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New Apple TV and HomePod mini are apparently ready for a fall launch

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Apple’s smart home hardware lineup may finally be getting refreshed after years of relative silence. According to a new report from Mark Gurman, Apple is preparing updated versions of both the Apple TV set-top box and the HomePod mini, with launches currently planned for later this fall.

The timing is notable because Apple’s home-focused products have largely remained unchanged while rivals like Amazon and Google aggressively expanded their smart home ecosystems with AI-powered assistants and connected devices. Apple now appears ready to reposition its home products around the company’s next-generation Siri and Apple Intelligence strategy.

Apple’s smart home push is finally moving again

According to Bloomberg’s report, the new Apple TV hardware is essentially complete and nearly ready for release. Gurman says Apple had initially planned to launch the refreshed device earlier, but delays surrounding Siri and Apple Intelligence pushed the launch timeline further into 2026.

The updated Apple TV reportedly will not receive dramatic hardware changes externally, but internal upgrades are expected to be much more significant. Apple is said to be focusing heavily on AI readiness, including support for newer Siri capabilities and Apple Intelligence features that current Apple TV hardware cannot fully support.

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One of the major expected upgrades is a newer chip replacing the aging A15 processor currently powering the Apple TV 4K. Gurman notes the existing model has started feeling slower compared to newer Apple hardware, making a refresh increasingly necessary.

The HomePod mini is also reportedly receiving an update, though Apple appears to be taking a more conservative approach with the smaller smart speaker. Bloomberg says the key change will involve support for Apple’s upgraded Siri and AI features through a newer wireless chip.

Apple’s broader smart home plans appear much larger than just these two devices. Gurman reports the company is still developing a delayed smart home hub featuring a display and facial recognition capabilities, alongside deeper AI integration across Apple’s ecosystem.

The company is also reportedly preparing AI-powered smart glasses and future Siri upgrades designed to function more like modern conversational AI assistants rather than traditional voice command systems.

Why this matters

Apple’s smart home ecosystem has increasingly felt stagnant compared to competitors. While Amazon Alexa and Google Assistant evolved into broader AI-powered ecosystems, Apple’s Siri and HomePod products struggled to keep pace.

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The new Apple TV and HomePod mini appear to represent Apple’s attempt to rebuild its smart home strategy around AI rather than simply releasing incremental hardware updates. For users already invested in Apple’s ecosystem, the upgrades could also matter because many future Siri and Apple Intelligence features may rely on newer chips and updated hardware.

What happens next

Apple is expected to reveal more about its AI roadmap during WWDC and later software announcements tied to iOS 27 and iOS 28. If Bloomberg’s report proves accurate, the updated Apple TV and HomePod mini could launch sometime this fall alongside Apple’s broader AI-focused software rollout.

The bigger challenge for Apple, however, may not simply be releasing new hardware. It will need to convince users that Siri and Apple Intelligence are finally capable of competing in a smart home market that has already moved far ahead during Apple’s years of delay.

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Samsung Music Studio 7 (LS70H)

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Verdict

Strong looks and stronger sound make the Samsung Music Studio 7 a real contender – as long as you take a moment to consider its position in your room it has a whole lot going for it where spatial audio is concerned

  • Big, spacious and remarkably assertive sound

  • Extensive app is just one control option

  • Understated, sophisticated looks and exemplary build quality

  • High frequencies can easily sound splashy

  • Needs space in which to operate

  • Design would suit more colours than the two currently available

Key Features

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    Power

    150 watts of Class D power

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    Audio set-up

    3.1.1 -channel layout

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    Looks

    Dot Design by Bouroullec

Introduction

Samsung has been hoovering up audio companies lately, but if you thought this meant the end of Samsung as a music hardware brand you can think again.

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The Music Studio 7 is a stand-alone wireless speaker that can be half of a stereo pair, a part of a multichannel home cinema system or an element of a multi-room set-up too – and it goes head-to-head with some of the best pound-for-pound wireless speakers around.

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Design

  • Available in black or white
  • Bouroullec Dot Design

Without going mad (as Sonos did with the great-sounding, bizarre-looking Era 300), Samsung has managed to deliver a wireless speaker that appears expensive and individual while still looking reassuringly like a speaker.

At 269 x 185 x 191mm (HWD) it’s nicely proportioned and strikes a good balance between worktop, shelf and speaker stand size – it’s too big for a desktop really, but in any other space it works well.

Samsung Music Studio 7 chassisSamsung Music Studio 7 chassis
Image Credit (Trusted Reviews)

But it’s the curved, perforated metalwork that begins to set it apart, and the overall design (which is by Erwan Bouroullec) is confident and understated – the dished area on the front panel that looks like a speaker driver but isn’t seems the sort of visual flourish that could easily become a trademark of quite a large range of Samsung Music Studio speakers if the company so desires.

Build quality is well up to standard (just as well, given the amount of money Samsung wants for the Music Studio 7) and the finish is impressive too. As it stands, black or white is hardly the most inspiring selection of colours – but there is (unofficial, off-the-record) talk of a wider range of colours in the not-too-distant future.

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Samsung Music Studio 7 top down viewSamsung Music Studio 7 top down view
Image Credit (Trusted Reviews)

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Features

  • 3.1.1 -channel layout
  • 24-bit/96kHz hi-res audio
  • 150 watts

The Samsung Music Studio 7 is configured to serve up an impression of 3.1.1 -channel spatial audio (specifically Dolby Atmos, although the speaker is also compatible with Eclipsa Audio) – and so it deploys five drivers and a couple of passive radiators to do the sonic business.

Facing forwards there’s a mid/bass driver above a tweeter. There’s another tweeter angled upwards from the top of the cabinet, and on each side there’s another tweeter beneath a racetrack-shaped passive radiator.

Samsung Music Studio 7 tweeterSamsung Music Studio 7 tweeter
Image Credit (Trusted Reviews)

Samsung isn’t all that keen on discussing the size or the composition of these drivers, and the frequency response they’re capable of generation is a secret too – but there’s 150 watts of Class D power on tap to move these five drivers, which in a speaker of these relatively modest dimensions should prove more than sufficient.

Getting audio information into the speaker can be done in a number of different ways. Dual-band Wi-Fi is available, naturally – and this means that as well as Spotify Connect and TIDAL Connect, the Music Studio 7 is Roon Ready and is compatible with AirPlay and Google Cast too.

Samsung Music Studio 7 connectionsSamsung Music Studio 7 connections
Image Credit (Trusted Reviews)

It’s even compatible with Samsung’s Q Symphony technology, which means it can wirelessly connect to an appropriate Samsung TV. In fact, Q Symphony means that the Music Studio 7 can easily become part of a full-on wireless home cinema surround-sound system – but that’s a review for another day. For now, I’m just considering the Music Studio 7 as a single, stand-alone wireless speaker.

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Spotify Tap is on board, for those who just can’t wait to get some music on the go, and Bluetooth 6.0 is available too. There are also some physical inputs on the rear of the cabinet. An HDMI eARC is obviously extremely useful to anyone who fancies incorporating their (non-Q Symphony) TV, while a digital optical input is handy if the TV in question is of a certain (pre-HDMI) vintage. The USB-A slot is only for service and updates, though. 

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Samsung Music Studio 7 controlsSamsung Music Studio 7 controls
Image Credit (Trusted Reviews)

Predictably, Samsung isn’t making the details of the digital-to-analogue conversion hardware known. But the Music Studio 7 can handle Hi-Res content of up to 24-bit/96kHz, which is straightforwardly impressive, and can deal with every worthwhile audio file type.

Control is available via a few buttons on the top of the speaker, or on a remarkably granular level in the Samsung Sound app that’s free for iOS and Android. Here’s where you can deploy the obligatory AI features, such as the AI Adaptive Sound setting that’s intended for use when the speaker is part of a home cinema system – it automatically adjusts audio output to suit the content you’re watching – while AI Dynamic Bass Control tries to maximise low-frequency output while minimising the inevitable cabinet vibrations that result.

Samsung Music Studio 7 SmartThingsSamsung Music Studio 7 SmartThings
Image Credit (Trusted Reviews)

Here’s where you can adjust the sound using either a two- or a seven-band EQ or choose from a selection of presets. Here’s where SpaceFit Sound Pro (an automatic room calibration routine) and Active Voice Amplifier Pro (which boosts the midrange to make dialogue more easily discerned) can be accessed. Auto Volume is self-explanatory, and there’s plenty more besides. It’s a clean and stable app, and overall it’s one of the better examples currently around.

The Music Studio 7 is also compatible with Samsung’s SmartThings app, and so can be easily integrated into a much wider smart home ecosystem than merely forming part of a multichannel or multiroom audio system. And if you prefer to just ask, the speaker has Alexa built in and covers Works with Google too – although strangely, Bixby is not on board.

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It’s not like Samsung to admit defeat inside a decade, though, so I imagine we’ll be seeing (if not hearing) more of Bixby in the future… 

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Samsung Music Studio 7 SmartThings EQSamsung Music Studio 7 SmartThings EQ
Image Credit (Trusted Reviews)

Sound Quality

  • Big, direct sound
  • Impressively chunky and expansive presentation
  • Slight lack of high-frequency substance

There’s really only one place to start with a wireless speaker that fancies itself where spatial audio is concerned, and that’s with some Hi-Res content mixed in Dolby Atmos and available via TIDAL Connect. The Atmos mix of De La Soul’s timeless 3 Feet High and Rising, it seems safe to say, allows the Music Studio 7 to showcase a lot of its undoubted talents.

First and foremost, the Samsung is a spacious, expansive listen while managing to be quite well focused at the same time. Some less capable spatial audio speakers can do the scale thing without too many problems, but remaining sharp rather than vague at the same time is a trickier discipline – the Music Studio 7 creates a sound that’s demonstrably taller and wider than the cabinet it’s coming from, but the soundstage it describes is carefully controlled and coherently laid out.

And as well as sounding wide and tall, the Music Studio 7 also sounds nicely balanced. It can lose the run of itself a little where high-frequency reproduction is concerned – it doesn’t need any especially unsympathetic recording to make the Samsung sound just a little splashy and edgy, but I guess that’s what can happen when you put four tweeters in a relatively small box.

Samsung Music Studio 7 front viewSamsung Music Studio 7 front view
Image Credit (Trusted Reviews)

Otherwise, though, the tonal balance is nicely neutral, and there’s a very well-judged amount of low-frequency wallop available for when the action in your music or your movie really kicks off. 

If and when it does all kick off, the Samsung has plenty of dynamic headroom available to make the upturn in volume or intensity plain. It controls its low-end activity well, though, so something like the De La Soul recording that relies heavily on rhythmic expression, is handled properly. And it’s just as adept when it comes to the more subtle stuff, too – detail levels are high at every point in the frequency range, and there’s more insight into the dynamics of harmonic and textural variation that is the norm in products like this.

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It communicates eloquently through the midrange and loads voices with information – details of attitude and emotion are just as readily available as those concerning tone and timbre. This, of course, is good news where music is concerned but even better news if you’re listening to a spatial audio movie soundtrack – and the Music Studio 7 projects the midrange forward well, even if the rest of the frequency range is in uproar.  

Samsung Music Studio 7 drive unitSamsung Music Studio 7 drive unit
Image Credit (Trusted Reviews)

Naturally, all of the above applies only if you give the speaker the space in which to properly do its thing. If it’s on a bookshelf, there can be no shelf directly above it – that upward-firing tweeter needs room in which to operate.

Similarly, the drivers that face outwards from the sides of the cabinet must not be firing onto a surface that’s very nearby otherwise the sound will become muddy and confused. But as long as you give the Samsung the elbow-room, it’s a very satisfying performer indeed.

Should you buy it?

You’re interested in looks as well as sound

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The Music Studio 7’s audio credentials are impressive, but the appeal of its clean, understated design is strong too.

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You’re intending to position it on a shelf

Or, at least, if it’s not the top shelf – the upward-firing tweeter needs some space in which to operate.

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Final Thoughts

I’d assumed that Samsung would, in the audio/visual market, stick to the TVs and soundbars it’s so good at and leave the more specialised audio stuff to one or more of the many very credible audio brands it now owns. Shows what I know, doesn’t it?
 
This is the best Samsung-badged audio product I’ve heard in… well, I’m not sure how long exactly, but it’s quite a while.

How We Test

The Samsung Music Studio 7 was positioned on a kitchen worktop, on the top shelf of an AV rack next to a TV, and a dedicated speaker stand during the course of the test. Music was streamed wirelessly from an Apple iPhone 14 Pro, both via Bluetooth and via TIDAL Connect.
 
Spatial audio movie soundtracks came via an HDMI cable from the TV connected to the speaker’s eARC socket. This allowed for lots of different content, of different types and resolutions, to be dealt with by the Samsung, and this happened for well over a (working) week.

  • Tested with real world use
  • Tested for a week
  • Tested across multiple source

FAQs

Do I have a choice of finishes?

Yes, the black of this review sample or white. The rumour is that different options will follow, but it’s just a rumour at the moment.

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Can I use two as a stereo pair?

The Music Studio 7 supports Stereo Play, which makes it easy for two speakers to operate as a single stereo system.

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Will it work with my TV?

If your TV has an HDMI ARC output then the Samsung can play spatial audio soundtracks when connected this way. And if you have an appropriate Samsung TV, Q Symphony is available too.

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Full Specs

  Samsung Music Studio 7 (LS70H)
UK RRP £499
USA RRP $499
EU RRP €549
CA RRP CA$649
AUD RRP AU$749
Manufacturer Samsung
Size (Dimensions) 185 x 191 x 269 INCHES
Weight 5.6 KG
Release Date 2026
Driver (s) 4 x tweeter; mid/bass driver; 2 x BMR
Ports HDMI eARC; digital optical
Connectivity Dual-band Wi-Fi; Bluetooth 6.0
Colours Black, White
Frequency Range – Hz
Audio Formats Dolby Atmos Music, ,Dolby Atmos, Dolby 5.1ch, Dolby Digital Plus, Dolby True HD, Multi-channel LPCM, MP3, AAC, OGG, FLAC, WAV, ALAC, AIFF
Power Consumption 20 W
Speaker Type Wireless Speaker

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Michigan Museum Launches Project To Preserve One Of WWII’s Most Decorated Submarines

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Fans and students of United States Naval History have no shortage of fascinating destinations to visit across the United States.  Spread all over the country, history buffs can enjoy public naval museums that include everything from PT boats to aircraft carriers — along with a handful of historic battleships that are open for tours

In addition to those surface ships, there’s also a long list of floating submarine museums spread around the country, with some of them actually found far from the ocean. One of these subs is the USS Silversides (SS-236), which is in Muskegon, Michigan, on the shores of Lake Michigan. Before finding its current home on the Great Lakes, the Silversides was one of America’s most decorated submarines of World War II, serving in the Pacific theater for the entire war. 

The vessel has been on display in Michigan since the late 1980s but will soon be temporarily leaving its Muskegon home to undergo an extensive and much-needed renovation project. During the restoration, which will cost around $3.5 million, the Silversides will see a number of structural repairs and cosmetic restorations, all designed to bring the ship back to its wartime glory while also preserving the historic vessel for decades to come.

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A legend of submarine warfare

World War II naval history, especially when it comes to the Pacific theater, is dominated by history-changing carrier battles — and indeed aircraft carriers would change the face of naval warfare from that point onward. The massive historic contributions of World War II’s legendary submarines are not to be overlooked, though.

The Gato-class USS Silversides is among the Navy’s most accomplished submarines of the war. The sub entered service in December of 1941, just weeks after the outbreak of World War II, and would serve in the Pacific right up to the war’s end, on a total of fourteen different war patrols. Among its accomplishments were 23 confirmed enemy vessels sunk, for which the USS Silversides earned 12 battle stars as well as the Presidential Unit Citation. Along with its numerous combat achievements and sunken enemy ships, the sub also helped save lives, rescuing downed American aviators from the sea on multiple occasions. 

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After the war, the Silversides was put into use as a training ship before being retired from service in the late 1960s. In 1987, it made its way to Muskegon, Michigan, to become part of the Great Lakes Naval Memorial and Museum, where it’s hosted visitors ever since. Eventually the facility would be renamed as the USS Silversides Submarine Museum.

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Preserving the past

Having been in Muskegon for nearly 40 years, time has taken its toll on the Silversides. With much of the submarine’s hull lying below the waterline, the true condition of its structure is hard to inspect. That will all be addressed beginning in July of 2026, when the ship is scheduled to be towed across Lake Michigan to drydock in Sturgeon Bay, Wisconsin. Once there, it will get a complete renovation that will include structural inspection and repairs, cleaning, and the application of new coatings to protect the vessel from the Lake Michigan elements.

The total cost of the restoration is expected to come in around $3.5 million, with $750,000 of that being paid through a grant from the National Park Service. If all goes to plan, the Silversides will be in dry dock for a relatively short time, with the renovated ship scheduled to be brought back to Muskegon in the middle of October. During the sub’s absence, the museum will remain open to the public with other displays and exhibits including plans to host a visiting tall ship over the summer.

2026 is turning into a banner year for WWII naval vessels. Earlier this year, the sunken wreck of another historic Pacific War US Navy submarine was discovered in the seas north of Japan after being lost at sea for 80 years. Meanwhile on the west coast, the USS Hornet is also checking in for some renovations and possible relocation.

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Wellness Robots and the Path to Full Autonomy: A New Paradigm in AI-Powered Senior Care

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More Information

The senior care system faces converging pressures from an aging population, severe staffing shortages, and limited time for individual wellness programming. Existing technologies include reminder apps, fall detectors, voice assistants, and companion devices. Each of these addresses only one piece of the problem. This paper argues for a different paradigm: wellness, defined across seven interdependent dimensions, as the organizing principle for a new category of socially assistive robot. It introduces the Care Robot Autonomy Scale (CRAS), a six-level framework that measures autonomy across assessment, intervention, social intelligence, and care coordination. The paper reviews the technical capabilities such systems require, the clinical evidence gathered to date, and a phased roadmap toward higher autonomy. It closes with educational implications for care operators, researchers, regulators, and robot platform developers.

 

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NanoClaw and JFrog launch ‘immune system’ to block AI agents from downloading malicious code

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The creators of the hit, enterprise-friendly, open source OpenClaw variant NanoClaw are partnering with software supply chain management leader JFrog to launch a new, joint security integration they say will protect NanoClaw autonomous agents from malicious code injection.

“These agents are doing things that you cannot necessarily control, and you cannot necessarily train,” said Gal Marder, Chief Strategy Officer at JFrog, in an exclusive interview with VentureBeat.

Available immediately, the partnership hardwires NanoClaw agents directly to JFrog’s vetted software registries, ensuring that AI assistants can only pull scanned, safe dependencies.

The release addresses a rapidly growing blind spot in tech: autonomous agents frequently install packages in the background to extend their capabilities, often without their human operators’ knowledge or oversight.

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“The people who are operating the agents are not necessarily developers, and they are not even aware of the implications,” explained Gavriel Cohen, creator of NanoClaw and CEO and co-founder of its new commercial services startup, NanoCo AI.

To secure the broader ecosystem, the partners are working to make it available completely free of charge for the open-source community, while enterprise organizations can seamlessly route their agents through their existing, commercially licensed JFrog environments.

The new technical capability enabled by this partnership follows NanoCo’s moves to add permissions dialogs across the apps in which it’s available via a partnership with Vercel, and a new partnership with Docker to allow NanoClaw agents to run more securely, isolated from other software environments directly inside Docker virtual containers.

The risk of current, personal autonomous AI agents

When an operator interacts with an autonomous system like NanoCo’s NanoClaw, they communicate at a high level of abstraction.

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A user might simply send an audio file or a voice note, prompting the agent to independently figure out how to process it.

As Cohen explained, the agent thinks, “oh, I can’t understand voice notes, so let me go and grab a package and download something and install it and set it up and run it”.

This dynamic self-improvement makes AI agents incredibly powerful, but it also renders them highly susceptible to software supply chain attacks.

Bad actors are increasingly poisoning open-source registries with malicious packages. Because agents act autonomously to fetch what they need, they bypass human scrutiny.

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The operators, who may not even be developers, are largely unaware of the security implications unfolding behind the scenes.

How NanoCo and JFrog are working to stop agents from running malicious code

The integration between NanoCo and JFrog acts as an automated immune system for these AI environments.

Under the hood, NanoClaw agents are now configured to route their requests for software packages, CLI tools, and Model Context Protocol (MCP) servers exclusively through JFrog’s registries.

If an agent attempts to download a compromised library—such as a vulnerable version of the popular Axios package—the JFrog registry intercepts the request.

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It blocks the installation, returning a security policy error to the agent, noting that the request was “rejected by JFrog’s registry with a 403 security policy”.

Crucially, the system does not just stop at blocking the threat; it creates a dynamic correction loop. The agent is notified of the vulnerability and guided to automatically seek out and install an approved, non-malicious version of the requested package instead.

For large organizations, this integration solves a massive compliance headache. Marder notes that as enterprises adopt autonomous agents, they require absolute visibility.

Organizations need “a system of record, we need somewhere to track what agents that’s running by whom and consuming what packages and using what skills and using what MCPs,” he told VentureBeat.

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Beyond visibility, the JFrog integration provides a foundational “trust layer” and strict governance over what these automated systems are permitted to access.

Licensing and accessibility

In the realm of software distribution, licensing and access parameters dictate adoption. The NanoCo and JFrog partnership utilizes a dual-track approach to serve both individual open-source developers and highly regulated enterprises.

For the open-source community, the integration is completely free. JFrog is providing open-source NanoClaw users with complimentary access to safe, vetted sources of artifacts, tools, and skills.

This allows individual developers to run autonomous agents locally without drowning in manual approval requests for every single dependency. Furthermore, as community members build and share new “skills” for the agents, these contributions are uploaded to the registry, scanned for malicious code, and cleared before anyone else can use them.

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This infrastructure directly neutralizes the threat of poisoned community repositories.

For enterprise deployments, the architecture plugs seamlessly into an organization’s existing commercial environment. Rather than using the public open-source registry, corporate users point their NanoClaw agents to their own internal JFrog registries.

This ensures that all agent activity adheres to the company’s specific commercial licenses, internal security policies, visibility needs, and governance standards.

As AI continues to blur the line between human intent and machine execution, the infrastructure securing that execution must evolve. This partnership acknowledges a core reality: you cannot train an AI to perfectly recognize every zero-day vulnerability; instead, you must build an environment where the agent simply cannot reach the vulnerability in the first place.

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The US government just hit the brakes on Anthropic’s most powerful AI models

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Anthropic’s troubles with the US government do not seem to be easing. The company has now been ordered to suspend access to Fable 5 and Mythos 5 for all foreign nationals, including foreign national Anthropic employees working inside the United States.

Anthropic said it received the directive on June 12 and is disabling the two models for all customers to comply. Other Anthropic models are not affected. The government has not publicly explained the full national security concern, but Anthropic says it understands the order is linked to a reported method for bypassing, or jailbreaking, Fable 5’s safeguards.

A fresh clash after the Pentagon fight

This is not Anthropic’s first serious standoff with Washington. Earlier this year, the company was caught in a dispute with the Pentagon after it refused to remove restrictions preventing Claude from being used for fully autonomous weapons and mass domestic surveillance. That fight led to claims of blacklisting and legal action, putting Anthropic’s safety-first position directly at odds with parts of the US government.

The latest directive puts Anthropic back in a familiar position. Officials are worried about access to powerful AI systems, while Anthropic argues that its safeguards are being misunderstood or judged by an unrealistic standard.

Why Fable 5 became a concern

The concern around Fable 5 is tied to Mythos 5’s advanced cybersecurity capabilities. Anthropic has said Mythos-class models can discover and exploit software vulnerabilities, and Mythos 5 was reportedly tested by the NSA and other government-linked evaluators before wider release. While those capabilities can help security teams identify and fix weaknesses, they also create national security concerns if they are used for offensive or malicious purposes.

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Fable 5 was released only a few days ago as a public version of Mythos 5 with stricter guardrails. Anthropic said it was designed to block or redirect sensitive cybersecurity and biology-related queries to Opus 4.8.

Anthropic says the reported bypass only surfaced minor, already known vulnerabilities and that other public models can do similar things. Still, with a topic as sensitive as cybersecurity, caution is not unreasonable. If Mythos 5 is capable of identifying software vulnerabilities at a high level, then its guardrails cannot be merely good enough. They need to be airtight. Anthropic may argue that the reported jailbreak was narrow, but the government’s concern this time is easier to understand. In this case, “better safe than sorry” may be the government’s most defensible position.

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Meta Employees Absolutely Hate Mark Zuckerberg’s Plan for a Companywide AI Hackathon

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Meta CEO Mark Zuckerberg’s internal announcement on Friday about a “large” companywide AI hackathon next month quickly sparked frustration and disbelief among employees.

In internal messages seen by WIRED, some workers wrote that added responsibilities in the wake of recent mass layoffs at the tech giant had left them with little time to join such ancillary activities. Others said they felt discouraged from participating because of what they viewed as low morale and declining trust in management across the company.

“I’m literally preoccupied with keeping the lights on for my team,” one employee wrote on Friday. “I have no incentive to participate, let alone have the time to do so.”

In a post shared to Meta’s roughly 70,000 employees, Zuckerberg framed the hackathon as a way for staff to build camaraderie at a time of widespread internal unrest. Ime Archibong, a vice president of product management at Meta, later shared additional details about the event, which he said would take place from July 14 to July 16 and focus “exclusively on AI Innovation.”

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Archibong’s post drew swift pushback from several employees, who responded with angry messages and sarcastic memes. “I’m not sure that this company supports a hackathon culture anymore,” one employee wrote in a comment that drew more than 200 thumbs-up and heart reactions. “People are being asked to cover more work with less support while their colleagues get laid off, while also trying to avoid the risk of causing SEV1s [serious technical errors] with incautious AI use.”

The same employee alleged that hackathon efforts would not count toward performance evaluations, fueling frustration among the workers about the prospect of setting aside other projects to participate.

Dozens of people also reacted with laughs and thumbs-up to a meme inspired by the comedy film We’re the Millers, stating, “You all have the time for a hackathon?”

“I honestly don’t have the time to focus on this, and I’m expected to be 100% devoted” to regular work, another employee wrote. “I’ve participated in previous hackathons but this no longer feels like an option alongside pod sprints in my corner of the company.”

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A third staffer called out what they described as “a disappointing change in culture” because “I don’t believe there is sufficient feeling of safety to spend time on hackathon innovations.”

Meta declined to comment for this story.

Meta has long hosted internal hackathons, but two sources tell WIRED this is the first companywide one to take place since 8,000 people were laid off last month.

A Meta software engineering veteran responded to some of the employee complaints by saying that everyone is encouraged to participate. But the message still didn’t quite land. “Every org I know has super aggressive goals, with efficiency gains expected and significantly less staffing,” an employee commented back. “There’s less time for focusing on other axis.”

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The hackathon was one of several initiatives Zuckerberg laid out on Friday to reenergize his workforce and address internal criticism about the recent layoffs and other concerns. He said budgets for team offsites would increase and that the concept of hot desking, or workers only in the office part of the time having to share desks, would be done away with in some offices.

Last year, some workers banded together to survey colleagues about the removal of their desks and the chaos and lost productivity they believe it caused, according to a person familiar with the efforts who sought anonymity to describe sensitive discussions. The group urged management to return to every employee having their own space. The layoffs appear to have opened up room, while leaving less time to hack.

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As graduates push back on AI, UW’s Nobel-winning commencement speaker takes different approach

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Mary E. Brunkow, Nobel Prize-winning scientist and the UW’s 2026 commencement speaker. (Institute for Systems Biology Photo)

This year’s University of Washington commencement speaker has decades of experience in a field that increasingly benefits from AI and machine learning — but unlike some of her counterparts this graduation season, she almost certainly won’t get booed off the stage.

Mary E. Brunkow is a UW alum and scientist whose research in immune system regulation helped scientists better understand how the body controls its own defenses. She and her colleagues won the 2025 Nobel Prize in Physiology or Medicine for their research. She will be the featured speaker Saturday at the UW’s 151st Commencement.

Brunkow works at Seattle’s Institute for Systems Biology, where machine learning and AI-driven approaches have been part of the research toolkit for years. She is not a tech executive, not a venture capitalist, and not in the business of forecasting the future of work.

This year, commencement speakers at campuses across the country have faced pointed pushback when raising AI. At the University of Arizona, former Google CEO Eric Schmidt was repeatedly booed after telling graduates the question wasn’t whether AI would shape the future, but whether they would help shape it.

At Middle Tennessee State University, music industry executive Scott Borchetta told graduates that AI was rewriting production and, when students pushed back, responded: “Deal with it. Like I said, it’s a tool.”

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But the graduates aren’t simply booing AI. They’re booing the people saying it — executives with obvious stakes in the futures they’re describing, speaking with certainty about lives they don’t live.

At a moment when students have spent four years watching AI reshape classrooms, hiring, and creative industries, many appear far more willing to listen to voices grounded in inquiry than in certainty.

Brunkow understands the exhaustion.

“AI is touching everything that people are doing; a lot of times, it’s presented in stark or ominous terms,” she said in an interview. “I can understand the backlash.”

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Rather than dismissing those concerns, she acknowledges them — while making the case that humanity has been in similar positions before. “This isn’t the first time that there’s been a revolutionary new technology or new way of thinking, and the human race is pretty good at adapting and using those new things,” Brunkow said.

Her perspective comes from years inside research environments where computational tools transformed discovery long before AI became a cultural flashpoint. That gradual exposure shaped a more measured view of both the promise and the limits of the technology.

“If you’re going to throw something into your analysis that you don’t have a complete understanding of how it works, then how are you going to judge the results that come out in the end?” Brunkow said.

In scientific culture, new tools are only valuable if they produce results that withstand scrutiny: a very different posture from the “disruption is inevitable” framing common in tech circles.

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She sees AI accelerating discovery without replacing the judgment behind it.

“You’re still going to need the subject matter experts,” Brunkow said. “A human brain is still going to be needed to ask the right questions and then to look at results, so you know how to ask the next right question.”

That is a more measured vision of AI than the one many graduates have encountered from commencement stages this spring. The technology may accelerate discovery, Brunkow said, but it does not eliminate the need for curiosity, judgment, or the ability to know what question to ask next.

“It’s not like we will solve every problem, just because we have stronger and faster tools, but we can arrive at answers faster,” Brunkow said.

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Brunkow isn’t planning to warn graduates about AI, nor urge them to master the latest trends. She’ll talk about something less predictable: staying curious. Careers and discoveries, she said, rarely unfold according to plan.

“Serendipity is an underrated part of a person’s life,” Brunkow said. “Keep your eyes and ears open to things that come along unexpectedly.”

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Five cloud security mistakes that start at the architecture level

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Cloud Architect Nodir Safarov, who leads migration and infrastructure automation for thousands of global clients at SOTI Inc., identifies the architectural failures behind the most common cloud security gaps and the design principles that prevent them.

Enterprise cloud adoption has accelerated faster than enterprise cloud security. As organizations migrate critical workloads to AWS, Azure, and multi-cloud environments, many are discovering that speed and scale have outpaced their security architecture. The result is a growing gap between what companies assume is protected and what actually is.

Most cloud platforms already offer robust native security features. The problem is not the tooling. The problem is architectural: how and when security gets integrated into cloud infrastructure design. In too many organizations, security is layered on after deployments are already running in production, creating vulnerabilities that are expensive to remediate and easy to miss.

We spoke with Nodir Safarov, a Cloud Architect Expert at SOTI Inc., where he leads cloud migration and infrastructure automation initiatives supporting enterprise environments across North America, Europe, and Asia. Drawing on experience from large-scale deployments across multiple industries, Safarov said he repeatedly sees the same architectural missteps create avoidable cloud security gaps, often long before teams recognize the risk. He is known for designing security controls directly into infrastructure-as-code and CI/CD workflows, so teams can enforce consistent guardrails by default rather than relying on post-deployment fixes. In our conversation, Safarov emphasized repeatable design patterns, segmentation, least-privilege access, and audit-ready logging, as the foundations of resilient cloud programs. He added that standardization through code and automation is what makes security sustainable at enterprise scale.

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The patterns repeat across organizations of every size,” Safarov said. “These are systemic issues, and they require architectural solutions. They cannot be patched after the fact.”

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Based on what he has observed across large-scale deployments, here are the five most common cloud security mistakes Safarov encounters, and the design-level approaches he recommends to prevent them before deployment.

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1. Treating Security as a Post-Deployment Layer

This is the mistake that enables all the others. Organizations frequently build their cloud infrastructure first and attempt to secure it second. By the time security teams assess a production environment, the architecture has already been designed around assumptions incompatible with a strong security posture: overly permissive access controls, unencrypted data stores, and open network configurations that were intended to be temporary but never got locked down.

The cost of this approach compounds quickly. Retrofitting security onto an existing architecture means modifying live systems, and every modification introduces risk to production stability. In one enterprise environment Safarov assessed, a temporary open access rule created during initial deployment had persisted for months, quietly exposing internal APIs to the public internet. The configuration appeared healthy by every standard monitoring metric. It was only caught during a manual security review that happened to occur before an incident did.

The best time to implement cloud security best practices is before the first deployment,” Safarov said. “Build it into your blueprints from day one.

In practice, this means embedding security controls directly into infrastructure-as-code templates. When Safarov designs Terraform modules and CI/CD pipelines, security policies, network segmentation, encryption standards, access controls, and logging configurations are written into the code itself. Every deployment that uses those templates automatically inherits the security posture, reducing the burden on engineering teams while ensuring consistency. Security becomes a default rather than an afterthought.

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2. Underinvesting in Disaster Recovery Architecture

High availability and disaster recovery are among the most critical aspects of cloud architecture, yet they are routinely treated as secondary concerns during the initial build phase. Organizations assume that running in the cloud inherently provides resilience. It does, but only if the architecture is deliberately designed to take advantage of it.

The assumption is understandable. Cloud providers offer availability zones, redundancy, and failover capabilities. But those features require intentional architectural decisions to activate. Without deliberate DR planning, a single infrastructure failure can take critical systems offline with no clear recovery path. The business impact ranges from lost revenue to regulatory penalties, depending on the industry and the duration of the outage.

Safarov has encountered organizations that documented disaster recovery plans but never tested them against their actual infrastructure. When an incident occurred, the recovery procedures assumed configurations that had drifted months earlier, and the recovery plan failed at the first step.

Every company needs a Plan B for disaster recovery,” Safarov said. “Cloud architects are the ones who oversee that planning and execute it before the first incident occurs. The middle of an outage is the worst time to discover your recovery strategy exists only on paper.

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His approach treats DR as an architectural requirement on par with performance and scalability. Recovery capabilities are built into the foundation and validated through regular testing, not documented once in a compliance checklist and forgotten.

3. Ignoring Cost as an Architectural Constraint

Cloud cost optimization is often siloed as a finance concern, separate from architecture decisions. In reality, cost is architecture. When engineering teams over-provision resources to maintain generous safety margins, or spin up instances without lifecycle policies, waste compounds rapidly across an enterprise. At scale, those margins become one of the highest hidden costs in a cloud program.

The financial impact is significant and self-reinforcing. Organizations that treat cost optimization as an afterthought find themselves locked into architectures that are expensive to maintain and difficult to restructure. Right-sizing resources after the fact means rearchitecting production systems, a far more expensive and disruptive process than designing for efficiency from the start.

Safarov’s experience in enterprise finance before transitioning to cloud architecture gives him a distinctive vantage point on this problem. He approaches resource allocation as a design constraint, not an operational cleanup task.

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Architectures must be high-performing and resilient, but also financially efficient,” Safarov said. “Optimizing resource allocation is a design principle. Ignoring it leads to waste that compounds at enterprise scale, and by the time organizations notice, the cost of correction is significant.

The fix starts at the design phase. When cost efficiency is treated as a core architectural requirement alongside performance and resilience, every resource decision is intentional. Assets are right-sized from the start, monitored continuously, and justified by the workload they support.

4. Allowing Configuration Drift Through Manual Changes

When cloud infrastructure is configured manually, through console clicks, ad hoc scripts, or undocumented changes, environments inevitably drift from their intended state. What starts as a minor deviation becomes a significant security vulnerability over time, as production configurations diverge from the security baselines they were designed to meet.

Configuration drift is particularly dangerous because it is invisible. Standard monitoring tools track uptime and performance, not whether a security group rule matches the original Terraform specification. The environment may appear healthy by every dashboard metric while harboring misconfigurations that weaken security boundaries or grant unintended access. In multi-tenant enterprise environments, where hundreds of client deployments share underlying infrastructure patterns, a single drifted configuration can cascade across environments before anyone notices.

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The solution is infrastructure-as-code and automated CI/CD pipelines that enforce consistency and auditability across every environment. When all infrastructure changes flow through version-controlled Terraform configurations, every modification is documented, reviewed, and reproducible. Drift becomes detectable, and unauthorized changes trigger automated alerts.

Safarov implements this approach through standardized IaC templates and pipeline automation that eliminate manual intervention in production environments. The result is infrastructure that matches its documented design at all times: consistent, auditable, and reliable across every deployment.

5. Relying on Point-in-Time Security Assessments

The final mistake is assuming that a secure deployment remains secure. Cloud environments are dynamic: workloads scale, configurations update, new services are added, and threat landscapes evolve. A security posture assessed at deployment time degrades steadily unless it is actively maintained through continuous monitoring.

Many enterprises rely on periodic security audits or quarterly assessments. These provide valuable snapshots but miss the threats that emerge between assessments: temporary access permissions that become permanent, test configurations that reach production unchanged, and incremental changes that quietly weaken the original security design. In fast-moving enterprise environments where deployments happen daily, quarterly assessments leave months of unmonitored exposure.

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Safarov designs cloud systems with continuous monitoring and automated detection built into the architecture. Rather than relying on periodic human review, his systems use automated alerting to detect configuration anomalies, access pattern changes, and policy violations as they occur. When a new resource is deployed outside the approved IaC pipeline, the monitoring layer flags it immediately rather than waiting for the next scheduled audit.

Security is a continuous process, and the architecture should enforce that,” Safarov said. “If your monitoring only tells you what happened last quarter, you are always reacting to problems that have already caused damage.

The Common Thread

Across all five of these mistakes, the root cause is the same: treating security as a layer rather than a principle. When security is a layer, it can be skipped, deferred, or underfunded. When security is an architectural principle, it is embedded in every template, every pipeline, and every design decision from the first line of code.

Reliability, security, and cost efficiency are not competing priorities. They are interdependent, and the strongest cloud architectures treat them as a single design challenge. The organizations that get this right build security into their foundations. The organizations that get it wrong spend years and significant resources trying to retrofit what should have been there from the start.

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India’s Avataar AI launches a video model that costs $0.005 per second, 27x cheaper than rivals

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TL;DR

Avataar AI launched Varya, an open-weight video model at $0.005/second, 27x cheaper than rivals. Built under India’s AI Mission, it renders Indian culture accurately.

Bangalore-based Avataar AI has launched Varya, one of India’s first homegrown video AI models. It generates video at roughly $0.005 per second, or 0.48 rupees. Founder Sravanth Aluru, a former Deutsche Bank investment banker and Microsoft and IIT Mumbai alum, says that is 27 times cheaper than comparable open-source video models.

The cost advantage comes from distillation. Avataar started with Alibaba’s Wan 2.2, a publicly available video generation model, and compressed its capabilities into a leaner version that runs in four steps instead of 50. The result is ten times faster generation at a fraction of the cost. Models like Veo, Kling, Luma, and Runway typically charge $0.10 or more per second.

Varya is not trying to compete with US and Chinese frontier models on quality. ByteDance’s Seedance, Kuaishou’s Kling, and Alibaba’s Wan are pushing motion realism and audio generation far beyond what Varya offers. The pitch is scale and accessibility in a market of 1.4 billion people where cost competitiveness matters more than peak performance.

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What makes Varya distinct is cultural specificity. Rather than retrofitting a Western-trained model, Avataar used curated data to train Varya to render Indian clothing, food, architecture, festivals, and everyday settings accurately. Global models trained primarily on Western datasets consistently fail at this, producing culturally wrong outputs that limit their usefulness for Indian businesses, education, and public services.

The model is open-weight and will be released on India’s AIKosh portal, the government’s centralised repository for AI models and datasets. Avataar is one of 12 startups selected for the IndiaAI Mission, a roughly $1.2 billion initiative that gives selected companies access to subsidised GPU compute in exchange for releasing their models publicly.

Avataar has raised $55 million from Peak XV Partners and Tiger Global. The company originally focused on creating video tools for e-commerce. Varya is its first foundation model, reflecting a broader trend of Indian startups building sovereign AI rather than renting Western infrastructure. Sarvam and BharatGen launched their own foundational models earlier this year under the same programme.

India’s AI strategy is different from Europe’s or China’s. It is not trying to build the biggest model. It is trying to build models that work for its population at a price its market can absorb. At $0.005 per second, Varya is testing whether a video model optimised for affordability and cultural relevance can gain adoption faster than a technically superior but expensive Western alternative. In a country where AI startups are already building for local needs at scale, the answer may well be yes.

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Anthropic Says It’s Taking Claude Fable 5 Offline to Comply With US Government Order

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Anthropic says it’s disabling two AI models it launched earlier this week, Claude Fable 5 and Mythos 5, to comply with an export control directive it received Friday afternoon from the US government citing national security concerns.

The unprecedented incident marks the latest flashpoint between Anthropic and the Trump administration. While the company says the order asked it to suspend access to “any foreign national, whether inside or outside the United States, including foreign national Anthropic employees,” it has removed access for all of its customers to ensure compliance.

Earlier this year, Trump’s Department of Defense labeled Anthropic a “supply chain risk” after the Claude-maker sought to draw red lines over how the US military could use its technology. The designation effectively barred government agencies and contractors from using Anthropic’s technology. Anthropic responded by filing lawsuits against the Trump administration.

On Tuesday, Anthropic publicly released Claude Fable 5, a version of the company’s Mythos AI model with safeguards that prevent it from answering questions about cybersecurity, biology, and chemistry. Prior to the public release, which Anthropic said it had conducted in collaboration with the US government, the Mythos Preview AI model had a limited rollout in April. The goal was to give companies and organizations an opportunity to use its powerful cybersecurity capabilities to improve their defenses, and stem concerns that the technology could be exploited by bad actors to develop powerful hacking tools.

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In a blog post on Friday, Anthropic says it received a letter from the US government at 5:21pm ET. “The letter did not provide specific details of its national security concern,” Anthropic wrote.

“Our understanding is that the government believes it has become aware of a method of bypassing, or ‘jailbreaking’ Fable 5,” the company added. “We reviewed a demonstration of this specific technique being used to identify a small number of previously known, minor vulnerabilities. These vulnerabilities all appear relatively simple, and we have found that other publicly-available models are able to discover them as well without requiring a bypass.”

In the blog post, the company argued that it has implemented strong safeguards to reduce the likelihood of Claude Fable 5’s misuse. Anthropic also claimed that the jailbreak the US government found for Claude Fable 5 was narrow, and would not have made an attacker meaningfully more dangerous than they would have been with another AI model.

“To date, the government has only given us verbal evidence of a potential narrow, non-universal jailbreak, which essentially consists of asking the model to read a specific codebase and fix any software flaws,” the company said in its blog post. “Our understanding is that one potential jailbreak was shared with the government.”

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Spokespeople for the White House and US Commerce Department did not immediately respond to WIRED’s request for comment.

Anthropic CEO Dario Amodei said in a policy essay earlier this week that he and the company support a fair, structured, and transparent government process that would block the release of unsafe AI models. In the company’s blog post on Friday, Anthropic argued that “this action does not adhere to those principles.”

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