Directors Phil Lord and Christopher Miller have delivered one of the must-see movies of 2026 with the new sci-fi comedy, Project Hail Mary. Based on the novel by Andy Weir, Project Hail Mary begins with Dr. Ryland Grace (Ryan Gosling) waking on a spaceship with no memory of who he is. He eventually remembers that he was sent into space to help prevent the Sun and humanity from dying, and he befriends a “crab-rock” alien (James Ortiz) on a similar quest.

Driven by a talented cast and crew, Project Hail Mary delivers a massive, majestic blockbuster that blends a thrilling alien adventure with heartfelt human drama. Fans of classic sci-fi movies like The Martian, 2001: A Space Odyssey, and Interstellar will enjoy Project Hail Mary, which has already established itself as a modern masterpiece.

Ryan Gosling and Rocky are a dynamic duo

Similar to The Martian, another Andy Weir book adaptation, Project Hail Mary depicts a comedic everyman’s journey of survival in space. Unlike Matt Damon in the former, Ryan Gosling’s character seems like the last person who should be an astronaut. From minute one, Gosling sells the fact that Grace is just an ordinary guy thrown way out of his element when he is called to save humanity from extinction.

Gosling has proven himself capable of leading thrilling sci-fi films like Blade Runner 2049 and First Man. However, Grace is not the cool, confident hero seen in those films. Instead, we see him as the kind of bumbling fool role Gosling played in The Nice Guys, re-establishing the latter’s range as an actor.

Project Hail Mary has also given us a new alien icon in Rocky, whose chemistry with Grace is off the charts. He rolls into Grace’s ship with the excitement and curiosity of a golden retriever, and they become like college roommates as they try to live and work together.

His garbled, rapid-fire dialogue brings plenty of comic relief to the story, harkening back to the robots seen in The Mitchells vs. The Machines. He also brings plenty of love, showing extraordinary care and loyalty to Grace as he tries to save his people and the people of Earth. Whatever Rocky’s body is made out of, his heart is pure gold.

Phil Lord and Christopher Miller’s unique direction

Phil Lord and Christopher Miller shared the director’s chair for Project Hail Mary for the first time since briefly helming 2018’s Solo: A Star Wars Story. While it was a while since the duo directed a feature film, we’ve seen their clever, subversive storytelling in their animated Spider-Man movies, which feature the kind of quirky, self-referential humor found in Project Hail Mary.

Much like Lord and Miller’s previous films, Project Hail Mary is a metamodern space movie that references and pays homage to classics like Apollo 13, Close Encounters of the Third Kind, and 2001. It’s not trying to be a groundbreaking film, but it does deliver a fresh and enjoyable cinematic experience. It’s not every day you see Ryan Gosling singing karaoke on a holodeck with an alien crab-rock.

“One thing about this story that’s unique is that a lot of films are about someone who feels at home on Earth, wakes up in space, and they feel lonely. This is a movie about someone who feels lonely on Earth. They go to space and find a friend,” Lord said to BFI. We wanted space to be, in a funny way, inviting. The old vacuum of space is actually warm and inviting. You’re closer to heaven. The way the film is textured visually, we wanted it to feel more homey.”  

In Project Hail Mary, Lord and Miller continue to infuse their comedic stories with genuine heart and hope. Behind Grace’s star-faring adventure with an alien rock is a portrait of a man discovering his courage after suffering crippling self-doubt. He’s an unconventional hero, but he discovers his courage by learning to believe in himself and finding a friend to fight for.

However, Lord and Miller can’t take all the credit, as the film’s witty, soulful writing was put to paper by Oscar-nominated screenwriter Drew Goddard. Having penned the scripts for sci-fi classics like Cloverfield and The Martian, Goddard helped Lord and Miller bring Grace and Rocky’s story to the big screen with great humor and humanity.

“In Project Hail Mary, the main character is a fish out of water,” Goddard said in an interview with Variety. “You need it to feel rough around the edges, even a little sloppy. We don’t want to feel like he’s a perfect astronaut. And then there’s the character of Rocky…Phil and Chris thrive in finding the humanity inside of these crazy characters. That’s what this film required.”

A spectacular feat of filmmaking

While Lord and Miller led Project Hail Mary to success, they had some other incredible artists helping them bring Weir’s story to the big screen. They scored big when they hired Greig Fraser, who has proven himself one of Hollywood’s best cinematographers with his stunning work on Rogue One, The Batman, and Dune: Part One and Part Two.

Fraser dazzles his audience once again with his radiant visuals in Project Hail Mary, capturing the scale and beauty of Grace and Rocky’s journey through space. The cinematography reaches its peak when Grace harvests Astrophage from the planet Adrian, floating in a sparkling red stream that leaves us staring in awe.

The cinematography is especially mind-blowing considering that not a single green or blue screen was used to create the film’s shots, according to Lord and Miller. The film becomes even more stellar thanks to a beautiful original score from composer Daniel Pemberton (Spider-Man: Across the Spider-Verse).

Much like the film itself, the music blends different tracks and genres to create a unique experience for audiences. One minute, Grace and Rocky waltz across the stars to the sound of a French accordion. The next, Grace launches probes into space as The Beatles rock out in the background.

With such incredible characters, writing, visuals, and music, Project Hail Mary has lit up cinemas like no other film this year so far. We still have plenty of exciting sci-fi films to look forward to, such as Spider-Man: Brand New Day, Dune: Part Three, Disclosure Day, and Avengers: Doomsday. However, it is safe to say that Project Hail Mary will go down as one of the best and biggest blockbusters of 2026.

Apple is about to roll out iOS 26.4, and the final release notes suggest this is a feature-heavy update rather than a minor tweak.

With the release candidate now in the hands of developers, the public launch is expected as early as next week.

A big chunk of the update focuses on Apple Music. There’s a new Playlist Playground (beta) feature that builds playlists from simple text prompts, generating everything from the tracklist to a title and description. A new Concerts tool surfaces nearby gigs based on your listening habits.

As AI technology continues to develop and evolve, one of the key use cases is set to be robotics, as humans employ some extra assistance across work and home lives.

Nvidia has been one of the biggest proponents of next-gen robotics, with CEO Jensen Huang outlining at its GTC 2026 event how every major company is working with Nvidia in some way.

CEO Hou Zelong anticipates the S$45 million Chinese spa to reach breakeven in four years

When House+ Bubble announced its arrival in Singapore, it quickly became one of the most talked-about spa openings here.

But the buzz has proven short-lived. The S$45 million Chinese spa complex, touted as Singapore’s largest 24-hour facility of its kind, has come under scrutiny over hygiene lapses, inconsistent service, and even allegations of staff mistreatment—issues that have sparked debate online and dampened initial excitement.

Still, CEO Hou Zelong is taking it in stride.

“Though we have received criticism, we humbly accept it and will improve,” he said in a recent interview with The Straits Times, adding that the business continues to see support despite the backlash.

“We still have many supporters; we just have to sort ourselves out.”

Even as the company works to regain footing, its rollout has hit a few bumps.

The spa claims to have an average of 300 visitors per day

House+ Bubble is currently operating in a half-open state following its soft launch, during which guests could access the spa, massage services, pools, and dining areas for a S$49 entry fee.

In response to the backlash, the spa temporarily closed its bathing pools on Mar 3 for what it described as “internal facility adjustments,” while reducing the fee to S$39.

The spa was initially slated for an official opening in mid-Mar, but this has since been pushed back to an unconfirmed date before May as the team continues to fine-tune operations.

If the May opening goes according to plan, it will span approximately 49,000 sq ft, eventually reaching nearly 100,000 sq ft once fully completed.

Despite the delay, House+ Bubble is already looking ahead. According to Hou, the operator is scouting new locations, confident that demand could support one or two additional outlets.

Currently, the spa claims to welcome an average of 300 visitors each day, about 60% of whom are locals. Hou anticipates the business will reach breakeven within four years.

Hygiene complaints & staff mistreatment allegations

Earlier this month, reports highlighted that House+ Bubble’s launch had been overshadowed by mounting criticism, just about a week into its operations.

Online reviews and social media posts have highlighted hygiene issues, inconsistent pool temperatures, and misleading advertising—such as claims of “unlimited massages” that only applied to massage chairs during the soft launch.

Bathrooms and shared amenities were also reportedly in poor condition, with combs showing visible dandruff and communal skincare bottles containing stray hairs.

Staffing concerns have also emerged.

Some employees reportedly left after short stints due to “poor management” and limited breaks during long shifts, creating manpower shortages that have compounded operational issues.

While the spa did not respond to Vulcan Post’s queries, Hou told The Straits Times that it has become clear a faithful reproduction of the Chinese spa business model does not translate seamlessly to the Singapore market.

One key change underway is the revamp of its membership scheme.

The original model had tiered memberships starting at S$500, which granted preferential rates on add-ons such as restaurant buffets and a range of treatments—a setup that drew criticism from some early customers.

The new approach will bundle access and remove unpopular add-on costs, aiming to provide clearer value, Hou said.

Close to a month since its soft launch, which served as a testing period, Hou concluded that a simpler and more straightforward approach resonates better with Singaporean customers.

“We are not just a bathhouse or spa”

Adding to House+ Bubble’s challenges is growing competition in Singapore’s wellness scene, with at least 10 recovery-focused venues having opened over the past two years.

Yet, Hou remains unfazed.

“We’re not just a bathhouse or spa. We have attractions for many different groups. It is a comprehensive leisure complex,” he told The Straits Times.

The spa’s current offerings include hot spring pools, steam rooms, and massage services. The women’s section features a Himalayan salt therapy room, while the men’s area offers a mugwort herbal room.

Soon, a VIP KTV room the size of a small apartment and a teppanyaki grill to complement an expanded buffet menu are expected to open.

When fully operational, House+ Bubble will expand its range of offerings to include a cinema, meditation room, and e-sports lounge alongside its hot pools and saunas. It will also introduce kid-friendly zones, ice baths, mixed-gender pools, and a storm bath designed to simulate squalls and lightning.

• Read other articles we’ve written on Singaporean businesses here.

Featured Image Credit: House+ Bubble

• Amazon reportedly has plans for another smartphone
• The original Fire Phone launched in 2014
• AI and shopping are said to be central to the new device

You’d be forgiven for not remembering the Amazon Fire Phone, as it launched in June 2014 and lasted just a year or so before production ceased and sales were discontinued. Well, it appears that Amazon fancies another crack at the smartphone market.

According to Reuters, a device with the codename ‘Transformer’ is in development at Amazon — although it’s not clear from the inside sources speaking to Reuters when this phone might see the light of day or how much it could cost.

Remember when Japan sent a spacecraft to an asteroid 180 million miles away to scoop some dirt off the surface? Six years on from its arrival to Earth, that sample has yielded some insights about what may have seeded life on our planet. Read on to learn more about the latest findings, and other science news we found interesting this week.

DNA ingredients on Ryugu

In 2020, a capsule from the Japanese space probe Hayabusa2 returned to Earth with samples collected from the surface of asteroid Ryugu, and scientists have spent the subsequent years analyzing those materials for clues about the conditions that existed in the early solar system. This week, researchers from Japan reported an exciting discovery: the Ryugu samples contain the five building blocks of DNA and RNA. The findings, coupled with those from other recent studies, could put us closer to understanding how the ingredients for life first made it to Earth billions of years ago.

The study, published in the journal Nature Astronomy, found the nucleobases adenine, guanine, cytosine, thymine and uracil — all of which were also found in samples gathered from a different asteroid, Bennu, last year, and before that in meteorites dubbed Murchison and Orgueil. This suggests these nucleobases were widespread in the early solar system, and supports the hypothesis that carbonaceous asteroids like Ryugu and Bennu transported them to Earth, the authors explain in the paper. Ammonia was discovered in the samples as well, which may play a role in how these nucleobases formed.

The discovery of these building blocks “does not mean that life existed on Ryugu,” Toshiki Koga, the study’s lead author from the Japan Agency for Marine-Earth Science and Technology, told AFP. “Instead, their presence indicates that primitive asteroids could produce and preserve molecules that are important for the chemistry related to the origin of life.”

Bacteria collaborate to eat plastic waste

Researchers in Germany have identified a trio of bacteria that can digest a common plastic additive, but only when working together. The study published in the journal Frontiers in Microbiology found that a “consortium” of bacterial strains (two from species in the genus Pseudomonas and one from Microbacterium) was able to break down several phthalate esters (PAEs), which are often used to make plastic materials more flexible. These chemicals are increasingly finding their way into the environment as plastic pollution grows, and research suggests they can have harmful effects on human health and that of wildlife.

The team focused on microbes that could be found right at home in their own lab, taking a sample of biofilm that had formed on the polyurethane tubing of a bioreactor. This sample was then incubated in a growth medium containing the PAE diethyl phthalate (DEP) as the main source of carbon and energy. They eventually ended up with a stable culture of bacteria that could break down DEP, as long as the DEP concentration didn’t exceed 888 milligrams per liter, according to a press release. The consortium could gobble up all the DEP in 24 hours at 30 degrees C. It was also able to grow on the PAEs dimethyl phthalate, dipropyl phthalate and dibutyl phthalate.

The researchers identified the bacteria in the consortium through DNA sequencing, but found that they were not individually able to tackle the PAEs, suggesting they break down the chemicals through a “cooperative process” known as cross-feeding. The consortium could make for another tool in the pollution-fighting toolbox, with potential to help break down PAEs in contaminated areas or speed up the degradation of plastics that contain PAEs by making them more brittle. “This approach may also be effective in treating industrial plastic waste streams,” they note.

Hubble witnesses a breakup

Newly released images from the Hubble Space Telescope show the unexpected breakup of Comet C/2025 K1 (ATLAS) — Comet K1, for short — as it made its way out of the solar system back in November. A team of researchers that initially set out to observe a different comet ended up switching targets due to technical issues, only to catch Comet K1 right after it started crumbling. Hubble captured three 20-second images between November 8 and November 10 2025, the first of which the team estimates was about eight days after the fragmenting started. During the observation period, one of the comet’s smaller pieces began to break up too. Talk about being in the right place at the right time.

“Never before has Hubble caught a fragmenting comet this close to when it actually fell apart,” said John Noonan, a research professor in the Department of Physics at Auburn University, in a statement. “Most of the time, it’s a few weeks to a month later. And in this case, we were able to see it just days after.” You can read more about the rare sighting here.

Before you go, be sure to check these stories out too:

• States are suing the EPA for relinquishing its role as a greenhouse gas emissions regulator

• Blue Origin also wants to put AI data centers in space