This week’s Amazon Sunday is all about getting ahead on back-to-school supplies while summer is still very much happening. I’m soaking up the last of it, but the first day always has a way of sneaking up right behind me. The idea is to have the necessities prepped and ready to go now, so that when the morning actually comes, the only thing left to think about is packing lunch.

I pulled together the pieces that make the transition feel easier, from a lunchbox that keeps everything fresh to craft supplies and notebooks. Then all the things that keep routines organized, like a label maker, family calendar, and a restock on my favorite stain treater.

Browse the full selection below, and explore more in our JB Amazon Shop and Amazon Storefront, refreshed weekly. 

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Not exciting, but: one of the things I stock up on every year in the Nordstrom sale is their line of Caslon T-shirts. I prefer the wider U neck of the past, but I like the V-necks too — they’re incredibly soft, and the way the edges have a double layer gives a slight bit of interest to the tee.

I normally load up on black and navy, but couldn’t stop myself from grabbing this pretty burgundy also. I feel like the NAS has certain “colors” every year that they ask designers to work within; this year burgundy, browns, and dark teals are everywhere. This is one of my favorite iterations of the burgundy.

The T-shirt is $16 during the sale; it will be $24 after the sale (but is often down to $19 in regular sales, but it’s harder to find the prettier colors like this one in all the sizes on sale). It’s also available in plus sizes and in a crew neck.

Psst: readers also historically have stocked up these panties, this bra, and this bra.

Sales of note for 7/15:

• Nordstrom – The Anniversary Sale has started! Here’s our big roundup of what to get first, as well as everything we’ve selected thus far.
• Ann Taylor – Semi-annual sale, 60% off sale and 40% off everything — readers love this blouse and I always love the variety of colors/textures for this jacket (it’s a great separate)
• Banana Republic – Summer sale up to 60% off sale styles + extra 20% off
• The Fold – Up to 50% off, further markdowns
• J.Crew – 50% off select cashmere
• J.Crew Factory – 60% off clearance
• Lo & Sons – Summer sale, up to 50% off
• Lululemon – Summer sale!
• Me & Em – Sale! Up to 60% off (new lines just added)
• M.M.LaFleur – 25% off jardigans (Try code CORPORETTE15 for 15% off on other items)
• Nordstrom Rack – Clear the rack, extra 25% off clearance! Nice selection of Vince, Veronica Beard, Reiss and Rag & Bone, a ton of affordable work dresses from Calvin Klein, Maggy London, Eliza J, and Donna Morgan
• Talbots – Red Door Sale! Prices start at $15

This post may contain affiliate links and Corporette® may earn commissions for purchases made through links in this post. As an Amazon Associate, I earn from qualifying purchases.

• Harper’s Bazaar featured the red carpet looks from the Espy Awards.
• In The New Yorker, Jia Tolentino declared, “As cosmetic procedures become both more invisible and more extreme, our connection to reality is fraying.”
• The New York Times [gift link] noted that start-ups are paying white-collar professionals to teach their jobs to AI models.
• The Wall Street Journal [gift link] shared that companies are digging deeper than ever into workers’ internet histories before — and after — hiring.
• Harvard Business Review reported on a new study that found that how quickly job candidates reply to messages strongly influences hiring decisions.
• CNN reported that shredded iceberg lettuce sold at some Taco Bell restaurants has been linked to an outbreak of cyclosporiasis in five states.
• Military Times reported on a study that found that women who completed Army Ranger School generally experienced fewer physiological disruptions than their male counterparts during the prolonged physical stress, sleep deprivation, and calorie restriction.
• The Washington Post [gift link] observed, “All the cool girls want chic courthouse weddings.”
• Your Laugh (?) of the Week comes from The Onion, with a story about the smoke spreading from Canadian wildfires.

Noteworthy Threadjacks This Week…

Some of our latest threadjacks include:

On CorporetteMoms Recently…

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Wedding fashion has genuinely never been more interesting to follow. Traditional gowns aren’t going anywhere, plenty of brides still love them, and honestly, why wouldn’t they? But a growing number of women are showing up to their own weddings in something else entirely. Jumpsuits. Tailored suits. Separates. Looks that feel like them rather than a version of what a bride is “supposed” to look like.

It’s a real shift. The range of bridal outfits people are actually wearing now, at ceremonies, receptions, city hall appointments, destination weekends, is wider than it’s ever been. And for brides who’ve never felt particularly drawn to a traditional gown, that’s genuinely exciting.

Why Brides Are Looking Beyond Traditional Wedding Dresses

A lot of modern weddings are built around the couple’s personality rather than a checklist of conventions. People are asking what they actually want from the day, and that question naturally extends to what they wear.

For some brides, a classic gown is the obvious answer. It’s what they’ve always pictured, and that’s completely valid. But for others, pulling on a beautifully cut suit or a sleek jumpsuit just feels more honest. More like them. When your everyday wardrobe leans tailored or minimal or frankly just not very “bridal,” it can feel strange to abandon that on the one day everyone’s looking at you.

Designers have noticed. Stylists have noticed. The whole industry has started rethinking what the category even means.

The Growing Popularity of Bridal Jumpsuits

Jumpsuits have genuinely taken off, and it’s not hard to see why. They look sharp. They’re comfortable. And they hold up across a long wedding day in a way that some formal gowns simply don’t.

Think about what a wedding actually involves, hours of standing around, hugging people, eating, dancing, probably crying a little. A jumpsuit moves with you through all of it. There’s no train to manage, no layers to deal with when you need the bathroom, no silhouette that makes sitting through a four-course dinner quietly miserable.

They also photograph really well. Clean lines, a strong silhouette, a look that feels current without trying too hard. Whether you go for something minimal or add drama through sleeves or statement jewelry, the result tends to be striking in pictures.

Why Bridal Suits Are Having a Moment

Suits have their own appeal, and it’s a little different from the jumpsuit thing. There’s a confidence to a well-fitted suit, something almost architectural about how it sits on the body. A lot of brides find that energy really appealing.

Part of the draw is the flexibility. Separates let you mix and match in ways a one-piece outfit can’t. A tailored blazer over a silk camisole reads completely differently than the same blazer over a corset top. You can push the look toward soft and romantic or keep it sharp and minimal depending on what feels right.

Broader fashion has helped too. Tailoring has been everywhere in recent collections, so suits feel very much of the moment, without feeling costumey or like you’re making a statement for the sake of it.

Perfect for City Hall and Civil Ceremonies

If there’s one context where jumpsuits and suits feel especially at home, it’s city hall or civil ceremony weddings. These celebrations tend to be more intimate, more personal, and less bound by the visual language of traditional weddings.

Something tailored just fits that vibe. It’s occasion-appropriate without being over the top. It reads as intentional without screaming “formal event.” And practically speaking, the cleaner silhouettes tend to work really well in urban settings, against interesting architecture, on rooftops, in the kinds of spots that make for genuinely great photos.

A Practical Option for Destination Weddings

Getting married somewhere far from home adds a logistical layer to everything, including the outfit question. Packing a traditional gown involves garment bags, careful folding, anxiety about wrinkles, and hoping the airline doesn’t lose your luggage.

Jumpsuits and suits are just easier to travel with. Many styles fold up without drama and arrive looking fine. That’s not a small thing when you’re already coordinating flights and accommodations and a wedding.

They’re also adaptable to different climates. Lightweight fabrics work well for beach settings. More structured pieces suit a formal estate or a luxury hotel. For multi-day celebrations, having versatile pieces makes building out a wardrobe feel manageable rather than overwhelming.

The Appeal of Modern Minimalism

Minimalism has had a strong grip on bridal style for a while now, and jumpsuits and suits fit squarely into that world. The focus shifts from embellishment to craft, good tailoring, quality fabric, a silhouette that works because of how it’s cut rather than how much is happening on the surface.

There’s a longevity to that approach. A minimal look doesn’t date the way a heavily trendy one can. And because the outfit itself is doing less visual work, your accessories, shoes, jewelry, and hair choices matter more, which a lot of brides find fun rather than stressful.

Ideal for Outfit Changes

More brides are wearing two (or more) outfits on their wedding day, and honestly, the logic makes sense. A suit or jumpsuit is a natural second look, you can spend the ceremony in a gown, then change into something easier to actually move in for the reception.

Dancing in a fitted jumpsuit is just different than dancing in a full skirt. Socializing is easier. The evening part of the night tends to feel more relaxed. A lot of brides find that having that transition point gives the day a natural shift in energy, which ends up being one of their favorite parts of the whole thing.

Redefining What Bridal Fashion Can Be

The jumpsuit and suit trend is really just a symptom of something bigger. Brides today are less interested in meeting expectations and more interested in getting dressed in something they actually love. That sounds simple, but it represents a genuine change in how the whole category works.

There’s no single silhouette that defines bridal anymore. A white trouser suit is bridal. A black tuxedo jumpsuit is bridal. Something your grandmother would never have considered is bridal, if that’s what you showed up in. Whether you go sleek and minimal or dramatic and structured, modern wedding style is expanding to make room for all of it, and for brides who’ve been waiting for permission to do something different, that permission is well and truly here.

HADERLUMP, FRUCHE, GMBH, REBEKKA RUETZ, KOLYA BOGATYREV, MARIUSZ PRZYBYLSKI, KASIA KUCHARSKA, MILK OF LIME, MARIE-LOUISE MULLER, ANDREJ GRONAU, KOLYA BOGATYREV and DAGGER

Gritty Berlin Saw a Mix of Edgy, Forward-Thinking Fashion vs. Retro Nostalgia, with Avant-Garde Creations, Grunge, Goth and Fifties Glam Jostling for Top Position.

At Kolya Bogatyrev

Image Credit Berlin Fashion Week

ACHTUNG! ACHTUNG! It was a week of ultra-progressive fashion in gritty, architectural Berlin.

Berlin Fashion Week pulled off yet another all-out performance at the start of July 2026, asserting itself as a globally-minded fashion capital that never fails to deep-dive into unchartered waters, always fiercely creative and experimental.

Experienced designers (the likes of Haderlump and Rebbeka Ruetz), and up-and-coming creatives confidently told their stories via presentations, installations or on the runway.

As for trends, we spotted collections that ranged from avant-garde to Goth, grunge to sporty, tongue-in-cheek playful to gritty, edgy street-fashion. As a rule of thumb, comfort overrode restrictiveness, and easy, slouchy, fluid garments like baggy jeans sneaked into many collections. Yay to that!

Texture, which ranged from simple pleating to knits and crochet and everything tactile in between, was another key trend for SS 2027. Upcycling was spotted not only in new designers’ offerings, but also graced the runways of established brands like that of Rebekka Ruetz.

As for palette – the world (of colour) was our oyster! For every predominantly dark to black range (Haderlump, Rebekka Ruetz, GmbH, etc) there were joyously bright, sunny pastels and primary colours as antithesis: Dagger, Fruche, Kasia Kucharska and Marie-Louise Muller amongst others offered vibrant and deliciously tactile alternative to the starkness.

So, drape that layered tank top over your baggy jeans, add a retro waist belt and join us in our quest for the most memorable brands in a week of forward-thinking fashion.

FRUCHE

What do you get when you mix the nostalgia of your old school uniform with concepts like body image and sculpture? A range that unabashedly celebrates individual differences and self-acceptance. With a glorious avant-garde twist, we may add.

The old white school shirt gets a new lease of life, as does the gingham school skirt and blazer. The concepts of ‘identity’, ‘self-consciousness’ and ‘memory’ are teased out and explored, and translated into fabric that supports, flatters, sometimes covers and sometimes exposes the body.

School uniforms (in Nigeria, which is the reference point for designer Frank Aghuno) created a sense of comfort and belonging. Gingham, used allover Nigeria for school uniforms, was the obvious fabric of choice for this endearing collection.

The silhouettes are deliberately asymmetrical, drawing attention to various body points. It rejects the notion of perfection – in truth knock knees, scars, bumps and figure disproportions are celebrated.

The wearer of the Fruche collection is encouraged to make the most of their assets – nobody, after all, is perfect, and isn’t beauty in the eye of the beholder anyway? We can only give a big thumbs up to that.

At Fruche

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REBEKKA RUETZ

Rebekka Ruetz delivered a yin & yang collection that’s reminiscent of the many and varied dualities in life: good or evil, black or white, skin-tight or voluminous, gloomy or bright, pressure or relief.

The garments were evidently constructed as food for thought. Take for example the striking ‘Cruella de Ville’ coat – white on the right side and black on the left, begging the question, which side do you identify with today?

The collection is aptly entitled Petrichor: the moment after the first rain, with the earth smelling fresh and sensual after intense heat. The colour palette mirrored this smell and earthy feeling: midnight black, chalky white, pearl beige, sandstone, clay ochre and moss green. One can literally smell the first rains on the earth!

The silhouettes are minimalist and avant-garde, sharp and precise. Sculptural corsets, short boxy jackets, mini tunic and maxi skirt ensembles in obviously contrasting textiles (transparent knits vs. dense leather, for example) further underscore the theme of ‘duality’.

(Ps: the beige-piped leather trench may just be the Garment of the Week, we think…)

At Rebekka Ruetz

At Rebekka Ruetz

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HADERLUMP

Haderlump’s SS 2027 collection was an ode to the poetry of forgotten things, quite fittingly held in an old vintage furniture warehouse, full of history, amid the stifling July heat.

It was also a ballad to the very personal ritual of rediscovering things, of human memory.

Each piece of clothing told the stories of bygone days, of finding a treasure trove of forgotten garments in the attic, of trying things on while trying to imagine who they were for, what they were for.

Draping and pleating were used to create cinched waists and hour-glass silhouettes.

Pieces of tweed asymmetrically twisted around the body were reminiscent of the attire of characters in ancient story-books. The ensembles looked monastic and sparse, yet always emotive and inviting.

Every garment was used as a piece of storytelling, left to the imagination and interpretation of the viewer/wearer. With an open invitation: wear this and become part of the epic Haderlump story.

At Haderlump

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GMBH

To mark their 10^th anniversary, GmbH glanced back at their founding story, inspired at the time by Berlin fashion in the 1920s. This period boasted a flourishing fashion and textile industry – until it came crashing down because of the war.

The designers took inspiration from these glory years of Berlin fashion, and interjected their own design flavour into this: dramatic collars on tailored jacket and coats and flowing trousers all pay homage to a bygone era – but with a modern twist. Floaty skirts, tuxedo jackets, Ugg boots and even a surf wear top got incorporated into this heady, eclectic GmbH mix.

A brand that looked towards Berlin’s past, present and future was most certainly a befitting collection to close Berlin Fashion Week.

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KOLYA BOGATYREV

The magic of Kolya Bogatyrev‘s creative process is that it takes everyday garments, deconstructs them, then reassembles them in a way that gives them a totally new energy, feeling and purpose.

Whether these are old shirts, ties or blazers, they get reshaped into exciting new pieces, without losing their historic sense of purpose, ensuring history is preserved rather than deleted.

Uniforms, skirts, shirts, jackets and neckties become asymmetrical, sculptural pieces of avant-garde fashion, still recognizable for what they were, but now with a new lease of life.

Take for example Kolya Bogatyrev’s treatment of a skirt: the traditional outer was cropped to resemble a peplum, with the petticoat becoming the main player – ingenious!

What’s not to love about a process this thoughtful and endearing?

At Kolya Bogatyrev

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At Kolya Bogatyrev

MARIUSZ PRZYBYLSKI

Perhaps Mariusz Przybylski’s superpower lies in the fact that he can effortlessly magic up sculptural volume by skilfully deconstructing ensembles: for example, a jacket becomes a skirt with pockets, tied around the waist.

Similarly he changes the dynamics of a garment by cleverly omitting part of its traditional shape – case in point being the striking, asymmetrical, sleeveless tuxedo jacket.

The designer’s ability to colour-block is also a great asset: the combinations of blood-red and peppermint green, and baby pink, slate grey and white are most inspiring.

At Mariusz Przybylsk

At Mariusz Przybylski

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MILK OF LIME

If ever there was a poetic collection in every respect, this one by Milk of Lime is it.

Dreamy shades of sky-blue, ash grey and cream in luxurious fabrics are juxtaposed with contrasting black and charcoal.

The draped pyjama-like loungewear looks lived-in, and a gauzy transparent makeshift corset tells an epic tale of poetry in motion. Texture is added by means of intricate leather belts, earthy necklaces and stringy ties.

This collection – sombre in places, yet always beautiful – most certainly gets one thinking.

At Milk of Lime

At Milk of Lime

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KASIA KUCHARSKA

Texture, texture, texture is what this live installation by Kasia Kucharska is all about.

She uses biodegradable latex to transform garments as we know them and fabrics as we know them, into an illusion. Denim is no longer denim (although the colour gives us a clue), a trench coat is no longer a trench coat, a simple white T-shirt is no longer just a simple white T-shirt…

Says the designer, “I wanted to explore this illusion more closely. On the surface, things appear a certain way, but behind that façade, they are something else.” It is this “something else” that Kasia Kucharska applies her magic. She certainly pushes the boundaries between stability and fragility in textiles, silhouettes and shades.

This is a memorable offering of touchy-feely pieces that stood out as exceptional in a week of boundless creativity.

At Kasia Kucharska

At Kasia Kucharska

At Kasia Kucharska

MARIE-LOUISE MULLER

Crochet never looked more covetable than in Marie-Louise Muller’s collection called Escapist Garden.

This is a collection of pure handwork – every tassel, every 3-D petal, every fringe was testimony to craftsmanship and the labour of love that is the Escapist Garden. Each piece evoked a childhood memory inside the safety and fun of a familiar garden of one’s youth.

These pieces are literally wearable poetry, with much care taken to create a sense of intimacy and warmth.

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ANDREJ GRONAU

Minimalist, animated shapes in simple colours are the backbone to this cute collection by Andrej Gronau.

The designer drew his inspiration from a familiar garden, as well as the work of artist Francis Bacon.

Bold, abstract designs – often superimposed on a plain leather tunic, worked a treat to showcase the simple and minimalist shapes of the fauna and flora. Raspberry red, sunshine yellow, green and purple were either used as a mono-block colour, or ingeniously mixed and matched in grunge-like fashion.

It’s fun, it’s ultra-wearable, and you’ve probably got something in your wardrobe that will complement any of these pieces.

At Andrej Gronau

At Andrej Gronau

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DAGGER

A sense of retro nostalgia characterised this offering by designer Luke Raine for Dagger.

The spirit of the 2000s, in particular, is what Lifestyles of the Bored and Disenfranchised

Portrays.

The clothes and the way they were styled, captured the awkwardness, rebellious spirit and freedom that defined being a teenager in the 2000s. The collection doesn’t seem to romanticise this time, rather it lays open the coming of age moments of a first kiss, first cigarette, first job packing crates in a supermarket or being crowned local beauty queen.

This collection is nostalgic, yes, but it’s also cleverly composed and brilliantly styled. How to be the cool kid you weren’t as a teenager? Simple: just copy the looks from the runway and there’s no way you can go wrong. Relive those years!

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For decades, the celebrity stylist was the ultimate industry ghostwriter, the invisible hand behind every iconic red carpet moment. Their names were whispered in fashion circles and printed in tiny font in magazine credits. But the curtain has been pulled back. The most influential stylists are no longer content to remain behind the scenes. They are stepping into the spotlight, and their stage of choice is YouTube.

This digital migration from backstage to center screen is reshaping what it means to be a stylist. They are transforming their industry expertise into powerful personal brands, and in doing so, rewriting the rules of success in the fashion world.

Why YouTube Is the New Digital Runway

So, what’s driving this shift from curating closets to creating content? While Instagram is perfect for showcasing a finished look, YouTube offers something far more valuable: depth. The platform allows stylists to peel back the layers of their craft, share their personality, and connect with an audience on a much deeper level. It’s a space where they control their own narrative entirely, something no agency booking or magazine credit ever offered. On a platform where subscriber count shapes how content gets surfaced, choosing to buy subscribers from Views4You sits alongside SEO tagging and thumbnail testing as one of several tools creators weigh when mapping out a launch strategy. By building a channel, they are creating an asset, a direct line to a community that values their taste and expertise, opening up new revenue streams, from sponsorships to their own product lines.

From Curation to Content Creation

Starting a channel is one thing; sustaining one is another. The savviest stylists aren’t just uploading random videos. They follow a content strategy that blends entertainment with education, building a loyal following one video at a time. Here’s what that looks like in practice.

Authenticity as the Ultimate Accessory

The most successful channels thrive on personality. Viewers don’t just want to see the clothes; they want to know the person choosing them. Stylists like Law Roach have mastered this by sharing candid opinions, unfiltered stories, and a genuine passion for fashion. This authenticity creates a powerful bond with the audience, making them feel like they are part of an exclusive club. It’s a move away from the hyper-polished perfection of other platforms and a step toward relatable, human connection.

Educational Content and Behind-the-Scenes Access

What’s the secret to dressing an A-lister for the Met Gala? How do you properly style a simple white t-shirt? These are the questions fashion lovers want answered, and stylists are using YouTube to address them. Tutorials, look breakdowns, and Q&A sessions position them as trusted educators, solidifying their authority while sharing craft knowledge that was once treated as proprietary.

Strategic Collaborations and Community Building

A channel without community is just a library. Successful stylist-creators know this, which is why they invest in engagement as much as content. They respond to comments, spotlight emerging talents, and produce work that invites conversation rather than passive consumption. Studies on the creator economy show that over 85% of successful influencers prioritize niche audience engagement, recognizing that a lasting channel is less about raw numbers and more about cultivating people who genuinely trust their perspective.

The Stylists Leading the Charge

Several names stand out as real-world proof of this shift, each with a distinct approach to their YouTube presence.

One of the most prominent examples is Law Roach. After his dramatic retirement from celebrity styling, his YouTube channel became his primary platform. Here, he reviews runway shows, shares iconic stories from his career, and delivers his unfiltered take on an industry he helped shape. What makes his channel work is not production value but point of view, a reminder that the most compelling content often comes from someone who has nothing left to prove.

Then there’s Karla Welch, stylist to stars like Justin Bieber and Tracee Ellis Ross. Her channel is less about industry gossip and more about practical, accessible style. She offers viewers concrete advice they can apply to their own wardrobes, from styling basics to shopping tips, making her a reliable reference point for everyday fashion. Where other stylists lean into celebrity proximity, Welch leans into usefulness, and that distinction has earned her a loyal, returning audience.

By staking a claim on YouTube, these stylists are doing something no red carpet appearance can offer: building an audience that belongs entirely to them. Their influence no longer depends on a famous client or a magazine editor’s approval. The work speaks for itself, and for the first time, so do they.

Frequently Asked Questions

Do You Need Celebrity Clients for a Fashion Channel

Absolutely not. The most important element is a unique point of view. Your channel can be about sustainable fashion, thrifting, a specific aesthetic, or style for a particular body type. Authenticity and a clear niche are far more valuable than a famous client list.

How Do Stylists Find Time for YouTube Content

Many successful creators rely on smart production habits. Chief among them is batching (filming multiple videos in one session), paired with a lean team to handle editing and post-production. Repurposing content across platforms is another common technique that keeps output consistent without doubling the workload.

The Main Business Benefit of Being on YouTube

The primary benefit is brand ownership. A YouTube channel diversifies income streams beyond client work, opening doors to brand sponsorships, affiliate marketing, and even the launch of their own products or styling courses. It gives them a platform they control completely.

Is It Too Late to Start a Style Channel on YouTube

The window isn’t closed, but it’s narrower. Success today depends on specificity. Rather than a general fashion channel, a tighter focus, like vintage designer handbag restoration or corporate style for creatives, gives you a real shot at standing out.