Our social media feeds are being inundated by clips. Big names like Justin Bieber, reality shows like RuPaul’s Drag Race, and even AI companies like Perplexity — they’re all using bite-sized video segments to advertise themselves on social media. And they’re not just posting from their own accounts; they’re paying thousands of anonymous people to do it for them.
Tech
Why short clips are taking over your social media feed
This practice, a marketing tactic known as clipping, is everywhere — and still spreading. The Verge’s Mia Sato recently wrote a piece breaking down how the practice works and how it might be an existential threat to more nuanced, full-length content.
Sato spoke with Today, Explained co-host Sean Rameswaram about why everything is a clip now, the companies behind it, and what comes next.
Below is an excerpt of their conversation, edited for length and clarity. There’s much more in the full podcast, so listen to Today, Explained wherever you get your podcasts, including Apple Podcasts, Pandora, and Spotify.
How would you describe what’s happening on our Instagram feeds?
It’s basically the TL;DR-ification of the entire internet. It truncates everything we make and it all goes down to “We need a way for people to discover our content.” And right now, the way to get people to discover the content is to make clips of it, no matter what it is.
Think about the politics videos. You see Trump giving a speech that Aaron Rupar is posting. Or sports highlights from the game the night before. You see this with sort of every podcast becoming a video. A major reason that happened was because they needed something to put on TikTok, to put on Reels, to put on YouTube Shorts.
What made you want to write about this now?
The reason I felt like we needed to have a conversation about it is because of Clavicular.
Clavicular is really a great example where the point of his online existence is clips rather than the full live streams. They know him through these disembodied short videos of this other thing that exists, but nobody is seeing. And you have this person who comes from obscurity into getting a 60 Minutes interview.
I wanted to take this one example to illustrate a larger point about the nature of content on the internet and how people are working to go viral.
Is there a difference between the podcast clips that we talked about at the top of the show and what Clavicular is doing?
Clavicular is basically the industrialized version of a podcast that is just posting its own clips organically. The difference is that there’s an ecosystem under it that is paid.
For the month between March and April, I believe there were something like 1,600 clippers working on his behalf, generating tens of thousands of videos, billions of views, and all of that is paid. People are paid to post this content and paid based on how many views the clips get. And so it is completely a scale game. It’s a hundred percent trying to take advantage of the algorithms of social platforms. These pseudo-anonymous accounts are profiting based on how much these clips are showing up on all of our feeds.
How much money is there to be made here?
[Clavicular] oversees 62,000 clippers on his platform. Some people are making tens of thousands of dollars a month. He claims the average is around $3,000 a month. It’s not nothing. Is it enough to support a family? Can you support a family on clips? Maybe not. But brands are paying companies like this clipping platform; [they] basically say, here’s $10,000, make us go viral.
What kinds of companies are paying for this service?
I was kind of surprised by how many household names were using this type of service. RuPaul’s Drag Race. There were clip campaigns for AI companies like Perplexity. Dan Bongino, former second in command at the FBI, who has now gone back to being a full-time podcaster. I found clipping campaigns that appeared to be for Call of Duty, the video game. Political candidates, which really gets weird. So it really spans different industries. There’s definitely a variety.
When I’m scrolling through, say, Twitter, I know when something being put in front of me is an ad because it’ll say ad, but I don’t know when I’m seeing something organically or when I’m seeing something that’s been paid to be elevated into my feed. And I imagine it’s the same on Instagram or TikTok? That you’re seeing things that have been sort of pushed upon you alongside things that maybe have organically entered into your feed?
Yeah, and I think one of the things that clippers do is they make content that looks like it could blend in with organic content.
One rule of thumb that I like to share is, you can probably picture it now, you’re scrolling and you see a clip of the Joe Rogan podcast. The background is black, and on the black background there will be a caption that’s like, “I can’t believe bro said that. Shocked emoji.” You know what I mean?
I’ve seen that before. And then watch the video. And then nothing shocking is said, and I’m just like, “I hate the internet.”
There’s a really good chance that you were seeing paid clips. One of the campaigns that I found was promoting Perplexity via Joe Rogan’s podcast because Perplexity is a sponsor of the podcast. And so these clippers were hired to pump out a bunch of clips of Joe Rogan talking about Perplexity, and it would be hard, unless you checked the hashtags, to see that it was a paid piece of content. Buried in the hashtags, it says ‘Powered by Perplexity’, ‘hashtag sponsored’.
Even that is a better example of a disclosure. A lot of this content has zero disclosure whatsoever. You would have no way of knowing if the account was paid to post it or not, including, like I mentioned, I had found some political candidates hiring clippers. There was a candidate in Florida, a GOP congressional candidate who was running a clipping campaign with zero disclosure, which is, from my understanding, against the law.
It is really the Wild West because a lot of these companies are not disclosing that they’re paying these accounts.
Can I read you the most depressing pair of sentences in your piece that you wrote? That I sent to many people to be like, how depressing is this?
“But overindexing on the clipped version means eventually, the full-length content is a means to an end. If clips really are the present and future of media and reach online, one begins to wonder what justifies making the unclipped, complete content in the first place.”
It is so brutal because some of these things that are being clipped are, like, artful.
Yeah. I will say, I wrote those really depressing sentences because I feel this.
I’m a features writer. I write long things that are thousands of words long and are often behind a paywall. I make clips of my stories. I do the short-form video thing. I talk in front of my phone and explain my stories to audiences, and I know that very, very few people who watch that video will actually go and seek out my story and read it.
I wonder if you think — from having written this piece on “The Clippening,” as you call it — if this is just our moment or if this is our forever,
For me, it’s really hard to see an exit from vertical video because it is so dominant right now. At the same time, I don’t think anyone should completely put their trust into the TikTok algorithm or the Instagram Reels algorithm because you don’t want to put your trust into a tech platform that can change things on a dime and you will have no control over it.
I think the balance is, if you’re someone who wants new people to find out about your show or your story or whatever, you maybe need to be on short-form video. But how do you make it so the sad sentences that I wrote in my story do not become the reality, where the clips are the justification rather than creating the longer version, the real art or the real journalism or whatever? How do you avoid that as much as possible?
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Lightnin’ Hopkins’ Blues in My Bottle Returns on 180g All-Analog Vinyl Reissue From Craft Recordings: Review
One of the latest in Craft Recordings’ excellent Bluesville reissue series is a hard to find (and rather collectible) 1961 release by the great blues legend Lightnin’ Hopkins called Blues In My Bottle. Recorded exactly one week after I was born, the all-analog process (AAA) lacquers for this outstanding reissue were cut by Matthew Lutthans at The Mastering Lab at Blue Heaven Studio. The perfectly quiet, well centered 180-gram vinyl was pressed at Quality Record Pressing in conjunction with Acoustic Sounds.

Blues In My Bottle offers an extremely strong production aesthetic as far as early blues records go but the notion of whether it is “demo disc” worthy for showing off your audio system may be a matter of personal preference. I found the recording to be super intimate, just Lightnin’ Hopkins’ voice and acoustic guitar recorded in early stereo.
The kicker for me is the simple rawness of the recording which makes this album feel extra authentic on many levels. Stick with me here. You see, it seems that Mr. Hopkins, no doubt enthusiastic about recording, got a little too close to the microphone on certain tracks such as “Wine Spodee-O-Dee.” This resulting distortion (probably sending the VU meter into the red) is precisely what makes this recording feel so incredibly real, and in your face. Its less like you are listening to a studio session and more like he is performing in a club or bar where the artist moves around a bit periodically.

Don’t get me wrong: the recording is really good overall. Hopkins’ guitar sounds quite rich and natural, almost alarmingly so for recording that is 65 years old. And of course the songs are haunting, from “Death Bells” to “Jailhouse Blues” — this is some real deal acoustic blues.
A used copy of Blues in My Bottle surfaced in the bargain bin at a local record store just in time for this review, giving me a useful point of comparison for the new edition, even if it was not a rare original pressing. Probably from the late 1970s or early 1980s, it feels similar to the old Fantasy Records “Original Jazz Classics” series. However, instead of the ID number using the OJC prefix, it says “OBC” which I’m assuming means Original Blues Classics.

The OBC version sounds pretty good too, and that same distortion is in place leading me to believe it is very much a part of the original recording.
Comparatively, this new Craft Bluesville edition sounds much warmer than the OBC edition. The vinyl and pressing quality are world’s better as are the production elements right down to the labels and cover art. As you can see from this picture, they didn’t put a whole lot of effort into trying to re-create the original cover look and feel. Thus it turned it out almost monochromatic. The new edition is clearly the one to get. Highly recommended.
Where to buy: $34.12 at Amazon
Mark Smotroff is a deep music enthusiast / collector who has also worked in entertainment oriented marketing communications for decades supporting the likes of DTS, Sega and many others. He reviews vinyl for Analog Planet and has written for Audiophile Review, Sound+Vision, Mix, EQ, etc. You can learn more about him at LinkedIn.
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Tech
A $200 price cut just made the Sonos Arc Ultra much more tempting
Most soundbars make a reasonable attempt at filling a room with sound, but stop well short of convincing you that the sound is actually moving around you rather than just emanating from a bar under the television.
That gap is exactly what the Sonos Arc Ultra was designed to close, and it is now down from $1,099 to $899 on Amazon, saving you $200 on one of the more technically ambitious soundbars available at this price point.
The Sony Arc Ultra soundbar is now $200 cheaper, making it a standout upgrade for all your home entertainment
The Sonos Arc Ultra is a serious piece of kit, and $200 off makes the ask considerably more reasonable than it was at full price.

The key differentiator here is Sound Motion technology, which Sonos describes as one of the most significant breakthroughs in audio engineering in decades, allowing 14 custom-built drivers to produce clear, deep, and balanced sound from within a genuinely slim enclosure.
That driver array delivers a 9.1.4 spatial audio configuration with Dolby Atmos, which means sound is not just spread left and right but positioned precisely above and around you, making the difference between watching a film and feeling present inside one.
Dialogue clarity is handled separately through an AI-powered Speech Enhancement feature that actively detects the human voice and sharpens it across four adjustable levels, so dense scenes or quieter moments do not require you to reach for the remote.


Trueplay calibration measures the acoustics of your specific room and adjusts the sound output accordingly, so the Sonos Arc Ultra performs at its best regardless of whether it is in a large open-plan space or a smaller dedicated viewing room.
The setup runs through a single HDMI eARC connection, and control works across your TV remote, the Sonos app, touch controls on the bar itself, and Amazon Alexa, with Apple AirPlay 2 and Spotify Connect handling music streaming duties when the television is off.
The Sonos Arc Ultra is a serious piece of kit aimed at people who have already invested in a good screen and want the audio to match it, and $200 off makes the ask considerably more reasonable than it was at full price.
Not sure if the Arc Ultra is the right fit for your setup? Our best Bluetooth speakers, best smart speakers, and best outdoor speakers guides for 2026 run through the strongest alternatives across every use case and budget, so you can find the right option whether you are upgrading a living room, a kitchen, or a garden.
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AI eyes scanning for bugs create a worrisome Linux security trend
Security
Dirty Frag, Copy Fail, and Fragesia show the new reality
OPINION Dirty Frag, Copy Fail, and Fragnesia are less a random cluster of Linux bugs and more the public unveiling of how AI tools can pry open security holes with just a prompt or two. What they also have in common is their shared abuse of a core kernel abstraction: The page cache. What does this mean for you and me? Is this the rainstorm before a downpour of killer Linux security problems, or is this just a shower? It depends on who you ask.
Whatever else may be true, these problems must be addressed. As Igor Seletskiy, CEO of CloudLinux, said: “The real story here is that we typically see one or two kernel-level LPE (Linux privilege escalations) vulnerabilities that affect multiple distros/versions per year. And now we see two such vulnerabilities one week apart. We should expect this trend to continue for quite a few months, meaning companies might have to reboot servers weekly.”
Ouch!
But is this the start of a trend? Linus Torvalds, who knows a thing or two about Linux, said at Open Source Summit North America in Minneapolis that until recently, the kernel community would quietly notify distributions about a bug and ask them to upgrade without detailing the vulnerability, and “most of the time, nobody would figure out what happened.” That was then. This is now. With AI‑accelerated analysis, he recalled that “last week, we fixed the bug; within three hours, there was a blog post about the implications of that bug fix, because security people love getting attention.”
As a result of this kind of thing, Torvalds has changed how the Linux security community will deal with AI-discovered security holes. “AI-detected bugs are pretty much by definition not secret, and treating them on some private list is a waste of time for everybody involved – and only makes that duplication worse because the reporters can’t even see each other’s reports.”
In addition, Torvalds added, in the case of AI-discovered bugs, you need to keep in mind that just “because you found it with AI, 100 other people also found it with AI.”
That means we’re going to hear a lot more about Linux security problems. But are they getting worse? I asked Greg Kroah-Hartman, the Linux stable kernel maintainer, and he told me: “Maybe? It’s hard to tell; the ‘recent’ ones really are very minor, as the number of systems that have ‘untrusted users’ is not common anymore. I don’t see any real uptick in our actual bug fixes that I can tell.”
He continued: “We fix bugs like that on a daily basis, it’s just the rise of people wanting to ‘name a bug’ and release a public exploit seems to be all the rage at the moment.”
An important point that Chris Wright, Red Hat’s CTO, made at Red Hat Summit, the week before, is that in “security, all things aren’t created equal. There will always be a spectrum of vulnerabilities that will surface. Some of those will be really critical and we will need to respond very quickly, so that becomes a clear priority. Others will have a longer tail of lower severity.”
Torvalds also added at Open Source Summit that just because you read stories about Linux and AI-discovered bugs, you shouldn’t think the same thing isn’t happening to proprietary software, such as Windows. “If you think that AI can’t reverse engineer closed source, you’re in for a surprise.” In fact, he warned, “closed source is even worse in this respect, because the AI can’t help you fix those problems, but the AI sure can help find those problems in the first place.”
He also discouraged security researchers from publishing working exploits: “When it comes to things that really are security issues, you may not want to make the exploit public… Don’t be that guy who then crows about it publicly and says, ‘Look, I could bring down this big company.’”
Following on this theme, Christopher “CRob” Robinson, chief security architect for the Open Source Software Foundation (OpenSSF), told The Register that thanks to AI, “roughly 30 percent of reported Linux security bugs were duplicates. That’s going to be another problem in this AI age, where everybody’s a researcher, right, with a $20 cloud code account.” That, in turn, will burden already overworked maintainers with yet more patches to deal with.
Linux, Torvalds added, is something that its maintainers can handle. Smaller open source projects, however, are all too likely to be overwhelmed.
The real problem, according to what the Google Threat Intelligence Group has discovered, is that the mean time to exploit (TTE) for vulnerabilities has continually decreased “from 63 days in 2018 to -1 day in 2024 and further downward to an estimated -7 days in 2025. A negative number indicates that exploitation of a vulnerability, on average, occurred before a patch was released.”
So what does this mean? Yes, we’re going to see a lot more security vulnerabilities showing up in Linux and other open source projects. Yes, some of them will be serious, and all too many will have exploits out before the patches arrive. It’s not, however, that Linux has suddenly become less secure. It’s that AI eyes are much better at detecting bugs than human eyes have ever been. We will catch up, and AI can help with that, too.
In the meantime, system administrators and developers will have to be more security-conscious than ever before. As Wright told The Reg, it’s high time we switched from using SELinux in permissive to restrictive mode. Enforcing strict security is a pain, but what’s even more of a pain is having to rebuild your containers and servers after a serious attack gets through. ®
Tech
Philips launches a dual-sided monitor that lets two people work simultaneously on opposite screens in one rotating display unit
- Philips monitor lets two users work on opposite screens simultaneously
- Dual-sided design combines two Full HD displays in one unit
- Monitor rotates 180 degrees, and each side supports independent HDMI and USB-C connections
Philips has introduced a dual-sided business monitor which places two full HD IPS displays back-to-back inside a single rotating monitor structure.
The Philips 24B2D5300 uses two 23.8-inch panels running at 1920 x 1080 resolution with refresh rates reaching 120 Hz.
Each display includes separate HDMI and USB-C connectivity, allowing independent use from either side without requiring additional external display hardware.
Designed for multi-user and multitasking needs
Unlike earlier dual-sided products largely designed as digital signage, this model focuses on office productivity, collaborative workspaces, and customer-facing environments requiring shared screen access.
Philips describes the design as “two screens, one smarter interaction,” emphasizing shared access rather than conventional multi-monitor arrangements occupying larger desk footprints.
Two different users can share this single physical device without any conflict between their activities, or a single user can extend or mirror content across both screens for seamless collaboration.
The monitor supports a built-in 180-degree swivel mechanism, allowing quick rotation of the entire monitor unit, without repositioning the stand or disconnecting any attached power cables.
A feature called DualView enables independent operation of each screen from one connected computer source.
This setup works much like a daisy-chained configuration but uses no extra monitor stands or desks. Users can extend their desktop across both panels for more visible screen space.
Cloning the same image onto the opposite side is also an available option for presentations.
This device also features SmartView, which allows split-screen viewing on each display panel at the same time, meaning up to three different applications can run from a single connected computer unit.
Practical benefits
Philips claims this unusual design occupies only half the space of two separate conventional monitors.
Shared workstations, front reception desks, and customer-facing environments represent the intended use cases here.
Each of the two screen sides includes both an HDMI port and a USB-C port for flexible connections.
The monitor also incorporates SoftBlue Technology to reduce harmful blue light emissions significantly, and Philips notes this feature is “tested and TÜV Rheinland Low Blue Light (Hardware Solution) certified for its effectiveness.”
A pair of built-in stereo speakers handles basic multimedia playback needs without requiring external audio hardware.
An average home user probably has no genuine need for a screen facing two opposite directions simultaneously.
However, for an office space or a public domain where space is an issue, this device may be relevant.
Follow TechRadar on Google News and add us as a preferred source to get our expert news, reviews, and opinion in your feeds.
Tech
How Compaq’s Name Landed on a New Android Tablet

Compaq once stood as a giant in personal computers. Decades later, the brand lives on through licensing agreements with other companies. One result is the Qtab Pro, an 11-inch Android tablet now available on store shelves. The story behind it mixes history with everyday hardware in ways that keep drawing attention.
People who remember Compaq from the 80s and 90s may get a glimmer of nostalgia when they see the old logo again. Of course Compaq itself is long gone, all that’s left is the memory, because it merged with HP back in the day. Since then, a number of different companies have acquired the rights to use the brand on their products. Trident Corp, based in Mexico, now has the rights to use the Compaq name on a variety of devices. These include phones, smart TVs, Bluetooth speakers, and, yes, tablets such as this one. The Qtab Pro tablet costs $250 and comes pre-installed with Android 15.
Sale
TCL TAB 10 Gen 4 Android Tablet, 10.1” FHD IPS Display, Octa-Core CPU, 12GB RAM (4GB+8GB), 128GB…
- Immersive Visual & Audio Entertainment: The TCL TAB 10 Gen 4 tablet features a 10.1-inch IPS FHD display with 1920×1200 resolution and a 16:10 aspect…
- Smooth & Intelligent Performance: Driven by a powerful octa-core processor and enhanced with TCL NXTURBO hardware-software optimization, the TCL TAB…
- All-Day Battery Life with Fast Charging: Stay productive and entertained all day with the TCL TAB 10 Gen 4 Android tablet, powered by a 6000mAh…

When you first open the box, a few small surprises appear. There’s the tablet itself, as well as a clever little case that folds out to act as a stand, a charging adapter, a USB-C cable, a tool for removing the SIM card, and a manual, but the real kicker is that the tablet already comes with two fairly decent screen protectors installed on the display. That display is a standard 11-inch with full HD quality, and the device itself feels light as a feather, designed for carrying in your bag as a daily companion rather than making a statement.

Qualcomm’s Snapdragon 685 octa-core processor powers the operation, paired with 8GB of RAM and 256GB of storage. That’s more than enough power to handle the average user’s needs without breaking a sweat. You can watch videos in 1080p at 60 frames per second without a lag, and apps open quickly enough for browsing, streaming, and doing some work. They also included twin SIM slots, so you can stay connected on the road even when there is no internet available.

The software is as clean as it gets, as it’s almost stock Android. All of the Google apps load quickly, and there is little unnecessary trash on the device. Michael MJD performed a brief examination and discovered that it is running a security patch from mid-2025 and a weird updater program that requests some quite extensive rights, but otherwise it is a regular Android experience. The battery life is also pretty standard, lasting a couple hours of mixed use.
Tech
Best Memorial Day Mattress Deals: Helix, Saatva (2026)
Memorial DaY brings discounts to the mattress models we test all year long, and the sales are going strong. As a seasoned deal hunter, I know that mattresses go on sale pretty often, but whenever someone asks me the best time to buy, I tell them to wait until Memorial Day or Black Friday and Cyber Monday. If you’ve been in the market for a new mattress, now’s the time to act.
The WIRED Reviews team thoroughly tests the best mattresses long-term. We don’t conduct “nap tests” or base recommendations on first impressions. Our top picks are tried-and-true, and they’re on sale right now. We’ll also include some deals on bedding, pillows, mattress toppers, and other sleep accessories as we update this story through the weekend. Prices shown are for queen sizes.
Feel free to check out our many other sleep recommendations, including the best pillows for neck pain, the best body pillows, and the best sunrise alarm cocks. You might also want to read our guide on how to choose a mattress. And finally, we have some other Memorial Day deals coverage you might be interested in.
Updated May 24: We’ve checked prices, removed expired deals, added 5 new discounts, and ensured accuracy throughout.
WIRED Featured Deals:
Helix Sleep Midnight Luxe Hybrid for $1,824 ($675 off)—Use Code WIRED27
Use our exclusive coupon code WIRED27 to get 27 percent off our very favorite mattress for most people. We’ve seen it sell for about $100 less before, and they’ve thrown in more freebies, but this is still a great deal. Just be aware that the price might drop a little later in the month. In any case, the Midnight Luxe Hybrid is springy and medium-firm and should be well suited to any style of sleeping. The individually wrapped springs are zoned so that you have more support where you need it to prevent back pain. It also doesn’t get too warm, though it’s thick enough that you’ll want deep-pocketed sheets. It’s been our favorite mattress for over eight years.
Tech
Week in Review: Most popular stories on GeekWire for the week of May 17, 2026
Get caught up on the latest technology and startup news from the past week. Here are the most popular stories on GeekWire for the week of May 17, 2026.
Sign up to receive these updates every Sunday in your inbox by subscribing to our GeekWire Weekly email newsletter.
Most popular stories on GeekWire
S. ‘Soma’ Somasegar, 1966-2026: Microsoft and Madrona leader was a champion of developers and startups
Friends and colleagues remembered S. “Soma” Somasegar, the longtime Microsoft developer leader and Madrona managing director, as a generous mentor to developers and founders, and a fixture of Seattle’s tech community. … Read More
Jeff Bezos describes his $38B startup Prometheus for the first time: ‘Nothing to do with robotics’
In a CNBC interview, Jeff Bezos offered the most detailed public description yet of Project Prometheus, calling the secretive startup an “artificial general engineer” building next-generation design tools for physical objects. … Read More
Seattle, we’ve got an image problem
GeekWire co-founder John Cook argues that Seattle’s increasingly anti-business national image threatens the city’s standing as an innovation hub, exactly 30 years after Newsweek celebrated it as one of America’s great boomtowns. … Read More
AWS veteran Matt Wood returns to cloud giant in new role: chief AI and technology officer
Matt Wood, who spent more than 14 years helping to lead Amazon Web Services’ artificial intelligence and machine learning initiatives before leaving the company in 2024, is returning to the company in a newly created role as chief AI and technology officer. … Read More
Former Seattle Mayor Bruce Harrell has a new gig — startup CEO
Seattle-based Filium was started by apparel industry veterans Raj Shah and Akhil Shah in 2015, and makes technology that allows natural fabrics to repel odors, stains and liquids. … Read More
A ‘final season’ at Microsoft for Yusuf Mehdi: Longtime exec plans to leave after one last year
Yusuf Mehdi, one of Microsoft’s best-known and longest-serving business leaders, whose tenure has spanned 35 years from Windows 3.1 to Copilot, plans to leave the company after one more year — his “final season,” as he called it in an interview. … Read More
CEO of Paul Allen’s $3.1B science and tech fund steps down less than a year after launch
Dr. Lynda Stuart is departing as the first CEO of the Fund for Science and Technology, the foundation created under late Microsoft co-founder Paul Allen’s instructions. … Read More
‘One of a kind’: Tributes pour in for S. ‘Soma’ Somasegar, beloved tech mentor and friend
A consistent picture emerged: Somasegar was kind, generous with his time, humble, and a steadying presence. … Read More
SpaceX is churning out 70 Starlink satellites a week in Redmond, and other tidbits from its IPO filing
SpaceX disclosed in its S-1 filing that its Redmond, Wash., facility produces approximately 70 Starlink satellites per week, putting hard production numbers on the operation for the first time. … Read More
Amazon Leo’s leaders provide an inside look at the satellite broadband network’s past and future
Find out how Jeff Bezos got the ball rolling in the competition with SpaceX’s Starlink for space-based connectivity — and how Project Kuiper became Amazon Leo. … Read More
Tech
Google’s ‘Cast to TV’ could join AirPlay on iPhones thanks to EU
Apple will be adding support for Google Cast and other alternatives to AirPlay as part of iOS 27, in order to appease the EU’s Digital Markets Act.
The Digital Markets Act is viewed by Apple as a problem, due to a lack of clarity about regulatory requirements and their effects. While this has so far meant the blocking of some features from reaching the continent, Apple is meeting halfway by abiding by some elements.
One of those will apparently be a change to iOS 27 for connecting to other devices. While Apple already has AirPlay for that, it will be moving to add more support for other solutions.
Sources told Mark Gurman that third-party streaming support is on the way, according to his “Power On” newsletter for Bloomberg on Sunday. This would chiefly include supporting Google Cast, the Android-centric alternative.
Users will be able to set AirPlay or another framework as the default way of beaming content between devices.
It isn’t made clear whether the third-party solutions would be available as a global option or just for users in the EU. Apple hasn’t been consistent with how it implements such regulatory-based features, like with alternative app stores in the EU versus emulators being available everywhere.
There will be more changes on the way for iOS 27 to appease more EU demands, too. This apparently involves third-party app storefront support as well as sideloading.
Giving a digital inch
Apple’s compliance with the DMA with iOS 27 changes are inevitable, despite Apple’s defiance on the matter. Apple has been concerned about being pushed to comply, especially when dealing with the inherent security risks of opening up access.
The dislike of DMA and the EU’s push to comply has already led to various features not being available to European users.
This includes macOS Tahoe‘s Live Activities, mirroring those from the user’s iPhone. There’s also iPhone mirroring, a feature that displays the iPhone display on a Mac‘s screen, which has been absent since 2024.
While the iOS 27 changes won’t necessarily include already-blocked elements, it is a step on the long road for Apple to do so.
Tech
AirPods will be easier to manage with iOS 27 controls revamp
AirPods users will see different personal audio controls in iOS 27, with an improved settings menu that should make them easier to manage.
While AirPods don’t really have an operating system that gets featured at WWDC, the audio line can still be affected by changes. For WWDC 2026, that will involve iOS 27 as well as iPadOS 27, and macOS 27.
According to Mark Gurman in Sunday’s “Power On” newsletter for Bloomberg, Apple will be altering how the AirPods are controlled within the operating systems. A revamp for the settings menu will apparently make it more functional and better organized.
The change will make it easier for users to manage AirPods overall. There’s also a claim that major features will be better highlighted to users, however details were not disclosed in the report.
Apple is updating the controls after hearing feedback from users, who have apparently urged for there to be a separate AirPods control app. Such an app would copy the versions available to the Apple Watch and Apple Vision Pro.
However, it is doubtful that such an app would make its way to iOS and iPadOS anytime soon.
Tech
It seems watchOS 27 will only polish your Apple Watch experience, but no new tricks
The Apple Watch helped define the modern smartwatch industry when it launched in 2015. It transformed wearables from niche gadgets into mainstream consumer products, generated billions in revenue for Apple, and eventually became a gateway into the company’s broader health and wearables ecosystem. But more than a decade later, Apple now appears to be entering a far more uncertain phase in the category it once dominated.
According to Mark Gurman’s PowerOn Bloomberg newsletter, watchOS 27 is expected to focus largely on stability improvements, performance refinements, and smaller upgrades rather than major new features. While Apple is reportedly improving heart-rate tracking behind the scenes, the update may lack the kind of headline innovations that once defined the Apple Watch platform.
Apple’s wearables strategy is facing new pressure
The slowdown comes as the broader wearables market is changing rapidly. Consumers are increasingly moving away from screen-heavy devices and toward simpler products focused on passive health tracking, longer battery life, and AI-driven wellness insights.
Companies like Oura Health and Whoop have built major businesses around screenless rings and fitness bands that prioritize recovery, sleep analysis, and actionable coaching over notifications and apps. Even Google is reportedly pushing toward lighter, minimalist wearable experiences through Fitbit products.

Apple still holds major advantages through its ecosystem integration, hardware design, and health sensors. But critics increasingly argue that the company risks becoming too cautious while rivals move faster in AI-powered health technology.
The issue may not only be hardware. Apple’s Health app, despite years of development, is often criticized for presenting large amounts of medical data without delivering meaningful insights or personalized coaching. Competitors like Oura and Whoop are increasingly focusing on turning raw health information into practical recommendations and behavioral guidance.
Leadership changes add more questions
Apple’s health division has also seen major leadership turnover. Former COO Jeff Williams, long associated with Apple’s health strategy, retired last year, while multiple senior executives tied to Apple Watch, health, and Fitness+ initiatives have recently departed the company.

Incoming CEO John Ternus is expected to keep health and AI central to Apple’s long-term roadmap, but many of the company’s more ambitious health projects remain years away. One of the most closely watched efforts is Apple’s noninvasive glucose monitoring project, which aims to measure blood sugar levels without finger pricks or blood draws.
For now, though, watchOS 27 may reflect a company choosing refinement over experimentation. That strategy helped Apple avoid many Silicon Valley-style missteps in the past. But in areas like AI and digital health, where competitors are evolving rapidly, playing it safe may no longer be enough.
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