissa Bell said. “It’s just a question of whether you can justify what it costs.”

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Insta360 Luna Ultra

Insta360 is not only coming for DJI’s grip on the gimbal camera market, but the company beat its rival to the punch with a dual-lens model. The Luna Ultra also offers optical zoom and a clever detachable display, but the most attractive feature (for now) is availability. “The good news is that the Luna Ultra is independently a great vlogging camera,” said contributing reviews writer James Trew. “Insta360 made a great debut into the category and we’re all just waiting to see how DJI responds.”

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Google Home Speaker

Google has a new smart speaker for the new Gemini for Home era. Unfortunately, that means we may not know the ultimate usefulness of the plainly named Google Home Speaker for a while. “If you’re someone who already has some Google or Nest speakers and aren’t happy with how the Google Home app and Gemini are working, this new speaker doesn’t change that,” deputy news editor Nathan Ingraham said. “Hopefully Google will continue to improve things on the software front, because the Google Home Speaker does a good job of holding up its end of the bargain.”

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XGIMI MemoMind One

If you’re worried AI could ruin your smart glasses experience, look away now. Senior writer Daniel Cooper discovered an awfully creepy AI assistant on the XGIMI MemoMind One glasses, despite the device having several excellent qualities. “The irony is that I actually quite like using MemoMind One as my glasses, because I find having a second screen to be tremendously useful,” he said. “What lets all of this down is the finer margins that just need a little more time in the oven before they’re fully baked. Perhaps that could be a wish the creepy Wishes app could capture and fulfill, deleting itself from the product before it launches.”

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The fittest founder in the room got cancer. Here’s how he used AI to fight back.

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Conno Christou doesn’t leave things to chance. He tracks his sleep with a Whoop band, cross-references it with an Oura ring, and gets nearly 100 biomarkers checked every year. He had been doing the annual bloodwork for four consecutive years, following the protocols of longevity researchers like Peter Attia and Rhonda Patrick. He was optimizing his supplements, his circadian rhythm, his protein intake.

At 35, building his second company, he was as dialed-in on the latest in health research as anyone he knew. His last checkup, in 2025, was green across the board. “It was the best I’d had in years,” he says.

Then, after a workout, his arm swelled.

He didn’t think much of it at first. A week passed before he saw a doctor, who found two blood clots in his veins and scheduled surgery. But the pre-op exams changed everything. A doctor walked back into the room and told him the procedure wasn’t happening.

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“We see an 11-by-11-by-8 centimeter mass behind your sternum,” the doctor said.

A biopsy confirmed what Christou had never before even contemplated. He had an aggressive, fast-growing form of non-Hodgkin’s lymphoma — a rare diagnosis affecting roughly one in 420,000 people, caused by a random genetic mutation with no connection to lifestyle, diet, or stress.

The tumor had only existed for about three months. In three more weeks, it would have reached stage four.

“Lucky in my unluckiness,” Christou told this editor this week from his home in Athens, where he lives part time. “It was only found because I went in for something else entirely.”

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What followed was an education in the limits of the medical system, and in what a determined patient can do about that with tools now available.

His first oncologist, a renowned specialist, recommended the lighter of two available chemotherapy regimens. Christou booked his first infusion three days out. Then, the night before, he sought a second opinion.

That doctor didn’t hesitate. He recommended the harder regimen — continuous in-hospital infusion, cycling every three weeks across six months — citing Christou’s specific pathology. The lighter treatment carried roughly a 60% success rate for his presentation. The aggressive one brought that number to around 85%. Two world-class doctors. Diametrically opposite recommendations.

“As founders, we hold the wheel,” Christou says of the propensity of many people to accept what they are told — and why more should not. “You hear many things. You don’t have to follow the first advice.”

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He didn’t opt to just follow the second advice, either. Over the next two days, he gathered 12 opinions in total — drawing on his professional network, reaching out to hematologists and oncologists in the US and abroad, calling in every favor he could. Eleven to one voted in favor of the harder path. He took it. The decision, he says, didn’t feel brave so much as logical. When the stakes are existential, you collect data.

Over six months of treatment, Christou approached chemotherapy the way he approached building a company: as a marathon of sprints, each of them with a finite cycle, each week filled with data points. He had done a mandatory 25-month military service in Cyprus at age 18 and he borrowed from that experience, too. He was going to be a good soldier, he told himself. Trust the process. Six cycles. Get through it.

He wore his Whoop throughout, and found it remarkably accurate at predicting the days his immune system would bottom out, sometimes flagging them before symptoms arrived. He kept a symptom journal using voice transcription, logging every shift, every side effect, every medication and counter-medication. He narrowed his focus to three variables: sleep, nutrition, and, first and foremost, psychology. (“It moves the needle more than anything,” said Christou. “I never asked ‘why me’ — not once. That question has no useful answer.”)

He fed all of it — blood results, scan data, wearable output, journal entries — into Claude. He’s far form alone in turning to chatbots for medical guidance. A public opinion poll released in March found that a third of American adults now use them for health information and advice. The stories accumulating online suggest that for some patients, AI is delivering what the system couldn’t.

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Experts urge caution; Danielle Bitterman, clinical lead for data science and AI at Mass General Brigham, has told the New York Times in recent months that general-purpose chatbots are frequently wrong and “have not been thoroughly evaluated” for personalized diagnoses.

Christou doesn’t disagree. “It didn’t replace the doctors,” he says, but it “helped me ask the right questions.”

For a condition as rare as his — one an oncologist might see once a year — access to a model that had absorbed the full body of medical literature was, he says, simply not the same as a Google search.

That distinction proved critical at the end of treatment. His final PET scan — the imaging used to detect active disease — came back ambiguous. His oncologist began discussing a second line of therapy, potentially radiotherapy, near his heart and lungs. It was an alarming development.

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Christou again did his homework. He read that for this specific lymphoma, the false-positive rate on end-of-treatment PET scans is around 60% — a statistic that still astonishes him. “It’s 2026,” he says. “Sixty percent.”

He fed all three of his PET scans and his MRI into Claude, which flagged a known but easily overlooked phenomenon: in patients under 40 recovering from this type of lymphoma, the thymus gland can reactivate after chemotherapy, showing up on imaging as what appears to be active disease. Given his age, his specific scan characteristics, the model put the probability of that explanation at roughly 90%.

He sought three more opinions. The fourth doctor confirmed it: thymus rebound. There was no active disease. No radiotherapy was needed. He was clear.

Christou is still unfolding what the last year has meant, for his health, how he works, and how he thinks about time. He built Keragon, his current company, before any of this happened; it’s an AI-powered platform that helps medical practices automate their administrative operations.

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But going through the system as a patient has given him new perspective. He watched nurses and doctors buried under tasks that had nothing to do with care. He received the same chemotherapy protocol as an 80-year-old woman, the side effects managed through a cascading chain of additional drugs, each causing problems of their own. He says he’s certain that we will look back at this era of treatment and cringe.

He takes Sundays off now, mostly. He tries to be present — at lunch with friends, at home with his dog, in conversations that might once have felt like a distraction from work. A VC friend told him something years ago that he said he kept replaying during treatment: Be happy now. He says it’s among the hardest things to do and yet he finally appreciates its importance.

He says he’d be happy to talk to anyone going through something similar to share notes, compare experiences. He seems to means it.

“It’s not happening in 10 years,” he says of what AI can already do for patients willing to use it. “It’s happening today.”

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Asian AI startups launch Mythos-like models as Anthropic’s export ban drags on

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On Wednesday, Chinese cybersecurity firm 360 reportedly unveiled Tulongfeng, an AI tool it says can go head-to-head with Anthropic’s Mythos. That’s the cybersecurity-focused AI model that is reportedly so powerful, the Trump Administration has currently banned it and its more restricted version, Fable 5, from the hands of non-Americans.

Earlier the same week Sakana AI, a Tokyo-based AI startup launched Fugu, a model named after the Japanese word for blowfish. The company says this frontier AI model “stands shoulder-to-shoulder with leading models like Anthropic’s Fable 5 and Mythos Preview.” It is also designed for agents, with an ability to orchestrate access to other models though their APIs.

The two new Asian model products come as the U.S. government’s ban drags on. It’s order that prevents Anthropic from global access to Mythos and Fable occurred two weeks ago.

A spokesperson at Sakana AI told TechCrunch that release of its new model was “entirely coincidental,” yet that hasn’t stopped it from capitalizing on the moment. It’s website advertises “delivering frontier capability without the risk of export controls.”

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“Sakana Fugu is something we have been building since last year — the research behind it was presented at ICLR this spring, and it reflects an approach that is central to how we deliver frontier-level value at Sakana AI. We were confident in the product on its own merits; the timing simply happened to coincide with a moment that brought it more attention than we expected,” the spokesperson said about launching during the Mythos/Fable export ban.

Sakana, co-founded in 2023 by former Google researchers Ren Ito,  Llion Jones and David Ha, makes affordable generative AI models that work well with small datasets and are optimized for the Japanese language and culture.

While the company is targeting Fugu at Japanese businesses and government agencies looking to reduce their exposure to tightening export controls, it isn’t yet proclaiming a lasting shift away from U.S. AI in Asia.

“U.S. models remain important to Asia,” the spokesperson said, a view consistent with remarks co-founder Ren Ito made at the G7 summit in Evian last week, where AI access and export controls were one of the central topics. “We’d characterize the current moment in those terms rather than as a permanent realignment toward any one set of players.”

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Sakana co-founder Ren Ito elaborated on that view in an op-ed published in the Project Syndicate last week. He urged the US federal government, that consider that its “first priority should be to preserve access,” for America’s closest allies, and argued that “AI should not become a technology that is hoarded; it should be one that is developed together.”

David Ha, co-founder and CEO of Sakana, described Fugu as more than just a land grab during a vulnerable moment for a US competitors. It is designed to coordinate agent usage among many models.

“Orchestration Models are the next frontier, beyond bigger models,” he wrote on X. Relying on a single provider for national infrastructure, he argued, is a risk the recent export controls made impossible to ignore.

“Access to top models can disappear overnight,” he wrote. “Collective intelligence is the practical hedge against this concentration of power.”

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While Tokyo-based Sakana positioned Fugu as a hedge strategy, a way to preserve access to frontier AI, not replace it, China’s 360 wasn’t hedging.

The Chinese firm reportedly unveiled two AI security tools. Tulongfeng is designed to automatically discover software vulnerabilities, and Yitianzhen is built to automate cyber defence and incident response.

The product launch, however, came with a message. According to Reuters, 360’s founder Zhou Hongyi described vulnerability-finding AI as a national strategic asset, and flagged what he called the risk of “one-way transparency”, a situation in which some actors could access advanced vulnerability-detection capabilities while others could not.

Anthropic had been on a historic growth trajectory. The US AI lab said its run-rate revenue crossed $47 billion in May 2026. How much of that depends on Asian enterprise customers is not publicly known.

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But in the weeks since the export order took effect, at least two companies, one in Tokyo, one in Beijing, have stepped into the space it left behind. Even if US companies could win back trust should this ban ever end, local alternatives, trained to better understand local language and nuance, are already filling the gap.

360 did not respond to a request for comment.

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The Differences Between Dolby Digital, DTS And Atmos (And Which Is Better)

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How to decide which of these surround sound formats is best for your home theater.

If you’ve been down the rabbit hole of home theater audio, you’ve likely encountered the world of surround sound audio formats. The two main players, Dolby and DTS, can be found in some of the best home audio gear and each offer multiple standards, and the differences can be opaque at first blush. So, what are the differences between Dolby Digital and Dolby Atmos, and what makes DTS:X unique compared to DTS?

DTS (short for Digital Theater Systems, the name of the company which owns the technology) has been a longtime competitor to Dolby formats, with Dolby first throwing down the gauntlet with Dolby Digital during the early days of home theater surround sound, and now with Atmos as spatial audio takes the cutting edge. Emerging with the move from analog to digital home video, both Dolby Digital and DTS aimed to deliver theater-style surround sound to the living room. DVDs were able to deliver channel-mixed sound using either format, a major boon for those who had invested in home theater systems.

Those early versions are now outdated. With the rise of 3D, object-based mixing, in which each individual sound within a mix can be tracked spatially rather than directed to channels (adding a Z-axis to the previously 2D mix), we now have Dolby Atmos competing against DTS:X. But while both technologies aim to deliver a similar audio experience, they have different pros and cons, as well as different levels of support that can affect which one is the better choice for you.

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Dolby and DTS both offer multiple formats

The holy grail of tech is a single specification to rule them all. But in practice, that almost never happens. To accommodate different use cases, both Dolby and DTS offer multiple formats, and differentiating between them isn’t simple. Spatial formats aside (covered further down), the main differences come down to the way each codec compresses the audio stream.

Beginning with traditional, 5.1 and 7.1-channel surround sound, Dolby offers Digital and Digital Plus, respectively. These are both lossy formats, meaning they drop some detail compared to the original audio master. Dolby Digital Plus is the baseline audio format for many streaming services. DTS Digital Surround competes against these, and is also lossy, though slightly less so.

DTS-HD Master Audio and Dolby TrueHD are a step up. Both are bit-perfect, lossless formats, which makes them quite a bit more data-intensive. As a consequence, they are typically included on 4K Blu-Ray discs but not streaming services (this is why audiophiles with expensive home theater setups tend to prefer physical media over streaming). Even so, DTS-HD Master audio is technically more detailed, delivered at up to 24.5 megabits per-second (Mbps) with a sample rate of 96 kHz at 24 bits of depth compared to Dolby TrueHD, which maxes out at 18 Mbps with a sample rate of 96 kHz and 24 bits of depth when in an 8-channel configuration or 192 kHz and 24-bits when in a 6-channel setup. You should not give a single hoot about these differences unless you’ve invested enough money into your home theater sound system to fund a small startup, but if that’s you, DTS-HD is worth pursuing.

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Dolby Atmos has strict requirements, while DTS:X adapts

Dolby Atmos has strict technical requirements that can make porting it from a theater to your home challenging. When installing a proper Dolby Atmos speaker setup, you need to mount some of them on the ceiling in order to properly hear the Z-axis of the spatial mix. You’ll need at least two and up to four top-mounted speakers for full height imaging. Soundbars with Atmos from companies like Samsung attempt to circumnavigate that requirement by firing some of their sound toward the ceiling and bouncing the audio waves back down to the listener. But as many have found out the hard way, this requires very flat ceilings without any lighting fixtures, and even then, it can disappoint because your soundbar doesn’t know how high your ceiling is. Ultimately, Dolby Atmos is the best choice for those who can invest in a fully custom multi-channel speaker arrangement configured to Dolby’s precise specifications.

DTS:X is contrastingly adaptable to your needs, partially because it runs on the multi-dimensional audio (MDA) open-source standard —despite itself being a proprietary format. Rather than requiring a specific configuration of speakers, it uses whatever you’re already working with and uses an automatic calibration process to map spatial objects within your existing speaker setup. Additionally, it is not as reliant on overhead sound, and can mix down to a 5.1 or 7.1 setup. This can make it a better choice for unconventionally shaped rooms or for those who cannot afford a full 7.1.4 system. It also theoretically supports unlimited audio objects compared to Atmos’s 128-object limit. While this all makes it sound like DTS:X is the no-brainer choice, we haven’t yet talked about compatibility.

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How many speakers do you need for Dolby and DTS formats?

We should briefly touch on speaker configurations, but in general, you can feel free to choose a number of speakers that makes the most sense for you. Both DTS and Dolby formats are highly configurable, though, as alluded to above, Dolby Atmos has relatively stringent requirements. Channel configurations are numerically represented as X.Y.Z, where X represents the number of primary speakers, Y stands for the number of subwoofers, and Z denotes top-mounted height channels. For example, 7.1.4 configurations have seven main speakers, one subwoofer, and four overhead speakers.

Dolby Digital, Digital Plus, and TrueHD are configurable with mono and stereo speakers, as well as 5.1 and 7.1-channel setups. The same goes for DTS and DTS-HD Master Audio.

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Dolby Atmos needs at least 3.1.2 channels, which is what you’ll get with most Atmos soundbars (covered below in more depth). For a full speaker array, the most common layouts are 5.1.2 and 7.1.4. However, Atmos is configurable up to a whopping 11.1.8 setup, which will map each object in the mix with maximum precision. There are many other supported speaker configurations for Atmos, so head to Dolby’s speaker setup guide page to see each of those options.

As mentioned above, DTS:X is channel-agnostic, and can adapt to any speaker arrangement you happen to have. If you want both Atmos and DTS:X, prioritize dialing in your perfect Atmos setup, then configure DTS:X after the fact.

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Soundbars, surround sound, and you

The technical differences between Dolby and DTS formats pertain mainly to multi-channel speaker setups. However, soundbars are far more popular, since you can simply plop them on your TV console and plug them into your HDMI port. Many soundbars market themselves as supporting Dolby and DTS formats, and there’s a solid chance you clicked on this article hoping to determine whether you’re actually getting the capabilities advertised on the box.

It is self-evidently impossible for a single soundbar to deliver the full-fat experience of being surrounded by speakers, especially when some are supposed to be overhead. Instead, most Dolby Atmos or DTS:X-capable soundbars have a number of drivers which point upward at an angle. In combination with an onboard processor, it blasts sound toward your ceiling, bouncing it back down toward you. It’s a clever workaround, but the spatial effect can be fragile.

Object-based audio from a soundbar with Dolby Atmos or DTS:X requires very flat ceilings without any lighting fixtures, and even then, it can disappoint because your soundbar doesn’t know how high your ceiling is. If your room has flat ceilings with an average height of around 12 feet and no lights or other fixtures to get in the way, soundbars can deliver much more impressive spatial audio than you might assume. But if you’ve got vaulted ceilings, ceiling fans, or hanging lamps, you’ll struggle to hear the immersive effect. Even a popcorn ceiling can cause the sound waves to disperse rather than reflecting back into your ear. If your room is suitable, position the soundbar so that nothing is above it to block the top-firing drivers, and position your couch the same distance from the soundbar as the soundbar is from the ceiling.

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Which surround sound format is best for you?

When it comes to choosing between DTS and Dolby formats, high-resolution physical formats like 4K Blu-Ray  often use Dolby Atmos mixing but sometimes use DTS:X. However, if you’re primarily streaming movies, you’ll be getting Dolby Atmos in most cases. With the exception of Disney+, which supports both formats, major streaming services have almost exclusively embraced Dolby Atmos. That includes Amazon Prime Video, Apple TV+, HBO Max, Netflix, and even Paramount+. In theaters, you’ll find Dolby Atmos in auditoriums with Dolby Cinema, versus Imax, which uses DTS sound for home video releases through its Imax Enhanced program (although Imax sound in theaters uses Imax’s proprietary audio format).

If you must choose for whatever reason, prioritize Dolby Atmos support in your audio setup for the broadest possible compatibility. The good news is that most consumers do not need to choose between Dolby and DTS formats. The vast majority of audio receivers and soundbars can handle both.

Ultimately, Dolby Atmos reigns supreme due to its hold over the industry. When assembled to Dolby’s specifications, Atmos can create a magical experience that makes you feel like you’re inside the action, but that illusion can quickly fall apart if you do not or cannot meet its exacting requirements. DTS:X has more limited support but can be much easier to adapt to your room and speaker configuration. 

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AYANEO Pocket MICRO 2 Brings Flagship Power to an Ultra Compact Retro Handheld

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AYANEO Pocket MICRO 2 Retro Handheld
AYANEO launched the Pocket MICRO 2 this morning and the first batch of pre-orders disappeared almost immediately from the company store. The new model keeps the horizontal compact shape that defined the original while adding a much stronger processor, a larger battery, refined controls, and active cooling. Those changes turn an already capable mini device into something that handles a broader range of emulation without forcing users to reach for a larger handheld.



AYANEO used the same premium metal body that gave the original Pocket Micro a solid feel. It measures 162 by 67.8 by 18 millimeters and weighs 248 grams. The controls showed the most noticeable improvement. Dual TMR joysticks are recessed into the body, making them less likely to grip onto fabric during transportation. Each stick has an RGB LED ring for visual feedback. Shoulder buttons now feature a split layout, with higher L2 and R2 triggers that distinguish them from the L1 and R1 pairs, reducing accidental pushes during extended sessions. The major face buttons have grown somewhat larger, with improved travel and tactility. Start and Select are located on the left, with an AYA quick-launch button and a home button on the right. The metal borders feature additional remappable keys, and the power button has a fingerprint sensor for quick unlocking.

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The screen is 3.5 inches and has a resolution of 960 by 640 in a 3:2 aspect ratio. Color coverage is 100 percent sRGB, and the panel supports smooth 4x integer scaling, which pixel-art purists appreciate. The biggest update is in performance, with Qualcomm’s Snapdragon 865 replacing the previous model’s Helio G99. According to AYANEO, this switch increases total performance by almost 220 percent. The upgrade enables smoother gameplay on PlayStation 2 and GameCube titles, as well as Dreamcast, PSP, and prior systems that the original handled well. Instead of allowing thermal throttling to ruin the experience, an active cooling fan helps to maintain higher clock speeds for longer gaming sessions.

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AYANEO Pocket MICRO 2 Retro Handheld Launch
The battery capacity rose to 3,950 mAh, a 52% increase over the original Pocket Micro. The larger battery, paired with a more efficient chipset and Android 13 optimization, enables longer charging times. USB-C supports Power Delivery (PD), which enables reasonably quick recharges when needed. A pair of chambered stereo speakers are used for audio, while an x-axis linear motor offers haptic feedback. A traditional 3.5 millimeter headphone jack is still present for private listening. Wi-Fi 6, Bluetooth 5.1, and a full-featured USB 3.1 Type-C connection are available for data transmission, charging, and video output. Storage starts at 128 GB or 256 GB, depending on the edition, and may be expanded using a microSD card slot. A gyroscope provides motion control capabilities to games and emulators that use it.

AYANEO Pocket MICRO 2 Retro Handheld Launch
The handheld is preinstalled with Android 13 and AYANEO’s custom UI layer, which includes quick settings and emulator-friendly shortcuts. Side buttons and remappable keys give users additional control over mapping frequently used functions without having to visit on-screen menus.

AYANEO Pocket MICRO 2 Retro Handheld Launch
Pricing begins at $239 for the early-bird 6GB RAM and 128GB storage option in Frosty White or Midnight Black. The 8GB RAM and 256GB storage variant started at $279 in the same colors. The Stardust Purple finish was only available on the higher-spec vehicle, but all models are $30 lower during pre-order than the eventual retail levels of $269 for the base configuration and $309 dollars for the enhanced variant.
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OpenAI mulls delaying IPO over valuation concerns

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CEO Sam Altman reportedly does not want OpenAI to be valued at less than $1trn at IPO.

OpenAI is reportedly mulling over delaying its initial public offering (IPO) to 2027, after a strong SpaceX debut was followed by a drop in share value.

The ChatGPT parent filed to go public earlier this month, but said that it could be a “while” before it ceases to be a private company. Sources told The New York Times (NYT) that the company was aiming for a debut in the third or the fourth quarter of this year.

SpaceX – which raised a record-breaking $85.7bn in its IPO listing this month – is considered to be a litmus test for giant AI businesses, as both industry and individual consumers continue to drive up demand for their services.

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AI search start-up Perplexity’s CEO recently warned of “ripple effects” if blockbuster IPOs of AI companies fail to meet expectations. The SpaceX IPO “will definitely be like a leading indicator to how Anthropic or OpenAI will go out,” he said.

Anthropic is expected to be valuated at more than $1trn following its debut, and OpenAI CEO Sam Altman reportedly wants the same for his AI start-up.

Advisers, however, have told Altman that an IPO in 2026 could value the company at less than $1trn, and instead offered the option of waiting until 2027, NYT reported yesterday (25 June).

One source said that any changes to the $1trn valuation was a “nonstarter” for the CEO. OpenAI was last valued at $852bn following a $122bn raise in late March.

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Concerns arose for OpenAI after a stellar SpaceX debut, which raised the Elon Musk company to a valuation of more than $1.7trn, was followed by a slump in shares. At their peak, SpaceX shares were valued at nearly $202 apiece, but have now dropped to $153 per share as of market close yesterday.

Prices have further dropped marginally in after-hours trading, but remain higher than its debut price of $135 a share.

Technology stocks are also tumbling over doubts around whether AI would make good on promised returns. Chip stocks, meanwhile, are gaining as businesses spend hundreds of billions on their AI stack to meet demand.

Despite hopes to be valued at more than $1trn, OpenAI is far from being profitable. The AI start-up made around $13bn in revenue last year and plans to spend about $600bn on computing capacity by 2030. It generates around $2bn in revenue a month.

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Sources told CNBC earlier this year that the company projects its total revenue for 2030 to be more than $280bn – around 20-times its 2025 earnings.

Meanwhile, after years of sharp growth in ChatGPT users, OpenAI finds its user base hovering around 900m.

Don’t miss out on the knowledge you need to succeed. Sign up for the Daily Brief, Silicon Republic’s digest of need-to-know sci-tech news.

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ETH Zurich’s New Pixel Design Lets Them Display and Detect Light Together

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ETH Zurich New Pixel Create Analyze
Researchers at ETH Zurich have built a pixel that handles two jobs in one small package. It can push out light to form images on a surface, while also taking in light and extracting detailed information about what it sees. No previous pixel has managed both tasks at the same time.


ETH Zurich New Pixel Create Analyze
Regular pixels have traditionally operated in isolation, with those in screens adjusting brightness and color to bring images to life and those in camera sensors simply soaking up light to record what they see. However, this new version combines those activities into a nice package. It all begins with a fundamental aspect of light: it travels in waves, and when those waves meet, they can either add to or cancel each other out, depending on the timing and direction. The ETH team takes advantage of this, carving small wave-like patterns onto the surface of a tiny chip with nanometer-level precision. These designs turn ordinary light into surface waves, which simply slide across the device before scattering again.

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To form an image, light must enter the carved portion of the pixel, causing a surface wave as it travels. The wave then bounces back out as conventional light from another location on the same pixel. The team can select the exact geometry of the pattern so that the outgoing waves overlap exactly. Bright spots form when the waves collide, whereas dark spots form when they cancel each other out. Fourier analysis, a fundamental mathematical tool, can then turn your chosen image into the precise pattern you need to carve in, with no trial and error required.

ETH Zurich New Pixel Create Analyze
This works equally well in reverse for sensing, as incoming light generates surface waves that mix with the chip’s existing continuous reference wave. The pattern generated by this is recorded, and the same math as previously tells you not only how bright the light is, but also when the peaks and valleys occur and in which direction the wave vibrates. Standard camera pixels cannot capture that level of detail.

They even conducted a test in which they built a miniature version of the ETH Zurich logo, a millimetre-tall letter E. They could even make it seem in different hues based on how they tested it, such as green one minute and red the next. Doctoral student Yannik Glauser pointed out that the pixels can shape and read polarization as well as brightness, while postdoctoral researcher Sander Vonk stated that the concept of interference works equally well in both cases. The Optical Materials Engineering Lab’s director, Professor David Norris, sees a wide range of practical applications for this light-related research.
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