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Enjoy cinematic sound on a budget

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Although there are plenty of premium soundbars available to buy, and the very concept was,at one point, an expensive accessory that only a few home theatre enthusiasts could enjoy, it’s now possible to pick up a soundbar with a budget price tag attached. Even if you only have around £100 / $100 to spend, you can still find a soundbar to elevate your TV’s audio, and thanks to the hard work of our tech experts, we know which ones are best to buy.

Even though soundbars have been around for quite some time, and we’ve honestly tested more than we care to count, there’s a good chance that you might be someone who’s looking to buy their very first soundbar, and in which case it’s worth covering the basics before we move on to the options that our team recommend.

As TVs have only gotten slimmer over the years, this has usually come at the expense of built-in speakers as there’s only so much sound quality you can derive when there isn’t a lot of space available. Soundbars offer a return to form, acting as dedicated speakers that can focus on delivering amazing audio, whilst your TV works solely on the visual side of things.

If you care about good audio quality even a little bit then we can’t recommend soundbars enough. They’re fantastic for everything from elevating vocals so that you can actually hear what characters are saying, to delivering powerful bass that makes action scenes even more intense. Regardless of how much a soundbar costs, we put them all through a series of rigorous tests to see how they perform across multiple use cases.

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You can read about our testing process in greater detail below, or skip ahead to get straight to our current recommendations for soundbars that don’t break the bank. If you decide that you’d rather save up and go with a brand that costs a little more then you can find more premium options in our round-up for the best soundbars overall. Similarly, anyone wanting to do a full visual/audio upgrade in one go can also check out the best TVs.

Best cheap soundbar at a glance

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How we test soundbars

Soundbars were created to boost TV sound quality – which means we end up watching a lot of TV. We play everything – news reports for voices, movies for scale and effects steering – to ensure that the soundbars that come through the doors at Trusted Reviews are given a proper challenge. We’ll play different genres of music, too, since a good soundbar should be capable of doubling-up as a great music system.

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More complex soundbars feature network functionality for hooking up to other speakers and playing music around the home, so we test for connectivity issues and ease of use. We cover the spectrum of models available, everything from cheap soundbars costing less than £100/$100 to those over £1000/$1000, to ensure our reviews benefit from our extensive market knowledge. Every product is compared to similarly priced rivals, too.

  • Great with movies and music

  • Well-integrated bass

  • Low-profile and well-made cabinet

  • Exceptional value

  • Easy setup

When it comes to budget soundbars, the one that’s been the top of our list for several years is the Wharfedale Vista 200S. It’s been on the market since around 2019, and while the price has fluctuated, you can get it now for a reasonable price..

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The design is one we found attractive in appearance while the build quality is durable. The black finish and glossy top surface doesn’t scream cheap, and with a width of 900mm, it’s made to partner TVs up to 65-inches in size. Its slim form factor also means you won’t be living in fear of the soundbar blocking the picture.

In terms of features, There’s not much aside from its active wireless subwoofer. If you want wireless connectivity, you’d be better off seeking the smaller but slightly more expensive Sonos Ray. There are three preset EQ settings for media playback in Movies, Music and News to optimise the soundbar’s sound for those types of content.

Our reviewer found the sound was especially good, with the 200S putting in a great performance across the frequency range with a top-end that didn’t suffer from a lack of detail along with some punchy bass. We also observed the Vista 200S could get loud without sounding harsh or compressed due to its 120W of built-in amplification. It dealt with dialogue well, even without a dedicated centre channel, and if you’re interested in playing music, then it delivers on a smooth and clear performance.

Alternatives around this price include the Sharp HT-SBW202 and the Yamaha SR-C30A, but even after a few years, we haven’t heard a rival that offers as much performance-per-pound at this price as the Wharfedale.

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  • Clean and powerful TV audio

  • Surprising amount of bass

  • Wide soundstage

  • Optional surround sound

  • Remote setup can be fiddly

  • Better at TV than music

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If you’re looking for a compact and affordable soundbar, the Sonos Ray is our top pick. Designed to make non-HDMI TVs sound better, the Ray is smaller and has fewer features than other Sonos soundbars, but that doesn’t mean it doesn’t offer powerful sound.

The Sonos Ray has a thin and compact design with curved ends forming a lozenge shape and the option of a black or white finish. The Ray is only slightly smaller than the Sonos Beam at 71 x 559 x 95mm and, like the Polk Signa S4, pairs well with TVs that measure up to 55-inches. You can choose to sit the soundbar in front of your TV, mount it on a wall or event place it in an open cabinet if it’s big enough to accomodate.

The Ray doesn’t come with an HDMI port, sticking with just an optical S/PDIF input and providing a cable in the box. There are touch controls on top of the soundbar for controlling playback, skipping tracks, and adjusting the volume.

The setup is quick and the Trueplay configuration allows you to tune the soundbar to your room. The Ray has an IR input, so you can tune it to use your TV’s remote to control the volume.

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Then there’s the app, which makes it easy to connect and disconnect from rooms with multiroom support, as well as play music from Spotify, Apple Music, Tidal, Deezer or via AirPlay 2.

There’s no Dolby Atmos audio but Dolby Digital still sounds great, albeit not as clean and detailed. There’s also no microphone for voice commands. You can set up skills and control the soundbar with your favourite voice assistant, but you’ll need a separate smart speaker to do so.

Despite its small size, the Sonos Ray has a surprisingly wide soundscape, offering a clear improvement over the audio from the TV we had paired it with. The Speech Enhancement setting boosts voices, and there’s a Night Sound feature for boosting quiet sounds and limiting loud sounds later in the evening. The bass is effective too, though not as room-shattering as the Sonos Arc’s bass response.

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  • Great bass

  • Customisable RGB lighting

  • Razer Synapse companion app

  • Full and warm sound during music and gaming

  • Subwoofer too large for a desk

  • Lack of ports

  • Bluetooth audio is less reliable

The Razer Leviathan V2 is our top affordable gaming soundbar, delivering great audio whether you’re gaming or listening to music.

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The Leviathan V2 is one of the more toned-down devices we’ve tested from Razer. Both the soundbar and subwoofer sport a matte black finish, with the latter also free of any RGB lighting or other effects. The soundbar is small and slim, fitting snuggling under a monitor for a clean look, though you may need to place the subwoofer under your desk depending on the size of your furniture.

The soundbar feels sturdy and comes with another set of feet for tilting it upwards, but the port selection is lacking. Razer removed the 3.5mm input found on its predecessor, leaving just USB-C and Bluetooth. There’s also a simple selection of buttons, including power, volume, source, and Bluetooth.

18-zone custom RGB lighting lets you customise the soundbar to fit the rest of your gaming setup, as well as match the cues in games and songs. There’s a range of audio presets in the Razer Synapse app, with custom settings for music and gaming, as well as a Bass Boost mode and THX Spatial Audio support to give the sound a more immersive feel.

The audio quality is warm and balanced with an emphasis on bass that feels perfect for FPS games. The sound can easily fill a room, with THX Spatial Audio creating an immersive soundstage, despite not quite being as accurate as Dolby Atmos. Even slower games like Stardew Valley are enhanced with this soundbar, as details are given more clarity and attention.

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We found that the wired connection was stronger than Bluetooth, offering better clarity and depth than the wireless connection, though we still appreciated the inclusion of Bluetooth as an option.

  • Huge, open movie soundstage

  • Punchy and detailed music

  • Controlled, well-timed bass

  • Fine build

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  • Front soundstage can feel restrained

  • Menu scrolling/selection is fiddly

  • No Wi-Fi or streaming platforms

Yes, before you say anything, £549.99 is lot more to fork out than most options on the list, but the reason why we’ve included the Sharp HT-SBW55121 is that in the context of what surround sound systems cost, that price is actually something of a bargain. Of course, you can ignore this completely if it doesn’t fit your budget, but if you are tempted by the idea of having a sphere of sound envelope you then this is the one to go for.

As part of the Sharp HT-SBW55121, you’re getting a soundbar, a subwoofer and two surround speakers, all of which combine to provide 7.1.4 channels of immersive audio. It’s the type of soundscape that really does make it feel like you’ve travelled to your local cinema as everything happening onscreen takes on a more three-dimensional depth that puts you in the centre of it all.

There’s full support for Dolby Atmos and DTS:X so you get to enjoy the audio of your favourite movies to the exact specification that the filmmakers want you to hear it in. While it’s always nice to actually travel to the cinema and enjoy the big screen experience, if there isn’t one local to you or you just don’t have the time, then this helps you to recreate that experience from the comfort of your own living room.

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Because there are two HDMI ports on the soundbar, you can hook up more than just your TV, giving you lossless audio if you want to connect a Blu-ray player or games console. It’s also worth mentioning that with presets for different use-cases, including voice, sport and movie, you can adjust the audio to suit what you’re watching.

Of course, because this is a more budget-friendly option compared to what some surround sound systems cost, there are a few compromises to be had. There’s no Wi-Fi connectivity or app control which limits your ability to use the set-up for music or audiobooks, for those moments when you don’t feel like watching TV.

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  • Expansive Atmos performance

  • Good bass extension

  • Clear dialogue channel

  • Great price

  • Front-heavy delivery

  • No DTS support

  • No expansion options

The Polk Signa S4 is our favourite cheap Dolby Atmos soundbar, delivering deep bass and immersive audio at an affordable price.

The Signa S4 has a similar design to Polk’s other soundbars with its simple rectangular shape and black fabric finish blending into its surroundings. The subwoofer is also matte black, sitting on larger feet.

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Like the Sonos Ray, the Polk Signa S4 is intended to be paired with medium-sized TVs up to 55-inches either standing or wall mounted, with the soundbar measuring 1046 x 60 x 95mm. The subwoofer measures 200 x 280 x 328mm.

You can find basic controls on top of the soundbar, with more options on the small remote that comes in the box.

The Signa S4 uses a 3.1.2-channel system to deliver Dolby Atmos, with additional support for Dolby Digital, Dolby Digital Plus and Dolby TrueHD. The soundbar can also decode PCM, but there is no support for DTS formats.

Connectivity is based around a single HDMI port that supports eARC, allowing lossless audio to be sent back from supporting TVs. There’s also an optical digital input, a 3.5mm analogue auxiliary input, and wireless support with Bluetooth.

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Other key features include Polk’s VoiceAdjust to keep dialogue clear and precise, and three sound modes – Movies, Music, and Night.

Sound-wide, the Signa S4 is a good all-round performer that produces a decent front soundstage with a solid foundation of bass. The delivery is smooth, with a clean treble and well-defined midrange, while the upward-firing speakers are effective at generating the front overhead channels and the well-integrated subwoofer adds plenty of low-frequency impact to create a genuine sense of scale.

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  • Clear, detailed sound with decent bass

  • Decent with music

  • Neat and tidy design

  • Impressive SuperWide feature

  • Odd volume issues with sources

Although you might think that bigger is better when it comes to soundbars, the end result doesn’t always go that way, as the Creative Stage Pro proves. If you’re someone who doesn’t have much space to work with then this is the soundbar to go for, as it can accommodate what little space you have and still provide a top-notch audio experience for a reasonable price.

When diving into a viewing of Civil War on 4K Blu-ray, we were blown away by how cinematic the whole thing felt, especially with how well the Stage Pro could deliver clear and audible dialogue. This isn’t always a given on more budget-friendly soundbars, so if you’re sick of having to constantly turn up the volume or switch on the subtitles, then you’ll appreciate what the Stage Pro can do.

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Even though the vocals come across clearly, the Stage Pro doesn’t leave you wanting when it comes to the lower end. With a dedicated subwoofer in tow, the Stage Pro is capable of delivering bass with a heavy rumble. If you’re winding down with a classic action film then you’ll feel the difference the moment the movie shifts into a car chase or firefight.

Going one step further is the inclusion of SuperWide mode, which is capable of projecting the sound at a further distance away from the TV, effectively making you feel as if you’re being enveloped by surround sound. It’s a neat trick that could have easily been a gimmick on a lesser device, but it performs well here.

For when you don’t feel like watching a show or a film, there’s Bluetooth connectivity to enjoy some music via your smartphone. Of course, it’s also worth mentioning that because of its compact size, PC gamers could place the Creative Stage Pro soundbar on their desk for a more immersive experience than the built-in speakers of their laptop or monitor.

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  • Great TV audio lift

  • Lends movies scale

  • Balanced music playback

  • Solid, ergonomic build

  • Boomy bass under stress

  • No HDMI ARC

As much as we love the Creative Stage Pro for being a great soundbar/subwoofer combo to those on a budget, if you’re happy to sacrifice just a bit of efficiency at higher volumes in return for a similar combo that’s slimmer and better placed to work with limited space around your TV or even at your desk, then the Majority Bowfell Plus is hard to argue with.

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At just 38cm, the Majority Bowfell Plus soundbar can comfortably fit below a TV and feel as if it’s not taking up that much space at all, so if you have a 48-inch TV or something that’s older and potentially even smaller, then this is a great option to have. Unlike the subwoofer of the Creative Stage Pro, the one included here isn’t quite as stout, taking on a slim frame that can fit just about anywhere.

Still, even with a smaller footprint than most soundbar combos, the Majority Bowfell Plus delivers where it counts. When running through the opening scene of Bond flick Spectre, the crumbling buildings of Mexico are directed with just the right amount of oomph that you’d hope to hear, and there’s directionality too which just adds further depth to the scene as it feels like the whole thing is taking place in a 3D space.

It’s a similarly pleasing experience when listening to music, as a run through Yvonne Elliman’s If I Can’t Have You threw out the type of warm vocals that draw you in, while the soundbar can project the rest of the instruments around you. If you like the idea of kicking back with a good book and an even better soundtrack to boot, then you’ll be well catered to.

One of the few areas that could be improved is the bass performance at the higher end of the volume scale. With too much weight placed on it, the bassline could feel a bit boomy, at which point you’ll struggle to hone in on the details, but this is something you likely won’t incur if you live in a flat and don’t want to annoy the neighbours with high volume anyway.

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Full Specs

  Wharfedale Vista 200S Review Sonos Ray Review Razer Leviathan V2 Review Sharp HT-SBW55121 Review Polk Signa S4 Review Creative Stage Pro Review Majority Bowfell Plus Review
UK RRP £219 £279 £229.99 £549 £329 £129
USA RRP $279 $249.99 $349.99 $169.99
EU RRP €298 €249.99 €349
CA RRP CA$329.99
AUD RRP AU$899 AU$411.95
Manufacturer Wharfedale Sonos Razer Sharp Polk Creative Majority
Quiet Mark Accredited No
Size (Dimensions) 900 x 92 x 62 MM 559 x 95 x 71 MM 3.6 x 19.7 x 2.3 INCHES 1260 x 125 x 75 MM 1046 x 95 x 60 MM 420 x 265 x 115 MM 388 x 72 x 54 MM
Weight 7.9 KG 1.95 KG 1.4 KG 12.3 KG
ASIN B07R8VR2WW B09ZYCBWYF B09MMF7DLH B0D37M2TWG B09MZ62BDC B0B5LDFRLQ
Release Date 2019 2022 2021 2025 2021 2025 2022
First Reviewed Date 25/04/2019 31/05/2022 06/06/2022
Model Number Vista 200S Sonos Ray Signa S4 Soundbar 1000002852
Sound Bar Channels 5.1 7.1.4 3.1.2 2.1 2.1
Driver (s) 2x full range, 6.5-inch subwoofer 2 x tweeters, 2 x mid-woofers, 2 x low-velocity ports Full Range Driver, Tweeter Driver, Passive Radiator Driver, Down-Firing Subwoofer Four 40x90mm, two 37x86mm side-firing, two 2.5-inch Up-firing, 6.5-inch subwoofer two 25mm tweeters, two 120 x 40mm racetrack, 25mm full range centre, two 66mm elevation units, 5.9-inch woofer 2 x 2.25-inch full range; 1 x 5.25-inch bass (subwoofer)
Audio (Power output) 120 W 650 W 80 W
Connectivity HDMI, 3.5mm, RCA, Coaxial, Digital Optical out, Bluetooth 4.2 Optical S/PDIF Bluetooth 5.2, USB-C Bluetooth 5.3 Optical, Analog 3.5mm, Bluetooth, USB-A (firmware) Bluetooth 5.3 Bluetooth 5
ARC/eARC ARC N/A N/A ARC/eARC ARC/eARC ARC N/A
Colours Black Black and white Black Grey/Black Black Black Black
Voice Assistant N/A
Audio Formats Dolby Digital, DTS, DTS Virtual:X DTS, Dolby Digital, Stereo PCM Dolby Atmos, Dolby TrueHD, Dolby Digital Plus, Dolby Digital, DTS:X, DTS-HD, DTS 5.1 Dolby Atmos, Dolby Digital, Dolby Digital Plus, Dolby TrueHD, PCM Dolby Audio
Subwoofer Yes Yes Yes Yes Yes Yes
Rear Speaker No Optional No Yes No No No
Frequency 40Hz – 20kHz, 40Hz – 120kHz (sub) 40-20000Hz
Multiroom No Yes (Sonos mesh) No
Do cheap soundbars support HDMI ARC?

Some soundbars support HDMI ARC, but in general, cheaper soundbars under £100/$100 tend not to feature any HDMI inputs.

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Apps to distract you from the endless cycle of doomscrolling

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You open your phone to check the time or a quick message. The next thing you know, an hour has passed and you’ve scrolled through endless celebrity drama, cat videos, awful news stories, influencer rants, and whatever else the algorithm decided to throw at you.

Even though you probably don’t want to keep wasting your time and energy on this mind-numbing content, you do it again the next day.

Doomscrolling, the habit of spending excessive amounts of time consuming content on social media, has become incredibly widespread. A survey from last year found that 64% of Americans say they doomscroll

Researchers have warned that doomscrolling can negatively affect several aspects of your well-being, including your mental health and attention span. Spending long periods scrolling can lead to brain fatigue, difficulty focusing, and disrupted sleep. And if a lot of the content you’re consuming is negative or stressful, it can leave you feeling disheartened, anxious, and emotionally drained. 

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It’s hard to break the cycle of doomscrolling, but there are plenty of apps that provide content that’s engaging and productive.

Of course, you could always read a book or go for a walk (we have a guide on how to stop doomscrolling), but this list is for when you have a few spare minutes and want something to do on your phone that isn’t endless scrolling. 

Dudel Draw

Image Credits:Dudel Draw

If you want to take a break from doomscrolling and try something creative, Dudel Draw might be a good app for you. Each day, the app gives you a random shape that you turn into a drawing. These daily shapes vary from basic geometrical forms to more complex and abstract designs.

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You can also get your friends in on the creativity with some fun competition by comparing your different creations, which could serve a nice break from sending each other endless TikToks or Instagram Reels.

Dudel Draw is available for free on iOS.

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Radio Garden

Image Credits:Radio Garden

If you still want to feel connected to the world without scrolling through social media, you can check out Radio Garden. The app lets you listen to over 25,000 live radio stations from across the globe. 

Once you open the app, you’ll see green dots marking cities and towns. Tap any dot to listen to radio stations broadcasting from that location. You can add favorites or search for radio stations, countries, and places. 

Radio Garden is free, but it also offers an ad-free premium plan for $2.99 per month. The app is available on both iOS and Android

Elevate

Image Credits:Elevate

Elevate is an app designed to help improve focus, memory, reading, math skills, and other cognitive abilities. It includes over 40 games to train different abilities you use in everyday life, from reading faster to comparing prices more efficiently. 

You can track training streaks and compare your mind’s performance over time. 

The app offers a free version with access to three games per day, or a yearly subscription of $39.99 for unlimited access. It’s available on both iOS and Android

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Vocabulary 

Image Credits:Vocabulary

Vocabulary is an app that helps you learn new words every day. You can pick your difficulty level and choose categories that interest you, like emotions, the human body, business, and more. Each word comes with a definition, example sentences, and a guide on how to pronounce it. 

The app also includes mini-games to help you review the words you’ve learned. You can set a goal of how many words you want to learn each week and create a regular learning routine. 

Vocabulary offers a free trial, and then costs $4.99 per month or $59.99 per year. It’s available on iOS and Android

Seterra

Image Credits:Seterra

If you’re a geography nerd looking to test your knowledge or just want to improve your geography skills, Seterra is perfect for you. The app features over 300 different games to test your map skills. You can test your knowledge of world flags; discover oceans, seas, and rivers; and explore mountain ranges and volcanoes across the globe.

Seterra lets you track your progress across categories and see leaderboards for top scorers for each game. 

The app is free and available on both iOS and Android

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NYT Games

Image Credits:NYT

The NYT Games app offers several word, logic, and number games that change every day to exercise your mind. You can play the crossword, try the word-guessing game Wordle, group words with a common theme in Connections, see how many words you can make from seven letters in Spelling Bee, and more. 

The app costs $5.99 per month for unlimited access and archives, but some games like Wordle, Strands, and the Mini Crossword are available to play for free. 

NYT Games is available on both iOS and Android

Drops

Image Credits:Drops

If you want to learn a new language but want to try something other than Duolingo, Drops is a good option. The app uses visually engaging mini‑games to help you build vocabulary and common phrases in more than 45 languages, with bite‑sized lessons designed to be completed in about five minutes a day.

Drops is designed for both beginners and experts who want to grow their foreign language vocabulary.

The free version of the app offers five-minute lessons per day. You can get unlimited access and premium features for $11.99 per month or $79.99 per year. The app is available on both iOS and Android.

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This story was originally published in March 2026 and is updated regularly with new information.

When you purchase through links in our articles, we may earn a small commission. This doesn’t affect our editorial independence.

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Why Cohere is merging with Aleph Alpha

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Canadian AI startup Cohere is taking over Germany-based Aleph Alpha, with the blessing of their governments, in a bid to offer a sovereign alternative to enterprises in an AI landscape dominated by American players. “Sovereign AI” refers to systems where companies and governments retain full control over their own data — rather than routing it through U.S. tech giants like Microsoft or Google.

As companies that develop large language models, Aleph Alpha and Cohere have been hometown stars, while still lagging far behind OpenAI and the likes globally. But similarities aside, this isn’t an alliance between equals. Last valued at $6.8 billion, Cohere will lead the new entity that will incorporate Aleph Alpha, subject to approval by authorities and shareholders.

The deal’s key financial backer is Schwarz Group, a German retail conglomerate. As an existing shareholder in Aleph Alpha, it is already fully onboard with the acquisition. And going forward, it will also become a strategic backer of the newly combined entity with €500 million in structured financing (approximately $600 million). In return, Schwarz Group expects the new entity to run on STACKIT — the sovereign cloud platform operated by its IT division, Schwarz Digits — giving the retail giant a major enterprise customer for its cloud business.

To fund the combined entity, Cohere is also raising a new round of financing — a Series E — and Schwarz Group will serve as its lead investor. The valuation has already been set: according to German business media outlet Handelsblatt, the term sheet pegs the company’s combined worth at around $20 billion.

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This would be a significant leap that combined revenue alone can’t justify. While Cohere reported $240 million in annual recurring revenue in 2025, Aleph Alpha had previously generated little revenue and significant losses. But investors are betting that teaming up will improve their odds against much larger rivals.

They may not be alone in the thinking that consolidation is the path forward. Elon Musk’s AI startup xAI has reportedly discussed a three-way partnership with France’s Mistral AI and Cursor, which SpaceX recently secured the option to buy. But it remains unclear whether Mistral would be interested in risking undermining its positioning as an alternative to U.S. tech that boosted its revenues. A partnership with xAI — an American company — would complicate that identity.

Cohere, too, is hoping to get tailwinds from enterprises looking for alternatives to AI providers that may not meet their requirements when it comes to privacy and independence. The new entity plans to target highly-regulated industries — including defense, energy, finance, healthcare, manufacturing and telecommunications— as well as the public sector.

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Aleph Alpha also developed specialized language models targeting enterprises and public institutions in Europe, such as the PhariaAI suite. A subsequent pivot away from building its own frontier models and the departure of its cofounder and CEO Jonas Andrulis made its strategy and leadership less clear, and left it in a weakened negotiating position. But its team of 250 people and their expertise could still complement Cohere.

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“Their focus on small language models, European languages and tokenizers is a really complementary one to our own, which is more of a general focus on large language models,” Cohere CEO Aidan Gomez said in a press conference announcing the plans on Friday.

Amid growing tensions with the United States, Canada has been increasingly keen to sign bilateral initiatives with a variety of partners, including Germany. With a shared concern for privacy and security, the two countries recently launched a Sovereign Technology Alliance to “strengthen sovereign AI capacity and reduce strategic technology dependencies.”

The question remains whether European organizations will view an initiative involving Canada as sufficiently sovereign, or whether they will trust that the alliance will remain transatlantic in the long run. According to Gomez, “Cohere will become a Canadian-German company.” But that promise could be harder to keep if the company goes public — putting ownership in the hands of global shareholders with no particular allegiance to either country.

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Alexander 3D-Printed a Real Engine That Runs

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3D-Printed Working Engine
Alexander worked in his workshop for years on a simple goal: to turn spools of everyday filament into a workable internal combustion engine. That is, anything with a few hundred horsepower to get the aging bones going. His third generation of this made-from-scratch engine, known as the AP3 Carbon D125, has recently met that target. The new design surrounds a 125cc single-cylinder four-stroke engine, which is commonly found in scooters.



The majority of the engine parts were created in his workshop using an Elegoo Centauri Carbon 2 Combo printer and a variety of different types of filament, specifically ASA, ABS, and PET-CF, but the cylinder bore is lined with a stainless steel sleeve, giving the entire thing a bit more reliability than the other parts. A friend at a CNC shop delivered the head, which was machined from aluminum to contain four valves and dual overhead cams. Bearings, belts, and some odd bits of hardware were required to complete the engine. The previous attempts taught us a lot of hard lessons, as the second engine ran for four minutes before heat melted the cylinder body and killed the compression completely, the nuts were in some awkward spots, torque was impossible to apply evenly, and water and oil mixed inside the head. Alexander had to virtually dismantle everything and start from scratch.


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3D-Printed Working Engine
This time, however, he put an oil pump directly into the crankcase. Four small bearings and a pair of gears revolve inside a printed enclosure to accomplish this. A basic pressure regulator fits in the main gallery and ensures that the oil gets to where it needs to be. There’s no need for an external pump this time. He also installed a separate positive crankcase ventilation system to keep the oil where it belonged. The cooling system underwent a similar makeover. A mechanical water pump was printed onto the cylinder body. Its impeller rotates on bearings and a timing belt. Coolant circulates through passages in the cranium and around the sleeves. Long story short, there are no fancy electric pumps and no mysterious leaks between the oil and water lines.

3D-Printed Working Engine
Now, he used the old crankshaft from his prior attempts, but first checked it with a dial indicator. The needle changed only 0.05 millimeters, which is well within the tolerance for a 125cc engine. He also created a head gasket with braided copper wire around the sleeve and a high-temperature material rated for 1,000 degrees Celsius. Putting it all together was a tedious task. Alexander hand lapped the valves and carefully sealed each joint. When everything was ready, he filled the crankcase with 10W40 and attached it to a test rig.

3D-Printed Working Engine
The initial crank brought instant effects, and this time it caught, settled into a steady idle, and kept the compression, which was a good start; however, a brief timing check revealed that the water-pump pulley was spinning at the incorrect speed due to a slipped tensioner. A little tweak and it was all set. On the second run, the pump operated well and the coolant flowed properly. However, the oil pressure gauge remained silent, either because the sender required calibration or because the tolerances were just a little too loose, and a suspected vacuum leak appeared on the intake side where the epoxy had not yet been entirely applied. Still, it ran smoothly enough to demonstrate that the main architecture held together properly.

3D-Printed Working Engine
Alexander believes the crankcase oil pump was the true game changer; seeing the oil pour through the gallery during a bench test gave him the confidence to put the rest together and see it operate. Every printed part not only survived, but appeared to manage the heat and vibration of the first few minutes with ease.
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How to watch London Marathon 2026: Free Streams & TV Channels

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The London Marathon 2026 live streams will feature a stellar lineup of the world’s elite long-distance runners tackling the iconic 26.2-mile course, which winds from Greenwich to The Mall, via the famous dry dock, the Cutty Sark, in the UK capital. Alongside defending champions Sebastian Sawe and Tigst Assefa, more than 59,000 runners will pound the tarmac, including former F1 world champion Sebastian Vettel and Olympian Laura Kenny.

The 29-year-old Sawe claimed victory in 2:02:27 twelve months ago, finishing ahead of Jacob Kiplimo, the half-marathon world record holder, on his marathon debut. The Ugandan will once again expect to contend for a podium place. Ethiopia’s Deresa Geleta is the third runner to have gone under the 2:03 mark, while Joshua Cheptegei and Tamirat Tola, the reigning Olympic champions over 10,000m and the marathon respectively, are also in contention. Amos Kipruto, the 2022 London Marathon champion, is also set to line up.

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Today’s NYT Mini Crossword Answers for April 26

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Looking for the most recent Mini Crossword answer? Click here for today’s Mini Crossword hints, as well as our daily answers and hints for The New York Times Wordle, Strands, Connections and Connections: Sports Edition puzzles.


Need some help with today’s Mini Crossword? Read on for all the answers. And if you could use some hints and guidance for daily solving, check out our Mini Crossword tips.

If you’re looking for today’s Wordle, Connections, Connections: Sports Edition and Strands answers, you can visit CNET’s NYT puzzle hints page.

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Read more: Tips and Tricks for Solving The New York Times Mini Crossword

Let’s get to those Mini Crossword clues and answers.

completed-nyt-mini-crossword-puzzle-for-april-26-2026.png

The completed NYT Mini Crossword puzzle for April 26, 2026.

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NYT/Screenshot by CNET

Mini across clues and answers

1A clue: Alternative to electric, for a stove
Answer: CASA

5A clue: Developer’s projects
Answer: APPS

6A clue: Sketch comedy spinoff launched on March 21, 2026
Answer: SNLUK

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7A clue: One of 24
Answer: HOUR

8A clue: Gas brand with a green-and-white logo
Answer: HESS

Mini down clues and answers

1D clue: Kayak alternative
Answer: CANOE

2D clue: Great grade
Answer: APLUS

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3D clue: N.B.A. team with the 7’4” star Victor Wembanyama
Answer: SPURS

4D clue: “___ not what your country can do for you …”
Answer: ASK

6D clue: Sound made with a finger to the lips
Answer: SHH

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Today’s NYT Connections: Sports Edition Hints, Answers for April 26 #580

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Looking for the most recent regular Connections answers? Click here for today’s Connections hints, as well as our daily answers and hints for The New York Times Mini Crossword, Wordle and Strands puzzles.


Today’s Connections: Sports Edition is a tough one. If you’re struggling with today’s puzzle but still want to solve it, read on for hints and the answers.

Connections: Sports Edition is published by The Athletic, the subscription-based sports journalism site owned by The Times. It doesn’t appear in the NYT Games app, but it does in The Athletic’s own app. Or you can play it for free online.

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Read more: NYT Connections: Sports Edition Puzzle Comes Out of Beta

Hints for today’s Connections: Sports Edition groups

Here are four hints for the groupings in today’s Connections: Sports Edition puzzle, ranked from the easiest yellow group to the tough (and sometimes bizarre) purple group.

Yellow group hint: Whack!

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Green group hint: Hoops team monikers.

Blue group hint: Common last name.

Purple group hint: Not 2 or 3.

Answers for today’s Connections: Sports Edition groups

Yellow group: Hard-hit baseball.

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Green group: NBA teams with singular nicknames.

Blue group: ____ Johnson.

Purple group: What “1” might mean.

Read more: Wordle Cheat Sheet: Here Are the Most Popular Letters Used in English Words

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completed NYT Connections: Sports Edition puzzle for April 26, 2026

The completed NYT Connections: Sports Edition puzzle for April 26, 2026.

NYT/Screenshot by CNET

What are today’s Connections: Sports Edition answers?

The yellow words in today’s Connections

The theme is hard-hit baseball. The four answers are frozen rope, laser, liner and screamer.

The green words in today’s Connections

The theme is NBA teams with singular nicknames. The four answers are Heat, Jazz, Magic and Thunder.

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The blue words in today’s Connections

The theme is ____ Johnson. The four answers are Flau’jae, Gus, Lane and Randy.

The purple words in today’s Connections

The theme is what “1” might mean. The four answers are fastball, pitcher, point guard and top rank.

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The climate tech IPO window could finally be cracking open

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Climate tech startups are capital intensive, timelines are long, and the technology is often considered “first of its kind.” What’s more, a key value proposition is addressing pollution — an externality that is, at best, poorly priced by the market. Those aren’t the qualities stock pickers tend to favor.

And yet, public markets appear to be warming to climate tech startups — or at least some of them.

This week, nuclear startup X-energy went public, raising $1 billion in an upsized share offering that appears to have delivered a windfall for its investors, including Amazon. Retail investors apparently can’t get enough, with the stock popping 25% in its first hour of trading. Also this week, geothermal startup Fervo said it filed for an initial public offering. The size of the Fervo IPO has yet to be disclosed, but private investors have valued the company at around $3 billion, according to PitchBook.

The move to go public aligns with what investors told TechCrunch at the end of last year. After years of tepid attitudes toward climate tech companies, they expected public markets to start welcoming energy-related startups. Nearly every investor that weighed in on the question said the startups with the best chances of going public specialize in either nuclear fission or enhanced geothermal. Fervo, specifically, was mentioned several times.

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Thank data centers for that. The AI craze has taken a trend of rising demand for electricity and made it sexy and salable. Companies that were already betting on the upswing lucked into a trending narrative that coincided with their technological maturity. Fortune certainly favors the prepared. 

The IPOs are also certain to please investors, letting them return capital to their LPs. The recent dearth of IPOs has kept a chunk of climate tech funding locked up, at a time when many funds would like to start cashing out.

But it’s not just about cashing out.

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Fervo and X-energy have followed the traditional route to public markets, suggesting there is confidence that a broad base of investors wants to participate. If it were just about freeing up investor capital, the startups could have followed the SPAC route. (Several have.) But these two companies took the longer path.

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Yet for all that success, a wide swathe of climate tech will probably be left out of the IPO wave.

Companies that aren’t entangled in energy markets will have to find other ways to press on — and without access to the deep pockets the public market provides. The divergence suggests the climate tech world is starting to go K-shaped, a trend which Mark Cupta, managing director at Prelude Ventures, suggested when I spoke to him a little over a week ago.

Companies stuck on the poorer side of the IPO window still have private investors to lean on. But there, too, a K-shaped trajectory is starting to appear.

Venture capital and growth funds raised about $6.5 billion last year, according to Sightline Climate. That’s the same as in 2021, but because there are more funds today, each fund is now smaller. For founders, that could be bad news since funds have less to draw on. On the upside, more competition could drive better fundraising results.

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At the same time, the big funds keep getting bigger. Infrastructure dominated climate tech fundraising last year, with 42 funds raising 75% of all dollars in the sector, according to Sightline Climate. That success will spill over into the startup side if it’s a company with a mature technology that is ready to build big. 

Sightline said that many new infrastructure funds are specializing in renewables, grid technologies, and energy storage. In other words, the K-shape isn’t going away anytime soon.

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OpenAI CEO apologizes to Tumbler Ridge community

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In a letter to the residents of Tumbler Ridge, Canada, OpenAI CEO Sam Altman said he is “deeply sorry” that his company failed to alert law enforcement about the suspect in a recent mass shooting.

After police identified 18-year-old Jesse Van Rootselaar as a suspected shooter who allegedly killed eight people, the Wall Street Journal reported that OpenAI had flagged and banned Van Rootselaar’s ChatGPT account in June 2025 for after she described scenarios involving gun violence. The company’s staff debated alerting police but ultimately decided against it, eventually reaching out to Canadian authorities after the shooting.

OpenAI has since said that it is improving safety protocols, for example by putting more flexible criteria in place to determine when accounts get referred to authorities, and by establishing direct points of contact with Canadian law enforcement.

In Altman’s letter, which was first published in the local newspaper Tumbler RidgeLines, the CEO said he’d discussed the shooting with Tumbler Ridge Mayor Darryl Krakowka and British Columbia Premier David Eby, and they’d all agreed “a public apology was necessary,” but “time was also needed to respect the community as you grieved.”

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“I am deeply sorry that we did not alert law enforcement to the account that was banned in June,” Altman said. “While I know words can never be enough, I believe an apology is necessary to recognize the harm and irreversible loss your community has suffered.”

Altman also said that OpenAI’s focus will “continue to be on working with all levels of government to help ensure nothing happens like this again.”

In a post on X, Eby said Altman’s apology is “necessary, and yet grossly insufficient for the devastation done to the families of Tumbler Ridge.”

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Canadian officials have said they are considering new regulations on artificial intelligence but have not made any final decisions.

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If you are in a crisis or having thoughts of suicide, call or text 988 to reach the 988 Suicide and Crisis Lifeline.

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The Online Civil War About ‘Michael’ Is a Battle Over Truth

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Is truth determined by the size of the audience it reaches?

If so, Michael—a new film about the pop singer Michael Jackson that is on track to have the biggest-ever opening for a music biopic, with projected earnings of $70 million at the US box office, despite critics saying it sanitizes the reality of who Jackson actually was—intends to supplant the King of Pop as the apotheosis of artistic virtue.

The film’s release has sparked a civil war online, between those eager to reclaim the music and myth of Jackson, and those who see any celebration of him as a failure of accountability.

Musically, Jackson was in a class all his own. In the pre-social media days, before AI artists charted on Billboard and he became a recurring meme online, Jackson was the epitome of monoculture: 13 number one singles, countless awards, twice inducted into the Rock & Roll Hall of Fame. He remains, even in death, one of the best-selling music artists of all time. But his legacy was also defined by multiple allegations of sexual abuse, an occasionally eccentric personal life, and Jackson’s on-record admission of sharing his bed with underage boys. “This guy was worse than Jeffrey Epstein,” Dan Reed, the director of Leaving Neverland, the 2019 Emmy-winning HBO documentary about Jackson’s alleged sexual misconduct, recently told the Hollywood Reporter.

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Director Antoine Fuqua, who maintains Jackson’s innocence, never intended to fully avoid the allegations that circled Jackson later in life. According to him, the original cut of Michael included a reenactment of the 1993 police raid on Neverland Ranch, where Jackson was strip-searched to verify the physical description of his first accuser, Jordan Chandler. But the scene was ultimately scrapped along with the film’s entire third act—totaling $15 million in reshoots—because of a legal clause in a settlement with Chandler that prohibited the depiction of his experience on screen.

The result is a film that stops abruptly in 1988 and erases the most controversial two decades of Jackson’s life. Instead, the film emphasizes Jackson’s musical legacy—the story arc is structured around career-defining music moments, like the making of the “Thriller” video—over the more contentious aspects of his personal behavior.

Scrubbing the Neverland Ranch scene, but also choosing to completely write around any of Jackson’s alleged misconduct, is not surprising given that the Jackson estate had approval over the use of his music, essentially granting it veto power over the film’s final cut. One argument that keeps surfacing on social media is that critics should judge Michael on its own terms rather than on what they think it should have been. “It seems like people wanted a movie [that] was never going to exist,” noted one X user. “So it was never going to be salacious or introspective”

Jackson’s fans argue the allegations shouldn’t eclipse his musical and artistic legacy, separating the artist from the work, while critics insist that a biopic should present a complete picture of Jackson, regardless of how unflattering that picture may be. As film critic Sean Burns characterized it on X, ending “with the release of Bad is like ending an OJ biopic with him winning the Heisman.” A good Michael Jackson movie, wrote the artist Harmony Holiday, “would be part tragedy, part farce,” calling attention to how the film lacks the real kind of interiority that made Jackson so polarizing.

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“Watching it feels more like being frog-marched through a wax museum than watching a movie, each milestone restaged with an off-putting, uncanny-valley resemblance and no interiority,” critic Alison Willmore noted in Vulture.

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California Engineer Identified in Suspected Shooting at White House Correspondents Dinner

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A 31-year-old engineer and computer scientist was identified in media reports and President Donald Trump as the suspected shooter at the White House Correspondents Dinner on Saturday night.

Cole Tomas Allen, of Torrance, California, was apprehended following the firing of shots at the Washington Hilton, where Trump was scheduled to deliver remarks to a ballroom full of journalists, cabinet officials, and Hilton staff. Allen’s name surfaced in media reports shortly before Trump posted two photos of a suspect following his apprehension. The person in the photos Trump posted matches photos of Allen.

In dramatic scenes, several shots were heard outside the ballroom, after which Trump and Vice President JD Vance were immediately rushed off the stage by the United States Secret Service. In the immediate aftermath of the shooting incident, it briefly appeared as if the event would proceed—Trump posted “LET THE SHOW GO ON” on Truth Social—but the event was eventually shut down.

According to the Metropolitan Police Department, the suspect “charged” a Secret Service checkpoint at the Hilton hotel, and was intercepted by agents. MPD interim chief Jeffery Carroll said the suspect was carrying a “shotgun, handgun, and multiple knives.”

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At a White House press conference following the shooting, Trump said one United States Secret Service agent was shot but saved from serious injury by his bulletproof vest. Trump said the agent, who was not named, is “doing great” and in “great shape.” No other injuries were immediately reported.

The suspect was later transported to a local hospital “to be evaluated,” according to Carroll, who said he appears to be a “lone actor.”

Around the time Trump’s press conference began on Saturday night, he posted a picture on his Truth Social account appearing to show the suspected shooter on the ground, with his hands restrained behind his back, and a foil warming blanket covering the lower half of his body.

A WIRED review of public databases shows a seemingly minimal online presence associated with Allen’s name. According to his LinkedIn profile, he graduated from Caltech in 2017 with a bachelor’s in mechanical engineering from California State University Dominguez Hills in 2025 with a master’s in computer science. A photo that appears to be of Allen appears on the Caltech site identifying him as a member of the school’s Mechanical Engineering 72 class, described by the school as a “two-term engineering design lab” for building robots and autonomous vehicles. His name is also listed in a 2025 Dominguez Hills graduation program. A search in a public facial recognition database returns only two images, both apparently of him as an undergraduate.

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According to the shooter’s LinkedIn profile, he has been employed part-time since March 2020 at C2 Education, a private company that helps students prepare for the SAT and ACT exams. In December 2024, C2 Education said in posts on LinkedIn and Facebook that he was the company’s “December Teacher of the Month.”

Since 2018, the suspected shooter self-identified on his LinkedIn profile as a “self-employed” indie game developer. He appears to have released an “atomic fighting game” called Bohrdom on Steam in 2018. He advertised the game using accounts on YouTube and X that appeared to have little to no following. The caption for a trailer of the game describes it as a “non-violent, skill-based, asymmetrical fighting game loosely based on a chemistry model that is itself loosely based on reality.”

Relatives of Allen’s did not immediately respond to requests for comment. C2 Education and the Metropolitan Police Department also did not immediately respond to requests for comment.

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