Tech
Sonos Play review: A sweet spot portable speaker that I can’t stop firing up
Pros
- Clean looks and solid build quality
- Packs quite an audio punch
- waterproofing is an underrated perk
- Good mileage and replaceable battery
- Doubles as a power bank
Cons
- No power brick in retail box
- You can’t take calls
- Stereo pairing only over Wi-Fi
- Limited Bluetooth functionality
Quick Take
Sonos has had a rough couple of years. The 2024 app rollout turned into a disaster that still shows up in the support forums, and the hardware pipeline went quiet for so long that I’d genuinely started to wonder whether the company had decided to take a sabbatical from making new speakers. So when the Sonos Play showed up in the lineup at $299, I was obviously skeptical.
After six weeks of using it as my primary kitchen speaker, my weekend patio speaker, and my impromptu bathroom-radio speaker, I can confirm something I didn’t expect while unboxing this speaker. This one can bring back the irked Sonos fans. It sits between the Roam 2 and the Move 2, while delivering the best of both worlds.
At $299, in a market crowded with cheaper Bluetooth options on one side and pricier smart speakers on the other, it had to land precisely. Somehow, it did. It sounds good, packs a replaceable battery, doubles as a power bank, and still remains portable. It just loves Wi-Fi a little too much, and that often turns into a functional drawback.
Sonos Play specs: What you get from this middle-weight warrior?
| Amplifiers | Three class-H digital amplifiers tuned for the acoustic architecture. |
| Drivers | Two angled tweeters for crisp highs and one mid-woofer for deep bass. |
| Microphones | Far-field array with beamforming and echo cancellation. |
| Audio Tuning | Automatic Trueplay and adjustable EQ (Bass, Treble, Loudness). |
| Battery Life | Up to 24 hours of continuous playback; user-replaceable battery. |
| Charging | Includes Wireless Charging Base; supports USB-C PD (18W+). |
| Durability | IP67 rating (waterproof up to 1m for 30m) and drop resistant. |
| Connectivity | WiFi (802.11a/b/g/n/ac) and Bluetooth® 5.0. |
| Dimensions | 192.3 x 112.5 x 76.7 mm (7.57 x 4.43 x 3 in). |
| Compatibility | Sonos app (S2), Apple AirPlay 2, Spotify/TIDAL Direct Control. |
| Controls | Tactile buttons for playback, volume, and a physical mic privacy switch. |
| Sustainability | Made with bio-based plastics and FSC-certified recyclable packaging. |
| Box Contents | Sonos Play speaker, Wireless Charging Base, and Quickstart Guide. |
Sonos Play design and build quality: Clean, mean, and easy to lug around

Pick up the Sonos Play, and the first thing you notice is the density. It weighs 2.87 pounds, which is deceptively heavier than what its size suggests. But that’s in a way well-built things tend to be. It stands a hair under eight inches tall, flaunting a stout tubular body with a subtle taper and a polycarbonate mesh. At the top, you’re greeted with a soft matte layer that hides fingerprints better than I expected.
Mine came in white. There’s a black option on the table, as well, but I’d pick the white variant because it blends more easily with the interiors, whereas the latter color option stands out as a dark monolith. Either way, this is firmly in the “grown-up audio” school of design. The speaker disappears onto a bookshelf or kitchen island instead of screaming for attention the way some rugged portables do.

The small choices are where you can tell Sonos really pored over the details. The controls on top are real, clicky, physical buttons, and not the finicky touch-capacitive sliders you’ll find on the Era line. That difference becomes apparent the moment your hands are wet, or you’re outside in 45-degree weather with sweaty palms, or you’re trying to skip a track with moist fingers after a workout.
The touch-cap sliders feel premium in the showroom and tactically infuriating in the kitchen. Sonos clearly took notes and went with a thoughtful approach. The rear has a rubberized utility loop you can hook a finger through, and I kept catching myself grabbing the speaker by that loop and moving it from counter to patio table without consciously thinking about it coming loose or snapping. It’s a small thing that turns out to matter every day, and I’m glad Sonos didn’t compromise on the material quality here.

Durability has been baked in seriously. The IP67 ingress protection rating means the device is fully dust-proof and can withstand submersion in up to one meter of water for 30 minutes. But let’s be honest here. You likely aren’t going to treat this speaker to a “pool oopsie” and watch it prove the durability claims. It doesn’t float, which is the one trick the Bose SoundLink Plus has over it.
The shock-absorbing mesh exterior and the ruggedized internal housing have already shrugged off a couple of careless bumps during my testing without a cosmetic scuff to show for it. Phew! The whole design philosophy here is hybrid. The Sonos Play is just as happy docked on the wireless charging base in your living room as it is blasting music in wireless mode atop a fridge, and it feels equally at home if you’re lugging it around.

Yanked off the base and tossed in a tote bag with a wet towel, it acts like a rugged outdoor speaker. Most products in this price band can do one of those two jobs convincingly. The Play does both, and that’s no mean feat. Whether you want a speaker to complement your lifestyle or the adventure mood swings, the latest from Sonos fares well on either end of the spectrum.
Score: 9/10
Sonos Play audio quality: Pleasing, with a serious stereo ace up its sleeve

Sound quality is where Sonos earns the premium asking price. Even though the audio cabinet is small enough to carry in one hand, it somehow houses three Class-H digital amplifiers driving two angled tweeters and a dedicated mid-woofer, plus a pair of passive radiators handling the low end.
The tweeters fire at roughly right angles to each other, which is the engineering trick that gives the Play a soundstage no single-enclosure portable has any right to produce. Most speakers this size sound like they’re firing from one point in space. The Play sounds like it’s coming from a wider strip than the actual cabinet, and on tracks with strong stereo imaging and separation, you actually hear the trick working.
It’s not magic, exactly, but for a sub-eight-inch speaker, it’s the closest thing to it. The midrange is where the signature Sonos character lives, one that has been the company’s audio fingerprint for years. Vocals come out pleasant and natural, with a warmth-inclined, slightly-forward presence that makes it a lovely choice for podcasts and audiobooks.

If you’re into listening to your morning news briefings, they sound like a real person standing in the room rather than an audio stream with weird tinny resonance. On denser tracks, the speaker keeps everything legible without me having to crank the volume to compensate. The bass isn’t earth-shaking, but you can still feel the thump. It isn’t quite the kick-in-your-chest low-frequency output, but there’s still enough oomph to enjoy those bass-boosted playlists.
The dual passive radiators add real weight to the low-mids, and on dance tracks at outdoor volume, the speaker holds its own instead of turning the instruments into a screeching cacophony of distortion. I’ve spent a lot of time with portable speakers that sound great at certain volume levels but awful at others. The Play is a rarity, thanks to a flatter volume curve that maintains composure across the board range.
Between the crooning of Hamaki and Nayyara Noor, and the autotuned drops by T-Pain, there’s barely any mainstream track the speaker can’t handle. If you’re listening to layered instrumentals, some overlap happens once you cross the 60% volume levels, but within the halfway threshold, the likes of Tom Holkenborg are a blast to hear.
One reasonably clever trick is Automatic Trueplay. The Play’s onboard microphones continuously sample the room and adjust the EQ on the fly. The first time I really noticed it working was when I carried the speaker mid-song from a cramped bathroom into a spacious living room.

The tuning shifted within a couple of seconds, and the bloated bass that had been booming in the bathroom got pulled back to something sensible. It’s not a fix-everything feature, and on a windy patio with no walls to reflect from, the soundstage understandably narrows. But in practice, it means you don’t have to think about where you’re putting the speaker. I’d call it a win.
Score: 9/10
Sonos Play app and software: Gets the job done, but still needs some polish

Let’s address the elephant in the room, which is the Sonos companion app. After the 2024 redesign meltdown, a high number of long-term loyalists had a genuinely bad spell with woes such as randomly disconnecting speakers, lost groups, and broken Trueplay, to name a few. I won’t pretend the experience is fully back to where it was before the redesign, but it’s much, much closer than it was six months ago.
Stereo pairing works without any hiccups. Settings stick instead of mysteriously resetting overnight. The integration is still the actual reason you’d pay Sonos money over any random Bluetooth speaker. If you want Apple Music, Spotify, Tidal, YouTube Music, and a handful of internet radio stations on call from one app, this is the cleanest way to do it on the market.

What I like more than anything else, though, is that the Play has finally fixed the Bluetooth/Wi-Fi schism. Older Sonos speakers forced you into a binary. You had to pick between the high-fidelity multi-room Wi-Fi convenience or the dumber Bluetooth world. Switching modes felt like punishment, and you couldn’t group across modes at all.
The Play now supports Bluetooth grouping of up to four Play speakers, or you can pair two Plays over Wi-Fi for stereo syncing. Bring them home, drop them on their wireless bases, and they automatically rejoin the rest of your Sonos system. I love these quality-of-life conveniences.

Voice control comes in two flavors. Amazon Alexa works the way it works everywhere else, with the same charms and the same low-level eavesdropping concerns. Sonos Voice Control is the more interesting option, by the way. It processes commands locally on the speaker itself, so nothing leaves the device. Plus, the assistant who does all the talking has the voice of Giancarlo Esposito of “Breaking Bad” fame.

It’s a small touch but a delightful one, and the voice is pretty soothing to hear. The local processing also means it’s noticeably snappier than cloud-based assistants for the small handful of commands it actually supports. It’s not outrageously smart. For the most part, it handles play, pause, next, volume, group, and ungroup. You get the drift. In hindsight, these are the core commands you actually use 95% of the time.
The one persistent nag is that getting the speaker into the Sonos system still requires Wi-Fi for the initial setup and any system-level configuration. If you only ever plan to use the Play as a dumb Bluetooth speaker on a beach somewhere and never touch the app again, that’s a big hurdle.

The newer Wi-Fi 6 and Bluetooth 5.3 radios are up to the mark, though not the latest protocols. In my testing phase, pairing has been quick and reliable. Reconnections, however, are iffy. Plus, there’s still a sub-second delay between issuing an in-app command and it registering on the speaker. But the drill is clear. Sonos still very much wants you to live in their app, and the Play isn’t shy about reminding you of it, with the connectivity limitations in tow.
Score: 8/10
Sonos Play battery life: This one’s built for longevity

Sonos quotes 24 hours of playback on a charge. In real life, while listening at moderate to loud volumes (imagine filling a kitchen during or a moderate lobby), I’m seeing 14 to 17 hours, which is not too bad for a speaker of this acoustic class. The charging story is the most thoughtful part of the whole package.

The Play ships with a wireless charging base that doubles as a permanent docking station. You simply drop the speaker on the base, and it picks up where it left off in the multi-room system without any manual fussing. For travel, the bottom has a USB-C port that’s also bi-directional, meaning the Play can charge a dead phone from its own battery in a pinch.
I haven’t had to use that yet, because I always carry a wireless power bank with me, but it’s the kind of feature you’ll be grateful for exactly once and remember forever. The base itself sits flush enough on a counter that I keep mine permanently on the kitchen island, and the speaker just lives there, fully charged, ready to grab.

The biggest surprise is that the battery is user-replaceable. It shouldn’t come as a surprise that Lithium cells degrade over time. Whether it’s your tiny earbuds or the hulking cell packs in an electric car, the electrochemical degradation is unavoidable. After three or four years of daily use, every portable speaker on earth gets noticeably worse at holding a charge. The solution? Buy a new one and add to the e-waste pile.
Sonos is taking a better route. The Play lets you swap the cell yourself with a few screws and a replacement part, extending the useful life of a $299 piece of hardware potentially by another half-decade. This should be a checkbox feature for the entire industry, but it isn’t, so credit where it’s due. Sonos took the complex (read: more expensive) engineering path here, and the world is better for it.

The one thing missing from the box is the wall adapter. You get the wireless base and a cable, but if you don’t already own a USB-C PD brick rated at 18W or 45W, you’ll have to fork extra cash for it. Sonos frames this as a sustainability decision, just like Apple and Samsung, which means fewer bricks ending up in landfills, since most of us already have one lying around.
That argument is at least partially honest, but on a $299 product, it still feels like a pinch. If your customer is paying premium money for a premium speaker, just throw in a brick, will ya? That’s the one piece of friction in an otherwise unnaturally well-thought-out package.
Score: 10/10
Should you pick up the Sonos Play?

The Play is the most coherent answer Sonos has had to “which one should I buy?” in years. If you want a speaker that lives in the kitchen on weekdays, follows you to the patio on Saturday, and comes camping with you on Sunday, this is the one. The acoustic step-up is significant for its class, especially if you are confused between the Era 100 and the Roam.
The Play is for the hybrid user: someone who wants Sonos’s seamless ecosystem at home but doesn’t want to own a separate, cheap Bluetooth speaker for outdoor use. If you’ve ever found yourself with two speakers in two different ecosystems and wished one device could do both jobs without compromise, the Play is the one to pick.
It’s a thumping comeback for Sonos. The hardware is excellent. The software is mostly recovered. The price is fair for what you’re getting. This is the kind of device you ship to win customers after a fiasco. Whether one good product is enough to repair the trust is a longer question, but as a piece of hardware in 2025, the Play deserves all the applause (and easy recommendation).
Why not try

If the Sonos Play doesn’t quite fit the bill for you, there’s a healthy bench of options you can consider:
Bose SoundLink Plus: The closest competitor to the Play. Priced at $269, it delivers a warmer sound profile and the genuinely useful trick of floating in water if you drop it in the pool. What you give up is the Sonos ecosystem. No Wi-Fi multi-room, no app-based streaming integration, and no whole-house grouping. If you’ve never owned a Sonos and never plan to, the Bose is the simpler choice without sacrificing audio quality.
Sonos Move 2: It’s the bigger sibling for buyers who need a primary-room speaker that occasionally travels rather than the other way around. At $499, it’s significantly pricier, but the extra cabinet volume translates into genuinely deeper bass and substantially higher peak loudness. If you regularly host backyard parties or you want a single speaker capable of filling a large living room, the Move 2 earns its weight.
JBL Charge 6: The budget-conscious pick at $170, though the sticker price is $200. It’s rugged, loud, and ships with its own power bank trick. You’re giving up the soundstage, the Wi-Fi, the multi-room, and the smart-home integration. But if good ‘ol Bluetooth is all you need, it’s a hard speaker to argue against on pure value.
UE Everboom: This one typically goes for $179.99 and leans heavily into a punchy sound output. The audio fidelity isn’t in the same league as the Play, but the design and durability are excellent for the money. If the Play is the grown-up choice, the Everboom is the fun one. Both have their place, but the Boom app is loaded with features that are tailor-made for outdoor parties.
How we tested

For a spell of three weeks, the Sonos Play speaker had a place atop my kitchen counter and my workstation. I used it standalone and in a stereo pair, as well. Over the course of testing, it was pushed at movies, music streaming (Apple Music, Amazon Music, and Spotify), live TV, and podcasts. It was connected to a 500Mbps Wi-Fi connection and linked to an iPhone 17 Pro.
I also traveled with the Sonos Play speaker, using it as a portable speaker in the car, camping sites, and exclusively as a Bluetooth speaker in a large hall that also served as my vacation work spot. I used a generic 50W power brick to charge the speaker and a generic USB Type-C cable to use the speaker as a power bank to charge my phone.
For comparison, I tested it against rival speakers in a closed room with minimal acoustic interference, playing the same tracks via Apple Music.
Tech
ABC Shows A Backbone In FCC Fight, Shows FCC Manufactured A Controversy Surrounding James Talarico
from the censorial-fascist-weirdos dept
ABC/Disney, like most major media companies, has spent much of its time during America’s bout with authoritarianism being a feckless wimp. The company was quick to ditch its already fleeting embrace of civil rights to please our dim, racist president, and were just as quick to pay Trump a $15 million bribe to settle a baseless Trump lawsuit they could have easily won.
But as Trump’s health and power becomes more shaky, ABC appears to be showing the faint outline of a backbone.
ABC/Disney execs are now more directly accusing the Trump administration of violating the First Amendment with its endless threats to pull the company’s broadcast licenses if it platforms journalists, comedians, or talk show hosts who refuse to kiss the administration’s ass.
Quick background: we’ve noted repeatedly how Trump FCC boss Brendan Carr has been abusing the FCC’s dated “equal opportunity” (or “equal time”) rule to try and threaten daytime and late night talk shows with government retribution if they refuse to enthusiastically coddle Republicans.
Recently, the Carr FCC took the unprecedented step of demanding that ABC-owned Houston affiliate KTRK file a petition for declaratory ruling to the FCC, explaining to the agency why it didn’t file the appropriate paperwork for a February 2nd appearance by Democrat James Talarico on The View (the traction Talarico is making among Christians clearly seems to worry the administration).
So KTRK last week filed their petition for declaratory ruling. And it shows slightly more backbone that we’ve become used to, directly stating that the Trump FCC’s actions violate the First Amendment and are having a “chilling effect” on free speech. While the petition is technically on behalf of KTRK, it was signed by Paul Clement, a former Bush-era solicitor general and very experienced Supreme Court litigator.
Talk shows have historically been exempt from the dated, golden-era-of-television rules, which required that any airing of a political candidate on “publicly owned” airwaves is countered with the appearance from a candidate from the opposing party. But Carr isn’t interested in equilibrium; he’s interested abusing FCC authority to try and silence critics of Donald Trump and his increasingly unpopular policies.
ABC’s notice to the FCC notes that the target of the administration’s censorial rage, The View, was clearly granted a Bona Fide Exemption to the rule back in 2002. Most talk shows have broadly been viewed as exempt since 1984 or so (and increasingly so, as the Internet challenged TV’s supremacy). From the ABC filing:
“The View has been broadcasting under a bona fide news exemption granted to it more
than twenty years ago, consistent with longstanding Commission interpretations designed to
minimize the serious First Amendment problems inherent in the equal time regime.
The View’s exemption remains valid and the constitutional infirmities in the equal time doctrine are even more pronounced today, when the broadcast airwaves account for a slice of the numerous media options through which Americans get their political information.”
Carr’s FCC has also been threatening to pull ABC’s broadcast licenses in the wake of Jimmy Kimmel making fun of the president’s wife; but as we’ve previously reported, ABC only holds eight broadcast licenses in total; most in reality are owned by right wing affiliate companies already loyal to Trumpism.
Here’s an interesting bit of note: It appears that the Carr FCC staged things in advance with the help of those affiliates to make ABC-owned KTRK seem like it was doing something wrong.
First, the FCC tried to tell ABC and KTRK that The View being widely viewed as exempt is “not a position uniformly held by broadcasters that air the program” (it is).
But on pages 3-4 of ABC’s filing, they note that not only did those other affiliates not originally file the paperwork for the appearance (because there’s no need to given their exemption), the FCC personally reached out to a number of non-ABC owned affiliates to have them file paperwork late so it would appear that the ABC-owned KTRK was an outlier that did something wrong. From ABC’s filing:
“The Bureau neglected to note, however, that while certain ABC affiliates documented Talarico’s appearance in their online public inspection files, the filings were made more than two weeks after Talarico’s appearance and apparently at the request of the FCC, which reportedly promised to eschew enforcement for the late filing. KTRK Television received no such request and no such offer, despite the Bureau specifically contacting it about the Talarico appearance less than 10 days after it occurred.”
That’s really profoundly greasy behavior. These other affiliates, that the FCC pressured to file late notices of Talarico’s appearances, would be companies like Sinclair, Tegna, Nexstar, Gray Media, or Scripps, most of which are owned by Trump-loyalists and/or are seeking FCC approval for approval for mergers that illegally ignore the country’s last remaining media consolidation limits.
So again, the FCC accused ABC and its directly owned affiliate of something false, then told non-ABC owned affiliates to file paperwork they never would have otherwise planned to if they wanted merger approval to make it seem like KTRK did something wrong. And since a lot of these affiliates are already very Trump-friendly propaganda mills, the FCC likely didn’t have to apply much pressure.
While it’s always possible the Trump-stocked Supreme Court makes an insane ruling in Trump’s favor, these threats to pull broadcast licenses are not fights the Trump FCC wants to actually litigate. They’re designed to simply be a form of harassment that makes life so costly and difficult for companies that threat targets — and everybody else — just pre-emptively bows to pressure to censor.
Trump and Carr expect companies to pre-emptively quiver and not put up a costly fight. And while these threats have worked for a while (because our corporate media is broadly opportunistic and pathetic), Trump’s abysmal poll numbers in the wake of the Iran war and soaring gas prices are likely instilling new confidence even among the most weak-kneed companies.
Filed Under: affiliates, brendan carr, censorship, equal time rule, fcc, first amendment, free speech, james talarico
Companies: abc, disney
Tech
Google just made Gemini for Home a lot better at running your smart home
If you have a Google smart display or speaker at home, there are new updates you should know about. Google has rolled out a fresh batch of improvements to Gemini for Home, making the assistant noticeably smarter and faster across smart speakers and displays.
Gemini for Home is getting smarter and more personal

The most interesting addition is how Gemini now uses information you’ve saved in Ask Home to answer camera-related questions. If you’ve saved a note saying your nanny’s name is Alice, you can ask Gemini when Alice arrived, and it will pull up the relevant camera footage automatically.
You can also ask for a Home Brief on your speaker or display to get a quick summary of everything that happened at home while you were away. On smart displays, Gemini will now show thumbs-up and thumbs-down buttons after most voice interactions, making it easier to give Google quick feedback.

Response times have also improved across the board. Backend processing for common commands has been optimized, so things like turning on lights, setting alarms, and managing timers should feel noticeably quicker than before.
Adult users will also now get more helpful responses to general queries, including things like cocktail recipes, while parental controls remain in place to protect younger users.
The Google Home app is getting useful upgrades too

These updates arrive alongside version 4.16 of the Google Home app, which brings its own set of improvements. Device setup is now simpler thanks to a new QR code discovery flow that automatically directs you to the right setup path for your device.
Nest Thermostat users can now pause outdoor temperature settings with a single tap, without affecting their long-term schedule. Thermostat schedule banners also now display more relevant and timely information.
Lastly, iPhone users can now manage compatible third-party thermostats and air conditioners directly in the app, catching up with what Android users could already do.
Tech
This Fire TV Soundbar Plus deal could be the easiest TV upgrade you make
Most TV speakers treat dialogue as an afterthought, burying it beneath a wall of compressed sound that makes you reach for the subtitles before the first scene is done.
The Fire TV Soundbar Plus is the answer to that frustration, and with the 3.1-channel system now down from $249.99 to $174.99, a built-in subwoofer and spatial audio are available at a price that makes upgrading feel like an obvious rather than an extravagant decision.
Save almost a third on Amazon’s Fire TV Soundbar Plus and enjoy films with the clarity and depth they’re supposed to have
For anyone who has been tolerating flat TV speakers for a long while, the Fire TV Soundbar Plus at $174.99 is a clean, uncomplicated upgrade

The dedicated centre dialogue channel and Dialogue Enhancer work together to lift spoken word above background sound, so conversations stay intelligible even when a scene’s mix is working against you, without requiring any manual adjustment on your part.
That clarity sits alongside Dolby Atmos and DTS:X, which between them create three-dimensional audio with genuine movement and depth, meaning an action sequence or a concert film feels like it has physical space around it rather than arriving flat from a single point in the room.


Inside the bar, three full-range speakers, three tweeters, and two woofers distribute sound across the frequency range, and the four EQ modes – Movie, Music, Sports, and Night – let you shift the balance to match what you are actually watching without overcomplicating the process.
Setup involves a single HDMI cable into your TV’s eARC or ARC port, after which the Fire TV Soundbar Plus syncs automatically and can be controlled through your existing Fire TV remote if your device supports it, removing the need for a second remote entirely.
Bluetooth support also means the bar doubles as a speaker for music from your phone or tablet, extending its usefulness well beyond film nights and into everyday listening without any additional pairing complexity.
For anyone who has been tolerating flat, dialogue-swallowing TV speakers for longer than they should, the Fire TV Soundbar Plus at $174.99 is a clean, uncomplicated upgrade with a wall mount kit included, so the whole thing is ready to go from a single purchase.
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Tech
Vapi raises $50m Series B led by Peak XV for enterprise voice AI
Peak XV leads. M12, Kleiner Perkins, and Bessemer Venture Partners join; earlier investors return. Amazon Ring, Intuit, and New York Life are named enterprise customers; total funding now stands at $72m.
Vapi, the San Francisco-based enterprise voice-AI platform, has raised $50m in a Series B round to scale its voice-agent infrastructure, the company said on Tuesday.
The round was led by Peak XV, with participation from M12 (Microsoft’s Venture Fund), Kleiner Perkins, Bessemer Venture Partners, and earlier investors. The investment brings Vapi’s total funding to $72m.
Vapi reports that its voice agents have handled more than one billion calls to date, with over one million developers and 2.7 million unique agents built on the platform. The company said it has grown its enterprise annual recurring revenue tenfold since the prior round.
Named enterprise customers include Amazon Ring, Kavak, Instawork, New York Life, UnityAI, Cherry, and Intuit. Amazon Ring uses Vapi to handle inbound customer support calls about its smart-home security devices. Jason Mitura, vice-president of software development at Ring, said in a statement that the company evaluated dozens of vendors before selecting Vapi.
“We went from zero to production in two weeks, and 100% of our inbound volume now runs through Vapi,” Mitura said, adding that customer-satisfaction scores improved following deployment.
The platform is API-native and designed to let teams build, deploy, and manage voice agents without engineering involvement in the configuration of the agent’s behaviour.
Vapi supports inbound customer service, outbound collections, candidate screening, sales-coaching simulations, and autonomous navigation of third-party IVR systems.
The company says the strongest traction has been in financial services, healthcare, insurance, automotive, and workforce management.
Co-founders Jordan Dearsley and Nikhil Gupta met at the University of Waterloo and previously built a Y Combinator-backed calendar product together.
Vapi began in mid-2023 when Dearsley wired together a voice-based AI walking companion; the product itself did not take off, but the underlying latency-optimised infrastructure became the basis for Vapi, which launched publicly on Product Hunt in March 2024.
Arnav Sahu, partner at Peak XV, framed the investment thesis in a statement. “Vapi has built a differentiated self-serve product for developers and enterprises in the massive voice-AI revolution,” Sahu said.
“In 10 years, it’s likely most calls will not have a human behind the phone. With its bottom-up, PLG approach, we believe Vapi is the next Zapier and N8N for voice-AI workflows.”
Dearsley said in the announcement that the company’s focus is on production-grade customer outcomes rather than chatbot-style automation.
“Most businesses have spent decades of time and effort, only to make their customer experience worse,” Dearsley said. “Vapi gives teams the platform to deploy voice agents that actually solve problems for customers, millions of them, every day.”
Vapi cited industry estimates that nearly $3tn of global sales are at risk in 2026 from poor customer experience, and pointed to a 2% drop in customer-satisfaction scores since 2022 as the backdrop to its enterprise traction.
The company said the next phase of its product roadmap will focus on uptime guarantees, predictable latency under load, call-level monitoring, guardrails to keep agents within defined boundaries, and escalation paths to human operators.
Tech
This Radeon RX 9070 XT deal brings this 16GB GPU down to $680
A graphics card upgrade is one of those decisions that tends to sit on a list for months, waiting for a price drop significant enough to finally make it feel justified.
That moment has arrived for the PowerColor Red Devil AMD Radeon RX 9070 XT, now down from $849.99 to $680, putting one of the most capable mid-to-high-end cards on the market nearly $170 closer to an easy decision.
Save close to $170 on the AMD Radeon RX 9070 XT and unlock a new level of gaming power
The PowerColor Red Devil AMD Radeon RX 9070 XT at $680 is a serious card at a price that is hard to argue with.

The 16GB of GDDR6 memory is the headline figure here, and in practice, it means that demanding titles, high-resolution textures, and multitasking across applications all have the headroom they need without the card struggling at the edges of its capabilities.
A 2520MHz clock speed keeps frame delivery consistent under load, and the three-fan cooling arrangement is built around ring-blade technology and a direct-contact copper plate that pulls heat away from the GPU and VRAM before it has the chance to affect performance.


PowerColor has also included a Dual BIOS switch, which lets you choose between an OC mode that pushes the fans harder for lower temperatures and a Silent mode that keeps noise down while maintaining a stable thermal balance, giving you meaningful control over how the card behaves in your system.
The AMD Radeon RX 9070 XT supports DisplayPort 2.1 across three outputs alongside HDMI 2.1, which means it is ready for high refresh rate gaming at 4K and can push resolutions up to 7680 x 4320 for anyone running an 8K display or looking ahead to one.
Backing the hardware is a 12-layer PCB built from high thermal conductivity material and Honeywell PTM7950 phase-change compound filling the microscopic gaps between the GPU die and heatsink, all of which adds up to a card that is engineered to stay stable across long sessions rather than throttle when things get demanding.
A 900W minimum system power requirement means this card asks something of your existing setup, so confirming your PSU meets that threshold before ordering is worth doing, but for a system that can support it, the PowerColor Red Devil AMD Radeon RX 9070 XT at $680 is a serious card at a price that is hard to argue with.
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Tech
Spotify’s New Feature Lets You Dance Through Your Musical History
Have your musical tastes changed over the years? In celebration of the company’s 20th anniversary, music streaming service Spotify is now allowing people to view and share their listening stats from the day they joined. Spotify 20: Your Party of the Year(s) will include previously hidden data, allowing you to revisit your Spotify history.
The stats include info about your first day on Spotify, the total number of unique songs you’ve listened to, the first song you ever streamed and your all-time most-streamed artist.
You’ll also receive your own personalized All-Time Top Songs Playlist, a collection of your top 120 tracks, with play counts for each song. The feature includes a custom share card, which can be saved, sent to friends or uploaded to Instagram, too.
The feature became available on Tuesday morning. To find Spotify 20: Your Party of the Year(s), open the Spotify mobile app and search “Spotify 20” or “Party of the Year(s).” You can also visit spotify.com/20 on your mobile device.
Spotify is the most popular music streaming service, with over 700 million users and access to music, podcasts and audiobooks as part of a monthly $13 subscription.
Tech
AI is turning connected cars into pothole-finding machines
Potholes are a pesky problem — just ask scooter company Lime, which listed them as an official risk to its business in its IPO filing last week.
History is littered with claims that technology can help solve or blunt the problem of potholes, and still they persist. But as cars become increasingly laden with advanced sensors, they are becoming a tool that can quickly alert cities to potholes and other municipal problems.
Last month, Waymo and Waze announced a pilot program to share pothole data with local governments. Now, fleet management company Samsara says it’s one-upping that idea with its own AI-powered offering that it calls “Ground Intelligence.”
Samsara has spent the last decade giving its customers cameras to mount inside millions of trucks for driver monitoring, theft prevention, and helping with liability claims. The San Francisco-based company has taken all that data and trained its own model that can detect multiple different types of potholes and determine how quickly they are deteriorating.
The idea is that Samsara-equipped trucks are far more prevalent than Waymo’s robotaxi fleet, which currently stands at just around 3,000 vehicles. Even as that number grows, Samsara believes it will be able to collect more data and, crucially, more repeat data from the same locations that show how potholes change over time.
Samsara believes this data will be valuable to cities — the company announced Tuesday that the city of Chicago is already under contract as a customer — and that it will be the first in a series of insights and data points that will be offered in Ground Intelligence. Other potential features include detecting graffiti, broken guardrails, low-hanging power lines, or really “anything that we can observe that has relevance to a city, or also to the private sector,” said Samsara’s vice president of product, Johan Land.
Typically, Land said, cities have to either dispatch workers or sift through hundreds of 311 calls to find these problems. It’s a lot of noise. Samsara’s pitch is that it can deliver the signal, and quickly, because of the sheer number of commercial trucks and vans that already use its cameras.
Ground Intelligence works as a dashboard. It proactively populates warnings on a map of developing potholes and other potential problems. It also allows cities to pull anonymized footage from vehicle cameras to confirm citizen reports of downed street signs, clogged sewers, or other public infrastructure problems.
“That’s the magic here, it takes a process that was reactive and makes it proactive,” Land said. “That means that you don’t just go and fix one pothole. You plan it out: ‘I know where all the potholes are in this area. I go out and I fix one by one, in one sweep.’”
Samsara is also thinking up other ways to leverage this moving municipal surveillance network it has built. On Tuesday, it announced a product called Waste Intelligence, which makes it easier for waste management companies to quickly confirm if their customers’ trash or recycling was picked up. Samsara also announced a “ridership management” offering, which can help alert bus drivers to “unexpected boarding events,” or create a “digital manifest” for school buses.
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Tech
Why Soccer Still Defies Statistical Analysis
The role of advanced analytics in sports is a contentious subject. To its defenders, data-driven pragmatism is a natural evolutionary step in the way we play and watch games. For detractors, the approach prioritizes results above all else and drains the soul from a pursuit that should be spontaneous and joyful.
As someone who is neither pragmatic nor spontaneous, I don’t qualify for either camp, though I find the very notion of applying this kind of research to soccer fascinating and even admirable. The game is resistant to orderly examination by design. Like preparing a tax return for a housecat, it takes a stupendous amount of ingenuity just to figure out which questions to ask, to say nothing of finding the answers.
While baseball can be a spreadsheet task, soccer matches amount to meandering free-verse written in 90-minute chunks. Luke Bornn is a data scientist who specializes in movement studies. Thanks to his background analyzing complex bodies in motion, he realized he was uniquely suited to explore the nature of such an evasive game. While at Los Alamos National Laboratory, Bornn worked on ways to detect how much damage helicopter blades can sustain before it compromises the chopper’s ability to stay airborne. He has mapped climate data to predict crop yield and studied how herds of massive land mammals move about the fruited plain. The ebb and flow of a soccer match, while mysterious, were not altogether unfamiliar, and he has pioneered ways to quantify some of the game’s amorphous spirit.
Along with frequent collaborator Javier Fernández, Bornn has published academic papers with titles like “Wide Open Spaces: A Statistical Technique for Measuring Space Creation in Professional Soccer.” In this study, the data scientists examine the ways players without the ball can manipulate opponents’ positioning on the pitch. Like the stylus of a Magna Doodle dragging metallic particles about the toy’s surface, seemingly uninvolved parties can contort the very geography of their foes to open new avenues of attack.
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Thanks to player tracking technology, this is now a quantifiable skill, and, like so many things, Lionel Messi is great at it. Through their research, Bornn and Fernández found that Messi is perhaps one of the best walkers in all of soccer. The Argentine legend is prone to lollygagging, and common conjecture has been that he’s either conserving energy or just can’t be bothered. While this may be part of it, their study demonstrates that Messi’s slow saunters about the pitch short-circuit defenses in unique ways. “That walking behavior is not a detachment from the match but a conscious action to move through empty spaces of value and claim the control of valuable space,” they write. “Messi does this very effectively, placing him near the top of players in terms of space gained during the whole match, despite the lack of active gain.”
In other words, Messi can achieve more on a stroll than most players do with an all-out sprint.
Ask the people who work deep inside soccer’s analytical engine rooms about how their work affects the way they view the game, and you’ll get some illuminating responses. “I watch in a strange way,” Bornn says. “I tend to watch with an eye toward what the tactical system could be, or whether the data that’s being collected is miscapturing what’s going on, or that the data might capture the core components but our models will miss what’s going on. It has kind of ruined sports for me.”
Sarah Rudd tends to agree. “It’s a little exhausting watching every game so analytically,” she says. “It’s hard to turn off that part of your brain, but you still want to be a fan and you want to enjoy.” Rudd got into soccer analytics so early, she essentially had to invent it from scratch. After graduating from Columbia University, she spent a few years living in Chile, where she fell further in love with her favorite sport. She fondly recalls squinting at her small, standard-definition television set to watch broadcasts of matches from Argentina. “You had to really know the teams,” she says. “If you weren’t really familiar with the teams, you couldn’t figure out who players were. It’s hard to read the numbers, and you couldn’t really see their faces.”
Rudd and her boyfriend at the time invented a game based on this challenge. “We would turn on the TV, and if Boca [Juniors] was playing, it was how quickly can you spot Carlos Tevez. Not because of his face but because he had this really weird running style. It was like, ‘Ope! There he is.’” Built like a fire hydrant, the stout, pugnacious Tevez was a rabid delivery robot programmed to kill on the pitch. Just thinking about it makes Rudd wistful: “What a player.”
Of her time in South America, Rudd recalls, “It made me want to work in football even more.” She took a gig doing data mining and machine learning for Microsoft in Seattle but continued to search for entry points into the sports industry. “A friend of mine suggested that I do an MBA program and then see if I could get a job at Nike or Adidas in their football business unit.” In 2011 she caught wind of a contest being held by sports analytics company StatDNA. “They were doing a research competition where they gave you a dataset,” she says, noting that, until that point “there was practically nothing” of the sort that had been collected for soccer.
Using a spreadsheet of rudimentary player-location data, Rudd set out to devise a method for analyzing an individual’s performance in more complex ways than simple goals and assists. “There wasn’t a ton of direction,” she recalls. “I think just from watching the game I was interested in evaluating how much value are people adding with every action that they do. Not necessarily trying to evaluate alternatives but being able to somewhat quantify, like, that was a dangerous giveaway, or it’s stupid to take a shot from there, that sort of thing.” To accomplish this she used Markov chains, a statistical tool that helps determine the likelihood of something happening within a system based on its current state.
First introduced in 1906, Markov chains represent a departure from the principle of absolute independence, a core tenant of probability theory seen in things like roulette wheels where each spin offers a fresh experiment with repeated odds. The chains are a way to examine ongoing scenarios where each starting point presents a different opportunity for the future. In the magazine American Scientist, Brian Hayes uses the board game Monopoly as an example:
The chains were invented by and named for Andrey Markov, an ornery Russian mathematician who, according to Hayes’ reporting, stopped attending meetings at the Academy of Sciences in Saint Petersburg late in his career because he claimed he didn’t have proper shoes. When the school sent him a pair of new boots, he said they were “stupidly stitched,” thus proving that his current state (pissed off) contributed to the likelihood of his return (zero).
The roots of Markov’s discovery sprouted from a dispute over the law of large numbers and free will. He long believed the universe was a series of events whose interconnectedness can be understood through mathematics. He refined this idea by condensing the text of the Alexander Pushkin novel in verse Eugene Onegin into one long sequence of letters suitable for mathematical analysis. In doing this, he discovered that stable patterns of double vowels and double consonants appeared throughout the work. Taking a large sample from the beginning of the text, he was able to determine that letter distribution didn’t adhere to the principle of independence, demonstrating that even something as beautiful and fluid as poetry was prisoner to the cold deductive properties of mathematics. He published his first paper on the subject in 1906 and formally presented his findings in 1913, one year after his request to be excommunicated from the Russian Orthodox Church.
“Any attempt to simulate probable events based on vast amounts of data—the weather, a Google search, the behavior of liquids—relies on Markov’s idea,” states an article in the Harvard Gazette. Sarah Rudd, who studied computer and environmental science as an undergrad at Columbia University and worked on Microsoft’s Bing search engine, added soccer to this list. Her paper “A Framework for Tactical Analysis and Individual Offensive Production Assessment in Soccer Using Markov Chains” placed players into one of 39 “states,” depending on things like location and ball possession to calculate the likelihood of what would happen next.
Rudd’s work was impressive enough to win her both the competition and a job with StatDNA. When the company was acquired by Premier League giant Arsenal the following year, Rudd suddenly found herself in London working for her favorite team and introducing the backroom staff to her advanced research. She spent nearly a decade at the club and became the head of analytics before leaving in 2021 to start her own firm with her husband.
“One of our jobs is to be the calm voice of reason,” Rudd says. “This is one of the things I like about consulting versus working for a club. You can be a little bit emotionally detached. You can be a little bit calmer. Because when you’re at the training ground every day, emotions are high. It’s a really stressful environment. There’s a lot at stake.”
In an interview with The Athletic, Rudd says she started her own firm, in part, “to figure out football.” I ask her what this would look like, and she concedes that “it’s really hard,” almost to the point of being self-defeating. “One of the difficult things about analytics in football is that there are so many different ways to win. There are so many trade-offs. I think somebody described it as trying to cover yourself with a blanket that’s too short. If you press really high, that’s going to come at the expense of something else. There are a few things we know that really help you win, but there’s still a whole lot where you could be just as effective doing something else.”
No matter how much research is done, soccer maintains its severe allergy to simple answers. Even something as fundamental as whether you want your team to have the ball or not is up for debate at the highest levels. As Dutch legend Johan Cruyff argued, a “footballer has to have the ball at his feet.”
Diametrically opposed to this philosophy is José Mourinho, one of the most successful managers of the 21st century. The rakish Portuguese gadfly opined that “whoever has the ball has fear,” preferring that his teams lie in wait and capitalize on opponents’ mistakes like the humans in The War of the Worlds who hunkered down until the Martians caught a sniffle and died.
Where else can such drastically conflicting worldviews have equal footing but in the poorly designed experiment that is soccer? “For so long it was, like, if only we have really wide-scale access to tracking data, that will solve all of our problems,” Rudd tells me. “And then we got it and, nope, we still have lots of problems.”
Reflecting on her 2011 paper using Markov chains, Sarah Rudd can’t help but poke holes in the research that made her a pioneer of the movement. “At the time I wrote that paper, I wasn’t looking at it nearly as analytically as I do now,” she says. “I think there were definitely a lot of decisions that I would have done differently, particularly, how you break down the field.” Rudd divided the pitch into equal boxes, dividing the expanse of open grass into a grid of easy-to-track cells. It was order from chaos manufactured out of misguided desperation. “Now we know that how the pitch operates isn’t necessarily linear or in neat little squares,” Rudd says. “There are certain zones where things happen for a number of reasons that don’t quite align with those pitch markings.” These areas of congestion are nebulous and reactive to tactical trends, such as defenses funneling play out wide or pressing high when out of possession, strategies informed by the work of people like Bornn and Rudd, analysts who are pulling at the proverbial blanket in offices unseen from public view.
“I’m not a huge fan of jumping straight to pragmatism if that’s not what’s required,” Rudd tells me. “We have to remember that we’re in the entertainment industry. It’s got to be fun.”
Excerpted from How to Watch Soccer Like a Genius: What Architects, Stuntwomen, Paleoanthropologists, and Computer Scientists Reveal About the World’s Game. Copyright © 2026 by Nick Greene. Used with permission of the publisher, Abrams Books. All rights reserved.
Tech
Some Women Are Obsessively Testing Their Vaginas to Optimize Them
Farrah was fed up with her vagina.
For the past two years, the 29-year-old dancer from Ohio had been dealing with severe pelvic pain and vaginal odor. “It was like 8/10, horrible core pain,” she says. “I couldn’t lie down. I couldn’t even work an office job. It was bad.”
When she visited doctors, she told them what she thought the culprit was: an allergic reaction to soy oil in a vat of water she’d swam in during a pirate-themed dinner theater performance. But they didn’t believe her. “They attempted to fix it with antibiotics,” she says. “And they just did nothing.”
So Farrah (who requested we withhold her full name to speak freely about health matters) started Googling her symptoms. That’s how she stumbled on Neueve, a vaginal health company that provides supplements, suppositories, and at-home vaginal microbiome testing kits.
She ordered a test from the company for $150, and it came back with a diagnosis: aerobic vaginitis (AV), a bacterial infection caused by an overgrowth of E. coli or streptococcus. She ordered supplements the company recommended, and she says the pain abated almost immediately. “I was just so glad to actually know what was wrong,” she says.
Farrah is one of a growing number of women who have used at-home tests to self-diagnose issues with the vaginal microbiome—an ecosystem of bacteria growing inside the vagina; the presence of “good” bacteria correlates with lower risk of STIs and other types of infections, according to numerous studies. The industry got a shoutout when the Silicon Valley entrepreneur Bryan Johnson recently posted on X that he had just given oral sex to his girlfriend, Kate Tolo, then followed up with a screengrab of her TinyHealth vaginal microbiome report. He proclaimed that she scored “100/100” and that hers was in the “top 1% of all vaginas” due to the dominance of Lactobacillus crispatus, a type of “good” bacteria found in the vagina.
Johnson’s thread garnered widespread mockery, with many questioning why Johnson would publicly quantify his partner’s vaginal health in such a fashion. But it also received replies from women online who are tracking their own vaginal microbiomes to treat their bacterial infections, to boost fertility, or just out of interest. Some even posted their results.
The market for at-home vaginal microbiome tests is growing—TinyHealth, the startup Tolo used, claims vaginal health testing sales spiked 2,000 percent within the first 48 hours of Johnson’s post—and similar companies include Juno Bio, which partners with Neueve; the UK-based Daye, and Evvy. But some experts believe there’s not yet enough research to support the long-term validity of such tests. None of the at-home kits on the market are approved by the FDA. There are also questions as to whether they empower women to take their health care into their own hands or simply create more anxiety for them.
Twenty-eight-year-old Samantha (she also requested a pseudonym given the sensitive nature of this topic) developed an interest in vaginal microbiome testing after experiencing a bout of bacterial vaginosis, or BV. She ordered a testing kit from Evvy upon the recommendation of the Facebook group Beyond BV, which offers support for women with recurring vaginal infections, and where they often post their own results.
Samantha found her test results useful, but she also noticed a distinct strain of paranoia within the group. For instance, when many women receive their results, they tend to focus on whether they have enough Lactobacillus crispatus, or “good” bacteria, in the vagina. “I’ll read posts where women are freaking out if they have like 97 percent crispatus and then they’ll retest and they’ll have like 60 percent and be really disappointed and scared,” she says. The opposite also holds true. “Women will post about having 100 percent crispatus and other women in the comments will just be like, ‘Oh, I’m so jealous, I’m having so many issues, I hope to be you one day.’”
Tech
Signal messenger wants to protect you from phishing with these new in-app changes
If you use Signal, there’s something important you should know. The encrypted messaging app has rolled out a set of new in-app safety measures designed to protect you from phishing and social engineering attacks.
This isn’t out of nowhere either. Back in March, Signal confirmed that its platform had been targeted by phishing attacks aimed specifically at government officials and journalists. It seems that these new changes are a direct response to that.
What are the new safety changes in Signal app?

The most notable addition is a “name not verified” notice that now appears on profiles. This is important because Signal cannot actually verify the names users display on their profiles. Anyone can claim to be anyone since the profile name is set by individual users.
Signal has also introduced an extra confirmation step when you receive a message request. The idea is to only accept requests from people you actually know and trust. This is quite similar to how WhatsApp handles chats from unknown numbers, where you get the option to accept or cancel when it comes from an unknown number.

The app now also surfaces more detailed safety guidance directly in the interface. You’ll see reminders not to respond to chats claiming to be from Signal, since Signal will never reach out to ask for your PIN, registration code, or recovery key. If someone is asking for any of those things, it’s a scam.
The app also highlights vague messages – designed to lure a reply, suspicious web links, and any chat pushing financial tips – as red flags to watch for.
Why this matters?
Social engineering is one of the most common ways people get compromised online. It doesn’t require a technical hack. It just requires tricking you into handing over the right information.
Scammers impersonating Signal itself is a particularly sneaky tactic because it exploits the trust people place in the app. Signal has confirmed more changes are on the way, so this is just the beginning of a broader push to make the platform safer for everyone.
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