At the start of this year, it seemed like everybody was reminiscing about the year 2016. In January alone, Spotify saw a 790 percent increase in 2016-themed playlists. People were declaring that the 2026 vibe would match the feel-good vibes of 2016.
Tech
Gen Z is obsessing over 2016 songs, fashion and more. Why???
The only problem is that the experience of living through 2016 was far different from what Gen Z in particular remembers.
Daysia Tolentino is the journalist behind the newsletter Yap Year, where she’s been chronicling online affinity for the 2010s for almost a year now. Gen Z tends to blend all of the years together causing them to hype up the fun cultural parts and ignore the international and political turmoil that marked 2016. Tolentino says 2016 nostalgia might actually be a sign that young people are ready to break out of these cycles of nostalgia and reach for something new.
Tolentino spoke with Today, Explained host Astead Herndon about how 2016 has stuck with us and what our nostalgia for that time might reveal.
There’s much more in the full podcast, so listen to Today, Explained wherever you get your podcasts, including Apple Podcasts, Pandora, and Spotify.
Where did this 2016 trend start?
It’s been building up since last year, especially on TikTok. People have been slowly bringing back 2016 trends, whether that’s the mannequin challenge with the Black Beatles song, or pink wall aesthetics, and these really warm, hazy Instagram filters. When we entered the New Year in 2026, there were a lot of TikToks saying that 2026 was going to be like 2016.
I was curious about that. What does that even mean? I don’t actually think people know what that means at all. Then, a couple weeks ago, you see a lot of people on Instagram, especially peak Instagram influencers, posting themselves at their peak in 2016, which inspired everybody to post their own 2016 photos.
In your newsletter, you’ve tried to define what the 2016 mood board is. Can you explain that for me? When we’re thinking 2016 vibes, what do we mean?
When I look at 2016, I see makeup gurus on YouTube blow up at this time, and the makeup at the time is extremely maximalist. It’s very full glam, full beat, very matte, very colorful, some neon wigs at this time. You have the King Kylie of it all.
2016 was such a pivotal moment in internet culture. I think that is when we started to really enter this influencer era in full force. Prior to that, we had creators, but we didn’t have as much of this monetization infrastructure to make everything online an ad essentially. People were posting whatever they wanted to post.
It was the year that social media companies started pushing your news feed toward an engagement-based algorithm versus a friends-only chronological feed. In 2016, you see this flip toward influencer culture and this more put together easily consumable image and vibe to everything, and that trickles down into the culture of Instagram, so then people start posting as if they’re influencers themselves.
Even if you are a teenager like me at the time, if I look at my own Instagram, I could see my own posts mimicking influencers, becoming more polished, and becoming more aesthetic. I think people have missed that a lot, although I think people romanticize 2016 and forget a lot about what that year is actually like.
What do you think this says about 2026?
The entire 2020s so far, people on TikTok, especially young people, have been romanticizing the 2010s. I think, in general, people associate the 2010s with a sense of optimism, especially post-2012. Young people have grown up in such a tumultuous time with the pandemic, the economy, with politics and the world in general. It feels really hopeless at times, so people are looking back to that time that literally looked so sunny, and positive, and wonderful, and low stakes. I think it’s really easy for people to become really fixated on this time period, even if that wasn’t the actual reality, right?
Why do you think people are only cherry picking the good parts of 2016?
It was one of the last years in which we engaged in a monoculture together, and we had shared pieces of culture that we could remember. We could all remember “Closer” being on the radio like 24/7 at the time. I think a lot of people romanticized 2016, because it is the last time they remember unification in any way. It feels like the last kind of moment of normalcy before this decade of turmoil.
As much as there was so much change and disruption happening in 2016, whether that’s Donald Trump, whether that’s Brexit, or even the rise of Bernie Sanders, there were so many people who were so excited about that. I think there was a feeling of disruption that could be mistaken for general optimism. Then, this hope for something different to come that began in 2016 did not materialize in maybe the ways that people wanted them to. But I think a lot of people can remember that feeling and the shared culture that we all had that nobody really is able to share in these days.
I’m 32. I can’t imagine me 10 years ago thinking that the best years were behind me and not in front of me. Am I just being old, or does some of this feel like a generation that’s been raised on remakes and sequels looking back instead of looking forward?
Yeah, that is something I’m concerned about frequently. I’m 27; I shouldn’t be like, “Being 17 was the best years of my life.” It is too obsessed with looking back, because you are unable to imagine a better future forward. That is always really concerning. That is always an indication that there’s a loss of hope,
But, I think that this year, it seems like the energy from people online is about creating something new, and introducing friction, and moving forward from this constant need for escapism that the internet has provided us for the past 10 years. I have seen that rise alongside this nostalgia that has been so widely publicized and widely talked about.
I think people are ready for new things. I think people are ready to move on from constant escapism that the internet and social media brings, including constant nostalgia.
Tech
Cross-Country Skiing at Winter Olympics 2026 Free Streams
Cross-country skiing live streams at the 2026 Winter Olympics will inevitably see Norway claiming another clutch of medals in a test of technique, endurance and speed that’s been a mainstay of the games since its inception in 1924.
After the will-she-won’t-she compete saga, Therese Johaug has decided to stay in retirement. That opens up the women’s events, giving Jessie Diggins and Team USA a great chance of glory. Just don’t count out Swedes Jonna Sundling and Ebba Andersson, who dominated the World Championships in Trondheim last year.
Johannes Høsflot Klæbo in the men’s section, however, is about as close to an odds-on favorite as you can get in this discipline. The most successful cross-country skier in World Cup history, he swept the board with five golds at the World Champs and will be confident of adding to his five Olympic wins so far.
Here’s where to stream cross-country skiing live and watch Winter Olympics 2026 online from anywhere and potentially for FREE.
Watch Winter Olympics Cross-Country Skiing 2026 for FREE
Cross-Country Skiing at the Winter Olympics will be live streamed free in multiple locations across the globe including the UK, Canada, Australia and Ireland.
🇬🇧 UK: BBC iPlayer
🇨🇦 Canada: CBC Gem
🇦🇺 Australia: 9Now
🇮🇪 Ireland: RTÉ Player
Live in the US? All of the coverage provided by NBC, USA Network and CNBC is available for free thanks to the 21-day trial for YouTube TV.
What if you’re abroad? Olympics fans abroad can use Norton VPN to watch their usual streaming service from anywhere.
How to watch any Winter Olympics Cross-Country Skiing stream using a VPN
How to watch Winter Olympics Cross-Country Skiing live streams in the US
The Peacock streaming service should be your first port of call for cross-country skiing at the Winter Olympics, as it’s showing moment live.
You need at least a Peacock Premium subscription for access, with the Peacock price starting at $10.99 per month or $109.99 per year.
Alternatively, cord-cutting services like Sling TV carry NBC and USA Network, which will be showing parts of the event in Milano Cortina.
Outside the US during the Winter Olympics? Use Norton VPN to access your cross-country skiing coverage.
How to watch Winter Olympics Cross-Country Skiing live streams in the UK
In the UK, Winter Olympics coverage is shared between the BBC and TNT Sports.
One feed will run on BBC One or BBC Two, with live streaming available via BBC iPlayer, while a separate, digital-only feed will be available on iPlayer and the BBC Sport website.
The BBC’s coverage won’t be complete. Full cross-country skiing coverage is available on TNT Sports via the £3.99 Discovery+ base plan.
Travelling away from the UK? Use a VPN to watch cross-country skiing from anywhere in the world.
How to watch Winter Olympics Cross-Country Skiing live streams in Canada
In Canada, CBC has the rights to broadcast the 2026 Winter Olympics.
You can watch select events for free on CBC Sports, but for far more extensive live and on-demand coverage of Milano Cortina 2026 — including every minute of cross-country skiing — stream on CBC Gem.
If you aren’t in Canada for Milano Cortina, simply use a VPN to tune in from overseas.
How to watch Winter Olympics Cross-Country Skiing live streams in Australia
In Australia, 9Now and Stan Sport will showcase cross-country skiing.
9Now is home to select free-to-air coverage while Stan Sports (AU$32/month) is your paid comprehensive option.
Away from Australia right now? Use a VPN to watch 9Now or Stan Sport from abroad.
How to watch Winter Olympics Cross-Country Skiing live streams in New Zealand
In New Zealand, Sky Sport NZ is showing the Winter Olympics.
You can access Sky Sport through satellite TV or get a live stream with the Sky Sport Now subscription service, starting at $29.99 per day or $54.99 per month.
Missing the cross-country skiing due to commitments overseas? Norton VPN will give you access to your home streaming service.
Winter Olympics Cross-Country Skiing FAQs
What is the Winter Olympics Cross-Country Skiing schedule 2026?
(All times ET)
Saturday, February 7
7am – Women’s skiathlon
Sunday, February 8
6.30am – Men’s skiathlon
Tuesday, February 10
3.15am-7.25am – Women’s & men’s individual sprint classical
Thursday, February 12
7am – Women’s 10 km freestyle
Friday, February 13
5.45am – Men’s 10 km freestyle
Saturday, February 14
6am – Women’s 4 × 7.5 km relay
Sunday, February 15
6am – Men’s 4 × 7.5 km relay
Wednesday, February 18
3.45am-6.15am – Women’s & men’s team sprint freestyle
Saturday, February 21
5am – Men’s 50 km mass start classical
Sunday, February 22
4am – Women’s what is skiathlon
Can I watch Winter Olympics Cross-Country Skiing on my mobile?
Of course, most broadcasters have streaming services that you can access through mobile apps or via your phone’s browser – for example, Peacock, BBC iPlayer and CBC Gem all have mobile apps.
You can also stay up-to-date with all things Autumn Nations on the official social media channels on X (@MilanoCortina2026), YouTube (@Olympics) and Instagram (@milanocortina2026).
We test and review VPN services in the context of legal recreational uses. For example: 1. Accessing a service from another country (subject to the terms and conditions of that service). 2. Protecting your online security and strengthening your online privacy when abroad. We do not support or condone the illegal or malicious use of VPN services. Consuming pirated content that is paid-for is neither endorsed nor approved by Future Publishing.
Tech
‘Stumble’ Peacock Release Schedule: How to Watch More of the Comedy Series
Stumble — a new NBC sitcom about the world of junior college cheerleading that also streams on Peacock — won’t be entertaining crowds with a new episode this week. The series, which began airing in November, stars Jen Lyon as Courteney Potter, who gets fired from her job “one championship shy of being the winningest coach in college cheer history.” Stumble follows her as she leads a new, dysfunctional cheer team at Heådltston State Junior College in Oklahoma.
The show also features Taran Killam as Courteney’s husband, and recurring and guest stars include Kristin Chenoweth, Annaleigh Ashford, Busy Philipps and Jeff Hiller. Because of the 2026 Winter Olympics, there won’t be a new Stumble installment this week or next, per NBC. Here’s when you can catch up with the show’s ragtag cheerleading squad.
When to watch more Stumble on Peacock
Stumble will be back on screens later this month. The next episode of the mockumentary series will air on NBC on Friday, Feb. 20, and stream the following day on Peacock.
- Episode 10, Finals Week, premieres on NBC on Feb. 20 at 10:30 p.m. ET/10:30 p.m. PT. Streams on Peacock on Feb. 21.
Peacock offers three tiers, including a lower-priced option that includes NBC, Bravo and other TV shows. The downside is that you can’t watch Peacock Originals, movies or sports. Still, you could use the $8-per-month Select plan to watch Stumble and other shows like Yellowstone, The Office and Real Housewives. Peacock’s other plans are $11 per month Premium and $17 per month Premium Plus.
Tech
Driving Sim Handbrake Based On Load Cell
Simulator-style video games are designed to scale in complexity, allowing players to engage at anything from a casual level to highly detailed, realistic simulation. Microsoft Flight Simulator, for example, can be played with a keyboard and mouse, a controller, or a huge, expensive simulator designed to replicate a specific airplane in every detail. Driving simulators are similar, and [CNCDan] has been hard at work on his DIY immersive driving sim rig, with this hand brake as his latest addition.
For this build, [CNCDan] is going with a lever-style handbrake which is common in motorsports like drifting and rallying. He has already built a set of custom pedals, so this design borrows heavily from them. That means that the sensor is a load cell, which takes input force from a lever connected to it with a spring mechanism. The signal is sent to an Arduino for processing, which is set up to send data over USB like any joystick or controller. In this case, he’s using an Arduino that was already handling inputs from his custom shifter, so he only needed to use another input and add some code to get his handbrake added into his sim.
[CNCDan] built a version of this out of laser-cut metal parts, but also has a fully 3D printable one available as well. Plenty of his other videos about his driving rig are available as well, from the pedal assembly we mentioned earlier to the force-feedback steering wheel. It’s an impressive set of hardware with a feel that replicates racing about as faithfully as a simulator could. Interestingly, we’ve also seen this process in reverse as well where a real car was used instead as a video game controller.
Tech
Telly’s Plan For ‘Free’ Ad-Based TV Revolution Runs Into Quality Control Problems
from the inescapable-advertisements dept
Back in 2023 we noted how a company named Telly proclaimed it had come up with a new idea for a TV: a free TV, with a second small TV below it, that shows users ads pretty much all of the time. While the bottom TV could also be used for useful things (like weather or a stock tracker), the fact it was constantly bombarding you with ads was supposed to offset any need for a retail price.

But apparently there’s been trouble in innovation paradise.
Shortly after launch, Telly proclaimed that it expected to ship more than half a million of the ad-laden sets. Within a few months it had announced it had already received 250,000 pre-orders. But a recent report by Lowpass indicates that only 35,000 of the sets had made it to peoples’ homes.
What was the problem? Ars Technica, Lowpass and The Verge note that the problems began with a substandard shipping process that resulted in a lot of TVs showing up broken to folks who pre-ordered. Reddit is also full of complaints about general quality control issues, like color issues, ads being played too loudly, odd connectivity issues, remote controls randomly unpairing, and more.
Still, there’s evidence that the idea might still have legs, as the premise itself appears profitable:
“The investor update reportedly said Telly made $22 million in annualized revenue in Q3 2025. This could equate to about $52 in advertising revenue per Telly in use per month ($22 million divided by 35,000 TVs divided by 12 months in a year is $52.38).
That’s notably more than what other TV companies report, as Lowpass pointed out. As a comparison to other budget TV brands that rely heavily on ads and user tracking, Roku reported an average revenue per user (ARPU) of $41.49 for 2024. Vizio, meanwhile, reported an ARPU of $37.17 in 2024.”
The TV industry had already realized that they can make more money tracking your viewing and shopping behavior (and selling that information to dodgy data brokers) long term than they do on the retail value of the set. This just appears to be an extension of that concept, and if companies like Telly can get out of their own way on quality control, it’s likely you’ll see more of it.
In one sense that’s great if you can’t afford the newest and greatest TV set. It’s less great given that the United States is too corrupt to pass functional consumer privacy protections or keep its regulators staffed and functional, meaning there are increasingly fewer mechanisms preventing companies like this from exploiting all the microphone, input, and other data collected from users on a day-to-day basis.
I personally want the opposite experience; I’m willing to pay extra for a dumb television that’s little more than a display panel and some HDMI inputs. A device that has no real “smart” internals or bloated, badly designed GUI made by companies more interested in selling ads than quality control. Some business class TVs can sometimes fit the bill, but by and large it’s a segment the industry clearly isn’t interested in, because there’s much, much more money to be made spying on and monetizing your every decision.
Filed Under: ads, data brokers, privacy, security, television, tvs, video
Companies: telly
Tech
Motorola Solutions officially opens Cork R&D centre
The new hub focuses on software design for its public safety land mobile radio portfolio.
US telecoms company Motorola Solutions has officially opened its new global R&D centre in Cork city. The centre was initially announced in 2024 and will house nearly 200 employees across software engineering, design, development, testing, quality assurance and management.
The R&D centre in Cork’s Navigation Square focuses on software design for its public safety land mobile radio (LMR) portfolio.
LMR consists of a push-to-talk two-way communication system between radio transceivers, such as walkie-talkies. This system is used by public safety organisations like the police or ambulance services.
“Today’s LMR extends highly resilient voice capabilities to AI and advanced data applications,” said Mahesh Saptharishi, the executive vice-president and chief technology officer at Motorola Solutions.
“The work at Navigation Square underscores our relentless commitment to mission-critical communications that public safety agencies trust in their most demanding moments.”
The company’s new centre – supported with investment from IDA Ireland – expands Motorola Solutions’ existing footprint in the country following its acquisition of Tetra Ireland, the provider of Ireland’s National Digital Radio Service, in 2022.
IDA CEO Michael Lohan said that the new centre “highlights the continued attractiveness of Ireland’s stable business environment and our proven track record in supporting the world’s leading technology companies”.
“This investment reinforces our country’s reputation as a global hub for the technology sector, where world-class engineers can solve some of the most complex challenges of the modern era,” said Taoiseach Micheál Martin, TD.
Motorola Solutions has early‑career and education partnerships with University College Cork and Munster Technological University for internships that offer students hands-on, practical industry experience and mentorship.
The company also supports the Tech For Good programme to help provide schools in Cork with 3D printers and resources to promote STEM curriculums.
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Tech
Engineering isn’t ‘just a job’ for this senior process project engineer
Abbott’s Jasmine Swift discusses how a career in engineering is far more than just another nine to five.
“Growing up in an engineering household shaped my curiosity from an early age,” explains Jasmine Swift, a senior process project engineer at healthcare company Abbott.
“My father was an engineer and I was constantly surrounded by conversations about problem-solving, design and innovation.
“That exposure gave me a general understanding of engineering principles long before college, and it sparked a fascination with how things work.”
She “didn’t just see engineering as a job”, but instead regards it as a vehicle through which professionals can “create solutions that make life better”.
“That foundation, strengthened through my education and career experiences, made choosing this path feel natural. It’s a career where curiosity meets impact and that’s what drew me in.”
What’s the best thing about working in this field?
The best part is the sense of purpose and impact. Every project I work on contributes to improving health and nutrition for people around the world. That’s a powerful motivator. It’s not just engineering for the sake of engineering; it’s engineering that changes lives.
I also love the variety and challenge. STEM is never static. There’s always a new technology, a new problem to solve, or a new way to make processes more efficient and sustainable. It keeps me learning and growing every single day, and that’s something I value.
What’s the most exciting development you’ve witnessed in your sector since you started working in it?
The evolution of automation and data analytics has been incredible to witness. When I first started, many processes were still heavily manual, relying on operator experience and traditional controls. Today, we’re leveraging smart sensors, predictive modelling and real-time data to optimise performance and reduce variability.
What excites me most is how these technologies don’t just make processes faster, they make them smarter and more sustainable. For example, predictive maintenance can prevent downtime before it happens, and advanced analytics help us minimise waste and energy use.
It’s a shift from reactive to proactive, and it’s transforming how we think about manufacturing. Seeing this digital transformation unfold reminds me why I chose engineering – it’s about continuous improvement and shaping the future.
What aspect of your job did you struggle to get to grips with?
Early in my career, I struggled with stakeholder alignment. Engineering solutions aren’t just technical, they involve people, priorities, and timelines. I had to learn that success depends as much on communication and collaboration as it does on technical expertise.
It was a shift in mindset: moving from ‘I need to solve this problem’ to ‘I need to bring everyone along on the journey’. Over time, I developed skills in active listening, empathy and clear communication, which have made me a stronger leader and a better engineer.
How were challenges overcome?
One of the toughest challenges has been working on a project that started as a small initiative and then transformed into a significant and strategic project for our site – a project I’m still leading today.
The scale-up was enormous, and with it came increased visibility, tight timelines and high expectations. Managing this transition required me to shift from a technical mindset to a strategic leadership role. Suddenly, it wasn’t just about engineering solutions but about aligning stakeholders, managing risk, and keeping a diverse team motivated under pressure.
To navigate this, I focused on breaking the work into clear phases, building strong team dynamics and maintaining transparent communication. I also leaned heavily on mentorship and coaching to strengthen my leadership skills. This experience continues to teach me resilience, adaptability and the importance of collaboration. It’s a defining chapter in my career that proves growth often comes from stepping into discomfort.
If you had the power to change anything within the STEM sector, what would that be?
I would focus on making STEM careers more accessible and inclusive. When different perspectives come together, we create better solutions and stronger teams. But change needs to start early.
Too often, children grow up with a narrow view of what engineering looks like, typically imagining someone in a hard hat on a construction site. I’d love to see schools actively educate students about the wide range of engineering roles, from process design to data analytics to sustainability.
Showing young people the breadth of opportunities could inspire the next generation of innovators and break down stereotypes that limit potential.
Which of your personality traits makes you best suited to your job and this sector?
Curiosity and adaptability are at the heart of everything I do. Curiosity drives me to ask ‘why’ and ‘how’ every single day, whether it’s understanding a process, troubleshooting a problem or exploring new technologies. It keeps me learning and growing, even when the answers aren’t obvious.
Adaptability is equally important because STEM is constantly evolving. Projects change, priorities shift, and unexpected challenges arise. Being able to pivot quickly, stay calm under pressure and find creative solutions have been critical to my success.
I’d also add resilience and empathy. Resilience helps me push through setbacks without losing sight of the bigger picture, and empathy allows me to connect with people. Engineering isn’t just about machines and data; it’s about collaboration and understanding the human side of every decision.
Is there something in your personal life that helps you or has helped you in your job?
Definitely. Growing up with my father as an engineer gave me an early appreciation for problem-solving and innovation. That exposure gave me a foundation that I’ve built on through college and my career. Having that understanding early in life made technical concepts feel less intimidating and gave me confidence to tackle challenges head-on.
Over time, I’ve strengthened that base with formal education and hands-on experience, but the curiosity and logical thinking I learned at home still guide me every day. It’s a reminder that our roots often shape the way we lead and create.
How do you make connections with others in the STEM community?
For me, building connections is about being intentional and authentic. I actively seek out opportunities to engage through professional networks, industry conferences or internal groups like Women Leaders of Abbott. These spaces allow me to share ideas and learn from others. The STEM community thrives on collaboration, and every connection is a chance to learn something new or spark innovation.
What advice would you give to someone thinking about a career in your field?
Be curious and fearless. Engineering is about solving problems, and the best solutions often come from bold ideas and diverse perspectives. Don’t be afraid to ask questions, even the ‘simple’ ones, and seek opportunities that stretch you beyond your comfort zone.
One of my favourite insights from Brené Brown’s book Dare to Lead is that ‘clear is kind’. In STEM, clarity matters – whether you’re explaining a design, managing a project or leading a team. Communicate openly, set clear expectations and don’t shy away from tough conversations. It builds trust and makes collaboration stronger.
Also, remember that STEM isn’t just about technical skills; it’s about courage, creativity and connection. Build your network, find mentors and never stop learning. Every challenge is an opportunity to grow and every failure is a stepping stone towards success.
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Tech
CarPlay could soon support third-party AI voice assistants like ChatGPT
CarPlay could soon support more than just Siri, as Apple explores wider access for third-party voice tools.

Apple may open CarPlay to third-party AI assistants
It looks as though Apple is gearing up to allow third-party chatbots on CarPlay. This would allow users to query voice-enabled chatbots directly through the CarPlay interface.
Until now, Apple has kept voice assistants off CarPlay, save for its first-party assistant, Siri. However, with the slow rollout of the new, more personal Siri, Apple may feel the pressure to give its users options.
Continue Reading on AppleInsider | Discuss on our Forums
Tech
Intel confirms GPU development is heating up with internal builds and top hires aiming to aggressively challenge Nvidia’s dominance
- Intel is returning to GPUs to challenge Nvidia’s market leadership directly
- The company plans to produce GPUs internally for tighter manufacturing control
- Eric Demers joins Intel from Qualcomm as a key technical figure in GPU development
Intel chief executive Lip-Bu Tan has publicly confirmed internal work on graphics hardware remains active, directly addressing questions about whether the company intends to stay involved in that segment.
Speaking during the recent Cisco AI Summit, Tan said upcoming products will be built internally and that Intel’s manufacturing arm will also support production at scale.
When asked if Intel is going to build GPUs, Tan said, “I just hired the chief GPU architect, and he’s very good. I’m very delighted he joined me, and it takes some persuasion.”
Hiring decisions point to renewed technical focus
Tan’s comments makes clear Intel is deliberately expanding beyond its traditional CPU focus to challenge Nvidia in the GPU market.
The company does not intend to rely solely on external suppliers for these chips, and it wants tighter control over development and manufacturing.
As part of its efforts to produce GPUs, Intel recently hired Eric Demers, recruited from Qualcomm after more than a decade there.
While Demers is a central technical figure in the renewed graphics effort, broader oversight reportedly lies with data center executive Kevork Kechichian, who joined during a restructuring.
The addition of experienced leadership signals Intel’s seriousness about entering high-performance GPU markets, where Nvidia currently dominates both consumer and AI-focused workloads.
These appointments suggest that the company is trying to rebuild internal capability rather than simply rebrand older designs.
Analysts note that Intel’s approach could influence Nvidia’s strategy, especially as AI tools and accelerators continue to drive demand for specialized graphics hardware.
Intel’s renewed GPU push highlights the stakes in the market for AI and gaming accelerators, areas where Nvidia has maintained a strong lead.
GPUs are now central to both gaming and AI workloads, and Intel’s in-house effort positions it to compete directly in this high-margin segment.
By combining GPU development with internal manufacturing and leveraging its CPU ecosystem, Intel could offer integrated platforms attractive to enterprise and AI-focused customers.
While results are uncertain, Tan’s hiring choices suggest a sustained, deliberate push rather than a short-term experiment.
Investors and competitors are watching closely, as Intel’s entry may pressure Nvidia on pricing, product cycles, and ecosystem dominance.
Although Intel intends to be a long-term player in the GPU market, execution and performance will determine whether these plans alter competitive dynamics or remain a technical demonstration.
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Tech
Google and Microsoft-backed Terradot acquires carbon removal competitor
Carbon removal startup Terradot is acquiring competitor Eion, the two companies announced today. The sale was driven largely by big investors like sovereign wealth funds, which want to work with companies that can handle large contracts. Eion was simply too small, Eion CEO Anastasia Pavlovic Hans told The Wall Street Journal.
Both companies spread pulverized rocks on farm fields to absorb carbon dioxide from the atmosphere. Known as enhanced rock weathering (EWR), it speeds up a natural process and has the potential to be a low-cost way to remove carbon, but it requires large and distributed operations. The spread between what EWR companies would like to charge and what buyers would like to pay remains wide, according to a survey by CDR.fyi.
California-based Terradot’s operations are centered on Brazil, where the company works with basalt as its mineral of choice, while Eion works in the U.S. and uses olivine. Terradot’s investor list includes Gigascale Capital, Google, Kleiner Perkins, and Microsoft, while Eion’s investors include AgFunder, Mercator Partners, and Overture.
Tech
‘Wicked: For Good’ Is Coming to Streaming. Here’s What You Can Watch
Wicked: For Good is the second half of Universal Pictures’s epic tale about the witches of Oz and how their relationship has soured since the events of the first movie. The sequel, which debuted at the top of the global box office, is the biggest opening ever for a Broadway musical adaptation.
Get ready to relive the magic as Wicked: For Good is coming to streaming.
The movie picks up with Glinda (Ariana Grande) as the leader of Emerald City. Elphaba (Cynthia Erivo), now known as The Wicked Witch of the West, has been ostracized and forced into exile. Thanks to the arrival of a mysterious girl from Kansas, the two must face their past in order to save their present.
The movie was directed by Jon M. Chu and also stars Jonathan Bailey, Ethan Slater, Bowen Yang, Marissa Bode, Michelle Yeoh and Jeff Goldblum. Wicked: For Good bonus features include director commentary, behind-the-scenes featurettes and a full-length sing-along version of the movie.
Read on to find out when Wicked: For Good will hit streaming, along with more information on how a VPN can improve your viewing experience.
Read more: Here Are the Ways You Can Get Peacock Premium for Free
When to watch Wicked: For Good on Peacock
Viewers in the US can start watching the celebrated musical on Peacock starting Friday, March 20.
There are two Peacock plans to choose from. The cheaper Peacock Premium costs $11 a month or $110 a year and includes ads. Peacock Premium Plus and costs $17 a month or $170 a year. This tier includes downloads, your live local NBC station and is mostly ad-free.
How to watch Wicked: For Good with a VPN
If you’re traveling abroad and want to keep up with your favorite shows, a VPN can enhance your privacy and security when streaming. It encrypts your traffic and prevents your internet service provider from throttling your speeds. It can be helpful when connecting to public Wi-Fi networks while traveling, adding an extra layer of protection for your devices and logins.
VPNs are legal in many countries, including the US and Canada, and can be used for legitimate purposes such as improving online privacy and security. However, some streaming services may have policies restricting VPN use to access region-specific content. If you’re considering a VPN for streaming, check the platform’s terms of service to ensure compliance.
ExpressVPN is our best VPN pick for people who want a reliable and safe VPN. The service is compatible with a variety of devices. It typically costs $13 a month but if you sign up for an annual subscription for $100, you will get four months free and save 70%. Note that ExpressVPN offers a 30-day money-back guarantee.
If you choose to use a VPN, follow the provider’s installation instructions to ensure you’re connected securely and in compliance with applicable laws and service agreements. Some streaming platforms may block access when a VPN is detected, so verifying if your streaming subscription allows VPN usage is crucial.
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