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TCL QM8L TV Review: SQD Mini-LED For the Masses

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The TCL QM8L is the latest offering from the TV brand most closely associated with mini-LED backlighting technology. Yes, every other big TV name now makes mini-LED sets, but TCL has been at it the longest, and it manages to make meaningful improvements to its display panels and processing with each new generation of models.

Last year’s TCL QM8K featured the company’s Halo Control System. This, combined with a 23-bit backlight controller and Dynamic Light Algorithm, upped the level of local dimming precision to the point where backlight blooming effects – a key picture quality drawback with LED-based TVs – were nearly non-existent. For the new QM8L, TCL has made further progress in the battle against blooming by adding a 26-bit backlight controller and up to 4,000 local dimming zones (on the 98-inch model), an increase over the QM8K.

The bigger story with the new QM8L series, however, is SQD Mini-LED. SQD stands for Super Quantum Dots, which is an improved version of the Quantum Dot formulation found in many mini-LED TVs, and one that provides extended color gamut coverage (up to 100% BT.2020, according to TCL). The QM8L also features an Advanced Color Purity algorithm and a new Ultra Color filter which uses 5 nanometer particles compared to the 60 nanometer particles in standard mini-LED TVs, and TCL says this combination provides “more accurate pixel-level color” along with more “consistent color saturation.”

The QM8L series isn’t the first TCL TV with Super Quantum Dots – the X11L series the company introduced at CES holds that distinction. The X11L series goes even further than the QM8L on the local dimming front, offering up to 20,000 dimming zones on the 98-inch model, and it also has a super-thin design. With prices starting at $7,000 (for the 75-inch version), the X11L series is about as pricey as TVs get in 2026. How does the more affordable midrange QM8L ($2,999.99 for the 75-inch model I tested) hold up, both against its flagship big brother and last year’s QM8K? Let’s find out.

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What Is It?

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The QM8L’s height-adjustable pedestal stand

The TCL QM8L is the step-down series in the company’s SQD-Mini-LED TV lineup for 2026. Aside from Super Quantum Dots and up to 4,000 backlight local dimming zones (2,584 on the 75-inch model I tested), the QM8L series features a high-contrast WHVA 2.0 Ultra Panel with a wide color viewing angle and an anti-reflective screen filter. A new TSR AI Pro processor provides AI-enhanced contrast, color, motion, and upscaling, and there’s Super Resolution 2.0 processing to enhance detail.

HDR support on the QM8L series includes the Dolby Vision, HDR10+, HDR10, and HLG formats, and Dolby Vision 2 Max will be added to that list in a software update planned for summer 2026. Filmmaker Mode and IMAX Enhanced mode picture presets are provided, and the set also has Intelligent picture and sound modes that make automatic adjustments based on content.

Gaming gets a welcome boost on the QM8L series with four HDMI 2.1 ports instead of the two provided on previous TCL TVs. These all support a 4K/144Hz refresh rate, along with 1080p/288Hz for PC gaming. FreeSync Premium Pro is also supported, and TCL’s Game Bar pop-up menu lets you make quick gaming-related onscreen adjustments while playing. TCL also says that the Xbox Game Pass app should soon be available via a software update in May to allow for cloud-based gaming on the QM8L.

TCL’s ZeroBorder design for the QM8L series gives it an almost bezel-free “all-screen” look. Cabinet depth is two inches, but the TV’s tapered side panels give it a slimmer appearance when viewed from the sides. An adjustable height pedestal stand gives you the option to install the screen either flush with a tabletop or elevated to clear space for a soundbar, and there’s a new remote control design with a backlit keypad and built-in mic.

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The QM8L features four HDMI 2.1 ports with 4K/144Hz support

Along with the QM8L’s four HDMI 2.1 ports, there’s an optical digital audio output, USB 2.0 and 3.0 ports, an Ethernet jack and an RF input for an antenna. All connections are located on a side facing panel where they can be easily accessed in a wall-mount installation.

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Talking to the TV

The QM8L uses the Google TV smart platform for content browsing and streaming, but this version is enhanced with Gemini interactive AI. That basically means the standard set of Google TV features including apps, Google TV Freeplay, content recommendations, and Live TV are all provided, but there is an additional tab on the home screen that takes you to the Gemini for TV portal. Here you can customize the “voice” of your AI assistant, as well as get a Today’s News brief, create AI-generated images from voice prompts to use as screensavers, and engage in interactive discussions with Gemini on a wide range of topics.

According to TCL, a future update to Gemini interactive AI on the QM8L will additionally let you adjust picture and sound settings via voice commands, as well as generate custom videos using the Veo on Google TV feature.

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The QM8L’s Google TV interface features a new Gemini AI tab

I rarely use voice commands to control my TV or any other device, and I generally don’t bother with AI. To test this feature on the QM8L, however, I asked “Where are old growth forests located on the east coast of the US?” and received a surprisingly detailed list in an AI summary. Gemini is conversational, so I asked further questions about specific locations on the list and even nearby places to stay overnight. This being a Google product, there were of course YouTube videos provided for each listing, and these let me get a better look at the forest sites.

The QM8L features an ATSC 3.0 tuner, and broadcast channels pulled in by a connected antenna can be browsed separately in grid-guide format by selecting the Antenna TV tab in the Live TV portal. This feature lets you easily access your local stations and browse their programming options separately from the national network broadcasts carried by Freeplay.

Audio Unlimited

An Audio by Bang & Olufsen speaker array on the QM8L delivers Dolby Atmos soundtracks via down-firing speakers located on the TV’s bottom surface and there are also two “subwoofers” located on the back. The built-in sound quality is good overall, with clear dialogue, clean-sounding bass, and decent enough height effects, especially when the Vertical Sound Field setting in the Acoustics Laboratory menu is set to Medium or higher. Other options here include Auto Volume Control and AI Sonic-Adaption, a feature that emits test tones to analyze your viewing environment and applies room correction EQ. There is also a Bluetooth personal audio option for viewing with wireless headphones.

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Dual built-in subs are provided on the QM8L’s back panel

You’ll of course get better sound by using a soundbar or other external speaker system and TCL provides plenty of options here. At minimum you can buy a subwoofer from TCL and pair it wirelessly with the TV for enhanced bass. The QM8L also supports Dolby Atmos FlexConnect, with the option to pair up to four satellite speakers and a subwoofer for a 4.1.4-channel system. Your options here are limited to TCL’s Z100 wireless speaker and Z100-SW subwoofer, but the simple setup and installation flexibility that FlexConnect provides makes it worth consideration.

Setup & Viewing Impressions

I started out my testing of the QM8L by making measurements using Portrait Display’s Calman Color Calibration software in the set’s default Filmmaker Mode and Standard presets with Adaptive Brightness disabled. Peak HDR brightness measured on a white 10% window pattern in Filmmaker Mode was 1,992 nits and 708 nits on a 100% (fullscreen) white pattern. In Standard, peak HDR brightness was 1,938 and 719 nits, respectively, on 10% and fullscreen patterns.

I should note here that TCL cites up to 6,000 nits peak brightness in its specs for the QM8L series. And while I wasn’t able to duplicate that with any variation of settings, I did measure up to 4,500 nits on initial measurements, though the actual brightness proved to be significantly lower after a few seconds once the display stabilized on the test pattern. The brightness measurements listed above reflect the QM8L’s stabilized brightness levels.

The QM8L’s color gamut coverage in Filmmaker Mode measured 89.3 for BT.2020 and 97.7 for P3. Those results are an improvement on last year’s QM8K, especially for BT.2020, and they only slightly trail what I measured on the Samsung R95H Micro RGB TV

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Delta-E (the margin of error between the test pattern source and what’s displayed on-screen) averaged 4.9 for grayscale and 3.3 for color, both of which are higher than the 3.0 result considered to be the threshold for what’s indistinguishable from perfect to the human eye. To calibrate the TV, I changed the Color Temperature slider in the color menu from its default 5 setting to 4, and then made further adjustments in the TV’s 2-point White Balance menu. Post-calibration, the measured dE averaged 0.7 for grayscale and 1.1 for color.

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For gaming, selecting the QM8L’s Game picture preset and turning on the Game Master mode in the System menu settings will result in the lowest input lag. Using a Leo Bodnar input lag meter, I measured 9.8ms for a 4K 60Hz input – a  much improved result over previous TCL TVs I’ve tested, all of which averaged in the 13-14ms range.

A look at the demonstration reel and Starfield animations from the Spears & Munsil Ultra HD Benchmark test disc revealed virtually no backlight blooming on the QM8L. Other tests showed that TCL’s TV had very good off-axis uniformity, with colors maintaining saturation even when viewed at a far off-center seat. The set’s contrast-enhancing anti-reflective screen coating also proved effective at reducing screen glare when viewing in a room with bright overhead lighting, though it didn’t fully eliminate reflections.

Watching movies and TV, what I found most noteworthy about the QM8L’s picture was that the colors were rich and fully saturated, but not to the point of looking cartoonlike. Playing a 4K Blu-ray of Spider-Man: Into the Spider-verse, the animated movie’s colors in the sequence where Spider-Man battles the Green Goblin looked about as vivid as I can recall ever seeing on a TV. The QM8L’s strong contrast and refined shadow detail also gave the picture a strong sense of depth in this Dolby Vision HDR transfer.

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Alien: Earth on Hulu (watched in 4K/HDR10) has impressive visual effects for a TV series, and they give the scenes in the chambers and laboratories of the interplanetary vessels a high level of realism. Same as with Into the Spider-verse, shadows in dark scenes showed a high degree of detail, and bright highlights were also powerful, yet detailed. But it wasn’t just sci-fi dramas that looked great on the QM8L. When I watched medical drama The Pitt in 4K/Dolby Vision on HBO Max, the emergency room scenes had an alluring level of brightness, and the skintones of the multiethnic cast all looked natural.

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The QM8L’s motion handling was for the most part good, although I did note a fair amount of judder artifacts when watching a scene in the movie No Time to Die where James Bond traverses a hillside cemetery. Setting both the Judder and Blur settings to 3 in the Custom Motion fixed this, however, and I didn’t note any “soap opera” effect after making those adjustments.

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The QM8L’s backlit remote control with built-in mic

The Bottom Line

TCL’s QM8L offers a marked improvement over last year’s also very impressive QM8K series. It gets a visible, and measurable upgrade in color performance through the introduction of Super Quantum Dots, and its Halo Control System with a 26-bit backlight controller and up to 4,000 local dimming zones mean that backlight blooming artifacts are nearly non-existent. The QM8L series is also a great TV for gaming, with 4K/144Hz support across four HDMI 2.1 ports, ultra-low input lag in Game mode, and soon-to-come Xbox Game Pass cloud gaming support. 

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The Google TV with Gemini feature is a great addition for this series, and it makes content searches, and also general research on most any topic, a breeze. TCL carries over the QM8K’s sleek design to this series as well, and the TV’s impressive built-in sound is augmented by Dolby Atmos FlexConnect 4.1.4 support. 

At $3,000 for the 75-inch model I tested – the same price as last year’s QM8K series TV and $4,000 less than the brighter but otherwise similarly featured X11L flagship – the TCL QM8L is a great value for all that it offers. The high-end TV market in 2026 is going to be dominated by RGB LED and flagship OLED models, and you can bet they will all be pricey. Compared to those, and also to TCL’s own SQD-Mini-LED flagship, the QM8L is a relative bargain.

Pros:

  • High brightness
  • SQD tech brings extended P3 and BT.2020 color gamut coverage
  • Refined local dimming
  • Impressive off-axis color uniformity
  • Anti-relection screen
  • Google TV with Gemini AI assistant
  • Audio by Bang & Olufsen speaker array
  • Dolby Atmos FlexConnect support
  • Wireless subwoofer support
  • Four HDMI ports with 144Hz support
  • Ultra-low input lag for gaming
  • ATSC 3.0 tuner

Cons:

  • Slightly high color point and color temperature errors in Filmmaker Mode

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Shipping Antimatter by Truck to Understand the Universe

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A truck makes a historic trip around CERN’s facility on the France-Switzerland border, transporting the world’s most expensive material for the first time.

The antimatter inside is made by CERN’s enormous particle accelerator, and then antimatter particles are decelerated and captured for storage, shipment and study.

Antimatter is the mirror opposite of matter. The particular type of antimatter transported was 92 antiprotons, the negatively charged equivalent to the positively charged protons found in regular matter. This perplexing and precious material could hold the key to unlocking some of the largest looming mysteries remaining in physics, going back to the origins of our universe.

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antiproton penning trap a large blue cylinder with multiple layers of shielding that contains magnets and a vacuum chamber to contain antimatter particles

Animation of the Penning Trap that holds antiprotons in place, preventing them from annihilating with the surrounding matter.

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When matter and antimatter meet, they annihilate, turning most of their mass into pure energy. This reaction is the stuff of science fiction, powering spaceships and super weapons. However, with current technology, it would take billions of years to acquire enough antimatter to do any serious damage.

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Annihilation is routine at CERN’s antimatter factory, happening on a small scale with individual particles and showing up as a line on a graph (pictured below).

a graph showing annihilation signals from matter-antimatter annihilation

This is what it looks like to scientists when matter and antimatter annihilate.

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One of the mysteries the study of antimatter could solve is the reason why there’s so much more matter than antimatter in the observable universe, a question with roots going all the way back to the big bang.

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So far, the science shows that matter and its antimatter equivalents are identical opposites in weight and magnetism. Stefan Ulmer, founder and spokesperson of the BASE experiment at CERN, believes more precise measurements could help find discrepancies which could hold the key.

The search for these discrepancies means that the antimatter particles must leave their birthplace at CERN because the same enormous magnets necessary to produce antimatter also make it difficult to study due to magnetic interference.

This may seem like a lot of work just to get more precise measurements of particles, but Ulmer says chasing answers to the biggest questions in science “makes you creative,” and this is his own version of heaven.

To see the truckload of antimatter make its historic trip, check out the video in this article.

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Blue Origin uses a recycled rocket to launch satellite for AST SpaceMobile

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Blue Origin’s New Glenn rocket rises from its Florida pad, sending an AST SpaceMobile satellite into orbit. (Blue Origin via YouTube)

Jeff Bezos’ Blue Origin space venture used a previously flown New Glenn rocket booster to send a satellite into orbit today, taking its competition with Elon Musk’s SpaceX to new heights.

And after it aced its second launch, the first-stage booster — nicknamed “Never Tell Me the Odds” — made yet another successful touchdown on a floating platform in the Atlantic Ocean.

The rocket lifted off from Launch Complex 36 at Cape Canaveral Space Force Station in Florida at 7:25 a.m. ET (4:25 a.m. PT), sending AST SpaceMobile’s BlueBird 7 telecom satellite into low Earth orbit.

The twice-used booster made its first flight last November when it launched NASA’s Escapade probes on a mission to Mars. Blue Origin’s Florida team recovered and refurbished the booster for today’s launch.

Blue Origin executed the same maneuver today. The webcast showed the booster settling down to a touchdown on the landing craft, which was christened Jacklyn as a tribute to Bezos’ mother. Team members could be heard cheering at Mission Control in Florida, at the company’s headquarters in Kent, Wash., and at other outposts in Texas and Alabama.

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“Welcome back once again, Never Tell Me the Odds,” launch commentator Tabitha Lipkin said. “It’s good to say that twice.”

This was the third launch for Blue Origin’s orbital-class New Glenn rocket. The first liftoff in January 2025 sent a payload into orbit to test the communication and control systems for Blue Origin’s Blue Ring space mobility platform. Blue Origin tried to recover the booster that was used for that mission, nicknamed “So You’re Telling Me There’s a Chance,” but the booster missed its chance and couldn’t be saved.

After today’s successful booster touchdown, the focus shifted to the mission’s primary objective: deploying BlueBird 7 from the rocket’s second stage in low Earth orbit. That was due to take place an hour and 15 minutes after liftoff.

If all goes well, BlueBird 7 is destined to join six other satellites in Texas-based AST SpaceMobile’s constellation. The BlueBird satellites are designed to deliver cellular broadband connectivity directly from space to standard smartphones.

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AST SpaceMobile aims to have up to 60 satellites in its constellation by the end of 2026. The company is aiming to start providing commercial satellite service in partnership with AT&T and Verizon later this year.

Direct-to-device connectivity is shaping up as a fast-moving frontier for satellite broadband services. SpaceX was the first to enter the fray: It struck a D2D deal with T-Mobile in 2022 and is ramping up its Starlink satellite network to accommodate the needs of cellular subscribers.

Last week, Amazon announced that it will acquire Globalstar, a Louisiana-based satellite operator, and will partner with Apple to beef up D2D services. That deal is expected to give a boost to the Amazon Leo satellite broadband network, a Starlink competitor that’s due to begin commercial service this year.

Rocket reusability is another technological realm where SpaceX has long been a leader but is now facing heightened competition. The ability to recover and reuse rocket boosters plays a huge part in SpaceX’s strategy to drive down launch costs — and today’s launch demonstrated that Blue Origin is able to leverage rocket reusability as well.

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Crime blotter: Second suspect sought in $2 million iPhone theft

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iPads are stolen from a Best Buy, G-Love is caught up in the fake Ledger app scam, and AirTags solve two thefts, all in this week’s Apple Crime Blotter.

Police officer securing metal handcuffs on a persons wrists behind their back, showing only their hands and forearms in a neutral indoor setting
Man in handcuffs. Image Credit: Pixabay

The latest in an occasional AppleInsider series, looking at the world of Apple-related crime.
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The same microSD card used to take 5.6 million names to the Moon as part of the Artemis II mission is available to buy

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Only a very lucky few people ever get to travel into space, but more than 5.6 million names just completed a journey around the Moon, stored on a microSD card carried aboard NASA’s Artemis II mission.

That flight sent four astronauts farther from Earth than humans have ever traveled, completing a roughly 10-day mission that orbited the Moon before safely returning to Earth.

microSD card, carrying 5,647,889 submitted names, was zipped into Rise, the mission’s mascot, a cartoonish Moon wearing a cap covered in stars. The mascot itself was designed by a year three student from California, called Lucas Ye, whose artwork was selected from more than 2,600 entries from over 50 countries.

While the specific card zipped inside Rise was certified for spaceflight conditions, it traces its lineage to the SanDisk Ultra series used by people here on Earth inside cameras, handheld devices, and portable recording gear.

The consumer version of the SanDisk Ultra microSD series comes in 16 and 32GB capacities and supports both microSD and microSDHC formats, making it compatible with a wide range of devices used for everyday recording and storage tasks.

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Rated at Class 10 speeds, the card supports read speeds of up to 80MB/s, which suits Full HD video capture, burst photography, and quick file transfers.

It’s durable, with protection against water, temperature extremes, and X-ray exposure, and maybe (but we wouldn’t bet on it), trips around the Moon.

After splashdown, the mission mascot didn’t stay tucked away inside the spacecraft as it should have done according to NASA’s mission rules, Artemis II commander Reid Wiseman later revealed on X.

“I was supposed to leave Rise in Integrity….but that was not something I was going to do. I stuffed that little guy in a dry bag we had in our survival kit and hooked the bag onto my pressure suit,” he wrote.

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Shark’s new handheld cordless vacuum is now 29% cheaper

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If pet hair on the sofa or crumbs down the side of the car seat are the kind of daily irritants that a full-sized vacuum feels entirely too cumbersome to deal with, a compact handheld is the tool that actually gets used.

The Shark Handheld Cordless Vacuum is built for exactly that, and it is now down from £69.99 to £49.99, a 29% saving on a machine ranked fourth in handheld vacuums on Amazon barely a month after release.

Shark Handheld Cordless Vacuum with accessories on a rainbow backgroundShark Handheld Cordless Vacuum with accessories on a rainbow background

Shark’s new handheld cordless vacuum is now almost a third cheaper, barely a month after launch

If pet hair on the sofa or crumbs down the side of the car seat are a daily occurance, a Shark Handheld Cordless Vacuum is the tool for you.

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Dual cyclonic air streams separate the workload inside the machine, with one stream dedicated to suction power and a second separating large and small debris to keep the filter and motor running efficiently across repeated uses rather than degrading with each session.

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That filtering performance is maintained by a HEPA filter, which captures the fine particles that cheaper handheld vacuums push back into the air, and the washable design means ongoing running costs stay low without the need for replacement parts.

Weighing just over one kilogram, the Shark Handheld Cordless Vacuum is genuinely light enough to grab for a quick clean of stairs, upholstery, or car interiors without it feeling like a chore before you have even started.

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The ten-minute run time is the honest caveat here: it is enough for targeted spot cleaning across those kinds of surfaces, but buyers expecting to cover a whole floor in one pass will need to manage expectations or ensure the battery is fully charged before each session.

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A CleanTouch dirt ejector handles emptying without requiring you to reach into the dust cup, which matters more than it sounds when you are cleaning up after pets or anything particularly unpleasant, and the 0.45-litre capacity holds a reasonable amount before that becomes necessary.

The included crevice tool and scrubbing brush extend reach and versatility for the kinds of narrow gaps and textured surfaces that the main nozzle alone cannot address, rounding out a kit that covers the realistic daily use cases for a machine of this type.

This is a well-specified grab-and-go option at £49.99, backed by a two-year manufacturer warranty, and it suits households that want something genuinely lightweight and instant-access for the messes a full-sized vacuum is too unwieldy to justify.

For those still deciding on a primary machine to pair it with, our best cordless vacuum cleaners 2026 guide rounds up every wire-free option our experts have put through its paces.

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Palantir, Thales, and a startup are competing to build the FAA’s predictive air traffic AI

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In short: The FAA is developing SMART (Strategic Management of Airspace Routing Trajectories), an AI system that would extend air traffic conflict prediction from 15 minutes to two hours, with Palantir, Thales, and Air Space Intelligence competing for the contract. The project follows the LaGuardia crash that exposed controller overwork and aging systems, and sits within a $32.5 billion modernisation programme as the agency replaces 612 outdated radar systems and recruits 1,200 new controllers in fiscal 2026.

The Federal Aviation Administration is building an AI system called SMART that would allow air traffic controllers to predict and resolve flight conflicts up to two hours before they happen, replacing a planning window that currently extends just 15 minutes. Three companies are competing for the contract: Palantir, Thales, and Air Space Intelligence. Transportation Secretary Sean Duffy confirmed the project and the three bidders on 17 April, with a press event scheduled for 21 April to provide further details.

SMART, which stands for Strategic Management of Airspace Routing Trajectories, uses high-fidelity 4D modelling to anticipate bottlenecks and schedule conflicts before aircraft leave the ground. The system would shift air traffic management from reactive to predictive, addressing the fundamental problem that the current infrastructure was designed for a lower volume of flights and relies on controllers making real-time decisions with limited forward visibility. The FAA has said the system could be operational in some form later this year.

The three bidders

Palantir Technologies brings the deepest government relationship of the three. The company’s revenue guidance for 2026 is approximately $7.2 billion, representing 61% growth, driven by a $10 billion ceiling-value Army contract signed in July 2025 and expanding partnerships with GE Aerospace and Airbus. Its government revenue grew 70% year over year in Q4 2025. Palantir’s pitch for aviation AI is an extension of its core business: ingesting vast quantities of operational data and presenting it in decision-support interfaces that government users can act on without needing to understand the underlying models.

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Thales, the European aerospace and defence firm, has more than 85 years of supplying air traffic management systems to the FAA and the Department of Defense. More than 99% of instrument landing systems at US airports use Thales equipment. The company’s TopSky platform is already embedded in the aviation infrastructure that SMART would need to integrate with, giving it an incumbent advantage that the other two bidders lack.

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Air Space Intelligence, a Boston-based startup backed by Andreessen Horowitz, is the smallest competitor but arguably the most relevant. Its Flyways AI platform already manages over 40% of all US air traffic through partnerships with major airlines, using the same kind of 4D modelling and optimisation that SMART requires. ASI recently announced a partnership with Joby Aviation to integrate electric air taxis into the national airspace, positioning the company at the intersection of current air traffic management and the next generation of aviation.

Why this matters now

The urgency behind SMART is not abstract. On 22 March, Air Canada Express Flight 8646 collided with a fire truck on the runway at LaGuardia Airport. The investigation found that the air traffic controller involved was simultaneously serving as tower controller and clearance delivery controller, and that the automated runway safety system failed to alert because it could not create a confident track when vehicles merged near the runway. The incident crystallised a problem that the aviation industry has been warning about for years: controllers are overworked, the technology they rely on is outdated, and the margin for error is shrinking as traffic volumes increase.

The FAA has received $12.5 billion from Congress for air traffic control modernisation and estimates it needs an additional $20 billion to complete the overhaul. The agency is replacing 612 outdated radar systems, migrating its NOTAM system to a cloud-based platform, and recruiting controllers at an accelerated pace, having hired nearly 1,200 new controllers in fiscal 2026 so far, roughly half its annual target. FAA Administrator Bryan Bedford, who was confirmed by Congress and sworn in last July, has made SMART a central pillar of the modernisation programme.

DOGE, Elon Musk’s Department of Government Efficiency, has also inserted itself into FAA operations. DOGE personnel have visited air traffic control facilities to evaluate operations, and Musk has said the initiative will make “rapid safety upgrades” to air traffic control systems. A separate initiative called Project Lift is directing FAA funds toward upgrading network communications. DOGE is scheduled to end operations on 4 July, though a successor entity will continue.

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The contract dynamics

The competition between Palantir, Thales, and Air Space Intelligence reflects three distinct approaches to government AI procurement. Palantir offers a platform that can be configured for any government use case, backed by extensive security clearances and institutional relationships. Thales offers domain expertise and an installed base that no competitor can match. ASI offers a purpose-built aviation AI platform that is already handling a significant portion of the traffic the FAA is trying to manage.

The FAA’s history with technology modernisation is not encouraging. The agency’s last major technology overhaul, the NextGen programme, took more than a decade and cost billions more than originally projected. The air traffic control workforce has been resistant to automation that threatens to change established workflows, and procurement timelines in government aviation are measured in years, not months. SMART’s promise that it could be operational later this year suggests either a genuinely compressed timeline or a demonstration version that falls short of full deployment.

For Palantir, the FAA contract would extend its government portfolio into a critical civilian agency and support the revenue growth trajectory that has made it the most expensive stock in the S&P 500 at roughly 120 times sales. For Thales, it would modernise a relationship that has sustained its US aviation business for decades. For Air Space Intelligence, it would validate an approach that has already proven itself in the commercial aviation sector and position the company as a central piece of national airspace infrastructure.

The stakes are higher than any individual contract. The US air traffic control system manages roughly 45,000 flights per day across the most complex airspace in the world. The controllers who run it are stretched thin, the technology they use predates the smartphone, and the safety margins that have made commercial aviation extraordinarily safe are being tested by volume growth, staffing shortages, and the kind of cascading failures that the LaGuardia incident exposed. SMART is a bet that AI can close the gap between what the system was designed to handle and what it is being asked to do. The question is whether any of the three companies competing for it can deliver on that promise at the speed the FAA now requires.

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Ring’s Familiar Faces is a new way to keep an eye on who’s at the door

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Ring is rolling out a new feature designed to make its doorbell alerts a lot more useful. It also makes them a bit more personal.

Called Familiar Faces, it replaces generic notifications like “Person detected” with named alerts such as “Mum at Front Door.” As a result, you know exactly who’s outside without opening the app.

The feature is launching for 2K, 4K and select HD Ring devices in the UK, and it’s entirely opt-in. Once enabled, your camera starts detecting faces. It lets you build a personal directory of up to 50 people, from family members to frequent visitors like dog walkers or babysitters. From there, notifications become more tailored including the option to mute alerts for people you see all the time.

It’s a small change on paper, but one that tackles a familiar annoyance. Standard motion alerts can quickly become noise, especially in busy households. However, by adding context, Familiar Faces aims to cut through that clutter and make alerts more meaningful. For example, you’ll know your child just got home from school or spot an unexpected visitor right away.

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Setup is fairly straightforward. You can label faces directly from your event history or within a dedicated library in the Ring app. The system automatically clears out unlabelled faces after 30 days to keep things tidy. Named faces will then appear across your timeline, notifications and shared accounts.

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As you’d expect, Ring is leaning heavily on privacy controls here. The feature is off by default, face data is encrypted and stored within your account. Moreover, the app includes prompts that remind users to obtain consent where required. You’re also in full control of your library, with options to edit, merge or delete profiles at any time.

Familiar Faces is available to users with a Ring Protect subscription, including Pro and Pro Intelligence plans. The feature will roll out via the app starting today.

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It’s not a huge hardware upgrade, but it’s the kind of smart, software-led tweak that could make everyday use of Ring cameras feel a lot less repetitive. Consequently, it should feel a bit more intuitive.

(image credit: Ring)

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Hands on: Punkt. MC03 secure rugged phone review

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We spend hours testing every product or service we review, so you can be sure you’re buying the best. Find out more about how we test.

As this product isn’t available, consider this a hands-on, as between now and its release, some of the issues I’ll talk about might well be fixed.

Punkt. is a Swiss company that manufactures in Germany, and the MC03, as the name suggests, is the third iteration of its secure, minimalist phone design.

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Anthropic’s Amodei meets Wiles and Bessent at the White House over Mythos access and Pentagon standoff

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In short: Anthropic CEO Dario Amodei met White House Chief of Staff Susie Wiles and Treasury Secretary Scott Bessent on Friday in what the White House called “productive and constructive” talks over access to Mythos, the frontier AI model capable of finding thousands of zero-day vulnerabilities. The meeting signals a thaw in the standoff that began when the Pentagon blacklisted Anthropic for refusing to drop safety restrictions, though any deal would likely exclude the Defence Department and route Mythos access through civilian agencies.

Anthropic CEO Dario Amodei walked into the West Wing on Friday for a meeting with White House Chief of Staff Susie Wiles and Treasury Secretary Scott Bessent. The White House described the conversation as “introductory, productive, and constructive,” saying the three discussed “opportunities for collaboration, as well as shared approaches and protocols to address the challenges associated with scaling this technology.” President Trump later told reporters he had “no idea” the meeting had taken place.

The meeting is the most significant step toward resolving a standoff that has left one of the most important AI companies in the world blacklisted by its own government while that same government scrambles to gain access to its most powerful model. If the two sides reach a deal, it will likely exclude the Pentagon entirely, routing Mythos access through civilian agencies that are not party to the original dispute.

How we got here

The conflict began in late February when Defense Secretary Pete Hegseth demanded that Anthropic grant the Pentagon unfettered access to its AI models for “all lawful purposes,” including autonomous weapons systems and domestic surveillance. Amodei refused. He has said publicly that Anthropic wants to work with the military, but that AI models are not yet reliable enough for autonomous weapons and that US law has not caught up to protect Americans around AI’s use in mass surveillance. Hegseth’s response was to designate Anthropic a national security supply-chain risk, a classification previously reserved for companies associated with foreign adversaries, effectively blacklisting it from all government contracts.

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Anthropic sued the Trump administration in early March, filing two federal lawsuits alleging illegal retaliation. A federal judge initially blocked the blacklisting, but an appeals court reversed that decision on 8 April. Anthropic is now excluded from Department of Defense contracts but can still work with other government agencies. After the court ruling went against it, Anthropic hired Trumpworld consultants to facilitate a political resolution, and Axios reported that Friday’s meeting was designed to pave the way toward a deal.

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The paradox that brought Amodei to the White House is that Anthropic announced Mythos on 7 April, ten days after losing its appeal, and the model turned out to be something the government could not ignore.

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What Mythos can do

Mythos is a general-purpose AI model that, during testing, proved capable of identifying and exploiting thousands of previously unknown zero-day vulnerabilities across every major operating system and web browser. It found flaws that had survived decades of human security review. When directed to develop working exploits, it succeeded on the first attempt in more than 83% of cases. It is the first AI model to complete a 32-step corporate network attack simulation from start to finish. The UK’s AI Security Institute evaluated it as “substantially more capable at cyber offence than any model previously assessed.” JPMorgan Chase CEO Jamie Dimon said publicly that it “reveals a lot more vulnerabilities” for cyberattacks. The Council on Foreign Relations called it “an inflection point for AI and global security.”

Anthropic chose not to release Mythos publicly. Instead, it created Project Glasswing, a controlled access programme providing the model to roughly 40 vetted organisations, including Amazon Web Services, Apple, Google, Microsoft, Nvidia, and JPMorgan Chase, to find and fix vulnerabilities before they can be exploited. The company committed up to $100 million in Mythos usage credits and $4 million to open-source security organisations. The decision to restrict rather than release is a direct application of the safety principles that put Anthropic in conflict with the Pentagon in the first place.

What each side wants

The Treasury Department is seeking Mythos to hunt for vulnerabilities in its own systems. Parts of the intelligence community and the Cybersecurity and Infrastructure Security Agency are already testing it. The White House Office of Management and Budget is setting up protections to allow federal agencies to use a controlled version. Bessent’s presence at Friday’s meeting signals that the economic and financial security arguments for Mythos access have reached the most senior levels of the administration.

Anthropic needs the blacklisting resolved. Not because it needs Pentagon revenue; the company’s annualised revenue has reached $30 billion, it has attracted investor offers at an $800 billion valuation, and it is exploring an IPO. But the supply-chain risk designation damages its enterprise credibility and creates uncertainty for every government-adjacent customer. What Amodei wants is a resolution that restores his company’s standing without surrendering the safety commitments that provoked the dispute.

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The outlines of a compromise are visible. Anthropic would provide Mythos access for defensive cybersecurity purposes through civilian agencies. The administration would withdraw or narrow the supply-chain risk designation. The Pentagon would remain excluded unless a separate process for reviewing specific military use cases can be agreed. Both sides have incentives: Anthropic because the blacklisting is commercially damaging, and the White House because the technology is too valuable to forgo.

The pressure from abroad

The diplomatic dimension adds urgency. Anthropic is planning to provide Mythos to select British banks within days and is quadrupling its London office to 800 staff. The Bank of England’s Governor Andrew Bailey named Mythos as a cybersecurity risk in a speech at Columbia University on 15 April, and the Bank’s Cross Market Operational Resilience Group is convening an emergency briefing with the CEOs of the UK’s eight largest banks and representatives from the Treasury, the FCA, and the National Cyber Security Centre. Canadian Finance Minister François-Philippe Champagne described Mythos as an “unknown unknown” at IMF meetings.

The result is a situation in which America’s closest allies may have access to a critical national security tool before the US government does. That geopolitical reality gives the White House an incentive to resolve the dispute that transcends the original disagreement over safety guardrails. Bessent, whose Treasury Department is one of the agencies most eager for Mythos access, presumably made this point in Friday’s meeting.

What Friday means

The word “introductory” in the White House readout is carefully chosen. It signals that Wiles and Bessent are opening a channel, not closing a deal. The litigation is still active. The appeals court ruling still stands. Hegseth has not withdrawn his position. But the fact that the White House Chief of Staff and the Treasury Secretary sat down with the CEO of a company the Pentagon has blacklisted, and described the conversation as productive, represents a shift in the administration’s posture that would have been difficult to imagine six weeks ago.

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Amodei built the most capable cybersecurity tool in existence as a byproduct of building a general-purpose AI model, then restricted its release on safety grounds, then was punished by the government for maintaining those same safety principles, and is now being courted by that government because the tool cannot be replicated or replaced. That sequence is playing out not in a congressional hearing or a regulatory proceeding but in a room in the West Wing where the most powerful chief of staff in a generation, the Treasury Secretary, and the CEO of an AI company are trying to find a formula that satisfies national security, commercial reality, and the safety principles that started the whole fight. Friday did not produce that formula. But it established that everyone in the room wants one.

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This slick ‘downtime’ app finally helped me track the movies, TV shows, podcasts, games, and books I’m obsessed with

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We live in an age where an almost infinite amount of entertainment is available to us at the push of a button (or the tap of a screen): Whether it’s movies or video games or podcasts, there’s already an abundance of diverting content at our fingertips, with more being added with each passing day.

So how can we possibly keep track of it all? Everything we’ve seen, listened to, played, and read — and want to see, hear, play, or read as well?. That’s where Sofa comes in, an app for the iPhone, iPad, Mac, and Vision Pro that promises to help you “enjoy your downtime” by managing whatever it is that you might want to do with that downtime.

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This is part of a regular series of articles exploring the apps that we couldn’t live without. Read them all here.

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