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Lunar Radio Telescope to Unlock Cosmic Mysteries

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Isolation dictates where we go to see into the far reaches of the universe. The Atacama Desert of Chile, the summit of Mauna Kea in Hawaii, the vast expanse of the Australian Outback—these are where astronomers and engineers have built the great observatories and radio telescopes of modern times. The skies are usually clear, the air is arid, and the electronic din of civilization is far away.

It was to one of these places, in the high desert of New Mexico, that a young astronomer named Jack Burns went to study radio jets and quasars far beyond the Milky Way. It was 1979, he was just out of grad school, and the Very Large Array, a constellation of 28 giant dish antennas on an open plain, was a new mecca of radio astronomy.

But the VLA had its limitations—namely, that Earth’s protective atmosphere and ionosphere blocked many parts of the electromagnetic spectrum, and that, even in a remote desert, earthly interference was never completely gone.

Could there be a better, even lonelier place to put a radio telescope? Sure, a NASA planetary scientist named Wendell Mendell, told Burns: How about the moon? He asked if Burns had ever thought about building one there.

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“My immediate reaction was no. Maybe even hell, no. Why would I want to do that?” Burns recalls with a self-deprecating smile. His work at the VLA had gone well, he was fascinated by cosmology’s big questions, and he didn’t want to be slowed by the bureaucratic slog of getting funding to launch a new piece of hardware.

But Mendell suggested he do some research and speak at a conference on future lunar observatories, and Burns’s thinking about a space-based radio telescope began to shift. That was in 1984. In the four decades since, he’s published more than 500 peer-reviewed papers on radio astronomy. He’s been an adviser to NASA, the Department of Energy, and the White House, as well as a professor and a university administrator. And while doing all that, Burns has had an ongoing second job of sorts, as a quietly persistent advocate for radio astronomy from space.

And early next year, if all goes well, a radio telescope for which he’s a scientific investigator will be launched—not just into space, not just to the moon, but to the moon’s far side, where it will observe things invisible from Earth.

“You can see we don’t lack for ambition after all these years,” says Burns, now 73 and a professor emeritus of astrophysics at the University of Colorado Boulder.

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The instrument is called LuSEE-Night, short for Lunar Surface Electromagnetics Experiment–Night. It will be launched from Florida aboard a SpaceX rocket and carried to the moon’s far side atop a squat four-legged robotic spacecraft called Blue Ghost Mission 2, built and operated by Firefly Aerospace of Cedar Park, Texas.

Illustration of a four-legged structure with solar panels on the sides on the surface of the moon. In an artist’s rendering, the LuSEE-Night radio telescope sits atop Firefly Aerospace’s Blue Ghost 2 lander, which will carry it to the moon’s far side. Firefly Aerospace

Landing will be risky: Blue Ghost 2 will be on its own, in a place that’s out of the sight of ground controllers. But Firefly’s Blue Ghost 1 pulled off the first successful landing by a private company on the moon’s near side in March 2025. And Burns has already put hardware on the lunar surface, albeit with mixed results: An experiment he helped conceive was on board a lander called Odysseus, built by Houston-based Intuitive Machines, in 2024. Odysseus was damaged on landing, but Burns’s experiment still returned some useful data.

Burns says he’d be bummed about that 2024 mission if there weren’t so many more coming up. He’s joined in proposing myriad designs for radio telescopes that could go to the moon. And he’s kept going through political disputes, technical delays, even a confrontation with cancer. Finally, finally, the effort is paying off.

“We’re getting our feet into the lunar soil,” says Burns, “and understanding what is possible with these radio telescopes in a place where we’ve never observed before.”

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Why Go to the Far Side of the Moon?

A moon-based radio telescope could help unravel some of the greatest mysteries in space science. Dark matter, dark energy, neutron stars, and gravitational waves could all come into better focus if observed from the moon. One of Burns’s collaborators on LuSEE-Night, astronomer Gregg Hallinan of Caltech, would like such a telescope to further his research on electromagnetic activity around exoplanets, a possible measure of whether these distant worlds are habitable. Burns himself is especially interested in the cosmic dark ages, an epoch that began more than 13 billion years ago, just 380,000 years after the big bang. The young universe had cooled enough for neutral hydrogen atoms to form, which trapped the light of stars and galaxies. The dark ages lasted between 200 million and 400 million years.

timeline visualization

LuSEE-Night will listen for faint signals from the cosmic dark ages, a period that began about 380,000 years after the big bang, when neutral hydrogen atoms had begun to form, trapping the light of stars and galaxies. Chris Philpot

“It’s a critical period in the history of the universe,” says Burns. “But we have no data from it.”

The problem is that residual radio signals from this epoch are very faint and easily drowned out by closer noise—in particular, our earthly communications networks, power grids, radar, and so forth. The sun adds its share, too. What’s more, these early signals have been dramatically redshifted by the expansion of the universe, their wavelengths stretched as their sources have sped away from us over billions of years. The most critical example is neutral hydrogen, the most abundant element in the universe, which when excited in the laboratory emits a radio signal with a wavelength of 21 centimeters. Indeed, with just some backyard equipment, you can easily detect neutral hydrogen in nearby galactic gas clouds close to that wavelength, which corresponds to a frequency of 1.42 gigahertz. But if the hydrogen signal originates from the dark ages, those 21 centimeters are lengthened to tens of meters. That means scientists need to listen to frequencies well below 50 megahertz—parts of the radio spectrum that are largely blocked by Earth’s ionosphere.

Which is why the lunar far side holds such appeal. It may just be the quietest site in the inner solar system.

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“It really is the only place in the solar system that never faces the Earth,” says David DeBoer, a research astronomer at the University of California, Berkeley. “It really is kind of a wonderful, unique place.”

For radio astronomy, things get even better during the lunar night, when the sun drops beneath the horizon and is blocked by the moon’s mass. For up to 14 Earth-days at a time, a spot on the moon’s far side is about as electromagnetically dark as any place in the inner solar system can be. No radiation from the sun, no confounding signals from Earth. There may be signals from a few distant space probes, but otherwise, ideally, your antenna only hears the raw noise of the cosmos.

“When you get down to those very low radio frequencies, there’s a source of noise that appears that’s associated with the solar wind,” says Caltech’s Hallinan. Solar wind is the stream of charged particles that speed relentlessly from the sun. “And the only location where you can escape that within a billion kilometers of the Earth is on the lunar surface, on the nighttime side. The solar wind screams past it, and you get a cavity where you can hide away from that noise.”

How Does LuSEE-Night Work?

LuSEE-Night’s receiver looks simple, though there’s really nothing simple about it. Up top are two dipole antennas, each of which consists of two collapsible rods pointing in opposite directions. The dipole antennas are mounted perpendicular to each other on a small turntable, forming an X when seen from above. Each dipole antenna extends to about 6 meters. The turntable sits atop a box of support equipment that’s a bit less than a cubic meter in volume; the equipment bay, in turn, sits atop the Blue Ghost 2 lander, a boxy spacecraft about 2 meters tall.

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A person wearing a hairnet, facemask, and vinyl gloves working on a shiny metal apparatus.

A photo of people wearing hairnets, facemasks, and vinyl gloves working on a shiny metal apparatus.

A person wearing a hairnet, facemask, and vinyl gloves working on a shiny metal apparatus. LuSEE-Night undergoes final assembly [top and center] at the Space Sciences Laboratory at the University of California, Berkeley, and testing [bottom] at Firefly Aerospace outside Austin, Texas. From top: Space Sciences Laboratory/University of California, Berkeley (2); Firefly Aerospace

“It’s a beautiful instrument,” says Stuart Bale, a physicist at the University of California, Berkeley, who is NASA’s principal investigator for the project. “We don’t even know what the radio sky looks like at these frequencies without the sun in the sky. I think that’s what LuSEE-Night will give us.”

The apparatus was designed to serve several incompatible needs: It had to be sensitive enough to detect very weak signals from deep space; rugged enough to withstand the extremes of the lunar environment; and quiet enough to not interfere with its own observations, yet loud enough to talk to Earth via relay satellite as needed. Plus the instrument had to stick to a budget of about US $40 million and not weigh more than 120 kilograms. The mission plan calls for two years of operations.

The antennas are made of a beryllium copper alloy, chosen for its high conductivity and stability as lunar temperatures plummet or soar by as much as 250 °C every time the sun rises or sets. LuSEE-Night will make precise voltage measurements of the signals it receives, using a high-impedance junction field-effect transistor to act as an amplifier for each antenna. The signals are then fed into a spectrometer—the main science instrument—which reads those voltages at 102.4 million samples per second. That high read-rate is meant to prevent the exaggeration of any errors as faint signals are amplified. Scientists believe that a cosmic dark-ages signature would be five to six orders of magnitude weaker than the other signals that LuSEE-Night will record.

The turntable is there to help characterize the signals the antennas receive, so that, among other things, an ancient dark-ages signature can be distinguished from closer, newer signals from, say, galaxies or interstellar gas clouds. Data from the early universe should be virtually isotropic, meaning that it comes from all over the sky, regardless of the antennas’ orientation. Newer signals are more likely to come from a specific direction. Hence the turntable: If you collect data over the course of a lunar night, then reorient the antennas and listen again, you’ll be better able to distinguish the distant from the very, very distant.

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What’s the ideal lunar landing spot if you want to take such readings? One as nearly opposite Earth as possible, on a flat plain. Not an easy thing to find on the moon’s hummocky far side, but mission planners pored over maps made by lunar satellites and chose a prime location about 24 degrees south of the lunar equator.

Other lunar telescopes have been proposed for placement in the permanently shadowed craters near the moon’s south pole, just over the horizon when viewed from Earth. Such craters are coveted for the water ice they may hold, and the low temperatures in them (below -240 °C) are great if you’re doing infrared astronomy and need to keep your instruments cold. But the location is terrible if you’re working in long-wavelength radio.

“Even the inside of such craters would be hard to shield from Earth-based radio frequency interference (RFI) signals,” Leon Koopmans of the University of Groningen in the Netherlands, said in an email. “They refract off the crater rims and often, due to their long wavelength, simply penetrate right through the crater rim.”

RFI is a major—and sometimes maddening—issue for sensitive instruments. The first-ever landing on the lunar far side was by the Chinese Chang’e 4 spacecraft, in 2019. It carried a low-frequency radio spectrometer, among other experiments. But it failed to return meaningful results, Chinese researchers said, mostly because of interference from the spacecraft itself.

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The Accidental Birth of Radio Astronomy

Sometimes, though, a little interference makes history. Here, it’s worth a pause to remember Karl Jansky, considered the father of radio astronomy. In 1928, he was a young engineer at Bell Telephone Laboratories in Holmdel, N.J., assigned to isolate sources of static in shortwave transatlantic telephone calls. Two years later, he built a 30-meter-long directional antenna, mostly out of brass and wood, and after accounting for thunderstorms and the like, there was still noise he couldn’t explain. At first, its strength seemed to follow a daily cycle, rising and sinking with the sun. But after a few months’ observation, the sun and the noise were badly out of sync.

Black and white photo of a man standing in a field in front of a large structure made of crisscrossing segments and resting on wheels. In 1930, Karl Jansky, a Bell Labs engineer in Holmdel, N.J., built this rotating antenna on wheels to identify sources of static for radio communications. NRAO/AUI/NSF

It gradually became clear that the noise’s period wasn’t 24 hours; it was 23 hours and 56 minutes—the time it takes Earth to turn once relative to the stars. The strongest interference seemed to come from the direction of the constellation Sagittarius, which optical astronomy suggested was the center of the Milky Way. In 1933, Jansky published a paper in Proceedings of the Institute of Radio Engineers with a provocative title: “Electrical Disturbances Apparently of Extraterrestrial Origin.” He had opened the electromagnetic spectrum up to astronomers, even though he never got to pursue radio astronomy himself. The interference he had defined was, to him, “star noise.”

Thirty-two years later, two other Bell Labs scientists, Arno Penzias and Robert Wilson, ran into some interference of their own. In 1965 they were trying to adapt a horn antenna in Holmdel for radio astronomy—but there was a hiss, in the microwave band, coming from all parts of the sky. They had no idea what it was. They ruled out interference from New York City, not far to the north. They rewired the receiver. They cleaned out bird droppings in the antenna. Nothing worked.

Black and white photo of a large triangular structure on a frame, with two people looking up at it.  In the 1960s, Arno Penzias and Robert W. Wilson used this horn antenna in Holmdel, N.J., to detect faint signals from the big bang. GL Archive/Alamy

Meanwhile, an hour’s drive away, a team of physicists at Princeton University under Robert Dicke was trying to find proof of the big bang that began the universe 13.8 billion years ago. They theorized that it would have left a hiss, in the microwave band, coming from all parts of the sky. They’d begun to build an antenna. Then Dicke got a phone call from Penzias and Wilson, looking for help. “Well, boys, we’ve been scooped,” he famously said when the call was over. Penzias and Wilson had accidentally found the cosmic microwave background, or CMB, the leftover radiation from the big bang.

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Burns and his colleagues are figurative heirs to Jansky, Penzias, and Wilson. Researchers suggest that the giveaway signature of the cosmic dark ages may be a minuscule dip in the CMB. They theorize that dark-ages hydrogen may be detectable only because it has been absorbing a little bit of the microwave energy from the dawn of the universe.

The Moon Is a Harsh Mistress

The plan for Blue Ghost Mission 2 is to touch down soon after the sun has risen at the landing site. That will give mission managers two weeks to check out the spacecraft, take pictures, conduct other experiments that Blue Ghost carries, and charge LuSEE-Night’s battery pack with its photovoltaic panels. Then, as local sunset comes, they’ll turn everything off except for the LuSEE-Night receiver and a bare minimum of support systems.

Image of the moon's surface, with a closeup of one section. LuSEE-Night will land at a site [orange dot] that’s about 25 degrees south of the moon’s equator and opposite the center of the moon’s face as seen from Earth. The moon’s far side is ideal for radio astronomy because it’s shielded from the solar wind as well as signals from Earth. Arizona State University/GSFC/NASA

There, in the frozen electromagnetic stillness, it will scan the spectrum between 0.1 and 50 MHz, gathering data for a low-frequency map of the sky—maybe including the first tantalizing signature of the dark ages.

“It’s going to be really tough with that instrument,” says Burns. “But we have some hardware and software techniques that…we’re hoping will allow us to detect what’s called the global or all-sky signal.… We, in principle, have the sensitivity.” They’ll listen and listen again over the course of the mission. That is, if their equipment doesn’t freeze or fry first.

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A major task for LuSEE-Night is to protect the electronics that run it. Temperature extremes are the biggest problem. Systems can be hardened against cosmic radiation, and a sturdy spacecraft should be able to handle the stresses of launch, flight, and landing. But how do you build it to last when temperatures range between 120 and −130 °C? With layers of insulation? Electric heaters to reduce nighttime chill?

“All of the above,” says Burns. To reject daytime heat, there will be a multicell parabolic radiator panel on the outside of the equipment bay. To keep warm at night, there will be battery power—a lot of battery power. Of LuSEE-Night’s launch mass of 108 kg, about 38 kg is a lithium-ion battery pack with a capacity of 7,160 watt-hours, mostly to generate heat. The battery cells will recharge photovoltaically after the sun rises. The all-important spectrometer has been programmed to cycle off periodically during the two weeks of darkness, so that the battery’s state of charge doesn’t drop below 8 percent; better to lose some observing time than lose the entire apparatus and not be able to revive it.

Lunar Radio Astronomy for the Long Haul

And if they can’t revive it? Burns has been through that before. In 2024 he watched helplessly as Odysseus, the first U.S.-made lunar lander in 50 years, touched down—and then went silent for 15 agonizing minutes until controllers in Texas realized they were receiving only occasional pings instead of detailed data. Odysseus had landed hard, snapped a leg, and ended up lying almost on its side.

Color photo of a metal structure inside an open rocket.  ROLSES-1, shown here inside a SpaceX Falcon 9 rocket, was the first radio telescope to land on the moon, in February 2024. During a hard landing, one leg broke, making it difficult for the telescope to send readings back to Earth.Intuitive Machines/SpaceX

As part of its scientific cargo, Odysseus carried ROLSES-1 (Radiowave Observations on the Lunar Surface of the photo-Electron Sheath), an experiment Burns and a friend had suggested to NASA years before. It was partly a test of technology, partly to study the complex interactions between sunlight, radiation, and lunar soil—there’s enough electric charge in the soil sometimes that dust particles levitate above the moon’s surface, which could potentially mess with radio observations. But Odysseus was damaged badly enough that instead of a week’s worth of data, ROLSES got 2 hours, most of it recorded before the landing. A grad student working with Burns, Joshua Hibbard, managed to partially salvage the experiment and prove that ROLSES had worked: Hidden in its raw data were signals from Earth and the Milky Way.

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“It was a harrowing experience,” Burns said afterward, “and I’ve told my students and friends that I don’t want to be first on a lander again. I want to be second, so that we have a greater chance to be successful.” He says he feels good about LuSEE-Night being on the Blue Ghost 2 mission, especially after the successful Blue Ghost 1 landing. The ROLSES experiment, meanwhile, will get a second chance: ROLSES-2 has been scheduled to fly on Blue Ghost Mission 3, perhaps in 2028.

Artist\u2019s rendering of a gray surface with parallel zigzagging lines.  NASA’s plan for the FarView Observatory lunar radio telescope array, shown in an artist’s rendering, calls for 100,000 dipole antennas to be spread out over 200 square kilometers. Ronald Polidan

If LuSEE-Night succeeds, it will doubtless raise questions that require much more ambitious radio telescopes. Burns, Hallinan, and others have already gotten early NASA funding for a giant interferometric array on the moon called FarView. It would consist of a grid of 100,000 antenna nodes spread over 200 square kilometers, made of aluminum extracted from lunar soil. They say assembly could begin as soon as the 2030s, although political and budget realities may get in the way.

Through it all, Burns has gently pushed and prodded and lobbied, advocating for a lunar observatory through the terms of ten NASA administrators and seven U.S. presidents. He’s probably learned more about Washington politics than he ever wanted. American presidents have a habit of reversing the space priorities of their predecessors, so missions have sometimes proceeded full force, then languished for years. With LuSEE-Night finally headed for launch, Burns at times sounds buoyant: “Just think. We’re actually going to do cosmology from the moon.” At other times, he’s been blunt: “I never thought—none of us thought—that it would take 40 years.”

“Like anything in science, there’s no guarantee,” says Burns. “But we need to look.”

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This article appears in the February 2026 print issue as “The Quest To Build a Telescope That Can Hear the Cosmic Dark Ages.

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Today’s NYT Connections: Sports Edition Hints, Answers for March 30 #553

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Looking for the most recent regular Connections answers? Click here for today’s Connections hints, as well as our daily answers and hints for The New York Times Mini Crossword, Wordle and Strands puzzles.


Today’s Connections: Sports Edition is a tough one. You’ll need to know a little about four very different sports in order to solve it. If you’re struggling with today’s puzzle, read on for hints and the answers.

Connections: Sports Edition is published by The Athletic, the subscription-based sports journalism site owned by The Times. It doesn’t appear in the NYT Games app, but it does in The Athletic’s own app. Or you can play it for free online.

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Read more: NYT Connections: Sports Edition Puzzle Comes Out of Beta

Hints for today’s Connections: Sports Edition groups

Here are four hints for the groupings in today’s Connections: Sports Edition puzzle, ranked from the easiest yellow group to the tough (and sometimes bizarre) purple group.

Yellow group hint: Make a racket.

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Green group hint: Goooooal!

Blue group hint: Baseball stars.

Purple group hint: Toss the pigskin.

Answers for today’s Connections: Sports Edition groups

Yellow group: Tennis Grand Slams.

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Green group: Premier League teams.

Blue group: Last four World Series MVPs.

Purple group: ____ football.

Read more: Wordle Cheat Sheet: Here Are the Most Popular Letters Used in English Words

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What are today’s Connections: Sports Edition answers?

completed NYT Connections: Sports Edition puzzle for March 30, 2026

The completed NYT Connections: Sports Edition puzzle for March 30, 2026.

NYT/Screenshot by CNET

The yellow words in today’s Connections

The theme is Tennis Grand Slams. The four answers are Australian, French, U.S., and Wimbledon.

The green words in today’s Connections

The theme is Premier League teams. The four answers are Chelsea, Leeds, Liverpool and Sunderland.

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The blue words in today’s Connections

The theme is last four World Series MVPs. The four answers are Freeman, Peña, Seager and Yamamoto.

The purple words in today’s Connections

The theme is ____ football. The four answers are American, fantasy, flag and total.

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‘Project Hail Mary’ becomes Amazon MGM’s biggest box office hit

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Amazon’s bet on “Project Hail Mary” has paid off handsomely, with the film recently surpassing “Creed III” to become the company’s highest grossing movie ever.

And it was a big bet, with a reported budget of around $200 million. That’s a big price tag for any film, but especially one that’s not a sequel or part of an existing franchise. Instead, it’s based on a bestselling science fiction novel by Andy Weir, whose book “The Martian” was adapted into a successful film a decade ago. 

And that’s not the only thing that makes “Project Hail Mary” feel unconventional. For long stretches of the film, Ryan Gosling is the only human actor on screen, as the scientist he plays works with a rock-like alien to solve the mystery of of why multiple stars — including our own — seem to be dimming.

But after 10 days in theaters, “Project Hail Mary” has brought in an estimated $164.3 million in North America, as well as $136.2 million overseas, according to The Hollywood Reporter. Domestically, it only fell 32% in its second weekend, to $54.5 million, so its final box office numbers should be significantly higher when it leaves theaters.

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That makes “Project Hail Mary” the biggest hit of 2026 (so far), as well as one of the most successful non-franchise, non-sequel films of the past decade. 

And it’s good news for what’s now known as Amazon MGM Studios. The company’s cinematic ambitions have evolved over time, from distributing smaller, critically acclaimed titles like “The Big Sick” and “Manchester by the Sea” to more recently acquiring movie studio MGM (leading to a battle for control of the James Bond franchise) and declaring its intention to bring 14 movies into theaters every year.

Until “Hail Mary,” those movies — including “After the Hunt,” “Mercy,” and the controversial “Melania” documentary — seemed to be falling flat with audiences.

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Amazon’s head of film Courtenay Valenti told The New York Times that “Project Hail Mary”‘s big opening weekend validated the company’s strategy of making “big, bold entertaining commercial films.” And it has more movies coming to theaters soon, including “The Sheep Detectives” starring Hugh Jackman in May, then a “Masters of the Universe” reboot in June.

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Smart glasses were already creepy, now they’re helping people cheat

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Smart glasses were already under fire for privacy concerns. But now, there’s a new problem brewing. Cheating. And it’s surprisingly easy.

A recent report by Rest of World highlights how AI-powered smart glasses are being used to scan exam questions and display answers directly on the lens, essentially turning them into a real-time cheating tool. In some cases, students are even renting these glasses for as little as $6 a day, using them not just for navigation or translation, but specifically to gain an unfair advantage in exams.

How does this even work?

It’s a mix of hardware and AI catching up. Modern smart glasses come equipped with cameras, microphones, and AI assistants that can analyze what you’re looking at and respond in real time. That means a question on paper can be scanned, processed by an AI model, and fed back as an answer. All without pulling out a phone. And because these devices look like regular glasses, they’re much harder to detect compared to traditional cheating methods.

Adding fuel to the fire, devices like the Ray-Ban Meta smart glasses have already sparked concerns around covert recording and privacy, with critics pointing out how easy it is to capture photos or videos without people noticing. Now, with cheating entering the picture, the concerns aren’t just about being watched but also about fairness, trust, and how institutions even enforce rules anymore.

When smart gets… a little too smart

This goes way beyond just exam cheating; it challenges the entire system. Experts warn that devices like AI-powered smart glasses could break traditional ways of detecting misconduct, since they’re subtle, always-on, and hard to track. Some regions have already started taking drastic steps, like temporarily disabling AI tools during exams, just to stay ahead.

At the same time, we’re stepping into an era of “invisible tech,” where these devices are genuinely useful but also easy to misuse. And that’s the real dilemma: when technology becomes this seamless, the line between helping and cheating starts to disappear.

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How to watch Sky Go from anywhere

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Sky TV has now been a broadcasting powerhouse in the UK for nearly 40 years, offering a premium alternative to the country’s traditional channels and delivering some of the best dramas, films, sport, comedy and factual TV of the past four decades.

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Today’s NYT Mini Crossword Answers for March 30

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Looking for the most recent Mini Crossword answer? Click here for today’s Mini Crossword hints, as well as our daily answers and hints for The New York Times Wordle, Strands, Connections and Connections: Sports Edition puzzles.


I’m unfamiliar with “wax apples,” so 2-Down was a mystery to me until the other answers filled in. Need some help with today’s Mini Crossword? Read on for all the answers. And if you could use some hints and guidance for daily solving, check out our Mini Crossword tips.

If you’re looking for today’s Wordle, Connections, Connections: Sports Edition and Strands answers, you can visit CNET’s NYT puzzle hints page.

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Read more: Tips and Tricks for Solving The New York Times Mini Crossword

Let’s get to those Mini Crossword clues and answers.

Mini across clues and answers

1A clue: 1975 Spielberg film that’s considered the first summer blockbuster
Answer: JAWS

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5A clue: “Oh okay, gotcha”
Answer: ISEE

6A clue: Athlete from New York (in one sport) or San Francisco (in another)
Answer: GIANT

8A clue: Declare publicly
Answer: AVOW

9A clue: Emperor who didn’t actually fiddle while Rome burned
Answer: NERO

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Mini down clues and answers

1D clue: “The ___ is up!”
Answer: JIG

2D clue: Like lotus root and wax apples
Answer: ASIAN

3D clue: Drive dangerously in traffic
Answer: WEAVE

4D clue: Spanish title
Answer: SENOR

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7D clue: Scrabble value of D or G
Answer: TWO

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Whatever you do, don’t buy this model of Samsung Galaxy A57

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The Samsung Galaxy A57 is a distinctly mid-range smartphone – and I don’t mean that as an insult. 

The Galaxy A57 separates itself from much of the mid-range competition with a particularly premium glass and aluminium build that’s both thinner and lighter this year, along with Samsung’s polished One UI 8.5 software, a smattering of new AI features and a much longer OS upgrade promise, making the £529 price tag for the entry-level 256GB model much easier to swallow.

However, it’s not exactly the perfect phone – the focus on a premium build has meant sacrifices in other areas. 

The 6.7-inch Super AMOLED screen, for example, has slimmer bezels, but they’re still not symmetrical like those on the cheaper Honor 400, while the camera setup leaves much to be desired. 

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The 50MP main camera is fairly well-specced for the price, but the accompanying 12MP ultrawide and 5MP macro lenses have all but been outshone by the competition, particularly the Nothing Phone 4a Pro, which is both cheaper and boasts higher-res, more advanced lenses. Really, you’d expect to find those secondary lenses on something in the sub-£300 market from any other brand.

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Samsung Galaxy A57 5GSamsung Galaxy A57 5G
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It’s also not exactly a performance beast, featuring Samsung’s distinctly mid-range Exynos 1680 chipset and 8GB of RAM. It’s fine for day-to-day use in early testing, but it can’t hold a candle to the flagship-level A19 chipset in the iPhone 17e, nor to the Snapdragon 8 Elite in the Poco F8 Pro. 

But, again, at £529, you can kind of accept those shortcomings. It’s not a full-fat flagship, after all, and most mid-rangers have a particular ‘focus’, be it camera hardware, design or performance, where other areas take a hit to get to the price point.

However, that metric changes completely when you look at the 512GB/12GB model, which rather inexplicably, costs £699. 

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Display on Samsung Galaxy A57Display on Samsung Galaxy A57
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That’s £170 more, for 4GB more RAM and an additional 256GB of storage, the former of which you probably won’t notice all that often in everyday use. £699 isn’t mid-range – that’s premium,  almost flagship-level money, and the A57’s shortcomings are much harder to forgive at that price point. What I’m trying to say is, avoid that model at all costs.  

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Much better options available at the price

For £699, there are plenty of more capable phones than the Galaxy A57 available to you – case in point, Samsung’s own Galaxy S25 FE. The phone comes in at £649, and while you don’t get the same 512GB of storage as the A57, you do get much more bang for your buck in other areas.

The phone has a 6.7-inch AMOLED screen with an LTPO-enabled 120Hz refresh rate and those all-important symmetrical bezels, along with better performance from the Exynos 2400 chipset and nice extras like wireless charging – all for £50 less than the A57.

It’s even harder to vouch for the Galaxy A57 once you look beyond Camp Samsung at the price point. That’ll net you a phone like the £649 OnePlus 15R with its bigger, faster 6.8-inch 165Hz AMOLED screen, a much more powerful Snapdragon 8 Gen 5 processor, a frankly massive 7400mAh battery and similarly rapid 80W charging.

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OnePlus 15R in handOnePlus 15R in hand
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There’s also the £699 Motorola Edge 70, and while it doesn’t offer much of an uptick in the performance department, it’s impressively thin and light at 6mm and 159g, making it one of the slimmest options on the market – and complete with a relatively big 4800mAh battery and a gorgeous 6.7-inch 120Hz AMOLED screen.

Motorola Edge 70 on a tableMotorola Edge 70 on a table
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Xiaomi’s 15T Pro is another solid alternative, coming in at £649. It packs not only the flagship-level Dimensity 9400+ chipset but also a premium camera setup comprising a 50MP main with a large 1/1.3-inch sensor, a 50MP 5x periscope, and a 12MP ultrawide, along with a 6.8-inch 144Hz AMOLED display that’ll give some of the best around a run for its money. 

Xiaomi 15T ProXiaomi 15T Pro
Xiaomi 15T Pro Image Credit (Trusted Reviews)

In fact, you can even get proper flagship-level phones for the price. The Nothing Phone 3 cost £799 at release in late 2025, but at the time of writing, it’s available for just £559 at Amazon with 256GB of storage and 12GB of RAM – and you’re getting a much more capable phone than the Galaxy A57, with change to spare.

Nothing Phone 3 backNothing Phone 3 back
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You’re getting oodles of power in the form of the Snapdragon 8s Gen 4, along with a proper high-end 6.6-inch screen with an LTPO-enabled 120Hz refresh rate and a peak brightness of 4500nits, a solid camera combination comprised of triple 50MP main, ultrawide and 3x periscope lenses, and to top it all off, Nothing’s stylish Nothing OS experience. 

And that’s not even mentioning the design, with the Phone 3 offering one of the most unique looks of any smartphone around right now. 

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Frankly, the Galaxy A57 pales in comparison to any of these phones, and you’d be much better off with those than the overly expensive 512GB model. 

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It’s likely down to the spiralling cost of RAM

But why is the 512GB Galaxy A57 so much more expensive than the 256GB model? While Samsung hasn’t confirmed it outright, I’d expect that it all comes down to the rapidly increasing cost of components, particularly storage and RAM. 

Since the price of RAM skyrocketed in the second half of 2025, driven mainly by AI data centres hoovering up as much RAM as possible, reports and leaks have suggested that mobile manufacturers would essentially pass that cost on to consumers. And that’s what’s starting to happen. It’s not the first phone we’ve seen with a notable price jump compared to its 2025 equivalent – though the other example is, once again, from Samsung. 

Samsung Galaxy S26 Ultra on a tableSamsung Galaxy S26 Ultra on a table
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The Samsung Galaxy S26 has jumped to £879, an £80 increase on last year’s Galaxy S25, while the S26 Plus comes in at £1099, a £100 difference compared to the S25 Plus – and with very few upgrades to speak of. The only model that didn’t really see much of a price hike was the already-premium Galaxy S26 Ultra, which costs a similar £1,279 to last year’s S25 Ultra.

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Samsung knows that the S26 Ultra would no doubt be the most popular in the range, so making it more expensive wasn’t really an option. Instead, the less popular models would cover much of that hit, especially for the larger storage options. The 512GB Galaxy S26, for example, costs £1049 – £170 more. 

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It’s pretty much the same story here: Samsung has tried its best to keep the entry-level 256GB A57 model as affordable as possible and is trying to recoup additional cash from the 512GB/12GB model to offset any potential losses.

That makes sense for Samsung, but honestly, it makes zero sense for consumers to opt for it at such an inflated price – especially when more capable phones are available at the same price. 

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Apple might create an AI app store for Siri’s next avatar

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Apple’s AI strategy might be taking a very familiar turn, one that made the iPhone what it is today. As per Bloomberg’s recent report, Apple is working on a new “Extensions” system in iOS 27 that would allow third-party AI assistants to plug directly into Siri, including services like Google Gemini and Anthropic’s Claude.

More importantly, this won’t just be a hidden setting. Instead, Apple is reportedly planning a dedicated section inside the App Store for these AI integrations, effectively creating a marketplace for AI tools, very similar to how apps are distributed today.

What does this actually mean for Siri?

It’s a pretty massive shift. Instead of trying to build one perfect AI, Apple seems to be turning Siri into a hub or “router” for multiple AI models, letting users choose which assistant handles their queries. That means Siri could act as the front-end, while different AIs handle different tasks, one for writing, another for coding, another for research. It’s less “Siri vs ChatGPT” and more “Siri + everything.”

As things stand, Apple is reportedly pursuing a two-pronged strategy: building its own in-house AI (Apple Intelligence), while also opening the door to third-party services. This lets Apple stay competitive without relying on just one model. It also keeps users from jumping ship to Android.

There’s also a business angle here. By turning AI tools into something users can install via the App Store, Apple could take a cut of subscriptions, just like it does with apps today.

So… is Siri becoming the new App Store?

This could completely change how AI works on phones. Instead of relying on one assistant to do everything, Apple seems to be moving toward a modular setup where users can mix and match different AI tools based on what they need. And if this vision plays out, Siri won’t just be an assistant anymore, but a platform.

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iPhone hardware engineers allegedly get bonuses as Apple tries to prevent poaching

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Keen to stop other companies from poaching its engineers, Apple has reportedly approved substantial bonuses for its iPhone hardware engineers.

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Apple has allegedly approved new bonuses for its iPhone hardware team.

Talk of an AI brain drain at Apple continues even if it is difficult to determine exactly how individual departures affect the company. Over the years, Apple has lost various engineers to rival firms like OpenAI and Meta, with some even being lured in by a massive $200 million pay package.
Equally noteworthy is the departure of Abidur Chowdhury, the industrial designer behind the iPhone Air. He left Apple to become the design lead of an AI startup, which we later learned was known as Hawk AI.
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Shonen Knife Announces Expanded 2026 Tour Edition of “Our Best Place” With Bonus Tracks and New Dates

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In times like these, it’s refreshing to hear new music from a band that still delivers exactly what made them worth following in the first place. That’s the case with Our Best Place, the recent album from Japan’s long running all female power pop punk outfit, Shonen Knife.

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First released in 2023, the album earned strong praise from fans and critics alike. Now, ahead of a 2025 to 2026 U.S. tour with Toad the Wet Sprocket and Men at Work, the band is issuing an expanded edition featuring additional content and an alternate cover design.

“Our Best Place which was released in 2023 became a representative album of Shonen Knife,” says Naoko, founding member and lead vocalist. “It includes many of our punk pop songs. The 2025 vinyl version has fabulous embroidered artwork and will [be] a collector’s item for our fans! “Not only that, I hope this vinyl release will be a good opportunity for other people to know our music!”

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While I can’t claim to have been following every step of the band’s career — I became a fan when I purchased their brilliant holiday 45 RPM single “Space Christmas” around the time of its release in the early 1990s (and I still have it and play it each year!) — every Shonen Knife album I’ve picked up randomly over the years has been great fun.

For those of you not familiar with Shonen Knife’s sound, this group effectively bridges the gap between The Ramones and The Ronettes via Osaka, Japan.

shonen-knife-our-best-place-cover-limited

A quick look at the track list reveals one of the running themes in Shonen Knife’s universe: food. “Spicy Veggie Curry” might be the best vegetarian punk rock song you didn’t know you needed. “Afternoon Tea” is not the Something Else by The Kinks cut, but you get the sense Ray Davies would appreciate the spirit. “The Story of Baumkuchen” dives into the German “tree cake” that found a second home in Japan, delivered with a quirky charm that oddly recalls Guided By Voices. And then there’s “Vamos Taquitos,” where acoustic strumming collides with a wall of fuzzy, overdriven electric guitars, and somehow it all works.

But its not all food puns here. “Just A Smile” is a great power pop cover tune, originally recorded by Scotland’s Pilot (of the hit “Magic” fame).

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Our Best Place now includes four additional songs: “Nice Day (‘60s Mix),” “The Story of Baumkuchen (Japanese Version),” “Girls Rock (2023 Japanese Version)” and “Green Tea (2025 Naoko Vocal Version).” 

The bonus 60’s mix of “Nice Day” is a hysterical concept which audiophiles of a certain vintage will appreciate as it places all vocals in one channel and the whole band backing track is in the other — ultra extreme early stereo! 

Our Best Place comes pressed on crystal clear vinyl that is well centered and happily very quiet. You can order the CD version with the original cover design for $19.99 at Amazon. It is also available at their Bandcamp page for about $15.95. 

shonen-knife-our-best-place-cd-cover

As far as getting your hands on the vinyl, as far as I can tell it is presently only available at their concerts but some online sources indicate it will be made available online later in the year after the tour. I have inquired with the band’s PR team and if/when we get additional information I’ll be sure to update this section accordingly. 

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That said, what are you waiting for? Go see Shonen Knife live and grab the album at the merch table while you’re there. Here’s their current tour itinerary. And yes… let’s knife.

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Mark Smotroff is a deep music enthusiast / collector who has also worked in entertainment oriented marketing communications for decades supporting the likes of DTS, Sega and many others. He reviews vinyl for Analog Planet and has written for Audiophile Review, Sound+Vision, Mix, EQ, etc. You can learn more about him at LinkedIn.

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Hide My Email is great for battling surveillance capitalism, not the FBI

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Apple’s Hide My Email service lets users generate anonymous, randomized email addresses to help avoid spam, but it isn’t going to protect you from subpoenas — especially if you threaten the FBI directly.

The camera plateau of the iPhone 17 Pro Max in blue
Apple encryption and services can only protect you from so much

End-to-end encryption ensures that your data remains yours on-device and in transit. This applies to things like iMessage and Apple Health, especially when Advanced Data Protection is turned on.
However, that doesn’t mean Apple won’t comply with a subpoena when it is presented with one that fits the scope of the request. Hide My Email might help protect users from spam, but if you’re emailing threats to the FBI director’s girlfriend, there’s nothing to protect you.
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