Maddie Kowalski is a student at the University of Florida. Last November, someone found nonconsensual intimate images and videos of her, stitched them together, and uploaded them to X, where they were viewed millions of times.
Tech
Farewell to Summer: Essential 4K UHD and Blu-ray Discs for September 2026
Last summer proved to be prime season for boutique labels and major studios to slip some of their finest efforts onto physical media. Over the past several weeks, our home theaters have been treated to everything from blood-soaked beaches and Technicolor 3D slapstick comedy to Ray Harryhausen monster mashes.
Whether you’re hunting for vintage restorations, reference-grade Dolby Atmos fodder for your surround setup, hidden gems you missed in theaters, or lavish limited-edition packaging to show off to your friends, these late-summer releases deliver the goods and should carry us nicely into a cozy autumn.
The Fast and the Furious 25th Anniversary Edition 4K (Universal Pictures Home Entertainment)
Yes, it really has been a quarter of a century since Dom, Brian, and their sick rides first roared onto the scene and changed the car-chase movie forever. The FBI/undercover LAPD plot and gritty characters provide a solid setup for some of the best, most intimate action ever captured, with the visual effects used judiciously to enhance the excitement before later films careened off into fantasyland.

Not content to simply repack last year’s model, Universal has rolled out a new driving experience that goes beyond a mere paint job, upgrading the film to Dolby Vision HDR, with some interesting changes to the color grade, while also switching to reference-quality Dolby Atmos for the first time.
A trunkload of legacy features carries over across the 4K and included HD Blu-ray discs, joined by a new half-hour retrospective featuring the three surviving stars plus Meadow Walker, daughter of the late Paul Walker.
Our Ratings
★★★★★★★★★★ Movie
★★★★★★★★★★ Picture
★★★★★★★★★★ Sound
★★★★★★★★★★ Extras
Where to buy:
Troy 4K Limited Edition (Arrow)
With Trojan horses becoming a big deal on the big screen this summer, there’s never been a better time to revisit Wolfgang Petersen’s take on Helen, Achilles, and yes, even Odysseus, here played by Sean Bean. The scale of Troy is big and bold, and the action is plentiful, owing much to Brad Pitt’s intense performance as the ultimate Greek warrior and the sweeping script by future Game of Thrones co-creator and showrunner David Benioff.

There are no audio commentaries and no new extras of any kind in Arrow’s new three-disc 4K upgrade of both the theatrical version and the vastly different director’s cut, aside from some new writing in the included booklet. The archival bonus material, however, is quite substantial. Most notably, the “In-Movie Experience” picture-in-picture commentary, first seen on the Warner HD DVD, carries over.
Both versions have been newly restored and remastered in Ultra HD with Dolby Vision from the archival camera negatives, and the results are truly stunning. One more reason to consider adding this Troy to your shelf: Reportedly, Disc 1, containing the 4K theatrical cut, will only be available in this limited-edition package and not in future releases.
Our Ratings
★★★★★★★★★★ Movie
★★★★★★★★★★ Picture
★★★★★★★★★★ Sound
★★★★★★★★★★ Extras
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Out of the Past 4K (Warner Archive Collection)
This was the movie that established film noir’s stylistic vocabulary, combining Robert Mitchum’s sleepy-eyed apathy, Jane Greer’s lethal elegance, and Nicholas Musuraca’s shadowy cinematography to indelible effect. A weary ex-investigator (Mitchum) finds his quiet town compromised when events he couldn’t outrun, and the femme fatale who engineered his downfall, pull him back into a web of deceit, money, and murder.

The new restoration comes from a scan of the nitrate camera negative, finished with Dolby Vision HDR and paired with the original mono audio. The legacy film critic commentary, 2022 introduction, and four radio shows from 1947, the year Out of the Past debuted, are included on both the 4K disc and the supplied HD Blu-ray featuring the new master.
Our Ratings
★★★★★★★★★★ Movie
★★★★★★★★★★ Picture
★★★★★★★★★★ Sound
★★★★★★★★★★ Extras
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The 7th Voyage of Sinbad 4K (Sony)
It has begun! 1958’s 7th Voyage was the first of Ray Harryhausen’s “Dynamation” extravaganzas to be marketed with that term, denoting a process he had refined over several previous films. Basically, by sandwiching his meticulous miniatures between foreground and background elements in-camera, he created more thrilling, more lifelike effects. As a result, audiences were treated to adventures never seen before, like our hero (Kerwin Matthews) doing Sinbattle with a stop-motion Cyclops, a fire-breathing dragon, and a lone bony warrior. (That last foe served as proof of concept for the climactic seven-skeleton army fight in Jason and the Argonauts. Can Sinbad on 4K be the portent of more awesomeness to follow?)

Sony provides a new restoration from the 1.66:1 camera negative with Dolby Vision HDR. Because Dynamation involves re-photographing previously shot film, and stop-motion animation has its own unique look, this isn’t a showoff disc, but I would argue that it is an exemplary preservation of the movie in its authentic form. The satisfying 5.1 remix goes a long way toward helping sell the illusions, too.
Disc Two is a repack of the previously released HD Blu-ray of the movie, loaded with extras: a Harryhausen audio commentary, interviews, featurettes, and even a music video for the tongue-in-cheek promotional song “Sinbad May Have Been Bad, But He’s Been Good to Me.” Newly added on the Ultra HD disc is a career-spanning, star-studded, hour-long TV special from 1998 covering Ray’s entire career.
Our Ratings
★★★★★★★★★★ Movie
★★★★★★★★★★ Picture
★★★★★★★★★★ Sound
★★★★★★★★★★ Extras
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Ju-On: The Grudge 4K Limited Edition (Arrow)
Historically, Takashi Shimizu’s original Ju-On: The Grudge stands alongside Hideo Nakata’s Ringu as a cornerstone of the turn-of-the-millennium J-horror explosion, helping inspire modern horror’s preference for atmosphere over graphic violence. It captivates with its nonlinear structure, dread-inducing sound design, including vengeful ghost Kayako’s iconic throat rattle, and surreal domestic hauntings.

Rather than relying on jump scares, it weaponizes quiet spaces and revels in its unrelenting, daylight terror. That deceptive sunshine looks fabulous in Arrow’s new 4K master with Dolby Vision, accompanied by DTS-HD Master Audio 5.1 in either Japanese or an English dub.
There are also two audio commentaries, one featuring director Sam Raimi, along with an extensive collection of new and archival on-camera interviews with the filmmakers and experts, deleted scenes, and a couple of “true” ghost stories. The slim, slipcased package includes a companion booklet and reversible cover art.
Our Ratings
★★★★★★★★★★ Movie
★★★★★★★★★★ Picture
★★★★★★★★★★ Sound
★★★★★★★★★★ Extras
Where to buy:
Money from Home Blu-ray 3D (Kino Lorber Studio Classics)
How ’50s can you get? Martin & Lewis headline—in 3D!—this Damon Runyon-style “gangland comedy,” with slick ladies’ man “Honey Talk” (Dean Martin) roping gullible veterinarian Virgil (Jerry Lewis) into an elaborate scheme to fix a big horse race and pay off his debt to the mob.

KLSC presents Money from Home in both stereoscopic and anaglyph 3D, as well as standard 2D for those self-conscious about wearing glasses, all on a single disc. There are also not one but two film historian audio commentaries, along with other genuinely excellent supplements.
The extensive 4K restoration effort, with the final result presented here in 1080p, required double the work, as the 35mm “Dynoptic 3-D Technicolor” camera negatives for the left and right eyes had to be scanned and graded separately, with plenty of painstaking but necessary adjustments along the way. The results are absolutely gorgeous and worth checking out in any and all versions.
Our Ratings
★★★★★★★★★★ Movie
★★★★★★★★★★ Picture
★★★★★★★★★★ Sound
★★★★★★★★★★ Extras
Where to buy:
Wicked Priest Collection Blu-ray (Arrow)
Shinkai is a vice-loving Buddhist monk with a surprising sense of justice in this series, which blends bawdy action-comedy with kinetic martial arts. Its titular hero uses his bravery and cunning, as well as his fists, to root out corruption, defeat vengeful nemeses, and dismantle ruthless yakuza syndicates.

The franchise peaks in its middle installments, particularly Wicked Priest 2, which strikes a fine balance between raunchy yuks and kinetic fight choreography, but star Tomisaburo Wakayama shines brightly across all five entries:
- Wicked Priest (1968)
- Wicked Priest 2: Ballad of Murder (1968)
- Wicked Priest 3: A Killer’s Pilgrimage (1969)
- Wicked Priest 4: The Killer Priest Comes Back (1970)
- Wicked Priest 5: Blood on the Commandments (1971)
There are sharp, colorful new restorations of all five Gokuaku Bōzu films, as they were originally known, with lossless Japanese mono audio and optional English subtitles. Several new interviews and video essays cover everything from the music and the depiction of Buddhism in pop culture to the broader filmmaking scene of the era.
Arrow’s wickedly handsome package arrives with extensive new liner notes and reversible sleeve art.
Our Ratings
★★★★★★★★★★ Movie
★★★★★★★★★★ Picture
★★★★★★★★★★ Sound
★★★★★★★★★★ Extras
Where to buy:
New York, New York 4K (MVD Marquee Collection)
Is this Martin Scorsese at his most self-indulgent? Exploiting the creative and financial freedom afforded by the success of Taxi Driver, released the previous year, NY, NY is an ambitious but dissonant and ultimately abrasive musical, attempting to recreate the hyper-stylized ’40s MGM aesthetic while filling it with ’70s realism through the relentless toxic conflict between its two leads.

The butchered theatrical version has scarcely been seen since 1977, pushed aside in favor of the longer Director’s Cut, with its “Happy Endings” musical sequence and other footage restored. Here, it has been newly scanned in 4K at 16-bit and presented in the less common 1.66:1 aspect ratio, with a Scorsese introduction and commentary.
The HD Blu-ray includes the trimmed-to-the-bone International Cut (137 minutes), along with loads of legacy interviews, alternate and deleted scenes, and select-scene commentary from D.P. László Kovács.
Our Ratings
★★★★★★★★★★ Movie
★★★★★★★★★★ Picture
★★★★★★★★★★ Sound
★★★★★★★★★★ Extras
Where to buy:
Looney Tunes Collector’s Vault Volume 3 Blu-ray (Warner Archive Collection)
They really do listen over at the Warner Archive. Here are 50 more of the most-requested-in-HD cartoon shorts (dang, that must be one huge studio vault in Burbank), peppered with historic milestones including the very first Looney Tune, “Sinkin’ in the Bathtub” (1930), and the first Merrie Melodie, “Lady, Play Your Mandolin!” (1931).

There are two-color, Technicolor, and no-color (black-and-white) outings, all remastered and uncut, with some unseen in such high quality in years. They’re organized alphabetically, which makes for an unusual, eclectic playlist, but not to worry: all of our favorite characters are represented.
And no, we’re not hallucinating. That is Hermann Göring going toe-to-toe with Bugs on Disc Two in “Herr Meets Hare.” Select commentaries from animation experts are provided, as is a clear age warning on the back cover.
Our Ratings
★★★★★★★★★★ Movie
★★★★★★★★★★ Picture
★★★★★★★★★★ Sound
★★★★★★★★★★ Extras
Where to buy:
Pressure 4K (Universal Pictures Home Entertainment)
Was the real hero of D-Day a meteorologist? Group Captain James Stagg (Andrew Scott) stands up to the Allied high command in the lead-up to the pivotal invasion, putting his scientific expertise and personal integrity on the line to save Operation Overlord from catastrophic failure.

His combative yet symbiotic relationship with General Dwight D. Eisenhower, played with measured restraint and warmth by Brendan Fraser, provides the dramatic core of this historical tale, based on the stage play by David Haig.
Audio and video on Universal’s Dolby Vision/Atmos disc earn high marks, although the extras are somewhat sparse.
Our Ratings
★★★★★★★★★★ Movie
★★★★★★★★★★ Picture
★★★★★★★★★★ Sound
★★★★★★★★★★ Extras
Where to buy:
Auntie Mame 4K (Warner Archive Collection)
The heartwarming story of Auntie Mame, about a sweet young orphan who goes to live with his larger-than-life relative, began as a novel, then became a play that evolved into this here film, and was later reimagined as both a full-on stage and screen musical.

The movie has always felt a little stagey for my taste, but even if the manic theatricality isn’t your cup of tea, it’s essential viewing for Rosalind Russell’s tour-de-force performance in the title role, its eye-popping 1958 Technicolor art direction, and a surprisingly sharp critique of postwar American conformity.
Auntie Mame remains a crown jewel for Warner and a fascinating moment in film history, so the studio has gone back to the large-format, horizontal 35mm Technirama camera negative for this glorious, exceptionally detailed restoration from a 12K scan, presented here in Dolby Vision. The original mono is preserved, along with a new 5.1-channel remix that works quite well, plus an isolated music-only track.
Brand-new extras comprise a brief before-and-after comparison (love these) and a recent sit-down with Jan Handzlik, the only surviving cast member, who played little Patrick. Warner Archive has also added a remastered HD Blu-ray and a booklet, unusual for one of its releases, reproducing the movie’s original pressbook in a scaled-down format.
Our Ratings
★★★★★★★★★★ Movie
★★★★★★★★★★ Picture
★★★★★★★★★★ Sound
★★★★★★★★★★ Extras
Where to buy:
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Tech
Asteroids Named After Tom Lehrer and 'Weird Al' Yankovic
“Weird Al” Yankovic’s name has just been approved for a new asteroid — (14331) Alyankovic = 1981 EC26 — by the International Astronomical Union, reports Space.com.
Yankovic’s asteroid was championed by planetary scientist Allison McGraw joined by “several heavy hitters in the planetary science field, according to the Tucson Star. (Astrophysicist Steve Desch from the School of Earth and Space Exploration at Arizona State University; Tim McCoy, one of the main curators of meteorites at the Smithsonian Institution; and University of Arizona research scientist Melissa Brucker, leader of the Spacewatch program, which has discovered more than 179,000 asteroids.)
The scientists also convinced the International Astronomical Union to name an asteroid after one of Yankovic’s major influences, famous musical humorist and political satirist Tom Lehrer, who died last year at age 97. Lehrer’s work includes “The Elements,” a 1959 song in which he recites the entire periodic table to the tune of Gilbert and Sullivan’s “Major-General’s Song.” “He was a mathematician and teacher and also wrote math- and science-themed songs,” McGraw said. “We felt that someone who had that kind of science enthusiasm really deserved to have their name up in the sky….” McGraw is hoping that naming space rocks after stars like Lehrer and “Weird Al” will cast some reflected light on two things she’s passionate about: asteroid research and science communication.
Six years ago a 92-year-old Tom Lehrer released all his lyrics into the public domain. (Wikipedia notes he’d “largely retired” by the 1970s to become a mathematics teacher at the University of California, Santa Cruz.) Slashdot ran a brief career retrospective when Lehrer died last year at age 97.
And the IAU writes that “Generations of scientists have been inspired” by Weird Al Yankovic’s “comedic musical works, including ‘It’s All About the Pentiums’ and ‘White and Nerdy’.” (“I’m fluent in JavaScript as well as Klingon,” Yankovic sings in the latter.) He appears in a song envisioning a rap battle between Bill Nye the Science Guy and Sir Isaac Newton… And in 1999 he recorded a five-minute summation of Star Wars: Phantom Menace, sung to the wistful tune of Don McLean’s American Pie. Performing it last month in a NPR Tiny Desk concert, “most of the audience was singing along,” remembers an interviewer at NPR. “It felt like something that was very personal to them.”
Weird Al: It’s one of those songs that means a lot to people, particularly “Star Wars” fans, of course. But I mean, I see a lot of people in the audience cosplaying as Jedi Knights and waving their light sabers… I’ve even heard that, you know, they play that song at “Star Wars” conventions, and people get weepy, you know… [I]t really hits people in a tender place somehow…
“Oh my, my, this here Anakin guy
may be Vader someday later, now he’s just a small fry.
And he left his home and kissed his mommy goodbye,
sayin’ soon, I’m gonna be a Jedi.”
Yankovic has led a geek-friendly career. In the heyday of Napster, he released an anthem-style parody mocking the arguments of the Recording Industry Association of America, titled “Don’t Download This Song. (“Even Lars Ulrich knows it’s wrong…”)
“Once in a while maybe you will feel the urge
To break international copyright law…
you start out stealing songs, then you’re robbing liquor stores
And selling crack and running over school kids with your car…”
As a student at Cal Poly, San Luis Obispo, Yankovic bootstrapped a career in 1979 by recording his first novelty song “My Bologna” (a parody of “My Sharona” by the Knack) while playing his accordion in a bathroom for its acoustics. And even the IAU acknowledged the geeky themes in his 1999 song “It’s All About the Pentiums” (a filk on Puff Daddy’s “It’s All About the Benjamins”).
“You’re usin’ a 286? Don’t make me laugh
Your Windows boots up in what, a day and a half?
You could back up your whole hard drive on a floppy diskette
You’re the biggest joke on the Internet…”
Read more of this story at Slashdot.
Tech
Huawei made a blood pressure cuff fit into a smartwatch, and I’m obsessed with the engineering
What once started as a health companion and second screen on your wrist has turned into something a lot more useful. Over the years, smartwatches have continued to become smarter, and their health tracking features are even more accurate. So after reviewing wearables for years, I got used to each new smartwatch generation having just a few polishes and updates.
But Huawei managed to have me obsessed with one of its latest models–and it’s the strap that has my attention. Packed on the underside of the strap is a thin inflatable bladder that runs along the inside of the band. Start a blood-pressure measurement, and that bladder begins expanding against your wrist, tightening in a way that’s familiar to how a doctor wraps a cuff around your upper arm.
This might make the Huawei Watch D3 sound like a thick and heavy wearable tech. But in reality, the Watch D3 is only 11.3mm thick, weighs just over 70 grams with its strap, and has a 1.92-inch AMOLED display. Huawei has also narrowed the inflatable section and made the strap 7.5 grams lighter than before. The blood-pressure feature is fascinating, as the company isn’t making it a software feature.

How does a blood pressure cuff fit inside a watch?
The trick starts with what Huawei calls its 2-in-1 strap-airbag. Rather than having a normal watch band sitting flush against your skin, part of the D3’s strap contains a thin mechanical airbag. When a measurement begins, the watch pumps air into that chamber, causing it to expand inward and apply pressure around your wrist.
Huawei uses the oscillometric method, the same broad measurement principle used by many electronic blood-pressure cuffs. A high-precision pressure sensor works alongside Huawei’s TruSense system to detect the pressure changes created by your pulse while the airbag is inflated. From those changes, the system calculates systolic and diastolic blood pressure.
Again, this is a proper mechanism that doesn’t rely purely on an optical sensor and an algorithm to infer your blood pressure. You can see it in the photos I took. The strap may look unusually thick, but that’s only because it was inflated to take a BP reading. Put the watch on, and that extra material pretty much disappears. You don’t particularly feel it out of place compared to your usual strap. Once you start the measurement, you can physically feel the pressure build as the bladder expands.

Even taking the reading has a very specific posture
To make things as accurate as possible, Huawei gives you some tips for the best possible results, and it starts with your posture. Your watch arm should be steady, elbow bent with your palm facing your chest, while the wrist and palm remain relaxed. It also needs you to support that elbow with your other hand so the Watch D3 sits roughly level with your heart.
Your feet should be flat on the floor and uncrossed, and you’re supposed to remain quiet and avoid moving your fingers, arm, or body while the cuff is working. I was explaining the watch to a friend when taking a measurement, and the Watch D3 promptly told me to pipe down. You can see the posture in the images I’ve shared.

The watch is trying to recreate, on your wrist, the controlled conditions that make a conventional cuff useful. Huawei even asks users to enter their wrist circumference so the watch can match the correct airbag size, with separate M and L strap-airbags supplied for wrists between 130mm and 210mm. So there’s a lot more thought put into this to avoid any kind of misreading. Health is a pretty serious matter for many, so avoiding any false results is key here.
Huawei is doing something very different from Apple and Samsung
Apple’s current Watch implementation looks for patterns associated with hypertension using its optical heart sensor over a 30-day evaluation period. It does not give you an on-demand systolic and diastolic measurement. If the Watch flags possible hypertension, Apple specifically recommends using a third-party cuff for seven days and discussing the results with a healthcare professional.

Samsung goes further. Compatible Galaxy Watches can produce blood-pressure values, but the system first needs to be calibrated against an upper-arm cuff, including three measurements during initial calibration, and Samsung requires recalibration every 28 days. Huawei’s solution, on the other hand, is mechanical by comparison. Sure, the Watch D3 is slightly bulkier and more specialized than a conventional smartwatch, but I find the engineering much more interesting.
It takes it one step further
The Huawei Watch D3’s strap also enables another cool feature, which is ambulatory blood pressure monitoring, or ABPM. You can start a 24-hour monitoring plan and have the watch take readings at preset intervals throughout the day and night. Huawei’s default schedule can prompt daytime measurements every 30 minutes. At night, the Watch D3 can automatically inflate while you’re asleep without requiring you to assume the daytime measurement posture.

Once the monitoring period ends, Huawei Health can show daytime, nighttime, and 24-hour averages and generate an ABPM report that can be saved or printed. Of course, the trade-off here is battery life. Huawei rates the watch for up to six days in typical use, while continuous ABPM cuts that estimate to about one day.
The Watch D3 is still a smartwatch, but it’s also certified
The engineering on the Watch D3 is quite intriguing. Its mechanical moving parts are things that set it apart. Still, it doesn’t look like dedicated medical equipment. On the outside, it has that familiar shape of a smartwatch. The white strap unit I have looks elegant and sleek. Its 1.92-inch display dominates the front. All of the UI and other elements function exactly as you’d expect them to.

It might not look like it, though this is kind of impressive when you read the marketing material. Huawei advertises the Watch D3 as a medical-grade wrist blood-pressure monitor in supported markets, and the UK product page says it is CE-MDR certified. However, measurement availability and regulatory status vary by country. It is worth noting that the measurements should only be treated as guidance. Any unusual results should be properly discussed with an actual healthcare professional. The main advice is not to self-diagnose from a single smartwatch reading.
Tech
What is the “burnerverse,” the online network harassing young women?
“Can you imagine?” asked Ej Dickson, a senior culture writer at Wired who reported on Kowalski’s story earlier this month. “You’re 19 years old and a video that you don’t even remember shooting, let alone consenting to, goes viral nationally along with your name and your sorority, and your parents, your grandparents, everybody in your life sees it. It’s a humiliation and a privacy violation that is kind of incomprehensible.”
The video was followed by a campaign of intimidation and harassment. Kowalski and her parents received threatening phone calls and texts. People on the internet posted old photos of her, her father’s LinkedIn, and even his golf handicap. Kowalski sought help from the police, from the university, and from X. But the video was being shared faster than the posts could be removed, and her name became a trending topic on X.
What made the video go viral, Dickson explains, is something called the “burnerverse”: a loosely connected network of anonymous “burner” accounts on X. The community mainly exists to discuss college sports, but sometimes it disseminates videos and rumors aimed at shaming young women and ruining their lives. The burnerverse has harassed Kowalski and her family for nearly a year, sometimes encouraging her to kill herself.
Today, Explained co-host Noel King spoke with Dickson about the online network that targeted Kowalski, and why it’s been so difficult to do anything to stop it.
Below is an excerpt of the conversation, edited for length and clarity. There’s much more in the full podcast, so listen to Today, Explained wherever you get podcasts, including Apple Podcasts, Pandora, and Spotify.
Your story describes how Maddie has, without even realizing it, entered into something called the burnerverse. This is something I think a lot of us, prior to your piece, had not heard of. What is the burnerverse?
I hadn’t heard of it either. The burnerverse is an online community of anonymous accounts, and ostensibly these are college sports fan accounts. They talk about the coaches, the players, new recruits, they share memes after their team loses, but there’s a corner of the community that has emerged that is pretty violently racist and misogynistic and antisemitic. And one of the things that they’ve started doing in recent years is doxxing young college-age women like Maddie.
Why is it called the burnerverse?
Because it consists of burner accounts, anonymous accounts.
Okay. So the reason that whoever is spreading these videos of Maddie and others feels comfortable doing that is because they’re anonymous. Nobody knows who’s behind them?
Yes, exactly. And I also want to be clear: This is a small segment of the college sports burner community.
There are a lot of these accounts that are pretty innocuous and would never dream of doing something like this to a young woman. I would say probably the vast majority of these accounts are not like that, but it is a sizable enough segment that they’re able to make these types of narratives go viral.
What do we know about who is part of the burnerverse? Who is likely to be a part of this?
That was one of the most shocking things that I learned from my reporting, actually. I had assumed that these were largely frat kids. I assumed that they were largely SEC frat kids because a lot of these young girls who have been doxed were students at SEC schools. But when I actually started looking into these accounts and who was behind them and who was sharing these images and making these jokes about Maddie, I learned it was way more wide-ranging than that.
There are a lot of college students who are involved in the burnerverse, but it’s also men who are 10, 20, 30 years out of college. Sometimes they have wives. Sometimes they have children. Sometimes they have grandchildren. They’re from all over the country. It’s not limited to one race or economic demographic. It’s really very wide-ranging, which is kind of what makes it so terrifying.
And it is not just Maddie Kowalski. What did you learn about other young women who are targeted by this?
No, it’s not. So perhaps the most well-known case is this girl named Mary Kate Cornett, who was a student at Ole Miss in February 2025 when this salacious campus rumor about her sex life started going viral. And the rumor was false and it was clearly defamatory, but it went so viral that it kind of escaped containment from Ole Miss and went viral among SEC schools and then went viral nationally, to the point where her name was trending nationally on X.
This very famous ESPN personality, Pat McAfee, talked about her without using her name, but talked about her and the details of this rumor on his podcast. And a lot of these athletes and college sports personalities tweeted about it as well. What started as an unverifiable and false rumor about a college girl’s sex life was just blown up and amplified to the degree that it was a national news story within a couple of hours.
The speed with which this happens — [Cornett]she was telling me that basically a few hours after she learned that she was going viral, her parents’ house was swatted. The speed with which this community works toward making these women’s lives a living hell is really, really rapid.
Did you come away with an understanding of how an online community that is meant to be talking about college sports descends into this?
Part of it is just a consequence of how internet subcultures work. Even fairly innocuous, large internet subcultures and communities, there’s always going to be a small part of any online subculture that splinters off and forms its own community that is going to skew a little bit more extremist.
That’s not surprising in itself, but I do think that there is something about the discourse surrounding college sports, particularly the media ecosystem that’s represented by Barstool, that does create a space for this type of rampant misogyny to foment.
I don’t think it’s a coincidence that some of the accounts that I have seen posting really horrible defamatory content about Maddie are smaller Barstool accounts that are associated with individual colleges. I do think that has definitely played a role.
Why did Maddie become the target of these people in the burnerverse?
Because she’s young and she’s attractive. Basically, the criteria is these women are young, attractive, they’re usually white for some reason, and they are perceived to have departed from a sexual norm in some way.
They’re either subject to some sort of rumor about their sex life or their sexual behavior or maybe a text message leaks about them or a photo. Then these guys take it and they blow it up and it goes viral nationally.
They’re very purposeful about it too. I can’t tell you how many tweets I’ve seen that are just tweets of a girl’s name and they’re like, “Make her famous, make her go viral.”
In an ideal world, this kind of thing would be stopped before it even happened. So, knowing that there is not much that victims can do, what are the methods of preventing this?
That’s a very complicated question. I know that there are platforms developing various AI tools in order to prevent nonconsensual intimate images from spreading. But I imagine that would be pretty difficult to regulate, especially with the rise of deepfakes and with the rise of-AI manipulated nonconsensual images, so I don’t have a lot of faith in that.
Honestly, I think that the biggest path toward prevention is — can I say this? Parents raising their sons to not be pieces of shit.
You can say that. You can absolutely say that.
I think that the biggest course of prevention is parents raising their sons to not be pieces of shit, honestly. To just set a clear line and say, “It’s not okay to view women as commodities. It’s not okay to talk about women like this. It’s not okay to view social media engagement as the ultimate goal without thinking about the lives that you’re impacting by spreading this content.” I think that parents need to have conversations with their kids about that.
I think that there needs to be education within fraternities and sororities and universities because it’s not like what happened to Maddie Kowalski is an isolated incident. I was able to identify almost a dozen other young women who have been targeted by the burnerverse in this way.
I think that there needs to be more discussion of this in general because it’s not just the burnerverse. It’s this larger ecosystem that is socially ordained at this point of men saying horrible things and doing horrible things to women with impunity. That’s the real problem.
Tech
BMSD 2026 Week 1 Results: Team Soul and Nebula Esports Suffer Shock Relegation
The first week of BMSD 2026 has wrapped up, and it has already delivered one of the biggest upsets of the tournament. Team Soul and Nebula Esports, champions of BGIS 2026 and BGMI Masters Series Season 5 respectively, have both been relegated after failing to finish in the top eight of Group A. Meanwhile, GodLike Esports and defending champions Orangutan survived the cut to retain their place in the top group.
With 48 invite-only BGMI teams competing for a ₹1 crore prize pool and six BMIC 2026 qualification spots, Week 1 has reshuffled the standings ahead of the next stage of the qualifiers.
Team Soul misses survival by just one point
Group A featured several of India’s strongest BGMI organizations, making it the toughest group in the opening week. Gladiator Esports finished at the top with 58 points, followed by Vasista Esports with 54 and 8Bit with 51.
The biggest storyline, however, came further down the table. Team Soul finished just outside the top eight after missing qualification by a single point, sending the BGIS 2026 champions down to Group B for Week 2. Joining them in relegation are Nebula Esports, Apex Gaming, and Revenant XSpark.
GodLike Esports narrowly escaped the same fate, claiming the eighth and final survival spot by that same one-point margin, while Orangutan comfortably retained its position in Group A.
Quantum Spark leads the overall standings

Across the three groups, Quantum Spark emerged as the standout performer of Week 1. The team topped Group C with 62 points, including an impressive 49 finish points, making it the highest-scoring team of the tournament so far.
Group B was equally competitive, with Welt Esports and BLEG finishing tied on 60 points each. Rapid Chaos secured third place with 56 points, keeping itself firmly in contention heading into the next round.
At the end of Week 1, the group leaders are:
Group
Team
Points
A
Gladiator Esports
58
B
Welt Esports
60
B
BLEG
60
C
Quantum Spark
62
The Promotion & Relegation format means the top eight teams in each group either advance or retain their position, while the bottom eight move down a group. As a result, 24 teams move up the ladder and 24 head into a more difficult group for the second week of qualifiers.
Week 2 of the BMSD 2026 Promotion & Relegation stage runs from September 25 to September 27, with matches streaming live on the KRAFTON India Esports YouTube channel from 1:00 PM IST every day.
Tech
The Trump Administration Is Trying to Get Musk and X Out of a $137 Million EU Fine
The US government is trying to get Elon Musk and his social media platform X out of a $137 million fine by the European Union in an escalation of its criticism of the bloc’s tech rules.
The US Department of Justice said it had filed an application with the help of the Department of State to support a legal challenge by Musk to annul the case in the EU’s General Court. The Luxembourg-based court will now decide whether the US has a right to intervene.
The US government is arguing that it should be involved in the case to protect American companies. The fine is precedent-setting as the bloc’s first sanction under the Digital Services Act, which requires online platforms to do more to tackle illegal and harmful content, especially the largest sites. Many of those, which include Meta’s Facebook and Instagram, Google’s YouTube, and Microsoft’s LinkedIn, are headquartered in the US and contribute significantly to the US economy, it pointed out.
“We will not tolerate the European Commission engaging in regulatory overreach to try and control American engines of innovation and economic growth,” said assistant attorney general Brett A. Shumate of the Justice Department’s Civil Division.
The case also has “implications” for US-EU relations, it warned. The act has become a major source of tension between officials, with US President Donald Trump calling the penalties “overseas extortion.” Last year, he threatened imposing tariffs on any country implementing digital regulation, which he said were “all designed to harm, or discriminate against, American technology.” Vice President JD Vance has criticized the DS’s content moderation rules as “authoritarian censorship.”
The European Commission slapped X with the €120 million fine in December following a two-year-long investigation which found X had breached transparency obligations. Claiming users with blue checkmarks are “verified accounts” when they simply have to pay for the status is deceptive, the Commission ruled. X’s inaccessible and incomplete advertising repository and failure to provide access to public data for researchers is also hindering research into the platform’s risks, it said. In July, the Commission accepted X’s plan to fix the data access issues, which X now has six months to implement.
Both Musk and X launched appeals against the ruling on behalf of both parties in February. The EU’s investigation was “incomplete and superficial” and the interpretation of the DSA obligations “tortured,” they said. They also complained they had not been given “rights of defence … suggesting prosecutorial bias.”
Musk has also complained about the financial and administrative burden of heightened transparency requirements as governments globally try to get a better understanding of—and limit—social media platforms’ risks of harm. In July, he argued Australia’s “invasive” information-gathering powers within the country’s under-16 social media ban interfered with international law. At the time, professor of internet law at Queen Mary University of London, Julia Hörnle, told WIRED that Australian regulators were within their rights to order disclosures related to a company’s operations in that particular country.
Tech
The Aeropod automates soil aeration without robotics. See it at TechCrunch Disrupt.
Farmers around the world face a pressing problem: the equipment they use to till, plant, and harvest their fields is killing their margins. Studies have estimated that soil compaction can reduce yields by 20% to 60%.
Plowing can help, but it’s a laborious and expensive task that harms soil health in different ways. Muju Earth has developed an alternative, the Aeropod, which automatically aerates the soil without machinery or robotics. The startup says it can promote better soil health while cutting farmers’ tilling costs by half or more.
The device is “built like a seed, it sows like a seed, and it ships like a seed,” Afolayan said. The device is about the size of a fingernail, and farmers drop it in the soil alongside their seeds using the same equipment. There’s no need to till the soil in advance.
“It just really seems like a no-brainer,” Ifeoluwa Afolayan, the company’s co-founder and CEO, tells TechCrunch.
After the Aeropod is exposed to a combination of temperature, pressure, and moisture, it bursts open, loosening the soil and creating small channels that let air, water and roots move through it more easily.
Muju Earth — one of the 200 startups in this year’s TechCrunch Startup Battlefield at TechCrunch Disrupt in San Francisco in October — has tested its devices in lab settings and is embarking on paid field trials this fall in the UK. Nine farmers are participating, and the startup has more than 30 on a waitlist.
Its initial target market is onion growers in the UK since onions are particularly sensitive to soil compaction, Afolayan said.
Tilling a field once might cost around £250 to £400 per hectare when factoring in labor costs, diesel, and wear-and-tear on equipment, Afolayan said. Aeropods should produce similar results at just £100 per hectare, she said.
Aeropods were born during Afolayan’s and co-founder Wangyang Hu’s time at Imperial College London, where they sought to design a product that would improve farmers’ bottom lines while also aiding soil health. The Aeropod’s development was driven by a single question: “How do you make this as simple as sowing a seed?” Afolayan said. “That’s the most equitable practice across every farmer on the planet.”
In addition to farmers, the startup has also heard from companies developing biologic amendments — products added to soil, often containing living microbes, that boost or replace chemical fertilizers. Because those companies’ products work best in aerated soils, they’re interested in pairing with Aeropods.
But Afolayan said that farmers themselves have been leading adoption. Most of the marketing to date has been inbound. “The best thing about Aeropod is the farmers intuitively understand the proposition,” she said.
Muju Earth is one of 200 startups in this year’s TechCrunch Startup Battlefield, a pitch competition at TechCrunch Disrupt in San Francisco in October in which 20 finalists will present on the main stage.
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Tech
Appeals Court Lets the Pentagon Designate Anthropic a Supply-Chain Risk
Anthropic lost a legal battle to overturn one of the supply-chain risk labels that the US Department of Defense slapped on the company, as a federal appeals court in DC on Friday refused to second-guess the Trump administration.
“The department had ample support for its conclusion that the continued integration of Claude into the department’s information systems, by the department or its contractors, presented a statutorily covered national-security risk,” the judges wrote in a majority opinion. “As Anthropic admits, the company encodes restrictions into Claude that prevent the model from performing tasks that Anthropic wishes to prevent.”
Anthropic spokesperson Danielle Cohen says the company remains confident in its position and is considering all options. That could include appealing to a broader panel of the DC Circuit Court of Appeals or the US Supreme Court.
Earlier this year, the Pentagon sanctioned Anthropic under a pair of separate supply-chain laws to remove the company’s Claude AI models from the military and other parts of the federal government by this month. Anthropic executives have said that the company would not allow the government to deploy its current AI models to support autonomous weapons or domestic surveillance. Secretary of Defense Pete Hegseth deemed the stance a significant national security risk.
The laws designating Anthropic had to be challenged in separate courts. A federal judge in San Francisco tossed out one of the supply-chain risk labels in March and confirmed that decision last month, but Friday’s ruling means the other one will stay in place indefinitely, meaning the Pentagon’s blocking of Anthropic can continue. Both rulings face the prospect of years of appeals before being fully resolved.
In the immediate aftermath of the designations, Anthropic said it lost out on revenue because customers were concerned about doing business with a government pariah. Anthropic hasn’t provided further updates about how the designations have affected its bottom line. But the company has generally touted growing sales in recent months and is moving toward a potential initial public offering of its shares later this year.
Meanwhile, the Pentagon hasn’t provided detailed updates about its progress in replacing Claude with alternatives such as SpaceX’s Grok, Google’s Gemini, or OpenAI’s GPT models. Some employees at Google and OpenAI have objected to their employers striking a deal with the US military that Anthropic had rejected, citing ethical concerns. But the companies have brushed aside protests and described supporting the US government as crucial.
The new decision by a US appeals court in Washington, DC, was somewhat expected. In April the same panel declined to temporarily block the supply-chain-risk designation after finding that Anthropic failed to meet “stringent requirements” for an immediate reprieve.
During a hearing ahead of their ruling, the three judges on the panel challenged both Anthropic and the US government on their arguments and appeared divided on how to rule on blocking the designation completely. The final decision came in 2-1.
The majority also rejected Anthropic’s claims that its due process and free speech rights were violated, saying that the government followed procedure and that the dispute was standard contract negotiations. The Pentagon “excluded Anthropic from its supply chain based on the company’s refusal to assent to a contract term that the Department deemed essential, not based on the company’s support for greater governmental regulation of AI technology,” the judges wrote.
Anthropic had argued that the government had acted beyond what the supply-chain law allows. But for now, the Pentagon and much of the rest of the Trump administration will be able to continue to steer clear of Claude ahead of Anthropic’s expected IPO.
Tech
How Florida License Plate Laws Are Changing In October 2026
Florida has been in the headlines regarding its license plate laws over the past year, and now the state is making news in that area again. Starting October 1, 2026, Florida will require organizations that receive money from specialty license plates to provide more financial information to the state. This is being done to give the state more insight into how specialty plate revenue is expected to be used.
This law, SB 246, states that when a new specialty license plate is approved, the organization behind it will have 60 days to deliver a five-year projection to the Florida Department of Highway Safety and Motor Vehicles. The projection must show how much money the organization expects to bring in, how it will be spent, what administrative expenses the organization expects to have, and which third parties may receive some of the fees.
This change means that Florida will get several new specialty license plates, including plates for St. Petersburg College, the UFC, and the United States Naval Academy, among others. The state will also create an Endless Summer plate for motorcycles, and motorcycle, as well as motor-vehicle, registrations for the plate will be counted together when determining whether the plate must be discontinued under Florida’s existing law. Each new plate has specific rules for how its annual fees can be used, from scholarships to workforce development and more.
Florida’s current program for specialty license plates
Once an organization in Florida is approved for a new specialty license plate, the 60-day deadline to report its projections begins. If that report is not delivered, the organization’s specialty plate payments can be held until the next regular legislative session. If lawmakers do not give the state direction on what should happen to the money, the plate can be deauthorized. Any undistributed funds will then be transferred to the Highway Safety Operating Trust Fund.
Florida currently has rules governing how money from specialty license plates can be used. Groups and organizations that receive these fees must meet accountability requirements, including providing an annual audit confirming the funds were used as outlined by state law. The funds can typically not be used for commercial or for-profit activities. They also cannot be used for general administrative expenses unless specifically authorized by the state.
Florida already has a substantial specialty license plate program in place, with the state having authorized 132 specialty plates as of October 2025. Before a new plate can be manufactured, its sponsoring organization has to sell at least 3,000 presale vouchers within 24 months. Florida also has a 3,000-registration threshold for existing plates, which means the state can discontinue a plate if its registration numbers remain below that mark for a full year. Additionally, Florida has a limit of 135 specialty plates.
Tech
UK man sentenced to prison for selling thousands of pirated vinyl records
Music Piracy is Back: A recent case of “physical piracy” in the UK highlights the significant resurgence the recording industry is experiencing. Record labels are taking note, however, and trying to curb the growth of the unauthorized market that could accompany rising sales.
A Londoner named Rehan Ahmed sold thousands of vinyl records featuring music by popular artists, earning millions of pounds in the process. However, the vinyl discs were all “fake,” and Ahmed is now going to jail after being caught by police. Representatives from the music industry were instrumental in uncovering the illegal printing operation.
The BBC reports that 40-year-old Ahmed’s music “business” was caught in 2024 after a representative from the British Phonographic Industry (BPI) made a “test” purchase from his company, Phoenix of Vinyl. London police raided the premises soon after, discovering what the agency described as the largest archive of fake records ever found in the UK.
Ahmed had amassed a total of 2,791 vinyl records featuring music by 108 different artists, including popular stars such as Adele, Ariana Grande, Bad Bunny, Drake, Beyoncé, and Rihanna. Classic bands such as the Beatles were available as well, highlighting the forger’s attempt to cover different genres and eras of music.

Phoenix of Vinyl employed several methods to sell its unlicensed records. The company supplied records to London’s surviving music stores and sold directly to customers through online platforms such as eBay and Discogs. The discs were made using 70-year-old presses, which means they were genuine vinyl records from a manufacturing standpoint.
According to BPI director of content protection Peter Ratcliffe, Ahmed’s operation had stolen tens of millions of pounds from artists, record labels, and other professionals working in the music industry. Phoenix of Vinyl exploited the resurgence of physical music by creating a highly organized and highly profitable counterfeit operation.
Physical music is indeed enjoying a return to growth after being decimated by streaming platforms over the past couple of decades. The RIAA said revenue from CD audio music grew by 58.6% in the first quarter of 2026, while vinyl record revenue increased by 17.7% over the same period.
Now that physical media is making a comeback as a legitimate listening format, music pirates such as Ahmed are trying to make an easy buck from it. Ratcliffe said counterfeit records are damaging the legal music economy once again, while customers who fall prey to the illegal releases are being affected as well.
Ahmed pleaded guilty to operating the illegal business and copyright infringement, and is now set to spend the next three and a half years in prison.
Tech
Google Adds Talking Live Avatars to Gemini 3.8 Live for Enterprises
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Google just gave its newest live conversation model a face. Gemini 3.8 Live with Live Avatar became generally available on September 24 for Gemini Enterprise customers, one week after the audio-focused Gemini 3.8 Live models launched and months after a first look at Google Cloud Next 2026. The update generates a 24-frame-per-second video of an animated person or cartoon character whose mouth and expressions stay locked to the spoken words, pairing the existing speech model with low-latency streaming video in a single pass.
Google following Meta or Meta following Google?
Realtime avatar race got crowded FAST
Google just shipped Gemini 3.8 Live with Live Avatar.
it can see camera/screen input, keep talking while tools run in the background, and lip-sync across 97 languages.
custom avatars from… pic.twitter.com/d9nF06hy3o
— Fanfulla (@Fanfulladev) September 25, 2026
Live Avatar listens to any speech in real time, watches live camera feeds or screen sharing at one frame per second, and responds swiftly with a 24 kHz voice and a real-time moving face. Lip movements remain in sync even when moving from English to Japanese or any of 97 languages, and Google claims the quality never decreases or loses crispness. It can also display more information on the screen as the avatar continues to speak. Furthermore, affective dialog is the default, so the emotions will alter subtly in tandem with the tone of the words you’re saying.
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Businesses can choose from a library of pre-made faces, ranging from cartoon characters to very lifelike humans, and have them paired with a matching voice. Any organization on the approved list may simply provide a still photo, and the system will generate a personalized talking version that looks just like a live person while maintaining the original branding. In one instance, the avatar checked in a hotel guest in the middle of a conversation as the system ran booking tools in the background without halting the chat. Before you realize it, Live Avatar is being used in real life by shopping assistants and multilingual support representatives.
Those fluid interruptions function exactly the same as in the audio-only version, so a caller can simply jump in mid-sentence and the context remains intact, including any background work the avatar has already begun. There is no separate transcription step between what you say and what the face replies – this is all native speech-to-speech stuff.
Every second of music and video has an invisible watermark known as a SynthID, which later programs can use to verify that the clip was created by Live Avatar. Google also added some more identification precautions and keeps custom faces under review. Sessions are only a few minutes long (rather than hours as we would prefer), and they are slightly more expensive than using voice alone. As with all of those large models, the occasional delusion or slowness is still possible.
Gemini 3.8 Live with Live Avatar is now live on endpoints in the United States and the European Union, complete with the necessary configuration and typical enterprise security. The more powerful Gemini 3.8 Live Extended Thinking version is still in private preview and does not yet have the face feature. For the time being, the talking heads are entirely internal in company accounts, intended at support desks, product demos, virtual receptionists, interactive assistance that get to see what a customer is pointing to while they speak, and so on.
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